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#neither heaven nor earth
callme-darling · 3 months
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i can’t believe i have a crush on a 42 year old french man
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glidingsilvery · 15 days
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Strasbourg European Fantastic Film Festival - Ni le ciel, ni la terre (2015)
(Festival Européen du Film Fantastique de Strasbourg/fb)
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smallbunn · 1 month
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ohh qpps fabian and riz you mean so much to me <333
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self-righteous-god · 2 years
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New profile picture! Cheesus Christ
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pararennial-archived · 5 months
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muse tag dump.
#‵ *.: ⚘ :.*・❨ 𝐬𝐞𝐦𝐛𝐥𝐚𝐧𝐜𝐞 ❩・ ⏤ she’s an undiscovered element ‚ neither born in hell nor heaven﹣sent. ′#‵ *.: ⚘ :.*・❨ 𝐚𝐛𝐨𝐮𝐭 ❩・ ⏤ can you hear the thunder in my chest? ′#‵ *.: ⚘ :.*・❨ 𝐚𝐧𝐚𝐭𝐨𝐦𝐲 ❩・ ⏤ flesh and bone ; the sky above ‚ the earth below. ′#‵ *.: ⚘ :.*・❨ 𝐡𝐞𝐫𝐢𝐭𝐚𝐠𝐞 ❩・ ⏤ i’ve grown into the ground and there are branches in my bones. ′#‵ *.: ⚘ :.*・❨ 𝐦𝐚𝐧𝐧𝐞𝐫𝐢𝐬𝐦𝐬 ❩・ ⏤ set fire to the sun ; let the colours run. ′#‵ *.: ⚘ :.*・❨ 𝐦𝐞𝐭𝐚 ❩・ ⏤ i’m still sinking as i swim in my continual condition. ′#‵ *.: ⚘ :.*・❨ 𝐬𝐤𝐢𝐥𝐥𝐬 ❩・ ⏤ show me those pretty white jaws ; show me where the delicate stops. ′#‵ *.: ⚘ :.*・❨ 𝐬𝐲𝐦𝐛𝐨𝐥𝐢𝐬𝐦 ❩・ ⏤ when the bloodwork won’t give us the answers. ′#‵ *.: ⚘ :.*・❨ 𝐥𝐢𝐤𝐞𝐬 ❩・ ⏤ watch her spirit lift ; she’ll take over the stage and she’ll take over the night. ′#‵ *.: ⚘ :.*・❨ 𝐬𝐨𝐮𝐧𝐝𝐭𝐫𝐚𝐜𝐤 ❩・ ⏤ so turn up the noise! ′#‵ *.: ⚘ :.*・❨ 𝐜𝐡𝐢𝐥𝐝𝐡𝐨𝐨𝐝 ❩・ ⏤ we were kind of feral ‚ wicked ‚ little machines. ′#‵ *.: ⚘ :.*・❨ 𝐦𝐮𝐬𝐢𝐧𝐠𝐬 ❩・ ⏤ so open up my sternum ; the only constant is a crutch ‚ the only blessing that i know. ′#‵ *.: ⚘ :.*・❨ 𝐚𝐞𝐬𝐭𝐡𝐞𝐭𝐢𝐜 ❩・ ⏤ i won’t sink into a sea of grey ; a violence of colour. ′
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writingwithcolor · 4 months
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How can non-Jewish writers include Jewish characters in supernatural stories without erasing their religion in the process?
Anonymous asked:
I have a short story planned revolving around the supernatural with a Jewish character named Danielle (who uses they/them pronouns). Danielle will be one of a trio who will be solving the mystery of two brides' deaths on the day of their wedding. My concern with this is the possibility of accidentally invalidating Danielle's religion by focusing on a secular view of the afterlife. At the same time, I don't want to assume that Jewish people can't exist in paranormal stories, nor do I want to use cultural elements that don't belong to me. So, how do I make sure that Danielle is included in the plot without erasing their Jewishness?
Okay so to start with I think we need to ask a question about the premise: what is a secular afterlife? I’m not asking this to nitpick or be petty, but to offer you expanded ways of thinking through this issue and maybe others as well.
A Secular Afterlife
What is a secular afterlife? To begin with, I get what you mean. The idea of an afterlife we see in pop culture entities like ghost media owes more to a mixture of 19th-century spiritualist tropes drawn from titillating gothic novels than to anything preached from the pulpit of an organized house of worship. Yet those tropes--the ominous knocking noises from beyond, the spectral presences on daguerrotype prints, the sudden chill and the eerie glow, all of those rely on the idea of there being something beyond this life, some continuation of the spirit when the body has ceased to breathe. For that, you need to discount the ideas that the consciousness has moved on to another physical body and is currently living elsewhere, and that it was never separate from the body and has now ceased to exist. Can we say that this is secular?
More so: Gothic literature, as the name suggests, draws heavily on Catholic imagery, even when it avoids explicit references to Catholicism. Aside from the architectural imagery, Catholic religious symbols permeate the genre, as well as the larger horror and supernatural media genres that grew from it: Dracula flinches from a crucifix, priests expel demons from human bodies, Marley’s Ghost haunts Ebenezer Scrooge in chains. The concepts of heaven and hell, and nonhuman beings who dwell in those places, are critical to making the narratives work. 
The basis also draws from a biblical story, that of the Witch of Endor. The main tropes of Victorian spiritualism are present: Saul never sees the ghost of Samuel, only the Witch of Endor is able to see “A divine being rising” from wherever he rises from, and her vague description, “I see an old man rising, wearing a robe,” evokes the cold readings of charlatan mediums into the present (Indeed, some rabbinic sources commenting on this assert that this is exactly what was going on).
While neither of these views of its origin define the genre as the sole property of Catholicism--or of Judaism for that matter--it would be hard exactly to categorize them as secular.
A Jewish Perspective on ghosts
However, it’s not the case that ghost media is incompatible with Jewishness, assuming that it doesn’t commit to a view of heaven and hell duality that specifically embraces a Christian spiritual framework. 
Jewish theology is noncommittal on the subject of the afterlife. The idea of a division between body and soul in the first place is found in ancient Egypt, for instance, earlier than the earliest Jewish texts. In Jewish text it’s present in narratives like the creation story, in which God crafts a human body out of earth and then breathes life into it once it’s complete. It also appears in our liturgy: the blessings prescribed to be recited at the beginning of the day juxtapose Elohai Neshama, a blessing for the soul, with Asher Yatzar, expressing gratitude for the body, recited by many after successfully using the bathroom. 
Yet it’s not clear that this life-force is something separate than the body that lives beyond it, until the apparition of the Witch of Endor. The words we use to describe it, whatever it is, evoke the process of breathing rather than that of eternal life: either ruach (spirit, or wind) or neshama (soul, or breath): neither is a commitment to the idea that it does--or that it doesn’t--go somewhere else when the body returns to the earth. 
Jewish folklore, however, leans into the idea of ghosts and other spiritual beings inhabiting the earthly plane (and others). Perhaps most famous is the 1937 movie The Dybbuk, in which a young scholar engaging in kabbalistic practices calls upon dark forces to unite him and his fated love, only to find himself possessing her body as a dybbuk. It appears that he is about to be successfully exorcized, but ultimately when his soul leaves her body, hers does as well. 
More relevantly to your story, a Jewish folktale inspired the movie The Corpse Bride. In the folktale version, a newly-engaged man jokingly recites the legal formula he will soon recite at his wedding, and places his ring on the finger of a nearby corpse--a reference to a time when antisemitic violence is said to have gotten worse not only at Jewish and Christian holidays as it does still to this day, but around Jewish weddings as well. The murdered bride stands up, a corpse reanimated complete with consciousness, and demands that the bridegroom honor his legal obligation. 
In the movie, the bride gives up her demand willingly: her claim on him is emotional rather than legal, and she finally accepts that he has an emotional connection with another person, that he doesn’t love her. In the folk tale, the dead woman takes him to court to decide whether their marriage is legal, since he spoke the legal words to her in front of witnesses as is required, and the court rules that the dead do not have the right to make legal demands on the living. In this version, the moral of the story is that a legal formula is an obligation; that when he jokingly bound himself to the corpse, he not only disrespected the dead but also the legal framework that structures society, and by so doing risked being obligated to keep his side of a contract he never intended to enact. 
This speaks to the ways that a Jewish outlook can differ from a Christian-influenced “secular” one. Christian-influenced cultural ideas can often focus around feeling the right thing, while Jewish stories will often center on doing the right thing. Does the Corpse Bride leave because she realizes she is not the one he loves? Because she--or he--learned a valuable lesson? Or because she loses her court case? It’s not that the boy’s emotions are irrelevant to the story--the tension, the suspense, the horror of the story takes place primarily within the boy’s emotional landscape--but emotions on their own are not a solution. The question “should he marry her” can be answered emotionally, but “has he married her” can only be answered by a legal expert, and once it has been the deceased bride may not have changed her emotional attachment to him, but she no longer has legal standing to pursue her claim. 
Centering legal rectitude over emotional catharsis isn’t a requirement for having Jewish characters in your story, but it’s worth thinking about what is and isn’t universal, what is and isn’t actually all that secular. 
Meanwhile, back at the topic:
Where does any of this place Danielle?
Well, unless you’re positing a universe in which Christian or other deities or cosmologies are confirmed to exist (See Jewish characters in a universe with author-created fictional pantheons for more on that topic), there’s no reason why they shouldn’t be perfectly fine interacting with whatever the setting you’re building throws at them. 
My wishlist for this character and setting runs more to the general things to consider when writing fantasy settings with Jewish characters: 
Don’t confirm or imply that Jesus is a divine being. That means no supernatural items like splinters of the cross, grails, nails, veils, etc. There’s nothing particularly powerful or empowering about this one guy who lived and died like so many others.
Don’t show God’s body and especially not God’s face, or confirm that any other gods or deities exist, whether that’s Jesus, Aphrodite, or Anubis, or someone you made up for the context. 
Don’t put Danielle in a position where they’re going to play into an antisemitic trope like child murder, blood drinking, world domination, or financial greed. If you have to, name it and let Danielle express discomfort with or distaste for those actions both because Jewish values explicitly oppose all of those things but also because Danielle as a Jewish character would be painfully aware of these stereotypes as present and historical excuses for antisemitic violence. 
Do consider what Danielle’s personal practice might look like. What does Danielle do on Shabbat? What do they eat or refrain from eating? What are their memories of Jewish holidays and how is their current holiday observance different than their childhood? I know I say “Jewishness is diverse” on every ask, but it is, and these questions--which also underscore how very much Judaism is rooted in one’s actions during this life--will help you develop how Judaism actually functions to inform Danielle’s character, even if you don’t spell out the answers to each of these questions in text. 
Do let Danielle find joy, comfort, and identity in their Jewishness not just in contrast with Christianity but simply because it’s part of the wholeness of their character. I know the primary representation of Jewishness is a snappy one-liner in a Christmas episode followed by the Jewish character joining in the Christmas spirit, blue edition, but make room for Jewishness to inform how Danielle approaches the events of your story, or why they decide to get or stay involved.  
-Meir
Hi it’s Shira with some Jewish ghost story recs written from inside–
When The Angels Left the Old Country by Sacha Lamb (deliriously good queer YA Jewish paranormal, mainstream enough that it’s got a good chance of being at your local library and won all kinds of awards)
The Dyke and the Dybbuk by Ellen Galford (sorry for the slur, warning for a paragraph of biphobia in the book but it’s an older book. I read this right before my divorce so my memories are super fuzzy but it’s about this modern day lesbian who gets possessed by the ghost of a different lesbian from hundreds of years earlier in Jewish history.) Nine of Swords Reversed by Xan West z’L of blessed memory - another queer Jewish paranormal.
The general plot is that two partners are struggling with how to be honest with each other about the effect disability is having on them. It’s got a very warm and fuzzy cozy vibe but kink culture is central to the worldbuilding so if that isn’t your vibe I didn’t want you to go in unaware.
The Dybbuk in Love by Sonya Taaffe. I don’t remember the details but I remember loving it, it’s m/f and romance between possessor and possessed.
I wrote a really short one called A Man of Taste where a gentile vampire woman and a Jewish ghost/dybbuk get together.
~S
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fearless-eagle · 2 years
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THE CONFESSIONS OF SAINT AUGUSTINE By Saint Augustine Bishop of Hippo-Book I-Chapter III Everywhere God Wholly Fills All Things, But Neither Heaven Nor Earth Contains Him.
THE CONFESSIONS OF SAINT AUGUSTINE By Saint Augustine Bishop of Hippo-Book I-Chapter III Everywhere God Wholly Fills All Things, But Neither Heaven Nor Earth Contains Him.
Since, then, You fill heaven and earth, do they contain You? Or, as they contain You not, do You fill them, and yet there remains something over? And where do You pour forth that which remains of You when the heaven and earth are filled? Or, indeed, is there no need that You who contains all things should be contained of any, since those things which You fill You fill by containing them? For the…
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flowerandblood · 7 months
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The Evening Star (1/2)
[ Hades • Aemond x Persephone • female ]
[ warnings: sex content, smut, angst, kidnaping, sexual tension, obsession, incest, toxic relation ]
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[ description: When the god of the underworld comes out of his caves once a year to admire his beloved constellation, he accidentally meets his niece, whom he has never seen before. Moved by sudden lust and desire, he kidnaps her, despite her despair and his brother's anger. Angst, sexual tension, dark and obsessive Aemond. ] Part 2: The Moonlight Ray
The Evening Star & The Moonlight Ray Persephone Moodboard
*English is not my first language. Please, do not repost. Enjoy!*
My others works: Masterlist
_____
He never understood his brother, hurling his lightning bolts from the heavens at defenceless people in a rage − he did not understand his volatility, he did not understand his irrepressible desire, his unlimited emotionality.
He did not understand how he could desire and feel so many things at once, having his sister-wife haunt and take other goddesses, nymphs, or even human women, begetting bastards on earth and in the heavens.
He did not understand him, for he was emptiness, abyss, coldness, the opposite of his impulsiveness, his eternal volatility − he was like stone, like white marble, soul as well as body.
The only desire he had ever known in his life was the desire for power, and for this his brother deprived him of one eye before casting him into a dark abyss where not even the light of the stars could reach.
Although he was a god, his brother's blow could not be undone and he was forever disfigured, the dark hole in his face filled with a precious stone, sapphire, shining with a disturbing blue light.
Accustomed to the darkness of Hades, he could no longer bear the intense light of the sun and rarely appeared on Olympus itself; he would wander through his dark caverns in his long, black matted robe and gaze at the river Styx, at its pale light and the contorted terrified faces of the souls who swam in it.
When word reached him that his brother had mated with their other sister, the goddess of the field crops, and that she had bore him a daughter, he was neither surprised nor interested − he did not come to celebrate her birth on Olympus or congratulate his brother.
His brother had often suggested to him that he should take a wife, that he should not be alone in the darkness of the underworld.
He, however, felt no such need.
Even his sister, known as the Goddess of Love and Desire, was unable to seduce him.
She touched his naked body with her soft lips and hands, but he felt nothing but embarrassment.
He left Hades only once a year, when his favourite constellation emerged in the sky − He would then stroll through the old, dense forest looking up at the stars, breathing in the fresh air, listening to the rustle of the leaves.
When this time of year came, when he left his caves and looked up, he felt contentment at the sight of the twinkling dots in the sky, the pleasant night breeze enveloping his cold body.
He strolled slowly and aimlessly, looking upwards, all around him only the quiet rustling of his robes and the sound of dew-wet grass lingering beneath his feet.
He froze as he heard someone's footsteps break a twig not far from him, he knew he was not alone and he was furious.
He thought that whoever this mortal was, he would flow right down his river of the dead.
He tilted his head to the side and saw a pale figure illuminated only by shy starlight, her body pressed against the trunk of a tree as if she wanted to take refuge in it, her face expressing helpless anxiety.
Her eyes were big, warm and as dark as his robe, her hair long, partly loose, partly decorated with rich braids encircling her head, small blue flowers woven into her hair.
Her full, moist, fleshy lips were parted slightly in an accelerated breath, her breasts which he could see perfectly through the thin, transparent material of her robe were rising and falling restlessly, her skin glistening like moonlight.
He stared at her, unable to move or make a sound, unsure if he had ever seen a being so infinitely beautiful in his life, luminous as the stars above his head.
He swallowed loudly when he saw that she had taken a step back to retreat, to escape.
"Is it the beautiful Evening Star herself who has left the sky to enchant me with her company?" He asked lowly, impassively, his voice though assured and direct trembled, betraying his desperation.
She stopped in mid-motion and looked at him again, surprised and embarrassed at the same time by his words − it seemed to him that he saw perfectly well how her cheeks flushed, giving her skin a rose tint.
She pressed her lips together watching him carefully, lifting her chin slightly as if probing him closely from afar, assessing whether he was a threat to her, whether he would hurt her.
He was unable to take his eyes off her.
"I will tell you who I am only if you tell me who you are." She whispered in a trembling, gentle tone.
A smirk appeared on his face at the thought that maybe she was a nymph who had ventured too far from her friends, and that she was at his mercy now.
He hummed under his breath and moved ahead, putting his hands behind his back, looking under his feet, moving unhurriedly towards her.
"They call me many names." He said with mischievous amusement, throwing her a piercing, disturbing look from which she shuddered all over, taking a step back again.
"My river, though water is a life-giving gift, brings death." He whispered once he was a few steps away from her, wanting her to solve the riddle herself, to exert herself.
She swallowed loudly, her eyes widening suddenly, as if she had just realised something.
"− uncle −" She whispered, and he froze, stopping in mid-step; for the first time in the thousands of years he had walked the world he felt his own heart pounding hard.
He looked at her in disbelief, and it was only at close that he saw that she did indeed have something of his brother and sister in her, though it was her she resembled more − he felt himself grow even paler than usual, his hands clenched into fists behind his back.
She, however, seemed not frightened about who he was, her face took on an expression full of contentment and warmth. She moved closer to him and now it was he who took a step back feeling a strange heat in his lower abdomen, his manhood throbbed suddenly as he caught a glimpse of the outline of her soft breasts.
"My mother told me a lot about you. About the sun hurting your eye." She said softly, and he swallowed loudly seeing that she was staring at his scar, at the stone placed where his eye once was.
He thought he was like Hephaestus, hideous, disfigured, and that she would never desire him.
He felt his jaw clench tightly, his body tense, hard as granite when she tentatively placed her soft hand on his shoulder, he felt the warmth of her flesh through the thin material of his robe.
He didn't know what was happening to his body, he felt tickling and tension in his lower abdomen, a strenuous need for some kind of relief that he didn't understand.
"Stay with me to watch the sunrise. Don't sink into darkness yet." She whispered as if in worry − he couldn't tear his eyes from her face, from her warm gaze.
He was unable to comprehend how any living being could be so beautiful.
"No." He said coldly, and then grasped her in his arms, his hands clenching on her soft, hot flesh like steel tongs.
For a moment she couldn't make a sound, terrified and shocked − she didn't scream when he threw her over his shoulder and headed towards his underworld, cold, dark, damp.
It was only when she realised what he was doing that she began to struggle and cry, calling loudly for help from her mother and father, begging him not to do it, to let her go, that she would not tell anyone about it.
He, however, decided to follow his brother's advice and take a wife.
The marriage required the oaths from both of them, but this did not prevent him from acknowledging her as his wife even though she refused to speak the words.
Even though he had given her his most beautiful chamber, on whose ceiling precious minerals shimmered like stars, in which streams of water hummed, in which she could lie on a great, soft bed, she did not want to see him.
He was not his brother.
He had no intention of taking her against her will.
It was enough for him that he could look at her every day.
Only him.
He bestowed new gifts on her every day, but she still cried.
He gave her a beautiful long gown of dark, translucent material embroidered with stones in which the warm light of the sun was encased after she said she longed to see it, but she didn't even look at it.
The blue flowers in her hair withered as did the warmth in her eyes − she was slowly becoming as pale as he was and was constantly shivering from the cold.
She would not let him embrace or touch her; she covered herself with the thick furs he had given her and turned away from him.
Occasionally something would awaken in her − she would then run up to him when he visited her and beg him to let her leave to see her mother.
"I promise you that I will come back and that I will be your wife. Please, let me see the sunshine and the fresh grass one last time." She begged, touching tenderly his cold cheek with her fingers, almost as if she loved him, and he almost gave in to her every time.
"I can't, Persephone." He replied coolly, feeling some kind of pain seeing the despair on her face, hearing her helpless sobbs again, her small hands clenched on his robe, her cheek hugged to his chest.
"My name is Kora." She mumbled with difficulty, as if enraged. He hummed at her words, lifting slowly his large, cold hand, taking unruly strands of her hair from her face, all red from crying.
"Persephone, this name, is my gift to you. For my sweet wife." He whispered, and she trembled, struggling to breathe, shaking all over.
"− please −" She babbled as he embraced her uncertainly and stroked her hair, relishing its soft texture, letting her draw on this substitute of comfort.
He walked with her through the interiors of Hades, wanting to show her that besides death, there was also beauty in the underworld − underground streams and lakes with crystal clear water, his three-headed, beloved Cerberus, who in his presence turned from a monstrous beast into a gentle, docile animal.
Sometimes it seemed to him that a smile adorned her face for a moment, but then the sadness came over her again − she shuddered with cold and fear hearing the wailing of souls floating in the Styx, she glanced nervously in that direction, swallowing loudly.
"Are they suffering a lot? Can they be helped?" She whispered, and he hummed under his breath, walking beside her with his arms folded behind his back.
"They are paying for what they have done in their lifetime. Their merits and transgressions have been weighed by Temida, who has issued a judgment on them. There is nothing I can do." He admitted with a glance at her, and she lowered her gaze, looking down at her hands.
"Are you afraid of me?" He asked her at last, and she lifted her large, frightened eyes to him, her lips parted but no sound came from her throat. He pressed his lips together, feeling a sting in his chest.
He asked her if she was afraid of him after he had kidnapped her and held her against her will.
What did he expect?
The wrath of his brother and sister was quickly getting to him − her mother distraught at her disappearance had fallen into a state of utter agony, people were being starved to death by the land's failure to yield crops, there were more souls flowing in the Styx than he had ever seen in his centuries-long life.
He felt a kind of satisfaction when his brother descended into the underworld for the first time since time immemorial; he hated to think about dying and passing, and could not grasp the meaning of such a short life, knowing only the meaning of infinity himself.
He came out to meet him sitting proudly on his black marble throne, thousands of skulls at his feet.
For the first time he looked down on his brother, a gigantic cave all around them, Styx surrounding them on all sides except a small bridge.
"Brother. I warn you for the last time. If you don't give me my daughter..."
"Then what? I should take a wife at last – those are your words, aren't they?" He asked with a sneer, sitting stretched out comfortably in his seat.
"I want to see her." He demanded, and his lips tightened at his words. "Or I'll take her away from you myself and you'll never see her again."
"I poured water from my river into the honey she drank. Like any soul who has already bound herself to the underworld, she will not leave Hades without my permission." He said calmly, and his brother's face flushed red, his angry low voice echoing around him so that the ground shook around them.
"I WANT TO SEE HER!"
He hummed under his breath and nodded to his servant to bring her in.
His wife came out of her chamber a moment later − when she saw her father she immediately beamed, ran to him and threw herself into his arms.
He looked at them coolly, feeling his heart pounding fast, his stomach twisting with rage.
"My sweet daughter. Did he hurt you?" He asked as if the welfare of any woman mattered to him, as if he hadn't raped an endless number of innocent girls, forgetting them quickly because they were dying in what seemed to him to be just the blink of an eye.
He swallowed loudly when his Persephone shook her head, tightening her lips, lowering her head.
"He's good to me." She whispered and he felt a squeeze in his heart, a pain he had never known before.
His brother looked at him accusingly, trying to contain his aggressive, abrupt nature.
"People are suffering hunger because of you. Her mother has gone mad with despair, the flowers are not blooming, the grains are not yielding. Let them be together at least a few months of the year and I will recognise your marriage in the eyes of Olympus." He suggested, and he furrowed his brow.
"No." He hissed coldly, his gaze icy, piercing, furious, his hand clenched into a fist. "She is my wife. A wife's place is with her husband."
His brother moved in fury, wanting to lash out at him, the ground shook around them again, but his daughter's hand stopped him.
"Let us speak alone, father." She said softly; his brother backed away, panting heavily, his jaw clenched tight.
He hummed under his breath when he saw his wife move towards him, climbing the black, cold stone steps to finally stand before him − his brother snorted and turned, walking away, furious.
He looked up at his Persephone massaging his chin, delighted to see the outline of her body shapes beneath her thin white robe.
He shuddered and swallowed loudly, shocked as she sat on his lap, his manhood throbbed suddenly feeling her body so close, her fresh scent like a cool morning breeze.
"− husband −" She whispered with a soft click of her pink tongue, her hips innocently rubbing against his hardness, his body shivered at the sound of that word.
She had never called him that before.
She touched his cheek with her soft fingertips so gently, tenderly, slow strokes of her hips teasing him so innocently, that he parted his lips, breathing with increasing difficulty, his palms tightening on his cold stone armrests.
He could feel his length pulsing and swelling with every motion she made, he didn't understand what was happening to him.
He didn't stop her when she reached up to tie of his matte black robe, he drew in a loud breath and closed his eyelids when her delicate hand tentatively touched what was underneath.
"I am yours. I will give myself to you of my own free will." She whispered in a sweet, warm, trembling voice, her gaze misty, her lips full, swollen, red from emotion.
A quiet, low groan broke from his throat as he felt her hand direct the fat head of his manhood between her thighs with a gentle movement, he could see through the translucent material as she slowly began to sink him into her body.
He tilted his head back with quiet moan, licking his lower lip, feeling her hot, fleshy insides squeeze him wonderfully from all sides − she was surprisingly moist and warm, her core throbbing with arousal.
He felt her put her hands on his shoulders, lowering herself onto him with a loud, sweet gasp, her plump lips parted wide.
His hands involuntarily gripped her hips as she began to move, rising and falling against his length so painfully slowly that he had to close his eyelids shut, panting louder and louder along with her.
"– gods –" He exhaled with difficulty as she accelerated, the loud, sticky slaps of flesh against flesh echoing through the dark cavern, his manhood throbbing and twitching inside her, all hard and swollen with pleasure.
Involuntarily, his cold fingers clenched on the hot skin of her hips − he rooted his manhood into her tight, moist insides with his desperate, pathetic thrusts, her sticky moisture dripping down her thighs.
"– for our marriage to be valid you must fill me with yourself, my husband –" She whispered, pressing her forehead against his, droplets of sweat glistening on her body like little diamonds, her sweet moans of pleasure, her slick walls sucking him inside made him loose his temper.
He gasped weakly at her words, he had never felt a woman's insides before, had never desired anyone before her.
He felt like his manhood was going to explode with desire and lust, his thrusts became faster and more brutal, her soft breasts bouncing in front of his face − he lifted his hand and squeezed it tentatively, a soft mewl of delight erupted from her throat.
"– Persephone –" He breathed out pleadingly, imploringly, and then she kissed him, her hot, swollen, moist lips clinging to his, cold, dead, the tips of their tongues licking each other.
"– please –" She mewled although he didn't know what she was actually asking him, and then he heard her cry loudly, as if surprised, her hot insides clenching against him greedily, her tongue deep in his throat.
He felt with each thrust of his hips that he was getting closer and closer to something he'd never experienced before in his life.
Fulfilment.
The wave of heat and pleasure, his seed that spilled inside her surprised him so much that his voice stuck in his throat, and then again and again a low, helpless groan broke from his mouth − both of them were panting as they looked at each other with their lips open wide, his hands clenched painfully tight on her hips.
"I'm yours." She whispered softly, sweetly − he was looking at her feeling only peace, only love. "I am only yours, so please, let me see her."
He felt the heat in his heart replaced by coldness, his brow furrowed in a sense of anger, of pain, of betrayal.
"No." He hissed, wanting to lift her up, but she shook her head, cupping his face in her warm, soft hands.
"I will never truly be your wife if you won't trust me. If I don't come back to you of my own free will." She said helplessly, pain, fear and suffering in her eyes again, his lips tightened into a thin line at her words.
"Nine months with my mother so I can enjoy the sun, and then three here, just with you, every night, every day, I swear." She whispered tenderly pressing her face against his cheek, her scent overpowering and stupefying him, her warm insides still pleasantly enveloping his already soft manhood.
He swallowed loudly at her words, his palms digging firmly into the soft skin of her thighs.
"You're lying. You will never come back to me." He hissed and groaned low when he felt her hips begin to move up and down again with a loud click of her wetness and his spend, his manhood pulsed involuntarily with pleasure, betraying him.
"I'll come back. I promise I'll come back."
As much as she wanted him to lead her away, he didn't want to watch her disappear beyond the borders of Hades never to return.
He didn't want to watch her run merrily towards the light, thanking the gods for his weakness and naivety, for how every woman in history had been able to exploit a man's desires.
He did not want her to see his expression, his suffering and all the other feelings he did not want to feel.
The day after she left, he went to her chamber and lay in her bedding, sinking his nose into her scent.
He found, with regret and pain, that with each passing month her scent grew fainter and fainter, her silhouette in his mind becoming more and more blurred, as if he had never really met her.
He touched himself thinking about her, experiencing both wonderful and painful fulfilment with the knowledge that he would never feel her again.
He preferred to explain to himself that it was just a dream.
That he had never met her.
He knew she would not return.
She would not return to her captor, to the man who had kept her in a dark underworld for months, deaf to her pleas and sobs, a man who was crippled, who was cold, frightening and empty.
Despite this, despite knowing it, when the day came he could think of nothing else − he watched as the sand shifted in the great hourglass constructed of bone and glass as he lay in his chamber, drinking wine, feeling like a demented madman, listening for her footsteps amidst the groans of the dead.
She did not come.
He stared at the empty hourglass, which turned and the sand began to shift again, counting down the time of the new day; he wondered how he could have been so naïve to wait.
For the first time in ages he felt an embarrassing, burning wetness under his eyelids − proof that he really loved her.
He shuddered when he heard the quiet rustling of robes − he glanced sideways and saw her standing in the doorway of his dark chamber, in her hair beautiful small yellow flowers, her face bright and warm.
She wore the gown he had given her, black, decorated with sun rays stones.
"My mother kept me. She couldn't let me go." She whispered, and he felt his throat tighten, his body freeze, unable to make a sound or make any movement.
He breathed hard, looking at her with wide eyes, his lower lip and hands trembling involuntarily as she approached him slowly, as her hands untied the bindings of his robe with a light, easy motion, revealing what was underneath, how much he wanted her, how much he waited for her.
"I have been counting down the days when I will see your face again." She whispered, running her fingers over his scarred cheek, sitting on top of him, gently taking his hard length in her palm, lowering herself onto the fat head of his cock as if it was the most natural thing in the world.
He wanted to tell her that he didn't believe her, but instead a surprised, throaty groan of pleasure burst from his mouth − he tilted his head back, panting loudly, his hips involuntarily beginning to root his manhood into her fleshy, moist insides, her hands clenched on his shoulders.
"– fuck –" He gasped out looking at her with his lips parted, synchronising his thrusts with the rhythm of her body − he swallowed loudly as she slid the material of her robe off her shoulders, exposing her soft, plump breasts to him.
"– touch me, husband –" She cooed, and he lifted himself, immediately pressed his lips to her breast, sucking on it greedily, licking and teasing her nipple with his tongue, all hard with desire.
She sank her fingers into his long white hair and pressed his face against her chest, rising and falling on top of him with a loud click of her moisture, moaning so sweetly and loudly that he felt like his manhood was about to explode.
"– were you touching yourself? – did you touch yourself when you weren't with your husband? –" He hissed out in a trembling voice between flicks of his tongue, she kissed his hair in an attempt to soften his question and her answer.
"– forgive me, husband – forgive me, I've missed you so terribly –" She mumbled helplessly as he ran his fingers down her hips, twisting with her so that she fell on her back.
He gripped her thighs in his hands, looking down at her − her face all red with exertion, her hair scattered in disarray around her head, her body all bare before him, hot, beautiful, his.
"– I think I should remind you to who this body belongs to –" He growled, ending his sentence with a deep, brutal thrust, a loud, surprised moan escaping from her throat.
"– you are mine –"
Thrust.
"– mine –"
Thrust.
"– mine –"
Thrust.
"– repeat –"
"– I – I'm yours – I'm yours, forgive me, uncle –" She mumbled out with difficulty and drew in the air loudly as he spread her thighs shamelessly in front of him, looking down at the place where their bodies joined, her entrance clenching against him steadily, leaking with her wetness.
"– I forgive you, sweet wife –" He gasped, recognising this act of grace as an expression of his love and gratitude that she had not betrayed him, that she had returned, that he held her in his arms again.
"– I'll fill you with my seed and it'll be just as it should be –" He exhaled as he watched the perverse sight of their bodies slamming against each other with a loud slaps, his thrusts deep and sure, each time opening her wide on his thick, swollen cock.
He couldn't believe that she had come back to him, that he could smell her wonderful, floral scent again, that she was allowing him to possess her of her own free will.
Her fingers grasped his hand and sank it between her thighs − he felt her direct him to the small bud between her soft folds, she moaned when he touched her there.
"– here, husband – please –" She mewled and moaned loudly, throwing her head back as he began to rub her there, simultaneously caressing her inside and out, her core beginning to pulse greedily against him.
"– gods – stop clenching –" He exhaled with difficulty, rooting into her with quick, brutal thrusts of his hips, stretching her fleshy walls apart with the sticky click of her moisture.
He felt that if he went on like this he would simply come inside her, when he wanted to torment her, to prolong the moment of this immense pleasure and encounter after so many months.
"– I can't – I can't –" She sobbed loudly and he saw her fulfilment in all its glory, her hot, soft flesh went through convulsions, greedily sucking him inside, her lips parted wide in pleasure, her gaze misty and warm.
He cursed loudly, coming inside her so painfully hard that he clenched his eyes shut, panting loudly, rooting into her for a moment longer, the relief and delight that surged through his body was indescribable.
He looked at her beautiful face, her hands on either side of her head, her expression nothing but fulfilment and peace, her breathing uneven and ragged, her breasts rising and falling rapidly.
She looked up at him after a moment and smiled sleepily, raising her hand slowly − her soft fingertips ran over his scarred cheek and he closed his eyes, feeling pleasant, hot squeeze in his heart.
"What is my wife's name?" He asked in a whisper, kissing her warm, small hand, smelling of fresh grass and flowers. He heard her sigh sweetly at his question, her fingers sliding lower, running over his cold lips.
"Persephone."
_____
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1K notes · View notes
radioactivesweet · 1 year
Note
Ok hear me out, what about moon god s/o x Poseidon, its been itching my mind cause of the sea x moon troupe.
What i imagine is, s/o being a powerful god like nyx but rarely appears so only a few gods know or saw them so Poseidon became curious about this mysterious (beautiful) god. Feel free to add more about this!! im just really craving for someone to write this 🥹
Uhhh I like this concept a lot!! I tried to keep the reader's gender kinda neutral, I hope it's fine^^ btw I really enjoyed writing this!
word count: 1.2k
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Poseidon often found himself staring at the moon. He couldn't really explain why he would do that - not that anybody would dare asking the God of the Sea what he was doing. Unbothered, Poseidon would stand silenty on the ivory balcony, looking up to that apparently endless sky. Even for someone like him that domain appeared far and full of mystery.
It was a dark night, its only beam being the peaceful and perlescent light emanated by the sleeping moon. He was once told that a god inhabited the moon, far from all other living beings. It wasn't known the reason why the deity ended up there, observing humankind from the satellite. Some believed they refused to get involved with human affairs and chose to live as a hermit instead; others claimed the god was exiled and was cursed to live on their own, bound to live in loneliness; some believed that god to have died long ago, the moonlight being their only inheritance, the memento of a god who existed no more, the reminder of a otherwise forgotten past.
Poseidon, everytime he would look at the moon, would wonder the real story behind it. None of the moon goddesses he knew could give him a response, despite asking themselves the same question - with whom were they sharing their moon? A god, a ghost or nothing at all?
Not knowing made the God of the Sea restless. He wasn't supposed to be this ignorant - it was his duty and right to know the truth. Yet, all he knew didn't make sense to him at all. He couldn't find a reason why a god would choose to abandon their place a seek shelter on the moon; if a deity was trapped on the moon, he would have surely heard of it somehow. It wouldn't have been just a rumour; lastly, gods weren't meant to die, it wasn't their nature. They didn't have an expire date nor any time limits, so it was impossible to begin with. If there really were someone looking down on him from the moon, Poseidon would discover it.
Poseidon spent that whole night reading books and looking for information regarding the legends surrounding that mysterious and mystical figure. There weren't many references and he couldn't even find the name of that god, yet there were reported some events which most likely involved them. A beautiful deity whose melancholic face was reflected on the moon on certain nights, someone wearing a silvery armor while riding a shining chariot across the sky. Also, a powerful god who could conceal the sun and the earth. A god capable of moving the stars and making humans into constellations. A god who could flex the tides to their own amusement - which meant disturbing the God of the Sea too - the moon phases and the sea had always been strictly connected to one another, but the thought of someone directly interefering had never crossed his mind. An ancient deity whose name had been long forgotten and all traces canceled, no statues nor temples left, their believers long dead and turned to ashes.
Poseidon was intrigued to say the least. He couldn't recall even if tried the last time he had felt so interested in someone - maybe last time was when he recognised Hades as his brother thousands of years before? He didn't remember anymore, and it didn't really matter to him neither.
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Rumours spreaded fast across the Heavens. It was a matter of days before everybody knew what the lonesome Poseidon was looking for, yet nobody dared approaching him nor suggesting him the information that could have helped him reach his objective. Yet, everybody was curious as to why he was interested in that legend in the first place. Poseidon was used to those lower deities' gossips, so he didn't pay them much care, they were nothing more than a bother and wasn't expecting them to act some other way. He was more interested in what certain gods had to say.
Zeus, despite his prestige, knew no more than him but reccomended talking with the goddess Nyx, whom he was afraid of, much more ancient than he was. Hades and Hermes agreed with Zeus and added some rumours that had been circulating for ages in the Underworld regarding a moon deity who lead the souls of the dead to Hades' domain. Beelzebub clearly remembered studying moon's phenoma and seeing that legendary face. They didn't ask him the reason why he was looking for the god. He wouldn't have answered anyway. Without a single word, he left, approaching his next destination, the goddess all gods feared: Nyx.
He respected the goddess, recognising her value and strenght, but didn't understand the reason why even the almighty Zeus feared - he could only suppose it must have been because of one of his many affairs that didn't end the way Zeus imagined. Poseidon didn't have anything to do with that though, therefore had no reason to fear her.
Nyx knew it all, the story of the human who ascended to the skies and then flew even higher above. That god's name was (Y/n), the vagabond of the stars, the hermit who found a home in the dim light of the moon. Poseidon was satisfied by the answers he had finally found - and a way to reach the moon itself. He was close to his goal.
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He had finally landed on the moon. Poseidon had never been there before. It was the first time he got to see the sea he ruled from that perspective. It was a foreign feeling to him. He could almost understand the reason why humans tried so hard to leave Earth and reach the space - it was undescribable. He couldn't even blame (Y/n) for hiding in that timeless place. Poseidon felt as he could touch the stars if he only wanted to. And he was just about to do it, if only a sudden voice hadn't interrupted him.
"I've heard someone was looking for me. I don't receive many guests, so I suppose you must be that person." it was quite, almost a whisper. It didn't surprise Poseidon. (T/n) mustn't have had someone to talk to in a long time.
"You are Poseidon, aren't you? You often stare at the moon, I noticed it." a voice comparable to the music of the spheres, the musica universalis, the harmony between the celestial bodies.
(Y/n) seemed to have no material consistence, one with the stars and the deep blue sky surround them, floating on the ground, detached from the earthly beings. Poseidon almost felt unworthy of being before someone surrounded by such a, otherwordly aura, belonging to a different dimension. On the other hand, he was attracted by that holy creature.
"You are welcome here, God of the Seas." almost as if they had read his mind, (Y/n) reassured him "We all belong to the moon, all beings are made of the same stardust. There are no differences between us."
For once, Poseidon, enchanted and bewitched, couldn't reply. He was part of that symphony too - he could feel it resonating deep into his bones.
The everlasting sea below him, the everlasting stars above him. Poseidon felt whole for the first time in his equally everlasting life.
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jessamine-rose · 22 days
Text
˖⋆˚♱ଘ Angel’s Tears ଓ♱˚⋆˖
*cries* I thought I was done with Church AU after Priest! Dottore yet here I am with more unholy ideas. Welp, Guardian Angel! Capitano x Nonbeliever! Darling, here we go (;ω;)
Tw:: yandere, psychological trauma, blood, violence, death, religious abuse, MDNI
Note:: fictional depictions of religion
♡ 3.8k words under the cut ♡
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♡ From the moment of their creation, angels are classified into the Nine Orders. This hierarchy determines their role in Heaven and Earth, with higher ranks assigned greater levels of power and authority. A special exception is The Strongest Angel, an individual who is neither a seraph nor an angel from the First Sphere. Rather, the moniker belongs to Il Capitano, the leader of the Powers.
♡ The legitimacy of his title has never been questioned. As a warrior angel, Capitano’s purpose is to vanquish evil. He is the chivalrous knight in bloodstained armor, the nigh-invincible being who strikes fear into the hearts of demons, the ever-righteous angel bound by a paradoxical duty to partake in violence for the sake of everlasting peace.
♡ It is in a small town in Mondstadt, following his victory over a legion of demons, that Capitano encounters you. It is the hour of mass yet you are nowhere near the Church; rather, you have taken sanctuary in a secluded meadow. A book sits on your lap, not a religious text but a tale of dark fantasy. There is a saintlike quality to your countenance, an air of melancholy as delicate as the flowers which surround you.
✿ ⚘
The moment Capitano appears before you, all peace leaves the meadow.
No, this isn’t right. It is normal for humans to feel fear in the divine presence of angels, yet he is donning his human guise. Nonetheless, as soon as his shadow touches your form, you look up and suppress a shriek, your face losing its veil of apathy.
So what exactly did he do wrong?
For your benefit, he remains rooted to his spot. Clarity comes in the form of your gaze flitting to your book, its title printed on the cover in conspicuous letters, the whispers which leave trembling lips.
“I…I can explain! This book—it’s just fiction! There are no real curses or spells inscribed in the text; it doesn’t promote any form of blasphemy!”
Ah, now he understands. You weren’t afraid of him.
Carefully, Capitano takes a step forward and raises his hand in a calming gesture. A gentle expression adorns his false face.
“Be not afraid.”
✿ ⚘
♡ It doesn’t take long for him to understand your wariness. A glimpse into your soul, paired with your quiet explanation, tells the story of an orphan raised by the Church. Only, your Church is one of many founded on distorted beliefs, of violence preached in the name of a cruel god. As a result, your upbringing was marked by strict rules, corporal punishments, and sermons which painted the image of a hopeless child with a weakness for temptation.
♡ Knowing this, Capitano can’t fault you for forsaking God and your Church. Still in his human guise, he promises his silence and leaves the meadow. But once he returns to Heaven, his first course of action is to apply for a position as your guardian angel. It is an easy process—while that role is typically reserved for the lower ranks, there is no shortage of humans in need of spiritual guidance and protection. He only questions why an angel wasn’t assigned to you when you were in greatest need of one.
♡ Henceforth, Capitano becomes a recurring character in your life. Every week, he visits you in the meadow. When you ask for his identity, he claims to be a progressive believer from another town. But rather than enlighten you with the true Word of God, he simply keeps you company and indulges your “vices,” leading to hours spent reading together. Beyond those meetings, he also watches over you to ward off any demons or humans seeking to harm you.
♡ From your end, you slowly warm up to your mysterious companion. He is a man of few words, but his actions always convey a sense of kindness. And despite his faith, he genuinely respects your beliefs and accepts you as you are. At one point, he even gives you a special gift, a quill pen of exceptional quality. The feather, pure white with a soft radiance, must have been sourced from a rare bird of prey.
♡ Over time, however, something changes. Capitano can’t deny that the faults lies with him. His visits, his constant thoughts of you, the ever-blurring line between want and duty…nothing of his behavior can be attributed to an angel’s inherent love for humanity. If that were the case, his love wouldn’t beget heartache. His love wouldn’t beget the temptation to harm others, rooted not in the name of justice but for your own safety. His love wouldn’t beget lust, guilt, dishonor, desires so sinfully evocative of his own infallibility.
♡ The truth is, you were never in need of spiritual salvation. From the moment he first laid eyes on you, what Capitano saw was a pure soul—a good person unlikely to commit evil nor fall into true temptation. Moreover, he knows that your sin of disbelief is forgivable unlike your Church’s sins of violence. That so long as you remain as you are, your soul will not be denied paradise, albeit in a realm of Heaven beyond Capitano’s jurisdiction. So why is he incapable of leaving your side?
✿ ⚘
“I had a long, long dream. I dreamed that you and I met again in the pure white world that we created.”
As you read the final line, your gaze leaves the book and returns to Capitano.
“What did you think of the story?”
Your shoulder brushes against his own, a tempting sensation. It is all he can do to remain still, to think against seeking out more of your touch, to remind himself that your close proximity is a mere necessity for your current activity.
The left side of the book, bearing the story’s ending, rests in your left hand. The other side is held in Capitano’s right hand, a blank page devoid of hope for a happy ending. When he turns the page, you seamlessly catch it under your thumb to show the next page.
Who knew of the casual intimacies imbued in the act of reading together?
“It was a well-written novel,” he says simply. “Though her sins tarnished her honor, Rosalyne’s sacrifice was an act of love. Her loss did not hinder her faithfulness to Rostam.”
“I feel the same way,” you muse. “Now I understand why this book was banned centuries ago. Forbidden love between angels and humans…it certainly goes against what the Church taught us about angels. I have to give the author credit for their imagination.”
It’s just the two of you again, this time in the library. At the start of winter, you invited Capitano to your workplace. There, in your greatest show of trust, you brought him to a secret room dedicated to texts banned by the Church for promoting “blasphemy.” Fantasy, erotica, anti-Church publications, first editions of censored books, stories which merely deviated from the Church’s popular depictions of spiritual beings.
Molten Moment belongs to the last category. Little do you know that it was based on a true story, that the author had really formed a pact with a demon called La Signora. Capitano himself is mentioned in the story under his true name.
He was one of the few angels who noticed the changes in Rosalyne’s behavior. She was once an ophanim, an angel with no connection to Earth nor humanity. Yet by some twist of fate, she laid eyes on a brave knight from Mondstadt and began to meet him in her human guise.
He was the first to hear of Rosalyne’s sin, that being she saved Rostam’s life during a battle. It was a direct violation of God’s orders: Angels and demons may influence humans, but they are forbidden from directly altering a human’s lifespan.
He was a silent witness to Rosalyne’s descent. She fell from Heaven, burned by her own flames, yet she had never appeared more ecstatic. In the following years, she married Rostam and lived a happy life with him on Earth.
He was the last to recognize Rostam’s soul at the pearly gates, forever separated from his fallen lover. Such had been Rosalyne’s divine punishment, worsened by her knowledge of this possibility. But what else was she to do? To let Rostam know of her true nature? To drag his soul down to Hell, where he’d be subjected to an eternity of undeserved suffering?
Capitano is no fool. As he read Molten Moment, he began to understand Rosalyne’s sin in a new light. Half the time, he couldn’t even concentrate on the text, his human eyes repeatedly drifting to your intense reading expression.
He closes the book, leaving it in your sole grasp. But before he can stand up from the sofa, you scoot closer and lean your weight on him. The book is placed on a nearby table, forgotten.
“Do you mind?” you whisper. Your right hand, empty since the prologue, traces his left hand.
A moment of silence precedes his response. “You may.”
Wordlessly, you take his hand and intertwine your fingers. A gesture of intimacy, an unspoken confession. Yet as he savors your touch, Capitano wonders if you would harbor the same level of comfort around his true form.
He doubts it. As a Power, he bears an inhuman appearance on par with that of his superiors. It is his true image which has earned him the title of monster by witnessing humans.
Still, he allows himself to indulge in the blessing that is your oblivion. When you look into his two human eyes, there is a soft light in your gaze wholly free of fear.
“Spring is coming soon,” you mutter. “I can’t wait to see the flowers again. Come to think of it, there’s a variety of narcissus which grows only in late spring. It’s very pretty.”
Against his better judgment, Capitano strengthens his grip on your hand. “Shall I take it as an invitation to resume our meetings in the meadow?”
“Sure.” That is when you look up, a small smile adorning your face. “And if you can’t visit for whatever reason, I’ll pick a bouquet and preserve it for you.”
For once, Capitano is rendered speechless.
Rarely do you ever smile. Even to him, you retain your listless disposition—whether it is out of habit or lingering distance, he has yet to discern your reasons. But that is what makes it all the more special, those few instances when he is beholden to your expressions.
He wonders if this is what humans feel in the divine presence of angels, when they are borne witness to all things holy and beautiful.
Your smile is a phenomenon reserved only for the worthiest of souls. And in your grace, he has never felt more undeserving.
✿ ⚘
♡ At the end of winter, a religious war is authorized by the Church of Mondstadt. Shortly after the news reaches your town, Capitano informs you that he will be busy with “work.” He says it during another reading date, featuring Heart of Clear Springs. Before leaving, he kisses your hand and gives you a kind smile. There is a sad look in his eyes, but you don’t inquire further.
♡ In late spring, your town is attacked. With the entire area under fire, from your home to the meadow, you find yourself running back to the sacred building which you’d avoided for years. After all, though the enemy soldiers belong to a different denomination, they still worship the same god as you. In the present, the church is the only place on Earth where you can claim asylum and pray for your survival.
♡ Except every entrance is locked, including the doors to the orphanage. As the army reaches the town square, all you can do is bang on the front doors and beg to be let in. From inside, you can hear the voices of the people that luckily attended mass before the invasion. Some tell you to hide elsewhere, others beg you for forgiveness, a few sound like the nuns and caretakers who tormented you in the past.
♡ Before you can think of another sanctuary, a soldier strikes you. Pain…it has never felt more intense. Through your fading consciousness, you register your body falling and your head hitting the concrete. Blood pools from your forehead and trickles down the steps of the church, tainting it red.
♡ Life flashes before your eyes in a blurry sequence. The static images of God, sermons and bruises, unanswered prayers, people who never believed you or simply didn’t care. A birthday celebrated with your departure from the Church. Sanctuary found in the library followed by the meadow. Yet the numbness remained, each day bleeding into the next in a gloomy haze. In all those years, did you ever feel God’s love?
♡ It doesn’t matter at this point. A small part of you wonders if you should have retained your faith, continued your prayers, sought out salvation in the safety of your solitude. At least then, at the hour of your death, you wouldn’t be confronted with the fact of your humanity. The primal fear of death, the spiritual fear of ending up in Hell no matter Capitano’s reassurances.
♡ Capitano…where is he? Weakly, you call out to him but he doesn’t appear. Of course, why would he? You should feel thankful; it means he is probably safe, wherever he is. Still, you can’t help but wish he were here—if not to save you, as he has done by simply keeping you company, but to comfort you one last time. And those are the thoughts which plague you in your final moments, an unheard prayer on the tip of your tongue.
“I pray that we meet again, myself and the first person who truly loved me.”
♡ ______ died on a cloudy day, one of many people persecuted in the name of God. After the Church was destroyed and its followers slaughtered, their body was buried in a mass grave that once flourished with nature. There was a poignant quality to their countenance, an air of distress as transient as the flowers planted above them.
♡ At least, that is how your story ends from the perspectives of the survivors. But to the angels and demons who witnessed the destruction of your town, your death was only the end of a chapter in your life. In their eyes, Capitano had been present all throughout, an invisible witness to your death, absolute in his refusal to perform an unauthorized miracle.
♡ He remained by your side until the light faded from your eyes. That was when he took notice of the bouquet of narcissus clutched in your hand, tainted with blood despite your feeble efforts to save his gift. A soldier approached your corpse, intending to drag it down the steps for burial; but before they could touch you, Capitano appeared before them.
♡ It was only for a brief second, but the soldier drew back and cowered in fear. In the following days, they were haunted by the memory of the angelic figure who appeared outside the Church of Mondstadt. Or more precisely, the monster who prayed over a bloodstained corpse and took a bouquet of ruined flowers out of their grasp.
✿ ⚘
From the moment you wake up, all peace leaves the meadow.
What happened? Your memory comes back in hazy fragments—death, darkness, blinding light, pearly gates, ethereal figures. Most vivid is the sensation of strong arms and soft feathers, a familiar warmth which accompanied you throughout your journey.
As for your current surroundings, you are in a meadow so beautiful that it brings to mind the Garden of Eden. Flowers of every variety bloom across the scenery, some out of season. The sky is bright, sunless, a canvas of multiple colors. There are no other signs of life.
Internally, too, something feels off. A nearby pond provides a glimpse of your reflection—white garments, gold scars in place of your fatal injuries, your disoriented countenance. If this place is what you think it is…shouldn’t you feel at peace, happy even? And why are you alone?
Your gaze lands on a patch of flowers. Pure white, perianth petals, cup-shaped coronas…the same type of narcissus which grew in your favorite meadow. The flowers point in different directions, as though searching for a sun that does not exist.
“You are awake.”
A shadow touches your form, engulfing you in darkness. It bears a large, unrecognizable shape but such details escape you as you recognize the voice behind you.
“Capitano!” Immediately, you turn around, only to gasp and suppress a scream.
The person before you…can you even call him human? He is incredibly tall, to the point that you must crane your neck to see his face—assuming there is one beneath his iron mask. His body is clad in silver armor, stained blood in some places. A halo, shaped like a crown of thorns, shines behind his head.
But what shocks you are his wings. A single pair covered in radiant white feathers and eerily dark blue eyes. Each eye seems to glow with an uncanny aura.
Dark blue eyes with a striking resemblance to Capitano’s. What more for his long black hair and his solemn manner of speaking?
It doesn’t make your revelation any less unsettling.
“Capitano.” Your voice comes out in a nervous whisper. “Is it really you? You’re a…”
“An angel,” he confesses. He takes a step back, widening the distance between your bodies. “I ask that you pardon my appearance. Such was my sacrifice—for my true form, in all of its monstrosity, to be my sole image.”
His human face comes to mind, along with the kind gaze you fell in love with.
You feel the weight of multiple gazes on you. “What do you mean?”
“Is this realm to your satisfaction?” he asks. “I beseeched God to create a special paradise for you, cut off from the rest of Heaven. The price is that your capacity to feel negative emotions remains in this realm…though that is preferable.”
Preferable? How so? Right now, you can barely process what he is telling you. You are dead. Your companion is an angel. Your soul is in paradise, but not exactly.
After everything you’ve been through, you were still deemed worthy of a place in Heaven.
“I am sorry.”
Capitano’s voice brings you back to reality. He has never sounded more serious, emotional, repentant. And when you look up…
Is he crying?
Most of his eyes remain open, focusing on you with a fervent stare. But others are downcast, as if unable to face you. And a few appear glossy, blinking back iridescent tears.
“I am truly sorry.” He bows his head in shame, wings folded. “What I did to you was cruel, an absolute injustice.”
You don’t know which eyes to make contact with. “You—”
“It must have been painful,” he continues. “Even if I were to justify my actions, the truth lies in the fact that I tolerated your suffering for my own selfish desires. And that is why I ask not for your forgiveness, knowing I am the one at fault.”
Silence. In light of Capitano’s confession, all you can do is stare at him and comprehend the weight of your situation. What exactly are you supposed to feel, knowing his betrayal? Knowing that regardless of your feelings, you have nowhere else to go in the afterlife?
Yet despite it all, your prayer came true. The two of you were able to meet again.
And that is what compels you to take a step forward, to come closer until you are standing in front of him. “Hey, it’s…don’t cry.”
A delicate sensation blesses his wings—your hands carefully tracing his feathers to wipe away his tears. Several eyes widen in surprise, but all he can see in your gaze is sympathy.
“I’ll admit, it was painful,” you tell him. “Dying alone. But maybe it’s…better this way. If I survived, I’d have to deal with the loss of my home. And who knows what kind of living hell the other Church would’ve put me through?”
Above all, Capitano is the only person whose love you can believe in.
Hesitantly, you take his hand and intertwine your fingers. The next words to leave your lips are spoken with certainty, bringing fresh tears to his eyes.
“I’m sure it was an act of love on your part.”
His reaction is sudden, incurring your surprise. But all you can do is surrender to Capitano’s embrace, allow his free arm to hold your waist and pull you closer to him. His wings wrap around you, caging you in soft feathers and eerie blue orbs.
“Capitano?” You can only look up at him, peering into the contents of his mask.
…It’s like staring into an abyss, a night sky dotted with twinkling blue stars. But in the absence of a human likeness, his words express what a face cannot.
“Never again,” he vows, “shall I allow harm to befall you. That is a promise.”
The hand on your waist moves upwards to caress your face. His touch is light, more hesitant than his previous gestures.
“You need not serve God nor partake in fruitful labor like the other souls in Heaven. All I ask is that you rest, indulge yourself, enjoy this paradise to the fullest.”
A flower is pinned to his armor, right above his heart. You recognize it instantly—a narcissus in full bloom, stained with your blood.
“If you desire a flower, it shall grow at once. If there are any books you would like to read, they shall be brought to you shortly.”
What was the name of that variety again? Narcissus triandrus. Angel’s tears.
“If you are in need of my presence, I shall appear before you, so long as I am not in the midst of battle. And should you ever desire the opposite, I can promise my distance.”
When Capitano looks into your eyes, all he can see is his own reflection. Whatever emotion colors your gaze, it casts his true image in a compassionate light.
“I shall do everything in my power to bring you joy for all of eternity. Such will be my penance.”
“...All right.” With that, you close your eyes and lean into his touch. He feels warm, comfortingly familiar. “I’ll trust you on that.”
Rest in peace, ______.
Think not of your mortal body in the beginning stages of decay.
Think not of your tormentors who are paying for their sins in Hell.
Think only of eternity with your beloved savior.
Note:: Church AU is still on my “will not write” list. I only wrote this because I specifically like Priest! Dottore and Angel! Capitano. Please do not send me any Church AU asks/ requests involving other characters or dynamics.
Aahhhh it's done....this idea turned out much heavier than expected, but I'm glad that I was able to write this!! I hope you all cried over enjoyed the story of Angel! Capitano and his damsel. They were truly a delight to write for~
Tag a Capitano enjoyer!! @diodellet @navxry @leftdestiny-posts @beloved-blaiddyd @bye-bye-sunbird @yandere-romanticaa @harmonysanreads @mochinon-yah @oofasleep @micchikari @whispereons @thescribeoflostmemories
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tamurakafkaposts · 2 months
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It’s probably not just by chance that I’m alone. It would be very hard for a man to live with me, unless he’s terribly strong. And if he’s stronger than I, I’m the one who can’t live with him. … I’m neither smart nor stupid, but I don’t think I’m a run-of-the-mill person. I’ve been in business without being a businesswoman, I’ve loved without being a woman made only for love. The two men I’ve loved, I think, will remember me, on earth or in heaven, because men always remember a woman who caused them concern and uneasiness. I’ve done my best, in regard to people and to life, without precepts, but with a taste for justice.
Coco Chanel
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callme-darling · 3 months
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no bc imagine sitting on a balcony with swann while he smokes and this is playing faintly in the background.
(losing my mind currently)
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Blue and orange are complementary colors, which means they are opposite each other on the color wheel, positioning that signifies their complementary nature. When these two colors are placed together, one color tends to make another color stand out, highlighting a contrast. Blue is the color that contrast with orange, they can create the strongest visual impact.
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Sasuke is associated with blue color and naruto is associated with orange color. On the color wheel, blue is the direct complement of orange. Since orange is a mixture of red and yellow, your complementary colors will be purple and blue respectively. Blue can be the complement of both yellow and orange
VOTE1 & VOTE2 = Blue & Orange
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Blue (Sasuke) is a cold color while Orange (Naruto) is a warm color.
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Kage summit arc
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VOTE2
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Also Sasuke is associated with purple color and naruto is associated with yellow color. Purple and yellow it brings high drama, contrast, and emotional tension. They are each really emotional colors, and they create fantastic tension with each other.
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The giant explosions created by the collision of Rasengan and Chidori in vote1 and vote2 are exactly opposite colors. Naruto's chakra color (yellow) and Sasuke's chakra color (purple)...they are opposite side of each other as well.
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Note: (Cool colors) Sky-blue, blue and violet/purple indicate night time, means 'yin'. Violet color indicates midnight. (Warm colors) Yellow, orange and red indicate day time, means 'yang'. Naruto & Sasuke colors are complementary and when they combined or mixed, cancel each other out by producing color like "white or black". Sasuke would become 'black' and Naruto 'white'. They are yin & yang.
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Yang began to signify the sun itself and the state of brightness and openness while Yin began to signify the moon and the state of darkness and closeness. As a result, they further derived two mutually complementary principles, of which Yang represents masculinity, light, warmth, dryness hardness, activity, etc., while Yin represents femininity, darkness, cold, moisture, softness, passivity, etc
the interdependence of Yin & Yang means that each of the two aspects is the condition for the other's existence and neither of them can exist in isolation. For instance, without daytime there would be no night; without male there would be no female. Hence, it can be seen that Yin and yang are at once in opposition and in interdependence; they rely on each other for existence, coexisting in a single entity.
The basic idea of Yin and Yang is not just the existence of the binary elements nor the dichotomy of phenomena but the harmony of opposites: they are not just in contrast or contradiction. Through the appropriate combination of Yin and Yang, these co-existing elements create beauty, balance and completeness.
Literally, Yin means dark or shade and Yang means bright or shiny. Both the physical and metaphysical worlds can be defined in terms of the relationship of the binary elements. The coexisteiice of opposites is a universal principle: love and hate, happiness and sadness, life and death, pure and practical, material and spiritual, black and white, and so on. Yin and Yang produce everything in the universe through combining in various proportions. In Onmyōdō, Heaven is Yang and Earth is Yin. Without Yang there is no Yin; without Yin there is no Yang. Both create a totality, a complete whole.
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actual-changeling · 8 months
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when gabriel/jim (jabriel?? gim?????) talks about his "one particular person", aziraphale's smile is such a blink and you will miss it moment but so incredibly precious and we don't pay enough attention to it.
so, welcome to another round of alex's unhinged meta corner where i over-analyse micro expressions while losing some more braincells.
firstly, here's a clip of that scene just so we are all on the same page since i don't know how much time everyone else spends watching that show. don't ask me it's probably at least 6 hours a day at this point
what i want to focus on is aziraphale's reaction to jabriel's words right after "person". did i slow the clip down and then go through it frame by frame to get the following screencaps? yes. yes i did.
there are two parts to this, the spaced-out smile and then his shock/fear. also before we start can i just say how fucking insane whoever made the trailer was for putting the 1941 dinner scene RIGHT THERE??? with THAT expression??????? yeah. no. i need therapy for that alone.
anyway.
while he is talking, aziraphale is looking at jabriel the entire time, but honestly, i don't think he is actually seeing him, he's neck-deep in his memories of crowley. he as that sparkle in his eyes he tends to get around crowley/looking at crowley and that smile appears rather slowly (or as slow as something can be while lasting less than a second).
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personally, i'd call that expression "completely and utterly in love" or besotted if you wanna keep it simple. a content little smile meant for no one except himself, the kinda look he probably wears in private while calling crowley to ask him to come hang out. aziraphale loves him and in this short moment, he knows it - and so do we.
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when jabriel (preferable over gim, in my opinion) trails off, aziraphale remembers that hey, wait a minute. that's my boss. that's the archangel fucking gabriel. he can't know about me and crowley.
at this point, neither we nor he know what exactly is up with jabriel, so there is a very real danger that everything aziraphale says or shows will be reported back to heaven. the shock sets in, the smile disappear and aziraphale falls from cloud 9 (pun intended) and lands face first back on earth.
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while aziraphale does not have crowley's memory of what exactly went down in heaven when they tried to burn him to a crisp, he has always been incredibly anxious around gabriel and the other archangel. he is fidgeting, unable to stand still or even keep his gaze from flicking around. the only moment he calms is, you guessed it, when he is zoned out and thinking of crowley.
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the very real fear that settles on his face is not just about himself, it is mostly about crowley. if heaven knows, hell will, too. everyone knows about the back channels, most just try and keep up plausible deniability. the fact that it is michael who seems to be directly in contact with hell for the most part and not gabriel is worthy of its own post at some point.
another thing worth mentioning is that aziraphale is so afraid, in fact, that he physically backs away from jabriel and gets as much distance between them as possible. jabriel looks like a lost toddler, very non-threatening, but the trauma runs so deep that it does not matter how much of a danger he really is right now. he has been a constant threat for over six thousand years, you cannot deconstruct your view of a person, especially your boss, that quickly. not even if they turn up with total amnesia on your doorstep. naked.
this was less unhinged than some of my other posts but i think this is a moment that gets overlooked a lot. at least i haven't seen anyone talking about it yet since we are all understandably focused on the ending of episode 6.
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northgazaupdates · 4 days
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23 April 2024
Civil Defense first responder Abdullah Al-Majdalawi reports that while transporting a baby girl to the hospital after her home was bombed, he discovered that someone (probably her mother) had written a verse from the Qur’an on a piece of notebook paper and stuffed it in the girl’s pocket. He says this is how mothers in Gaza try to protect their children. Instagram user laulaozturk.yildiz61 provides a full English translation of the verse:
ENGLISH TRANSLATION:
Allah - there is no deity except Him, the Ever-Living, the Sustainer of [all] existence.
Neither drowsiness overtakes Him nor sleep.
To Him belongs whatever is in the heavens and whatever is on the earth.
Who is it that can intercede with Him except by His permission?
He knows what is [presently] before them and what will be after them, and they encompass not a thing of His knowledge except for what He wills.
His Kursi extends over the heavens and the earth, and their preservation tires Him not.
And He is the Most High, the Most Great.
instagram
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tag drop 1.
#‵ *.: ⚘ :.*・❨ 𝐬𝐞𝐦𝐛𝐥𝐚𝐧𝐜𝐞 ❩・ ⏤ she’s an undiscovered element ‚ neither born in hell nor heaven﹣sent. ′#‵ *.: ⚘ :.*・❨ 𝐚𝐞𝐬𝐭𝐡𝐞𝐭𝐢𝐜 ❩・ ⏤ i won’t sink into a sea of grey ; a violence of colour. ′#‵ *.: ⚘ :.*・❨ 𝐦𝐮𝐬𝐢𝐧𝐠𝐬 ❩・ ⏤ so open up my sternum ; the only constant is a crutch ‚ the only blessing that i know. ′#‵ *.: ⚘ :.*・❨ 𝐚𝐛𝐨𝐮𝐭 ❩・ ⏤ can you hear the thunder in my chest? ′#‵ *.: ⚘ :.*・❨ 𝐚𝐧𝐚𝐭𝐨𝐦𝐲 ❩・ ⏤ flesh and bone ; the sky above ‚ the earth below. ′#‵ *.: ⚘ :.*・❨ 𝐡𝐞𝐫𝐢𝐭𝐚𝐠𝐞 ❩・ ⏤ i’ve grown into the ground and there are branches in my bones. ′#‵ *.: ⚘ :.*・❨ 𝐦𝐚𝐧𝐧𝐞𝐫𝐢𝐬𝐦𝐬 ❩・ ⏤ set fire to the sun ; let the colours run. ′#*‵ ・ 𝐚𝐫𝐬𝐞𝐧𝐚𝐥 ⏤ raise your weapon ・ ′#‵ *.: ⚘ :.*・❨ 𝐬𝐤𝐢𝐥𝐥𝐬 ❩・ ⏤ show me those pretty white jaws ; show me where the delicate stops. ′#‵ *.: ⚘ :.*・❨ 𝐬𝐲𝐦𝐛𝐨𝐥𝐢𝐬𝐦 ❩・ ⏤ when the bloodwork won’t give us the answers. ′#‵ *.: ⚘ :.*・❨ 𝐥𝐢𝐤𝐞𝐬 ❩・ ⏤ watch her spirit lift ; she’ll take over the stage and she’ll take over the night. ′#‵ *.: ⚘ :.*・❨ 𝐬𝐨𝐮𝐧𝐝𝐭𝐫𝐚𝐜𝐤 ❩・ ⏤ so turn up the noise! ′#‵ *.: ⚘ :.*・❨ 𝐜𝐡𝐢𝐥𝐝𝐡𝐨𝐨𝐝 ❩・ ⏤ we were kind of feral ‚ wicked ‚ little machines. ′#*‵ ・ 𝐛𝐚𝐧𝐝: 𝐫𝐞𝐬𝐨𝐥𝐯𝐞. ⏤ cherish what is finite ; everlasting‚ all encompassing love ・ ′
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