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#i'm afraid I rambled to much...
commaafterdearests · 2 years
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A ✨Deep Dive✨ on The Baroness, Maria, and the Sound of Music Score
I’m genuinely in one of those moods again, so here’s an _ExpandedRevised.docx version of my thread! Buckle up! This is genuinely going to be so long. 
Let’s begin at the confrontation scene: our characters, Maria and Elsa Schraeder. At this point, Elsa has broken the unshockingly shocking news that Georg is in love with Maria, and Maria is mortified. Before the scene starts, as Elsa enters Maria’s bedroom, we hear very faint strains of music only to transition from the party to the private-ness of Maria’s room. No music is actually heard in this scene -- no additional dramatics. The Goodbye Maria/How Can Love Survive Waltz - Medley (which begins with Edelweiss) begins only as Elsa exits the scene.
Now, for those who don’t know what How Can Love Survive is, it’s a song from the original Broadway Musical sung by Elsa and Max as they detail why she and Georg are yet to be engaged. 
As Elsa exits the scene and leaves Maria alone in the frame, in confusion and anguish, faint strains of Edelweiss plays. I’ll detail why that bit makes me cry later on, but let’s talk about how as the scene cuts to Elsa downstairs, looking smug as she walks into the ballroom -- smug and sure that Maria will be leaving them, the music transitions to How Can Love Survive. 
How Can Love Survive is a “champagne problem” sort of song. It talks about how money is usually in the way of romance and how utterly difficult it is to show your significant each other love when you’re rich -- but it’s alright, they’ll keep it alive anyways, as seen in this lyric.
Caught in our gold-plated chains are we, Lost in our wealthy domains are we, Trapped by our capital gains are we, But we’ll keep romance alive—
Personally, it details the shallowness of the relationship between Georg and Elsa, and also an insight on how different they are in terms of loving their significant other. The significant change of removing this in the film makes Elsa’s relationship with Georg feel much more natural -- as if drawn to each other through seeking companionship. But why use this now? It could’ve been placed anywhere within the film. Why choose this specific moment? 
It’s important to note that Elsa views Maria as a nobody -- an orphaned young woman who happens to be a postulant at Nonnberg Abbey, who also happens to be a governess in the Von Trapp home. But Maria also stands for everything that Elsa isn’t. Maria likes everything that Elsa does not -- all of which Elsa lists in How Can Love Survive. It’s a shallow song, again, sung jokingly. But in this particular scene, it answers Elsa’s question of “how can love survive?” 
Eliminate the competition, and perhaps then, Georg will learn to love her and only her. We see later on that this doesn’t happen, and if her bittersweet farewell is any indication, she’s just a woman in need of love but used so thoroughly for her money and influence.
But now the music changes again! (Bold text to keep us back on track because I got too sad about How Can Love Survive)
After Elsa’s finally in the ballroom and proposed a toast with Max because she’s gotten rid of Maria, the Edelweiss Waltz plays.
Now, I’ll be detailing why exactly I sob during these last few minutes before intermission! 
We know that the scene before The Grand and Glorious PartyTM  is the Edelweiss Scene. I don’t think I need to detail the fact that after Georg sings, he and Maria share a comfortable look -- she looks like she’s in heaven, and he gives her one of those unsure smiles... right before Elsa interrupts them with the idea of a party. And I always say that he looks at her at the very last “bless my homeland forever” unknowingly because she feels like everything home represents to him.
Edelweiss is like the oh. o h. moment when one of the characters finally realizes how much the other means to them. It, then, becomes an unspoken, subtler representation of their love -- or of love, in general, in the movie (Edelweiss sung to family = familial love, to Austria = love for country, etc.). 
To see Georg and Elsa dancing to Edelweiss -- a representation of love -- feels like a slap to our faces then. Because we know that Georg isn’t in love with Elsa -- at least romantically. We know that Elsa isn’t his homeland, but perhaps he’s pretending that she is, or making himself feel as if she’s the one that he wants or must want.
What about Maria and his mixed emotions, then?
This part feels most heartbreaking to me because this is where Georg -- who has chosen to stand firm in everything he believes -- chooses convention. 
Dancing to Edelweiss in a ballroom full of people, everyone watching them be the conventional couple -- as opposed the picture the Laendler paints, which is everything that this waltz is not.
He sets aside his feelings for Maria because how does he love her openly? 
And in this moment, Maria also chooses to leave, because it has to be the wisest choice. Why on earth would she stay when she’s “getting in the way?”
So, to answer the question: 
How can love survive? 
Before the Intermission begins, we’re all heartbroken because Georg chooses Elsa -- and we established that she got the answer to making her love survive. Making Maria leave. 
And Maria goes with this because how can her love survive anyways? To ask for the Captain’s love would be wrong. To leave God felt impossible, and she’d feel more confused with whatever she felt with every passing minute. So she chose to leave. 
Now I’m impossibly weepy over two songs, and will need to re-watch the entire movie. I’m afraid I rambled too much, but thank you for making it this far? Warm hugs!
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coquelicoq · 6 months
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we get a lot of really great stuff in system collapse about murderbot's relationships with ART and ratthi, which makes sense, because it spends almost the entire book with them. but i also love how even though mensah isn't there for most of the story, other people keep reminding mb of her:
chapter 2, page 25: “From ART’s personnel file, she [Karime] was older than Mensah and she didn’t look like an intrepid space explorer, either, even in the protective environmental suit.”
2, 27: “It took Karime three seconds to process the abrupt statement. (She was almost as good at not looking annoyed as Mensah was.) She kept her expression neutral and patient.”
2, 28: “In the underground colony room, Karime lifted her brows. ‘Another occupied site?’ I thought she was being careful not to show too much reaction. It was the way Mensah would have played it.”
4, 70: “Iris looked at me and I saw her hesitate, because her hesitation looked a lot like Dr. Mensah’s hesitation. And I realized I really didn’t want to go down there.”
5, 104: "Iris has that same thing as Dr. Mensah, the thing where she’s able to look and sound calm under circumstances where shit is possibly about to go down.”
it's spent so much time with her and it knows her so well and respects her so much that she's the model against which it compares all other humans. it thinks about her when they're not together. it's protective of her. it has such total faith in her competence. it (non-romantically) loves her and doesn't want to not see her again. idk man, it just gets to me! and they were teammates (oh my god they were teammates!!)
bonus:
I said, aloud, "You have to be kidding me." (ch. 2, p. 28)
seven pages later, in reaction to the same thing:
Mensah had had time to review the feed video. She muttered, "Oh, you have to be kidding me." Yeah.
twinsies 🥰
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DRAWING BACKGROUNDS: TIPS AND TRICKS
So many people are afraid of drawing backgrounds and I think it's a shame, so here's some tips and tricks, because I'm not perfect at it myself but I think the hardest part is really just knowing where to start.
First off: Perspective
Yeah, yeah, that's the scary word. But I promise you, once you're familiar with the basics, backgrounds are a LOT less intimidating. Don't get discouraged if WHEN you have trouble with it. Even professional artists struggle with it. I promise you, screwing it up is good and normal. That's how you learn after all!
Now I'm not going to go into detail on how to do it here, because honestly there are a thousand and one free resources online and in libraries that can explain it far better than I ever could in a singular broad-strokes tumblr post. But I AM at least telling you you should familiarize yourself with these basics:
Important Terms: Horizon Line: A horizontal line across your canvas, showing your viewer's eye level and providing a location for most of your vanishing points. Vanishing Point: Integral to drawing in perspective. The sides of a 3D object get smaller as they become farther away from the viewer in space. This point is where the parallel lines of a side eventually meet.
The Basic Types of Perspective: One Point Perspective: Good for drawing things that you're looking at straight on. Two Point Perspective: Good for drawing things at an angle. Three Point Perspective: Good for drawing things the viewer is looking up or down at, especially at an extreme angle.
[Click images for ALT descriptions]
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And if you're comfortable with these and serious about improving your skills for use in storytelling, I also might suggest looking up:
4 Point Perspective: Great for extra wide or tall shots and for camera tilts if you're doing an animation or animatic. I think some other names for this in animation include "banana pan" and "warp pan."
5 Point Perspective: Fish-eye lens. Good for all your angsty anime boy slipping into madness needs!
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Some perspective tips I wish someone had told me earlier:
Objects' relation to the horizon line is constant. A super helpful tip to remember when placing a character or object in space is that they will always (assuming they aren't changing in size or moving up or down) have the same relation to the horizon line no matter how far or close they are. If your horizon line is at shoulder height for your focus character in the foreground, any character of the same height in the background will still line up with the horizon line at the shoulders.
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How to pick the distance between your vanishing points: 2 pt perspective uses 2 vanishing points, 3 pt uses 3, etc, etc, but how close should they be? Well, first of all, for anything that isn't one point perspective, one or more points will usually be off the canvas. Super annoying, I know, but the closer your vanishing points are, the more warped your drawing will become. Second, a helpful thing to know is that choosing the distance between your points is basically the illustration equivalent of picking your camera lens! Photography buffs will know that wider (shorter focal length) lenses show more space and make the distance between foreground and background more dramatic, while longer focal length/telephoto lenses are flatter, and more focused and intimate. The same is true of vanishing points that are closer (shorter focal length) or farther apart (longer focal length).
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2 point/3 point/etc doesn't actually mean you're limited to that many points total on your page. this one confused me a lot when I was getting started, lol. A lot of examples will show you drawings of nice, neat cities or something, in which all the buildings are facing the same way in order to demonstrate perspective drawing. But in real life, buildings don't all face the same direction. They're at all sorts of different angles. So how do I do that??? Answer: Just because you're drawing in 2 point perspective or whatever doesn't mean you... have to actually keep your 2 points in the same spot. You can move them around, just keep them the same distance apart, so you're not screwing up your camera lens.
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Other Tips:
Use reference! The instant you try to draw a house, you're going to forget every house you've ever seen. That's just how it goes. Buildings are complicated. Do yourself a favor and collect a few reference images first, buddy!
Consider details (like architectural style, amenities, and materials) Your building will look more like a building when you keep in mind that buildings have gutters and door knobs and light switches and paneling and stuff, and aren't just boxes with roofs on them. Again: reference! You will forget electrical sockets and baseboards exist immediately. Art brains are dumb.
Use details and texture to fill in negative space Giant stretches of blank space tend to be boring and distracting. Put a few suggestions of wood grain or something on that wall back there, bud, just don't overdo it.
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Line weight Darker, thicker lines draw more attention, look heavier, and look closer to the viewer than lighter, thinner lines do. Take advantage of this to draw the viewer's attention to your focal points, de-emphasize less important details, and imply depth. It's up to you to decide how you want to use this and what your style is, especially once you start getting into combining or replacing it with shading, values, and color, but a helpful rule of thumb is to try reserving your thickest lines for focal foreground characters and use thinner lines on backgrounds, especially details in the far distance.
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Perspective guides If you're drawing digitally, take full advantage of any perspective tools you have access to! A lot of art programs lately have begun adding perspective guide features that let you set up vanishing points and then literally guide your hand as you draw so you stay in perspective. Some of these include Procreate, Clip Studio Paint, and Adobe Fresco. (still sadly none in Photoshop as far as I'm aware, what the heck, Adobe!). Check through the settings of yours to see if it gives you any perspective guides or other similarly useful tools. They're 100% worth it! And for god's sake, if you've got any skew or perspective warp tools, draw your complicated shapes flat and then warp them instead of spending an hour on it! Don't make my mistakes!
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superkirbylover · 9 months
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he's my favorite girlfail. just like asoingbop fr
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seokmattchuus · 1 year
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When Matthew tells you he's been a bit stressed with debut preparations, you help him get his mind off of things. With some handcuffs and a torturous, never-ending hand job.
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clownprince · 1 year
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Look. Don't get me wrong. I love the batjokes fandom literally everyone I've interacted with has been SO nice for such an insane ship it's a surprisingly chill fandom.
That being said... sometimes I feel Weird because a lot of the community (not all! but a large part) is like haha yeah my favorite fucked up toxic problematic ship love how twisted it is >:) batman wants to fuck that clown even though he literally killed his whole ass son it's so fucked I love it.
And that's fine! No problem with that. Power to you.
But I'm just over here like... what if they both got better together and processed their trauma and Joker made amends with everyone and everyone was happy and content as a family.
Like, the most compelling thing for ME in Batjokes is easily Bruce's refusal to view Joker the way most other people do. Even in arcs where he does dehumanize Joker, he at the very least makes an attempt to understand him. Everyone else is just like yeah, he's evil, he's just doing this shit because he enjoys it because he's a monster. But even when their relationship is at its worst, like in Joker War, Batman tries to understand where Joker is coming from. He doesn't just assume oh yeah Joker is just doing this because he's evil there's no logic behind his crimes he just enjoys it.
Bruce actually understands that Joker is trying to show him something, i.e., that he isn't being Batman right (in Joker's opinion). And even after Joker literally tears down his life, fucking reanimates his dead father figure to torment him and re-enacts his childhood trauma on the city, Bruce STILL ends up agreeing that he had a point!
Like to ME... Batjokes is about loving someone so transcendentally that you devote your entire existence to helping them. It's about having compassion for someone even after they commit horrific atrocities. It's about loving someone who everyone else hates and views as a monster. It's about someone loving the parts of someone that they consider terrible and unlovable. It's about being misunderstood your entire life and finally finding someone who gets it. It's about love for one person motivating you to stay alive in a world that's been nothing but cruel to you. It's about finding someone who makes everything awful that's ever happened to you seem worth it. But most importantly it's about the refusal to give up on someone who everyone else has long since declared a lost cause.
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Wait crying again bc I was rewatching The Intruder today (episode 4 of season 1) and I realized that like. The glyphs represent a few things in the narrative but one thing that's consistent is they're always there when Luz doesn't feel like she's good enough on her own. They appear to her as comfort in moments of self depreciation or self doubt, or she coincidentally learns them in episodes where she faces her fear of rejection or makes a mistake (at least this is true in terms of the first four base glyphs she discovers). It's the titans way of saying "you may have to do things differently, but you can do anything they can do" to Luz bc he cares about her
AND THEN. IN WATCHING AND DREAMING. WHEN THE TITAN PASSES ON AND THE GLYPHS DON'T WORK ANYMORE. IT'S BECAUSE NOW LUZ FINALLY FEELS LIKE SHE'S GOOD ENOUGH, ALL ON HER OWN. SHE'S LEARNED THAT SHE HAS INTRINSIC WORTH AS A PERSON AND SHE DOESN'T NEED TO MAKE UP FOR WHO SHE IS. SHE MIGHT DO THINGS DIFFERENTLY BUT SHE CAN DO EVERYTHING ANOTHER WITCH CAN DO- THIS TIME WITH HER OWN, MORE PERSONAL ACCESSIBILITY TOOL (HER PALISMEN) INSTEAD OF THE ONE THE TITAN GAVE HER. MAN!!!!!
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franky-y · 1 year
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a drawing of Häärijä because why not
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kaiserouo · 6 days
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i spent way too much money on this game
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fairy-verse · 7 months
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Haven't been in Tumblr for awhile until a certain event came back and now I am also back to find a new AU.
I adore how they look truly wonderful (especially the Firstborns of Autumn and Winter - must admit it felt relaxing looking [at their refs]) and Cross.
That aside, I saw that ask allowing us to make OCs for this AU. Just wondering what are the rules if ever so? And a brief general info for the fairies in each season (is there a general personality per season? most common behaviors/hobbies/trades?)
A general rule would be that season fairies must usually be Sans types, though a little cheat to get through this is if they’re hybrids of another fairy type. xGaster, Cross’ father, for example, is a hybrid between a winter fairy and a monster fairy, so he looks quite different compared to season fairies in general.
Winter fairies are oftentimes (not always) a little softer than other season fairies, as they like to have a little pudge to keep warm when the winters are especially cold. Their wings are akin to that of moths, soft and fluffy. They can be stern and cold just like the season they’re born into, but most will agree that they’re all fiercely protective of not only their own kin but also of the other season fairies. They have an inborn desire to assist and aid those in distress, especially when it’s cold outside. They are the best when it comes to warriors and knights/guards, plus they’re the ones every magical creature seeks out when it comes to armour, weapons, and jewellery. None are better at these crafts than the winter fairies. They have a few chance meetings with the Big Folk and those meetings often end in bloodshed: by Error’s command.
Summer fairies are often seen as the fairest and gentlest of all the season fairies, oftentimes speaking softly and bearing joyful smiles upon their faces. They rarely leave Dream’s valley of summer, and their wings are that of beautiful butterflies, and their voices are as lovely as the flowers they surround themselves with. None can sing as sweetly as a summer fairy. They are the ones who will usually sleep throughout winter and early spring, and when they awaken, they will bask in the sunlight and heat that Dream calls into his valley and out over the island itself. They need to absorb as much heat as possible to even stand a chance of not freezing to death in their sleep once the snow starts to fall. It is they who will harvest the most food of all the season fairies, and they are the ones you will seek out when you want silks, lace, and linen. They have little to no contact with the Big Folk.
Spring fairies are the wildest and fastest ones of all the season fairies, and their wings resemble that of dragonflies, only oftentimes more intricate and unique. Their very lives are built upon having regular contact with the Big Folk, though said Folk are not always aware of them; until they’ve found themselves being bitten, that is. They will mostly stay in their various tree nests during the long winter. Their only food source in early spring is the blood of the Big Folk, and so they all have sharp canines that make them resemble tiny little vampires; gremlins, the lot of them. They do enjoy creating little trinkets of their own, though they prefer to steal things from villagers so that they can trade with other fairies. Other than that, the spring fairies mostly live to play and tease each other in the Great Forest which is Ink’s domain. They possess an inner talent for being unnerving and acting strangely, even to other fairies, but the only true harm they bring is to the Big Folk, who all find them terrifying. They are all rather mischievous little things.
Autumn fairies are the slowest fliers amongst the season fairies, for they value the elegance that comes with dancing with the winds and the light of the moon. They are night dwellers and prefer to sleep lightly during the day, and due to how most of them reside within Nightmare’s extensive underground nest (it goes beneath nearly all of Nightmare’s domain), they do not struggle with keeping warm during winter. They are the ones to create fabrics of velvet, wool, cotton, and leather, plus they will create the most beautiful tapestries; many have been hung up along the corridors and halls of Nightmare’s underground nest, making it as lovely as it is cosy. They all have a love for taking life slow and steady, and they are rarely in a rush. Occasionally they might have skirmishes with the Big Folk, but due to the heavy illusion spells cast upon the borders near the Big Folk, the few moments of contact rarely result in any great harm to the fairies. Their wings are the most unique, for they rarely resemble anything else than… well, autumn fairies. It is because of their oddly shaped wings that they’re the slowest fliers, but that matters little to them.
To specify briefly about the usual nests that they make:
Winter fairies oftentimes have their nests in either an alcove carved into the walls of Error’s Mountain halls, or they will be set in lanterns that hang from chains so long they disappear into the dark of the cavernous ceiling up above them. The mountain halls are all lit up with golden lights that make the gems of the walls shimmer beautifully. They cover their nests in whatever they can get their hands on, though many prefer wool and soft linen.
Summer fairies will usually make their nests atop mossy shelves at the mountainsides in Dream’s Valley, though many have also created hanging nests of intertwined twigs and branches along the trees. All these nests are heavily insulated to prevent the cold winter winds from penetrating them, and they line the insides with silks and linen to make them comfortable and soft.
Autumn fairies have their own little personal nests within Nightmare’s underground nest, and these are usually just small rooms lined with roots and hard dirt walls; though oftentimes the fairies will cover the walls with tapestries and velvet sheets to make them more comfortable. There are luminescent bugs that live along their walls and ceilings, so there is always a cosy light that surrounds them, though they often enjoy lighting golden crystals for some extra brightness.
Spring fairies have no set type of nest they prefer. Some will create hanging nests, others will find a hole in a tree and create a nest out of that, and others again will make little three houses for themselves; an attempt to copy the Big Folk’s houses. They will use silks, linen, wool, and sometimes velvet to make their nests comfortable to stay in. Many of the nests that are within the Great Forest have been made by Ink himself, though he’s forgotten many of them, and so they go to spring fairies that are searching for a new home they can raise a faerling in.
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isfjmel-phleg · 6 months
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This is a personal post.
#random personal stuff#personal whining ahead feel free to ignore#I made the mistake of dipping into the folder of emails from That Man (which I've kept just in case)#just to see if I could take it I guess? which was a mistake#they're full of pretentious rambling and posturing and jargon to establish himself as The Authority#then they drip with flattery: he says I'm brilliant and have so much potential to live up to etc. etc.#but then the little jabs - and the big jabs - the condescending 'I know you can do this'#he would rip me apart in class until I quit speaking up because I was afraid#and then send me emails informing me that my participation grade was lowish and I needed to work on 'playing the game'#and tell me that I was free to disagree! but it had to be based on more than silence#as if he didn't know that he was the reason I shut down#you're not really free to disagree if disagreeing means you get mocked and belittled?#so I couldn't even protect myself from the verbal attacks because I had to provide him fodder for mockery or else get marked down#he made me apologize to a classmate for my 'reticence and impatience' during her presentation on a loaded topic#that I didn’t want to discuss my views on in front of him#and he was so so careful in those emails not to say the worst things but in class...!#and my replies were so subservient#I wouldn't bend on my views but I wanted approval so badly as if what scum like him thought actually mattered#it's over now he's not my problem I know it was not my fault#do I still want to scream at him? yes#do I still want to tell the VP of academic affairs (my old adviser/mentor) the whole story? yes (can't - pointless now)#anyway I am going to go do chores and move on with my day thank you for listening
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buttercup-barf · 10 days
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Under the cut are mostly self-insert doodles of decreasing quality. Again, not much directly tied to Team Fortress 2. Might as well toss these out while I have no access to my puter. Much yapping under the cut and in the tags incoming.
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Another self-insert, this time less of a "here's me as a tenth class" and more of a "here's my game experiences translated into the class I would take the place of". The Cleaner. Although I guess they could still be wearing either suit. It doesn't matter that much.
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That one Convict's Case taunt with Backup would be extremely funny, because the man would be on the verge of a breakdown (he does not want to go to jail so bad you have no idea). The second image- I owe no explanation. You know what I am. You see the pattern with my favourites.
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The duality of the man. Resting face versus "just heard you express interest in religion/Russian folklore" face. He's not that hard to make friends with, when you pull him away from all the explosions.
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Some doodles of trying to figure his face out. Unfortunately, the more I stare at him, the more I worry that he looks like A Certain Guy With The Last Name "Kazarin", and the fear of never being original in my life caught up to me.
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Don't look at me, don't perceive me, I refuse to explain any of my actions to you.
#team fortress 2#tf2#that's it that's the only tags i am putting this in. maybe someday i will have the balls to do more but for now that's about it#while i have the chance - and since posts with more of my yapping in the tags don't pop in people's feeds much - i might as well ramble-#-about these guys here. self-inserts or not i'm projecting only half of my bullshit on each one of them. creativity 👍#backup is tall and pale and has sharp canines and more of a dull brown hair colour with tired grey eyes. no amount of babyface or soft-#-hands can really help a motherfucker when he's grimacing so much because he just Hates being around half the people on the team.#cleaner meanwhile is on the shorter side and has constantly flushed skin and brighter colours and whatnot. you can't see it because of the-#-mask most of the time but they do smile a lot more and have a more cheery disposition towards life and see the whole team as their friends!#backup transitioned fully (albeit not very legally lmao) and is scared shitless of not being seen as a man although the last time that ever-#-came up was years ago. he holds onto his last name as part of the heritage he loves and loathes at the same time - attached to his culture-#-and religion and bloodline while also resentful of his family and the regime he knows someone else on the team suffered under.#cleaner just kinda binds and calls it a day. he only does it to confuse the team because while he doesn't identify with being a girl he-#-loves the confused looks his epic gender reveal moment gets. they do not remember their family name or where they grew up or what even got-#-them to this kind of mental state. and he's chill with it he values the here and now way more than some dark edgy backstory.#backup despite trying to be an honest man is afraid of vulnerability as well. he stubbornly refuses to express love towards certain people-#-lest they feel disgusted and turn away. he's afraid of consequences afraid of losing the people he loves afraid of his ''interests'' being-#-what drives them away. it doesn't by the way and he just wasted time being a cold indecisive loser for several months lmao#cleaner wears a suit that hides all of them yes but they pretty much never lie. he is always his truest self and he can always just burn-#-people who don't like him enough to make it a problem. they are a lot more comfortable indulging in their interests - be they innocent-#-and juvenile or violent and dangerous. he is quite open with his affection and his fascinations that backup would rather keep secret.#i want to establish that these two can only exist in separate universes because they both have feelings towards the funny assistant lady-#-and the funny inventor guy (selfshipping for the winnn) and would fight over those two. cleaner would win by the way#it's also a really funny point of comparison. cleaner is objectively more fucked up than backup and still managed to be more normal about-#-their feelings and live as a healthier and happier person than that guy. comedic gold honestly#OKAY I'M DONE if you read up to here you get uhhh a cookie :-)
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didderd · 7 months
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Why you so cool?
Why?
And how?
Tell me your secrets.
TELL ME!
*holds a rubber duck at Tacs head*
Tell me or he's goin quackin!
Better yet!
*holds the Tourette squads hostage with rubber ducks. They just lay on the ground, being non-threatening.*
TELL THE WORLD THE SECRET OF BEING A DOPE ASS PERSON!
DFJNBKJKJDFNV
IDK! erm..
be a silly lil guy
have anxiety
draw skeletons
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dilfsuzanneyk · 24 days
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oh so like. one day it might actually be okay
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friendlyfirestarter · 8 months
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I am obsessed with trying to figure out how Val and The Last Word work. Because it seems liie she can frame something as having happened as far back in the past as she likes, but it still only happens at the present.
She can turn a man into a chair but he's still the sheriff, that didn't retroactively change. When she tells a town it was never there it doesn't blink from existence, it falls apart around her. When she tells a woman she was never married she still has a son (until Val says she doesn't have a son either).
Did the son dissapear? Or is he still exactly wherever he was, but now he has no idea where he came from?
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siennaditbot · 2 months
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Just found out that the characters in Genshin have different walking sounds
How?
Cyno. Man's running around barefoot and made me laugh.
I want to get him so bad but I'll have to do with his quest thingy for now T_T
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