what are your suggestions for starter poetry for people who dont have strong reading/analysis backgrounds
I've answered this a few times so I'm going to compile and expand them all into one post here.
I think if you haven't read much poetry before or aren't sure of your own tastes yet, then poetry anthologies are a great place to start: many of them will have a unifying theme so you can hone in based on a subject that interests you, or pick your way through something more general. I haven't read all of the ones below, but I have read most of them; the rest I came across in my own readings and added to my list either because I like the concept or am familiar with the editor(s) / their work:
Staying Alive: Real Poems for Unreal Times (ed. Nick Astley) & Being Alive: The Sequel to Staying Alive (there's two more books in this series, but I'm recommending these two just because it's where I started)
The Rattlebag (ed. Seamus Heaney and Ted Hughes)
The Ecco Anthology of International Poetry (ed. Ilya Kaminsky & Susan Harris)
The Essential Haiku, Versions of Basho, Buson and Issa (ed. Robert Hass)
A Book of Luminous Things (ed. Czesław Miłosz )
Now and Then: The Poet's Choice Columns by Robert Hass (this may be a good place to start if you're also looking for commentary on the poems themselves)
Poetry Unbound: 50 Poems to Open Your World(ed. Pádraig Ó'Tuama)
African American Poetry: 250 Years of Struggle and Song (ed. Kevin Young)
The Art of Losing: Poems of Grief and Healing (ed. Kevin Young)
Lifelines: Letters from Famous People about their Favourite Poems
The following lists are authors I love in one regard or another and is a small mix of different styles / time periods which I think are still fairly accessible regardless of what your reading background is! It's be no means exhaustice but hopefully it gives you even just a small glimpse of the range that's available so you can branch off and explore for yourself if any particular work speaks to you.
But in any case, for individual collections, I would try:
anything by Sara Teasdale
Devotions / Wild Geese / Felicity by Mary Oliver
Selected Poems and Prose by Christina Rossetti
Collected Poems by Langston Hughes
Where the Sidewalk Endsby Shel Silverstein
Morning Haiku by Sonia Sanchez
Revolutionary Letters, Diane di Prima
Concerning the Book That Is the Body of the Beloved by Gregory Orr
Rose: Poems by Li-Young Lee
A Red Cherry on a White-Tiled Floor / Barefoot Souls by Maram al-Masri
Deaf Republic by Ilya Kaminsky
Tell Me: Poems / What is This Thing Called Love? by Kim Addonizio
The Trouble with Poetry by Billy Collins (Billy Collins is THE go-to for accessible / beginner poetry in my view so I think any of his collections would probably do)
Crush by Richard Siken
Rapture / The World's Wife by Carol Ann Duffy
The War Works Hard by Dunya Mikhail
Selected Poems by Walt Whitman
View with a Grain of Sand by Wislawa Szymborska
Collected Poems by Vasko Popa
Under Milkwood by Dylan Thomas (this is a play, but Thomas is a poet and the language & structure is definitely poetic to me)
Bright Dead Things: Poems by Ada Limón
Teaching My Mother How to Give Birth by Warsan Shire,
Nostalgia, My Enemy: Selected Poems by Saadi Youssef
As for individual poems:
“Wild Geese” by Mary Oliver
[Dear The Vatican] erasure poem by Pádraig Ó'Tuama // "The Pedagogy of Conflict"
"Good Bones" by Maggie Smith
"The Author Writes the First Draft of His Weddings Vows (An erasure of Virginia Woolf's suicide letter to her husband, Leonard)" by Hanif Abdurraqib
"I Can Tell You a Story" by Chuck Carlise
"The Sciences Sing a Lullabye" by Albert Goldbarth
"One Last Poem for Richard" by Sandra Cisneros
"We Lived Happily During the War" by Ilya Kaminsky
“I’m Explaining a Few Things”by Pablo Neruda
"Stopping By Woods on a Snowy Evening" //"Nothing Gold Can Stay"//"Out, Out--" by Robert Frost
"Tablets: I // II // III"by Dunya Mikhail
"What Were They Like?" by Denise Levertov
"Those Winter Sundays" by Robert Hayden,
"The Patience of Ordinary Things" by Pat Schneider
“I, too” // "The Negro Speaks of Rivers” // "Harlem” // “Theme for English B” by Langston Hughes
“The Mower” // "The Trees" // "High Windows" by Philip Larkin
“The Leash” // “Love Poem with Apologies for My Appearance” // "Downhearted" by Ada Limón
“The Flea” by John Donne
"The Last Rose of Summer" by Thomas Moore
"Beauty" // "Please don't" // "How it Adds Up" by Tony Hoagland
“My Friend Yeshi” by Alice Walker
"De Humanis Corporis Fabrica"byJohn Burnside
“What Do Women Want?” // “For Desire” // "Stolen Moments" // "The Numbers" by Kim Addonizio
“Hummingbird” // "For Tess" by Raymond Carver
"The Two-Headed Calf" by Laura Gilpin
“Bleecker Street, Summer” by Derek Walcott
“Dirge Without Music” // "What Lips My Lips Have Kissed" by Edna St. Vincent Millay
“Digging” // “Mid-Term Break” // “The Rain Stick” // "Blackberry Picking" // "Twice Shy" by Seamus Heaney
“Dulce Et Decorum Est”by Wilfred Owen
“Notes from a Nonexistent Himalayan Expedition”by Wislawa Szymborska
"Hour" //"Medusa" byCarol Ann Duffy
“The More Loving One” // “Musée des Beaux Arts” by W.H. Auden
“Small Kindnesses” // "Feeding the Worms" by Danusha Laméris
"Down by the Salley Gardens” // “The Stolen Child” by W.B. Yeats
"The Thing Is" by Ellen Bass
"The Last Love Letter from an Entymologist" by Jared Singer
"[i like my body when it is with your]" by e.e. cummings
"Try to Praise the Mutilated World" by Adam Zagajewski
"The Cinnamon Peeler" by Michael Ondaatje
"Last Night I Dreamed I Made Myself" by Paige Lewis
"A Dream Within a Dream" // "The Raven" by Edgar Allan Poe (highly recommend reading the last one out loud or listening to it recited)
"Ars Poetica?" // "Encounter" // "A Song on the End of the World"by Czeslaw Milosz
"Wandering Around an Albequerque Airport Terminal” // "Two Countries” // "Kindness” by Naoimi Shihab Nye
"Slow Dance” by Matthew Dickman
"The Archipelago of Kisses" // "The Quiet World" by Jeffrey McDaniel
"Mimesis" by Fady Joudah
"The Great Fires" // "The Forgotten Dialect of the Heart" // "Failing and Flying" by Jack Gilbert
"The Mermaid" // "Virtuosi" by Lisel Mueller
"Macrophobia (Fear of Waiting)" by Jamaal May
"Someday I'll Love Ocean Vuong" by Ocean Vuong
"Still I Rise" by Maya Angelou
I would also recommend spending some times with essays, interviews, or other non-fiction, creative or otherwise (especially by other poets) if you want to broaden and improve how you read poetry; they can help give you a wider idea of the landscape behind and beyond the actual poems themselves, or even just let you acquaint yourself with how particular writers see and describe things in the world around them. The following are some of my favourites:
Upstream: Essays by Mary Oliver
"Theory and Play of the Duende" by Federico García Lorca
"The White Bird" and "Some Notes on Song" by John Berger
In That Great River: A Notebook by Anna Kamienska
A Little Devil in America: Notes in Praise of Black Performance by Hanif Abdurraqib
The Book of Delights by Ross Gay
"Of Strangeness That Wakes Us" and "Still Dancing: An Interview with Ilya Kaminsky" by Ilya Kaminsky
"The Sentence is a Lonely Place" by Garielle Lutz
Still Life with Oysters and Lemon by Mark Doty
Paris, When It's Naked by Etel Adnan
2K notes
·
View notes
Good and Bad news
Howdy guys! I don't talk to y'all one on one too much, but I want to keep you in the loop.
To start off, I am so super thankful for the support this comic has received!! This is my first real venture into comic making, I am so incredibly grateful to have such a positive reception.
Onto the bad news, y'all may have noticed my posting speed has slowed. I'm very busy in college (graduating with my AA this summer!) between a radio show, being president of the creative writing club, and keeping up with homework, which means I don't have a ton of time to work on personal projects, and when I do, I try to chase what gives me the most dopamine. This isn't super relevant, however, just a peek into my creative process.
The Bad News
Surfclan is going to go onto hiatus after the next two posts so I can work on the overarching story I want to portray. These two posts will finish Arc 1 of Surfclan, which I am happy with and have ironed out, but the draft I have for the rest of the series is kind of cobbled together and not satisfying, certainly not work I'm proud of. If I'm going to dedicate so much time to something, I want it to be work that I am proud of. As a writing student too, it's not right to put so little effort into the writing.
I went into Surfclan without a plan. I wanted a coastal set of clans to worldbuild with, but I had no idea for plot. I let the generator decide what that plot would be, which is fine! But I wasn't given much besides a clan that grew at a decently steady rate and got into occasional shenanigans. I need to put those pieces together properly and figure out how to best portray the themes I want in a respectful manner (right now, there's a heavy theme of colonialism that I just don't think I'm quite ready to handle tactfully.)
If you aren't using Surfclan, can I?
Absolutely! Please feel free to use Surfclan as background characters or cats to fill out gatherings. I am always happy to organize plots in DMs and weave it into Surfclan's eventual finalized script. As long as my babies are kept relatively in character, I have no issues with making it canon. If they aren't, no worries! It just won't be canon to Surfclan. Think of it like an AU!
When will you be back?
I'm not sure, but I'm always happy to answer DMs if you want to chit chat, and I will make a post announcing Surfclan's return when I am ready.
What's the good news then?
Surfclan was always designed to be a "for fun" project that I didn't put too much effort into, hence the scattered upload schedule and art styles, but now that I've experimented a bit, I'm ready to get into comic making more seriously. While I brainstorm ideas for Surfclan I will be shifting focus towards a new Clangen blog loosely based on marshmallow_cat3's Dark Forest challenge and @gray-thistleclan .
Cottonmouth Clan has distinct win and lose conditions and a solidified plot with mysteries to discover. I'm currently working on world building and character design that will be posted to my main blog, @antlermoss. I will have a post up there when I have my details organized with the rules for the challenge, of which you are welcome to use in your own games and comics!
I will reblog Cottonmouth's starter post here when I am ready.
I appreciate your patience and understanding, and hope you guys enjoy the new project (:
36 notes
·
View notes
Hi there! I've really enjoyed your blog-- there's a lot of good information on it. In fact, I just wrote a novel set in ancient Thebes, set in 335 BCE, right before Alexander's attack. However, I'm a little scared to write the sequel, because Alex is going to show up in it as a major character. He is SO famous, and there's so many books about him, that I hardly know where to begin.
So, do you have any specific books you recommend, like any good starter bios or anything else that would be good for this specific setting? (Specifically against the destruction of Thebes and right before the invasion of Persia.)
Thank you so much!
Some Useful Bibliography on Alexander (and Thebes)
Thank you! And sorry for the delay. The queries in my inbox tend to be feast or famine. LOL
In terms of information on Alexander, I would start with the brand new Cambridge Companion to Alexander the Great, edited by Daniel Ogden. It has many of the leading scholars. On Alexander and the Greeks in particular, see my dear friend Borja Antela’s chapter. This is now what I’d consider the best intro resource on Alexander for the interested non-specialist, especially as it’s reasonably priced. The bibliography will help a lot. For Macedonia itself, Carol Thomas has Alexander and His World (which I’ve used teaching) and Carol King has Ancient Macedonia. Both are good, one-book introductions.
If you’ve not already, you’ll want to consult Mark Munn’s chapter “Thebes and Central Greece” in The Greek World in the Fourth Century, Larry Tritle, ed. Paul Cartledge also has a book Thebes: The Forgotten City of Ancient Greece, but he’s a Spartan specialist. Lately, publishers have had him write on other subjects—not always to good effect, as per his book on Alexander, imo. But I’ve not read this one so can’t comment. I think Thebes is closer to his usual bailiwick.
James Romm did a book The Sacred Band., although like Cartledge Romm is all over the place. Same cautions apply. And I’ll also offer the counter-proposal that the band was not pairs of lovers, by David Leitao, "The Legend of the Sacred Band," in The Sleep of Reason by Martha Nussbaum and Juha Sihvola, eds. His view is not a homophobic diss; it’s a source problem. Plutarch is our sole source for the lovers bit, and he’s notoriously unreliable on some facts, especially when he has an ulterior message.
The more I study Plutarch, the less I trust him. LOL
Last, another friend and colleague, Jenn Finn has written a bang-up chapter on the destructions of both Thebes and Persepolis, for the upcoming collection I edited, so I got a preview. “Urbicide, Memory Sanctions, and the Perso-Macedonian Dynasty.” I’m not sure when the collection will be out, but certainly not before late 2024, and more likely 2025. She might be willing to share the draft, however, if you need it immediately. She’s at Loyola U. in Chicago. As always, Jenn does fantastic work.
18 notes
·
View notes