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#man don't you love medical malpractice
vi-138 · 3 months
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caseys-breanna · 1 month
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My favourite Parker episode has always been The Inside Job, y'know why? It's not just what Parker does, but rather what the others do FOR Parker.
Parker has 4 safe houses in the city, but Nate and Sophie know her well enough to know where she actually stays when she's away from the team
Parker's security code. Do you understand the level of trust someone like Parker will have to have to use their name as her security code? To the place that's her own personal sanctuary? Sophie EARNED that level of trust.
'The Sterenko can't be cracked-' 'Can you do it?' 'Nate, it can't be-' 'For Parker. Can you do it for Parker?'
This. Just this.
'I made her. I trained her, and I released her into the world.' 'She was broken! She needed you!'
This stood out so loud to me, because it's not Hardison or Sophie (the more emotionally intelligent ones of the team) saying it. Because it's NATE. It's Nate, the man who couldn't say I Love You to Sophie for so long. The man who got so caught up in his son's death that every job involving kids or medical malpractice he nearly went out of line. NATE, who pushes and pushes and is ruthless and so cold at times.
It's Nate protesting for Parker, standing up FOR Parker, and y'know why? Because Parker doesn't know what she got deprived of. Parker doesn't feel that loss because you can't grieve something you aren't even aware you could've had. But Nate does. Nate saw her injustice and loss of childhood and spoke up, KNOWING she'll never know about him defending her.
'Hardison I screwed up.' 'We're already here mama.'
Do you understand the level of trust and vulnerability it requires for her to say those words? She's never gotten anyone's help after a screwup, she's had to take care of herself on her own. And there's Hardison, right there, not upset, not angry, not disappointed. A right straight - I'm here and we'll get you out.
'Let's get our girl home.'
Do I even need to say anything.
'It's not what we do, we don't get involved!' 'No, that's what YOU do!'
Parker is not Archie Leach's protege anymore. She's Parker. She's the greatest thief in the world. She's the one person to get the entire Leverage Inc breathing down your neck to save her. She has a family who got her back. She has a life and friends and people who may not understand her always but will always support her and be there for her, no matter what, without changing any aspect of her or forcing her to change either. And she saves people, because that's what they do.
'It's your play Parker.'
The explicit trust Nate displays in her. For someone like Nate with control issues and need to be the guy calling the shots, this is practically an all out notice saying 'she's my people, she's my family, I trust her with my life, more than that I trust her with my family and our jobs.'
'No.' 'What do you mean no? This isn't time for crazy, Parker! Come on!' 'No! I need to go back. I need to put the vial back.'
Do you understand what it feels to have someone like Parker, who is practically a ghost and the prospect of getting stuck somewhere is unthinkable, to refuse an escape route? And that too because she wants to help people and not be used to hurt them? In the face of someone who brought her up to only steal? Now that's growth.
Now this is a callback, but when Sophie and Nate first enter her safehouse, Sophie says something that foreshadows the ending. She says 'Look at this. It's methodical. This could be one of your plans, Nate.'
This is a personal choice, but god it's so good when authors and writers and creators give you hints and foreshadow and reward your intuition at the end, rather than changing endings for shock value. Because Hardison isn't ruthless, Eliot isn't striving for control, and Sophie is dramatic, not clinical. None of it would have been worth it unless it went to Parker, which it did.
Man, this fucking show I swear.
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perfinn · 5 months
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translate your vibration
rugby player!soap mactavish x reader
wc: 3.1k
summary: you're a fieldside medic for a rugby league team and you care a bit too deeply for one of the players. he cares right back
cw: NSFW, f!reader, medical inaccuracies, oral (m receiving), oral (f receiving), johnny's face is covered in blood, medical malpractice too probably, semi-public sex, johnny is lowkey concussed so dubcon just to be sure (but he wants this trust)
special thanks to @kitkatscabinet for helping this come to be!
read on ao3, divider by saradika
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“Ye come here often?”
It takes everything in you not to laugh at Johnny’s obvious attempt at flirting. Not because he’s misguided or the advances are unwanted– truly, you wouldn't mind at all in any other circumstance. Only right now, you’re trying to assess him for a concussion. That, and he’s still got his mouthguard in so paired with the blood dribbling from his nose, his words are a garbled slur. 
“Stop moving, Johnny,” you tell him, handing him another cloth to press to his bleeding nose– broken again, you’d wager. You’ll get to that in a moment. 
“‘Am no,” he mumbles, lifting his head when you tilt up his chin and giving you a charming grin. Even with the mouthguard and a twisted nose, he’s still the most handsome man on the team. Which, given your own penchant for beefy rugby-type men, is saying something. “Just askin’.”
“It's not helping your case, then,” you say, gripping his jaw tighter when he tries to move again. “Because you know good and well I come here often. I’m your medic.”
“ Mine ?” Johnny echoes with a somewhat-delirious chuckle. “Och, I’m lucky then, have ye all to maself.” 
You want to correct him, to tell him that you're technically the whole team’s medic, but you don't. You let him be, and instead reach to grab a light to check his pupils. He does manage to hold still as you shine it into his eyes, though he’s helped along by your firm grip on his jaw. His pupils react normally, but you’re still concerned. 
“How are you feeling?” You ask, taking a seat across from him as he finally spits out his mouthguard and presses the cloth to his nose. “Head pounding?”
“Aye,” he says, and you frown as you watch the cloth steadily soak with blood. “But it has just been knocked off my shoulders. ‘Am not seeing  two of you, if that's what you mean. Wouldn't be complainin’ if I were, mind you.”
You hum in response, seeming dubious. You suppose that's good, all things considered. Flirting aside, if he is concussed, it's not deeply serious. Still, you’re concerned. But you know Johnny. He loves to play, loves the game. And he’s one of the best players in the club. You glance behind you at the screen that's playing footage of the game, biting your lip. You can see how desperately Johnny wants to get back out there, he’s practically buzzing in his seat. So somehow, you’re going to have to break it to him that you’re keeping him off the pitch for at least the remainder of this half. Naturally, he’ll be a nuisance about it. Whine, complain, probably beg you to reconsider. Part of you doesn't want to deal with the guilty feeling those puppy dog eyes envokes. 
So, you stall. 
“And the nose?”
“Fuckin’ kills,” he confirms, lowering the rag and grunting in satisfaction when no more blood drips free. “Broken.”
“Again,” you sigh, moving to stand up again. The fact his nose has stopped actively bleeding does loosen the vice-like grip of worry that’s wrapped around your ribcage. He’s breathing okay too, which loosens it again. Still, though, it’s suffocating. 
(You shouldn't worry so much about Johnny. He’s been knocked around far more than you could ever handle and played through much worse. But you’re a bit selfish when it comes to Johnny… you care about him more than you ought to as a professional.)
“Cannae complain when it means I get to see ye,” Johnny says with a cheeky grin as you put your fingers to his nose. “I like it when ye dote on me.”
“You won't like me in a second,” you say. He laughs shortly, and you suppose that he assumes you’re talking about setting his nose. In a way, you are. But that's not why he’ll actually be miffed with you. He’d probably never be miffed about setting his nose anyway, he knows it's a necessary pain. 
You give him a smile, gently prodding at his twisted nose to get your hands in the right position, and you don't bother giving him a countdown. Instead, you break the news to him as quickly as you can manage as you snap the bone back into place, “I’m keeping you off.”
“ Fuck ! Yer what?!” Johnny rears back in his seat with the combined impact of the pain and the sudden information. You step back, wringing your hands together as he blinks harshly. You’re sure there’s dots in his vision from the pain, and once his head clears enough he’ll process what you’ve said. 
“Bonnie,” he says slowly after a moment. The sweet name makes your stomach twist in a strange anxious delight. “Tell me yer joking.”
You give him a sheepish smile, unmoving– and he knows you won't budge. He also knows how much his coach trusts you, and if you say he’s out, he’s out. His coach won’t put him back in if you say not to. But you know he’ll argue anyway. “Until the next half, at least. I need to keep an eye on you.”
Johnny groans deeply, sinking down in the chair. He growls your name, and you’re a tad ashamed to say it goes right to your core. 
“We’re only 20 minutes in, I’ll miss half the game! You cannae-”
“You’re staying off, Johnny,” you say firmly. When you’d started on as the Eels’ medic, you’d been a bit shier. But you’d learned quickly that these men were hardheaded in more ways than one, and being shy and timid would get you nowhere in enforcing their safety. So you took note from their coach and got tough with them. It earned you the respect you needed, and also the trust from their coach in knowing that you could handle them. “And you know I won’t be changing my mind. Now if you want to go back on at all, you’ll behave.”
This earns you another groan, but the growly tone of it says something entirely different than the last one. You feel your cheeks warm, and hope to god he doesn't notice. 
“Talkin’ dirty won’t make me forgive you, you ken,” Johnny says, knuckles pressed against his closed eyes. “Ye really won’t budge?”
“You know me better than that.”
“Aye, I do,” he sighs, dropping his hands and lowering his lidded gaze to you. “Lucky yer sweet talking me, lass. Wouldn't be so forgiving otherwise.”
It's not a threat meant to be taken seriously, you know. It's a threat that does something else entirely, but you hurriedly stand and clear your throat. Professionalism, you tell yourself. It's the backbone of your career. To be surrounded by hot, burly, virile men all day and not do anything about it is a god damn superpower. 
“Price will be as disappointed as you are, but he’ll let you watch from the bench-”
“‘Am no going out there,” he says, standing up with less hurry and far more care. Despite his protests, he is heeding your warnings and taking care with his head. “Can watch the game from in here. Got another way for us to pass the time.”
You stop as you’re turning toward the door, glancing back at him while he inches closer to you. “Johnny…”
You know exactly where he’s hoping to go with this. And as much as you want to – god, you want to – you truly can’t. You’d lose your job. Probably lose your licence if the powers that be were feeling extra annoyed by it, and absolutely shatter your reputation in the process. 
But then… that’s only if you get caught. There’s no security cameras in the locker rooms– there isn’t allowed to be. There’s 20 minutes left of the half, no one’s going to come in here until then. You could. You could do it, and be done with it before anyone notices.
(You’re obviously being intentionally naive in thinking you’d ever be satisfied with just one taste of Johnny, but for now it’s the only way you can rationalise it.)
“C’mon, bonnie.”
You turn back round to face him, bouncing a bit on your toes. “We’ll need to be quick.”
Johnny’s bloody and bruised face lights up with a toothy grin and he nods dutifully as he closes the distance between you both. He lifts his hand to place it on your cheek, his palm warm and rough against your skin. “Cannae tell ye how much I’ve thought about this.”
You laugh a bit, staring up at him. You don’t mind so much that he’s still a bit covered in his own blood. “This is so unprofessional.”
“Aye, it is.”
He doesn’t waste another second before he’s putting his mouth on yours, teeth clacking against yours with the desperation and intensity of his kiss. You hear yourself make a soft noise of surprise, or something akin to that. It’s hard to say, hard to organise your emotions when your brain only wants to focus on Johnny, Johnny, Johnny.  
He’s intoxicating. If being around him and simply being flirted with by him was as addictive as it was, actually kissing him, touching him beyond just treating his injuries, is heroin. He’s backing you up toward the lockers before you realise it, moving his hands from your cheeks down to your body. His hands explore you with no inhibitions, his rough hands squeezing at your tits. He groans into your mouth, pulling his lips away from yours to look down.
His forehead presses to yours as he takes in the sight of your body. Of course, you’re fully clothed and it’s nothing he’s never seen before, but it’s the fact that for this moment it’s his.
(Johnny is well aware that half his team wants you. Maybe more than half, but half of them had openly expressed it. While you’re gone, while they’re winding down in the locker room. But none of them could pull it off. None of them had seeped through the cracks in your professionalism and found their way into your pants. But Johnny had. He had barely even started with you, and he's already thinking about how he might gloat about it.)
“Fuckin’ gorgeous, bonnie,” he mumbles, pressing a short kiss to your lips. “Would love to take my time with ye.”
“Me too,” you breathe, arching into his touch as he gropes at your tits. “But we can’t.”
“Aye,” he says, a scowl creasing his bloodied face. “Bloody tragic. S’alright, lass, next time.”
Part of you wants to say there probably shouldn’t be a next time, which is true, but your brain is already surpassing its ability to form sentences– and the idea of denying yourself of more Johnny sounds like a nightmare right now. You can’t even entertain the thought, not while Johnny is pressing his bulge to your leg, groaning as he shamelessly ruts against your clothed thigh. 
“What d’you want, bonnie?” He asks, voice breathy, almost growling in your ear. “Tell me. I’ll give it to ye.”
You have to bite your tongue to prevent yourself from asking him to fuck you outright. You’re not entirely sure why you don’t say that, actually. Maybe it’s the time constraints, or maybe it’s his cock pressing against your thigh, but fuck, you want to taste it.
“Let me suck you off,” you demand unceremoniously. Johnny chuckles, likely at your commanding tone, but nods as he presses a kiss, then another, to your neck.
“Christ,” he says between heated kisses. He seems almost disappointed to let you sink to your knees, leaving his mouth unoccupied. He almost starts panting as he sees you stare up at him from your knees, reaching for the waistband of his shorts. “Yer fuckin’ perfect. Goan then, lass, then I’ll give that pretty pussy of yours the treatment it deserves after, yeah?”
Nodding along to his ramblings, you tug his shorts down and find yourself disappointed as you come face to face not with his cock, but with his compression shorts. The both of you groan, and Johnny almost tears them off in his desperation to remove them, cursing the shorts under his breath– you bite back the urge to remind him of the medical benefits of wearing them; besides, any thought you have is cut off by the sight of his cock, hard and leaky, springing free. 
It's beautiful, which is a strange thing to say about a cock, you know, but there's little else to describe such a pretty thing. You wrap your hand around the base, licking an appreciative stripe along the underside of it. 
“ Fuuuuck ,” Johnny groans, hand falling gently on the back of your head. Not pushing, but just resting there. “Good fucking girl.”
You take the head of him into your mouth, gazing up at him as you begin to take him deeper, bobbing your head along the length of him. Johnny’s head hits the wall as he moans freely, seemingly unashamed of the idea of being caught. He’s lost in the warmth of your mouth, and you can't much blame him, because you’re lost in the weight of his heavy cock on your tongue. 
Johnny’s eyes are lidded as he turns his gaze down to watch you, and you feel his thumb rub gently over the back of your head as you take him deeper, stopping about halfway down his length, and just stroking what you haven't fit. 
“S’alright, bonnie girl,” Johnny mumbles, voice low. “Dinnae have to take me all today, we’ll work at it, aye?”
His muttered promises make you moan, and that makes him moan. You go back to bobbing your head, the locker room filled with the lewd noises of your mouth. 
It doesn't take Johnny an exceptionally long time to start reaching his end, his hips twitching as he holds back on the urge to fuck right into your mouth. He has the self control to care for your comfort at least. 
“Gonna- fuck , lass, can I come in your mouth?”
Were it anyone else, or any other situation, you’d probably say no. But it's Johnny ; and right now the two of you can't exactly afford to deal with a mess. You hum your affirmative, and apparently the slight vibration of it is enough to have him coming. You see the muscles of his lower abdomen tense before you feel his hot release spill onto your tongue. You take every drop, even when it begins to feel a bit much. When his body relaxes and he leans back against the wall, you pull away and swallow, making Johnny groan lowly. 
“Perfect,” he praises, gently guiding you to stand before kissing you again. He licks into your mouth, tongue laving over your teeth like he’s trying to taste himself. Only as you lean to return the favour, he’s flipping the both of you around so your back is against the wall and he’s kneeling before you. 
“Promise is a promise,” he mumbles, tugging eagerly at your leggings. You can tell he’d love nothing more than to rip them from your body, but he exercises enough self control to just drag them down to your calves, your panties going along with them. 
The position isn't ideal, but Johnny’s enthusiasm isn't hindered. He spreads your legs as far as the leggings will allow, one thumb tugging your lips aside. He groans, leaning forward and inhaling deeply. His nose brushes against your clit and you whine, cheeks warming at the lewd gesture. 
“Johnny,” you urge, threading your fingers through his mohawk and tugging gently. Johnny moans. Then, he shuffles forward on his knees and presses his face between your thighs, dragging his tongue over your dripping pussy. 
One of his hands grabs at your thigh as he licks you, slurping desperately at your slickened cunt. Another tug at his mohawk draws his focus to your clit, which he sucks into his mouth with an appreciative groan. Even when he can't talk, Johnny is incredibly loud; there would be no hiding this from anyone listening outside the door. 
He sucks at your clit, hand moving from your thigh to slip a finger into your cunt, making you moan before you slap a hand over your mouth. Johnny’s eyes open, and his eyebrows furrow. 
He pulls away, despite your whined protest, and takes a short breath. “Lemme hear ye, lass,” he encourages. “Don't hide from me.”
“Johnny,” you begin to protest, cutting yourself off with a gasp when he eases another finger into you and curls them right against a spot that has a loud moan falling from your parted lips. 
“That’s my girl,” he praises, ducking right down to graze his teeth over your clit.
His mouth combined with his rough fingers is driving you mad, making you squirm in place as pleasure begins to sear the ends of your nerves. 
“ Johnny !” You cry, head banging against the wall as your orgasm hits you without warning or much buildup at all. It feels as though it's been punched out of you, making your body tense and tremble for a few good seconds, mind floating miles above your body. 
When you return to earth, Johnny has pulled his fingers from your pussy and has them in your mouth, his nose pressed against your clit as he ruts his hips against his hand. You're entranced watching him rub himself through the overstimulation, fingers in his mouth and bruising nose in your pussy. It's only a few more moments before Johnny spills into his fist, a guttural groan muffled by your cunt. 
He sighs, pressing a loving kiss to your pussy. Then, he pulls back, face shiny with your slick, and looks up at you, grinning lopsidedly. “Alright, bonnie?” He asks, like he hasn't just jerked himself to a second orgasm on his own. 
“Yeah,” you breathe, words like laughter. “Are you?”
He nods, shuffling awkwardly to his feet and looking at the mess on his hands. Pants still around his knees, he shuffles over to your medical supplies and gets himself a tissue, wiping his hand off before tugging up his shorts. 
He returns to you, who’s struggling to stand, and gently tugs your pants up for you. He kisses you, softer and sweeter than before, and smiles against your lips. “Ye were perfect, bonnie.”
You hum, shifting your legs so that your underwear doesn't press wrong against your oversensitive cunt. 
The door opens before you can respond, and the first person inside is Johnny’s coach, John Price. The two of you must have somehow missed the siren in the heat of your joint pleasure. The bearded man takes in the scene of the two of you standing so close, and the slick on Johnny’s flushed face, and a heavy sigh leaves his lungs. 
“Fucking hell, MacTavish.”
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kissofthemis · 10 months
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Hello, hello! May i ask a headcanon someone tries to flirt/harrass the nxx boys and the reader comes to save them! We love a badass reader ᕙ⁠(⁠⇀⁠‸⁠↼⁠‶⁠)⁠ᕗ
Reader to the rescue! (*≧∇≦)ノ
"Wow, you're a doctor?"
Immediately you felt your stomach sink as you heard the tone in which this stranger cooed at Vyn. While out and about, neither of you had expected to run into one of Vyn's patients, who politely had referred to him as "Doctor Richter."
Sometimes you forgot how shameless other people could be, until presented with situations like this one.
"Indeed," Vyn replied curtly but politely. "But I'm afraid I'm not taking new patients."
That should have been the end of the conversation. Vyn, in his eerily calm but always courteous manner, had made his point clear.
Sometimes you forgot how shameless other people could be when they refused to take a hint.
"Oh, but doctor...!" The overly exaggerated whine grated against your ears. "I've got this odd spot, you see, and I'm worried," she whimpered, following after him. "Could you take a peek... down there... for m--"
You stepped up to block her path, arms stretched wide to make sure she wouldn't sneak past you. "My supervisor is busy," you told her flatly, barely able to swallow the venom in your tone. "If it's that concerning, surely I could take a look?"
She didn't reply, just stormed off with a huff and muttering choice words under her breath. With a sigh, you turned around to follow after Vyn, only to find that he had snuck back to your side when you were distracted.
"Supervisor?" he murmured, with a small smirk creeping onto his lips. Leaning over to whisper directly in your ear, he breathed, "Don't tell me, you want to be my assistant?"
"..." You swallowed hard as you fought to regain your breath, flustered at his proximity and his teasing. "Please don't hire me unless you want us to be sued for medical malpractice."
~♡~♡~♡~♡~
"Too much of a big shot to say hello? Didn't know Mr. CEO would turn out to be such a stuck-up prick."
Your eyes flickered nervously between Marius and the young man who was heckling him. His finely combed hair and well-tailored clothing revealed his wealthy status, but the harsh words coming from his mouth were hardly better than what one might hear in a middle school locker room.
"Marius, do you know him?" you whispered, trying to keep up with the CEO's long strides as he walked away wordlessly.
"Not really," he mumbled with a shrug. "Might have gone to high school with him, or something. He looks like a brat that would come out of that school, anyway."
A tug pulled at your heartstrings. You knew Marius was trying to act nonchalant so as not to feed the beast behind him, but you also knew that his teen years were a sensitive subject. He'd gone abroad for his studies, claiming it was solely to help further his career in art, but...
You knew he had been painfully lonely his first year of high school, in an overly sterile environment of rich heirs and dirty money that refused to befriend the youngest von Hagen.
"Awfully cocky for a guy who was second choice for his position," the former classmate continued. "I feel sorry for that brother of yours. Of course, assuming you didn't--"
Marius stiffened at your side.
Nobody brought Giann into their taunts.
Nobody.
Before Marius could say a word in his or his brother's defense, however, you stormed up to the rich brat with a fire in your eyes. "Excuse me, but if you want to keep flapping your jaw, you'd better start saying something intelligent," you snapped. "Mr. von Hagen is a very busy man, and he has a tight schedule. Time is money, and his time is very expensive." You lifted your chin and squared your shoulders, trying to make yourself look larger and more professional. "Do you know what his hourly rate is?"
The number made the young man's face drain of color.
"Now then, if you--or rather, if your daddy's wallet--can afford to schedule an hour with Mr. von Hagen, give us a call. If not, perhaps read a book or two. What a shame that you have such a big head, only full of hot air."
With that, you spun on your heel and stalked off after Marius, who had paused up ahead to wait for you.
"I'm so sorry!" you whispered as soon as the heckler was out of earshot. "I couldn't stand by and let him be such a jerk!"
"Don't apologize," Marius insisted. "Actually, it was a bit..." His voice trailed off, and instead of finishing his sentence, he checked his watch with a cough. "We're late."
"Marius, is your nose bleeding?"
"Now's not the time, Y/N!"
~♡~♡~♡~♡~
"Don't you look all stiff? C'mon, let's have a bit of fun."
In hindsight, you should have told Artem that the dress code for "dinner and a movie" was casual. Laid-back. Just two friends having a relaxing evening.
In your defense, however, most people wouldn't interpret "dinner and a movie" to mean "arrive in a suit and tie."
Even after coaxing Artem to take the suit jacket off, he still looked out of place in his dress shirt and slacks. The restaurant was nice enough where you weren't too concerned, and nobody could see the two of you in the dark theater, but as you walked along the city streets to find a bite of dessert....
Well, you'd attracted some unwanted attention.
"I have plans." Artem's reply was curt.
"Aww, this cutie here? C'mon, of course you're invited!" You instinctively covered your face as the reek of some sort of alcohol assaulted your senses. Wine? Vodka? Tequila? You didn't know or care. It was overpowering.
"We are not interested." Artem's tone was harsher, more insistent this time. He couldn't have been any clearer that he wanted nothing to do with this situation. "Let's hurry, now. Before the shops close."
"Aww, isn't that collar of yours so tight and hot? I can loosen you up real good, and my hours go all night lo-"
"Can't you catch a hint?" You smacked away the hand that was reaching for Artem's bicep. "He's being polite because he's considerate of your feelings, but I'm not! Go find someone else before I hook you up with Chief Darius for the night!"
That seemed to be enough to finally give you and Artem space to leave. Still fuming, you gritted your teeth as you walked a step behind Artem, eyes flicking wildly around the streets.
"I think you can relax now," Artem told you after a couple minutes. "Just one drunkard. It's still too early for most people to be in that bad of shape."
You sighed and unclenched your jaw. "I'm sorry. It's my fault for suggesting a place so close to North Stellis."
"No need to be sorry," Artem assured you, and the warmth in his voice helped you relax. "I rather like it out here. You can see the stars more clearly than you can downtown."
You turned your eyes up to the night sky, and a soft gasp left your lips as you took in the spectacle of stars and moonlight above you. "You really can! It's beautiful!"
"Yes," Artem murmured in agreement. While looking at the sky, you couldn't quite see his deep blue eyes gazing in your direction. "A captivating sight indeed."
~♡~♡~♡~♡~
"Are you some kind of con artist? You're the worst!"
The shrill shriek from the lobby startled you so much that you almost dropped the box of bits and pieces you were carrying.
"You can take it to an appraiser for a second opinion, but I--"
"No way! Pay to have some buddy of yours lie to me, too? You're scum!"
Luke had mentioned that he'd been swarmed with customers lately, both those looking for repairs and those browsing for antiques to purchase. You had offered to lend a hand to take some of that burden off. At first, he had hesitated, but when you mentioned you wanted to hang out with him more...
His mood turned 180 degrees, and he invited you to help him organize materials and keep him company this weekend.
Initially you had thought Luke was just too proud to admit he needed help. But now, you couldn't help but wonder, "How many visitors throw fits like this woman?"
"Is everything okay over here?" you asked at last, setting the box down next to Luke's desk.
The brunet cast you a look that screamed at you to step back. But if someone was causing a ruckus, you didn't want to leave Luke to handle it alone. You had offered to help out, and you were going to stay true to your word!
"Do you work here?" The woman whipped her head around to glare at you, a harsh look full of malice and frustration. However, you sensed something else in there too: anxiety. "Are you here to call my boyfriend a liar, too?"
"I didn't say he was a liar," Luke clarified, interjecting before you could respond. "I just said--"
"You said this was a fake!" she snarled, turning her anger back onto Luke. "My boyfriend said he searched high and low to find me an authentic, vintage music box! You're spitting in the face of our love! Who do you think you are?!"
"I've been collecting and repairing antiques for quite some time--"
"As if!" she scoffed. "You're like what, 25 at most? 'Quite some time' my ass!"
Clearly, she did not want to listen to a word Luke had to say. She had already decided he was a scammer and an anti-romantic. Judging from Luke's expression, his patience was also wearing thin.
"Excuse me, miss? May I say something?"
She stomped her foot as she spun to face you, and for a moment you thought she was going to bite your head off to make a point to Luke. Luckily, your head was still on your shoulders for now, so you figured you would try to get as far as you could before one of those two snapped. "This man here is also a professional detective. He has a great eye for detail. I'm sure he has a reason for saying this box is not authentic." You saw her nose twitch, and you braced yourself for her to start spewing flames again. "Luke, why don't you point out which specific details are not 100% accurate to an authentic antique? Here, I'll bring over an extra magnifying glass."
Slowly but surely, Luke was able to point out a couple of minute differences that were hard to discern for an untrained eye. "While it's a beautiful replica, it's not a true, authentic piece," he declared finally. "Replacement parts will be easier to find for this model, as it's more modern, but... I think your boyfriend just got unlucky."
"So the seller... was the liar...." Her demeanor had changed entirely from when you first found her. She seemed dejected and remorseful, but also a little... relieved. "I thought it was off, you know. The coloring... Anyway, I kind of hoped you'd tell me I was wrong. I'm glad you were honest." She chuckled and shook her head. "I'll talk to him about it. We'll figure something out. Thank you, Mr. Luke, and sorry I called you a scumbag."
Once the door closed behind her, Luke drummed his fingers against his desk and called your name. "You didn't have to do that. I could have handled it."
"You looked like you were about to hit her."
"I would never hit a woman."
"Sorry. You looked like you were about to dislocate her arm."
He sighed. "I'm annoyed... but I'm grateful." He cast you a beaming grin, his sharp canines glinting in the half-light of the sunset. "Now help me clean off one more shelf, and then it's pizza on me!"
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yandere-daydreams · 4 months
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sup do ya have a ranking for your husbands and wives
the exact rankings are prone to change but you get the broad strokes. also separate lists bc the guys would get absolutely decimated if they were lumped together and i don't think my awful husbands deserve that kind of negativity.
wives:
5) grell sutcliff of black butler fame. i think about her at least once a day. particularly her monologue from the atlantic arc. it did things to me.
4) childe
3) mrs. yor forger my beloved,, i know i don't talk about her a lot but i am constant kicking my feet and giggling whenever she's on screen,,, if loid was not also a yor stan i would hate him with an unspeakable passion
2) ganyu <3 <3 <3 i'm so sorry to have betrayed her this way but she is still very dear to me T-T
1) FURINA FURINA FURINA FURINA F̵̛̘̔̀̽̌̒̔͐͗̈́̏̈͠Ȕ̶̡̧̡̦͎̖̬͇̜̠̹̼̂̃͗͛̎̉̈̐͒̏̔̉͊̏R̶͍̥̱̂͑̒Į̸̧̢̢̨͔͕̝̖̺̱̼͓̅͌N̷̥͇̹̺̟̮̠̩̹̮̊͒͂̊̃̒͛͊̋̈́̈͆͝A̵̻̹͍̪͍̺͍̩̮̤̩̗̿̀͐̈̾͜
husbands:
5) gojo (*a crowd boos somewhere in the distance*). this wasn't supposed to happen but he's just SO annoying and SO pretty and i want to put him in a blender. sigh.
4) that one medicine vendor from mononoke. our time together was brief but he truly has such a stranglehold on my daily life it's actually sickening.
3) baizhubaizhubaizhubaizhu <3 <3 <3 <3 i honestly didn't like him that much when he first game out, but his story quest and his crop top won me over. medical malpractice once again reigns supreme.
2) illumi my beloved <3 <3 he gets points for having the sluttiest waist i've ever seen but loses them bc i think he'd kill me without hesitation but gains them back bc he seems especially breedable.
1) MR. BABYGIRL SUPREME GETO SUGURU HIMSELF!!! what can i say. he fathered so hard he mothered and i love a man with a creative outlet (or a cult, whatever). sorry about all the murders ig. god forbid a woman do anything in this world.
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myths-tournaments · 6 months
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Awful Characters Round 3 (1/8)
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Propaganda under the cut!
GREGORY HOUSE
He’s the medical malpractice doctor from the medical malpractice show. Man has never had a healthy relationship in his life and isn’t about to start now and by god he will break any law. Loyal but super weird about it, and makes everyone around him worse but also more interesting. He’s insufferable and I love him.
The show is regularly called the medical malpractice show. Everything he does is either questionable, illegal, dangerous, or all of the above. He’s said countless racist/sexist/homophobic things at any given opportunity, even to his friends. He has exactly one friend who is a thrice-divorced loser oncologist who only really stays with House because he's afraid of who would get hurt if he didn't. House will do anything to solve a puzzle or — God forbid — prove a point. He regularly puts people in danger to prove points of figure things out. His only morally redeeming quality is that he’s turned this obsession onto medical cases, and so usually the patients live. The show acknowledges multiple times that the only reason anyone tolerates his constant abuse is that he's a good doctor.
IANTHE TRIDENTARIUS
Her number one hobby is ruining every person's that she knows life. Her second hobby is being soooo slutty about it despite looking like a literal wet rat. Her third hobby is having an extremely unhealthy relationship with her twin. Her other hobbies include cannibalism, wearing a maid outfit, being extremely convinced she is the main character, the badboy sexy love interest and the villain. 'Why', you may ask. Well, the answer is, for shits and giggles #justgirlythings i, aswell as literally everybody else in the fandom have gone through the pipeline from hating her to desperately wanting to fuck her. expect for i still fucking hope she dies and doesn't come back for good. (that would literally solve all of everybody's problems) as god intended (EXPECT FOR. one of her hobbies literally is gaslighting god) She is fucking horrible i will love her until i die and even after that
parks and recs jean ralphio voice she's the woooorst!! The moment she learns she has to kill someone to become a Lyctor (aka a more special necromancer), she doesn't hesitate to kill and cannibalize the guy who has been her cavalier since childhood… cavalier who she also totally bullied as kids, she was allowed to choose one guest for her and her twin sister's birthday party each year, and she would always pick whoever she thought her cavalier didn't want to see there! While other characters are shown to regret the process of becoming a Lyctor (which involves someone close to them dying)/were forced into it because of circumstances, Ianthe has absolutely no regrets, she believes she did what she had to do
The author once said of Ianthe: "I don't think she's been nice to anyone, if she has I'll go back and change it." She killed and ate the soul of someone she has known all her life so that she could become a necromantic saint and tormented him plenty before that. General negging, ganging up against him, always inviting people he didn't like to their birthday parties. She doesn't regret killing him. I think she is repulsed by the idea that his digested soul is affecting hers. She helped her crush lobotomise herself so she would be in Ianthe's debt, and later lied and said she didn't see the corpse of a woman her crush killed under her bed (why did she do that? I do not know). She has a bone arm because her original arm was cut off, she hated the replacement so her crush cut THAT off and grew her a new one out of just bones. She had it gilded and only after that did she decide to help her crush deal with the person who had been repeatedly trying to kill her. She wants so badly to be the main character but people keep interrupting her villain monologues.
she has her own content warning tag
She's such a bitch to everyone all the time, she causes nothing but problems, she tries to do a villain speech but fumbles it because her tummy hurt, she is the awfulgirl of all time
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Dracula Season Watch Party: Bram Stoker's Dracula (1992)
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The centuries old vampire Count Dracula comes to England to seduce his barrister Jonathan Harker's fiancée Mina Murray and inflict havoc in the foreign land. - Dir. Francis Ford Coppola
I haaaaaaaaaaaaated this the one and only other time I watched it because, for a movie calling itself Bram Stoker's Dracula, it sucks ass at adapting the novel. It hits all the beats but misses the themes and adds extra stuff, and Jonathan doesn't even go after the Count with a shovel, ffs. However, it is technically one of The Most Faithful adaptations we have to date, which is impressive considering how much story there is to adapt. And if I stop being such a purist turd.... *sigh* it's a good movie.
Like..... REALLY good. The costumes, the colors, the music, the camera work, everything has such a surreal vibe, and the scene transitions move with something like dream logic. Actually, I think "movement" sums up everything I loved. Shots moving around a scene, SO MUCH gauzy fabric moving in a breeze, Dracula and Mina moving through a crowd. It's ✨pretty✨
It's also horny AF. Jesus Christ.
That being said, I think the criticism I've seen saying this version turns Lucy into a slut is pretty unfair. She and Mina gossip about their relationships (and kiss in the rain, by god I ship it), and she's flirtatious with the suitor squad, big deal. She's never overtly sexual until she starts becoming a vampire, and that's nothing that doesn't already happen in the book. The two scenarios don't compare. One is established friendships that come equipped with camaraderie and intimacy, the other is a corruption. Like, that's literally what's happening, and that's where the horror comes from. As for this version's take on her sleepwalking, we are NOT calling that slut behavior. That's all I'm saying.
Speaking of the suitor squad (Lucy's potential fiances, for the uninitiated), I understand there is only so much you can squeeze into a two hour run time, but I wish they had more time to shine. I need more of Quincey being a manly man with the most golden heart of gold ever. I need more of Jack being the most lovesick and emo wreck of a human with a side of medical malpractice. Most importantly, I need Cary effing Elwes to have more to do as Art. Not that any one of Lucy's boyfriends loves her more than the others, but I feel like Art's devotion to her is given more weight because he was the one Lucy chose to marry, and ASDFGHJKL. You can't cast CARY ELWES, aka WESTLEY THE FARM BOY, of Thee Greatest Movie Ever Made The Princess Bride, and then NOT give him any room to work in that space. He could have eaten that shit up! You know it! I know it! The only people who apparently don't know it are the people who called the shots on everything from the script to the casting, because if we had spent more time with canon couple Art and Lucy and less with fanon couple Drac and Mina, WE COULD HAVE HAD IT ALL. *insert Adele gif because I couldn't actually find one*
While we're on the subject of Dracula and Mina as lovers doomed across centuries, YES, it's fucking romantic as shit and I've come across the concept in other stories and would have snorted that shit if possible, BUT. The addition here detracted from time we could have spent on Lucy, as mentioned above, and despite what I've said about that so far, I understand why you'd make that call. If there's going to be an epic Gothic romance, it might as well be the focal point of the story and therefore needs to happen between the leads. But.
BUT.
THAT'S ALREADY IN THE SOURCE MATERIAL. IT'S MINA AND JONATHAN!!!!! Jonathan Harker is peak Gothic wifeguy. Dude never stops thinking about how awesome his wife is and how much he loves her, and I can't even think about his refusal to let her be condemned to hell alone and his determination to damn himself with her if she became a vampire without getting in fits about it. He said "fuck God if he doesn't love Mina, he's not good enough for her and I love her enough for both of us," and you think ANY other love story can beat THAT??? They did my good friend Jonathan so so dirty.
On the subject of my good friend Jonathan, I know I'm not the only one who thinks Keanu Reeves would look so. Fucking. HOT. With gray hair. I don't know what they did to him in the back half of this movie, but rather than be disappointed in how fake it looks, I'm choosing to look forward to the day we finally get Silver Fox Keanu.
Other details I loved now that I'm done complaining include Mina's wardrobe echoing Elizabeta's gown in the prologue, red light reflecting off Renfield's glasses when he's talking about his master, red appearing more prominently in Mina's and Lucy's wardrobe as they fall under Dracula's influence, the zoom-in on the bite marks on Lucy's neck transitioning into the wolf's glowing eyes in the next scene, Dracula's shadow moving independently of his body, everything Anthony Hopkins is doing as Van Helsing, and the entire standoff between him and Mina and the brides.
I think I've said all I feel like saying, and it took a full 24 hours to stop talking, so in summary: I DO like this more than I used to, but I like it more when looking at it on its own merit and not as an adaptation. What I like, I really like. What I don't like, pretty much has to do with how it differs from the book. The most important part is that I had fun watching. Even if there aren't any flappy bats on a string.🥂
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squeakygeeky · 6 months
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I watched Mr Cinderella S2 so you don't have to
I'm probably World's #1 Mr. Cinderella Enjoyer, but I knew I would hate S2 from the trailer alone and I was correct. Let's actually start with the ending, because the ending was a full two minutes of Dung and Khoa slow dancing on pier. I clipped it so you can watch some of that and not the actual show.
The rest was baaaaad bad. I've watched Truong Minh Thao in weirder things, but this was the least fun. IDK why anyone thought fans of a mostly fluffy show about two people from different worlds falling in love would want to watch a show about extremely tedious villain characters attempt to break up an established couple in the most soap opera angsty way possible. But like bad soap opera, you know I love me some good melodrama. Like, even if it had been well done and the villain characters had been vaguely charismatic about it, it would not have been an enjoyable watch for me. Plus without the post-credits scenes it seems like the villains had succeeded and suffered no consequences, which confused me a lot, but by then I was very confused by the basics of what was going on and not just the characters. Nobody even got the hose this time, disappointing!
You can tell Ba Vinh and Truong Minh Thao were enjoying returning to these characters and they're so comfortable playing off each other that the part so of Episode 1 before the plot starting happening were fun. But that made it worse when the rest of the show was just Everyone Suffers. I did not want to watch my favorite characters suffer.
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At least we got a proposal flashback before everyone suffered.
There was Khoa's adoptive brother returning to reveal they had been previously in love, a shady doctor, framing for medical malpractice, sex pollen perfume, and possibly black magic. IDEK man. It had a happy ending technically, as long as you watch past the credits, unless that dancing scene was supposed to be a flashback, in which case it was an open ending from the previous post-credit scene.
I guess between seasons they decided Ba Vinh's character was the bottom and I mean literally not just linguistically. My only other linguistic note is that the proposal and a later scene both used what translates as 'life partner' or maybe 'soulmate' and it's cropped up in at least two other BLs. Feels weird to be listening to Vietnamese again, maybe someday I'll have a go at properly learning it, not just learning about it if you know what I mean.
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the-monkey-ruler · 1 year
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What is your most LOL moment with JTTW?
The funniest moment to me? Probably when Bajie was about to blab that the medicine Wukong was using was horse piss. Or that Wukong even asked for BaiLong's piss at all. Or that Wukong said if the guy dies at worse he would just get sued for medical malpractice and not fucking murder.
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Really gives off "I don't think that man has ever been to medical school" vibes.
Wukong just shoves a drink into Bajie's hands without a single word. Just gets a nat 20 on deception while Bajie almost slips up CAUSE HE IS CRAP AT LYING.
I love these bafoons.... they mean so much to me.
You know what the whole Jupiters Rival arc is fucking hilarious. It is just one another after another messing with this poor guy just because he is depressed and misses his wife!
AND IT'S JUST GUANYIN'S WOLF THAT TOOK HER! GIVE HER BACK!
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spilledmilkfkdies · 2 months
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Hi! First off, thank you very much for answering my earlier asks; I really appreciate that you put in the time and thought to answer my questions. Secondly, I wanted to ask, how do you think the wizards would take it if they had been sentenced to Lightrock rather than Omega? (I think I have also asked this question of another blog, but I’m kinda hooked on the idea.) Thank you very much!
Hiii again!! You're so welcome too! I love answering asks and putting some energy into them, even if that means they take me a sec sometimes djskshsj I get to it eventually stinkyexhaust if you're out there-
And to answer the second part; Honestly I kinda vibe with the idea, I think about it sometimes, briefly. But that's because I'm bias and I simply don't want them to be frozen for eternity. Or for however long the comics kept them there before making them work for some guy and eventually imprisoning them in Solaria boo boo tomato. Absolutely YOINKED them from their planet, which ig Lightrock would also do. But like. That's different.
How would they take it though? Hmmmm yeah probably beats Omega, if only because they're together and able to talk to each other. Hopefully. Unless they're separated. I think Ogron would struggle the most, he's still experiencing some very strong emotions of the angry sort- but I feel like he'd eventually be fine as long as he's with Gantlos and Anagan who are TIRED. And in mourning. Ogron will get there too. Is Lightrock the absolute perfect solution for them that will fix all their problems though? Will they straight up vibe there without any issues? No!! But I really don't think they're as kill kill destroy as modern Winx writing is trying to sneak in there, they can be civil! At least for as long as it would take to get the "yeah lol they're fine now" stamp of approval so they can be on their way, which I think is the end goal? It's a rehabilitation thing right, those aren't permanent usually, I don't think.
Y'know who really could've used Lightrock. When we give it a minute of thought.
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HE. HIM. THAT THING.
You're telling me this SICK man, who had been feverishly yapping away on your couch just minutes prior, DARES to speak the words "Who says I want to recover?", proceeds to reveals big evil plan (it actually being true aside for a moment) and you decide to KILL him where he stands as he BEGS for his life?? Bit overkill tbh. Yeah imprison the other ones but just explode the dying one, kill him faster! The medical bills just weren't worth it huh
Also?? Imagine there was no evil plan, and he really was just delusional and saying shit again. Could we perhaps say? Medical malpractice? Hm?
Really if any of the 4 were to be put in Lightrock, realistically it should be him?? This was him canonically going insane fam, please get him some therapy or something he'll be fine. Probably. BONUS POINTS if they'd let him stay in the bat form, I'd really like that and I'm not getting into the logistics of it. Just make sure his wings have room to move :(( I pinky promise he won't try to fly away pls :(( I don't think he even could pls pls :(( Y'all have security measures in place :((
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vesemirsexual · 6 months
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Respectfully, I'm not sure how you can criticize Detlaff but still enjoy Yenralt. Yennefer is abusive?
I tossed up whether or not to answer this one, because I don't have any well-organised thoughts on it, mainly rough ideas that would probably be better in an over-arching piece of writing.
Two very important points before I say anything else (which I may or may not have said earlier when I started this blog, but may not have repeated since): I'm a survivor of severe domestic violence and abuse, leading to permanent injury and attempted homicide. While I've spent a lot of time working through this in therapy, and a lot of time learning about the theory behind abuse and violence, I don't personally subscribe to the idea that survivor = expert on the topic, and I fully admit that I think that it very likely skews thinking on these topics - there is always a risk that my views are not consistent when I analyse characters/relationships/situations, and I think that's unfortunately pretty typical when it comes to personal experiences/triggers/expectations. The second point I think is important: I don't think I'm the right person to break down/expand on "Yennefer is abusive" - I think that it would be a topic better handled by someone who could pull immediate in text examples, could talk about Sapkowski as a writer (was more familiar with his intentions/work as whole), and someone who could also relate the topic back to greater fandom culture.
My rough thoughts however are below! It's very much a "take it or leave it" scenario, and other things will probably occur to me later, but no matter what the tone of this ask was (because I'm choosing to take it in good faith) I do think you've hit on a very interesting topic!
• I think my first question would be: what do you consider abusive behaviour by Yennefer? I've seen a few examples before, but the only one that immediately comes to me is the throwing jars at Geralt during their attempted domestic arc. Just to be clear: yes, throwing things at someone/destroying things around them is abusive even if you don't touch them. Nothing else is immediately coming to me, but please do feel free to throw examples.
• I think for the most part acknowledge that Geralt is an extremely traumatised man: we have medical experimentation and malpractice at a young age (and notably, a critical stage of development), childhood abandonment and abuse, ostracisation from society (often escalated to a violent level), and an uncertain job in greater society that often leads to physical trauma and harm. People do acknowledge, but I find less frequently so, that Yennefer also clearly suffers from trauma: she experiences childhood abuse and trauma, abandonment from a mother, medical malpractice, suicide attempts and to some degree, social ostracisation as well. I think the difference is that Yennefer presents very differently to Geralt, wears her trauma in a less immediately visible way. Yennefer is, in some ways, the archtype of the "bad survivor" - her trauma doesn't make her softer or more relatable, and instead crafts her into a woman that can be incredibly hard, and often comes across as conniving and mean. The thing about their relationship throughout the saga is that they are both incredibly traumatised people trying to navigate a relationship who have poor modelling for healthy relationships, trauma existing from times of critical emotional development and no outside support that is capable of even beginning to reach these two and unpack that they really don't know how to behave in a way that we would consider healthy.
• I think Sapkowski always intended to show their relationship as troubled and turbulent, these two outsiders who had no idea how to love each other. I'm not necessarily sure that he meant to send it into the abusive category. I think it's worth pointing out that the short stories were written in the 1980's, and the saga by 1999 - information was not as readily available as it is now, and society (at least in a mainstream terms) was different. In terms of the throwing jars, I'm not sure that it would've read as "red flag abuser" and not instead another example of their clashing, their inability to co-exist. (Which is not to say that the behaviour is not abusive! I'm just not entirely sure that there was that intention behind it). (Also part of the reason I think that an analysis of this would be better done by someone much more familiar with Sapkowski).
• There's also the issue of timeline. The jar incident happens much earlier in their relationship, pre-dating Ciri, and before their final big break-up. Throughout the series, we see both of them grow, and frankly, we see them be much better to each other than they had been previously. Relating back to their deep-seated individual issues, I think it's really clear (at least to me) that the text is showing that these two people have to walk through this journey and learn how to love other people, learn how to sacrifice for other people, develop as people in order to be able to have any kind of relationship with each other.
• Unless I'm genuinely forgetting something, Yennefers abusive behaviour is early in their relationship, and we do not see examples of it again. Something rubs me the wrong way that people say that the earlier iterations of a character are abusive, but they don't apply that way of thinking to other characters (nearly male) - which I can see is a confusing sentence so I will expand. "Yennefer is abusive" - implies that Yennefer is abusive as a whole, that her behaviour does not change and evolve, and I think there's a strange implication there that abusers are incapable of not being abusers/learning their behaviour is wrong and modifying it/etc (which is quite a common thought process, and I've always found interesting for the whole Restorative Justice site). We don't see this with male characters repeated as much in the fandom. Dandelion is a good example; he has some fairly creepy moments in the books towards women. But if you were to say "Dandelion is a predator" or "Dandelion is a misogynist", I think you would find that people would be explaining that that was one blip in his character in the story, pulling quotes to show how he is supportive and good with women later (see: Milva, Angouleme). See the difference between "this character is [this thing]" versus "this character did [this thing] previously?"
• Yennefer as a whole gets ripped up in a way that male characters don't, and I will stand and die on that hill no matter how many times people challenge it. I think there's multiple reasons for this: fandom misogyny, fitting the "bad survivor" archtype as I've said previously, fitting the unlikable woman archtype, becoming a lightning rod for m/m ship frustrations...I don't think everyone who rips up Yennefer falls under the same category, and I don't think all criticism of Yennefer is wrong. But frankly - most people in the Witcher series are not good people. Most people have done things that are abusive, violent, bad, ugly, nasty or even just uncomfortable. I would be completely fine if someone had rough criticism for Yennefer that also carried across to every other character, but I have yet to see that.
• Detlaff/Syanna is harder to compare to Geralt/Yennefer for me, because we have less context about their relationship and persons. We know that Syanna is an abuse survivor, but we don't have much about Detlaff, his history, why he's like that or why he responds like that. What we do know is this: Syanna lied to Detlaff to have her abusers killed, Syanna disappeared, Syanna claims she disappeared because she knew that Detlaff would not let her leave if she said she was, Detlaff was angry enough with her to punish the entirety of Toussaint for her actions, Syanna faced him knowing that he would want to hurt or kill her, and that Detlaff did have every intention of killing Syanna. I think Detlaff gets a pass for a few reasons: hot older dude, the Regis connection (because I agree, Regis is very beloved, even if I do not think he would actually treat Syanna/that entire situation how TW3 proposed at all), and because people view Syanna breaking his heart/using him as the worst crime (This is a whole other topic about misogyny, internalised misogny, woman as users trope, and the creep of manosphere ass beliefs into not only society, but fandom spaces).
Anyway this ended up longer than I intended. This is definitely not all my thoughts on the topic, nor actually a very good representation of them as it's more an immediate brain dump.
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cursedvibes · 5 months
Note
Can I ask your top 10 fav fics ever (from any fandom, if you don't mind)?
Also, just curious, is there a story behind your name "cursedvibes "?
I called myself "cursedvibes" because I thought that's the kind of impression the fics I want to write give off. My first beta reader @kaitakushi agreed (hehe) and so it was decided. As for fanfics, I'm not really gonna rank them but more list them by fandom...
JJK
Complicity by SenZen_Travers
Mahito/Kenjaku and my favourite fic of their ship. The characterization is really good and this might sound silly, but I'm glad Kenjaku is allowed to bottom here for once (very rare with Kenjaku ships in general unfortunately...)
King's Ascent by Acromos
Unfinished, but best Sukuna/Uraume fic I've ever read. Uraume is asexual and nonbinary. Love the world building and general prose here. Most of the chapters are focused on how the two grew up and they only really meet in the last one, but it's still incredibly good.
CSM
Well Prepared by Gay_as_fuck
Fic about Santa Claus and Tolka, his feelings for her and how she used him and gradually turned him into a weapon. There are only two fanfics about Santa Claus on AO3, but I'm glad this is one of them, it has exactly what I'm looking for. It's sweet, but also eerily creepy.
Houseki no Kuni
Shards of the Two of Us by undeadrabbit
Technically Kongo/Phos, but their love is platonic. Absolutely wonderful, kind of like someone wrote down all my thoughts about what happened between scenes or you got some additional canon material. Very heartbreaking to see them slowly drift apart and hurting themselves and each other despite still caring about the other.
Naruto
xenograft by Misfit_McCoward
AU where Sakura becomes Orochimaru's student while he's in Konoha and they do lots of experimentation together, on humans and animals alike. I like how Sakura slowly gets sucked in deeper in Orochimaru's machinations and loses any moral qualms she would otherwise have about the research they are doing, going so far as to compromise her own health for it. Just the sort of Mad Scientist story I like.
Be It Ever So Humble by Orochimartyr (ffnet)
A civilian enters one of Orochimaru's abandoned bases and inspects what has been left behind. I love stories that show the horror we are often familiar with in a story from the perspective from an outsider, especially if it involves the discovery of medical malpractice. There's a creeping sort of terror as we discover with this person what happened and piece together what horrible acts have been committed here. It actually really influenced my writing and was what I always aspired to write as well.
JJBA
can you tell that I like the Pillar Men?
I'll Follow You by Opus_Love
A Kars and Pillar Men origin story with Fix-It elements to it, since this is the 37th version of Kars we follow and this time he has the chance to make things right and not lose everything only to be cast into space. I especially love the slow development of Esidisi and Kars relationship and the little tidbits of information we get about the society they originated from.
We turn that old wheel round again by dratinigirl
AU where Kars lands on Earth again after being shot into space, but it's present day and Esidisi has been incarnated as a regular human, which gives Kars quite the culture shock. Very sweet, a bit angsty, but all ends well.
Youth, Man, and Father by dratinigirl
Another Pillar Men origin story. What can I say, I love the whole culture and society people come up with and I'm a sucker for EsiKars slowburn.
Monster
Five Roads Home by Lindra (ffnet)
Post-canon. Dieter and Johan bond over the child abuse they suffered and how it affects them even now. Johan is being cagey of course, but still more friendly than during canon events. It feels in-character though. Also found it nice to see Johan living as a woman now, but removed from the identity of "Anna".
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coentinim · 17 days
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Are you willing to write Innocent manga stuff ? Maybe a piece where Violet (from AHS) meets the Sansons, maybe as ghosts. Maybe some hurt-comfort ?
Is it okay if I answer in headcanons? I don't have one idea, just a few separate ones!
Cw: descriptions of stuff like medical malpractice, death, suicide, murder
• Leaning into the 1920s Sansons AU (which I believe @olliecows came up with). Instead of the weird frankenstein-complex guy, it is Jean who builds the house for him and his family. He performs all kinds of surgeries. He also supplies anatomy students and scientists with fresh corpses; his silence and service are easily bought. His eldest son Charles, however, is not thrilled by that. That, and the young man's debilitating mental illness cause him to kill his father and then himself. In a chain of tragedy, the entire family follows suit (except for the eldest and youngest daughters, Claude and Marie, who live happy lives in like, Kansas until they turn old. Or at least Claude does - Marie has multiple girlfriends, goes to prison 7 times, illegally marries a nun in 1957 and never really settles down&raises an autistic transgender child quite normally compared to how it went in Innocent).
• How did they die? Well, Jean and Charles in a murder-suicide, obviously. Anne Marthe falls off the toilet and dies gets drowned in her bathtub by a servant girl because she used to beat her so harshly it was inhumane, for her own sadistic pleasures nonetheless. She kills the rest of her own grandkids as a crazy ghost (because why not), and André hangs himself in the basement once he finds the many corpses that lay there and realizes he's been complicit - he helped Jean-Baptiste so many times, after all, not knowing the missing patients would be killed and handed to scientists. He had blood on his hands.
• So! Back to Violet. She falls in love with Tate still, but also develops a friendship with Charles. Unfortunately he's also very depressed and full of regret (killing his dad? Not cool!), so he sort of encourages Vi's suicidal tendencies. Talks about his experience with shooting himself very positively and all. Violet doesn't like him very much, she thinks he's lost and rejects all help in a way even Tate doesn't. Vi also dislikes Charles' dad - he sits in the basement and kills rats, cutting them apart like a crazy man. He scares her.
• Anne-Marthe thankfully doesn't appear much. She mostly weeps about the dishonor of her family name and all that. Might get violent, so it's best to avoid her.
That's all I have, they're not very compatible with each other ):
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majorbaby · 6 months
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as someone who has Feelings about House (I was watching it when I became disabled so oof), do spill the House takes?
Gregory House is a relic of early 2000s, vaguely Dane-Cookian, edgelord-style comedy so it's somewhat amusing to watch tumblr blorbify him. It gives me the sense that people are unaware that he's the type to unironically say, "I'm not racist, I hate all races equally". Blorbofication seems to to really rely on projecting on a character, or identifying with them, and House is a character who should be blorbofied with care. Of course you can identify with a character that makes poor choices and behaves badly while simultaneously condemning those actions IRL, but honestly, there seems to be a lot of irony-turned-sincere in the "asshole (affectionate)" sector of various fandoms these days and the push to rehabilitate House in fanwork so that he's a better person leaves me with a lot of questionmarks.
the rest of this is beneath a cut because it got super super long, sorry about that!
Here's one thing I do like about him: sometimes his unabashed assholery allowed House to do and say more progressive things than any heroic protagonist could ever say on television at the time, because radical speech is almost always an affront to the status quo. House could be pro-choice, staunchly atheist and practically allergic to any kind of traditional romantic relationship, and this was all acceptable to audiences because House is intentionally written as an asshole.
He's still an asshole though, in plenty of ways that aren't cute or excusable. The show and the character are plenty misogynist, racist, homophobic and yeah, House is disabled himself, but he's also ableist towards his patients. I'm not pointing these things out to say "don't watch this show because it's bad" but they're also unavoidable truths about the show. It's not subtle at all either, and it extends to production. House MD is famous for its wacky plotlines and doctors committing all kinds of medical malpractice or outright felonies, with the exception of Foreman who got less material because, as House would put it, "black guy". This kind of works out for Foreman because by virtue of getting much less material beyond "only sane man" or "voice of reason" or "endlessly patient with his racist boss", he's the most normal of the cast, and it made sense for him to succeed Cuddy at the end of the series. Every woman on the show exhibits saint-like patience towards him. Cuddy, Cameron and Thirteen could've collaborated to quietly murder this guy and I'd be shocked (well. would I??? this show did some truly wacky things) but I can't say I'd feel a terrible amount of sympathy.
The issue I have with a lot of the recent fic and headcanonry around the show is this "healed by love" trope that I keep seeing pop up. House's most basic traits are that he's 1) brilliant and 2) an asshole. The show asks over and over whether or not House will ever change, and the answer is always no. If he's rehabilitated, he is no longer Gregory House. Like, write what you want but why write House if he's not going to be an asshole? Or if you are going to rehabilitate him, understand that there's 8 seasons of television that deliberately, consistently portray him as being a lost cause in terms of positive character development. I've seen the claim that he's "good disabled rep" and like, on its face I agree with that. House is in pain 24/7, his brain functions differently from other people, he struggles in social interactions, he wants to be loved in spite of knowing he is hard to love, he tries to do better but he repeatedly fails. All of these experiences have a place in fiction, but rehabilitating him revokes that place.
More specific to my own blog, I've encountered a few posts comparing beejhawk to hilson and that's on its face ridiculous. Even if we disagree that Hawkeye is a good person, MASH frames him as a good person whereasHouse is a bad person who is framed as a bad person. I'm more ambiguous towards the Wilson-BJ comparison, but at least Wilson is canonically shown to possess some of the traits that are commonly assigned to BJ within fanwork. House and Hawkeye on the other hand... like Hawkeye and Wilson have more in common with one another, Wilson being compassionate and communicative towards his friends and patients, including House when House isn't being particularly likeable (there actually might be a bit of BJ in House, lol).
imo, it's part of a trend of homogenizing ship and character dynamics, molding characters/ships/settings to certain popular tropes rather than the other way around across fandoms... to what end, I have no idea. I'm of the opinion that nothing in fanfic presents any kind of real-world "risk" in comparison to mainstream media, but it seems to me that presenting all the big gay ships as being "the same", essentially inventing new gay stereotypes is something we maaaay want to move away from. Or at least ask ourselves why we do this with gay men specifically.
okay MASH/perils-of-gay-fandom tangent over. basically, House is a mediocre show, albeit with some very good acting. it offers great fodder for fanwork because the characters are all some kind of hot mess (except for Foreman), it's got plenty of sex and drugs, and despite the fact that every medical drama to ever exist has contained all of these elements setting each other off, there's still a societal expectation that doctors and nurses have their shit together. these are people who are responsible for human life, so they can't possibly be sex-having, substance-abusing, hot messes, right?
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Points of Origin & Paths to Take (Part 3)
1 / 2 / 3
This ‘series’ of posts isn’t dead. I’m just dragging my feet to see what second trial verdict Amane gets (and because of life stuff). I’m already going to be guessing for Mikoto and Kotoko. I’d like for Amane’s to be more solid. She deserves it.
Content warning for brain death, death of a loved one, and suicide.
Shidou & Mahiru: the Absence of Knowledge
Which will you choose / to deceive or be the deceiver?
I don’t just want to give / both giving and receiving are good things
Personally, these two intrigue me, but they don't ensnare me the way Haruka, Yuno, and Fuuta do. They were actually the pair whose 'absence of' was determined last, because I couldn't find the right word to describe what caused both their murders. Ultimately, I decided on the absence of knowledge.
My friend (the one who introduced my feral self to this fandom) and I actually disagree on Shidou’s crime. And I’m open to any disagreements on what I’m saying, particularly this one, because the absence of knowledge being the cause is kind of weak compared to the first two installments of this series. She thinks that Shidou is a lying liar who lies similar to Kazui, and that he killed patients to feed his God complex. Personally, I think he has more of a savior complex than a God one, and that he only considers himself a killer because taking his wife off of life support made him realize what he had asked all of those families of brain-dead patients to do. Had his wife (or sons) never been injured to the point of brain death where pulling the plug became a conversation he received rather than gave, Shidou wouldn’t have come to this conclusion. As in, Shidou literally didn’t know any better and when he experienced the same situation that his patients’ families were in, the man was crushed from guilt born of his newfound empathy. This theory sprouted from what Shidou said during his second voice drama and from the glitched line from the Trial One trailer:
“Not dead… Yeah, she’s definitely not dead… I finally understand what I’ve been robbing people of…”
I think that his insistence that he’s evil comes from his desire to die (and presumably to reunite with his late family), instead of him committing malicious medical malpractice. I’ve done some poking around and brain death isn’t something that can be healed. It’s beyond a severe brain injury; it’s when all brain function permanently ceases to exist and there isn’t a chance of the person breathing on their own, much less regaining consciousness. However, brain death can be misdiagnosed, even if the physician checks the entire brain. With this information, and I think that Shidou’s dedication to the Flower Person (probably his wife) from “Throw Down” is supposed to represent his devotion to proving that his wife wasn’t brain dead without a shadow of doubt, which may (probably) not be what he did for the patients in his care. Or that he probably pushed her up the line for experimental surgeries to try and revive her. Again, probably not what he did with his patients. It's possible that once his wife either succumbed to her injuries or he did take her off life support (symbolized by the Flower Person falling apart in “Throw Down”), he then fully realized why the families of his brain-dead patients hesitated to do the same and that's when he dubbed himself a murderer. You would think, Shidou’s glitchy line from the Trial Two trailer would dissuade me from ‘local man experiences empathy for the first time’ theory versus ‘manipulative serial killer’ one, but uhhhhhh yeah, let’s look at it:
“Hurry up and die already.”
I have a separate theory that involves that the Trial One trailer are the lines spoken AFTER the prisoners realize what they have done while Trial Two comes at the point of no turning back, when the prisoners doom themselves to committing their murders. Now, if I’m right… good for me, that adds credence to my belief that not only did Shidou have shit bedside manner, but also that he wasn’t doing everything he could to save his patients once he considered them beyond the point of no return. “Hurry up and die,” could have been said to a patient that was wavering between the brain death diagnosis criteria and he’s displaying his frustration with his inability to save someone else by being a callous dick, or maybe it’s his wife that he’s talking to since she’s the one kicking off his journey to empathy, and he’s asking her to die so he doesn’t have to feel the guilt of pulling the plug.
I would love for Shidou’s third video to show what exactly he meant when he said he was doing experiments in the name of science. He’s a relatively young doctor. I don’t think the hospital was letting him reenact Frankenstein. And not to sound flippant, but I think we’re probably going to see his family die in the third video. If the pomegranate/toe tag given to the older son in “Triage” means anything, it most likely will be a failed organ transplant. Maybe that son died on the operating table during a surgery Shidou pushed for. I think that Shidou, with his newfound empathy, will never forgive himself for pulling the plug on his wife and encouraging the families of past patients to do the same. I almost want to give him a Guilty verdict for the third trial, because I don’t think he’ll even heal unless he gets the rebuke he’s searching for. A little self-flagellation for the soul…
As for Mahiru, what does loving have to do with knowledge? By her own admission, she is a sheltered girl, and it wasn’t until the second music video that we got to see her boyfriend and, more importantly, how he ‘handled’ her love. Where Shidou lacked the emotional know-how to give him perspective, Mahiru lacked the practical experience to give her perspective.
I’m split between if this was supposed to be a suicide pact and Mahiru couldn’t go through with it or Mahiru, miss ‘I’ll pick up smoking if my love smokes’, encouraged and/or enabled the self-destructive habits of her boyfriend until he killed himself. Of these two prisoners, Shidou was found innocent while Mahiru was found guilty. Shidou seemed to have a crisis until caring for Kotoko’s victims gave him purpose (he seems to need to find the meaning in things in order to understand them but can’t see past his own biases). Mahiru, on the other hand, has a crisis of faith but ultimately resolves during her second voice drama that a life without love is not worth living.
I think that through all her denial, Mahiru knows she is at fault for her boyfriend’s suicide. In “This is how to Be in Love with You,” we see snapshots focused on Mahiru and what she thought of their relationship (her perspective only). Ignoring the lyrics, her song is a bop and a half and the video is fun and happy. Looking at the lyrics reminds me of what I felt when I read the lyrics to "Pumped Up Kicks” for the first time: concern. Her idea of love isn’t healthy or sustainable, contradicting her initial insistence that it was true and right. We don’t even see her boyfriend until Day 12 or so, and it’s his hand. In “I Love You”, we see him. He doesn’t have a name, but we now have a face to her victim. It’s harder to ignore the fact that her love killed somebody because now we see the effect of it.
The lyrics of her second song definitely have more bite to them compared to her first song. I do love the bridge in “I Love You”:
“Saying I love you, but doing what I did / I know I have no right, crossed and covered in sin / My love it scored an own goal, destroyed my love and me with its weight / Tell me, oh tell me, can’t I just do it right?”
I think this is the bridge. Whatever it is, the beat is great and the lyrics hit in terms of character development. And while I’m upset that Mahiru is in a lot of emotional pain over her verdict, I do think it was necessary. Her idea of what love is needed to be challenged which is what the guilty verdict did. Being in love isn’t just something that Mahiru desires (since her love misadventure is documented in a fashion magazine of a music video in “This is How to Be in Love with You” from her POV only), but something that affects her and another person. We see her boyfriend turn from healthy to gaunt in the blink of an eye. He fed her cake, and when she thinks she is returning the favor with a bigger slice of cake, it turns out that she’s feeding him rats. She now acknowledges that the love they shared wasn’t healthy, and while it was possible that she could have come around to this idea with an Innocent verdict in Trial One, I don’t think we would have seen the flashes of her skeletal boyfriend before the carousel stopped in her second trial music video. I think we would have only gotten an image of his healthy self until the very end when their unhealthy cycle stopped for good with his suicide.
In “This is How to Be in Love with You” Mahiru is in a bird cage when she isn’t in a magazine article. We get to see her clutch the bars of her cage and then turn away (confronting the idea that she could be wrong and then dismissing it). In “I Love You” Mahiru and her boyfriend are on a carousel when they’re not traipsing through the woods or snuggling on the couch in the ruined bird cage (Guilty verdict destroyed that schema). Mahiru’s insistence that it was just normal love falls apart as her shoujo filter flickers out and we see the reality of things. Hence, the cake turned rat image burned into the audience’s mind.
First, we saw Mahiru stuck in her own ideas (the birdcage), and then we saw her deal with the reality of what she has done (the shoujo filter dies and we see the carousel stop despite the best efforts to keep them going), so I think her third trial video is going to involve her moving around a lot as she heals up from her injuries and first trial verdict. She’s not going to get stuck in a mental cage or loop. At least… I’m hoping that she gets to develop the idea that she was wrong but she can get better and heal.
Just to sum things up, Shidou and Mahiru both seemed to have learned from Trial One, although this is more obvious in Mahiru. Their videos are almost guaranteed to get more explicit (or fill in gaps) in the next trial.
Shidou’s death wish is definitely returning come Trial Three. Looking through the lyrics of “Triage”, he is only fine with an Innocent verdict because his medical skills are needed. The end of the third trial means that his work isn’t needed anymore, so he most likely is going to argue again with Es for a Guilty verdict and the death penalty. Flowers are probably going to be in his third music video because they have during the first two, and I wonder if rotten fruit will make an appearance again. Shidou does seem to comprehend the gravity of what he did when he asked his patients’ families to take them off life support. Hopefully, his video will show that. That or prove he’s an unrepentant serial killer.
As for Mahiru, I’m curious as to what imagery she’ll have. Her first music video has a magazine and bird cage imagery. The second has her with her boyfriend in the forest and the ruined bird cage living room and a carousel. I want to say, now that she’ll probably step out of the cage or get off the carousel and then walk some kind of path as she takes us through what she did to drive (or, at least help push) her boyfriend over the edge. Maybe it will have a photo album motif? She could close the ‘book’ and set it down, showing that she realizes what she has done.
4 / 5
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meirimerens · 11 months
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Hello this is a random thought but first off. Thank you for headcanoning the moms (like Daniil's or the twins') because God Knows there's enough dead/nonexistent moms in this story. But then I'm always curious (because my own hcs are not firmly settled there) if Daniil's mom is alive during his adulthood (as she appears in some of your art).. what does she think of her son's career choices. Does she complain that he should get a more respectable job than disgraced mad scientist? Is she supportive in principle but upset because he gets into trouble and she's worried? Is she enthusiastically supportive? Did she attend his lectures and embarrass him by loudly being like "that's my son there he's brilliant and you all should fund his research ☺️"? Did she brag about her son reanimating a dead person to her friends at a tea party? What's the vibe there
HIII WELL FORST OF ALL THANK YOU... IT'S NOT MUCH BUT IT'S HONEST WORK... and ok ok so my belief is that she. doesn't know What he does. like the details of his work. i think from university on they don't see each other very much, and dankovsky tries to Not involve her too much, for multiple reasons of 1) she's of fragile health so he doesn't want to scare/disgust her into illness 2) involving her could put the Powers That Be*'s eyes on her, and possibly put her in danger if anyone tries to like. arrest him for medical malpractice or whatnot. he tells her very little but she's very proud of the little he tells her. he tells her he's into longevity research (which, technically... not wrong), which she is very proud of. i think she got a copy of his university thesis, but she didn't read through it, because it was a bit complicated for her: however she's so happy he did it, and holds it dear. she doesn't know about his money problems, his frankensteinesque behaviors... and that's on purpose by him so she cannot be bothered by people who would be after him. there is also the fact that To Me she is a religious woman [i often talk about dankovsky having been raised eastern orthodox In My Mind's Eye and she's part of it], so he doesn't know if she'd like his death-defying stunts too much, as it is... quite heretical honestly. he's not a believer, he's an atheist theomachist, like Doesn't Believe In God, But If There's One, We Got Beef [which informs the Way He Is about death and dying], but he loves and respects his mom, and does not want to like. scare or disgust her. [when she learns, later, it's a whole Ambiguous thing. on one hand, going against god's design is sinful and heretical. on the other, orthodoxy from what i know explores the part of divinity/godliness in man = man should behave like god, because man wears the face of god/was made in god's image (source: greek orthodox friend, which is Diffrent from russian eastern orthodoxy, but like, also i'm making my research lol) so it's like. he's a lil bit like him fr... no i shan't say that it's heretical... well... a lil bit... no... (<- yeva's internal monologue)(i'm writing something about it) so. a whooole thing]
she doesn't know he's bringing the dead back, or trying to. she doesn't know what has gone down in ToG; she just received a letter in which he told her he was traveling to place where he could maybe find a breakthrough in his research, but since they don't see, or send each other letters often nowadays, she didn't think much of it when she had no news for2 weeks. she only realizes 1) something Fucking Scary happened when he comes back after the 12 days looking like hell 2) that this Something scary is within a bigger picture of Scarier. queue:
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tldr: she's alive and well; she don't know about the whole resuscitation bits because 1) dankovksy Gets In Trouble and doesn't' want her to get in trouble if he tells her 2) he's preddy distant 3) she's a christian woman so the whole playing god bit would irk her a bit and even if dankovsky is fully confortable being an affront to god and wishes everyone had the rationality of science and humanism he can't deny he loves his momma and doesn't want to hurt her like that even if she's pious. she's Supportive in the way any good mother should be, but she has no idea What she's supporting him in doing, and he prefers it that way.
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