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#idk about but as someone who read the novel first I really loved the buildup to the Yi city arc
yeyayeya · 1 year
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I hate The Untamed I hate The Untamed I hate the Untamed
AAAHHHHH
Never have I cried so much while binge watching a show and I hate crying so that’s a major reason. Also all the actors in played their roles so well and were literally MEANT for them.
The final episode made me ugly cry twice with Jiang Cheng’s scene and when Wei Wuxian found out about Sizhui being A-Yuan, that shit hit me hard (I mean I knew about it but I feel like already knowing what’s gonna happen is worse than NOT knowing)
I was a bit hesitant to watch it since most live action adaptations of novels aren’t that good, but because I was in an MXTX rabbit hole I gave it a chance and boy am I glad
Ain’t done with it yet since I have the two movies left, and I need to prepare some tissues
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obae-me · 4 years
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Hi! It said requests were open so here is one. So pretty much how the brothers would react to an MC who says "I love you" after they had helped them with something. Thats something I do regularly, like someone helps them and they respond with "Oh my gosh I love you, thank you so much!" Cause. Affection. Idk, i just found the idea to be cute.
This is such a cute idea! I hope I pulled it off okay, for some reason Belphie’s is a bit angsty because I like pain I guess, but most of it is fluff! Thank you for your suggestion! 💜
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Lucifer
He openly admitted it caught him off guard at first. What he will never admit is how harshly the air escaped from his lungs. Or how quickly his mind went blank at the words. 
He had simply brought MC some tea, noticing how hard they had been studying. Working day and night to try to catch up and understand topics demons themselves had spent decades learning. He was proud of them for working so hard. He settled the tea down by them, watching them beam with appreciation. 
“Is that for me?” 
Their question elicited an amused hum from him. “Is there anyone else in here?” 
They wrapped their fingers around it excitedly, entirely grateful. “Ugh, thank you, I love you, I needed this.” 
He had been lucky he settled the teacup down before they spoke. Had it remained in his hands, he most assuredly would’ve dropped it, or spilt the contents at the very least. He was not prepared at all. They hadn’t been down here nearly long enough to fall in love with him, right? Was he that alluring? He must’ve done something wrong, he was sure he had been focused solely on being intimidating. He didn’t remember doing anything in particular to elicit such a response. He was flattered, but...maybe--surely-- he had heard incorrectly. 
“You…” He blinked a few times as he shoved his emotions into the back of his mind, the silent screaming in his head muffled by his usual calm exterior. “..love me?”
MC covered their mouth with their hands, recognizing his confusion no matter how hard he tried to hide it. “No, no!” 
Well now he was a bit irritated, and secretly disappointed even. Were they playing a joke on him? 
They stammered and turned more in their seat to look at him. “What I mean is, I just kinda use the term ‘I love you’ as a general term, not an…” They blushed, “..intimate one. I say it all the time to people, I’m really sorry for confusing you. I’ll try not to say it as casually.” 
It was a bit unusual to hear something like that thrown around so often, it reminded him of his days in the Celestial Realm, love thrown around at the drop of a hat. The Devildom was a lot less...affectionate. He shook his head, any sign of his surprise now completely gone from view. “Don’t change a harmless habit like that for me, I just wasn’t expecting it. I’ll know now for the future.” 
It takes him quite a while to get used to it, taking every ounce of concentration not to blush whenever MC says that they love him. Once he does get used to it, he’s fond of it and may or may not continually go out of his way to perform some simple gesture to encourage them to say it to him more often. It takes even longer after that for him to finally respond with “I love you too” making them stop dead in their tracks, heart fluttering, mouth ajar, much like he did that first day when he brought them a simple cup of tea. He relished the look on their face.
How such a human stirred up these feelings within him is beyond his understanding. 
Mammon 
He was an open mess when MC first expressed it to him. He’d done what? Just find a pretty rock on the ground? It was shiny and smooth, surely worth a fortune, but when he went to see how much it was worth, it was declared utterly worthless. So he gave it to MC--but only because it was useless okay?! It’s not like he likes MC or anything, that’s not what this is about. Obviously.
He handed it over, acting casual, like it was nothing. Their eyes lit up at it, watching it glint mesmerizing colors in the moonlight, reacting like it might as well have been a diamond. “Whaaat, it’s so cool, I love you, thank you!” 
“Don’t say I never do anything for-” It had taken a few seconds to process, but once he realized the words that had come out of their mouth, he went frozen. Rigid. His other brothers might’ve called it a miracle. His jaw was open, his glasses had somehow slipped to the end of his nose, threatening to fall off. He didn’t even blink.
“I’m sorry, I guess demons aren’t quite used to that huh? I use it as a friendly term, I used to say it to my friends all the time back home.” 
He was still as stone for a good long time, gradually building up the concern in MC’s chest the more he was reactionless. Had they broken him? Once he finally gathered his one erratic brain cell in order, it was like someone hit a sudden unpause. He quickly puffed out his chest with both his hands on his hips. The explanation they gave him went in through one ear and out the other, as he was still focused on the ‘I love you’. 
“Don’t freak me out like that, human, but of- of course if you were to love someone, it’d be me, eh? I don’t blame you, it would be hard to resist the Great Mammon.” 
He’ll get a big head about it, strutting around, bragging to anyone who would listen--not that he gave them a say on the matter--that MC expressed they loved him. Doesn’t matter if there were romantic intentions or not, MC loved him, and he wouldn’t let it go. He’ll ignore the fact that MC will say that to most anyone.
“Yeah, well, when they say that about me, it’s different!” Or he’ll put on an act. “Yeah? Not like I care about some dumb human!” 
The more he takes time to know MC, the more possessive he acts, and he gets a little bent out of shape anytime MC says ‘I love you’ so casually to anyone other than him. Mostly because he’s greedy for it, he wants those words to be his and his alone. He wants MC to be his...and his alone. 
“Oi, MC, you can’t just go saying that to anyone...It’s our thing...you know?” He’ll get endlessly teased about it by everyone in the household, but no matter how much he gets pestered about it, he still wants to hear MC say it.
Only if things get romantic between them, will he be vulnerable with MC. Whenever they’re alone, he’ll get in close, melting against MC’s touch. With MC he can feel these strange and addicting feelings. With his hidden insecurities coming to light, he’ll ask MC the same question every night. “You love me, right? Like...love love me?...I...love love you too.”
Levi 
MC had been convinced they gave the poor boy an actual heart attack. Although, to be perfectly fair, almost anything MC does puts Levi in a tizzy. It’s not their fault, he’s just sensitive. 
They had been playing games together, nothing too unusual. Together, MC and Levi, the Best Friend Duo, battled an intense match against other real players. It had been close, but with both of their talents combined (admittedly Levi doing a lot of impressive carrying) they managed to strike victorious. 
MC felt a rush, their head tingling a bit. They had been on the edge of their seat the whole time, positively exhilarated when they won. “Whoo! That was all thanks to you, Levi! I love you!” 
First, MC heard the controller clatter out of his hands. They turned to look at him, his face went completely red, his eyes flicking back and forth out of control, not focusing on anything in particular. He had a hand clutching over his chest. Then to add on top of that, he completely collapsed. 
“Levi!” MC’s shout was loud enough to bring some of his other brothers to check the commotion. After a short examination, they declared that Levi was fine, just dazed and lightheaded, although the color in his face refused to go away for quite some time. 
“I’m sorry, I didn’t mean to startle you, I meant it in a friendly way.” 
He’ll end up locking himself in his room for days on end after the event, trying to wrap his head around how ‘I love you’ and ‘friendly’ could ever be even remotely the same. That’s not how it’s supposed to go! It’s supposed to be like...like in fiction where both of the love interests are alone, finally having the chance to meet up under a pretty sky, possibly under strenuous circumstances beyond their control, inevitably forcing them to admit their feelings! 
He’ll get over it, he always does, but when he comes back he finds out MC now deliberately avoids saying ‘I love you’ to him. They meant it for his own safety, truly, but his Envy is now rubbing away at his normal shy personality. 
It'll get to the point where he can’t hold back anymore. “How come you tell everyone else you love them but me!” 
“Because last time...you collapsed, and then went MIA for almost a week! I didn’t want to hurt you anymore. Is this not what you wanted?”
He ends up using his arm to cover his burning face. “I...I...I...I…” After several more consecutive ‘I’s, Levi finally tells MC that he didn’t want to be treated differently, he wanted MC to tell him that they loved him too. “Because I...lo..lo...lov...I appreciate you, MC!” 
MC will chuckle a little, giving him one of his favorite headpats. “I love you too, Levi.” He doesn’t collapse this time, but feels his knees get a little weak. He refuses to remove his arm from his face because now there are fresh tears flooding from his eyes that he doesn’t want MC to see. He loves them too, so much his physical body can’t handle it. Even if he doesn’t have the courage yet to say it, he’ll tell them one day. 
Satan 
He’s quite angry with himself for how he reacted, which isn’t a huge surprise. He does wish he would’ve handled it better, but he had no idea those three words would be sprung on him so suddenly. 
He’s usually quite down to earth, but not even the many romance novels he’s read--and if you tell anyone that he reads gushy romance novels, he will kill you--had prepared him for this. Where was the buildup, the slow rising passion before the eventual confession? Despite occasional temper tantrums and pranking tendencies, he’s truly an old soul. He’s a ‘my dearest, shall we take a stroll, and perhaps, should our shoulders brush, would you permit me a show of boldness, of passion, I dream for the day our fingers intertwine’ kinda guy. So MC’s ‘I love you’ was many chapters early for him. 
He’d crossed paths with MC near the front door to the House of Lamentation. MC had just gotten back from RAD, being kept by Diavolo himself. Every one and a while, after classes, Diavolo personally checks up on them to discuss the program. Meanwhile, the demon of wrath was just on his way out, a full stack of books in his arms. 
“Hey, Satan, where’re you off to?” MC attempted to catch his gaze behind the many tomes stacked against his chest. 
“Ah, off to return these books back to the Library.” Some hair fell before his face, but with the absence of free hands, he utilized a puff of air from his mouth to blow the strands away. 
“I see, be safe then, love you!” 
The words caught him off guard, and with his focus distracted, his foot caught against an unfortunate crack in the pathway. He tumbled, the books in his arms scattering themselves all over the front yard. MC turned and attempted to help, but with Satan’s panicked scramble, he ended up smacking his head against MC’s. 
“My-uh-apologies-I-” He stuttered while he frantically tried picking up the books, only to have some continue to slip from his arms. 
“Here, use my bag,” MC opened the backpack that had been around their shoulders. It was already full of some textbooks and assignments, but it was enough to lessen some of the struggle. He gave them a small thank you as he slung the bag over his shoulder, the remaining stragglers tucked under his arm. He waited till MC went back into the house, and then he angrily tore the front gate off its hinges. He looked like such an idiot just now. 
He knows MC means not much of it other than general affection, once he thinks about it. Alongside Lucifer, anytime MC now says it, he’ll act unaffected by it. The truth is, the never ending rage burning beside him magically subsides anytime those words fall from their lips. 
If he works softly and intelligently enough, perhaps he’ll have forged a tight enough bond where MC can say it for real, and the fire in his soul can find some peace. 
Asmo
Honestly, despite his over dramatizations and flamboyant nature, he’s the least affected out of all the brothers. Trust him, he’s had plenty of demons try to crawl their way back to him after a night of fun, insisting that they’re in love with him. So, he’s heard it a lot, and it’s not his favorite. That being said, he discovered that MC is probably the only one he’ll tolerate the dreaded L word with. 
He’d sat there, working on MC’s nails, giving them one of his—as he calls it—Asmo-tastic manicures. MC appreciates the pampering, even if Asmo uses it mostly as an excuse to hold hands and get close to the human. 
When Asmo was complete, MC looked down at their newly soft hands with beautifully decorated nails, feeling a bit closer to the demons now that they had matching manicures. “It’s beautiful, Asmo, I love you, thanks!”
His chest did flutter a bit, and he let out a stream of giddy giggles as he pressed MC into him for a hug. “MC, you’re so cute, I can’t take it!” 
He had sworn to himself that he wouldn’t use the words ‘I love you’ ever, no matter what, but if MC was using it so casually, why can’t he, it didn’t mean much of anything right? He quickly turns a 180 on the idea, and says it as often to MC as he can. 
“Bye, MC, love you, dear! You’re wearing the outfit I gave you? I love you!” But his new form of affection is now not just centered towards the human, it’s now directed towards his brothers as well. No one is safe. “You’re giving me this, Lucifer? I love you! Beel, a snack for me? I love you!” 
He’s such a hype man, and the affection spreading throughout the House of Lamentation by his and MC’s hand is infectious. Even if they don’t mean to, simply Asmo’s added influence has the brothers saying ‘I love you’ to each other more often, which has led to plenty of entertaining moments. Mammon said it once to Lucifer on accident, which admittedly filled the eldest with a bit of pride, especially at seeing Mammon’s mortified face. Beel and Belphie have no problem saying it between themselves, although it leaves them softer than they had been in a while. But perhaps the most shocking of them all was when Lucifer sleepily mumbled it to Satan, who then parroted it back to him without thinking. Both were a bit flustered, but Satan was so angry about it he wanted to tear both Lucifer’s and his own tongue out. The two refuse to talk about it, but they were both a little softer to each other that week. 
But why are we talking about the others? This should be all about Asmo! You know how when someone continually says something out of irony after a while they end up speaking it unironically? That’s what was happening to Asmo, much to his confusion and unfortunately his fear. He had never...loved someone before, not in a romantic way, it was too much commitment, it was too much...emotion. But the more he continued telling MC he loved them...the more he started to believe it. The more he noticed the little things about them that he couldn’t get enough of. So one day, he stopped saying ‘I love you’ altogether.
MC met with him in private, concerned over his new out of character action. “Asmo? What’s wrong, I noticed you’ve been...distant, which isn’t like you.” 
Of course they would notice, they always did. “Oh...MC...I…” For once, he was actually shy, covering up his own beautiful face to hide, an incomprehensible action. He could barely speak, he was so...scared? “MC I think...I...I think I love you.”
Beel 
He was second place in the ‘staying calm’ category when MC said it. He’s a family man, loving those around him is in his nature. So hearing MC say those words, he merely took it as a family thing, and he was all too happy to bring MC into the family. 
He noticed MC had been looking just a bit run down, and so, he shared a single snack with them. They practically glowed, looking up at him with a heart-melting smile. “Thanks Beel, I love you, thank you!” 
Suddenly the food he was eating tasted ten times better, and he had been fully convinced for a while that it was some magic spell MC put on him. He almost ends up crying. Honestly, it’s been such a long time since he’s heard words like those. He didn’t realize how starved he was for affection. He pulls them into a tight hug that lasts for several minutes. He let them go eventually, but only because he needed hands to eat. He continued to scarf down the mouth-watering food, although the ache in his stomach wasn’t as pronounced as it had been. 
He ends up giving MC a little snack anytime they say ‘I love you’, because he finds them adorable, and his way of reciprocating affection is with food. He loves MC immensely, so it’s only natural he shares his favorite things with them. Only, he was unaware that he was more or less training MC and himself by doing this. In fact, it was unbeknownst to everyone save Satan, who is very aware of what Pavlov’s Theory is. Satan doesn’t say anything though, he wants to see how this plays out. 
The more MC says ‘I love you’ the more they get rewarded by Beel, and the demon has now conditioned himself by associating food with MC’s tenderness and endearment. MC steadily increases the time they spend with the demon of gluttony, almost stuck to his side as often as Belphie. MC finds they can’t help but smother him with love and affection, which Beel can’t get enough of since gluttony is his sin. And Beel discovered that he always has some sort of treat on hand that he refuses to touch because it’s MC’s. 
The day MC finally caught on was the day Satan finally intervened. He himself spent some private time with MC, and, much like Beel had for a while now, he gave MC an unsolicited treat. 
They hardly looked at him as they instinctively stated, “I love you!” Then ended up pausing for a long time. Satan teased them mercilessly before he explained, and MC felt their entire body grow hot with embarrassment. However, they took this opportunity to do something for Beel in return. They prepared a big meal for him, texting him to bring him down into the dining room, just for the two of them. His eyes grew wide at the sight of the banquet, but for once, his first instinct wasn’t to eat. He wrapped MC tightly in his arms, tears almost streaming down his face. MC’s presence seemed to satiate him almost as well as a twelve course meal. 
“I love you, MC! I love you so much!” 
Belphie
As shocking as it is, Belphie reacted the most severely. Which if you actually take the time to think about it, probably isn’t that surprising at the end of the day. It was the last thing he expected to hear, especially after everything that happened. 
All he had done was run into MC in the hall. Lucifer had called Light’s Out and anyone who didn’t want to be punished would be heading straight to bed. Since he sleeps all day, he was fairly awake at this hour, not to mention recently he had felt annoyingly restless. Finally free to roam the house like he wished left him wandering and wanting. There was still something he needed, but he wasn’t sure what. MC stepped past him to get to their room, already looking exhausted, a large yawn escaping their lungs. 
“Heading to bed?” They asked him, and he still found it difficult to bring his eyes up to theirs. 
“Maybe soon.” He acted nonchalant. 
MC rubbed their eyes, gently touching his shoulder as they passed. “Okay, love ya, get some good rest.” 
He was grateful MC had immediately walked into their room, because he wasn’t prepared for how extreme his body would react. He found the energy upholding his legs went missing, and he had to lean against the closest wall to keep from crumpling to the ground. He continued to try to trick himself into believing he didn’t care. They were a human, he didn’t care, why would he care? Why should he feel guilty for everything he’d done? He was a demon, a monster, he’d embraced that when he fell, or he thought he did. But...being around MC...it made him feel like he was back in the Celestial Realm, filled with hope, with love, something he was sure he’d never truly feel again. 
He recalled before the inevitable fall what his dear sister had told him before his life had been shattered before his eyes. “Remember Belphie, I love you.” 
He couldn’t hold himself up any longer, clutching his pillow to his chest as the hole in his heart he had filled with sleep and anger crumbled away. He pressed his face deep into the fluff of the cushion as he sobbed. His heart felt like it was stinging like wounds often do when they’re cleaned and healing. It hurt. It threatened to break him. He had tried avoiding feelings. How could MC be so nice to him after everything? What had he done to deserve it? 
Beel, influenced by the magical connected emotions to his twin, left everything he had been eating behind to come get him immediately. The intense pounding in his chest worried him to no end, he needed to find Belphie now. He found the demon of sloth curled up on the floor of the hallway, convulsing and shaking from violently crying. Beel hated seeing his beloved brother like this, but on the inside he was secretly thankful. He knew Belphie couldn’t keep acting like nothing mattered, it wasn’t healthy. He was finally coming to terms with everything, opening the door to finally, after all this time, being able to move on. 
The next time the human sees the youngest brother, they see that he’s a little more aware, maybe not quite awake, but mindful of the people around him. For once, he talks about what he’s going to do in the future, looking forward instead of repeating broken events of the past. He finds that being around MC, if they’ll let him, helps the feeling in his ribs hurt a bit less, that the personality he thought had been locked up was starting to escape. Life itself matters a bit more than it used to. He has to be ready though, because he can’t afford to cry in front of his brothers the next time MC tells him ‘I love you’. Even if they think nothing by it, it means more than the world to him. But as always, he’ll act apathetic about it. 
He’s working on it though, and all because MC showed him a bit of kindness despite his unforgivable actions. All he needed was a bit of love.
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surfalldaybaby · 3 years
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SPOILER ALERT!!!!
DONT READ UNTIL YOU HAVE FINISHED!!!!!
My full review of ACOSF 3 seconds after reading it.
Probably unpopular opinion. Idk.
First off wow. I did not expect that shit at alllll! I liked it but I would rate it a solid 6.5/10. To me it wasn’t that good. It was a book with a good plot for about 3/4 of the way and then it gets weird with smut scattered throughout it with no real purpose.
First I want to say that I still feel that Nesta and Cassians relationship is so strange and forced. I wish I liked it more. I don’t. The initial romance scenes were so quick and weirdly put together they literally did nothing for the plot. It was just a lot of sex scenes that I was like eh ok. They’re steamy and raunchy but with little to no purpose. Like Maas just decided to make this her sexiest book bvs of how many views it would get without calculating the plot into it. They just end up making out and having sex a lot but I didn’t see the buildup or anything it just happened out of nowhere. And then it stopped and then it happened again. I wish their mating bond snapping into place had been more of a plot line I was left a little confused when I read it. Nesta apologizing and accepting Cassians apology was too quick he said he was shackled to her. Hellllll no. She became a pushover.
I did like how now Nesta has a relationship with all the IC. However her instant forgiveness and her apologies to the IC were very rushed and ingenuine. She was treated very poorly by rhys and amren and shes the one who throws herself at rhys and apogkizes? She’s the one who apogizes to amren? No. It doesn’t seem at all like the Nesta that I would have expected. I wanted at least a little rebuttal or fire. Like I understand all of their hesitantion and why they were so mean but I wanted a little apology or explanation.
I hate to say it but Maas really did seem to cut the fire out of Nesta. I didn’t want her to be a bitch but I wanted to go retain of her sassy energy and she just seemed like a wash rag at the end. Nesta was done wrong by Cassian rhys and amren a lot and she was the one who ended up fixing or apologizing in those relationships and it doesn’t fit right that they don’t at least mention their mistakes to her as well. And this is coming from someone’s who didn’t like Nesta, or didn’t rlly care for her, so I can’t imagine what people who liked her thought after reading this book.
I didn’t like how she never apologized to feyre or Elain. She did in actions but I wanted a verbal apology. I loved the total sacrifice and I thought it fit her arc. I thought it was very full circle. Obviously Nesta and feyre love eachother and I’m elated about that. I like that Nesta had to give up her power and was able to keep a bit of it. The power would have killed her I think if she was able to keep it.
Lowkey I was expected each sister to have to be called to a made item and I thought it would have been a cool plot idea to introduce Elain into the story.
I love how Elain was so bold in this book but there were moments where even I was like calm down girl.
I loved her slow development with Mor. mor was aggressive at the beginning but really came into herself and i liked their friendship all the way through. I liked how mor is portrayed a lot. Hopefully mor snd emerie are a thing. But, how does nestas jealousy just go away? How does mor just accept that Nesta and Cassian are having sex? How does every charter just act fine with it when they all were so cautious around her? Seems kind of gross to constantly smell the sex. Ew.
Az and Nesta are so great as a pair. Hopefully we see more of Gwyn with him.
Love emerie and Gwyn but how the three of them were able to complete the blood rite after only a few months of training is so unrealistic and just not what I expected. It seemed so played out and sacrificial martyr like I was bored of it. Very predictable. Especially how Cassian goes against the crown to save his mate like okay next.
I wish Maas had just kept her as a leader for assault survivors I think that would have been amazing. But Nesta and her friends after literally 3-4 months of training being illyrians is unrealistic. Nesta seemed to transform into Feyre at the end and while I love Feyre Nesta is not Feyre and I was not a fan of seeing another recreation of that sacrificial lamb trope.
The whole pregnancy plot point was weird and I didn’t like it. I get it at the end but literally I could have done without the whole thing. Rhys keeping it from Feyre that she was gonna die- horrible. Them making a pact they would die together is absurd and so weird. They would never do that like ... someone has to fucking rule the night court.
I loveeeeeed the dance scenes and the importance of music.
Eris is fine. I don’t like him I don’t hate him. He’s whatever. Same with Lucien. Literally this whole thing he was with Mor about her knowing the truth like literally don’t care. It’s mor making me curious it’s just a stale detail now that’s been repeated a lot with no follow up information.
I would have liked more touching up on mor azriel and cassians relationship. It’s like Maas is fostering confusion with Elain and morrigan over azriel and it’s not mysterious it’s just annoying.
There was some amazing detail that went into this novel and I applaud the well thought out and carefully constructed attention to history and mythology. I thought a lot of the smaller scenes and chapters were brilliant- the harp scenes, the initial training, the library and house scenes, the female relationships, music scenes, etc....- but as a whole plot it felt like 6 stories being forced together and tied with a ribbon but the stuffing was coming out so your left confused and a little like wtf okay.
Overall I liked the story thought it was very good “redemtption” arc for nesta but I wish it had more to do with her psychological journey and not so much out on her psychical one- Illyrian blood rite, hiking, weird sex- with odd plot points and rushed relationships and forgiveness.
Also I liked the azriel extea chapter it was fine. Kinda made az look like a little morally grey but we now know he is interested in Elain, that Elain wants him back, and that he is lonely. Hopefully he doesn’t hurt Gwyn.
Loveeeeed the feysand chapter. Rhys is dead on about his characterization of Elain.
The next book will def be about as, Lucien, Elain, mor, and probably Gwyn. LOVE THAT.
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yume-fanfare · 3 years
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hi i am that anon from like 29th Dec (last dang year) who said i read ur tsuki no hime and loved it and that u understand Aizou. i have read more of ur stuff since then and now i NEED to ask you for writing advice, on both characterization and general writing tips since I didnt mention it before. Sorry about that! i just forgot i sent an ask and i do not get notifs at all (or does anon asks not get notifs?) Also, ART STUDENT! That's why the nice art and art leaning!! I feel smart for sensing it
oh yup, tumblr doesn't send notifs for anon asks! but i'm glad you did see the answer anyway
this post is hideously long, so answer under the cut!
so, on characterization: it is mostly a matter of what would they say, rather than what you want them to say. the joke about "the characters do what they want to" instead of what the writer wants is pretty much true if you want them to be in character lol (that's why sometimes a little bit of OoC isn't too bad)
checking the source material is the most important thing: look at prior similar interactions the characters have had and how they reacted
this is kind of hard with LIPxLIP, as there aren't that many translated texts about them but with honeyworks the most canon and reliable thing to use as reference are the mvs. the mvs are drawn in a way that can pretty much be understood even if you don't have the lyrics, and sometimes it's even better if you can't read them, to properly focus on the images better
look at their expressions closely: while aizou is always explosive in his anger, yuujirou often has a more indifferent expression. so, when they fight, aizou is probably the one to blow up first while yuujirou maintains his composure better. it's kind of the classic "this was only a brief passing panel but i am going to expand on it" www
but the thing about fanfiction is that it's always a bit of a character analysis in itself. you don't start writing having already a color-coded folder of possible situations and reactions a character would have for each setting. you just throw the characters in a scenario and then think from there onwards, and eventually you'll be able to have the folder of situations and what you think their reactions would be like. (though, this links back to the prior point, if the characters have gone through a similar situation in canon, use that as guide! plus, finding little references to canon when reading is always fun)
for general writing, i'm going to mostly talk about my own experiences and process! i'm in no way a professional though
the basic is reading a lot. not just books but also fanfic. in fact, since you're writing fanfic, i Encourage you to read fanfic. even if your story ends up novel length, the way of treating the story is different from that of an actual novel. for example, because you're working under the premise that everyone knows the characters already. the general style of fics is different as well.
in fact, the style is the main reason i'm saying this slfkslfkslkf
read a lot of stuff and find a style you like. think of it as sewing together pieces from here and there to make a frankenstein amalgamation: this person's metaphors, the comparisons from here, the descriptions from there
personally, i adore the "long one-shot with a long title formatted (like this)" fics that are mostly feelings and descriptions and as little dialogue as possible, and some that occasionally play with the "show don't tell" rule, and some months ago i read a book whose descriptions amazed me because you could feel what the character was focusing on the most, rather than being general descriptions of the situation (i actually have a lot of thoughts about descriptions but that's a post for another day). but also i really like dialogue and plot-driven stories, descriptions can get boring and before trying to break rules, you have to be really good at following them
but, let's go step by step: developing an idea
for this i'm going to mostly reference the multichap i finished a while ago as an example
i started with just a few vague concepts in mind: non-idol au with aizou who does some sport and likes music but is insecure about his singing and yuujirou who does some music related thing and encourages him to sing in a way that's somehow related to the hozier song to noisemaking (sing), because it's what inspired me to write in the first place
then, from then onwards i wrote down what would happen in the first chapter of the story bullet-point-list-style, including things like the roommates part or the clubs the boys were in (at first yuujirou was in the choir club lol the change was a last second decision that idk why i took) and then bits of dialogue here and there that would be The Turning Points. those first dialogues were for the fight at the end of ch 1, the apology-date in ch 3 and then some vaguely unused ones for the "yuujirou encourages aizou" part, as those were the first key moments i thought of
because, since it's enemies to friends to lovers, an important aspect was character development
not all fics have character development bc not all of them are long enough (if you're aiming for short and sweet then there's no need). but if they do, i recommend you write down how the character was at the beginning of the story and then how they were at the end and then fill in the middle later, think of what those key turning points that made the character change were (the more little things you add, the more gradual it'll be)
samishigariya illustrates this very nicely: the song starts and finishes with the same lines, but the ending ones feel more light-hearted. the beginning has pre-arisa ken and pre-getting-along-with-yuujirou aizou, when they were the lonely people the title mentioned, and the ending, when they're not lonely anymore. the in between can be seen in depth during the other songs: ken before arisa was a playboy who didn't take love seriously, but after meeting her he realized that games were not all there was to love; and aizou used to be quite cranky and high-key a loner, but then he "meets precious things and knows of love". i will not elaborate on that because this isn't an aiyuu post but Oh You Know
for the fic, aizou would go through that same process, more or less: someone who doesn't really form meaningful connections with people but who, in the end, would end up having quite a bunch of people who care about him as his relationship with yuujirou advances too
since the relationship was the main focus, i wrote a very simple outline for how it would develop throughout 5 hypothetical chapters that was just: 1. civil w each other but mostly bad > 2. bad > 3. half friends > 4. pining > 5. date
and then with that in mind and the bullet point list, the final basic outline ended up like this:
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there were scraped ideas and ideas that made it in later, but i believe having a simple outline, a bare skeleton to add things to, is important. stories need continuity, development requires a prior buildup
it's especially important in multichapter fics where you post as you write, you need to have a more or less clear idea of what's going to happen because you can't ignore scenes you've already posted
shorter stories don't need it as much, you can think as you go, but it's still helpful to know where you're going with things to avoid getting stuck
and, on getting stuck: don't be afraid of deleting things. if you can't figure out how to continue things, then delete the situation and start again. it might feel like you'd be wasting time but in the end, it is so much better than being stuck on the same scene for weeks
in fact, you don't have to write in order. jump to the next scene and you'll figure it out later. you Can write the scene you want to write and then build everything else around it
it's normal to write a scene and then realize it would make more sense later in the story, or that it would be better if you added another scene earlier, or sometimes you just find it easier to jump from one part of the story to another. rely on your outline to keep track of what you've written, what you have left to write and what's the best way to arrange your story. make your story understandable
which bring us to editing
there's a lot of much better posts on editing stories, but yeah ctrl+f is your best friend: don't repeat yourself too much. and be sure to vary sentence and paragraph length, as well as sentence structure, to give dynamism to the writing
now, i've mentioned before the show, don't tell rule, but i'm going to talk a bit more about it because it's quite important
once again there's a lot of posts that explain more in depth what it is, so i'm not going to expand too much on that, but, very basically, try to avoid things like "then some time passed and they became friends". explain it: what happened exactly? how did they become friends? if it's important, show it to us, instead of summarizing
since things like these make the story longer, it also gives room for more development and proper explanation for things that happen
for example, the fic was originally going to start with them already in the room, and the whole situation would have been explained in a single paragraph somewhere, but by actually adding the scene where they first arrive to the dorms and argue with the lady at the main desk, the story flows better and it let me actually describe their first meeting
and uuuhhh i think that's all? this took super long to write i hope i didn't forget any super basic stuff lol
i want to add that for enemies to lovers i greatly recommend this post bc it's super good but yeah i think that's basically it, if you have any more specific questions just shoot me an ask
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rigelmejo · 4 years
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im thinking about how i heard avenuex once say that mxtx writes a bit simpler than priest... like they said mo dao zu shi is like... easier to read (although not as ‘literary’ whether i guess that’s good or bad depends on tastes?)...
and i’m at a midpoint with this opinion cause on the one hand: i do think maybe the descriptions in modaozushi are a bit more straightforward. However, everything is xianxia genre (is that the right genre for mdzs? i get confused between xianxia and wuxia). And although I know some key noun words, the way people TALK in this genre is a different style... like the MDZS opening alone is like ‘people rejoice the evil is dead’ and ‘for a generation he’s presumed dead’ and ‘the jiang clan, lan clan, jin clan, wen clan, the sect leaders, the yiling patriarch’ and... so many of those words like sect and clan and the society type words are all really genre specific. So like yes, the descriptions are clear... but how people talk? Sort of??? Until I get used to the genre.
Whereas... like Guardian is an example. It has a few god-past scenes like the one with Shennong and Kunlun that I’ve read without help. The ‘fantasy’ and ‘past’ elements in Guardian are like... idk they feel almost like they create themselves, like their in-story contained mythology to some degree (even if some parts are taken or inspired from broader genre and mythology ideas). So its simple to follow: Kunlun is god of mountains, Shennong is dying, Shen Wei is a ghost king, Shen Wei loves Kunlun, Kunlun knows he’s going to die, Kunlun talks with Shennong about how everything eventually has to die including Kunlun, the world is old and this is the early days and its just gods and the world and the ghost monsters at first. It’s hard to explain but... in some ways I feel like a bit of the old-fantasy scenes in Guardian read like a creation story, so they introduce themselves more based on ‘assume reader doesn’t know what is what or how it works yet.’ And the words they use in the old-fantasy scenes are generally dialogues I find easily comprehensible. However... a lot of my comfort with Priest’s version of the genre, is I have a lot of familiarity with the story-specific vocab for Guardian, whereas in MDZS I have more general xianxia vocab and proper nouns vocab, but not necessarily familiarity with the speaking styles. 
Also... some of Priest’s novels, like Silent Reading, are modern. That story’s setting is just easier in general to follow with less context, since its all real life applicable words. Guardian, while fantasy, often has mundane real life applicable settings and words, which also helps with figuring out words and context - in a way mdzs has less of. 
However... I definitely think Priest’s writing is... complex. While there’s some context that gets easier... well...
The sheer number of adjectives I don’t know? The amount of descriptive lines? Some are chengyu, some are likely self created metaphors by the author, some are clearly lines that have like 3-5 layers of meaning and imply extra meaning from their extended context (like if I knew who Shennong was in actual mythology? If I had more background on the Kunlun mountains? I imagine the scenes I read would mean a LOT more in terms of depth of implications). Beyond simply comprehending the actual actions taking place in the story, and the barest guess at how characters are physically showing emotion - Priest is doing a hell of a lot more with the writing. 
I read the intro to Silent Reading yesterday. The first paragraph is literally just about the city - about how its split in half, east and west, and its like a beautiful picture masking a monster like a woman concealing with makeup. How the old part of the city is poorer, the newer part is the shopping district and is flourishing, and how developers are buying up the poorer parts and raising the value of the whole city but putting more pressure on the poor. And then it goes MORE in depth - this is just the parts I could comprehend. It took 2 readings of the paragraph for me to catch the second half - how the wealth is affecting the city and how business interests are affecting it. And you know damn well the societal implications of this unequally effected society are going to come up again and again in the novel, since hey it was mentioned LITERALLY IN THE FIRST PARAGRAPH. How is that for establishing a theme? Along with the intro paragraph establishing that this city has HISTORY, that its CHANGING, and that it contains monstrosities - precluding the buildup of the eventual murder cases that will make up the bulk of the future plot. On the surface, its just a physical description of location - and that physical description was the easiest part for me to catch. But if its read more in depth, its saying a ton of stuff with just a few physical description sentences. And this was just... stuff I could pick up on... I’m sure there’s more.
Priest’s novels are so chock full of this stuff its a bit daunting. Nevermind the fact that since EVERYTHING is interwoven into main details, its more of a struggle to comprehend the main gist of the plot since deeper more meaningful descriptors and metaphors and stylistic choices are intrinsic pieces of each sentence. 
I tried reading Tian Ya Ke the other day, and I only got through a few paragraphs. One of the hardest parts was just following who is who, since Priest likes not always giving names at first, so its a mystery of who someone is at first and you have to get to know them as mysterious people based on what they do. At least, sometimes. Random unnamed coffee buyer turns out to be main character in Silent Reading - and the deliveryman an important secondary. In Tian Ya Ke unnamed man who visits a secret prison has some ties to spy organizations and is presumably a main character. So I can’t just speed through an ‘unknown’ persons details - I might need to hold onto them later in case they turn out to be a named character later, where I need to remember what they did before they were named. Also on these unnamed - there’s galore descriptions of how they smile, their noses, their eyes, their hair lengths, their glasses, their style of clothes - get comfortable sifting through gratuitious physical descriptions which will ALSO be full of things with deeper meanings if you can catch them!
I’m not sure how much MDZS does this too, because I imagine it does all of this to some degree. And my impression is skewed, since I have a traditional copy of the first mdzs novel - so I’m mostly lost because of traditional characters, before I even get caught on the genre words. But I do think it... ramps up the plot a bit faster than Priest’s? If that makes sense. Like, plots in Priest are fast, but I feel like there’s also a lot of ‘what’s in this character’s head or perspective’ moments (which is a lot like I write so I love seeing it). And idk it can be harder to interpret that sometimes, since all narratives are biased and you get heavy details in one perspective narrative then fall into another one with new biases and details. 
Tamendegushi, meanwhile? By far the easiest writing style wise. I think that also makes the ‘depth’ of the writing easier to notice - you have to do less comprehension of the basics, so it takes less time to notice what the basics might be conveying beyond their exact details. Very beginner friendly... I recommend this baby FIRST if you’re a beginner like me. ToT
I do wonder if mdzs would be easier for me to read rn...
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comradekatara · 5 years
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in an ideal fic, what ships would there be and how would they interact? gm ☀️☀️
goodmorning! well, it’s 3pm now, but i love the sunshine emojis 🌞
obligatory disclaimer that i have mixed feelings about fanfiction as a medium. i much prefer reading paradise lost to the bible, but pride & prejudice & zombies does nothing for me. i think it’s similar to how when staging a play that’s been done a million times before, changing the setting must reframe the text on a thematic level for that staging to be necessary, and thus, good. 
a lot of fanfiction, to me, whether published or lost to the archives of the internet, attempts to reframe the text without actually understanding the text. i realize that not all fanfiction exists to explore the text in the first place. sometimes it just works as good shorthand to explore one’s (often sexual) fantasies. you already know these characters––oh, and now they’re fucking. 
so in that regard, i can’t exactly fault these authors for not understanding the text. i can fault them for other things, certainly, but thematic relevance was clearly not a goal in the first place. it’s the difference between a ship existing in a work of fanfiction to further the themes, and a fanfiction written for the sole purpose of exploring a ship. 
with all that in mind, here’s a bullet-pointed list of fanfictions i would read should they exist and be well-written, but definitely do not exist and are not well-written because i have the appropriate amount of faith in the fanfic community (and that is... very little)...
a really long story from mai’s pov elapsing from her childhood to at least a year into zuko’s reign. the climax of the story is the turning point at the boiling rock wherein ty lee betrays azula. the first act is the buildup to all of that, and the second act is the fallout. the main ship being mai/ty lee, obviously. oh and at one point towards the end, mai and sokka play pai sho together. that is of the utmost importance. 
a story told almost like an epic poem (perhaps with the structure of one, but still in prose) about suki’s adventures throughout the show’s chronology and then spanning afterwards as well. we learn about her backstory, what she got up to in the months in between seeing sokka. it’s usually quite bleak, as she is mostly helping refugees before getting kidnapped by azula, tortured for information, and then thrown into a horrific maximum security prison! but it’s not all bad. and seeing as suki is the protagonist, it would never make for a bad read, either. the main ships are sokka/suki and suki/ty lee. because duh. 
azula, in the years spanning the depths of her recovery, going on hikes with toph. basically each segment is just the next hike with toph, in chronological order, and it tracks her development just through how much she is willing to divulge, and what toph would say in response. she grows a lot. unsurprisingly, toph makes for a great therapist. no romantic shipping of any sort, but azula & toph would share a really fascinating bond. 
sokka and iroh playing pai sho. sokka and asami playing pai sho. (AU?? or are they in the spirit world?? idk lol) i suppose korra/asami would be present because korra’s all “kick his ass babe” and sokka/zuko would be as well because wherever sokka and iroh are together, zuko must be too. and of course, he is very invested in the outcome of this game, even if he does fall asleep at one point. i guess you’d have to make up the rules of pai sho, at least vaguely, seeing as there are no official rules, but isn’t it a lovely idea? 
chell’s AU wherein azula and zuko run away together as children and join the gaang. just gonna link to it here. (read it if you know what’s good for you.) i don’t think there are really any ships, other than azula’s one-sided crush on suki, because azula does not have time to care about other people’s love lives (and it’s from her pov) but sokka/zuko is alluded to, if i remember correctly. 
my AU that simply exists as an excuse to have sokka be a lightningbender. here. 
a whole fucking novel of an AU wherein instead of being tasked to capture the avatar, zuko was simply left to die in the southern water tribe. he expects to either freeze to death or be eaten by wolves or, if he’s lucky, be killed instantly by the people there, but instead, sokka and katara take him in and he grows up in the swt, and goes with them when they find aang three years later. then of course shit goes down once azula shows up, and it’s all a whole thing! since it’s from zuko’s pov, the primary ship is sokka/zuko, obviously. 
epistolary between firelord zuko and chief katara of the southern water tribe. none of their letters are remotely diplomatic, and mainly serve as gossip with only the occasional reminder that they are, in fact, world leaders. no ships. 
sokka’s life postwar that kind of just details all the cool shit he did. shrug. 
idk whether this counts as atla or lok, but i would read a chronicle of kya/izumi dyke drama in a heartbeat and am not ashamed to admit that. 
ty lee and azula’s very complicated dynamic from alternating povs. i just think their respective feelings towards each other are super interesting. especially the night at the beach and the turning point at the boiling rock, though all the moments leading up to that are just as important. the ‘ship, though, would be mai/ty lee. (y’all know theyre my favs, right) 
the katara cinematic universe is its whole own post, so i’m not even gonna discuss that here. 
and then of course, our somehow very in-depth highschool AU (i don’t know how we got here, either) that could be its own series of young adult novels if written by someone with that kind of patience and focus (so to be clear, not me). hopefully, it would be imbursed with that painfully authentic sensibility american vandal (rip legend) had, while also being a bit too earnest, the way all coming of age stories are––but charmingly so. it might even be a series of vignettes, short stories from various povs that all come together in a painfully hilarious tapestry. azula begins studying for the SATs freshman year. mai sarcastically quips at anyone who deigns to speak to her. also she’s dating zuko, so that’s great comedy fodder of course. katara runs for student body president against azula. sokka and zuko land themselves in detention and they find a way to escape. toph joins the science club just because sokka runs the science club; things explode. stuff like that. 
i used to say i’d want a kyoshi backstory, but now we have one, and i simply have yet to read it. oops. 
oh and this is lok, but i’ve always wanted more on mako & lin’s dynamic. i just think they’re really cute together. (to be clear, not romantically. ew) 
i think the avatar universe is also just rife with fascinating lore, though, and you could pretty much write anything, set in any time period, that complies with canon and– hopefully– enhances it. for example, i would love to read a story that incorporates the physics of their universe into its thematic framework. i really liked the stuff with the lionturtles, for example. 
oh, and of course, a sokka/zuko vignette that’s just them going to see a production of king lear and then discussing it afterwards. that fanfiction exists for an audience of one, but you did ask me, so... 
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shadowsong26x · 6 years
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Solo reaction post!
So, I saw Solo this afternoon--generally, I liked it! It was fun, it was engaging...
Don’t get me wrong, it wasn’t perfect (I think, objectively, it was probably...not a great movie), but overall, especially given the production issues I know it had, it was a lot better than I was expecting?
Like--it was overall more like a string of good moments (mostly--there were a few I didn’t like) than a cohesive whole/movie. So, was it a good movie--like I said, objectively speaking, probably not. But I don��t care, I liked it a lot!
(Also, any of y’all who have seen it and/or read this without caring about spoilers, feel free to reply/reblog/interact/discuss/etc.!
More detailed review/ramble behind the cut.
So, like I said, I overall liked it, and I plan to focus on the positive. But I do want to get the stuff/moments I didn’t like out of the way first.
First--what I said above about the less-than-cohesive narrative. This made some of the pacing a little off. Some parts, especially in the beginning, did drag a little bit.
Second--and this is probably my biggest issue--I am not happy that they fridged Val. She was SO COOL and I wanted more with her and...yeah. Not...not really much else to say there other than Not Happy About That.
Third--L3′s death...kind of fell flat for me? I’m not sure why, but it felt overblown/melodramatic, rather than a moment of genuine pathos. Possibly because it was (or felt) kind of out of place, tonally, with the rest of the film. Possibly because she/her relationship with Lando needed a little more buildup for it to pay off properly.
Or possibly because I couldn’t help comparing it to K2′s death, which was just...just perfect. Can’t really top that one.
...those are the main things, I think, at least that I recall off the top of my head. Possibly there will be more after I see it again (which I definitely will)
Now! Onto the good stuff!
Lando. Just...Lando. And his closet full of capes and his smile and...basically, every time he was onscreen. Donald Glover was just perfect. Nailed it, hit it out of the park, etc.
Paul Bettany was also awesome! Such an enjoyable villain/antagonist. And his bat-dagger/brass knuckle/plasma knife things were SO COOL!
Uh. Anyway.
Pretty much anything from when they picked up Lando--the whole Kessel sequence--was awesome.
Also, that pirate girl, I loved her. I kind of wonder if there was something else in a previous draft--some more to the moment where she took her mask off? Like, when she did, and she and Beckett just stared at each other for a moment, I was half-expecting a reveal that she was his and Val’s daughter or something? Maybe that long shot was supposed to be “look a young relatively innocent girl fighting for a Good Cause” or something, but...eh, IDK.
L3 was delightful, too! And Riyo? Whatever his name was, the other member of Beckett’s original team.
Oh, I mentioned Paul Bettany’s SUPER RIDICULOUS SO EXTRA daggers, right? WELL THEY WERE COOL SO I’M DOING IT AGAIN.
Also, Han’s heart eyes when he saw Val on that battlefield.
Han’s heart eyes when he saw the FALCON!
Okay, Qi’ra--initially, I actually liked her a lot less than I was expecting to. I mean, not that I disliked her, or anything, just...she was more of a generic action movie love interest? She felt like a generic trope--the childhood sweetheart/old flame who is now working for the bad guys--rather than a real/interesting character in her own right. And, I mean, it’s an archetype I happen to like a lot, but...yeah. She did have decent chemistry with Baby Han, I’ll say that for her. Basically, I was just kind of “meh” on her. I was mostly just hoping she wouldn’t get fridged (as romantic false leads have a nasty habit of doing), rather than enjoying/being invested in her for herself. If that makes sense?
Anyway. Just--comparing that with the trailers where there’s that shot of Lando and his “hey-there” grin back to back with her Murder Walking away from the Falcon in the red cape that together were like...where’s that “cries in bisexual” gif when I need it?
(I mean, the Murder Walk in the red cape and LBR all of her super awesome 40s/50s hairstyles still appealed to my shallow bi heart A LOT).
Cough. Uh. Moving on.
Then that whole final sequence happened and it was GREAT.
Again let me mention the daggers of AWESOME I WANT THEM.
But also it was...just...just a really cool fight scene???? And then Qi’ra killing Paul Bettany with his own plasma dagger that was STUCK IN HER SWORD and...
And then. AND THEN.
Then she dumped Han. And as he’s walking out and she’s promising to follow him I’m like, “oh, honey, baby, she is not going to do that.”
There was a vague chance that she was going to die at that point--that it was a Kanan-style h/c angst drama “I’m right behind you” but I didn’t think it was going there. And sure enough it was straight-up Michael Corleone closing the door on Annie Hall which for all I’m a fan of the h/c “I’m mortally wounded and don’t want my loved one to see/worry” trope was SO MUCH BETTER.
And then she picked up Paul Bettany’s ring and took over the syndicate and suddenly I was SUPER INVESTED IN HER.
I have a Thing for anti-villains, okay. Maybe not as much of a Thing as I have for double agents/conflicted loyalties (though we did get a bit of that with her at the end, too) but still, a Thing.
And Qi’ra, Qi’ra, Mob Boss of My Heart, hit SO MANY BUTTONS, LET ME TELL YOU INTERNET.
And then she called her boss. And at first I was like “is Palpsadoodle behind this?” But the voice was wrong. But he was clearly being set up for a Reveal, but then again I thought Pirate Girl was, too, but then I vaguely remembered reading something somewhere that implied a Surprise Cameo (I’d been hoping for Hondo to get promote to a higher level of canon) but then I thought maybe it’s a Legends nod/recanonization of someone...
And then he dropped his hood and I legit clapped my hands over my mouth to keep from shrieking. I don’t even like Maul that much and yet. AND YET. (Also, he was played by both Ray Park and Sam Witwer, which pleased me! I don’t remember who voiced him in TPM but I do know they dubbed everything)
(Also, nice to know that Star Wars still doesn’t know what the hell a cohesive timeline is, lol. Although...I’m sure smarter people than me will math/meta it better, but I’m pretty sure this has to be set before he goes to Malachor, since he seems to have been in active control of Crimson Dawn for a good long while, plus Han and Qi’ra would have to be pretty young at the beginning. I’m guessing a timeframe of 10-12 BBY for the prologue? Assuming Han is ten years older than the twins, which I always thought, but one of my roommates, who generally keeps better track of this kind of thing than I do, thought he was supposed to be 35 then...Also, it can’t be any later than 3/4 BBY, because there’s that one bit in the Leia novel, which is set in 3 BBY and heavily implies that she almost meets Han three years ahead of schedule, and he already has the Falcon...eh, who cares, welcome to Star Wars where the timeline’s made up and the points don’t matter XD)
Anyway. Um. Final verdict--the ending was great, Lando was great, there were some bits that dragged/some pacing issues, some clunky bits, and it was something of a stitched-together Frankenmovie with some underdeveloped plot threads/characters, but overall I really liked it.
(Also, I really hope Qi’ra, Mob Boss of My Heart, outlives Maul and gets to run Crimson Dawn all by herself/properly some day.)
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