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#it's easier when you don't have to see them anymore
sciderman · 3 days
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I know nothing of comics really, and all I know for Spideypool shit is that run really. I know you posted a short list of your recommendations and I read those, but are there more? Teach me your ways.
there's really honestly such slim pickings for spider-man/deadpool team-ups, @psychoticflyingdragonbunnies my beloved... if you've read my recommendations and you've read the sm/dp series then i think you've basically read all there is to read when it comes to spideypool! there really wasn't much in the way of canon spideypool content when i started here - and you'll actually find a LOT of my early stuff was influenced by fanon just as much as canon. because there really wasn't much canon. there really wasn't. in fact, there's fanon pieces that are so, so influential and have lived in my head for so long that - if you saw them, you'd instantly say "ah. yep. that's where sci got it from."
thinking of you, that one spideypool doujin illustrated by brian.curry that lives in my head and will never leave no matter what i do no matter where i go will always always always revolve in my brain never ceasing never stopping never ever even on my death bed this is what i will be thinking about always and forever for the rest of time always forever infinity until the heat death of the universe
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HOOOOOOOOOOOOOOOOOH.
yeah. this doujin irreversably changed me. it was so perfect and wonderful and i've done everything in my power to continue whatever this is because i think the world needs more of it.
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so! when it comes to spideypool you'll have to lean more into the fanon stuff. the canon stuff isn't great. and there's not a lot of it. but there's so much really really good fanon stuff. if you know where to look. it used to be much easier to find, before the mcu ruined everything. the japanese do it well, though. sometimes. they do it better than we do. i think the west pales in comparison. even in their freaking anime!!
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i think a lot of the spideypool things i consumed around the time i started writing the blog was from pixiv and japanese artists. so all of that fell into the pot. i was very well-read and researched in the world of spideypool, once upon a time. not so much anymore. i have no idea what's going on with the spideypool fandom right now, it's so scary to me. so i keep to my little corner, with my cozy little personal wade and peter, whomst i love so much. they're the wade and peter i want to see. so i stick with them, and hide away from the spideypool fandom at large. i've seen so much spideypool content that i don't want to see. so i stay in the safe little corner i've created for myself. it's a shame though - because pre-mcu, the spideypool fandom felt like a much nicer place. it just got weird when the mcu got involved.
spideypool is a very prolific beast. it's travelled the world. and fact is, the american comics really aren't even the best place to get it. go forth. explore!
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olderthannetfic · 2 hours
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hi, as someone who is tragically gen Z and only ever read AO3, can I ask: what was so great about LiveJournal? Like, I know that there were fics posted there (and I've even read about the "purge", so I get why it isn't used anymore) and that it was sort of a forum-type thing. But what I don't understand, wouldn't Tumblr fill in the latter function? How was that site any different? I see a lot of people reminiscing about it and I'm confused
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A big factor in LJ's greatness is timing and nostalgia.
It was genuinely great, but it wasn't quite as great as all of the Lo, shall the Golden Age ne'er come again? posts suggest.
LJ arrived at a pivotal time in the development of the internet both in terms of technical stuff and how many people had access. Many fans who are now in their thirties to fifties first discovered fandom through LJ and many were at a time in their lives when they were feeling energetic and up to making lots of new friends—and to figuring out how to make a site work for them.
I got on LJ in 2002 when it required invites. Fandom arrived in droves in 2003, first via coordinated campaigns to get invites to key people and then when LJ opened up free account creation to everyone. Back then, LJ's features sucked. It was impossible to search properly, among other things. At its height (2005-7, let's say), there was a reasonable site search, and fans had developed all sorts of community resources for finding each other.
People often remember this phase but not the early days of suckitude.
This development parallels how Tumblr used to not have that private chat feature and how a lot of fuckyeah[whatever] type tumblrs have helped curate the site and make it much more usable for fans. Fandom draining away from LJ after strikethrough also parallels people draining away from Tumblr after the purge.
There are people who talk about Tumblr the way my cohort talks about LJ...
And to the shock of no one, they are people who came of age on Tumblr, who found fandom via Tumblr, who were on Tumblr during pivotal times in their lives and ones when they had energy to make friends and figure out how a site worked.
Those same Tumblrites are now making all the same geriatric-sounding posts we LJers do about how other sites lack the required features to be good for fandom while missing that 90% of tumblr's "features" at its height (2012-2016, let's say) were actually fan-created and were basically the same as any fandom newsletter or links page or all the versions of this kind of personal curation stretching back to long before the internet existed.
What life phase you hit a site at matters.
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With all of that said, no, LJ was not a forum. It was a blogging site with threaded comments.
The key point to understand is that conversation was always happening in a specific person's space. Unlike on a true forum, people were in the comments on a particular post in a journal owned by another fan. (On a forum, there's the first post in a thread, but it's still more of a communal space with less of a hierarchy.)
Overall, the LJ format can have a feeling a bit like you're over at someone's house for tea. There's more of a sense of intimacy and also behaving yourself in front of community members.
Tumblr being obscure and impossible to find anything in does give it some of the same vibe relative to Twitter, but it's still part of modern social media that tries to shove every rando into the face of every other rando.
But it wasn't just vibes: LJ also had robust privacy features where you could lock a post to this or that group of friends. You could moderate your comments section properly. Tumblr has far fewer controls to force people to behave or leave on a technical level.
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The biggest thing many people miss about LJ is the threaded comments. At least by late LJ and on Dreamwidth, you can expand and collapse threads, making it far easier to deal with a massive comments section. But more than that, things are properly threaded with multiple levels of hierarchy that are all easily visible in the same place.
On Tumblr, it used to be extremely difficult to find all of the actual commentary on a post. Nowadays, it's far easier, but you still have to scroll chronologically, and multiple versions of a post with a long chain of commentary may be much more divorced from each other than what would happen in a LJ comments section.
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But could we use Tumblr pretty much how we used LJ?
We could.
I do.
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The key things that people tend to miss about LJ, aside from the younger and more excited version of themselves or the friends they've lost since then, are:
Heavily text-based
It may sound odd on the modern internet, but there are a lot of people whose brains don't like or handle an image-heavy site well. They were everywhere in SF book fandom. They were everywhere on the early internet. Today, they're hanging out on Dreamwidth and still going to their SF cons. They're usually not on Tumblr.
You could follow the discussion
Threaded comments help, but a lot of it is about having some place you can check for updates. It wasn't actually that easy to follow big LJ discussions unless you were subscribed to comments and reading along as things were happening instead of coming along after the entire mass of comments had been left.
The tone of the discussion is intellectual and one's enemies are "idiots", not "problematic"
All this requires is a penchant for longwindedness and an itchy blocking finger to remove anyone slinging ad hominems from the comments section.
On tumblr, it's as simple as conversations happening in the replies on a popular account and that person not tolerating suibaiting and threats.
(And make no mistake, a lot of LJ discussion was in the comments on popular accounts, not spread equally between everyone's.)
It does require that multiple people like that tone and want to engage in that way, but lots of people do want to.
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These days, I interact with tumblr by checking my askbox and reading my activity page. The vast, vast majority of my posts are ones where I'm the OP, so if I block someone, they're booted from the discussion entirely.
For me... yeah, Tumblr functions almost exactly like LJ.
Also like LJ, while I'm hosting the conversation, if you hang around, you'll see the same people again and again in the comments. They may or may not also host that kind of conversation in their space, and there's a larger pool of lurkers who have some notion of which people count as regulars. Other people are watching from the shadows, enjoying or deriding the takes of the usual crowd.
People presumably do like reading my lengthy commentary or they wouldn't be here, but my tumblr wouldn't be popular like this without a healthy pool of other people who chime in regularly. It's not just that there are more people: it's that you see the same people over time. There's a bit more sense of place and community than on some parts of the internet.
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So, in my opinion, the failure to just recreate LJ fandom on Tumblr was a skill issue.
Threaded comments were great, but LJ culture came from mailing lists, and mailing lists had the same issue as tumblr with the diverging threads.
We solved that back then by clipping out only the parts we wanted to respond to (you'd write "snip" around the quotation to show it was incomplete). We solved the smaller LJ issue by linking to other posts we were referencing and doing discussion link roundups. We solve it on tumblr by, again, linking to what we're talking about and even quoting multiple reblog chains in our own reblog of just one chain.
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Tumblr's technical features and even general crap-ness aren't really the problem. 90s and early 00s sites regularly went down for periods of time unthinkable today.
The missing piece is people.
When one is in an active fandom with others who curate or with friends who let one know what's up, a site with imperfect features is easy to figure out and retrofit for fandom's needs. When one already feels out of touch and is between fannish passions—or at least fannish passions anyone else cares about—seeing the potential in a new site is hard.
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Threaded comments are different and better.
LJ's built-in way to see everyone's blog in your own style was better. The automatic timestamps and the ease of seeing a paginated archive of an entire blog was better than tumblr's endless scroll and lack of clear date labeling. But some of that can be fixed with xkit or knowing your way around tumblr well.
A lot of it is nostalgia for the lj era and a refusal to take the time to figure out how to use tumblr in an oldschool internet way.
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So by all means, people, weigh in about what made LJ great or how the culture felt at the time...
But if I see one more god damn response going "You can't have a conversation on tumblr!" in reply to my tumblr, which contains nothing but conversation, I am coming for you.
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I can't stop thinking about dead boy detectives and Emily Dickinson ever since I saw Edwin and Charles' relationship unfold, these two boys whose deaths were covered up and "did not matter," as Edwin put it, and who have kept running from Death together for thirty years and counting; these two boys who would do anything to stay together. And I can't get
"I'm Nobody! Who are you? Are you - Nobody - too? Then there's a pair of us! Don't tell! They'd advertise - you know!"
out of my mind. Edwin and Charles as EdwinandCharles, together against everything that might separate them, looking into the world of the living from the outside but glad to do it together. They keep to themselves because, as long as they have each other's backs, it's always going to turn out at least okay.
Edwin and Charles cannot picture a world - an afterlife - in which they might lose each other, this bond they share of trust, harmony and loyalty. Emily herself wrote to her love Susan that she (I'm paraphrasing) that she might as well lose any other world, but she wants to continue living in the one in which she's together with her love. It's this utter devotion that we see in Edwin and Charles.
But also imagine Edwin reading Emily Dickinson's poems. I am not entirely sure when her poems might have been available in England, but I know that "I measure every Grief I meet" was first published in 1896.
I imagine him reading this poem during his time in school. He read it only once because this is the most he could bear, too real for him back then. He had suffered even before he went to Hell. He was bullied. His classmates would isolate him and cause him pain - they were the reason he eventually died, after all -, installed fear in him. The environment of the boarding school didn't give him any opportunity of respite, he couldn't get away and I doubt his parents would've been much of a help, if they had cared at all.
So, I imagine him quietly suffering, closing himself off because no-one seemingly cared enough to get to know him. Him barely talking, rather listening and watching what is going on around him, questioning whether everyone felt that way, so hollow and invisible at the same time, as if one wrong look would either go right through him or break him.
I measure every Grief I meet With narrow, probing, Eyes - I wonder if It weighs like Mine - Or has an Easier size. I wonder if They bore it long - Or did it just begin - I could not tell the Date of Mine - It feels so old a pain -
He has always felt this way, an ache he would tell himself he could barely feel anymore. Maybe he wondered as well how other people do it, living with a weight that drags you down and keeps you down, this dry sorrow that no tears flow anymore.
I wonder if it hurts to live - And if They have to try - And whether - could They choose between - It would not be - to die -
The encounter between Despair and Edwin is the reason why I thought of this poem in the first place. There are different kinds of grief, and despair is one of them, maybe that's why she might call upon Edwin someday.
There's Grief of Want - and Grief of Cold - A sort they call "Despair" -
Mostly I wonder what he would've thought, reading the last two lines:
Still fascinated to presume That Some - are like My Own -
Would he have been fascinated or would he have thought how unbelievably tragic this was? What would he think reading this after he met Charles? After he saw Simon again in Hell? Would it make him feel calm to see this written or sad?
No matter what it would be, I think him finding his way out of Hell (twice!) and Charles by his side have shown him that this pain does not define him, that there is always hope. And
“Hope” is the thing with feathers -
after all.
quoted:
"I'm Nobody! Who are you?" by Emily Dickinson
"I measure every Grief I meet" by Emily Dickinson
"'Hope' is the thing with feathers" by Emily Dickinson
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stellamancer · 8 months
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falling out of love is!! a terrible feeling!! where all the things that used to charm you about another person slowly turn to annoyances!! when the excitement over the little things that brought you joy is gone!! but it was there! you know it was there, but now it's not or it's slipping through your fingers, you can't get it back, you can't save it you can only watch it disappear.
and then you ask yourself where do you go from there? do you suffer in misery and wait and hope that maybe the other person will just stop loving you? hope that you'll be lucky and you won't have to be the one to bring the axe down on them??? that they'll do the dirty work for you! because even though you don't love them any more, you did at one point, and you still care about them and you don't want to hurt them!! or do you just tell them 'no i can't do this any more. i don't feel the same any more.' and take their heart, and smash it on the ground??
and if they know?? they can feel you slipping away, slipping through their fingers, like sand, like water. and they try so desperately to hold onto you, to keep you, clinging to you. aND THEN THAT JUST BACK FIRES???? OHHHH OHHHHH WEEPS INTO MY HANDS
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front-facing-pokemon · 2 months
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THE BEST OF PRIORITY: THE CITADEL (PART 2)
Featuring: Cmdr. Sophie Shepard, Lt. James Vega, EDI, and Maj. Kaidan Alenko With: Councilor Donnel Udina, Councilor Tevos, Councilor Laiel Sparatus, Cmdr. Armando-Owen Bailey, and Kai Leng And a Special Guest Appearance by: The Illusive Man But sometimes the way a thing goes down does matter, Sophie. Later- when you have to live with yourself. Knowing that you acted with integrity- then it matters. Mass Effect 3: Legendary Edition (2021)
#mira makes gifs ✨#sophie shepard#james vega#EDI#kaidan alenko#shenko#fshenko#mass effect#mass effect 3#me3#mass effect legendary edition#dailygaming#james’s panicked face as the shuttle goes down you will always be famous to me bc you are so relatable#at this point i just know the normandy crew is not letting shep EDI or james near anything mechanical anymore#(something mechanical explodes around them on literally every mission at this point- cars.. bombs.. ships.. you name it!) :)#the way i didn’t even realize EDI and kaidan were wearing matching armor on this mission until i got to the elevator and i- 🥹 (blue crew!!)#but like- the way when soph gets off the elevator and kaidan has the gun drawn and she tells them to lower their weapons??#and EDI and james don’t even hesitate? THOSE ARE MY BABIES!!! THATS MY SQUAD RIGHT THERE!! THE LEVEL OF TRUST BETWEEN THESE THREE!! 🥹🥹🥹#and they don't raise their weapons again?? not until soph raises hers?? like it's the level of trust between her and them for me 🥹#i will say i talk a lot about how me3 shenko canon doesn’t really follow my own shenko canon (and my canon coup is MUCH DIFFERENT)#but something i noticed about the coup that i really liked? when kaidan has his gun drawn on shep you can see his hands shaking a little#it’s SO SUBTLE (and it’s easier to notice when you’ve got the video slowed down) but like?? the way his hands aren’t steady??#when he has the gun drawn on someone he loves?? i cried a bit making that gif ngl 🥺#the soft little ‘you won’t’ from shep after ‘i better not regret this’ makes me 🥺 every time.#there’s a canon reason soph doesn’t take the renegade interrupt but part of it is bc i like kaidan’s convo on the docks better :)#speaking of the docks the intro to the convo is a bit nonchalant but i like kaidan’s speech about integrity/living with your decisions#and the conversation between him/shep about what happened on the landing pad (though i wish it was a tiny bit longer!!)#there’s no ‘i feel like you would have taken me out’ line in the soph™️ canon but we supplemented it with some rewriting bc loose canon™️#(she never draws a gun on the landing pad either but that’s a story for the actual canon 🙃)#and yes i gif’ed the ass shot. there’s only one valid ass shot in the series and it’s this one! and you can quote me on that! ✨
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seariii · 5 months
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Reading articles upon articles and people explaining the concept to others, only to leave not understanding it at all... Maybe it's just one of those concepts my brain can't understand and I just have to accept as a fact...
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dreadfuldevotee · 6 months
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i am just...so profoundly tired of being me
#char.txt#there is something that is so revolting about me I am incapable of shaking the shame of it#Theres nothing i can do to make myself happy its just not possible i think i have to accept that#but im tired of pretending for other people its so stupid#everything feels fake even when im being honest i dont know who this person is anymore#its just stupid idk im thinking about too many things#my life feels like it exists for other peoples entertainment and if im not interesting im failing and im wasting peoples time and energy#but i can't be alone anymore I legitimately cannot be alone anymore ive tried so hard it only makes things worse#I need to feel wanted and maybe its something im missing thats keeping me from feeling that way#but I feel so deeply that when i stop being funny or when the person ppl actually want to talk to comes around ill stop being relevant#i dont exist to people when im not infront of them and...idk i have to be okay with that because im never anything more#and like this genuinely isnt a dig because there are people who I am friends with who have access to see this and I don't want you to feel#like its something youve done cause its not your fault its kind of not even about any of you or the ppl wholl never see this#Its something im missing its something about me and i dont deserve cruelty ik that#but i can't make anyone want me more than they do and thats alright#i just know that ill always be second fiddle at best and it just exausts me sometime#its be easier if I liked me but I wouldnt wish my presence upon anyone#but im selfish and i need the attention or ill actually self destruct so here we are this is my boulder
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natalieleif · 9 months
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Seeing a steady rise of people using the library as we carry through summer break, so here's a quick thread from a staff member on little things you can do (for free!) to make life easier on staff. Let's go!
If you want to put a book back, DON'T put it back on the shelf! Put it on the return cart or bin, or give it to a staff member. Not only does this make it MUCH easier to catch misfiles and gather abandoned books in one trip, our budget is literally based on returns. Putting it on a cart gives us more money!
(To expand on the above: not only do we get paid more based on more returns, our book-buying budget for next year is based on what titles seem popular. Even if you don't check out a stack of books, putting it on the cart lets us know there's an interest so we can order more in that genre and support that author.)
Conversely, if you see a cart already full of books being pushed around by staff, PLEASE don't yank books off it or loiter around it. Carts are unwieldy and returns can build up quick, so let a shelver have space to move around and do their job.
(Again expanding on the above, especially please don't yank books off a staff person's cart if you see them pulling books off the shelf instead of putting them back. Books are pulled for a reason--hold requests for another patron, damaged, need to be relabeled, etc--so taking one can really throw off our list.)
If you rent a DVD and notice it's scratched or doesn't play, please tell us! We don't have the time or resources to watch every returned DVD, so we rely on patron feedback. Even a note tucked inside the case helps it get flagged for damage inspection when we're processing returns.
Pay attention to news related to your local branch! The VAST majority of book-banning demands we get are bulk lists from only one or two people--which means contesting them (or requesting a challenged book) also only takes one person.
Remind your friends that most libraries don't do late fees anymore! We want to be a safe haven for low income and disabled/nd people, so don't let being late or disorganized or poor or anything else discourage you. Bring your books back whenever you can, or just mention to a librarian if you lose it, and you're always welcome to come back.
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jytan2018 · 11 months
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I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.
- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.
- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.
- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.
- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).
- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.
- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.
- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.
- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.
- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).
- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.
I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:
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[ID: A pink-haired Nimona grinning evilly while holding up a knife.]
Watch Nimona. This is not a request.
Edit: Added more thoughts!
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snowsinterlude · 5 months
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need someone older.
(teacher!coriolanus × student!reader.)
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summary: a teacher can do a lot in private lessons.
c.w: reader is 19 for repeating a year, age gap (coryo's 29), fingering, tummy bulge, heavy smut, edging (f. recieving), overstimulation, stuffed panties, mild public sex, petnames (coryo calls reader bunny, pet, good girl.), reader thinks coryo is married so . cheating implications, marriage proposal
being a dumb girl was something you tried your best to do ever since you repeated the first year of high school, watching all your friends graduating before you was something you weren't proud about- not for them, but for you. you were supposed to be by their side.
thankfully, you had your professor, coriolanus snow. god. he was the only reason for you to pay attention to class (or at least try to), you were hungry for his approval. for you to be called a "good girl", and be said that you've done well in your tests? yeah, you were willing to do anything for that.
when he offered you private classes, you said yeah without even thinking much. you needed to learn, and spending more time with him was something you craved for. the ring on his finger? fuck it. you wanted it. you deserved it. more than his wife – if he had one.
you've been day dreaming about it constantly, eyes always searching for his on every class you had with him, and he would keep that smile painted on his face, not wanting anyone to think you were the reason for him to be smiling, even if you were, the didn't need to know about it.
"bunny," he voiced, leaning on your desk and taking advantage of the fact that you both were on the library, every student on the school had gone home and the teachers had gathered to go to a nearby bar. "stop looking at my dick now, will we?" he said, chuckling at you.
"huh?" you asked, finally waking to your reality.
"you need to learn that if you don't want to repeat a grade again." he said, sitting by your side, his hand holding your thigh. "you don't want to repeat now, do you?" you shaked your head negatively, and he loved seeing you like that, shy as a kitten even if you usually had his dick on your mouth when that used to happen. "c'mon, don't look at me like that. we have to put these things on your brain if you want to graduate already." he said.
his fingers slowly travelled all the way up on your panties, finding a small damp on the fabric, he looked at you with his usual smirk, his pupils blown already from everything he was about to do to you.
and now you looked like a mess. hands gripping on the library desk as your legs trembled with the aftermath of every time you almost came. you counted six till now, crying from how good it felt having him behind you, his fingers thrusting lewdly into your cunt.
"c-coryo- t-teacher, please. please stop it, i have to cum- i can't hold it in anymore!" you begged, clenching as his fingers rubbed deliciously on your clit after thrusting so many times inside you.
"well, it's not my fault, pet. you're the one getting your questions wrong." he said, pulling his dick to tease the core of your pussy, your cries only making him feel and making his ego bigger. "tell me, baby, how do you want it?"
"q-quick, pleease! if it get slower i-i think i'll die!" you said, legs spread as your skirt revealed a small part of your ass.
"oh, c'mon, i'm sure you can take it, baby" he purred in your ear, the tip of his cock teasing your pussy and slapping your clit slightly, making your body jolt slightly. you bend over, your elbows being now your main support at that table.
"please, teacher..!" you begged. but he didn’t even bat an eye to your cries, slowly sliding his dick inside you, and fuck, you both fucked on wednesday, how come he always seems to stretch you up so good? the pace he choose to torture you with was so slow, making sure you felt every inch of his dick inside you, stretching you, making you his. "please, don't do that to me. j-just ask something easier!" you cried.
"easier? okay... let's see" his hips bucked slowly into yours, your pussy gushing around him as if your own body needed that- as if he was the hair you breathed for. "what's your age, babe?" he asked, a playful tone being cast as his free hand massaged your boob, pinching on your nipple and freeing both your boobs from it's cage.
"n-nineteen." you said, and he laughed again as he said: "good girl, you're right.", his hips giving you a powerful thrust that made you cum with only that, making you cry from your own humiliation.
"ah, bunny, don't tell me you came already only with that." he said, joking with your face as you cried.
"i'm sorry- too good. i-it was too deep." he laughed, pulling back and thrusting deeper again, this time, you made sure not to cum again, edging yourself as he changed your position to put your leg over his broad shoulder, his dick making a bulge appear at your tummy. he loved that view- much more than he loved you.
"look at you, taking me so well. how does it feel, baby? use one of the words we learned at the literature class," he grunted your tightness coating his dick with your own juices, "use them, even if it's just two, and i'll let you cum."
"tortuous," you begin, crying from how good it felt, from how dumb you were getting. "spiralling, it's twirling my insides!" you cried. and he smilled, kissing and licking your tears before placing the most gentle kiss on your lips, pouding faster into you as you closed your eyes shut, moaning and grunting from all the pleasure- and yet you tried your best to avoid moaning only to hear his moans and the sounds of flesh slapping against flesh.
"good girl." he said, his hands holding your hips as he fucked you. it felt truly out of your world experience. his phone ringed just at the right moment he hit your cervix. "t-teacher, your phone- it can be your wife." you said, earning a frown from him as he turned the phone off.
"wife? baby, i'm single." he said, chuckling at you. "you've been walking around school with my cum stuffed in your panties even thought you thought i was married?" he pounded into you with a more quicken pace. "god, what a dirty girl you are. fucking around with married teachers." he teased you.
you felt a heat on your cheeks that you never felt before. god, how much would you end up humiliating yourself? "b-but, fuck! y-your ring-"
he showed you the ring. taking it off his finger with his mouth and sticking his tongue to you, an invitation for you to take the ring.
"keep it." he said once you took the ring
"but- s-sir, i-"
"mm, bunny, i'm a faithful man." he said. "and right now, i'm faithful to you." he said. you squirmed deliciously at the feeling of his cock filling you up again, his tip on your cervix as you came again, and soon enough, he came too.
he helped you get dressed into your panties again and straightned your clothes, a cast kiss on your lips before he smiled sweetly at you, putting the ring on your middle finger.
"i hope you know what that means."
"i-i do." you said, for both questions heavily implied in that context.
"great. then make sure to graduate, bunny." he smiled. "i'm sure the honeymoon will be great."
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inkskinned · 1 year
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
#this was much longer i had to cut it down for legibility#but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion#that is because it deserves its own post with a completely different tone#i am an environmental educator#so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering#that people are going through#without doing my research and providing real ways to help#this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning#to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering#unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this#and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this#and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity#(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself#for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion#i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out#rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free#is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i#which is more than their CEOs can say
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tacticaldiary · 8 months
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A Fighting Chance
Pairing: Simon 'Ghost' Riley x Reader
Genre: Hurt/Comfort
"When was the last time you kissed me and meant it?" Her voice drops into something akin to defeat.
And Simon...Simon feels like the rug's been pulled from under his feet.
Part 2, Masterlist,
Tumblr media
"What're those?"
"Papers."
Ghost pauses halfway through opening the document, glancing up at the curtness of her voice. "Papers? She doesn't meet his eyes, gaze fixed on the table of the little booth they're sitting in.
The ice in her drink is long gone, watering down her coffee into something that tastes as bitter as her heart.
It had taken months for her to finally make this decision. Days of talking with her lawyer, crying alone at night and coming to the gruelling acceptance that this was for the best. It was best for both of them.
There's not many things that unsettle Simon. He's had blood stain his hands; his own, his comrades, and his enemies. Had almost any injury you could think of marring his skin, been prodded and ripped into, been the one on the opposite end of the knife.
But as he slides out the documents, turns them over, Simon's never felt more apprehensive.
He stills, reading the first few lines, clenching his jaw. "What is this?"
"I want a divorce."
And something in him crumbles at her defeated tone. Like she's already decided. Like he doesn't even have a chance to ask why or talk it through.
"No." He says tightly, putting them down and crossing his arms.
Her gaze shoots to his. "You can't just say that."
"I did. I won't sign them."
"I want this." She argues, and Simon swallows back the lump in his throat at how utterly tired she looks.
"I don't."
She's the light of his life, the one good, untouched piece of joy he gets to see. Something other than the bloodshed and violence he lives in.
"Simon," She says, shoulders sagging forward. "I can't do this anymore."
"This isn't the solution, love." He feels like his skin is crawling, the beginnings of unfamiliar panic clawing at his chest when she doesn't react to the pet name.
Doesn't smile, doesn't flush that beautiful red, doesn't squirm.
When she doesn't respond again, tight-lipped and clammed up and so determined to not look at him, he asks the question burning a hole through his tongue.
"Why?"
Deep down he knows. Knew this was coming but that part of him is buried under the thudding of his heart, and the rush of blood in his ears. Everything feels deathly still and moving too fast at the same time.
"Why?" She repeats, something in her stirring at the question. Her brow furrows and she switches from a cautious indifference to disbelief and frustration quicker than Simon can process. "Are you serious?" She huffs out an incredulous laugh. "You're away for months at a time and I'm supposed to what? Wait for you at our doorstep and wag my tail all happy when you finally come back to me?" Her grip tightens on her drink.
"Even when you are home, it's never about us. Never about me and you. You lock yourself in your study with your work, don't talk to me unless you come out for dinner or lunch. When was the last time we went out?" She demands. "When was the last time we went on a date? The last time we slept at the same time in the same bed?"
Simon clenches his jaw but says nothing, at a loss for words. It only encourages her to keep going, spewing thoughts that have been boiling over for the past few years.
"You barely look at me when we're home, I had to drag you out of the house to get here! You left halfway through our anniversary dinner last year because work called you in. Sometimes...sometimes I feel like you're only with me because it's easier than leaving and starting over, and that fucking hurts. It hurts when you can't bear to spend five minutes with me away from work. I've been telling you this for ages but you just...you don't listen to me." She leans forward, drink completely forgotten and hits the final nail in the coffin.
"When was the last time you kissed me and meant it?" Her voice drops into something akin to defeat.
And Simon...Simon feels like the rug's been pulled from under his feet.
"I never even know if you're coming home to me." Her voice cracks, and she hugs her middle, taking a deep breath to steady herself. "So yes, Simon, I want to separate. I'm not happy, not like I was when I met you." A sheen of tears she refuses to let fall.
"You can focus on work like you love to, and I can...I can move on."
It was so good when they started out. She found him endearing, dry humour and brooding and all. It was special, those first few years, and she'll always care about him but this...this waiting, this hurting, laying in bed at night alone and cold and crying...it wasn't right. It wasn't what she wanted and she wouldn't force Simon to want it when he clearly didn't want to.
"Fucking hell, I love you." Simon says quickly, stumbling over what to say. He reaches out for her hand on the table, but she pulls it away before he can grab it. It stings more than he can convey, makes the reality crashes down onto him.
He's about to lose her.
Because he couldn't fucking bear to pull himself out of being 'Ghost'.
It was always a rough couple of weeks during his leave. The adjustment to civilian life was a slow one for him, but that's not really an excuse at all.
"I don't think you do."
Simon blinks at her like she's slapped him. "You...you don't think so?" He repeats, running a hand through his hair. She nods, one nod, quick and so sure that it makes his chest ache.
Fuck. He's absolutely messed up.
"Everything's finalised on my end." She says. "You just need to sign them." Her voice is soft, almost like she's coaxing him.
If there's one thing he knows, it's that he's not touching those fucking papers. He's not losing someone he loves again.
"I'll take time off." He says, the intensity of his gaze makes a shiver run down her spine. "We can work through it, yeah? You can't spring this on me and not give me a chance to protest."
She shakes her head, "You're only taking time off because I'm upset." She tries to explain. "What do you think is going to happen? We spend a month together doing what we used to, and when everything's a little more stable you leave again. Distance yourself. Shut me out. Then we're back to square one."
"Won't happen." He says like he hasn't been doing it for the past few years already. "You...I can't lose you, darling." He leans forward. "Let me make it better. Give me a few months-"
"Simon-"
"A week."
"A week?" Her eyes widen. "A week to...what, prove that you'll change?"
"One week."
She worries her lip between her teeth, considering. One week wasn't a long time, but hope was dangerous in a situation like this.
"I'm not letting you go over something like this." Simon says. "I can't."
"This isn't about you." She crosses her arms. "You really think you can turn just...reverse the past few years in a week?" Maybe it's foolish of her to want him to say yes, to fight for her and realise that she's been hurting, but goddamn doesn't a small part of her scream at him to do it anyway.
"Not trying to reverse it." He folds his arms, and she can see the tense line of his shoulders as he takes in the situation, gears turning in his head as he plans how he's going to work his way out of a situation so precious and daunting as this.
Part of him didn't think it would ever come to this. Yes, he can be cold and aloof but Simon thought she knew that he loved her through it all. No matter what.
When was the last time you kissed me and meant it?
Fuck if that doesn't tear through his chest more painfully than any caliber bullet ever could.
He takes her in quietly for a moment.
The woman he fell in love with. The person that gave him a reason to keep going, a motive to feel anything other than the cold efficientness of loading a gun and firing. Soft touches and warm smiles, something so at odds with the rough life he's used to.
Sitting there in front of him, she looks more beautiful than he remembers, and it only proves to make his stomach sink like a stone at the notion of seeding any doubt about his feelings in her heart.
A right fucking bastard he was for it.
"I'm sorry." He breathes out, much softer than the gruff voice he's been using with her. "I'll do better. Just give me a chance, yeah?"
For one horrible moment, Simon thinks she'll decline. That she'll slide over the papers again and demand he sign them.
But she considers his words for a moment before nodding once.
And it's all he needs.
A fighting chance.
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Part 2
(11/10/2023)
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astraltrickster · 1 year
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What frustrates me about disability advocacy is that...of all the people I've seen talk about it, 99% of them - even ones who are disabled themselves - have eventually proven that their support has limits. Really stupid and arbitrary ones, at that.
You support disabled people...but if you see an adult with a DIAPER BULGE in their pants in public it's ON SIGHT, get your kink out of my face! Actually, even if it's not a kink, that's still gross and, like, it's not like the diaper exists to CONTAIN waste, you're a biohazard! Just stay home!
You support disabled people...but, ugh, you're so sick of masks, they feel so icky, the CDC isn't advising them anymore so really how bad can it be, if you don't want to be permanently disabled even worse than you already are then why don't you just stay home forever?
You support disabled people...but if you see anyone using a non-conventional straw that someone's billed as "anti-aging" on TikTok you proudly declare that you'll smack them, because what do you mean it might be a motor control or sensory thing?
You support disabled people...but no one is REALLY so disabled that they can't manage their lights conventionally, clean their homes by themselves, or hold a pen for extended periods of time or at all; that's just something people make up as an excuse for Bad Tech and exploitative luxury services.
You support disabled people...but, god, control your by-definition-uncontrollable tics, they're SOOOO annoying and rude!
You support disabled people...but when someone stops masking or runs out of spoons and starts speaking in a choppy, hard-to-understand way, it's a joke.
You support disabled people...but AAC is, like, sooooo annoying and hard to understand, learn to talk like a normal person instead of pointing like a baby or whatever, geez.
You support disabled people...but you hate image descriptions and video transcriptions because they're, like, sooooo ugly and transcriptions SPOIL things. (Not to be confused with "frequently not having the spoons to translate images and videos into text, which is a skill; one which everyone should try to develop, but a skill nonetheless" - I get that, it happens to me, but if you take issue with OTHER people adding them to your posts for Aesthetic Reasons, you're...kind of a dick! I'm not sorry for saying it!)
You support disabled people...but you think teehee funny joke annotations are a much more valuable use of caption tracks than, you know, actual captions are.
You support disabled people...but you still concern-troll people with armchair diagnoses of heavily stigmatized disorders for harmless weirdness, or try to paint them as icons of some kind of horrible social ill.
You support disabled people...but you're still convinced that every asshole is mentally ill, probably A Narcissist, and what do you mean that's a loaded thing to call someone when a heavily stigmatized disorder is rudely misnamed as such too, isn't it easier to, like, change the name of the disorder throughout the whole system than it is to just stop using that word as your go-to Bad Person Pathologizing Word, which you definitely need? (Or worse, you see no problem with this clash because you're convinced it IS Bad Person Disorder...)
You support disabled people...but you see someone mumbling to themself on the bus and you get as far away from them as possible because it's "scary".
You support disabled people...but you constantly try to pull "gotcha"s about people telling you not to touch people's assistive devices.
You support disabled people...but someone being okay with their delusional disorder and talking about that is BAD and PROMOTING SELF-HARM.
You support disabled people...but your body positivity still focuses exclusively on "people can be healthy and fat at the same time!" as if people who ARE fat because of health issues and/or have health issues BECAUSE of their weight don't exist or deserve support.
You support disabled people...but you declare that advocates who want us all to have more access to things that improve your quality of life are the REAL ableists for acknowledging that those things that you currently can't do tend to improve quality of life.
You support disabled people...but your advocacy for yourself involves distancing yourself from people with more support needs than you.
You support disabled people...but you treat addiction of any kind, or use of anything with known addictive tendencies, as a moral failing.
You support disabled people...until the accommodations they need clash with your own, then it's not just a benign incompatibility that sucks just as much for them as it does for you; no, you are an innocent victim and they are a horrible ableist.
You support disabled people...until it's too inconvenient. Too weird. Too scary. Once that line is crossed, it's not a disability issue anymore, they're, conveniently, just a Bad Person.
It's fucking exhausting and I'm sick to death of it.
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werecreature-addicted · 2 months
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I know a lot of the stories here tend to be about human x monster, but imagine having a monster partner (like a vampire or werewolf, etc - some monster that can also turn humans) that wants to corrupt their human partner so badly. Maybe one time they “accidentally” bite too hard while fucking, knowing this will start the process. They watch excitedly as their human slowly starts growing fangs and other features as days go by. A monster so obsessed with their human they need them to be with them completely
ahhhhhhh I love this Idea for a vampire lover. He's so used to just using and then disposing of humans. never getting attached to those with such a short life span. what would be the point? the second he gets too close- his favorite human dies. their lives are so short. so fragile.
At first, you're no different, just a cheap fling. a quick source of blood and a release for him more carnal desires. It's enough of a surprise when he sleeps with you a second time. two times turns into three... then four and five and suddenly it's a regular occurrence. bloodletting with benefits.
It's easy being with you, calling you over for sex and a midnight snack is a lot easier than seducing someone new every night. but that's all it is, that's all it can be, he won't let himself get attached.
It's easy getting attached to you. you're easy to talk to, you like listening to him ramble about his long life and he's surprised to find he likes hearing you talk too. He's romantic with you, kissing you soft and deep as you make love with each other. your body feels good in his hands, but it's more than that. He doesn't want to let you go. He starts insisting you spend the night, and the day after too if you don't have anything planned.
He tries to keep his heart safe, he reminds himself that you'll die someday. or worse- you'll move on. He knows he should cut this relationship short, but what if he didn't? what if instead, he made it so he could keep you forever? not be so lonely anymore?
It's easy to "lose control" the next time he bites you, his fangs sinking a little too deep into your neck. you die in his arms, growing cold, and still. He'll tell you it was an accident and a mistake when you wake. He's not sure if that's the truth, but it's what he'll tell you.
He stays next to your dead body, watching as you settle into death, he knows the transformation won't take too long. and he wants to be the first thing you see in this new life.
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all-purpose-dish-soap · 3 months
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thinkin about polite gaz being... not so polite when he realizes you're attracted to him. 
not like you let it slip on purpose. he only catches on because he's teasing you and flirting with you and he gets playfully physical and pins you against a wall. he does not miss the way your breath catches in your throat or the way you flush. bit submissive, aren't you?
his attitude changes instantly. he bets you he could keep you pinned right there. hell, he bets he could pick you up, toss you over his shoulder if he wanted to. when you ask him (a bit too breathlessly) if he'd really do that, he smirks at you and says there are plenty of reasons he might have to pick you up. makes it easier to show you who's boss, yeah?
your face gets so hot you think you might actually pass out. you fucking bottom.
he leans in, getting closer this time so you can't shy away; you have no choice but to hear him clearly. "you think you could handle being thrown around?"
if it killed you, you would die happy.
"how about i just throw you into bed instead?"
please, you squeak out.
his eyes gleam and he chuckles. "say please again and it'll be the floor."
nsfw ↓
he's not kidding about being able to pick you up either. or throw you. the moment he has a chance, he's definitely getting you into bed. and he's definitely enjoying how you squirm.
can i ask a favor of you? he asks, so politely, like he's not literally on top of you, pinning you down.
literally anything. you would do literally anything he asks.
"say please again. for me."
you stutter.
"you asked quite nicely for me to throw you. so if i ask, would you beg nicely for me to do other things?"
oh god. oh god. you're glad you're laying down, because you're sure your knees would give out if you were standing up.
when your brain reboots, you stumble over yourself to say yes, absolutely, please kiss me, please tear my clothes off, please hold me down and have your way with me--
god, he really likes that look on your face. he is really going to enjoy you. 
"you really are an excitable little thing, aren't you?" he says, smirk widening as his hand traces along your hip.
is that bad? you ask him.
"it's really hot. almost makes me feel bad for everything i want to do to you."
no, please, don't feel bad, you tell him. you immediately shift, trying to press yourself up against his body. you want him to use you for everything he wants. everything.
"so eager. can't wait, can you?"
no, you can't. you'll die if you have to wait. you try and fail to reign yourself in and be so fucking needy. you fumble with the buttons on your shirt, undoing them one by one, impatient and frustrated. he just smirks at you, letting you get yourself all worked up. just leans back and watches you, enjoying the sight.
when your mind catches up with what your hands are doing, you stall out on the last button. then, finally, he gives in and reaches forward to unhook it himself. then he yanks the whole shirt out of the way.
"good girl. god, you're cute when you're so red like that. you're really into this, aren't you?" his voice is sultry as his caress moves down to the button on your jeans. really just takes his damn time, enjoying how the slower he goes, the more desperate for him you get. but the way your hips twitch when he lays his hands on them has him fighting demons.
"that's it. keep moving. keep squirming." his voice is low and slow--he's trying to keep himself under control as much as you are. he wants so badly to grab your hips and just fucking rail you into the mattress, but it's more rewarding to be patient. how's he going to hear more of those sounds, see more of your desperate ploys to get under him, if it's all over right away?
obviously you have no such reservation. the moment he has your jeans unbuttoned, you're wiggling out of them and flipping onto your stomach, pushing your ass up in the air and fucking presenting yourself to him. please, you beg him, losing your goddamn mind, you can't take it anymore. can't he just...?
gaz damn near short-circuits at the image of you with your ass in the air. he barely manages to stop himself and weigh whether he should deny you a little bit more to heighten the anticipation.
fuck it. he can torment you more after he's inside you. multitasking.
you squeak in delight when he plants his hands between your shoulder blades and pushes your top half into the mattress, dragging your hips up toward his. he pushes you down, fitting his body over yours and putting his mouth next to your ear. he whispers right in your ear. "say please again."
please, please, please, you'll do anything, you tell him, wiggling your hips at him.
and he plans to take you up on that offer.
he leans in close, his breath warm on your skin. "good girl, he tells you. obedient girl."
you've never wanted to be under someone so badly.
your easy submission has him grinning. "are you a good girl all the time or just for me?"
for you, you mumble, hot with shame.
he pulls himself back even more and puts a knee on each side of you, pushing your legs apart. it gives you a shot of dopamine so intense you almost can't keep your ass up. 
"are you being good right now?"
you could be better for him, you tell him, so much better.
he likes the sound of that. it's getting hard to think, having your legs open and right there and he's trying to hold himself back but who wouldn't fall for the temptation he's experiencing right now? "how much better?"
you tell him you could please him more if you knew what he liked, if you could focus on him, if you didn't need more right now, if you didn't need him inside you so bad. your hips twitch again as you ramble, almost mindless.
"i like it when you speak so earnestly," he tells you.
that approval sends another shot of dopamine through you, and your hips buck against nothing. he hasn't even touched you there and you feel like you could finish any moment just from his voice. you're gonna die if you can't have him right now.
he's breathing heavier now, eyes fixed on your opening. his voice almost wavers, heavy with implication. "how bad do you need me, darling?" 
you start to dissolve into begging again--god dammit, he said he wanted you to beg and he's not even doing what you want, what you're begging for--and he interrupts. "you're going to ask properly first."
of course he's gonna make you fucking say it.
you beg and plead in every way you know how, promising every debased act you can think of. when his fingers finally press up against your heat--a teasingly light brush at first, and then a firm press--you dissolve into a mess of broken cries and pleas for him to keep going.
obviously he keeps talking to you in that low, sultry voice, telling you what an impatient little thing you are. chastising you. just another way to flex a little more power over you, and you're so weak for it. and then for that, he praises you.
"such a good girl," he tells you. "you want more?"
you open your mouth to say yes, you want everything, but then he presses his fingers in just the slightest bit, fingertips splitting you the slightest bit, and all you can do is keen. you rock your hips back into him desperately, sliding his fingers into you, and something in you snaps. you tip over the edge. oxytocin floods through you, your legs lock up, and shameless sounds fall from your lips. gaz's breath catches as you finish. then he grins.
gaz pulls you up to him fully and lies down above you. kisses you on the mouth and then trails his mouth down your jaw to your ear. "that was perfect," he says, breathless, and unashamedly horny about the fact that you just came on the second knuckles of two fingers.
you stare at him in muted shock yourself. you can't believe you just... you really just came like that? what's wrong with you?
"how about this," he says in a low, smooth voice. "since you were good, why don't you lay back down and let me fuck you properly?" he lifts your legs off the bed and raises your hips toward him. "let me do everything i want to you."
you swallow and nod, not trusting yourself to speak without squeaking.
"good girl." this time there's no hint of teasing. his eyes are hungry. "let your man take care of you."
...
[part 1] / part 2
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