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#leaving your door ill keep howling begging for us to stay together
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and this
THIS ONE
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hobidreams · 4 years
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june 1868.
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but trust is a fickle, fragile thing.
pairing: joseon king!yoongi x reader genre: angst words: 1.2k contains: historical au, character death. historical context: “mama” is the korean equivalent of “your highness” & the proper address for a queen. a/n: this drabble is sponsored by a donation to Black Lives Matter.
moonlit throne index. this is drabble five. start from the beginning?
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In the long decade since the night you swore utter allegiance to the crown prince, you have done everything within your grasp to uphold the heart of the commitment you’ve made. Even as the prince becomes a king, even as beloved companions submit to the passage of time, and even as the adolescent declaration of obedience itself matures into instead a steady, affectionate support, you keep your word on all but one occasion. But it is this exact decision, this single withheld secret, that shifts both your worlds irrevocably.
“You must tell my son that it is a common illness. A simple recovery, and nothing more,” the queen had commanded you on a somber day in winter the year before as you knelt beside her bed, wiping blood from the corner of her pale lips.
“Daebi-mama.” Your voice broke on the last beat. “How long have you been hiding this?”
“Please.” Though her elegant fingers were weak, she covered your hands with a warm, pleading palm. “He doesn’t need any more distractions. Not now. Especially not ones that don’t have… simple solutions.” She squeezed then, with what strength she could muster, silencing all your protests. “If you want him to succeed - don’t tell him.”
And so, you hadn’t.
But while you agreed with the queen’s intentions, you continued to fight against the inevitability in a way that only you could. The last six months have been a frenzied haze. You blistered your feet scouring the markets, begging foreign traders for rare or sometimes strange ingredients that you could incorporate into draughts. You sought documents written in symbols you did not recognize, paying translators to parse out a phrase or even a glimmer that could help. You can’t even remember all the nights that you spent brewing, steaming, straining until the sun came over the horizon. But with each subsequent draft you secretly delivered to her bed, the queen only grew weaker.
All of this, you kept hidden from man you cared for most, justifying the guilt to yourself whenever he inquired after his mother.
But now. Now, when the king is staring with unblinking eyes at the pure white cloth draped over his mother’s body, you find that you don’t know a damn thing about what’s right anymore.
You feel splinters in your chest as he takes one unsteady step towards the bed that you stand beside, hands folded in an act of repentance. His mouth opens, then closes, not a single noise passing between them for a century-long minute. All of your instincts urge you to turn away and allow him private space to grieve, but that’s your own cowardice at being faced with his sorrow, manifested in the quiver of his lip. You must put him first. You must be his witness, his pillar, even when your own heart tightens with grief.
“Mama.”
He stumbles forward, feet clamoring over each other until he’s close enough to draw back the cloth, just enough to expose her face. His short, forcibly-suppressed exhale hits the wall. Yoongi jerks his hand away as if scorched, lets it hang numbly at his side. It’s with an indescribable expression that he takes in the familiar, softly wrinkled eyes. The pink lips that were so often curved in a warm smile. The arms that were generous enough to encompass an entire nation, but never neglected the ones closest. “Mama,” he says, voice still so tight as he takes another unsteady step, as if he needs to be closer. He’d seen her just last night. He had left her alone, and now—
It’s when his knee knocks against the hard wood, when he can truly go no further, that he plummets to the stark floor and a lonely sob rips straight from his throat. Goosebumps shoot up your arms at the noise, the visceral howl and all you can do is watch as Yoongi breaks with a shuddering gasp, “Mom.”
In this moment, it’s not a king that kneels before you, but a son. Someone’s precious child, with no one to stay strong for any longer and so he throws the entire mask away. Lets the tears finally overflow, staining the bedsheets with salt and heartache before he crumples them in a weak fist. Yoongi cries like he has never done, not since he was old enough to learn how much the word responsibility weighed on his head and how many millions of lives his body, not him, is worth. A stray tear falls on the queen’s cheek and his red-rimmed eyes follow how it rolls down her face as if she weeps at the thought of leaving him too, and he cries. He just cries, with the delicate perfume of plum blossoms fast fading around him.
Uselessly, you wish you could do something.
You wish you could have found a cure, a miracle or anything that could have bought him more time, even if it was only for a season more, or a single day. Really, it’s your own failure. You remain so fucking inexperienced, even after all these years. You should have told him. You should have tried harder. And it’s this shame that makes you reach out for him before you can think better of it, wanting nothing more than to hold him to offer a whisper of comfort and to say he’s not alone.
But when you touch him, he startles. Shifts back. Shifts away from you and you think he gathers the pieces of his crown and stitches them back together before you even have time to blink.
“Jeonha—”
“Su-uinyeo-nim.” He cuts you off with the deliberate use of your full, formal title. He’s never called you such before, preferring your name during the weekly reports you made to him. The words feel sluggish on his tongue as if he thinks, as if he knows, you don’t deserve the role too. You find the strength to meet his watery, but no less intense stare, and hear him carefully ask— “Did you know?”
He doesn’t need to elaborate. Your fingers, lingering just an inch away from him, freeze and falter. Crumple into themselves, because you can’t give him the answer his darkening eyes say he hopes for. Or maybe that’s just you thinking too highly of yourself in his heart.
“Did you know?” He presses again, tone a little higher, voice a little more desperate.
But language is your next failure, and he is left to take your silence for the admission of guilt it is.
“Get out.” He stands, hovers protectively over the bed as if you are the danger, the outsider. “Your services—and you—are no longer required for her. You’ve done more than enough.”
Your legs shiver as you sink into a bow, quick. “Y-Yes, jeonha.”
Then your slippers are slapping against the hard floor, feet aching from the pace with which you flee from the suffocating room. Your chest burns with the want to scream that you loved her too. That you wanted to tell him so many times, almost did with a slip of a tongue, but wanted to spare his already overtaxed mind. That you tried your damned best but you just couldn’t save her, and so you lost her. And from that last glimpse of him through the closing door, hunched over alone and silently breaking, you know that you’ve lost him too.
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nothingbutimagines · 3 years
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Betrothed (Peter Parker)
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Pairing: Knight!Peter Parker x Princess!Reader
Warning: Cursing and lots of angst
Summary: The young Princess Y/n is, on the outside, perfect in every way. She is high society, beautiful, educated, and cherished by all. However, the seemingly perfect princess is hiding a secret with that of a young knight, Peter Parker. Peter is upset, angry with Y/n when she is forced to choose between revealing the secret to stay out of an arranged marriage to a prince, or stay silent.
Author: Dizzy
A/N: This is the second part to Arranged. As always, requests are open and I’d love some new ideas from you all!
Masterlist Request Any Of These Peter Parker/Tom Holland Masterlist
__________________
“Why the long face, Princess? You shouldn’t be so sad on your wedding day.” Marceline asked softly, already knowing the answer.
“He is not coming, is he?” You asked, looking up at Marceline.
The older woman shook her head, her light grey hair falling into her face as her eyes grew somber.
“I don’t believe so, darling. Sir Peter told the king that he was too ill to help with the wedding and training the cavalry to be ushers. He’s been holed up in that little cabin for about a week.”
You sighed softly, your eyes looking deep into your reflection as you frowned, the tears prickling your eyes. You knew it was a foolish idea, to think that Peter would somehow wake up one day and forgive you for sending him away, for so easily throwing him away like a love letter from an old lover. 
You had done everything to get him to speak to you, sending him letters, having some of the younger maids walk down to send him gifts since Marceline had trouble walking that far. You had even showed up at his door, teary-eyed and remorseful, begging for forgiveness only to be told to leave, to never come back.
Peter had done everything in his power to keep you away, and you knew it was wrong to be torn up over it, since you had done the same thing first.
“I don’t want to get married, Marceline.” You whispered, looking at the woman in the mirror.
“I know, Princess, but there’s nothing we can do about it now. I wish it were different, but we mustn’t hold such pain in our hearts. We must look on the bright side, you do not have to leave the kingdom to be with your betrothed.”
“Yes, I suppose so. However, I would see Peter everyday. I would rather leave the kingdom than see Peter for even a moment.”
“Sir Peter told me he may leave the kingdom and live with his brother, the sheep herder, in Astoria.”
“Marceline, why wouldn’t you tell me this?” You snapped, turning fully to face the older woman as she took a step back.
“Princess, I didn’t tell you because I thought it would ruin your wedding day. Sir Peter also told me to wait to tell you until he was already gone, when the wedding bells tolled.”
“Why must you always follow the orders of Sir Peter?” You cried, the tears you were holding back finally flooding out. “Anything Sir Peter tells you should be told to me, we went over this before! God, I need to go, I need to find Peter.” 
You pushed yourself up off of the chair using the vanity before you for leverage, your tears blurring your vision as you made your way to the other side of the room and slipping on your shoes. You were fueled by your anger, not just at the poor old milkmaid, but Peter as well. 
“Princess, wait!” Marceline called out as you past her, her hand grasping for your arm as you turned to her, yanking your arm away. “You cannot leave. You are in your wedding gown and your father, the king, will be here any moment to give you away.”
“You can tell him I am on a walk.”
“It is not that simple, you know that, he is pacing up and down the hall, you will never be able to pass him.”
“Then I will outrun him. He cannot stop me.”
“Princess, he knows your distaste for this arrangement. That is why he wanted Sir Peter and the cavalry to be here, to keep you in the castle.”
“Then he shouldn’t have given me a dagger.” You replied simply, turning on your heel and opening the chamber door to come face to face with your father.
You cursed yourself for being so rude to Marceline as she was right, he was pacing in the corridor and now standing before him, you never felt so small. 
“Y/n, my love, we must go. You were supposed to be upon the altar at three o’clock sharp and it is three-o-two.” Your father spoke softly, linking your arm in his before resting his hand upon yours.
“Father, I-”
“I know, love, you wish your mother was here. Believe me, I wish for that as well, but do not fret, I will be there for you.”
“Father, I don’t know if I can do this, get married.” You admitted, causing the older man to fall silent, leaving the sound of your footsteps as the only echo in the silent corridor. 
“Y/n,” Your father’s voice was stern as he finally spoke, “you will be getting married. I will not allow you to ruin the sanctity of this kingdom and our good name just because you are infatuated with a knight.”
“W-what are you talking about?”
“You know who I am speaking about, do not pretend you do not.” He snapped back at you as you finally reached the entrance to the cathedral. “I have known about you sneaking away to see Sir Peter Parker all these years. I had hoped it was nothing but a teenage romance, but it seems as though I was wrong.”
“How had you known and yet never told me?” You attempted to pull away, but his hold was tight on your arm. 
“Do not speak back to me!”
You bowed your head in sorrow and shame, attempting to hide the look of fear that had fallen upon your face.
“I have heard the whispers between the housemaids, the way they snickered about you using their entrances and stairways and how it was almost romantic the way you had begun to see the handsome boy. Almost romantic! You knew I would never allow such a thing, yet you had done it anyway.”
“Father, I’m s-”
“Let me finish! I kept tabs on you, having that old milkmaid tell me what the housemaids were saying, what they were saying about you and Sir Peter Parker. That’s when I decided that it would be best to marry you off before you ruined this family’s name further. I had that boy help with the wedding in hopes it would tear you apart, and it had.” Your father sighed, leaning forward and knocking on the door for the ushers to open it. “Now, put on a smile. It is your wedding day.” 
You swallowed harshly, unsure of what to say as you allowed him to drag you down the aisle.
“Smile.” Your father hissed, only moments after you started walking. 
You complied, a faint smile now stretching on your face as you gazed down the aisle and to the altar, to where the prince stood, stoic. 
When you were a young girl, you’d always imagined that when you got married, seeing your betrothed at the end of the aisle would have you feeling joy, warming your cold feet and filling you with the utter glee of marriage. You pictured your betrothed teary-eyed and smiling in a way that showed true love. 
However, as you gazed into the blue eyes of the prince, you couldn’t feel anything but despair and could only feel your cold feet growing colder. 
You allowed your father to kiss you, give you away as he handed over your numb fingers and palm to the prince, who guided you up the small altar stairs. 
You gave the prince a small smile before sighing, your eyes moving around the chapel, trying to find Peter as if he would be there. As if he would show up and confess his love for you. 
You felt foolish, so lost in your own thoughts and your quest to find the familiar brown curls and warm eyes of the knight, the prince of your heart, that you hadn’t realized the pause in the priest’s sermon. 
“...if anyone can show just cause why this couple cannot lawfully be joined together in matrimony, let them speak now or forever hold their peace.” The Father announced, allowing for a moment of silence to fall upon the witnesses.
You held your breath, glancing up at the man before you, your husband to be before gazing back into the crowd. You allowed yourself to let go of the tension in your lungs as you saw the familiar brown curls peek out from behind the cathedral doors. 
“I object.” You declared before you’d even realized the words had come from your own mouth and not the opened mouth of the young knight. “I cannot go through with this arrangement when my heart is in the hands of another. I’m sorry, I must go.”
You quickly stepped out of your heels, gathering your dress in your arms before rushing down the aisle, your eyes never breaking from Peter’s gaze.
“Sir Peter!” You called out his name, a hand raising to wave for him as he fully emerged from behind the door. 
“What do you think I have assigned you to do?!” Your father bellowed from far behind you. “Retrieve her!” 
Knights began to rise from their seats as your ran, hands reaching our to grab you from the sides of the aisle. 
You slipped from their grasps, your dress tearing at the seams they attempted to pull you with and the sounds of your bare feet on marble filling your ears. You could only focus on Peter, brown eyed and soft faced Peter. 
Your arm reached out for him, his hand grasping yours as he pulled you into the foyer.
“Peter, I-”
“There is no time for words. We must go.” Peter interjected, his grip firming on your hand as he pulled you down the corridor. 
You both erupted in laughter, hands still gripping the other as you ran into the street and towards Peter’s horse. 
“Princess, would you like to run away with me?”
“I thought you’d never ask.” You grinned, throwing your arms around his neck before kissing him with the passion you wished you had had in the first place. 
You pulled away from him as the screams and howls of your father and his knights erupted from the church, the men running towards you. 
“I believe that is our cue to leave.” Peter chuckled, quickly picking you up and helping you on the horse before getting on himself. 
You wrapped your arms around him as he guided his horse down the street, going as fast as he could away from the crowd that had started to gather in the street. 
“Peter, I am sorry.” You finally spoke up, as the kingdom had disappeared into the background and you could no longer hear the howling of the crowd. 
“No, Bug, I am sorry. I should have been more sympathetic to your situation and I should have never made it about myself. It was you that was forced into a marriage, not I.”
“Peter, you have no reason to apologize. I was the selfish one here. I did not think of you, not once. And I should have done so. I should have considered you before I made my decision.”
“It is alright, Bug. We both have things to feel sorrow for.” 
His hand rested on yours, his thumb running over your fingers as silence fell upon you once again. 
“Why did you come to my wedding? I had believed you were not going to come.” You finally asked, the question mulling over in your mind once again.
“I could not go another day without loving you.” Peter stated simply. “I could not go another day without you knowing that I loved you, even if you would spend your life with another.” 
“You will never have to go another day without being by my side. I swear to you.” 
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1st February >> Mass Readings (Except USA)
Feast of Saint Brigid, Abbess, Secondary Patron of Ireland 
   or
Monday, Fourth Week in Ordinary Time.
Feast of Saint Brigid, Abbess, Secondary Patron of Ireland
(Liturgical Colour: White)
Either:
First Reading
Job 31:16-20,24-25,31-32
Have I been insensible to the needs of the poor?
Have I been insensible to poor men’s needs,    or let a widow’s eyes grow dim? Or taken my share of bread alone,    not giving a share to the orphan? I, whom God has fostered father-like, from childhood,    and guided since I left my mother’s womb. Have I ever seen a wretch in need of clothing,    or a beggar going naked, without his having cause to bless me from his heart,    as he felt the warmth of the fleece from my lambs?
Have I put all my trust in gold,    from finest gold sought my security? Have I ever gloated over my great wealth,    or the riches that my hands have won?
The people of my tent, did they not say,    ‘Is there a man he has not filled with meat’? No stranger ever had to sleep outside,    my door was always open to the traveller.
The Word of the Lord
R/ Thanks be to God.
or
First Reading
Ephesians 3:14-21
A prayer that faithful may know the love of Christ
This is what I pray, kneeling before the Father, from whom every family, whether spiritual or natural, takes its name:    Out of his infinite glory, may he give you the power through his Spirit for your hidden self to grow strong, so that Christ may live in your hearts through faith, and then, planted in love and built on love, you will with all the saints have strength to grasp the breadth and the length, the height and the depth; until, knowing the love of Christ, which is beyond all knowledge, you are filled with the utter fullness of God.    Glory be to him whose power, working in us, can do infinitely more than we can ask or imagine; glory be to him from generation to generation in the Church and in Christ Jesus for ever and ever. Amen.
The Word of the Lord
R/ Thanks be to God.
Responsorial Psalm
Psalm 106 (107)
R/ Give thanks to the Lord for he is good; for his love has no end.
The Lord changes desert into streams,    thirsty ground into springs of water. There he settles the hungry    and they build a city to dwell in.
R/ Give thanks to the Lord for he is good; for his love has no end.
They sow fields and plant their vines;    these yield crops for the harvest. He blesses them; they grow in numbers.    He does not let their herds decrease.
R/ Give thanks to the Lord for he is good; for his love has no end.
But he raises the needy from distress;    makes families numerous as a flock. The upright see it and rejoice    but all who do wrong are silenced.
R/ Give thanks to the Lord for he is good; for his love has no end.
Gospel Acclamation
1 John 4:12
Alleluia, alleluia! As long as we love one another, God will live in us and his love will be complete in us. Alleluia!
Gospel
Luke 6:32-38
Be compassionate just as your Father is compassionate. Ps 106 (107):35-38, 41-42. R/. v. 1
Jesus said to his disciples:    ‘If you love those who love you, what thanks can you expect? Even sinners love those who love them. And if you do good to those who do good to you, what thanks can you expect? For even sinners do that much. And if you lend to those from whom you hope to receive, what thanks can you expect? Even sinners lend to sinners to get back the same amount. Instead, love your enemies and do good, and lend without any hope of return. You will have a great reward, and you will be sons of the Most High, for he himself is kind to the ungrateful and the wicked.    ‘Be compassionate as your Father is compassionate. Do not judge, and you will not be judged yourselves; do not condemn, and you will not be condemned yourselves; grant pardon, and you will be pardoned. Give, and there will be gifts for you: a full measure, pressed down, shaken together, and running over, will be poured into your lap; because the amount you measure out is the amount you will be given back.’
The Gospel of the Lord
R/ Praise to you, Lord Jesus Christ.
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Monday, Fourth Week in Ordinary Time
(Liturgical Colour: Green)
First Reading
Hebrews 11:32-40
The example of the Old Testament saints
Gideon, Barak, Samson, Jephthah, David, Samuel and the prophets – these were men who through faith conquered kingdoms, did what is right and earned the promises. They could keep a lion’s mouth shut, put out blazing fires and emerge unscathed from battle. They were weak people who were given strength, to be brave in war and drive back foreign invaders. Some came back to their wives from the dead, by resurrection; and others submitted to torture, refusing release so that they would rise again to a better life. Some had to bear being pilloried and flogged, or even chained up in prison. They were stoned, or sawn in half, or beheaded; they were homeless, and dressed in the skins of sheep and goats; they were penniless and were given nothing but ill-treatment. They were too good for the world and they went out to live in deserts and mountains and in caves and ravines. These are all heroes of faith, but they did not receive what was promised, since God had made provision for us to have something better, and they were not to reach perfection except with us.
The Word of the Lord
R/ Thanks be to God.
Responsorial Psalm
Psalm 30(31):20-24
R/ Let your heart take courage, all who hope in the Lord.
How great is the goodness, Lord,    that you keep for those who fear you, that you show to those who trust you    in the sight of men.
R/ Let your heart take courage, all who hope in the Lord.
You hide them in the shelter of your presence    from the plotting of men; you keep them safe within your tent    from disputing tongues.
R/ Let your heart take courage, all who hope in the Lord.
Blessed be the Lord who has shown me    the wonders of his love    in a fortified city.
R/ Let your heart take courage, all who hope in the Lord.
‘I am far removed from your sight’    I said in my alarm. Yet you heard the voice of my plea    when I cried for help.
R/ Let your heart take courage, all who hope in the Lord.
Love the Lord, all you saints.    He guards his faithful but the Lord will repay to the full    those who act with pride.
R/ Let your heart take courage, all who hope in the Lord.
Gospel Acclamation
John 17:17
Alleluia, alleluia! Your word is truth, O Lord: consecrate us in the truth. Alleluia!
Or:
Luke 7:16
Alleluia, alleluia! A great prophet has appeared among us; God has visited his people. Alleluia!
Gospel
Mark 5:1-20
The Gadarene swine
Jesus and his disciples reached the country of the Gerasenes on the other side of the lake, and no sooner had Jesus left the boat than a man with an unclean spirit came out from the tombs towards him. The man lived in the tombs and no one could secure him any more, even with a chain; because he had often been secured with fetters and chains but had snapped the chains and broken the fetters, and no one had the strength to control him. All night and all day, among the tombs and in the mountains, he would howl and gash himself with stones. Catching sight of Jesus from a distance, he ran up and fell at his feet and shouted at the top of his voice, ‘What do you want with me, Jesus, son of the Most High God? Swear by God you will not torture me!’ – for Jesus had been saying to him, ‘Come out of the man, unclean spirit.’ ‘What is your name?’ Jesus asked. ‘My name is legion,’ he answered ‘for there are many of us.’ And he begged him earnestly not to send them out of the district.    Now there was there on the mountainside a great herd of pigs feeding, and the unclean spirits begged him, ‘Send us to the pigs, let us go into them.’ So he gave them leave. With that, the unclean spirits came out and went into the pigs, and the herd of about two thousand pigs charged down the cliff into the lake, and there they were drowned. The swineherds ran off and told their story in the town and in the country round about; and the people came to see what had really happened. They came to Jesus and saw the demoniac sitting there, clothed and in his full senses – the very man who had had the legion in him before – and they were afraid. And those who had witnessed it reported what had happened to the demoniac and what had become of the pigs. Then they began to implore Jesus to leave the neighbourhood. As he was getting into the boat, the man who had been possessed begged to be allowed to stay with him. Jesus would not let him but said to him, ‘Go home to your people and tell them all that the Lord in his mercy has done for you.’ So the man went off and proceeded to spread throughout the Decapolis all that Jesus had done for him. And everyone was amazed.
The Gospel of the Lord
R/ Praise to you, Lord Jesus Christ.
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sgtduckybucky · 4 years
Text
coming home to you
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Genre: hurt/comfort, romance, angst and slight fluff.
Warning(s): slight au
Words: 2058
A/N: euhedeuhed NO ONE TOLD ME ALFIE WAS BACK!! UJHUEHEIUED I haven’t watched s5 and i wont for a while because im watching one piece so forgive me if this isn’t as accurate as the show. that’s why I added au as a warning since i only saw a clip of alfie on youtube.
this is a sequel to farewell and a gif but can be read alone! i won’t add links since posts don’t show up with links but send me an ask and i’ll give you think!
lastly, sorry for any spelling or grammar errors!
»»————- ♡ ————-««
the sound of the fire cackling in the fire place was an odd source of comfort as the harsh december wind howled outside. this year’s winter was harsh and unkind to humans. just this morning, you’ve read in the paper that five people died from the extreme cold britain’s getting this year.
you poured yourself another cup of earl grey as a new louis armstrong song began playing on the record player as you enjoyed reading The Mysterious Affair at Styles. and just as you were about to doze off three chapters, cyrill suddenly lifts his head up and trots to the window, a low whine coming from deep within him.
you paid him no mind at first, but when he started pawing at the window, you closed your book and stopped the record player before walking to where cyrill was. pulling back the shades, you picked through the snow caked windows. squinting your eyes to see what got cyrill so worked up. when you couldn’t spot anything you drew the windows and patted the dog’s head, “there’s nothing there, cyrill.” you smiled down at him, “probably a squirrel trying to hide from the snow.”
glancing at the wall clock, you were surprised to find that it was getting close to midnight. once you’ve cleaned the living room, you switched off the lights and head to one of the guest rooms on the first floors. ever since your pregnancy started showing the baby growing heavier, you’ve decided to move your bedroom on the lower level since it was way too exhausting for you to get up the stairs. the room wasn’t much, barely decorated, but it was a place for you to rest and sleep in. and the bathroom next to it had standing shower which was also another reason why you moved to this room since you had quite a scare by almost falling out of your bathtub as you were getting up.
as you settled into bed, you glanced at the picture frame on the night table. the picture was of you and alfie from almost two years ago. you were at the pier on a rare and sunny day in britain and you had begged alfie to go. it was on of the most memorable days you’ve had together. the picture was of you and alfie standing behind those cutout boards where they had a muscled man lifting a woman and, thinking it would be hilarious, you stood behind the man’s cutout face while alfie, grumbling at first, stood behind the woman’s cutout face. slowly, your eyes closed shut at the fond memories.
»»————- ♡ ————-««
life as an eight month pregnant woman wasn’t easy. you can’t bend any more to pick anything so once that object is on the ground, it stays there until either cyrill picks it up or when ollie drops by later and picks it up for you. you can’t have a good night’s sleep either since the baby keeps kicking you from all sides every two fucking minutes and you were always hungry for the strangest food! oh, and you’d pee a lot too which was getting on your nerves.
however, there are small perks to being this far along. the most noticeable one, and by your favorite, is the many discounts from markets and stores. the minute they lay eyes on you, pity brimming in their eyes, they just lower the price for whatever it was you were buying.
like today for example. you were suddenly craving an orange cake and chicken for dinner so you decided to head to the market early and start cooking. maybe even have ollie for dinner if he wasn’t too busy. the elderly woman took one look at you and lowered your groceries from thirty pounds to twenty pounds. and when she heard that your boyfriend died before he could even propose, she lowered it to fifteen pounds!
sometimes, it’s great being pregnant. you chuckled to yourself as you made home. it wasn’t too cold this afternoon so you weren’t in a rush as you walked through town. however, you couldn’t shake off the feeling that someone was watching you. but every time you turned around, there was no one there. it was when you started hearing a second set of footsteps behind you did you pick your pace and take the long route home hoping to shake whoever was following you off. when you were certain the person wasn’t following you anymore, you quickly made it to your home and locked the doors. and rushed to pick the phone.
“hello?”
“t-tommy.” you stuttered into the phone.
“y/n?” tommy asked in slight surprise since you haven’t spoken to each other since that day you threatened to shoot his face off when you found out that you were pregnant with alfie’s baby.
“ca-can you come over? i think someone’s following me.” you whispered into the phone as you peaked through the window to make sure that no one was standing outside of your house.
“i’ll be right over.”
»»————- ♡ ————-««
it’s been two weeks and you were positive that someone’s stalking you. tommy had insisted that him and the rest of your brothers would take turns staying the night at your place and accompanying you to any appointment or errand you need to run.
you were about to protest at first, yell and remind them that you weren’t some damsel in distress but when arthur said, “what if alfie’s enemies know that you were carrying his child.” he didn’t have to continue that statement as it was pretty obvious what he was saying. what if they knew you were carrying alfie’s baby and they were trying to kill you?
shaken to your core, you placed a protective hand on your belly and nodded your head.
“are you sure you don’t want me to stay over?” finn asked you, a frown tugging at his lips in concern.
you tried not to roll your eyes at your younger brother, “for the millionth time, i’m sure, finn.”
finn bit his lips, ready to ask the same question again when your house came into view, “finn, i love you all to death but having you lots breathing down my neck and jumping to your feet the minute i feel a cramp is getting on my damn nerves.”
finn looked away in guilt, “we’re just worried is all.”
you smiled appreciatively at your brother, “and i’m thankful for you all.” you said you leaned in and kissed his cheek, “but i need some time alone before i go fucking insane.”
chuckling along with you, finn nodded his head and watched you enter your home before leaving to meet up with michael.
-
“cyrill, i’m home!” you called as you discarded your coat and scarf and hung them on the coat rack by the door, “cyrill?”
confused, you slowly and quietly made your way to the living room in case he was sleeping.
but what greeted you wasn’t cyrill sleeping soundly on the couch, but of a large and burly man sitting on the couch with cyrill laying across his lap. his hair was short and a dark brown color that turned golden under the sun. his chin was covered in a greying brown beard while his mustache dropped down his lips. the left side of his face was scarred and almost disfigured with his left eye was a hauntingly greyish white color.
“a-alfie?” you chocked. your legs shook and almost gave out had you not slammed your hand on the coffee table in time.
“in the flesh.” he replied while shrugging nonchalantly, as if it was no big deal to show up at yours and your girlfriend’s house despite being supposedly dead.
“h-how?”
“i think you should sit down, love.”
shaking your head, you lifted your finger and pointed at alfie, voice going into hysterics as you said, “you’re s-supposed to be d-dead! t-tommy...tommy shot you! you died!”
aflie just sat as he silently watched the tears falling down your cheeks and into the carpeted floor, “like i said, y/n, you should sit down.”
and as if you were a puppet being controlled by your master, you shuffled your way to the armchair across the couch alfie was sitting on with cyrill.
“where do i begin.” alfie heaved as he dragged his hand down his face, making you wince as his hand came in contact with his scarred skin.
“from the start.” you spoke softly.
and alfie did as told. he talked about that day on the beach when tommy confronted him, how he was willing to die after he found out he was terminally ill and was going to die anyways and how tommy shot him.
“you were dying.” you whispered, eyes widening in shock at the revelation, “why didn’t you tell me?”
guilt flashed in alfie’s eyes, “i didn’t want you to worry.”
you stood up on your feet in rage but the abrupt movement made you dizzy so you sat back down, a hand on your head to stop your head from spinning. all the while alfie watched with a deep set of frown.
“you were going to leave me.” you said, a dry chuckle escaping through you lips, “you were going to leave us.”
“so that’s mine.” alfie pointed at your enlarged stomach with his, “good to know.”
anger bubbled inside of you at his words and at his carefree attitude, “he’s not yours. not after what you did.” you couldn’t help the tears from rolling down your cheeks but you were angry. you were angry that your brother had shot your lover, angry that you mourned someone who wasn’t even dead,  you were angry that he kept his illness from you and you were angry that he didn’t even tell you he was alive.
“why didn’t you tell me?” you chocked on your sob as tears blurred your vision, “why didn-” your throat tightened and you swallowed thickly. you were hurt. you were hurt, alone and scared these past eight and half months. worrying if you and your baby would survive this pregnancy, if your baby could survive the harsh winter and with someone stalking yo-
“have you been following me?” you asked as realization dawn on you.
“i was.” alfie replied.
“why?”
it took alfie a couple of seconds before he replied, “i wanted to see if you were safe.”
“were you going to come back?”
alfie looked away, wether in shame or to feed you a lie, you didn’t know.
“I was going to remain in hiding, keep a low profile from the bloody police but then i saw you were with child.” he pointed at your belly with his finger, “and i had to make sure whichever bastard did that to you was taking good care of ya. turns out i was the fucking bastard.” he chuckled humorlessly.
there was a short pause before you asked, “so why are you here?”
alfie’s fingers brushed cyrill’s thick fur, his miscolored eyes never leaving yours as he answered, “i wanted to come back home to you.”
“and what if i don’t want you back?” you raised an eyebrow challengingly, “what if i wanted you gone? what if i never wanted to see you again?”
“then i’ll leave.” alfie quickly replied.
“and what about your cancer? what if you leave us again, i-”
this time, alfie got up from the couch and kneeled down in front of you, taking both of your hands into his bigger and rougher ones.
“i promise i won’t leave you.” he kissed your hands with his chapped lips.
“how can i trust you?” you whispered.
“call fate or divine intervention or whatever but when your fucked up in the head of a brother shot me, the doctors drugged me up so much for so long that it cured my skin cancer.” he kissed your hands again but when he felt a tear drop land on his nose, he sat up straighter and kissed your tears away.
“i’m giving you one more chance.” you held alfie’s face in your hands, your thumb gently caressing the scarred skin, “if you leave us again, i swear i’ll bring you back from the dead and kill you myself.”
alfie chuckled, leaning in to softly peck your lips, “it’s a promise.”
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mysweetband · 7 years
Text
The Root of it All (Lyrics)
Track 1 - The Root of it All
Our minds had slowly wandered So we took off all our clothes My bated breath failed to remind My confidence to stay composed And so now I've been losing sleep And etching days into my door Obsessing over nonsense To forget that I want more She felt the sorrow In my discontent I wrote the message, but never hit send Forming an ocean was not my intent I'm getting better But it never really mattered in the first place I'm no longer caught up in a world Where I lose my mind When I hear your first name It only made me sick Wide awake and wondering again Disenfranchising your sins Hung up on the thought That this might be As good as it gets The hole that I dug Seemed to quickly fill up Constant weight I felt stuck Always disembodied I saw in her face She felt home She felt safe Seeking peace in a past I was compromising I felt my smile slowly fade to a blister I tried to scream but it came out as a whisper The root of it all Depressed and inside our heads Sleeping in separate beds Just like our parents did Because we're our parents kids The half of blood state of mind Growing up left behind Half a man, undefined Lie awake every night The kind of person I don't strive to be I tried to shake it, but it married me It's a constant reminder Nothing in life comes free Breaking is masochistic mending Self inflicted healing Seeking the root of it all As we looked up at the sky I told her every star she saw Was a plane with its engine burning out I'm just a plane with its engine burning out
Track 2 - Restitution
I fell back with a sense of urgency The same lows, on a different frequency I lost touch, and felt the room scatter Subside, and opt for the latter I tried to get by balancing on fences But even indecision bears consequences I'm sorry for the way that things ended The lines get blurry when youre medicated I'm sleepless, and jaded It's my fault, I hate it Always longing for something more (It's all coming back to me now) I was tangled in her hair She was my cross to bear Pharmaceutical absolution But you can't pass the burden Blaming another person Hyper-delusional restitution I hit the gas It pulled me back The beasts of my burdens were fading fast I'll be the cul-de-sac Insomniac I'll die as a martyr, and maniac The conversation started bearing its teeth Lock, stock, and stuck to her guns She had them pointed at me She said You're not a poet, or a prophecy Just a kid in your head With those hypothesis It's easier to be hopeless Pessimistic, and broken When you've gone too far But if you stand by the path you have chosen Confident and devoted You could learn to live with the scars I'm learning to live with the scars Forever longing for something more
Track 3 - Lucid
The pain was implanted by your parents On the day that you were born You found it hard just to admit that By yourself your bones felt worn Tried to elope with peoples passion Just to soothe your heavy head But consistently lost comfort So you hid away instead You gain a little bit of something From each moment that you live But it's hard to keep a motive/emotive When your brain is double edged She said: "You're so neurotic How did it come to this? You waste your whole goddamn life Wishing that you didn't exist." We were screaming our lungs out Nervous that our past would come back And try to ruin what we have Maybe this year I'll find myself Without pushing my brain to the point Where I tear my hair out She said: "Deep down, I think you're bitter. Past that smile, you've configured A world you won't let anyone see" Take off your mask kid Who are you kidding You'll never meet the right people When you're pretending Struggle through the days That make you grind your teeth And cherish every moment That falls in between I had to draw the line I get so sick of wasting time And going through the motions With the weight that's on my mind No sweat, Its fine Sure, my wires intertwined But since my brain hasn't Short circuited just yet I'll be alright I was trying to sleep When you made me speak You never let me think You never let me sink In my head Where my brain keeps me fed On the thoughts of depression I'm feeling instead of... You I never spoke, because I knew You wouldn't listen I filled your void But all I wanted was some distance Oh! You had to know How could you miss it From head to toe I drowned in my own self affliction Oh! It's getting ludicrous I only speak when I'm lucid And falling asleep
Track 4 - Half of Blood
I hardly noticed the moments That you weren't around I'm learning the meaning of breathing When I'd rather drown Were you grinding your teeth Often thinking of me In your lows As the weakening pace of your heart rate Continued to slow? What kind of father Tells his son and daughter He doesn't care What kind of man Leaves a wife and his family So unprepared Drunk, and fallacious Said you didn't love us And closed the call You traded a life with your children For prison and alcohol Half of blood Dragged through the mud I hardly noticed the hole That they put in the ground My mother has raised me to Be who I am and I'm proud That you weren't around
Track 5 - Midwest Blues
I never felt at home inside my head The sinking feeling in my stomach Took its place instead She was wrapped up in a blanket Voicing muffled sleepless doubts While I was face down on the floorboards Trying to make sense Of myself My confidence Is wearing thin It's not enough to save me, when Every problem that I'm facing Comes from somewhere deep within It was causing the bend in my back To burden my heart The edges that frayed Were ripping apart We pieced it back together But it never felt the same She says: "It's 4pm, you're always sleeping in Why the fuck are you so selfish!?" You made this bed You've got to fix your self You'll have to beg for your pity In someone else I can't keep Indulging you It was causing the bend in my back To burden my heart The edges that frayed Were ripping apart We pieced it back together But it never felt the same So we reminisce the salad days With malice and a sense of praise Admiring the sour taste We found in broken homes I wanted what's best for you So I did what what I had to Sympathetically I terminated timelines I learned to live with demons When I put them in the limelight Cater to the countless wounds With land locked loathing Midwest blues Use your words not just your voice You have always had a choice RIP out your heart You waste of youth Hide from the sun Howl at the moon But I can't keep Indulging you
Track 6 - The Brightest Stars
Cold, dark lighting You made your smile seem so inviting But it was all bark, no biting Strictly bearing teeth when you felt slighted You never felt at home Because you were sick But you mustered up the strength from deep within I could never understand it as a kid But I wish that I had something to say back then I feel selfish to think I could save you So unbelievably naive to the depth of the grief That destroyed your brains perspective Depression darkened your perception And now I'm burdened with November again You are heavy in my head All the things I would have said If I could comprehend what you were going through I started Sneaking glances through windows Hoping I could find you hiding out somewhere I was so young and unprepared To lose someone I loved so much It's still hard to accept it I feel selfish to think I could save you So unbelievably naive to the depth of the grief That destroyed your brains perspective Depression darkened your perception If I knew you couldn't handle the weight I would've carried your torch I still remember you laughing on your front porch Listening to crickets chatter We knew you could've flattered the world The brightest stars burn out the quickest I feel selfish to think I could save you So unbelievably naive to the depth of the grief That destroyed your brains perspective Depression darkened your perception If I knew you couldn't handle the weight I would've carried your torch I still remember you laughing on your front porch Listening to crickets chatter I wish you would've flattered the world You found it Easier to pretend Cut away at your skin Put on a smile Throw away your prescription You got sick of keeping it in You saw a means to an end Your mental illness made it hard to decline it I never held that against you I still wish I could've saved you But I never held that against you I'll never hold it against you The brightest stars burn out the quickest
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arplis · 4 years
Text
Arplis - News: Hook and Inciting Incident: The Power Couple of the “Must Read Now”
photo adapted / Horia Varlan
When I set out to write a “body of work,” I didn’t intend a “string of failed proposals” to define its completion. I had hoped to leave a legacy of, well, you know. Actual written novels.
Yet it was time to try again. From a fresh page, my cursor blinked at me; I cursed and blinked right back. Where to go from here?
My attention strayed to my bookcases—in particular, the way I’d organized them. The one on the left holds a couple hundred new and used novels that piqued my interest. I plan to read them someday.
The bookcase on the right holds a couple hundred new and used books that piqued my interest and which I’d promptly read.
It seemed worth my time to determine what made the books on the right “must-read-nows.” I don’t want one of my titles to languish on someone’s left-hand bookcase, where more urgent reads will find a way to slip ahead in line, and where the sum total of the sale is the $1.15 that was banked toward earning out my advance. A great read is certainly great whenever it is read, but “someday” may be dangerously close to “out of print,” a time when discussion, review, or word-of-mouth recommendation can no longer help drive sales.
It is important to be read. I want my novels to be in the right bookcase. How about you?
I assessed the books I’d gobbled as if choosing them for the first time: reading the back-cover copy, where I could find the inciting incident that would suggest the type of story, and then opening lines, where the prose had a chance to set its hook. Some results from my “right bookcase study” are below. Red type signifies what about each of them said I have to read this now.
For this exercise, I set aside one hook that can be particularly compelling—buzz—since it did not emanate from the work itself. The following examples hooked me all on their own, whether through opening lines that begged my continued interest, an inciting incident from the back-cover copy that raised a question to which I needed the answer—or, in some cases, both. I dove right in because I was hooked.
These examples will address a question from WU commenter Cheryl O’Donovan on my last post, “Identifying and Crafting Your Inciting Incident”, who asked whether hook and inciting incident are the same thing. The answer: sometimes. More on that at the end of the post.
More often they’re a power couple that can work to hook readers and keep their eyes trained on your pages. As with any relationship, it can succeed in a number of ways. Here is personal proof from my right bookshelf.
  The couple that stands united
In these first examples, the thematic tie between opening hook and inciting incident is so strong that one reinforces and magnifies the effect of the other. The opening lines provide a teaser for the questions that the inciting incident will later pose.
1. The Sparrow by Mary Doria Russell
[This opening is from chapter one, after a prologue which begins, “It was predictable, in hindsight…”]
On December 7, 2059, Emilio Sandoz was released from the isolation ward of Salvator Mundi Hospital in the middle of the night and transported in a bread van to the Jesuit Residence at Number 5 Borgo Santo Spirito, a few minutes’ walk across St. Pete’s Square from the Vatican. The next day, ignoring shouted questions and howls of journalist outrage as he read, a Jesuit spokesman issued a short statement to the frustrated and angry media mob that had gathered outside Number 5’s massive front door.
“To the best of our knowledge, Father Emilio Sandoz is the sole survivor of the Jesuit mission to Rakhat. Once again, we extend our thanks to the U.N., to the Contact Consortium and to the Asteroid Mining Division of OhBayashi Corporation for making the return of Father Sandoz possible. We have no additional information regarding the fate of the Contact Consortiums’s crew members; they are in our prayers. Father Sandoz is too ill to question at this time and his recovery is expected to take months. Until then, there can be no further comment on the Jesuit mission or on the Contact Consortium’s allegation regarding Father Sandoz’s conduct on Rakhat.”
This was simply to buy time.
Honestly, I hate to cut off this opening, even here. The next paragraph is a doozy, and every single paragraph thereafter draws you deeper into this story’s frame. What continues to unfold on the page and the promise of what is to come create a winch that even while re-reading draws me in with renewed appreciation.
Opening hook: unique perspective, escalating intrigue, extreme personal and public stakes suggested, strong Q: What happened?
When a motley crew of agnostics, true believers, and misfits becomes the first to explore the Alpha Centauri world of Rakhat, their challenges lead to disastrous results, leaving only one survivor—and he, in the story’s opening frame, is too traumatized to tell the tale.
Inciting Incident hook: Just as strong for me, in all the same ways.
  2. The Girls by Lori Lansens
I have never looked into my sister’s eyes. I have never bathed alone. I have never stood in the grass at night and raised my arms to a beguiling moon. I’ve never used an airplane bathroom. Or worn a hat. Or been kissed like that. I’ve never driven a car. Or slept through the night. Never a private talk. Or solo walk. I’ve never climbed a tree. Or faded into a crowd. So many things I’ve never done, but oh, how I’ve been loved. And, if such things were to be, I’d live a thousand lives as me, to be loved so exponentially.
Opening hook: Unusual perspective through deep point of view, engaging character, voice.
Approaching their 30th birthday, sisters, best friends, and confidantes Rose and Ruby Darlen are the oldest living craniopagus twins. When Rose, the bookish sister, sets out to write her autobiography, it inevitably becomes the story of her short but extraordinary life with Ruby, the beautiful one—from obstacles they had no choice but to face together, to fundamental joys, to a deep and abiding love.
Inciting incident hook: Promises the same.
  3. Middlesex by Jeffrey Eugenides
I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974.
Opening hook: Powerful question raised, unusual perspective. 
In the spring of 1974, Calliope Stephanides, a student at a girls’ school in Grosse Pointe, finds herself drawn to a chain-smoking, strawberry blond clasmate with a gift for acting. The passion that furtively develops between them—along with Callie’s failure to develop—leads Callie to suspect that she is not like other girls. In fact, she is not really a girl at all.
Inciting incident hook: Same, and somehow written so it made me suck in a breath.
  The couple that supplements each other
In marriage as in life, an even stronger relationship can be built when each part of the power couple contributes something different to the whole. In these examples, opening lines and inciting incident hook differently, by raising their own yet equally compelling questions.
4. Lottery, Patricia Wood
My name is Perry L. Crandall and I am not retarded.
Gram always told me the L stood for Lucky.
“Mister Perry Lucky Crandall, quit your bellyaching!” she would scold. “You got two good eyes, two good legs, and you’re honest as the day is long.” She always called me lucky and honest.
Being honest means you don’t know any better.
Opening hook: Two engaging characters, voice.
After Gram dies, Perry L. Crandall, IQ 76, is left orphaned and bereft at the age of thirty-one. But when his weekly Washington State Lottery ticket wins him 12 million dollars, he suddenly finds he has more family than he knows what to do with.
Inciting incident hook: Unique perspective, strong story challenge for a (potentially) disadvantaged character.
  5. The Promise of Stardust by Priscille Sibley
Late that night—on our last night—we lay in awe, mesmerized again by the Perseid meteor showers as they transformed stardust into streamers of light. They were an anniversary of sorts for us, a summertime event Elle and I both cherished, and we fell asleep on the widow’s walk of our old house, my beautiful wife curled up beside me, her head resting in the crook of my arm.
If only I’d stayed home in the morning—if only I’d looked over at Elle and realized nothing I could or would ever do was more important than keeping her safe. If only—Jesus—
Opening hook: Impending doom for lovers, that tortured “Jesus” in the second paragraph.
When a tragic accident leaves Elle brain-dead, Matt is devastated. Though he cannot bear losing her, he knows his wife, a thoughtful and adventurous scientist, feared only one thing—a slow death. Just before Matt agrees to remove Elle from life support, the doctors discover she is pregnant. Matt’s clear-cut decision becomes an impossible choice.
Inciting incident hook: Ripped-from-the-headlines relevance, life-or-death stakes, a quandary I must watch play out.
  6. My Sister’s Keeper by Jodi Picoult
In my first memory, I am three years old and I am trying to kill my sister.
Opening hook: Unusual perspective.
Anna is not sick, but she might as well be. By age thirteen she has undergone countless surgeries, transfusions, and shots so that her older sister, Kate, can somehow fight the leukemia that has plagued her since childhood, a role she has never challenged…until now.
Inciting incident hook: A character’s deep desire to live on her own terms, raises strong question, ripped-from-the-headlines relevance.
  The couple that compensates for one another
This power couple intuitively makes up for each other’s weaknesses. I found it interesting to note how powerful the hook and the inciting incident could be in their own right. In this first example, the inciting incident is fine, but does not necessarily promise a riveting read. The prose, on the other hand, is entertaining enough to make up for it.
Girls’ Poker Night by Jill A. Davis
Happy endings aren’t for cowards. I’ve been alive for how many years, and I’ve just figured that one out.
Opening hook: Voice. I want to hang out with this character.
When irreverent lifestyle columnist Ruby Capote falls for her boss, and he wants her to stop being quippy and clever and become the writer and the woman he knows she can be, Ruby turns to the support of her poker night friends.
Inciting incident: This one fell flat for me, having failed to raise a gripping question, but the opening lines were so inviting that I hopped aboard and read it through.
  Finding Jake by Bryan Reardon
My name is Simon Connolly. You may have heard of my son, Jake. Most people have, but they don’t know him. Not really.
As for me, they don’t know me, either. I’m not even sure why I’m still here. I can barely stand up, let alone venture beyond the front door. If I let such a simple effort beat me, I’m not sure what’s left.
This opening, from the prologue, is lukewarm for me. If I had read this opening alone, I probably wouldn’t have purchased the book. But wait till you read the inciting incident:
When stay-at-home dad Simon Connolly receives a text saying there has been a shooting at the high school, he is forced to wait at the rendezvous point with scores of other anxious parents as, one by one, they are reunited with their children. Their numbers dwindle until Simon sits alone. His son is the only child missing, inspiring Simon’s obsessive search for his son and deep introspection about this worthiness as a parent.
Inciting incident hook: Immediacy, relevance, life-or-death stakes, parent’s worst nightmare
This inciting incident was enough to span the lukewarm prologue and the backstory first chapter, which takes place eight months before Jake’s birth. Why? Because I. Had. To. Know. The readers who put it on the New York Times bestseller list seem to agree with me.
  Cheryl, here’s your answer
To answer Cheryl’s question, are the inciting incident and the hook the same thing? If you’re talking about a query letter, probably, because within its limited word count, and if positioned first, the inciting incident will raise the story question that hooks an agent’s interest. Make sure to carefully craft your inciting incident so that it raises a powerful question.
But take equal care with the opening lines of your manuscript, as their ability to lure the reader ever deeper will likely lead to an immediate desire to read.
In regard to your typical reader’s experience, though, the answer is no, they are not the same thing. The hook is what invites the reader into the story in the opening lines, and then keeps them reading until the inciting incident unfolds. That event will inspire the protagonist to set a goal, and the associated story question will take over, keeping the reader hooked until that question is addressed at the end of the story.
Like all things literary, hook is subjective, so I want to hear from you! Setting buzz aside, share one of your must-read-nows. Was it the inciting incident promised by the back-cover copy, the hook of the opening lines, or both that inspired you to dive right in?
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About Kathryn Craft
Kathryn Craft is the author of two novels from Sourcebooks, The Art of Falling and The Far End of Happy. Her work as a freelance developmental editor at Writing-Partner.com follows a nineteen-year career as a dance critic. Long a leader in the southeastern Pennsylvania writing scene, she leads writing workshops and retreats, and is a member of the Tall Poppy Writers. Learn more on Kathryn's website.
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Arplis - News source https://arplis.com/blogs/news/hook-and-inciting-incident-the-power-couple-of-the-must-read-now
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arplis · 4 years
Text
Arplis - News: Hook and Inciting Incident: The Power Couple of the “Must Read Now”
photo adapted / Horia Varlan
When I set out to write a “body of work,” I didn’t intend a “string of failed proposals” to define its completion. I had hoped to leave a legacy of, well, you know. Actual written novels.
Yet it was time to try again. From a fresh page, my cursor blinked at me; I cursed and blinked right back. Where to go from here?
My attention strayed to my bookcases—in particular, the way I’d organized them. The one on the left holds a couple hundred new and used novels that piqued my interest. I plan to read them someday.
The bookcase on the right holds a couple hundred new and used books that piqued my interest and which I’d promptly read.
It seemed worth my time to determine what made the books on the right “must-read-nows.” I don’t want one of my titles to languish on someone’s left-hand bookcase, where more urgent reads will find a way to slip ahead in line, and where the sum total of the sale is the $1.15 that was banked toward earning out my advance. A great read is certainly great whenever it is read, but “someday” may be dangerously close to “out of print,” a time when discussion, review, or word-of-mouth recommendation can no longer help drive sales.
It is important to be read. I want my novels to be in the right bookcase. How about you?
I assessed the books I’d gobbled as if choosing them for the first time: reading the back-cover copy, where I could find the inciting incident that would suggest the type of story, and then opening lines, where the prose had a chance to set its hook. Some results from my “right bookcase study” are below. Red type signifies what about each of them said I have to read this now.
For this exercise, I set aside one hook that can be particularly compelling—buzz—since it did not emanate from the work itself. The following examples hooked me all on their own, whether through opening lines that begged my continued interest, an inciting incident from the back-cover copy that raised a question to which I needed the answer—or, in some cases, both. I dove right in because I was hooked.
These examples will address a question from WU commenter Cheryl O’Donovan on my last post, “Identifying and Crafting Your Inciting Incident”, who asked whether hook and inciting incident are the same thing. The answer: sometimes. More on that at the end of the post.
More often they’re a power couple that can work to hook readers and keep their eyes trained on your pages. As with any relationship, it can succeed in a number of ways. Here is personal proof from my right bookshelf.
  The couple that stands united
In these first examples, the thematic tie between opening hook and inciting incident is so strong that one reinforces and magnifies the effect of the other. The opening lines provide a teaser for the questions that the inciting incident will later pose.
1. The Sparrow by Mary Doria Russell
[This opening is from chapter one, after a prologue which begins, “It was predictable, in hindsight…”]
On December 7, 2059, Emilio Sandoz was released from the isolation ward of Salvator Mundi Hospital in the middle of the night and transported in a bread van to the Jesuit Residence at Number 5 Borgo Santo Spirito, a few minutes’ walk across St. Pete’s Square from the Vatican. The next day, ignoring shouted questions and howls of journalist outrage as he read, a Jesuit spokesman issued a short statement to the frustrated and angry media mob that had gathered outside Number 5’s massive front door.
“To the best of our knowledge, Father Emilio Sandoz is the sole survivor of the Jesuit mission to Rakhat. Once again, we extend our thanks to the U.N., to the Contact Consortium and to the Asteroid Mining Division of OhBayashi Corporation for making the return of Father Sandoz possible. We have no additional information regarding the fate of the Contact Consortiums’s crew members; they are in our prayers. Father Sandoz is too ill to question at this time and his recovery is expected to take months. Until then, there can be no further comment on the Jesuit mission or on the Contact Consortium’s allegation regarding Father Sandoz’s conduct on Rakhat.”
This was simply to buy time.
Honestly, I hate to cut off this opening, even here. The next paragraph is a doozy, and every single paragraph thereafter draws you deeper into this story’s frame. What continues to unfold on the page and the promise of what is to come create a winch that even while re-reading draws me in with renewed appreciation.
Opening hook: unique perspective, escalating intrigue, extreme personal and public stakes suggested, strong Q: What happened?
When a motley crew of agnostics, true believers, and misfits becomes the first to explore the Alpha Centauri world of Rakhat, their challenges lead to disastrous results, leaving only one survivor—and he, in the story’s opening frame, is too traumatized to tell the tale.
Inciting Incident hook: Just as strong for me, in all the same ways.
  2. The Girls by Lori Lansens
I have never looked into my sister’s eyes. I have never bathed alone. I have never stood in the grass at night and raised my arms to a beguiling moon. I’ve never used an airplane bathroom. Or worn a hat. Or been kissed like that. I’ve never driven a car. Or slept through the night. Never a private talk. Or solo walk. I’ve never climbed a tree. Or faded into a crowd. So many things I’ve never done, but oh, how I’ve been loved. And, if such things were to be, I’d live a thousand lives as me, to be loved so exponentially.
Opening hook: Unusual perspective through deep point of view, engaging character, voice.
Approaching their 30th birthday, sisters, best friends, and confidantes Rose and Ruby Darlen are the oldest living craniopagus twins. When Rose, the bookish sister, sets out to write her autobiography, it inevitably becomes the story of her short but extraordinary life with Ruby, the beautiful one—from obstacles they had no choice but to face together, to fundamental joys, to a deep and abiding love.
Inciting incident hook: Promises the same.
  3. Middlesex by Jeffrey Eugenides
I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974.
Opening hook: Powerful question raised, unusual perspective. 
In the spring of 1974, Calliope Stephanides, a student at a girls’ school in Grosse Pointe, finds herself drawn to a chain-smoking, strawberry blond clasmate with a gift for acting. The passion that furtively develops between them—along with Callie’s failure to develop—leads Callie to suspect that she is not like other girls. In fact, she is not really a girl at all.
Inciting incident hook: Same, and somehow written so it made me suck in a breath.
  The couple that supplements each other
In marriage as in life, an even stronger relationship can be built when each part of the power couple contributes something different to the whole. In these examples, opening lines and inciting incident hook differently, by raising their own yet equally compelling questions.
4. Lottery, Patricia Wood
My name is Perry L. Crandall and I am not retarded.
Gram always told me the L stood for Lucky.
“Mister Perry Lucky Crandall, quit your bellyaching!” she would scold. “You got two good eyes, two good legs, and you’re honest as the day is long.” She always called me lucky and honest.
Being honest means you don’t know any better.
Opening hook: Two engaging characters, voice.
After Gram dies, Perry L. Crandall, IQ 76, is left orphaned and bereft at the age of thirty-one. But when his weekly Washington State Lottery ticket wins him 12 million dollars, he suddenly finds he has more family than he knows what to do with.
Inciting incident hook: Unique perspective, strong story challenge for a (potentially) disadvantaged character.
  5. The Promise of Stardust by Priscille Sibley
Late that night—on our last night—we lay in awe, mesmerized again by the Perseid meteor showers as they transformed stardust into streamers of light. They were an anniversary of sorts for us, a summertime event Elle and I both cherished, and we fell asleep on the widow’s walk of our old house, my beautiful wife curled up beside me, her head resting in the crook of my arm.
If only I’d stayed home in the morning—if only I’d looked over at Elle and realized nothing I could or would ever do was more important than keeping her safe. If only—Jesus—
Opening hook: Impending doom for lovers, that tortured “Jesus” in the second paragraph.
When a tragic accident leaves Elle brain-dead, Matt is devastated. Though he cannot bear losing her, he knows his wife, a thoughtful and adventurous scientist, feared only one thing—a slow death. Just before Matt agrees to remove Elle from life support, the doctors discover she is pregnant. Matt’s clear-cut decision becomes an impossible choice.
Inciting incident hook: Ripped-from-the-headlines relevance, life-or-death stakes, a quandary I must watch play out.
  6. My Sister’s Keeper by Jodi Picoult
In my first memory, I am three years old and I am trying to kill my sister.
Opening hook: Unusual perspective.
Anna is not sick, but she might as well be. By age thirteen she has undergone countless surgeries, transfusions, and shots so that her older sister, Kate, can somehow fight the leukemia that has plagued her since childhood, a role she has never challenged…until now.
Inciting incident hook: A character’s deep desire to live on her own terms, raises strong question, ripped-from-the-headlines relevance.
  The couple that compensates for one another
This power couple intuitively makes up for each other’s weaknesses. I found it interesting to note how powerful the hook and the inciting incident could be in their own right. In this first example, the inciting incident is fine, but does not necessarily promise a riveting read. The prose, on the other hand, is entertaining enough to make up for it.
Girls’ Poker Night by Jill A. Davis
Happy endings aren’t for cowards. I’ve been alive for how many years, and I’ve just figured that one out.
Opening hook: Voice. I want to hang out with this character.
When irreverent lifestyle columnist Ruby Capote falls for her boss, and he wants her to stop being quippy and clever and become the writer and the woman he knows she can be, Ruby turns to the support of her poker night friends.
Inciting incident: This one fell flat for me, having failed to raise a gripping question, but the opening lines were so inviting that I hopped aboard and read it through.
  Finding Jake by Bryan Reardon
My name is Simon Connolly. You may have heard of my son, Jake. Most people have, but they don’t know him. Not really.
As for me, they don’t know me, either. I’m not even sure why I’m still here. I can barely stand up, let alone venture beyond the front door. If I let such a simple effort beat me, I’m not sure what’s left.
This opening, from the prologue, is lukewarm for me. If I had read this opening alone, I probably wouldn’t have purchased the book. But wait till you read the inciting incident:
When stay-at-home dad Simon Connolly receives a text saying there has been a shooting at the high school, he is forced to wait at the rendezvous point with scores of other anxious parents as, one by one, they are reunited with their children. Their numbers dwindle until Simon sits alone. His son is the only child missing, inspiring Simon’s obsessive search for his son and deep introspection about this worthiness as a parent.
Inciting incident hook: Immediacy, relevance, life-or-death stakes, parent’s worst nightmare
This inciting incident was enough to span the lukewarm prologue and the backstory first chapter, which takes place eight months before Jake’s birth. Why? Because I. Had. To. Know. The readers who put it on the New York Times bestseller list seem to agree with me.
  Cheryl, here’s your answer
To answer Cheryl’s question, are the inciting incident and the hook the same thing? If you’re talking about a query letter, probably, because within its limited word count, and if positioned first, the inciting incident will raise the story question that hooks an agent’s interest. Make sure to carefully craft your inciting incident so that it raises a powerful question.
But take equal care with the opening lines of your manuscript, as their ability to lure the reader ever deeper will likely lead to an immediate desire to read.
In regard to your typical reader’s experience, though, the answer is no, they are not the same thing. The hook is what invites the reader into the story in the opening lines, and then keeps them reading until the inciting incident unfolds. That event will inspire the protagonist to set a goal, and the associated story question will take over, keeping the reader hooked until that question is addressed at the end of the story.
Like all things literary, hook is subjective, so I want to hear from you! Setting buzz aside, share one of your must-read-nows. Was it the inciting incident promised by the back-cover copy, the hook of the opening lines, or both that inspired you to dive right in?
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About Kathryn Craft
Kathryn Craft is the author of two novels from Sourcebooks, The Art of Falling and The Far End of Happy. Her work as a freelance developmental editor at Writing-Partner.com follows a nineteen-year career as a dance critic. Long a leader in the southeastern Pennsylvania writing scene, she leads writing workshops and retreats, and is a member of the Tall Poppy Writers. Learn more on Kathryn's website.
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