#patrick stump appreciation post

[patrickztump]

patrick stump appreciation post: feat. pete – 13/∞

#i hate (love) the way the looks directly into the camera (my eyes) #i am BLUSHING that felt too personal #patrick stump #fall out boy #patrick stump appreciation post #my gifs #used ariel rounded because the banter + the way i positioned the captions gave buzzfeed unsolved vibes lol #// i've had this in my drafts since april because i wasn't happy with how they came out #so i recently went back to remake them and you know what? you get the originals. i'm not doing that again lol #anyways my last appreciation post was in september and i haven't stopped appreciating (adoring) him i've just stop gifing it appears #as i've said 47290 times: i've had videos lined up to gif for months now. just no motivation. #i'll get back at it eventually

[honeybees-and-sillybears]

These two are sister albums to me... no i will not elaborate <3

#i mean... unless you ask really nicely i MAY make a post at some point #i know theres another post comparing the lyrics of some songs but i didnt reblog it and idk how i would go about finding it :( #if someone could send it to me that would be much appreciated #patrick stump #chappell roan #soul punk #rise and fall of a midwest princess #fall out boy

[calwhathaveyoudone]

silly songstrel appreciation post :>

one (1) like = one (1) mug of mint tea for my boi

#ruberiot #appreciation post #patrick stump #svtfoe ruberiot #svtfoe #star vs the forces of evil #aww it my boi rubee <3 #rubee #rubyyyyyyyyyyy

[thekidsarentalright]

The milkshake was sweet and light, the strawberry tart and bright dancing on his tongue. He was almost sure they had melded both vanilla and strawberry ice cream together for this, Pete could tell, and it was absolutely delicious. Perhaps the most perfect milkshake he had ever had.

“Y’know, I think we’re a lot like this milkshake,” Pete commented after sliding it back over to Patrick.

Or, Pete and Patrick are trying to figure out what it means to be PeteandPatrick again, and Pete is overthinking it every step of the way. Lucky for him, Patrick is always there to ground him.

#rbs appreciated of... as are kudos comments etc etc <3 #so i gathered it Would be slay if i posted this so here it isssss <3 i hope u all enjoy it it was fun to write <3 #posting my writing is scaryyyyyyy But worth it <3 anything for p2 anything for peterick sweep etc etc #idek how to tag this though erm #txt #w.txt #(new writing tag IG) #ps #pw #cch #patrick stump #pete wentz #peterick #fanfic

[kunikloj]

Mashup - Sugar, We're Goin' Down / America's Suitehearts

I made a mashup of these songs back in college originally, but I took it off my old Tumblr and never preserved the original.

Anyway, here’s a new version now that I’m better at mixing and effects! Plus a few new moments of flair to make it all flow together. Enjoy! :)

#reblogs appreciated! #third time posting this because Tumblr cut off the end of the audio #fob #fall out boy #patrick stump #mashup #vocal mashup #pop punk #pop punk mashup #vocals #fob mashup #fall out boy mashup #from under the cork tree #folie a deux #sugar we're goin down #america's suitehearts

[mermaid-trash]

patrick stump was so so right when he said "a person is alright but people never done a good thing"

#patrick stump #pstump appreciation post ‼️ #people really never done a good thing :|

[theravefemme]

God, Fall Out Boy wouldn't be shit without Patrick Stump, why did pedo Pete get all the fame and glory??

#annual feral over patrick stump being under appreciated post

[ra3theemo]

pre hiatus patrick stump appreciation post <333

#fob #fall out boy #patrick stump #pre hiatus patrick is a different breed i swear

[omegalomania]

i would like to hear more on the patrick vs brendon vocal ability discussion if you would maybe want to rant 👀 👀 (hshsgehdv also I've recently come to know that mr urie is Not that great of a Person so appreciate you for making that post <3)

all right so full disclaimer: the last time i had any notable vocal training was like about 10 years ago. i did get some vocal training but i have undergone hrt since then so most of what i did know is pretty useless since ive never taken the time to actually relearn my range. my understanding of this stuff is old and limited so if anyone whos actually up to date on this shit can weigh in thats always great. im doing this because im a salty mccuntnugget whos had too much honey jack daniels for one night and that apparently is what supercharges me to write emo bandmember cringe compilation posts. somehow.

this got long so im throwing it beneath a cut. click for more if you wanna read about one guy on the internet having Opinions about which of these two dudes sings better

so once again: this is MYYYY OPINION im not your mom you are free to disagree or whatever i literally do not care. but an anon asked so im going to answer. here we go.

FIRST NOTE. comparisons between patrick and brendon have been going on since the dawn of the fucking age but brendon his own damn self decided to act like patrick was copying him vocally so that means i can be as mean as i want cause he started it. we’re doing playground logic here cause this is my blog and i do what i want and also cause hes that much of a cunt.

so i want to start things off with a reminder that patrick stump did not set out to be a singer! he was not picked out of a lineup for his vocal ability. he mostly just wanted to write songs, and it was joe and pete who made a point of saying "no actually you should sing." and it takes patrick a while to actually grow into his range and gain confidence as a singer since his real love is composition. it's not until infinity on high in 2007 that you really hear him growing into his own as a vocalist and it's not until the hiatus/posthiatus that you really hear his vocal confidence.

brendon got to be the singer for panic because bassist brent wilson knew him in high school and he thought his vocal ability was top notch. the rest of the band agreed. it also took brendon a while to grow into his voice. in fact in the early days before panic actually took off (aka before ryan ross badgered pete wentz into signing a band of mostly high schoolers), people on old fob forums legitimately thought that brendon WAS patrick. old articles refer to panic as fall out boy clones for probably that reason.

brendon actually made his vocal debut on a fall out boy record, from under the cork tree (which was released may 5 2005, whereas panic's debut a fever you can't sweat out wouldn't release until september 27 2005). he does a little part in 7 minutes in heaven (atavan halen) on the chorus (he does the second "i keep telling myself, i keep telling myself i'm not the desperate type") and it's genuinely something a lot of people miss, because he sounds a lot like patrick here. later in 2008, this would happen again on 20 dollar nosebleed, which gave brendon a much bigger vocal part (again he splits the chorus with patrick) but in which their vocal inflections are very very similar to the point where a lot of people don’t realize he contributed vocals there.

so there are a lot of similarities, particularly when these two guys were still growing into their voices. it was during fob's hiatus that these started to diverge, and by 2017 they would be wildly different.

patrick readily admitted a lot that he never really intended to be a singer and it wasn't until infinity on high (2007) that he made a genuine attempt to be a singer in earnest. this reticence would often show live. it wasn't until the hiatus and then posthiatus that patrick, and also the rest of the band, had a consistent live presence imo. fob had a lot of infamously sloppy shows - fun to watch, but sonically kind of all over the place - and patrick wouldn't always be the most consistent vocalist. he'd be strong one night and breathy the next, and it wasn't until the hiatus that he started taking vocal lessons.

but the improvement really really shows now. patrick is a much more consistent and powerful vocalist posthiatus, and he's reportedly incredibly diligent in taking care of his voice. that's why you often see him making these kinds of faces in backstage videos; he's doing vocal trills, which are a specific kind of warmup that helps limber up the voice preshow. they look and sound a little silly, but warmups are important to make sure you dont damage your voice. patrick has specific warmup routines and also goes on vocal rest and doesn't do a lot of talking prior to doing a show.

so brendon does double shots before every show. i’ll be honest here i tried to do more research into what goes into warmup routines before panic shows but i Cannot deal with hearing this man talk about himself more than i already have tonight so if anyone else wants to source whatever he does. please do. i would not be surprised if he treats his voice fucking atrociously but even if he doesn’t...his upper register (which is basically his one party trick in live settings) is starting to sound awful strained on studio vocals as of 2022, which is not a good look.

i also want to emphasize that even if his technical ability took time to really come into its own, patrick has always been an incredibly emotionally versatile vocalist. from under the cork tree is really the first time you get to see this shine, where patrick swings from cocky tongue-in-cheek irony (our lawyer made us change the name of this song so we wouldn't get sued) to aching vulnerability (i've got a dark alley and a bad idea that says you should shut your mouth) to snarling anger and accusation [get busy living or get busy dying (do you part to save the scene and stop going to shows)]. factor in the bonus tracks and you get patrick at his most ruthless (my heart is the worst kind of weapon), his most raw and desolate (star 67), and a rare appearance of some borderline unclean vocals (snitches and talkers get stitches and walkers).

posthiatus this is even more apparent. save rock and roll in 2013 demanded an incredible depth of emotional and technical range, and patrick was noticeably a little gun-shy about actually committing to doing those kinds of riffs live, since he wasn’t sure he was going to have to perform those songs live. by 2018′s mania, i want to emphasize that you can actually HEAR patrick smiling in "sunshine riptide." on mania, you also have songs that demand a diverse range of tone and vocal depth: “stay frosty royal milk tea” is a snarling, punchy opening track that reminds you that patrick was a drummer first, but this is also paired with the eclectic edm-soaked “young and menace,” the crooning doo-wop style ballad “heaven’s gate,” the reggae-flavored “HOLD ME TIGHT OR DON’T,” and the closing track which, full disclosure, is probably one of my favorite songs of all time, “bishops knife trick.” and patrick pulls them all off! the best display of this was that he was able to do young and menace live in both its original incarnation and in the somber, stripped-down piano version.

also, as a note: fall out boy songs are really fucking hard to sing. the vocal range they demand is absolutely insane even if you’re not some drummer who got strongarmed into being a singer. the fact that patrick can replicate these vocals live and maintain a rich emotional diversity in tone is really, really noteworthy.

panic songs are also pretty hard to sing. they require a lot of vocal acrobatics, which was an ambitious thing for a band composed of mostly high schoolers when they started out. early performances were really rough because not only was brendon struggling, the rest of the band was struggling to perform songs live that ryan ross wrote on his computer lol.

so now is the part where i start drinking heavily so i can talk about brendon vocals. brendon has the technical talent, even if, like patrick, it took him a while to grow into it. but his emotional versatility is, imo, sorely lacking, and that was evident in early days but it would only get more glaring as time went on. a fever you can’t sweat out in 2005 had a lot of really intensely emotional moments and emotionally charged songs, but it took me a few listens to really grok that because brendon sings them all with the same upbeat energy. and you can put that down on him being an inexperienced singer still figuring his way around this whole “being a frontman” gig, but the trend actively continues and in fact gets worse over time. i think 2008′s pretty. odd. gave us some insight into this due to the pronounced vocal role that ryan ross gets on that album. he takes lead vocals on “behind the sea” and gives us some audible backing vocals throughout in a way that suggests to me that, on some level, the band was aware that they needed someone with more emotional range to counter brendon’s straight-on belting.

so it’s...kind of uncomfortable seeing brendon do said full on belting and also a borderline striptease dance to “camisado” live (which, for those not in the know, is a song ryan ross wrote about his life with his abusive alcoholic father). and i’m not gonna pretend i have any say in whether or not ryan was okay with something so ruinously personal being performed in that kind of way when he was no longer in the band, but it SURE does sit kinda weird with me!

cause brendon is a belter, and that’s just kind of his one mode. this really got more apparent after vices and virtues (2011), and too weird to live, too rare to die (2013), because there was a little more emotional range there. but that pretty much dies out after those records and brendon kind of has these two moods for everything released here on out: it’s either “i love weed” or “i love my wife” and there’s not a lot of range between. he doesn’t have much in the way of moderation. my one single experience in attempting to see panic live (in 2019, no less. it wasn’t a good time lol) was just kind of...relentlessly high-energy regardless of the song, because again, that seems to be brendon’s one setting. he frantically climbs the scale and hits really high notes to keep the energy up without ever actually letting it dial down at any point. it’s not about playing to the song; it’s about reminding the audience, constantly, of what a vocal powerhouse he is, at all times. this does nothing whatsoever to counteract how emotionally flat he is as a performer.

remember that point i made about the differences between patrick’s performance of the high-energy original flavor young and menace and its acoustic piano version? well, you get a superficially similar instance in brendon’s renditions of “this is gospel” in both its original incarnation and the piano version, but i want to point out the difference in tone here. or rather, the fact that there kind of isn’t one. contextually, “this is gospel” is a pretty somber song. it was written for and about spencer smith and his struggles with addiction before his eventual departure from the band, but it’s kind of hard for me personally to reconcile that with the way brendon vocalizes it, even in what is supposed to be a slower, more intimate rendition of it.

this got more glaring in 2018 on pray for the wicked, which gave us “dying in la” which...is i guess, brendon’s attempt at some tonal diversity on an album that was basically back to front “CHECK OUT THIS WILD PARTY I’M AT” but it doesn’t really go anywhere, imo. it builds to something, but...doesn’t actually resolve. i’m gauging this all on vocals, not lyrics, because that’s the point of comparison i’m making - lyrics are a whole other kettle of fish. it’s just like, the guy cannot dial back even for a second and as a result there is NO variation in the way he performs, studio or live. after it’s been long enough, it just kind of starts to wear at you.

another very telling difference is how different patrick and brendon’s backing vocals are. backing vocals by definition need to be much more restrained than if you're taking lead. here's patrick backing travie in 2010 - he's very understated here. distinct and audible, giving us some nice vocal harmonies, but he keeps the spotlight very truly and deservedly on travie. this is also true for studio vocals, like on the lupe fiaso track "little weapon" from 2007 in which patrick isn't even one of the vocal features. he's audible if you know what to listen for, but most of his touch comes from the track's production and composition. more recently, here's patrick doing studio backing vocals in 2017 for a cover of "same drugs" with matt nathanson. once again, he's very good at dialing things back because he's not the lead here and he knows it.

let's contrast this with the cover 2010 panic did of "skid row" from little show of horrors, wherein dallon is meant to be the lead. fortunately dallon manages to shine regardless, but it's...a little jarring that brendon is ostensibly meant to be the support here but vocally and stylistically is belting like he's front and center. another telling instance is this performance of “america’s suitehearts” featuring brendon. in fairness, both patrick and brendon sound pretty rough here since this is a hard song to pull off! but brendon is supposed to be pulling support, and he’s riffing like he’s center stage. and it’s not particularly good riffing either lol.

“what a catch donnie” is the most egregious example of this though. i’ve said this before, but brendon REALLY sticks out in a not great way on what’s supposed to be a soulful, honorary vocal feature. the rest of the fueled by ramen guys singing along are doing their guest spots in a very understated, tonally consistent fashion: distinct in their own rights, if you know what to look for, but definitely doing what they can to fit into the tone of the song. brendon comes barreling in singing DANCE DANCE like this is his fucking show, and it sticks out so badly because he’s doing nothing whatsoever to conform to the tone of the piece.

a couple more points of comparison that i personally find really interesting:

“one of THOSE nights” off of the cab’s debut album whisper war (sidebar: GREAT ALBUM. i miss this band so fuckin much man) features both brendon and patrick; brendon is heard doing the post-chorus, and patrick does the final bridge and can be heard on the final chorus. both of them are belting here, but patrick’s got a strong emotion that suits the finish without being too overpowering and also crucially doesn’t just stay...flat.

patrick actually does backing vocals on a couple other tracks on whisper war, like “i’m a wonder,” and in both that track and “one of THOSE nights” you can hear how much technical and emotional dexterity he has. the former has him belting and the latter has him doing a very restrained backing falsetto.

folie a deux era gave us two gentle lullaby pieces for pete’s first kid. the first is “lullabye,” the album’s hidden bonus track. the second is “bronx’s lullaby.” patrick does the first, brendon does the second. the first sounds very gentle and tender, and the second sounds...i mean, i can tell what he’s going for. but it just kind of sounds ominous to me. so basically i can see why most people will talk about the former and ignore the latter lol lol

did you guys know brendon was on broadway. im kidding im kidding he has literally not shut up about being on broadway and seems to have made that his tertiary character trait since kinky boots. anyway here’s brendon sounding like brendon on kinky boots and basically performing the song like any other panic song. here is patrick covering rocky horror and nailing tim curry’s part. i don’t have any live covers of patrick to have a more accurate point of comparison (he’s in his studio here so he had the luxury of picking the best take) but i just think its fucking wild that patrick wasnt the one of them to go on broadway. fucks sake man.

i COULD compare the two of these guys covering queen but that just seems mean because fob was doing a whole entire studio session and brendon was just doing it over zoom and nah im just kidding i really am that petty. anyway here’s fall out boy covering under pressure and patrick dueting with himself and managing to nail both freddie mercury and david bowie’s parts without losing his own distinctive touch. here’s brendon doing his cover of under pressure and thanks i hate it.

lastly, cause i did my fuckin research here. here are some vocal coaches taking notes on live vocals for patrick and brendon respectively. you might note that they have a lot more notes to give to the latter, a lot more cautionary tales about how much brendon pushes his voice. if they do have critique to offer patrick, it’s in regards to clips of his prehiatus performances (or for that one 2013 thnks fr th mmrs performance when he was sick lol).

the bottom line for me is that patrick, stylistically, just has more range and more versatility. he can do virtually any genre - dancehall, rock, pop, rnb, hardcore, ska, funk, and SO MANY FUCKING MORE - and he can still sound distinctly himself. and for me, brendon only ever sounds like he’s singing the same song in the same genre; molding the song to suit his tastes and his range, and not the other way around.

all right thats all ive got steam for. patrick has always been a much more distinct and capable vocalist in my opinion and it kinda sucks that general public opinion seems to favor brendon so heavily cause brendon’s basically only got one emotional setting and couches the fact that he has no vocal dexterity in a lot of high notes and everyone just eats it up. it’s a diverting tactic and it’s worked. but that kinda seems to be brendon’s m.o. these days since he’s trying to shake low opinion of him by drumming up controversy and writing a song about a dude who hasn’t been in the same band as him in 13 years so

#askin hours #anon #i had to open so many incognito windows for this cause i dont want this infecting my youtubes lol #i just use youtube to watch vinesauce streams and once a month i rewatch line goes up and sherlock is garbage #ive also said this before but its really really telling to me how patrick and brendon get involved w other artists #patrick loves music. he loves composition he loves instrumentation #he loves writing songs for people and he'll sing if he's asked to but mostly he just loves music #brendon just seems to love attention. he never takes a project that doesn't put him in center stage

[thereyvan]

pre-hiatus and post-hiatus? nah. these are the real subtypes of Fall Out Boy fans

note: this has been designed to be at least somewhat comprehensible to non-fans and new fans 

type 1: the regulars. these are the majority of FOB fans. whether they joined before, during, or after the late 2009 to early 2013 hiatus, whether they prefer the fandom nickname of Car-Crash Hearts, Overcast Kids, Youngbloods, or Fobbies, these are the fans that make up most of the fanbase. type 1s tend to like most of FOB's output, save for a few songs they're not that fond of. they probably follow the band's socials and maybe the band members' socials. overall, these are the FOB fans you're most likely to meet on the internet or irl. they can overlap with types 5 and 6, but are more on the down-low about it 

type 2: the stans. these are the really obsessive fans. they insist that they like everything FOB has put out and have probably heard the various 2001 demos. they're the fans that make it their life mission to go to as many FOB shows as possible and get barricade each time. a few of them get downright creepy with their stalking. it was a type 2/6 overlap that had a hand in causing Patrick Stump to leave social media. understandably, most other fans are not fond of these. they tend to overlap with type 5, occasionally overlapping types 3 and 4 as well 

type 3: the pre-hiatus gatekeepers(i know i said pre-hiatus ain’t a subtype, but this doesn’t refer to all pre-hiatus fans). usually, these fans joined the fandom between the band's formation in mid-2001 and the hiatus and are self-proclaimed “elder emos.” they put all of FOB's pre-hiatus work on a pedestal and degrade their post-hiatus work. they also tend to look down on anyone who joined the fandom after the hiatus. type 3s are the entitled elitists of the fandom. they tend to cross over with types 2 and 5 and occasionally 4. if they’re also a type 5, they're almost certainly horny for Pete Wentz. the one good thing about them is that the type 2 overlaps are the most likely to spread appreciation of Joe Trohman and Andy Hurley 

type 4: the smol-beanifiers. these are the annoying asses who infantilize the everliving shit out of Patrick. they noticed his adorkableness and introversion and exaggerated those traits to hell and back, justifying themselves by pointing out his endearing nature. i mean, while he is quite the cutie, these people take it way too far. they're the ones who tend to call Patrick a "smol bean" and act as if his sweetness makes him completely innocent, most just flat-out ignoring that that man canonically fucks. those that don't ignore that that man fucks almost always overlap with type 5 and are probably Peterick-loving fujoshis. type 4s were everywhere on mid-2010s Tumblr and Wattpad, but are less common now. most of them matured into type 1s, but some only worsened into type 2s. either way, there’s an all but 0% chance that they don’t overlap with type 6 

type 5: the simps. these are the fans that are down bad for at least one of the boys- some might say they're down colossal. type 5s can overlap with any other type and are the most likely to have an AO3 account. there's really not much else to say about these lil degenerates 

type 6: the Patrick lovers. yes, there's enough of these to get their own type. these fuckers- who can overlap with any other type- absolutely love Patrick. they are the #1 Soul Punk and Truant Wave defenders. notably, a decent chunk of the type 6s on the Fall Out Boy sides of Twitter and Tumblr("fobtwt" and “foblr”) are transmascs who project themselves onto him, relating to his insecurity about his body, the resulting fondness for wearing layers, and him being a measly 5'4". these features have also led a lot of generally insecure fans to attach themselves to him. there's also a lot of neurodivergent type 6s, as Patrick himself has ADHD. he also has asthma, which has led many fans to be even more in awe of his belting ability. a lot of them are also unspeakably horny for this man, seeing him as a certified DILF. i am admittedly one of these people 

EDIT: i didn’t mention the type 6 lesbians because i figured that was just a given 

#op reyvan #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley #pre-hiatus #post-hiatus #nah #long post #fandom #bandom #stans #gatekeepers #simps #ps lovers #stalking #elitists #elder emos #infantilzation #moeification #adorkable #neurodivergent king #adhd king #short king #asthmatic king #i love that man

[decaydanceredacted]

send in your [redacted] thoughts about any decaydance band members (fob, p!atd, tai..., cobra, gch, etc) and they'll all be posted completely anonymously!

started bc @/mikeywaypussy made a post and i looove procrastinating what i actually need to be doing. inspired by @/mcrredacted. no you don't get to know who runs this, i appreciate anonymity too!! my pronouns are they/them tho

tags are based on first and last name, so patrick stump would be "ps" (i'm NOT maintagging anything). any and all ships accepted as long as they aren't incest/pedophilia/etc - ship tags are in alphabetical order, for example "ps + pw" or "gs + wb". runs on queue. NO CURRENT ERA BREADBIN URINE but other than that go fuckin nuts yall ;)

#fob #fall out boy #decaydance #dcd2 #cobra starship #gym class heroes #p!atd #panic! at the disco #the academy is... #tai... #<- this is the only post that will go in the main tags btw #ALSO to prevent confusion!! vicky-t's tag is “va” for victoria asher! it is not “vt”!

[patrickztump]

patrick stump appreciation post ✧ 16/∞ [✘]

They also talked me into string through the body, which I wouldn’t have thought of myself. But I was very insistent that it meet up with this stripe, you know, that was… that was very important to me. I don’t know what I was thinking, I just kinda– it was something that at the time I thought it was something cool and geometric, and gave the impression of a larger square, I don’t know. I thought there was something neat and irregular about that. My original version was silver with black stripes, which surprisingly never got commented on, I thought it was a very handsome guitar, but no one ever noticed it.

#personally i find the white one to be the prettiest of the five. black coming in second. #also i debated on if i wanted this to be an appreciation post or not but i love his love for his guitars and how passionate he is #so it feels appropriate #might as well give these posts something more than just gifs every now and then #fall out boy #patrick stump #patrick stump appreciation post #my gifs

[life-love-and-lotr]

Patrick Stump hair growth appreciation post

#He looks so good with longer hair #so much for (tour) dust #Fall out boy #patrick stump

[newdejavuu]

i know the post said anonymously but idc i need to tell you that until this moment i didn’t realize you and sikentender were one and the same. perceived as 2 of my favorite blogs but also how did i not know this alsjdksks

my jaw is on the fucking floor. no way you just said i run two of your favorite blogs.

but seriously, thank you soooo much -- I am sikentender, yup! i started this sideblog thingy so i could rant and rave and cry and moan about the fababois in peace, away from those who do not appreciate them like i do. but also so i could keep my less than pure thoughts away from others who know me irl. my besties are my besties, but there are some things they don't need to know (like how down bad i am for patrick stump, among others).

i guess i am doing a pretty good job of keeping those two worlds seperate though, which was my goal!

#thank you so much for this btw. it brought the BIGGEST smile to my face #asks #💌

[honeysuckle-fae]

Tagged by @goosemixtapes to post my favorite albums! Sticking to one album per artist, going in chronological order:

1. Green Day's American Idiot (2004)

2. Shakira's Oral Fixation, Vol. 2 (2005)

3. The Wreckers's Stand Still, Look Pretty (2006)

4. Patrick Stump's Soul Punk (2011)

5. Delta Rae's Carry The Fire (2012)

6. Hozier's Hozier (2014)

7. Lord Huron's Strange Trails (2015)

8. Welshly Arms's No Place Is Home (2018)

9. The Amazing Devil's Ruin (2021)

Honorable mentions go to Phoebe Bridgers's Punisher, Meadowlark's Postcards, Fall Out Boy's Infinity On High, The Paper Kites's Woodland (mostly on the technicality that it was an EP and not a full album), and, of course, The Amazing Devil's Love Run and The Horror and the Wild.

Had I not stuck to one album per artist, the main list would have been 1/3 The Amazing Devil and we all know it ¯\_(ツ)_/¯ That said, this made me think about albums I hadn't listened to in a while and I really appreciate that!! American Idiot got me through SO many panic attacks, and Oral Fixation, Vol. 2 was. Honestly formative for me as a young latine queer now that I think about it djsndnNFNSNDN not to mention how often I sat in the computer room listening to Stand Still, Look Pretty while rotating my blorbos as a kid. Memories, man. These albums are all such a part of me...music is. So wild and wonderful.

I'm gonna taaaaag @witcher-and-his-bard @vivji annnd anyone else who would like to do it!! No pressure of course!! <3

#from the lark themself #this is real this is me #music

[that-one-fall]

Hey! If you're seeing this, it was meant for you 👀

Just kidding. But I do have a wattpad where I publish my stories! I posted my first story today, called heaven, Iowa. It's a Patrick Stump fanfic :) but not a y/n story, so if that if your type, feel free to skip out. I appreciate any and all reads! I can also do reads for reads. Let me know what you think!

My username is just_another_fall on Wattpad!

#wattpad #fall out boy #fob #patrick stump #fanfic #fob fandom #fob fanfic #stories #story #writers on tumblr