I feel like talking so, you're gonna get it.
This Is Why is Paramore's best album (and I am an after laughter truther), I was skeptical bc of CCC and the length of it but tbh, the album as a whole is so cohesive and flows nicely together. It's the perfect length for a drive, a shower, even doing the dishes. Some of their best lyrics (Crave & Thick Skull) to date... I wish I knew more about music theory so I could dissect it, but even the sound has matured. I truly think this is the beginning of their actual true sound..
Forgive me, I spend too much time on Reddit but people who hold on to brand new eyes and riot as their best are just wrong lol! I wish I could feel casual about this, but I've followed this band since 2007 when I was 12... and to really grow up with Hayley has been an incredible experience. She has inspired me in so many ways, I relate to her personal solo music and I just think she / paramore are one of the most authentic musicians of our time!!!
Anyways, Crave... all time song of our existence... truly their best song. Thanks for reading, love your blog! I submitted for the zine and can't wait to see everyone's work for this fantastic album!!!!
oh i welcome this ask with open arms! <3 if you're interested in music theory, stereogum did a piece on ROOT that was extremely interesting to read.
i don't know if paramore will ever develope a true sound? i think they're artists that are always on the search for new ways to express themselves through music. i think describing what makes paramore, paramore, is difficult as it's almost more of a feeling? does that make sense? i used to think it was hayley's voice, but then again i think no friend is such a paramore sounding song.
the people who think riot is their best album doesn't know paramore's discography and are just stuck in time. it's okay to love the sound of the record, and now years later it's a defining album for that particular sound in the 00s. but paramore then and paramore now are just so detatched to me. it's not the same band anymore. i agree that bne is one of their strongest albums but then you have AL and tiw who i think are both much stronger bodies of works.
i'm a little too young to have been here from the beginning, but they've been such a monumental (<- pun intended 😎) band to me throughout my pre-teen/teenage years and now young adulthood- just like you <3 every album have defined my life in different ways and i'm so happy to be a small part of the fandom here on tumblr.
and AH!! it makes me so happy to hear that you submitted something for the zine!!! <3 can't wait for it to be posted tomorrow (well technically today for me) so we can share all the great art and writing we've gotten! @ignorancelive have been working their ass off to put it together <333
here's to 1 year of this is why <3
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"You utter fool!"
"Bow to me!"
"Behold the power of a king!"
Ngl Malleus' Magic 3 attack lines are so dominant and mean that they're doing something to me.
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⚠️ Warning: questionable horny
An overblotted Malleus trying to scare 🌸 into submission. He pins them against the wall and grips their waist so tightly it marks angry red streaks. He whispers terrible words to them; the brutality he wants to do to them, how he would devour them slowly, how he would defile their unconscious body once he breaks them. He connects his feelings with them to feel the utter fear that feeds his corrupted power.
... Except the energy feeding him is an inexplicable feeling of thrill and ecstasy.
Confused, he digs his nails onto their skin deeper.
"Please hurt me-- I mean please don't hurt me." They hiss under him.
"Oh I will not. Not yet. After all, you're yet useful to me when I rut you like a wild animal and forcefully make you carry my spawn--"
"Oh god yes."
"... That was a threat."
"I mean, oh god no."
The overblotted monster could only stare at them blankly, not knowing what to do.
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I think one of the (several) reason for why Shadowbringers is so good is because the narrative is more about the individual characters than it is the Greater Conflict.
Like, the Greater Conflict is definitely there, obviously, it's what keeps the story going, but the focus is always on the people, much more so than the other expacs. HW and STB also have some level of character focus ofc, but it's very selective and even then the focus is based on them in the specific context of the current conflict.
But in SHB, the story bends around the characters' narratives, rather than the other way around. The story forms to put them in situations that challenges their flaws and limitations, by forcing them to confront it and actually deal with it. Even just at the very beginning, you see the twins being dealt a terrible hand that very neatly clashes against their faults.
Alisaie is confronted with a situation that she can and could never do anything about. She has no means to help the patients (at the time at least). The only way for her to help them is by eradicating the source of the affliction itself: the Light. But the Light isn't just some Big Bad she can kill and be done with. Even when all the lightwardens are down the Light is still there, it's just more manageable. Alisaie learns to not only see the bigger picture, but to care for it for her own reasons. For all that she has participated in Big Operations, it has always been because that's what others were doing, what others cared for to be done. She feels for the people of Doma and Ala Mhigo, but she didn't set out to liberate their homelands because she has any personal investment in it. But other people do, and she cares about what other people- be they strangers or friends- care about.
Caring about other peoples feelings and opinions isn't a flaw by itself of course, but doing things without any sense of personal purpose, is. This is what SHB helps her fix and confront, because it is personal now, she does it because she cares.
Alphinaud is forced into a situation where diplomacy and negotiations does and would never work. He can't talk himself into Eulemore, and he sure as hell can't convince Vauthry or the free citizens to let go of their life of ignorant luxury. The problem here also isn't as straightforward as a corrupt ruler, because even after Vauthry is revealed for the bastard he is, it takes considerable effort and convincing to get them to get off their asses and get to work. It's one thing to change the minds of people who wanted the same outcome just in a different way (like Ishgard- they rejected unity with the dragons, but they still wanted an end to the war), but it's another thing entirely to convince people that another way of life is even worth it.
And this is what SHB teaches Alphinaud, that words and deeds can achieve much, but that there is much more to diplomacy than appealing to their wants and/or sensibilities to convince them of an alternative outcome. His development may not be as immediately noticable as some of the others (largely bc he had a lot of it already from HW), but it is still very much there.
Urianger's development had already been build up and sort-of started already, but we don't really get to see it until it near explodes in his face after we kill Vauthry. Even after he swore off secrecy, he's forced to confront his morals when the Exarch bids his assistance. Urianger has always been looking at the greater picture, to the point he'd almost lose himself in it if it wasn't for the overwhelming guilt he feels. He works with the Exarch, because he knows he's the only one capable of it, and he hates the very fact that he is. When the climax of the plan is about to be executed, he is pained to the point that even he can't mask it anymore. He has betrayed their trust once more and once more it will result in the death of a friend.
But it doesn't, and that's what's needed for him to confront himself. As terrible and unexpected as the circumstances around it was, it did show him that there are other ways. There is no one way to solve a problem, the first choice doesn't need to be the only one. And he would find those other ones of he had just talked to the others.
The pay-off doesn't quite come until EW, where we see him actively make the choice to go against his first instinct of acquiesing to the Loporrits' plans, and instead chooses to consult us, but that scene wouldn't have made sense or even happened had it not been for his development in SHB.
Now, Y'shtola is a bit of an odd one because while she does get her due focus, she doesn't quite get the same amount of development as the others. Rather, it shows how she thrives when not held back by others interests and (often somewhat needless) bounderies. Her intelligence and charisma have the chance to shine, her independence and confidence now rewarded rather than punished. In ARR, she is constantly annoyed by the Maelstroms way of dealing with things, and how no one bothers to actually listen to her. Her advice and reprimands are almost entirely ignored until the problem blows up in their faces and they have no choice but to concede that she was right.
Being independent and confident aren't flaws by themselves, but her sometimes aggressive approaches to telling others off does her few favors. In SHB, she has the Night's Blessed who actually heed her word and respect her, they listen to her and actually take what she says- be it advise or reprimand- to heart.
She does also, however, have to deal with Thancred who, much like the Maelstrom, ignores her reprimands and doesn't listen to her. The difference here is that her bluntness actually serves a purpose. In ARR, her bluntness lacks tact and meaning, simply a result of frustration. The Maelstrom won't listen to someone who doesn't come up with fleshed-out arguments and solutions, but Y'shtola doesn't bother giving them any until she knows they'll listen. But with Thancred, she does give him the solution. It's just that the solution is him. His words, to be precise, and his acceptance. And he needs to be reminded of that, and she does. It doesn't automatically solve anything, but that's simply how it is with complicated situations like that.
Speaking of Thancred, his narrative is probably the most important of all for SHB. He's always been shown as a capable, but ultimately self-destructive man who genuinely does not know how to deal with himself in a healthy manner. Theoretically speaking he knows, he recognizes that he is self-destructive, but he still has no idea how to actually fix it. It's been shown as early as ARR when it results in him getting possessed, but it's not really made a point of until it almost ruins his relationship with Ryne. Up until now he could just ignore his problems, but with Ryne he can't because now The Problem(s) aren't just his anymore. Anything that would hurt him now would also hurt her, meaning that if he wants to continue doing the one thing he actually cares about (protecting his loved ones) then he needs to get his shit together.
But Thancred doesn't know how to. And for all that his friends try and try to help him, he doesn't know how to. He's paralyzed. Thancred is so deep into his self-destructive habits that it takes the threat of both his and the person(s) he loves the most in the worlds deaths to get him into action. He doesn't know if it's Minfilia or Ryne who will return, and I'm not sure he expected to survive Ran'jit. He only has this chance, and if he wants to die without (as many) regrets he has to do something now.
And he does. He does and what it is he does is tell Ryne that whatever happens, it has to be her own choice. That he will accept any outcome, that he will still care about her no matter what, that as long as she lives or dies as she wants to, that he still loves her. He still loves her. And it works, because that's what he's needed to do all this time, to be able to just tell her that she matters. That he cares.
He tells her to live her own life, and he learns to live his own too.
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Crazy how saying “despite its flaws I think WoF is a pretty good book series” can be called a controversial take on WoF Tumblr. Like there’s this underlying tone over every discussion that the books we talk about suck and fall apart if you try to look at them critically. I don’t love everything about WoF, especially not modern WoF, but there’s things these books do better than other middle grade books. It’s also worth mentioning that yes, these books are made for 8-12 year olds, so if you’re not into it anymore, that’s perfectly fine, go read books meant for your age group lol.
Bottom line, there shouldn’t be any shame in enjoying these books, you don’t have to say “growing up is realizing wof sucks” and “real wof fans hate wof” or something. I think if people really did hate it nobody would talk about it as much as they do anyway.
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