#quote number 11 | Explore Tumblr Posts and Blogs

Visit Blog

Explore Tumblr blogs with no restrictions, modern design and the best experience.

Fun Fact

28.6 is the average number of monthly visits per US mobile user.

quote-tournament · 11 months

Text

Second round, third fight

Quote number 9 :

Stand amongst the ashes of a trillion dead souls, and ask their ghosts if honor matters. The silence is your answer.

-Javik, Mass Effect 3

Quote number 11 :

"Light the lamp, not the rat!"

-Rizzo, A Muppet Christmas Carol

#this is the second round of quotes #quotes #polls #javik #mass effect #rizzo #muppet christmas carol #quote number 9 #quote number 11

11 notes · View notes

stusbunker · 9 months

Note

Helloooooo! I would like “So far, this is not blowing my skirt up, gentlemen.” as my quote with Dean x OFC!

It's cheating if I give you lust isn't it?

It probably is.

That being said.

How about GLUTTONY?

;)

#mj is a queen #stu's sinema challenge #quote number 11

5 notes · View notes

altruistic-meme · 3 months

Note

🦜🐤

hi nymph!! :)

🦜 a pretty quote

He didn't mention how it was the only message Nathaniel had sent all week. He didn't mention how Nathaniel hadn't responded to anything Andrew had asked. He didn't mention the way that one word had torn through his chest.

here is a quote from chapter 12 of (why is there) joy in this poison :3 i will die with the rule of three gripped tightly in my hands

🐤 a mystery quote

not technically a quote as much as it is a note, but i am working on a story that will probably be a lot more involved than anything i've ever written before, and this is from my researching/studying for that!

[the poem is from LVOE. by Atticus]

im already very excited to work on this story :)

[ WIP bird game ]

#i have talked about atticus before. i literally have a fic named LVOE. because of this same poetry book skdhfshkdf #the poem on the page adjacent to this one has a note from me that just reads 'wilmon.'#but i LOVE his poems #i also have so many of these sticky notes hanging out in several of my poetry books and that number is only going to grow from here lmao #i AM also looking for poems so i say again: if you have any poems you love please share them with me :) im collecting #anywho #im probably going to try to finish this fic BEFORE i start posting so it'll be a long while before it's ever published #but <3 #it'll likely be a backburner passion project #i also attempted to add alt text for the image so hopefully that turned out ok #(wit)jitp #fun fact! that quote comes from a section that was originally going to be the end of chapter 11 until i decided to be less of an asshole!!!#askers #ask game #nymphoutofwater #shh ac

4 notes · View notes

grownups-are-the-real-monsters · 11 months

Text

My 'updated' tracking of the Stephen King books/stories I've read so far:

1. IT x 6 or 7?

2. 11/22/63 x 2

3. Mr. Mercedes

4. The Girl Who Loved Tom Gordon

5. The Body

6. The Long Walk x 6

7. Rage

8. Shawshank Redemption

9. On Writing

10. The Green Mile

11. The Stand x 2

12. Duma Key x 2

13. The Shining × 2

14. Hearts in Atlantis

15. Thinner

16. Secret Window, Secret Garden

17. Elevation

18. The Dark Half

19. Christine

20. Fire-Starter

21. The Dead Zone

22. Apt Pupil

23. Needful Things

24. Doctor Sleep × 2

25. The Outsider

26. Dreamcatcher × 4

27. Cujo

28. Just After Sunset

29. Carrie

30. Blaze

31. The Institute x 2

32. Lisey's Story

33. Revival × 2

34. Eyes of The Dragon

35. The Talisman × 2

36. Skeleton Crew

37. Nightmares & Dreamscapes

38. TommyKnockers

39. The Gunslinger x 5

40. Drawing of The Three × 4

41. Wastelands x 4

42. Salem's Lot x 2

43. Everything's Eventual

44. Wizard & Glass × 4

45. Wolves of the Calla × 4

46. Song of Susannah × 4

47. Dark Tower × 4

48. Black House

49. Cell × 2

50. Full Dark, No Stars

51. Pet Sematary

52. Joyland × 2

53. Wind Through the Keyhole × 2

54. Rose Madder

55. Roadwork

56. Running Man

57. Misery

58. From a Buick 8

59. If It Bleeds

60. Later

61. Desperation

62. The Regulators

63. Bag Of Bones

64. Gwendy's Button Box

65. Gwendy's Magic Feather

66. Gwendy's Final Task

67. Night Shift

68. Fairy Tale

69. Insomnia

70. The Langoliers

12 notes · View notes

sbnkalny · 1 year

Quote

Too many small numbers in this country?

#QUOTE #DAY 11 #This type of feeding for many small numbers in this country?

2 notes · View notes

b-a-s-t-a-h-d · 13 days

Text

Removing, funny, glazed over, necessity, repeating, communal joke, television, movies, angel number, common, exchanging

Red and white and green LEDs, water on concrete, pavement, cars, the smell of gas, refreshments, junk food, cigarettes

Tradgedy, smoke, skyscrapers, crying on the news, terror, a nation's grief, cancelled flights, too many blood donors, rubble, dogs

0 notes

autolenaphilia · 5 months

Text

I talked about the problem of Windows system requirements being too damn high before, and how the windows 10 to 11 jump is especially bad. Like the end of Windows 10 is coming october 2025, and it will be a massive problem. And this article gives us some concrete numbers for how many computers that can't update from win10 to 11.

And it's 240 million. damn. “If these were all folded laptops, stacked one on top of another, they would make a pile 600 km taller than the moon.” the tech analysis company quoted in the article explains.

So many functioning computers that will be wasted. And it's all because people don't wanna switch to a Linux distro with sane system requirements and instead buy a new computer.

Like if you own one of these 240 million windows 10 computers, Just be an environmentally responsible non-wasteful person and switch that computer to Linux instead of just scrapping it because Microsoft says it's not good enough.

Edit: as have been pointed out multiple times in the replies. It's really not "all because people don't wanna switch to a linux distro." It's really Microsoft's fault for this form of planned obsolescence.

My original post was lacking in perspective at best. And of course, people who use computers for work are often made reliant on Windows by their job and employers and can't switch. Or lack time, resources, and information to make the switch. Which is also due to systemic issues, such as lack of education, and the culture of obfuscation about tech that tech companies create.

Edit 2: Making this unrebloggable: now I really know what reddit mods mean when they say "the discussion has run its course" Like there is absolutely no conversation anymore, just repeating of points already made and responded to, just endless repetition

To quote @mlembug

Source

If you can spend 5-10 minutes writing a reblog clowning on somebody, but you can't:

spend 10s to do a basic courtesy of checking the appropriate pronoun of the person involved

spend 30s checking the reblogs of a post to see if someone also decided to clown on the same person

spend 10s to click on OP's post to see if it was edited in the meantime (and guess what: the edits in OP's post does indeed blame Microsoft for planned obsolescence, which you decided to blame her for not doing in one of your reblogs)

THEN YOU SHOULD NOT BE MAKING A REBLOG. EVER.

#windows #microsoft #my posts

8K notes · View notes

conjcosby · 7 months

Text

Stardate: 202311.1 ▫ Here we are, another month done. Sooner than thought it'll be the Yuletide season. 😊🙏 #november #november1st #november1 #novemberfirst #novemberthe1st #novemberthefirst #novembermonth #lastmonthofautumn #lastautumnmonth #endofautumn #eleventhmonth #11thmonth #montheleven #month11 #monthnumbereleven #monthnumber11 #eleventhmonthoftheyear #11thmonthoftheyear #novemberquote #novemberquotes #quoteofnovember #quotesofnovember #quoteoftheday #quotesoftheday #quoteoftheweek #quotesoftheweek #quoteoftheworld #quotesoftheworld

View this post on Instagram

A post shared by Con J Cosby (@conjcosbyofficial)

instagram

0 notes

redgoldsparks · 7 months

Text

I wrote a 12 page epilogue to my 2019 comic "Harry Potter and The Problematic Author" because I found, in 2023, that I had more to say. You can also find this comic on my website, and I have PDF copies available on etsy. I may sell print copies at some point in the future.

instagram / patreon / portfolio / etsy / my book / redbubble

Full transcript below the cut.

PAGE 1

Part one: Ruddy Owls!

I was in fourth grade when the first Harry Potter Book was released in the US.

Panel 1: Sometimes our teacher would read it aloud in class. “Mr and Mrs Dursley of number 4 Privat Drive were proud to say they were perfectly normal, thank you very much…”

Panel 2: I was 11 years old when Harry Potter finally broke through my dyslexia and turned me into a reader.

Panel 3: Every night in the summer before sixth grade I waited for the owl carrying my Hogwarts Letter. I cried when it didn’t come. “I have to go to Muggle school!”

PAGE 2

Part Two: Hats

I dedicated myself to being a fan.

Panel 1: I began collecting Harry Potter News article.

Panel 2: I asked my relatives to mail me ones from their local papers. I filled a thick binder with clippings.

Panel 3: I wrote my own trivia quiz

Panel 4: and participated in the one held annually at the county fair. “Next contestant!”

Panel 5: I usually got into one of. the top five spots. I won boxes of candy, posters, stationary, and once a baseball cap. (Hat reads: I survived the battle of Hogwarts).

Panel 6: In high school I sewed a black velvet cape and knitted many stripped scarves.

PAGE 3

Part Three: Double Trouble

Watching the last film in 2011 felt like the final note of my childhood.

Panel 1: I remember driving home from the midnight showing thinking about the end of 13 years of waiting; wondering what would define the next chapter of my life.

Panel 2: That same month I heard of something called Pottermore. “Okay, so there’s a sorting quiz… I already know my house! Patronus assignment? Mine’s a barn owl. Duh!"

Panel 3: You can read the books again but with GIFs? Why?

Panel 4: I lived in a place with very slow and limited internet at the time. Pottermore sounded inaccessible, but also boring. I never joined.

Panel 5: "I’ll just read the actual books again, thanks."

PAGE 4

Part Four: Sweets

In 2016, a series of short stories titled "History of Magic in North America” were released on Pottermore to pave the way for the first Fantastic Beasts Film. These stories display an extreme ignorance of American history, culture, and geography, but the worst parts are the casual misuse of indigenous beliefs and stories. Fans and critics immediately spoke up against this appropriation. Some of the most quoted voices included Nambe Pueblo scholar Dr. Debbie Reese who runs the site “American Indians In Children’s Literature”; Navajo writer Brian Young; Johnnie Jae (Otoe-Missouria and Choctaw), founder of A Tribe Called Geek; Dr Adrienne Keene (Cherokee Nation), a Professor at Brown University who runs the blog “Native Appropriations”, and writers N.K. Jemison and Paula Young Lee.

PAGE 5

Rowling is famous for responding to fans directly on twitter, yet she did not respond to anyone calling out the damaging aspects of “Magic in North America.” Her representatives refused to comment for March 9 2016 article in the Guardian. She has never apologized. All of this, plus the casting of Johnny Depp and the specific declarations of support by JKR, Warner Brothers, and director David Yates left a sour taste in my mouth.

For further thoughts on the new films read The Crimes of Grindelwald is a Mess by Alanna Bennett for Buzzfeed News, November 16, 2018.

PAGE 6

Excerpt from Colonialism in Wizarding American: JK Rowling’s History of Magic in North America Through an Indigenous Lens by Allison Mills, MFA, MAS/MLIS (Cree and Settler French Canadian)

Although Rowling is certainly not the first white author to misstep in her treatment of Indigenous cultures, she has an unprecedented level of visibility and fame, […] One of the most glaring problems with Rowling’s story is her treatment of the many Indigenous nations in North America as one monolithic group. […It] flattens out the diversity of languages, belief systems, and cultures that exist in Indigenous communities, allowing stereotyping to persist. […] It continues a long history of colonial texts which ignore that Indigenous peoples still exist. […] In the Wizarding world, as in the real world, Indigenous histories have been over-written and our cultures erased.

from The Looking Glass: New Perspectives in Children’s Literature Volumn 19, Issue 1

PAGE 7

Part 5: Music

Panel 1: Also in 2016 I discovered two podcasts which radically altered my experience of being an HP fan. The first was Witch Please created by two Canadian feminist literary scholars Hannah McGregor and Marcelle Kosman.

Panel 2: “If it’s not in the text it doesn’t count!” “Close reading ONLY!”

Panel 3: They talk about Harry Potter at the level you’d expect in a college class with particular focus on gender, race, class, and the troubling fatphobia, fear of othered and queer coded bodies, violence against women, white feminism, gaslighting and failed pedagogy in the books. They bring up these issues not because they hate the series, but because they LOVE it.

PAGE 8

These passionate, joyful conversations went off like fireworks in my mind. I had never taken a feminist class before. I gained a whole new vocabulary to talk about the books- and the world.

PAGE 9

Panel 1: The second podcast I started that year was Harry Potter and the Sacred Text, created by two graduates of the Harvard Divinity School, Vanessa Zoltan and Casper Ter Kuile.

Panel 2: They read one chapter per episode through a theme such as love, control, curiosity, shame, responsibility, hospitality, destruction, or mystery. Like Witch Please, they are interested only in the information on the page, not thoughts from the author. The delights and failures of the text are examined in the context of the present day, and new meanings constantly arise.

PAGE 10

What does it mean to treat a text as sacred?

Trusting that the more time we give to it, the more blessings it has to give us.

Reading the text repeatedly with concentrated attention. Our effort is part of what makes it sacred. The text is not in and of itself sacred, but is made so by rigorously engaging in the ritual of reading.

Experiencing it in community.

“To me, the goal of treating the text as sacred is that we learn to treat each other as sacred.” -Vanessa Zoltan

PAGE 11

Part 6: Tooth and Claw

In October 2017, Rowling liked a tweet linking to an article arguing that trans women should be kept out of women’s bathrooms because of cisgender women’s fears. In March 2018, she liked a tweet about the problem of misogyny in the UK Labour Party which included the line “Men in dresses get brosocialist solidarity I never had.” The author of the tweet had previously posted many blatantly anti-trans statements.

Rowlings publicist claimed she had liked the posted by accident in a “clumsy and middle-aged moment.” Yet, in September 2018 she liked a link posted by Janice Turner to her column in the Times UK titled “Trans Rapists Are A Danger In Women’s Jails.”

Screencaps of these tweets can be found in the article “The Mysterious Case of JK Rowling and her Transphobic Twitter History”, January 10 2019 by Gwendolyn Smith (a trans journalist), LGBTQNation.com

PAGE 12

Excerpt from: Is JK Rowling Transphobic? A Trans Woman Investigates by Katelyn Burns

Ultimately, the answer is yes, she is transphobic […] I think it’s fair that she receives criticism from trans people, especially given her advocacy on behalf of queer people in general, but also because she has a huge platform. Many people look up to her for creating a singular piece of popular culture that holds deep meaning for fans from different walks of life, and she has a responsibility to handle that platform wisely. (Published on them.us March 28, 2018)

PAGE 13

Part 7: Home

At age 30, I’m still not over Harry Potter.

Panel 1: I’ve recently found a local bar that does HP trivia nights. “Poppy or Pomona?” “Poppy!”

Panel 2: I currently own an annual pass to Universal Studios so I can visit Hogsmeade.

Panel 3: I love talking to kids who are reading the books for the first time. “Who’s your favorite character?” “Ginny!”

Panel 4: And I’m planning a relisten to the audio books to next year to help me get through the election cycle. “Jim Dale, I’m going to need you more than ever…”

Spoiler from 2023: I did not do this. By mid-2020 JKR had posted her transphobic essay; we were in covid; I never visited Universal Studios again.

PAGE 14

But I do want to learn from her mistakes. I never want to repeat “Magic in North America.” As I write, I will do my research. I will consult experts and compensate them. If a reader from a different culture/background than me speaks up about my work, I will listen and apologize. I KNOW I WILL MAKE MISTAKES. But I will own up to them and I will do better.

PAGE 15

Excerpt from Diversity Is Not Enough: Race, Power and Publishing by Daniel José Older

We can love a thing and still critique it. In fact, that’s the only way to really love a thing. Let’s be critical lovers and loving critics and open ourselves to the truth about where we are and where we’ve been. Instead of holding tight to the same old, failed patriarchies, let’s walk a new road, speak new languages. Today, let’s imagine a literature, a literary world, that carries this struggle for equity in its very essence, so that tomorrow it can cease to be necessary, and disappear. (Buzzfeed, April 14, 2017)

PAGE 16

Harry Potter is flawed, & JK Rowling is problematic. But the books helped me learn a lot:

*One of the greatest dangers facing the modern world is the rise of fascism

*The government cannot be trusted

*Read and think critically

*Question the news: who paid the journalist? Who owns the paper?

*Trust and support your friends through good times and bad

*Organize for resistance

*Educate and share resources with peers

*The revolution must be diverse and intersectional

* We are only as strong as we are united

*The weapon we have is love

MK 2019

PAGE 17

PART 8: EPILOGUE

In 2021 I removed a Harry Potter patch I sewed to my book bag over a decade ago. I took 15 pieces of Harry Potter fanart off my walls. I got rid of my paperback book set, 2 board games, and 8 t-shirt. [images: a Hogwarts a patch with loose threads, a pair of scissors and a seam ripper]

Panel 1: Maia holding up a shirt with the Deathly Hallows logo on it. Maia thinks: “Damn, this really used to be my entire personality.”

Panel 2: The t-shirt gets thrown into the Goodwill box.

PAGE 18

I wrote my zine wrestling with JKR’s legacy in 2019, after her dismissive and racist reaction to indigenous fans and critics of “Magic in North America” and after she had liked a couple transphobic tweets. Since then, she has gotten so much worse.

A Brief Timeline (mostly from this Vox article)

June 2020- JKR posts a 3600 word essay making her anti-trans position clear

August 2020- The Robert F Kennedy Human Rights Org issues a statement about her transphobia, JKR doubles down on her position and returns an award they gave her

December 2020- JKR claims 90% of HP fans secretly agree with her anti-trans views

December 2021- JKR mocks Scottish Police for recognizing transgender identities

March 2022- JKR criticizes gender-inclusive language and legislation

December 2022- JKR retweets trans youtuber Jessie Earl’s critical review of Hogwarts Legacy, starting an onslaught of transphobic harassment towards Earl

December 2022- JKR removes her support from an Edinburgh center for survivors of sexual violence with a trans-inclusive policy and funds her own center which explicitly excludes trans sexual assault survivors

January 2023- JKR tweets “Deeply amused by those telling me I’ve lost their admiration due to disrespect I show violent, duplicitous rapists.” It got nearly 300K likes

March 2023- One the podcast “The Witch Trials of JK Rowling”, hosted by a former Westboro Baptist Church Member, JKR compares the trans rights movement to Death Eaters.

PAGE 19

What are The Witch Trials of JK Rowling?

Panel 1: Maia speaking. “It’s a 7 episode documentary style podcast hosted by Megan Phelps-Roper. Nearly every episode contains interviews with JKR as well as critics, journalists, historians, protestors and fans.

Panel 2: Maia speaking. “In episode 1, JKR speaks more candidly than she has previously about being in an abusive marriage. Her ex-husband hit her, stalked her, broke into her house overlapping with the time she was writing the first three HP books.”

Panel 3: Maia speaking. “What she went through genuinely sounds horrific. I have a lot of sympathy for the kind of life-long traumas those experiences leave.”

PAGE 20

HOWEVER.

It is clear from reading the June 2020 essay on her blog and listening to the podcast, that JKR still to this day feels unsafe. Despite her wealth and privilege she moves through the world with the mindset of a victim. And the group of people she finds most threatening are trans women.

Or rather, she is afraid that allowing trans women in women’s spaces invites the possibility of male predators entering those spaces.

Here’s a direct quote: The problem is male violence. All a predator wants is access and to open the doors of changing rooms, rape centers, domestic violence centers [...] to any male who says “I’m a woman and I have a right to be here” will constitute a risk to women and girls. - from The Witch Trials episode 4 as transcribed by therowlinglibrary.com, March 2023

Image: A stem of Belladonna with flowers and berries.

PAGE 21

Let me introduce here the term: TRANSMISOGYNY. The intersection of transphobia and misogyny, this term was coined by Julia Serano in 2007. Scout Tran, on tiktok as Queersneverdie said: “Transmisogyny occurs in people who have been previously hurt by traditional misogyny. Who have been driven to hate men or at the very least to be scared of men. They will sometimes take out that rage on trans women. (March 2023)

JKR claims to care for trans women and understand they are extremely vulnerable to assault and violence. In her 2020 Essay she wrote: “I want trans women to be safe. At the same time, I do not want to make natal girls and women less safe.”

So she cares about trans women… just less than cis women, and she’s willing to throw all trans women under the bus because of her unfounded, prejudice fears.

PAGE 22

Panel 1: Maia speaking. “JKR claims to have seen data that proves trans women have presented physical threats to other women in intimate spaces, but never cites sources. She also uses “producer of the large gametes” as a definition of “woman”.

What about transmen and nonbinary folks?

Panel 2: Maia leaning on a stack of all seven HP books, the first four Cormorant Strike books and The Casual Vacancy, gesturing to a series of quotes with a tired and disgusted expression.

I’m concerned about the huge explosion of young women wishing to transition and also about the increasing numbers who seem to be detransitioning. * [...] If I’d been born 30 years later, I too might have tried to transition. The allure of escaping womanhood would have been huge. -June 10 2020 essay

I don’t believe a 14 year old can truly understand what the loss of their fertility is.

-Witch Trials episode 4

I haven’t yet found a study that hasn’t found that the majority of young people experiencing gender dysphoria grow out of it*. -Witch Trials episode 7

*No sources cited

PAGE 23

It’s hard to over emphasize how fixated JKR has become on these topics. As of the date I’m writing this, 14 out of her 20 most recent tweets (70%) are in some way anti-trans. She tweets against Mermaids (a UK based trans youth charity), against trans athletes, against gender neutral bathrooms, and in support of LBG Alliance- a UK org that denies trans rights while upholding gay rights. Here are some gems from her archive:

“People who menstruate.” I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud? -June 2020

War is Peace. Freedom is Slavery. Ignorance is Strength. The Penised Individual Who Raped You Is a Woman. - December 2021

And in response to someone asking “How do you sleep at night knowing you lost a whole audience?”

I read my most recent royalty cheques and find the pain goes away pretty quickly. -October 2022

PAGE 24

Hashtag Ruthless Productions a queer nerd podcast company created a great guide on ethical engagement with HP. Image: the two hosts of Hashtag Ruthless productions, Jessie (They/she) and Lark (he/him).

Stop buying all official HP Products: books, movies, games, toys, etc, Universal Studios tickets, food, merch.* Boycott any new TV series or movies. Instead: buy the books and DVDs used. If you still want to wear HP merch, buy fan-made. Engage only with fan content: fic, podcasts, fanart, wizard rock, etc. Show transphobia is bad for business. None of this will change JKR’s mind. But the Fantastic Beast series was canceled and after record Pottermore sales in 2020, they fell in 2022 by 40%.

*She gets a portion of ALL tickets. In 2019, this was her largest income source. Read the full guide: hashtagruthless.com/resourceguide

PAGE 25

As late as 2019, I was still reading JKR’s murder mystery series. But by the fourth book my experience began to sour.

Panel 1: Maia holding a copy of Lethal White. “The only gay character in this book is a government official who gropes his staff?”

Panel 2: “The only genderqueer character is misgendered and portrayed as a whiny faker?”

Panel 3: “The only Muslim character is disowned by his family over gay rumors?”

Panel 4: “Even the women aren’t portrayed very well…”

Panel 5: “Why is the main female character defined by the rape in her past?”

Panel 6: “Wait, what happens in the rest of this series…?” Maia scrolls on eir phone.

Panel 7: “Is the series heading towards an employee/boss relationship?”

Panel 8: “And has a man wearing women’s clothes to commit assault?”

Panel 9: “Yeah, I’m done. I’m never reading a new JKR book ever again.”

PAGE 26

And as for JKR herself?

As tempting as it might be to tweet your frustrations at her, I don’t recommend it. In 2021, she tweeted, “Hundreds of trans activists have threatened to beat, rape, assassinate and bomb me.” Getting hate online feeds her sense of victimhood and she waves it as proof of her moral high ground. Instead I suggest you block her on twitter, then delete twitter, go to the library and try to find a new book that feels magical.

Stack of books: In Other Lands by Sarah Rees Brennan, The Scorpio Races by Maggie Stiefvater, Gifts by Ursula K Le Guin, Deep Wizardry by Diane Duane, A Deadly Education by Naomi Novik and Gideon the Ninth by Tamsin Muir.

PAGE 27

In “Emergent Strategy” adrienne maree brown writes: You do not have the right to traumatize abusive people, to attack them, personally or publicly, or to sabotage anyone else’s health. The behaviors of abuse are also survival-based, learned behaviors rooted in pain. If you can look through the lens of compassion, you will find hurt and trauma there. If you are the abused party, healing that hurt is not your responsibility and exacerbating that pain is not your justified right.

PAGE 28

Seeing anyone over age 12 wearing HP merch now makes me uncomfortable. Are they ignorant or actively a TERF? I hate wondering how much money JKR has probably poured into anti-trans legislation… This zine is a culmination of my slow breakup with a story that once brought me joy. Now it just makes me angry, tired and sad.

Image: Candle in a fancy holder burned down to less than an inch.

Maia Kobabe, 2023

#harry potter #harry potter and the problematic author #jk rowling #transphobia #jk rowling transphobic

3K notes · View notes

a-love-letter-to-the-stars · 1 year

Text

The clock hit 11:11 and the wish came to mind before I could think to second guess myself: “I want to be loved. Please let me feel loved.”

#love #love quotes #wishes #wish #11:11 #11:11 make a wish #11:11 wish #angel numbers #angel number #1111

1 note · View note

headspace-hotel · 4 months

Text

Just spent a couple hours digging into this book. I'm not even sure what has worse environmental impacts, the paper the book is made of or the opinions printed within.

Is "post-colonial" literary theory a joke? It's distressing that a book printed in 2021 by a reputable academic press can be so painfully Eurocentric, and I mean PAINFULLY. The philosophical and literary frameworks drawn upon in most chapters are like what some British guy in 1802 would come up with. In most of the chapters, every framework, terminology, and example is inseparably fused to Latin, Greek, and/or Christian philosophers, myths and texts, even down to the specific turns of phrase. You would think only Europeans had history or ideas until the 20th century.

Don't get me wrong, non-european and even specifically anti-colonial sources are used, and I don't think all the writers are white people, but...that's what's so weird and off-putting about it, most of the book as a whole utterly fails to absorb anything from non-European and in particular anti-colonial points of view. The chapters will quote those points of view but not incorporate them or really give their ideas the time of day, just go right back to acting like Plato and Aristotle and Romantic poets are the gold standard for defining what it means to be human.

In brief, the book is trying to examine how literature can shed light on the climate crisis, which is funny because it completely fails to demonstrate that literature is good or helpful for the climate crisis. Like that is for sure one major issue with it, it shows that people *have* written stuff about climate change, but it sure doesn't convince you that this stuff is good.

Most of the works quoted are rather doomerist, and a lot of the narrative works specifically are apocalypse tales where most of Earth's population dies. The most coherent function the authors can propose that literature fulfills is to essentially help people understand how bad things are. One of the essays even argues that poetry and other creative work that simply appreciates nature is basically outdated, because:

“One could no longer imagine wandering lonely as a cloud, because clouds now jostle in our imaginations with an awareness of atmospheric concentrations of carbon dioxide and other atmospheric pollutants” (Mandy Bloomfield, pg. 72)

Skill issue, Mandy.

The menace of doomerism in fiction and poetry is addressed, by Byron Caminero-Santangelo, on page 127 when he references,

the literary non-fiction of a growing number of authors who explicitly assert, some might even say embrace, the equation between fatalistic apocalyptic narrative and enlightenment…they are authoritative in their rejection of any hope and in their representation of mitigatory action as the cliched moving of deckchairs on a sinking ship

He quotes an essay “Elegy for a country’s seasons” by Zadie Smith, who says: “The fatalists have the luxury of focusing on an eschatological apocalyptic narrative and on the nostalgia of elegy, as well as of escape from uncertainty and responsibility to act." Which is spot-on and accurate, but these observations aren't recognized as a menace to positive action, nor is the parallel to Christian thought that eagerly looks forward to Earth's destruction as a cathartic release from its pain made fully explicit and analyzed. Most of the creative works referenced and quoted in the book ARE this exact type of fatalistic, elegiac performance of mourning.

I basically quit reading after Chapter 11, "Animals," by Eileen Crist, which begins:

The humanization of the world began unfolding when agricultural humans separated themselves from wild nature, and started to tame landscapes, subjugate and domesticate animals and plants, treat wild animals as enemies of flocks and fields, engineer freshwater ecologies, and open their psyches to the meme of the ‘the human’ as world conquerer, ruler and owner.

This is what I'm talking about when I say it's dripping Eurocentrism; these ideas are NOT universal, and it's adding nothing to the world to write them because they fall perfectly in line with what the European colonizing culture already believes, complete with the lingering ghost of a reference to the Fall of Man and banishment from the Garden of Eden. It keeps going:

“Over time, the new human elaborated a view of the animal that ruptured from the totemic, shamanic and relational past.”

Okay so now she's introducing the idea of progression from shamanic nature-worshipping religions of our primitive past...hmm I'm sure this isn't going anywhere bad

“While humanity has largely rejected the colonizing project with respect to fellow humans, the occupation of non-human nature constitutes civilization’s last bastion of ‘normal’ colonialism. A new humanity is bound sooner or later to recognize and overthrow a colonialism of ‘nature,’ embracing a universal norm of interspecies justice.” (pg. 206)

OKAY????

Not only denying that colonialism still exists, but also saying that humans' relationship with nature constitutes colonialism??

Embracing limitations means scaling down the human presence on demographic and economic fronts…(pg.207)

ope, there's the "we have to reduce the human population"

Embracing limitations further mandates pulling back from vast expanses of the natural world, thus letting the lavishness of wild (free) nature rule Earth again” (pg. 207)

aaaaaaand there's the "we have to remove humans from wild nature so it can be freeeeeee"

don't get me wrong like I am a random white person with no particular expertise in anti-colonialist thought but I think this is an easy one. I'm pretty sure if your view of nature is that colonialism involving subjugating humans doesn't exist any more and actually humans existing in and altering nature is the real colonialism so we should remove humans from vast tracts of earth, your opinion is just bad.

Anyways y'all know I have an axe to grind against doomerism so it was probably obvious where this was going but good grief.

#climate #climate doomerism

703 notes · View notes

project-sekai-facts · 6 months

Text

Tsukasa and Rui are known collectively amongst their classmates as "Oddball 1-2 Finish" (in the JP, KR, and TW servers. The English localisation calls them "Weirdo Wombo Combo"). Due to this, they are frequently asociated with the numbers 1, 2 and any combination or variation of the two (12, 21, etc), both individually and as a duo.

In terms of cover songs, there's Telecaster B-Boy, where they sing the counting part at the beginning. Tsukasa says the number 1, and Rui says the number 2. Tsukasa is Oddball 1, and Rui is Oddball 2.

There's also a lyric in Oki ni Mesu mama sung by Tsukasa, that goes "Waiting for the "1, 2..." signal, holding hands with you is an act of courage for me". Whilst the lyric itself is entirely coincidental, having Tsukasa sing it was very likely intentional. The cover supposedly represents the growth in trust between Tsukasa and Rui, so with that context in mind, one could view the lyric as a reference to Tsukasa reaching out his hand to Rui at the end of the main story, a significant step in the development of their mutual trust.

There's also a few instances of staff releasing content for them on the 21st of a month. Examples include the Fixer 2DMV, which released on September 21st 2023, and their 2022 Summer Memorial illustration releasing on the 21st of August that year. This was also the 12th illustration in that series.

Coincidentally (or maybe not), A Story Where You Are the Star released on the 22nd of November 2023, or 11/22, and featured them both as 4* cards on the accompanying gacha. The event was announced the day prior, on the 21st again.

Rui's 3rd Anniversary Countdown illustration depicted their pillow fight from A Once-In-A-Lifetime Pandemonium!?, an event focused on their relationship, and was released 12 days before the anniversary.

The OST that plays during their Romeo and Juliet rehearsal in KAMIKOU FESTIVAL!, Ma・Ai no Theme ~True Love Song~, was later reused in A Song of Vows for You, Dressed in Pure White and released on the 2nd OST Album alongside the other music from that event. However, instead of being listed with the other tracks from that event on the album, it's listed as track 12.

Them being in class 3-C is a pun based on their status as Oddball 1-2. C is pronounced as "shi" in Japanese, which is the same as how the Japanese word for four is pronounced. Tsukasa and Rui being in class 3-C makes 1 2 3 4. Additionally, 1+2=3, and if you apply A=1, B-2, so on, then this also applies to A (Tsukasa's original class) + B (Rui's original class) =C.

There's also various smaller references, such as the full combo for KING on expert being 1002, Tsukasa growing 1cm and Rui growing 2cm at the 3rd anniversary, as well as Tsukasa telling Rui in the main story that he'll put 12000% into any role Rui gives him. The 12000% quote was also referenced in the 2DMV for their Dappou Rock cover.

#i'm playing colopale at their own game if they're gonna keep up the 1-2 references then i'll 1-up them #(i'm running this joke into the ground on my first go so i never have to make it again)#project sekai #tsukasa tenma #rui kamishiro

694 notes · View notes

rosiehrs · 11 months

Text

YOU DON'T KNOW MY NAME ## bae joohyun

influencer!irene x fem!reader

SUMMARY ⤻ irene was a private influencer and y/n was an avid follower. you were extremely open about your admiration for the older girl. like every other fangirl, you want her to notice you – but she doesn't know your name. (and you don't know hers)

CONTENTS ⤻ smau, non!idol x reader, wlw, fluff, crack, minor angst, fangirling, pining

WARNINGS ⤻ dark jokes, strong language, suggestive jokes, large age gap? (reader is 21, irene is 32), will add more in the future!

FEATURING ⤻ red velvet, jennie kim (blackpink), im nayeon (twice), nakamura kazuha (le sserafim), aeri uchinaga (aespa), choi yena (soloist), kim gaeul (ive), shin yuna (itzy), more characters to come in future chapters ˆ-ˆ

STATUS ⤻ ongoing.

UPDATES ⤻ whenever i can!

PROFILES..! yena's charity work. millennials + yeri.

CHAPTERS

O1 – GET UP

O2 – dm her u won't

O3 – the beginning

O4 – yeri knows

O5 – opposites attract

O6 – default settings

O7 – compatible?

O8 – 'i always win'

O9 – unnie collector

10 – number exchange

11 – 'i'm almost there'

12 – date night (half written)

13 – burn the trauma suit

14 – friends

15 – filtered yn era (?)

16 – card reading

17 – kirby says hi

18 – stranded

19 – 'i see you'

20 – saviour (written)

21 – 'i don't like her'

22 – invitation

23 – realisation

24 - right but wrong

25 - close to you

26 - quote of the day

27 - blue

28 - every sunday

29 - pent up (written)

30 - let it all out

31 - call

32 - yena's right

33 - still stands

34 - thanks, nayeon!

35 - valentine

more to come..

taglist (closed)

#irene x reader #bae joohyun x reader #joohyun x reader #red velvet x reader #red velvet imagines #kpop x reader #ydkmn!smau

1K notes · View notes

Last Seen Blogs

howtodisappearfromhere

HOW TO DISAPPEAR FROM HERE

arcangelff-blog

ARCANGEL

gbhbl

Games, Brrraaains and a Headbanging Life

norlyn4evah-blog

Pag-ibig Na Pala ♥

lonestargreat

Fabulously Furious