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#im fine with like. almost every other aspect of the show
snickeringdragon · 8 months
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snick you need to tell me where ok ko wasted its potential and how you think it could be made better i havent seen anyone talk about this damn show in ages Yes im here because of skiddle's tags hi skiddle. hi snick
AHHAHAHAHAHAA. YOU HAVE NO IDEA. YOU HAVE NO IDEA
AHEM.
ok ko spoilers, obviously
...i should put this under a cut
opens up a powerpoint presentation. ok ko is in my opinion overall a very good show. its incredibly funny, charming, and...sometimes well written story wise. unfortunately it has a very very big failing in a very very big plot point
clicks to the next slide. my beautiful son tko.
tko himself is fine. i have no issues with his CHARACTER. i take issue with how his character is treated. tko is, by himself, a child with anger issues, he reacts very poorly to being agitated but like...
he has to be agitated first.
there is not a single example before season 3 where tko like, wrecks shit or whatever without being provoked, in his debut for example, hes just doing his job (albeit begrudgingly) before enid and rad provoke him, and he starts fighting them
however, the show always seems to act like tko is in the wrong, treats him like a villain despite his mostly heroic acts, is he PERFECT? no!! hes a fucking kid with anger issues!! he was locked inside a mind cage!! he doesnt know how to deal with things so he hits them!!! he just. happens to be able to hit things very very hard and with lightning bolts.
another example is the season 1 finale, youre in control. in yic tko. literally doesnt do anything wrong. like im not joking.
in yic tko gets let out to fight boxman jr and like...he does that. he throws boxman jr back to boxmore and then chases him over to boxmore. he does not attack a single hero in this episode. he does not do any damage to the plaza. the worst thing he does in this episode is put ko back in the cage. yet its STILL treated like hes doing something wrong???
another thing about tko. tko wants freedom. he says this outright. being locked inside a literal cage will do that to ya. i want to make sure real quick that we're on the same page here that locking a 6-11 year old boy inside a cage is bad no matter how badly he is at managing his anger issues right. right. okay. tko deserved to be uncaged. and he WAS. except...
when he gets out of the cage in youre in control. thats great and all but...his next appearance, tkos house, hes still upset. he still wants his freedom. its just that instead of being locked in a cage hes locked in a (pretty cool honestly) house. it doesnt matter how nice you make an enclosure, sometimes itll just never work for the animal. and thats what tko is like, he wants out, he wants control over the body, which like. is fucking fair?? im someone who REALLY understands the importance of going outside often, tko really deserves to be allowed outside their headspace. its good for you.
but tko DOESNT. GET THIS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! he shows up. LITERALLY TWICE in season 2 (thats 40 episodes!) and NEITHER of his appearances (tkos house, dark plaza) does he even get to use the body on his own!! its always fused as pko!! he doesnt get a turn!!
and then when season three starts. uh. glances at tko rules. Yeah. The Subconscious. he gets trapped in a dark empty void for [checks notes] about two weeks. minimum.
what im getting at here. is that tko never really left that cage.
okay. im gonna touch on one more tko thing. the FUCKING finale. [furious]
quick recap, in the finale ko and tko have a plot twist moment where "oh hey! ko and tko are the same person actually! and now theyve accepted eachother as the same person and can be happy! hooray!" except like. mko (finale fusion) is just ko
like seriously hes JUST ko. his design? leaning towards kos features. his personality? LITERALLY just ko theres not a hint of tko there. its not the two of them "accepting eachother" or whatever its. its the writers killing off tko.
as well as like. a guy i know pointed this out and i cannot fucking get over it. if they were just going to ""fuse the two"" in the end then WHY. in GODS NAME. is tkos LITERAL FIRST LINE OF DIALOGUE.
"no, not ko."
hes so fucking INSISTENT on correcting people when they call him ko (which is ANOTHER gripe i have with this show. NOBODY calls him his name) and they just. oh yeah hes actually ko lol. LIKE DUDE. THIS ISNT HOW YOU WRITING.
i didnt even mention the issues regarding system stereotypes. i didnt even mention dark plaza since i was focusing on tko. i didnt even. theres so much. i need to stop. now. goodbye.
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gemapples · 5 months
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im so sorry it took me so long to answer these oml but YES i'd be happy to show how i draw and color :)
— SKETCHING
please note that i almost always sketch traditionally first lol it's just a lot easier for me to determine how the drawing is placed that way, but i always go over and re-sketch it digitally
for magolor i always start with a basic egg shape (lmao) and then i add his ears. then I draw the scarf; it's easy to determine the shape and dynamicism based on where the bottoms of the ears are located
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then i usually add the cape and hood together. where and how these are placed and what these look like in general are very important because they're the main area that perspective is directed to (the ears and everything else is important too ofc!! but the hood and cape usually help demonstrate where he is looking and how he is moving the most). then i add everything else, usually his hands last!
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— LINEART
ohhhhhh god my worst enemy. Hope youre sitting down because this will be embarrassing LMAO
lineart is easily what i struggle with most and is more often than not the most time consuming and grating step for me. If i had a choice i would drop it in a heartbeat, but my style is so dependent on thick lines and shapes that it's difficult to 😭 a hole i dug myself into unfortunately ITS FINE THOUGH. ANYWAYS I'm getting sidetracked
i use my finger to draw all my digital art, which means i usually have to use a Heavy stabilizer to avoid shakiness and staggered lines. Unfortunately ibis paint's stabilizer is actually dog water and doesn't even stabilize more than half the time (in which case i have to repeat lines over. And over. And over again until i get it right) but when it does like me and works properly it's very helpful!
i always use the soft school pen bleed brush as my main tool for lineart. This brush has been my best friend for everything, i even use it for sketching idk it just really like the way it looks lol. sometimes i change the aspect if i want the lines to look more ,, chalky?? or smoother depending on the work
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i don't really use this tool much but for this specific piece, force fade was my partner in crime
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also i think i need to mention that i use so many layers for this. So many layers lol like to the point it's embarrassing. and at the end i merge most of them (except for the gear patterns, rings on his ear, and eyes + hands, which usually need to be by themselves as they're colored separately) Thank you for layers
and i end up with this!
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— COLORING && SHADING
yippee yahoo the fun part !!! the part that i love the most
at this point, if i havent already, i always create a folder for convenience in organization because this is the part that i stress the most about what details are on which layers lmao
then i add ANOTHER layer below that for the color, then i put every single color used on their own separate layer!
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now, for shading, if im working on larger pieces with more complex shading, i'll usually plan it all out. normally when just drawing magolor, i don't really need to do this anymore because i'm so used to it lol, but for funsies i did it here anyways
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then i use the bucket tool to fill them all in
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i usually have a set color palette for all the characters i draw (though the way i shade white differs. A lot between my work as you can probably tell fhdfgf). For every color, i have two specific tones that are associated with the shading. for example, indigo + violet are shaded with my blue, pink + light orange (or lighter pink depending on my mood lol) are shaded with yellow, etc.
so, i shade the other areas with the 2nd shading color
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a big tip i can give for coloring is to look at a color wheel when you draw. i know that sounds like. Such basic advice LMAO but that seriously was a huge help for me when developing my shading and something i learned while studying — if you notice, in all of the shading in my work, all of the colors used are analogous on the color wheel. note that not ALL combinations will work together like others obv !! but it's a huge step in knowing where to go with it
then i add other extra details like extra lighting, halftones (if i feel like it // if it fits the work), glow to his eyes, and color the lines and ta-da!
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another tool i use a lot especially with my more recent art are blending modes, especially multiply. i use a clipping layer to add a dark color (usually a dark blue or purple) and set it to multiply, then erase the areas that emit light
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and this is the end result! this is a very very basic demonstration of it fhdjg i was a pretty messy with the lighting and erasing in this example but you get the general idea right
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and that's how i draw :) i hope this was helpful, and thanks for asking and being so patient with the response!
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dreamsy990 · 6 months
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so, re:chain of memories, huh?
warning! its been a little while since i played through recom, so the game isnt as fresh in my mind as some others. sorry for any innacuracies!
spoiler alert, this is my second favorite kingdom hearts game. at least of the ones i've played so far. i get that this isn't like. a POPULAR opinion but fuck you i have almost nothing but positives to say about it.
let's start with the easy stuff first. recom introduced a new card-based combat system. i cant compare it to the gba version, since i didn't play that, but i can say that for what its worth i DID enjoy the combat. recom is by far the hardest game so far (at least for me) and almost every boss took multiple days for me to beat, even with my hp maxed out. it took me a while to get the combat system, but id honestly love to replay the game now that i have a better understanding of how it works. the card system requires a lot of quick thinking and i get that it isnt everyones taste but its CERTAINLY mine. every fight is difficult and feels genuinely rewarding when you win. the movement, like kh1, can use a lot of work, but i wouldnt call it terrible. just kinda sluggish. i think my favorite boss fight was larxene. shes a pain in the ass but i love her.
i think riku's side dropping the deck building mechanic isnt terrible, but i wish i could reorder his deck at the very least. and the lack of healing cards is. not fun. basically any damage you take is permanent unless you HAPPEN to get mickey and its simply Not a fun time. im not very good at games okay.
i have a lot less to say about the worlds than the combat. they're definitely the worst aspect of the game, though. the idea of making worlds with cards is fine! it just leads to kind of repetitive world design. the stories are forgettable, so forgettable that i literally forgot them. and i could make a point about how thats the idea its a game all about forgetting things!! but honestly that just making excuses for it. the worlds couldve kept the idea of forgetting things without literally making them forgettable. i say this about every world, except for one. because DESTINY ISLANDS
destiny islands is just. so fucking good in recom. its the climax of both sora and rikus stories and i think theyre both amazing. id have to say i prefer rikus, soley because of the visual storytelling you get from his side of it, and thats not to say soras is bad at all. but something about zexion telling riku that its his fault his home was destroyed, as riku sees a version of himself turning into a literal monster? thats just good okay. its really good.
i ADORE the characters in this game too. everything we get from them is sooo good. it's the introduction to the organization and all of them (except lexaeus who did literally nothing) are a treat. axels my favorite ofc, but larxene is such a fun villain, you love to hate her. shes really the star of the org cast in this game. sure, axels may have said its his show now, but larxene stole the spotlight.
its namines introduction, too, and i love her. on one hand, shes just really kind. she wants a friend, she wants someone to talk to, she wants to meet sora. on the other, shes just a little bit fucked up actually. sure, shes honest with sora, but shes the tiniest little bit guilt trippy and i LOVE THAT. her response to sora saying he wants to get back his own memories and forget her is "oh okay. you want to remember your REAL friends, huh? theyre the ones who REALLY matter to you? yeah anyone would want that. no friends for namine i guess." like shes just a bit salty and we love that for her. i want slightly guilt tripping and salty namine back nomura.
but ofc one of my favorite new characters in this game HAS to be repliku. god i ADORE repliku. his hatred for riku is sooo fun and the way he fights with sora is great too. like in soras side i thought he was a neat villain but rikus side? hes amazing omfg. one of the only villains i liked in rikus story (sorry lexaeus, you werent good until days)
over all, this game certainly isnt everyones cup of tea, but its DEFINITELY mine. it's the game im most excited to replay at some point, mostly because of the amazing boss fights. 9/10. its got issues, but the story and characters are so good that i genuinely could not care less about like. most of them.
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gnrbitch · 1 year
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For the night
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SlashxFamous!Y/n
Warnings: Smut!🙊
Redemption: Your band name!
Y/N JONES MOODBOARD!
———
1989
Gnr and Redemption had been smushed together on a tour as the opening act for The Rolling Stones, and they were all having a blast. I mean how couldn’t they? With 5 girls and 5 guys they were all entangled with one another.
Well… except for Y/n and Slash. The front woman had fiery confidence that made everyone burn as she walked. And to Slash’s luck, all the boys had claimed the other girls before he could.
Don’t get him wrong, Y/n was the hottest member in Redemption. Sure all the other girls were very good looking. But everyone knew there was something about Y/n. Untouchable. Hypnotic. That’s what she was. In every aspect, her looks, confidence, songwriting, and voice.
But the thing was, Y/n was literally, untouchable. No matter how smooth Slash was with her, she never cared! And did that upset the curly haired guitarist.
It was like he was a game to her, he would get so close, yet he was so fucken far.
But he didn’t let himself get too hung up on her, he had the groupies!
Slash had been over this little game Y/n was playing with him, so he’s been with the groupies and paying her no mind.
And Y/n could laugh at the poor man, his poor attempt of trying to pay her no mind was not working. She could feel his eyes burning into her body as she was onstage. Even worse when Keith Richards would always shower her with his sweet little compliments.
Which is what was happening right now.
“Girls! Always putting up a great show.” Keith said as the girls came off stage. They had performed after Guns, so there was no rush for anything. “Thanks Keith” the girls said as they all went to each others little tour boyfriends.
Slash watched from the couch as Keith put his arm around Y/n waist. “You get nastier every time i see you out there.” he said as Y/n smiled at him. “You think?” she said looking at him, Keith looked over her shoulder then span her around to where she faced the rest of the room.
“What’da do to the boy Y/n” He said smiling “Lookin at me like i’ve touched his most prized possession.”
Now it was Y/ns turn to look over Keith’s shoulder, making straight eye contact with Slash and sending him her sweetest smile. Slash just rolled his eyes and put his attention back on the groupie sitting on his lap.
“I haven’t done anything” She said looking back at Keith. “And that’s exactly what’s got his balls in a twist.” She said smiling at him. “I’ve gotta say you play a mean game” He said, now lighting a cigarette. “You know it, I’ll see you later Keith.” She said kissing him on the cheek and walking away.
———
“Slash” Duff said as he and Amber caught up to their curly headed friend. “What” He said smoking a cigarette as they walked through the hotel halls. “I have a hugeeee favor to ask you” Amber said as she looked across Duff.
Slash gave her a short mumble, which she took as an okay to keep talking. “Okay so, please please pleaseeee switch rooms with me” She said holding up her key card.
Slash blew out his cigarette smoke, “D-” “okay yes im rooming with Y/n” she said cutting him off “But comon, were all gonna all hang out get fucked up so all you’re gonna have to do is walk back with her and knock out!” She said holding on to Duffs hand, almost jumping up and down.
Duff looked at Slash with a pleading look, the curly haired man sighed and shook his head “Fine. But you owe me Duff.” He said as he traded keys with Amber.
He walked to he and Y/ns room, huffing and puffing cause he was so upset that instead of rooming with Duff, he was stuck with rooming with the girl that he had been trying so hard to avoid.
He rubbed his hands on his face before entering the room, “it’s just for the fucking night” he mumbled to himself.
During this, Y/n was also huffing and puffing, but for a different reason. The poor girl couldn’t find the only bra she bought with her on this tour. Looking through her bags, cigarette in her mouth with nothing but mini skirt and a white pair of ankle socks on.
As she heard the door open, she had her back faced to who she though was Amber, and said “Am, have you seen my bra? like the only fucken one I bought on tour?”
Y/n jumped when she heard Slash’s deep voice “Haven’t seen it”
She stood up and faced him, her hair being the only thing covering her breast.
“Scared me there baby” she said as she took a hit of her cigarette. “Didn’t expect you to be rooming with me”
Slash took a quick glance at her chest “It’s just for the night Y/n”
“You know,” The half naked girl said putting her cigarette out, “I’ve noticed you haven’t been talking to me” she said as she looked at him.
“I really miss your attention yknow?” she smiled at him.
“Whatever, i’m heading to Axls room” He said, but he was really gonna go out to find a groupie and imagine himself fucking Y/n.
Y/n grabbed his hand. “Why go? when you could just stay here with me” she said sending him her iconic sultry smile.
“There you go” he said pulling himself away from her and taking a step back.
“What do you mean?” She said slightly cocking her head to the side. “You know exactly what the fuck I mean.”
“You know” Y/n started as she stepped closer and closer to him “You’re the most impatient man” She said looking up to him, since he was only a few inches taller than her.
Slash looked at her, unable to move, “You’re such a fucken tease”
“Oh i’m the tease? really?” She said smiling at him, moving her mouth to his ear “You can’t even imagine what you make me feel” she whispered “When you’re out there on stage, all sweaty, all big and bad.”
She bit his ear lobe before looking back at his face, both of them looking at each others lips.
“I’ll show you a good time baby” she said looking at him with her doll eyes, kissing him.
Slash had to take a moment on what the fuck just happened, but after a split second of feeling her lips on his, he started to kiss her back.
Y/n deepened the kiss as Slash gladly did too, one of her hands around his neck as the other found it’s way to his hair. Pulling his head back to catch a breath.
“You still wanna go to Axls?” She said teasing him. “Fuck you” he responded as he lifted her by her legs and reconnected their lips.
She giggled as he threw her on the bed. Looking up at him as he stood before her. “Not fair that i’m the only one who’s topless” She said as she tugged the hem of his shirt.
Slash threw his shirt off, walked over to the side of the bed and layed down on his back.
Y/n looked over her shoulder, smiling at him as she crawled over to him and sat right on his waist.
His hands moved her hair out the way of her tits and began to grope them.
Smiling, Y/n reconnected their lips and began to rub herself on his leather pants. Her skirt had been risen up, her flimsy panties being the only thing covering her crotch.
Slash parted his lips as Y/n kissed down his neck, using her hands to unbutton his pants.
“You’re so fucken hot” he panted, feeling she was moving at a slow pace on purpose. “I know” she smiled as she had successfully put his pants down, revealing his hard member.
Looking down at his dick, she was excited. Spitting on her hand, she began to rub his member. “You’re bigger than I expected” she said, Slash’s mouth open as he slipped one of his hand in her underwear, rubbing her wet pussy. “shut up” he said.
He flipped her over in a swift movement, now fully taking his pants on as she took off her skirt.
Moving her panties to the side as he continued to rub her clit, “I don’t know why you would keep these on Y/n” he said using his free hand to rip them off her her. Y/n moaned “Fuck you, those were my favorite.”
“Shut up” he said as he lifted one of her legs to his shoulder, and in one swift moment, he filled her up. Y/n let out a loud moan, feeling him stretch her out.
He stood still for a moment, feeling her walls clench around him. Moving at an slow agonizing pace, Y/n moaned, “Slash- please”
“What do you want baby?” he said teasing her, though it was killing him also. “Please” she said, heavily breathing “Fuck me”.
And that was all Slash needed to move faster. Gripping her hips, his thrusted in and out of her.
He looked at Y/n, face flushed, eyes closed and head thrown back. He moved his hand from her hip and grabbed her face. “Look at me” he grunted. Y/n opened her eyes, tying to stop them from closing. “Fuck” she moaned out as Slash started to rub her clit as he reconnected their mouths.
Barley kissing, they moaned into each others mouths. Slash moved his head to the crook of her neck, lightly kissing her all over. “Fuck- you’re so fucken perfect” he said as his hips continued to move. “Please Slash” Y/n continued to moan “Im so close baby please” she said as she felt herself about to cum.
“Comon pretty” Slash said, now looking into her eyes, propping her leg back on his shoulder, fucking her like an animal, “cum for me”.
And she did, her eyelids fluttering, pulling him to her chest as she moaned his name like a fucken prayer.
Slash’s hips began to falter as she came, feeling her walls grow tighter. “Where do you want me to cum” he said quickly, not knowing if he was able to hold back. Heavily breathing, Y/n whispered “inside”.
With a few deeper thrust, Slash came, feeling like he was in heaven, his body on fire.
They both stayed there, trying to catch their breath.
He slipped out of her, throwing himself next to her.
Y/n got up to clean herself up, coming back to find Slash looking at her with such admiration. “Sleep with me tonight” She said looking at him “I’m kinda forced to yknow” he smiled, helping her under the covers. Giving him a kiss, she snuggled next to him and drifted to sleep.
And all Slash could do was look at her, and realizing he just fucked himself over. Because he was in love with Y/n Jones and her little fucken games.
———
FIRST TIME WRITING SMUT OMG 😭!!! I hope it wasn’t too bad. Hope u guys enjoyed🙊
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etrosgate · 10 months
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everyone go play 999 for the nintendo ds. NOT THE PORT. the ds.
im serious about this.
9 hours 9 persons 9 doors for the nintendo ds is a masterpiece of a game, with wonderfully snappy dialogue and a quickly paced narrative that avoids many traps of visual novel writing (such as being overly obvious and repetitive) with a ludonarrative cohesion that makes SO many of its aspects initially perceived as flaws into an active strength of the experience. the endgame twist is very possibly the best in gaming history.
i think i've made it pretty clear that i really fucking love this game, and recommend it to everyone.
so
i used to say "the ds version is better, but it's fine if you play the port for its various quality of life features" but im no longer able to have that stance, now that i know the extent of how it kinda butchers its narrative. it's not super obvious, but that subtley honestly makes it worse to me.
it's the difference between a good game that had cool concepts but kinda shaky execution, and a masterpiece.
this boils down to the "novel mode" versus "adventure mode" format that they decided to build the port on.
if you choose to play in adventure mode, it removes almost all of the narration and rewrites that aforementioned incredible dialogue to awkwardly shove in some (not all) of that information, resulting in overly obvious and clunky writing that seriously drags some scenes out. the descriptive text in general is actually incredibly important in a way i can't describe, and though it will forcibly shift to novel mode to show it to you very occasionally, it's not Nearly enough and you will miss out on some of the most memorable striking moments because of it. i cannot overstate how much the impact of the ending is affected by this.
if you choose novel mode, you do get all the narration (very important). HOWEVER. the writing is still the adjusted one done to facilitate only playing adv mode, so now the dialogue is overly obvious and clunky and slow AND repetitive (all the things i said 999 very cleverly avoided 🤔?) and then, for some ungodly reason, it is actively difficult to play the game in novel mode. the game will Constantly shift you back to adv mode so you have to spend the entire game checking to make sure to switch back (something even i found difficult to do as someone who'd played the ds version).
so neither way to play the port is good. in addition to the aforementioned changing the final puzzle to be worse. and a LOT of ludonarrative things i cannot actually get into due to spoilers.
"how much of an impact could these small changes actually have?"
well this is anecdotal, but me (and many other people i know) who originally played 999 on the ds and thought it was a masterpiece, years later went on to play the port version and thought "huh. it was still good, but it's like the magic was gone. i guess it's just not as good as i remembered, one of those things that doesn't hold up to your memories of it."
and then we replayed the ds game. and found out that the game we remembered DOES still exist! it's just as fantastic, the magic IS THERE. the port just made the game worse!!
anyways, so what were those quality of life changes i mentioned earlier?
in the original ds version of 999, every time you reach an ending you have to start from the beginning of the game again, fast forwarding through the text and replaying the puzzles. (the port changed this to having a flowchart where you can just jump to decision points)
HOWEVER
as someone who Very recently replayed the ds version, i truly don't think this is as much of a pain as you might expect.
skipping text isn't a big deal. yeah it takes a bit, but it's easy to watch a youtube video or something while you're waiting the 5 minutes it takes. using an emulator, you can even speed up the text skipping to an even greater degree. if you can't physically hold down the button, you can probably find something to hold it down for you, and on an emulator you can rebind the key to be something easier to do that with (like the space bar)
redoing puzzles isn't a big deal either. not only do you still have to redo some puzzle rooms in the port version anyway, it can be pretty fun to figure out how to essentially speedrun rooms you've done before, and you don't redo them that many times (i would recommend a walkthrough anyway for deciding which endings to get, so making that redo time even shorter is a bonus).
if you really need the accessibility of voice acting, i would genuinely recommend watching an LP of the ds version instead. yes, i really do think some guy from 10 years ago reading out the text will give you a better experience than a genuinely good cast of voice actors reading the port's.
btw, if you're scared off at the prospect of reading a little more now without being able to choose adventure mode... if you've played danganronpa (and most of you did!) 999 is shorter, faster-paced, and has LESS READING.
okay im done.
i'd recommend THIS WALKTHROUGH, even if you don't want to use it for the puzzles, it'll give you good info for how to get each ending (especially recommended for true ending), and a general order to do them in. i'd recommend doing getting all the endings (except coffin, which is just the true end cut short) EDIT: thank you to tlblitz for recommending this walkthrough, which gives additional hints for the puzzles instead of just telling you solutions outright
if you've already played 999 (or are just curious about specifics), this video details all the changes mentioned here and more, and it gets all the way into spoiler territory (it can be nitpicky at points, particularly at the beginning, but maaaan did it open my eyes to everything i had subconsciously picked up on in playing the port)
EDIT
i forgot to mention. if you emulate the game, there's a visual glitch that messes up the sprites a little, but you can fix it really easily! in DeSmuME, go to Config>3D Settings and set the renderer to OpenGL
also, here's a mod that increases the text speed, if you find that bothers you.
and i figure i should put my reasons for not just tolerating, but loving the hassles that come from the ds version onto the base post (reposted from another reblog)
major major 999 spoilers below (and some vlr spoilers too)
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to me, one of the coolest aspects of 999 (and zero escape in general) is how much the experience of playing it reflects the narrative
the final twist isn’t just that the text on the bottom screen has been akane, but that you’ve been playing as HER the entire game, not junpei (and with turning the ds upside down for the sudoku, you finally do so for the first time)
in the narrative, you spend basically the entire runtime getting to know her as June, but in the ludonarrative, (the actual Playing the game) you get to know her as Zero. and those annoying bits are a big part of that.
every time akane reaches her death in a timeline, she has to go back to the beginning and start over, because that’s how her powers work. she has to redo all the puzzles, has to wait through all the dialogue until she gets to a point where she can nudge junpei to another route. (in vlr, sigma+phi have a flowchart not just because it’s more convenient, but because that’s how Their powers work).
so subtly, without noticing, you start to reach her point of view. the first time you see the ninth man die it’s shocking and horrific, but even just on your second playthrough the horror doesn’t affect you much. for junpei and everyone else, these sequences are just as terrifying in every route but not for you, cause you’ve seen them before. you can’t be affected by them in the same way, what matters now is the futures you haven’t seen yet.
speedrunning puzzles by skipping the clues and zoning out while you wait for the dialogue to finish aren’t just game things, but diagetic events, of akane going through the motions of something she’s done over and over.
when i replayed the ds version recently (something i hadn’t done in a LONG time), i felt so close to akane in a way i never did in the port, because i’d been through the same experience as her. i understood how she could be such a kind and sensitive person who rationalizes away putting all these people she loves through all those the moment to moment horrors in pursuit of a timeline where she and everyone she care about lives, because i’d become detached to them through repetition too.
i completely understand why people wouldn’t enjoy that, but i’m a pretentious gamer who LOVES when mechanics are technically “worse” in a way that is characterful or thematic. so the frustrating bits of 999 add to that experience much more than they detract from it for me haha
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hootiee · 6 months
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how different are the anime and manga? are there certain things you like about one more than the other?
very different, like night and day. i'll leave season 2 (kyoto saga) aside and just talk about season 1, since the movie is a side/non-canon story (i really love it tho) and season 2 is like 90% canon (minus the last episode with that scene where rin & yukio talked. in the manga it was a whole mini arc with them talking to eachother amidst a fight with high tension, rather than them just chilling by a river lmao)
the most apparent scene that was different from the anime & manga was the first chapter/episode 1-2, where shiro died. the anime made it into a pretty fascinating & exciting intro to the series, with rin getting hired as a grocery store clerk, and ending with a battle against demons coming after him. where the manga, while still at its core having the same important moments (rin looking for a job, having delinquents jump him, and shiro getting possessed), it was really just a sad scene with no one except himself, shiro & satan bearing witness to the events of that night. out of fear he caused his father's possession/death, he never speaks about it to anyone. so no one really knows how that night unfolded. unlike the anime having the priests see everything (kinda awkwardly) and then later yukio showing up.
the manga really expands upon & fleshes out the characters, whereas the anime (s1) really.. flanderizes them. i think yukio is the most painful example, he is very much not the irrational "all demons are evil" kinda guy, hes truly just a kid indoctrinated into the exorcists mindset since he was 7, but the anime never really showed how nuanced and deep he is, so he became a punching bag for people to easily/mindlessly hate. also, he is NOT a half demon like rin. he's fully human just with some..Peculiarities lol (iykyk)
anyways, blue exorcist truly shines as a slow burn story, we are 145 chapters in (with the next chapter being just a few days away) and have only just now touched upon the aspects that the final parts of season 1 showed. but it is completely different, in almost every aspect. yet you can still see the resemblances to the anime, i wont get too into it for spoilers, but yk the scene with rin's sword breaks? in the anime they repaired it & everything was fine again. but in the manga, rin permanently changes from it abruptly being broken. for better and worse. afterwards, it becomes a whole underlying character arc.
season 1 was like the story's blueprint, its building blocks in a sense. the manga is truly where it shines, letting the characters grow and each have their own moments & developments before things get really heated within it's world.
it also divulges into the lore in almost a philosophical level: what really are demons & humans, are they truly so different from eachother? with rin being the focus of this question as people say he is Both human and demon and yet simultaneously being Neither at the same time.
the world building becomes expanded upon, by leaps and bounds. we see how the order/exorcists really operate. we find out What demons truly are, and their real reasons to be against humans. we find out what really happened during the blue night and what lead up to that. the world feels more open & wide, and everything feels so intertwined.
it also touches upon some VERY dark and heavy subjects, becoming more and more dark as it progresses. from mental illness, trauma & generational trauma to war, suicide, human experiments & corrupt organizations. and yet despite this darkness it still sends a good message that despite things being bad, its still worth it to keep living. and the author just knows the perfect moments to grab people by their heartstrings with it.
s1 is not Bad per-se, sometimes im harsh on it due to me personally being obsessed with the manga's canon. it does have its cute filler scenes (i actually love that rin got a grocery job in episode 1) and its pretty enjoyable as a cute fluffy feel-good anime. i first watched the anime+movie as a kid in 2015 and loved it, but it felt like it had far more potential. which is where the manga DELIVERED, by leaps and bounds.
however, now that the anime is focused on adapting it faithfully, this will change within the future. especially once get more canon episodes compared to the vast amount of manga content lol. but until then, i suggest to check out the manga 🫡
TL;DR: this is the anime vs the manga (in a good way LOL)
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chewchuck · 3 months
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AND ANOTHER THING! (IM BACK FOR MORE)
I absolutely picked up on a few things that honestly had me just asking more questions about Chilchuck’s pov. On one hand, I usually love seeing each pov within the chapters, but! on the other, it was very what’s the word… fitting? nicely done. how you handle the showing and telling of the story
My internal dialogue was a lot of “Oh surely this man is not entirely oblivious to dog boy over here.” “Oh he has GOT to be thinking thoughts rn.” So eek! Yes I am so excited about the addition lol
Also I have no idea WHAT they’re put in this stuff, but Dungeon Meshi has just… gotten me in a chokehold. The Chilaios Nation, don’t know what y’all are doing, but it also has me in a chokehold. Scarily dragging me in. I am obsessing I am refreshing my tabs I am unwell I am blessed with a feast fit for a king this is affecting my mental health I need sleep. Anyway, love all the chilaios nation folks <3
listen to me. look me in my eyes. i am gripping you by the shoulders. this is everything to me
because so genuinely while writing the first part, i considered every single aspect of what chikchuck thought about what was going on. what was he feeling what was he thinking etc etc and i while i don’t always think that’s necessarily for a limited pov fic, especially not when it comes to one that boils down to self indulgent smut, like i said *i* knew what he was going through and wanted to try to translate that to the audience with out like. making it so obvious that laios should have picked up on it.
and when trying to convey something subtle like that it’s so easy for it to go completely unnoticed. and honestly i do think i would have been just fine with that actually! bc i never intended to make a second part of this from chilchucks pov!
but the way sooo many people have been like “i am picking up on this” just made me so happy!!! like i said a billion times while writing this i made and am still making this for me first and foremost! it’s self indulgent and all about what *i* want to happen and what makes me happy
but that doesn’t change the fact that i am so overwhelmingly happy that so many other people are enjoying it!! im over the moon about that! and thats a HUGE part of why i got inspired to actually write a chilchuck pov!!!
(and not to curse myself but uhm. based on the current word count compared to the equivalent part of the first part it. well it might end up longer. but shh don’t tell anyone)
BUT YEAH WTF DID RYOKO KUI PUT IN THIS FUCKING SHOW AND WHAT IS IT ABOUT CHILAIOS NATION.
i think it’s crack cocaine
i’m would like to reiterate/make it clear that i made this blog LESS THAN A WEEK AGO. that’s how insane this shit had made me. it’s been less than a week and i’ve made a whole side blog, wrote over 11k of fic, made several friends, joined a discord server and am HAVING THE TIME OF MY LIFE. i am having more fun in this fandom than i can remember having in almost 15 years
sorry this reply got REALLY long but. it just feels good. i’m happy. i’m having fun and im glad there are other people along for the ride who are having fun as well :3
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system-of-a-feather · 10 months
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Also a lil more elaboration on this post from the OG guy in the system who talks this shit but it's also important to know when adopting radical self acceptance is that being a fucking idiot and a coward and crap literally has no inherent "oh Im a good or bad or cool or lame" person on it's own
Literally everyone is stupid in their own way and literally everyone has the things they are scared to deal with and face from time to time. I'm a part very dissociated from the concept of fear and my brain converts it fast to other shit, but I do fear letting myself down - both as a part and as a part ofba system - and doing harm by the few I deeply respect; momentarily I am prone to being scared of having my shit taken - trauma crap
That shits literally normal, being scared of shit is literally a completely normal and natural thing across almost all animal species (some argue all). There is no personal judgement attached to literally any feeling on its own.
The difference is whether you can look at that feeling and say "damn I'm scared and that a sucks ass feeling" and actually accept, address and deal with that feeling - or if you are going to deny-deny-deny.
And that isn't to say "Oh you are a stupid coward for wanting to deny it" because again, it is OK to admit you are scared and not ready to deal with something. That takes huge fucking balls to admit. If you aren't ready to deal with it, cool man that's fine, but do take a moment to actually affirm that with yourself - that CURRENTLY in the moment you are not ready to deal with it.
That is not "running away from it like a coward" that is acknowledging the truth of your current state and leaving space for it.
If you can get comfortable admitting that you are too scared to do something right now, you are inherently - in subtext - letting yourself know that 1) you accept that you are scared and it is a real thing about you that you are willing to embrace but also 2) that as much as that is a truth of your current state, that it is just that - a current state.
There literally is no shame or inherent judgement to be found in a feeling alone. Feelings alone don't mean shit. Feelings alone LITERALLY don't mean SHIT. It's how you handle and act in regards to them both internallyvwith yourself and externally with others that determines if you are being cringe (derogatory) or cringe (affectionate) and sorry not sorry, every action you do there will be someone who thinks you are cringe so theres no escaping being cringe WHILE being your authentic self.
Anyways, building radical self acceptance is a hard thing to do so I got mad respects for anyone building it. Most of the system doesn't get it yet either and so I get how hard it is and all.
I actively basically bully and harrass Riku about it 24/7 7 days a week 52 weeks a year for the past 3 years until they get it into their dumb skull. And while I call them a fuckin dumbass, I am pretty proud of how casually and readily they have learned to admit when they are being "a coward" which is easier verbage for them than outright saying "scared" which I'll take.
But honestly, get in touch with your vulnerable "not cool" parts of yourself that you are embarrassed about and just get used to stating it as it is. Those vulnerable and embarrassing aspects are only as embarrassing and insecure as you let them be. If you hide them and try to keep people from seeing it, of course you are going to feel scared to let others see it, of course you are going to feel insecure, and of course you aren't going to be confident when anything relating that comes up out of fear of your insecurity showing.
It's self assassination honestly. Judging your emotions and internal experiences like they mean anything other than a reflection of your current self and what you need us just not productive.
But I digress. Its a complicated and difficult thing to build and work on and itll always be more nuanced and specific to the individual than I can ever chart out in a casual ramble on some of my life philosophies and principles on shit.
So take home message? Try to stop judging your feelings and just, ya know, have them. They may suck but its just how it is in the moment and the moment can always change.
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yourwolfmuzzle · 1 year
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I have at least 5 unpublish posts about r/wby and me be fucking “why you hate your own characters” or “why you still in this vol1 mentality about your writing” or “WHY HEADCANONING SHIT WHEN YOU CAN DO CANON?????” but im just stop on every post in the middle because...bitch i can relate some problems or start to talk about my stuff, especially on “why you hate your own characters”.
Like...how you can write some character and be just “oh i hate this motherfucker\they deserve this\this asshole is dead now, that it.” and thats all? Its fine to hear stuff like this from viewers and its nothing new to hear shit like “if you like this character - you \insert word there\!”, but you the writers and you dont have any other emotions about your own antagonists? (unless its female antagonist, but i cant confirm this because i cant watch commentaries, only read from someone or notes, but from what i can tell at least about them they can say something positive or stuff that they honestly like about this character).
I can understand they scare about writing some scenes and make this look interesting because you can like this one specific scene but have fear that your viewers will have different opinion about this. But its been almost a decade, writers long time ago already told us that they dont want to see opinion that “sound too mean”, so i cant be like “community bully writers into be scared to write this series” (and to be honest its sound pretty fucking strange). Like i will not believe that they read rwde tag or critics subreddit or some social media\tag that is not have at least 90% fans positive posts because they dont want to see too much hard criticism about they story. Again, i kinda can understand that from some perspective (nobody like hearing some hard stuff about your art work), but...it doesn't feel like they get out of their comfort zone at least once in a while. If there was some trying to do this, we would have seen and heard it more in the series. But when they have some good moments - its accidental. A whole vol7 fell like accidentally sometime good writing after vol8 because what a continuation we got in vol8. Penny arc, Ironwood arc, Qrow\Ironwood, this whole r/wby/Ironwood conflict in general, Salem attacking Atlas, how Staff or Creation working and other stuff (not only characters arcs or conflicts, even character relationships got hurt in one way and another.) And even vol9 kinda hurt vol7 and EVEN vol8 and i wish i can say “oh its just because they have to cut two episodes and working on movie and a little bit on game, this is why some arcs got scratch or rush ending” but we still got half of the season that hardly matter for a whole volume. Penny dont matter at the end of the volume, Jaune story dont matter, Ironwood\Fall of Atlas conflict dont matter because “we want to believe we did at least a little bit good”, Ruby arc have to have rush and hard progress because we really want to show you Red Prince birthday. racoon joke and give conflict with Jaune, that will reset at the very end of the season, and tell you that ascension is not death. Oh and also - tree is the main creators and Two Gods is just Tree-childrens. And we will tell this at the very end of this season (good for you not brining there Oscar\Ozpin or Salem).
They scared of writing some scenes not because its they first season\this new season got crush by other decisions like crossover movie and they scared to cut new seasons\they REALLY that much scared by critics or some really scare tags on tumblr. If this was the point i fell i wont not say that good moments in some volumes was “accidentally good”.
We all scared to get bad comment about your work, but sometime you have to get this “bad comment”, otherwise you will not grow as a artist. I not gonna lie and say that sometime i jealous to see sometime GIGANICAL posts or videos about some aspects of this series with every details and even without harsh comments (like dude if you dont like when some critics call you bad names - there is posts\videos from people, who wholeheartedly LOVE your series with everything but still can be “there is this moment that can be better”.) Its like...”oh someone spend some time to analyze and then write\tell\even show what moment they wish to see better or what can be better?”. I dont know how to tell you but for me - this is extremely cool stuff. For me personally that mean someone saw my stuff, potential, and spend some time to think and tell me what was wrong, what was right and now maybe do this better. This shit help a lot even when its not about your art, but about someone art that have the same errors like you have or never thing that there was error (especially when you dont have people who can tell you what you doing wrong or tell more that “i like it”, and you just sit there in the box.)
I personally dont think that...MKEK is really bad and not redeemable writers. They have they moments, otherwise we wouldn't be sitting here. A lot of us got there because cool fight and colors aesthetics but somehow managed to still sit there. But stuff like this REALLY hurt show and make less fun to watch every season. 
Can i be wrong? Oh absolutely...
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mishkakagehishka · 2 years
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*banging on ur front door* YAN MIKA WRITTEN AS HORROR YES I LOVE THIS hewlo...
i dont really know how much i can add. on that post myself but im here for this. i am consuming it. im not one to usually or generally rlly think much of mika BUT his fucked up factor ♡ good to think ab sometimes. plus the fact hes actually into eroguro canonically? hello sir. the scary factor from the fact hes just so delusional he wld actually think he could probably pain his darling any way and theyd just?? magically live thru it?? cause of course. theyre just so awesome great and godly to him、right? my god yeah he would absolutely try to recreate his fantasies thru clothes n hope his darling would accept them. i mean how mean can you be to poor little mika who offered to make some adorable clothes for you and say no to trying them? and hrnnn the drawings he would totally make so many. methinks he'd also make a plushie of some sorts of their darling maybe to keep around?? a tiny one. all with the guts spilling out and maybe forming a heart shape. how romantic
side note i think yan mika would also only be scary on surface level and thru his drawings ? like all bark no bite. i think as a yandere you could drive him off if youre mean enough to him. he'd still stalk you but stop bothering you and thats better than what others would do if you tried distancing yourself from them. i may be wrong on this、i dont know as much ab mika as ab my actual favs buuuut i felt like slapping all this here <3 keep it up op. and also maybe you can just mention gore vaguely and leave it up to interpretation if it makes you sick in the stomach :")
Disclaimer that I write yandere as a horror trope meant to shock and scare the reader and I don't try to romanticise it!
Warnings for talk ab gore and blood, mentions of eroguro and allusions to a blood/gore fetish (but nothing explicit)
Right awghh he'd be so fucked up about it... yandere Mika who spends his free time drawing how he thinks his darling would look with their guts spilling out, neck sliced open, bones peeking from beneath the skin... yandere Mika who blushes and has to bite his hand while thinking about how much he wants to cut his darling open, just to see, just out of curiosity... yandere Mika who sewed a little cloth doll of his darling that he cuddles to sleep, but the doll is painted to look as if it's covered in blood, and the organs are drawn on it, above its little clothes. Yandere Mika who so sweetly asks his darling to model his clothes, who dresses them up in increasingly worrying ensembles, but he's so passionate about it, they just can't tell him no. Yandere Mika who leaves his sketchbook open on the most gruesome pages in places where he knows his darling will see them, in an almost exhibitionistic manner... who wants them to ask about his art because he's too shy to bring it up himself. Who happily shows them, after they ask, page after page of his sketches, explaining in detail his thought process behind every aspect of the pieces. Explaining detail which ones he wants to recreate with them, and how he wants to do it.
Yandere Mika who asks his darling outright if he could hurt them. Not "hurt", that's not how he phrases it. He promises he would never harm them and that they'll be fine... that he just wants to see their blood. Yandere Mika who, if he gets brave, even shows them his eroguro art. Who breathes heavily as he keeps a blade to his darling's stomach. Who kisses their neck whilst making cuts on their torso just deep enough to draw blood. Who flirts by saying, "I wish I could cut ya open" and "I wanna see yer guts so bad, darlin'." Who tries to get his darling to cut him open after some time. Who, really, just has a fantasy of his lover killing him and being killed by him.
Yandere Mika obsessed with gore and blood, just, yeah. And the eroguro aspect... so many thoughts in my head. He'd be so slimy, so creepy about it, and very obvious. Blushing, squirming, frantically looking elsewhere, all because his darling had a sudden nosebleed that dripped down to their shirt, and his mind went straight to the gutter. He'd be such a creep. If he gets composed fast enough, he'll offer to help them clean up and change, but~ If he offers that, he's already getting brave, so hs might just pin them in the office bathrooms and clean them up by licking the blood off their lips, chin and neck himself.
And oo the all bark no bite... as for me, I think Mika would be like that at first. As a yandere he worships the ground his darling walks on, so he'll want to avoid making them angry with him or hate him, but... the thing is, he's also a bit of a masochist. If you're mean to him, he'll just find that even more addictive and seek you out more, he loves when his darling yells at him and calls him names, even though he doesn't want to be so happy about it (it's a paradox of his own thoughts - he doesn't want them to hate him, but he still loves when they call him a creep and tell him off). I think what might work better is ignoring him. Not really the grey rock method, but just straight up not responding when he talks to you, pretending like he doesn't even exist. No positive nor negative reactions for him to feed off. He wouldn't get bored of his darling, he'd just get sad that they're ignoring him, and would leave them alone/give them some space until they decide to talk to him again. But he does continue stalking them, stealing from their rubbish, leaving them weird unsigned "secret admirer" notes and presents etc etc anyway. Mika might be the hardest yandere to shake off because he has his own delusions of his darling and he doesn't give up easily on them, if at all, so no matter what you do, he makes excuses and reasons why he still has a shot with you and why he should just persist or become worse with all his fucked up habits to "impress" you.
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cybermeep · 7 months
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as for my tangent i separated from the previous one, my horticulture class experience today was rather jarring. michael (once again meaningless as to say acquaintance over and over, plus michael is a common name) talked about marks he had on his neck— was genuinely confused on what they were until he specified they were hickeys. apparently his girlfriend gave him.. a lot. many. he showed us a few of them. was confused on the fact people actually gave those and wasn’t just hearsay or stuff they write about in fiction, and was the only one to be so. everyone else at that table seemed to either experience this before or become accustomed to it. wasn’t jarring in the way that it was bad, because i never shun others and what they do in their own intimate affairs— its sweet that you care about someone so much you do stuff like that, really— just jarring because it seemed to only accentuate just how far off i was from all of them in almost.. every single way.
was especially prevalent when they all talked about how they’d get high together this friday after school, and their general discussions of weed and bongs and.. all that stuff. my mom smokes, so i obviously know everything they’re discussing— and im well informed on things because of either internet or curiosity, so its not like im naïve when it comes to the discussion of intimate affairs either.. its just jarring to see others do all these things ive never done before, and the fact they do it so frequently. sure, i think pot is neat (sounds like something an anti-drug PSA would say, my bad) and all, but im not suddenly jumping to do it either. same with.. other things they went over.
its not like it made me uncomfortable, as the topic was laid back and everyone at that table is nice— it was mind opening to hear about it, really! it was just like i said, very jarring. i felt bad when everyone started talking about their first times or whatever, because i was just.. not at all similar to any of them in that moment. in any aspect. and im fine with that, but its just… something to take in, is all.*
sorry, this is probably a bit tmi— just wanted to be able to say this somewhere.
*i do hope its known though that i don’t have an exact revulsion to those things— i used to think i did, but it was more so just the outcome of trying to figure out who i was as a person.. still am figuring it out, really. its not revulsion, but its not exactly a full on need either— its hard to describe. with the right person and case, i’d be overjoyed to do any of the things they mentioned with someone i trusted.. but im already almost puking at simply existing at any given place, so i don’t think i’d get there anytime soon.
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seoafin · 11 months
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i just finished the last the bear episode…..wow so many thoughts they ate truly wow like the bear is just so fucking good. AND IM GLAD U AGREE ABOUT CLAIRE PRETTY GIRL BUT SO FUCKING BORING AND U KNOW WHAT SYD N MARCUS R ALSO BORING AS SHIT TOGETHER love them separately tho but omg richie…richie man richie made me wanna cry when he kept telling carmy he loved him while carmen was dogging the shit outta him in that freezer ughhhhh i love my bf i literally love him so much i have main character loving syndrome and omg mikey when he was throwing those forks at saul goodman would u be down to like talk more in depth on ur thoughts of the final episode and the season overall and how hot carmen and his brother r n how amazing it would be feel to get a train ram by both of them. also u think carmens got some kind of ocd? i love my obsessive compulsive boyfriend so much
spoilers for the bear s2
yeah i had to skip the claire scenes because it was just SO boring. syd and carmy have that chemistry and connection i rlly hope this is a slowburn type of situation because i can really see the two of them together. also i love marcus but not with syd. really wish the writers didn't give marcus the unrequited love trope with syd because they genuinely work better as friends encouraging each other rip. hope the next season sees them working better together as friends bc i love marcus he deserves the world.
RICHIE RICHIE RICHIE HIS CHARACTER DEVELOPMENT!!! he just wants a place to belong and i think he's been trying to carve that little space out for himself whether that be in the bear family or the restaurant or literally his OWN family....i get why he was so defensive over carmy coming and changing everything in the restaurant....it meant that he'd be the odd one out again. he'd be displaced and forced to find another place to belong. so so glad he came through in the end with all the orders. i hope the restaurant finally makes him content!! also richie screaming to love story in the car HE'S SO REAL.
while not every semi side character had the spotlight this season i think this season rlly did tina and marcus soooo good. loved seeing tina flourish and come into her own a chef. her smile....so lovely. i loved seeing marcus in coppenhagen like will poulter should NOT be looking that fine kneading bread. but somehow.
but like i said i simply did not care about the claire scenes i literally would have taken any other character getting screen time especially since carmy broke up with her anyway. would've loved seeing more syd and her dad tbh.
im so glad this season finally elaborated on the dysfunctional bear family and shed a little more light on micheal and the person he was. i was clinging to the edge of my SEAT watching that fork scene. honestly i don't think carmy has OCD i think that man has PTSD fjnskdfjsdk like all that verbal abuse from working at the number one restaurant in the world....it makes me think he was somehow seeking the dysfunctional aspects of his household and almost finding comfort in the abuse in his dynamics with the head chef(???) dude. especially since we see carmy unwittingly replicating those very same dynamics in the kitchen with syd and then even in the freezer screaming at richie the same exact abuse that head chef told him. he's useless he's a waste of space etc. but richie choosing to respond with kindness and telling him he loves him.....wow....it was such a touching moment to see and i say that genuinely considering richie also yells at him about how carmy can't let himself be happy. it says so much that carmy himself says that he shouldn't seek amusement or enjoyment which im sure speaks to larger issues than just his self esteem issues. i rlly hope the next season does a deep dive into carmy's family and the dynamics of his relationship with micheal and his mother!!!! i definitely think there's something coming with that considering how sugar is going to become a mother soon and how their mother showed up to the restaurant but left out of guilt.
i need a bit more time to formulate my thoughts sorry i just barfed this out i finished the ep like 15 minutes ago LOL
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ranboo5 · 1 year
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sorry this ended up being so long and its a little over the place
i thought they really nailed the atmosphere from episode 1 and i was srly impressed w the set design and the pretty seamless transition between live bits and prerecorded bits (felt a bit like a pre-rendered cutscene in a viddy game) and the general gamey aspects of the audience participation. my first first first impression of the entire thing was i was reminded of like you know those kids shows that are live action and theres an grownup guy whos host and theyre walking around in weird surreal rooms that arent real rooms but just a set? do you get what i mean.
i get that whole point was like well the "show" is show and its meant to be off and have this like vibe of shallow entertainment but its like when the large chunks of the actual series is That it wasnt always super interesting to watch unless there was something else going on? but like conceptually i really liked all the different segments of the "show". theres almost an aspect to them where in some of them the entertainment comes out of like almost degrading and dehumanizing the participants? could be wrong. anyway no matter how entertaining i found those bits, having 2/3 of the series be That does make really good buildup for ep3 i dont think i wouldve enjoyed ep3 alone without having seen ep1 and ep2. like them just walking around on these like sets they had been in prior but now theyre empty and dark. and the sets on their own were already a bit freaky and ominious but with all the silliness on top you sort of buy it, but now theyre empty like FUCK. seeing the ep 1 set from that perspectove for example fucked w me. i rly like ep3.
i liked the little nod to jerma dollhouse. and i love how they make audience participation feel increasingly more sinister during the course of the series . i mean it was already sinister in jerma dollhouse because jerma dollhouse is a riff on sims and SIMS is sinister because you get to play god with little guys and thats on paper a little fucked up. i guess the audience has way less power in genloss but theyre sort of complicit in everything and almost contributing to the spectacle just by virtue of being there and watching? idk. thinking of ranboo yelling stop watching into charlies stream and throwing the camera into the floor. maybe thats the point
i havent thought tooo hard about but but i think the overall recurring theme feels slightly on the nose like the part where ranboo walks into the food court and its just this row of streamers it feels like just slightly a little bit corny. but then on the other hand id rather have that than like it being so ambiguous that the casual viewer would not Get it do you get what i mean.
umm i think my biggest consistent negative thing was the improv between characters felt a little chaotic and overwhelming and it seemed like some participants werent really responding to each other as much as just Saying things. and i think given the many different kinds of Situations and Predicaments they were in i was a bit disappointed that there wasnt as much good like not banter but back and forth as i wouldve hoped. and then i liked even less when there were too many streamers in one scene at once it was very overwhelming and chaotic and it seemed like everyone was just fighting for screentime (maybe this is not true but this is the impression i got). im fine w the acting tho i think it was suited for the story they wanted to tell. as always blown away by ranboos profiecience at playing a miserable sopping guy at the end.
the standout star of the series was the visuals goddd the sets and the cinematography and the way they utilize the entire space so well.like every single hallway and door . and like idk what to call them the like Guys with the masks just pouring out of these corners is so freaky and then the Wire tv creechers are so and its so actually i have one thing visualswise that i thought abt that stuck with me with like again idk if they have a name but the guys with the masks in general. ESPECIALLY that moment in the end when ranboo presses that red button and they all just kind of stop and shut down and just stand there eerily . VISUALLY it reminds me so much of magrittes golconda and i just keep thinking about it. like the way theyre all spaced and just standing it almost feels intentional maybe not referencing that work specifically but def trying to evoke a similar feeling. do you see the vision
idk. Thats my thoughts.i have not been super into the whole arg aspect and the binary code and wingdings and i have not dived super deep into like the hashtag LORE these r just my own observations and thoughtse. yayy
THIS IS AWESOME TBH.... I DIDN'T MAKE THE MAGRITTE CONNECTUION BUT YUOU'RE SO RIGHT AND IT WORKS SAUR FUCKING WELL LIKE WHAT IF I EXPLODE
I think I had a lot of patience for the show:tm: stuff because I was paying (probably too much/reading Into It) attention to the moments of like . Shaky camerawork or weird handling of confessionals. That whole energy that Showfall is not an actual media company but something playing at being a media company. IS SO
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omegasmileyface · 2 years
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What’s :3 architecture like?
OK SO theyre unified more by ideals than physical similarities, which means theyre pretty diverse in lots of aspect, which shows up in their architecture. at its core, its just "ghost architecture":
floating shit (if you try to make areas in the nonsensical infinite realms apply to physics, the realms will fight back)
shared spaces (if you want to be alone youll live outside of a gathering or live in your lair. non-lair spaces are almost never private)
(as an extension of that last one i want to point out that many ghosts who live in cities will spend like half of their time OUTSIDE of it and just kinda wandering about bc like. its the infinite afterlife. they dont need to sleep. they do whatever they want. this is Certainly true among the youthful and creative and curious :3 people)
few doors - this is kinda mortifiedverse lore, but doors are pretty much restricted to lair entrances - and solid walls - theres very little weather. windows are empty, columns are frequent, etc.
death themes. there's more of it among the Glom Psu than the others but i think its so fucking funny how in canon everybody has skulls and bones and bats and shit all over everything so im keeping it
stuff that super does not go together. depending on how devoted a certain ghost is to a theme it could be from a typical suburban tudor house with a single pool of lava to an absolutely nonsensical collage of various home-and-non-home architecture
each :3 cultural group has trends that are common among them and of course they mix into the blend of the area but ill separate them here for the sake of background
uwu:
glassy windows. i know it contradicts what i swaid earlier but they have both empty and glassy windows. think about it. thats free sunlight. for laying in. this city DOES have sunlight btw even though they dont have a sun
tall structures with platforms on the inside and outside. like yknow those cat athletic structures. the planks on the walls that kind of thing. catwalks! those. i would kill for that.
treeeeees. with bark.
lairs often have their doors hidden away in hard-to-access crooks
complex tunnel-like system closer to the ground
big public hearths with short, wide brick walls around them. also for laying on.
shallow pools
glom psu:
bright colors!!! the ghost zone in general is known for bright colors but these guys have RAINBOWS. and BLACK AND PINK. and PATTERNS. outside every fucking building
a lot of like...... big victorian houses except with walls that are more open
a few ppl have "intradimensional" lairs that manifest as like normal houses with normal, barely non-euclidean doors.
wings are very common, on buildings and stuff
skate parks :) they have roads designed for skating in addition to floating, with soft curves and rails and shit
suburban-looking parks with brightly-colored, spiky playgrounds and elaborate gazebos
actually yeah just keep putting spikes on things. they dont particularly hurt though its fine. theyre like. gummy.
cafes! these guys love eating but mostly sweets.
i guess cafes isnt architecture huh. well. its mostly just floating, column-heavy, more open victorian houses. just in general these guys love that
eebydeeby:
the architecture itself is pretty varied , with neighborhoods mostly sticking to general aesthetics. look up any -core tag on tumblr and theres a place with architecture like that. you know every 2013 "what if everybody on tumblr lived/worked/went to school together" fandom/aesthetic separation? yeah. thats real when you die
more closed off areas (both lairs and non-lairs). tumblrinas value their privacy. that being said it frequently results in big houses shared between 5-6 individuals. these shared-house groups have a term for themselves loaned from Uwu: öwôw ówuv
curving, vertically-varied walking paths. tumblrinas dont float all that much
There Is A Tumblr University.
every block or so youll find a message board with paper and pens and pins and stuff available where people """""post""""" messages and respond to others and such. tumblrinas have a potent historical tradition of recorded, written, public gradual conversation
extremely varied building purposes. there are libraries. there are restaurants. there are movie theaters. there are karaoke houses. there are sex dungeons. (ghosts have sex if they want to.) there are buildings purely for thinking. theres a building where someone puts a single doodle of a cat in the center of the floor once a day. theres everything.
the lack of consistency in architecture shows how varied and active the eebydeeby are. they thrive on differing perspectives
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I rant about my family I guess
I have had less than 10 in person social interactions who were not my immediate family in the past 4 years. Almost five now.
I am different from my family members and have the horrible habit of hyper fixating on things I enjoy and apparently being overly passionate. With all this knowledge and passion I try to talk about it with the only people I have around to talk about it to, my family. However, they either straight up don't care, they aren't as enthusiastic in the least, or they use it to make fun of me. I find myself not sharing myself with them as much, because what would be the point.
No one listens to me. More specifically my father. I say something and he doesn't hear it. Then a few moments later he says the very thing I just did. I speak and I'm not heard he tune me out or isn't paying attention. I say things and he ignores it. I give solutions to problems and he doesn't take it, I have legitimate qualms and they go ignored. Why talk at all.
I am endlessly being teased, because I am easy to get a reaction out of. Some of it is fine and all but. They do it to make me upset if only mildly. And continue to poke at me even when I am very seriously agitated. My feelings are not being accounted for and on some occasions I simply have to remove myself from my family. Either lock my room or wear my headphones. And sometimes my anger is made to be the wrong reaction.
I don't talk about my feelings and many aspects of myself. I hide quite a bit because it will either be misunderstood or used against me. Why expose myself and be vulnerable to my family? When my joys and made fun of, my worries are down played. I share concerns and they are ignored.
At least my little brother seems to hear me. He seems to understand me better than my other family members. He often knows what I'm thinking. But even he is reluctant to share in my passions, he may listen to them but he does not personally care for them. He is uninterested in any possible feelings I have about a subject. I'm not allowed to talk about something that is on my mind, I wish to explain my feelings about something that happened. I'm not allowed to share my frustrations because he doesn't care. I wish to share my interest with him, I wish to spend time with him. And im lucky if he even says he might indulge me and watch a movie or a show I like, but when I try to put it on, he says no.
My preferences are made out to be bad. When my family says they don't care what cheese they get and I on the other hand do, or what meat goes with a certain pasta noodle. They say they don't care and when I say I do, they get annoyed. I didn't want the hamburger helper that had the flat noodles, why? Because those noodles often get mushy and burn on the bottom of the pan. I don't like them. The flavor isn't my favorite either. I like the tomato basil penne pasta hamburger helper. But when we went to the story and my brother and my father and I were looking at the selection I was reluctant to say those things, and when I did I was met with irritation. The cream of wheat needs to be measured, my father doesn't measure any of it and as a result it turns out over cooked and too watery, he gets upset when I ask him to measure it because it does in fact turn out different. They say they don't care about a lot of things I do care about. So If I only want angel hair pasta with mild Italian sausage then you still shouldn't care about it just like you had before. Your unwillingness to care about the details leaves me open to set the details myself. Why are you upset that I care.
I am at the point that I not only feel isolated from others but I'm also isolated from my own family members.
I spend they day, almost every day, alone up until my father gets home from work. Some days and this is quite often, he'll sit on the couch turn on YouTube and fall asleep. Or he's on his phone online. I try to talk to him and he's distracted. I try to show him things and he's distracted or just isn't engaging. He falls asleep and it's like trying to move a mountain to get him to wake up and go to bed. If I don't make him go to bed then he stays asleep on the couch for about 4-5 hours and either spills coffee or beer on his lap like I said he would or wakes up all uncomfortable.
I'm apparently the asshole. The fun hater. I'm trying to wake you up so that you don't have to deal with hurting muscles and such from sleeping on the couch like that. I say hey don't speed so much so that you don't get an unnecessary ticket that you can't afford right now. Don't do stupid shit like off road in places you're not allowed because you might fuck up your only car, or get in trouble. You don't need to drink a beer every night. Turn off the stove so that we don't burn down the house. Maybe try eating better things, take some fucking vitamins, stop lifting super heavy weights especially when your body is hurting. Or hey, little sister you need to eat your food because you're not getting enough or enough of the right things to be healthy. Eating chips and fries alone is no good for you and you need other things. Get down from there because you can seriously get hurt if you fall. Is it so wrong for me to care about your well being? For caring about what might come of a needless action? Sorry for wanting you to stop being on your phone while you drive, hope we crash then. If I didn't care I'd leave you there, I'd let you get hurt, I'd be reckless and want to do things or want things without regard for your input, physical health, finances, or emotional well being.
I am so endlessly frustrated with so many things, so hurting, bleeding, and they don't seem to care. In some ways it feels like they're making my wounds worse. I don't understand how I can get it across to them that my frustrations and all those feelings are real, they are serious and important. Not fleeting meaningless things.
I feel like I'm not being seen. That I'm not really here, like I don't matter.
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ugh haha so this was something that crossed my mind the other day after i saw someone say something incredibly funny about SUF. i would love to throw the quote in here but i don’t talk to that person so you know, would probs be weird lmao.
anyway the point is... you know. i like shep, shep is fine. i would really like to be able to say shep is one of the many charas from SU that i love. like i too am non binery lmao but like. shep really doesnt function as meaningful or positive representation for me.
i always have like a frickin’ tome of thoughts swirling around in my head over any given SU subject but you know, one, i suck at putting things into words and two, im a lazy fuckhead so! don’t ever expect well written analysis from me that makes my points clear and difficult to refute bc i am simply not interested. who am i talking to here? that’s right, myself. moving on.
the point is, truly, that shep deserved so much more lmao. like not necessarily bc of who shep is, bc who the heck is that even, we barely spent any time with them at all... but just bc like, yea i really would have liked to see a Black non binary character (who is voiced by a Black non binary person in real life, the wonderful Indya Moore, who like, i had been a fan of their modeling for some time before finding out they got a VA spot on SU) get like... some real spotlight. im sure other ppl have made this point or they’ve at least thought to themselves like, wow shep was really just... a device. a prop. :/ and that reeeally does not sit well with me at all for about a bajillion reasons.
what i would want for shep and for any character like them, for any trans character, and for any chara on SU (my fave show ever like hello? the show where i love almost every single chara???)... is for them to be a whole person that i actually get to know. like i have a better sense of who mr. fryman is than i do shep you know what im saying lmao. i want better for shep! i love sadie, i adooooore sadie SO much, i want sadie to be happy. but when i see how SUF handled shep’s introduction and subsequent... what... like 5 mins total of screen time lmao... i wanted shep to be more than just a living symbol of sadie’s growth (since that’s what the crew apparently expects me to take away from... all that lmaoooo).
i have some loose drabble drafts where shep’s been a character and it’d be a dream to do them justice. but dang i practically gotta invent like... every single aspect of them lmao. bc “hot peacemaker” is like... not enough lmao! not by a long shot.
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