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#ranveersingh
spookypeacephantom · 7 months
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disdadandon · 1 year
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this is my sexuality
-Goliyon ki Raasleela, RamLeela(2013)
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pyarvyarkibaatien · 1 year
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The feminine urge to go on a Sanjay Leela Bhansali movie marathon and forget about all of my problems and responsibilities
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wild-strawberrie · 8 months
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Film-Lootera (2013), Director-Vikramaditya Motwane
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I finally understood why ranveer singh was chosen to play rocky in rocky aur rani ki prem kahani. It's because nobody could have played a west delhi boy who is hot,funny, irritating, cute and cringe at the same time. Ranveer singh has slayed his individual role. Full marks to being rocky randhawa but negative marks for his chemistry with alia. Their chemistry was better off playing safeena and murad in gully boy. Alia bhatt also has played the role of rani very well. Kudos to her bengali accent. But again there's absolutely no chemistry. RRPK is a must watch. Its 3 hours of proper bollywood kjo style entertainment. Don't know about the actors making a come back but karan johar has definitely made a come back. If you have grown up loving DDLJ, K3G, KKHH, then the karan johar fan in you will be mighty pleased.
I would have preferred
Ranveer-Anushka, Alia-Varun, Ranveer-deepika, Alia-Sid to make this movie a 10/10.
Ps: if you are a sucker for old hindi songs, please go watch RRPK ❤️
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frlday · 6 months
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chaitalinath · 1 year
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How easily she called me a homewrecker, when my heart was also equally broken. If each sight of me filled her with anger, didn't each sight of her fill me with guilt, too?
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ronaldofandom · 7 months
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Seeing all this love for Rocky Rani is making my heart smile.
Rocky is the greenest of green flags. Karan Johar hit the nail on its head with this one.
The movie deserved to do twice the 350 Cr that it did.
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magicandstories · 9 months
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just watched rocky aur rani and omg ranveer is such a himbo
the outfits were on point. the car skit. the romance. AHHH
i highly recommend watching it i was wheezing.
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spookypeacephantom · 7 months
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nomorenightingaless · 8 months
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Ranveer singh in dil dhadakne do is so bbg💖🥰🤩💗✨️✨️
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j4ojha · 7 months
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ranveer literally worships the ground deepika walks on (as he should)
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nnmarudkar · 10 months
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Why I don’t like Ranveer Singh
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This is the most impulsive blog that I am writing of my entire writing journey. 😂
A teaser dropped in of Karan Johar's 'Rocky aur Rani Ki Prem Kahani'. And I liked the teaser. So when discussing with a Friend I highlighted that I do not like Alia and Ranveer but I liked the teaser due to the Karan Johar touch. And then we almost fought over why I do not like Ranveer because I was not given a good typing time in the so-called ‘debate’😁. My argument is a deal.
Why I don’t like him.
Ranveer Singh as an actor is too loud who overpowers the character.
In the times of multiple entertainment formats (Movie, web series etc) Ranveer Singh is the same everywhere. You watch Simmba, Bajirao Mastani and Ramleela or Padmavat, nothing changes apart from looks. 
He may play versatile roles but that ‘Ranveer’ energy never offloads.
He is neither the boy next door nor a goor or bad cop personality. Then what is his own?
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So Ranveer Singh is a good actor. No doubt. But as a fan you fall for the personality of an actor equally. It is an era of social media. Actors want to be seen on screen and at events, airports, reality shows, weddings and funerals as well. I mean why do you think Ranveer wears flashy clothes and roams around with huge speakers at airports. To be seen. Isn't it? I do not want to see a weird man like this. I am from an era of SRK, Akshay, Ajay, Amir, Salman, Jackie and even Govinda for that matter. I accepted yellow and red pants and even ripped jeans with bare chest Salman. Our generation has accepted it all. But Salman never roamed around in public with a t-shirt off or Govinda in Yellow pants I suppose. Of course we did not have instagram then. But humans remain humans. You absorb the advisable and avoid the ignorable. 😁 Ranveer did exactly the opposite. 🤷🏻‍♀️ I some how do not fit into that transition unless its only limited to screens. These actors are still on camera but then there is a big space in between the paparazzi cams and film cameras. Ranveer just mixes it all.
Jokes apart. An actor is an actor on screen but an individual outside. Shouldn't there be a difference when you see this man in both the places? "His 'traits' are such" as my friend points. But then do you mean he is acting on the outside too? Or is he not able to get into the character because of how he is on the outside? I am really confused. Where does he take real efforts? On or off screen? So much coincidence in every role and script that his traits are so magnetic for all the makers to want him to be him everywhere? Isn't he bored of jumping and bouncing everywhere? He was hopping as Kapil Dev also. Seriously? Thank God he did not play Dhoni. 😓Didn’t we see Sushant Singh Rajput as Dhoni and Sushant both?
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I remember Sushant in Shudh Desi Romance, I remember Shahid in Kabir Singh as well as Jab we met, I even remember Sonakshi in Holiday and Tapasee in Thappad as well as Naam Shabana. Do you remember Ranveer in Ladies Vs Ricky Behl? If No, I will tell you why. Because he has overdone Band Baaja Baraat all the time. Once he realized it works he decided to eat, drink and sleep on it. He enjoys the fun those young fans have when they see this over enthusiastic man. He enjoys the following for his madness.
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But when the same actor sheds tears on screen it does not reach the heart because you saw him last jumping when he promoted the film repeatedly. That emotion does not register. Because the man is very shallow. He does not show different shades of human personality. I suppose he doesn’t want to. I distinctly remember Ranveer in Ladies Vs Ricky Behl, Lootera, Dil Dhadakne Do, Gully Boy and 83. Movies where we could forget him as Ranveer and only watch Kabir, Murad or Ricky. In Fact he has done really amazing as all of them. As an actor he himself does not want to showcase various strokes as an artist. He can carry some roles naturally with ease like ‘Kabir’ in Dil Dhadakne Do. I loved him in that film. But you see him purely acting there because you have seen that of him very less. I am sure people will say 'film hai acting nahi karega toh kya karega'. But when that acting shows on the face of an actor in 2015 who debuted in 2010, you know it's a long way to go. Pagalpanti wala formula hit hai.
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When I compared him to Govinda. My friend just rubbished the comparison saying ‘how can they be the same. Are Shahid and Ranveer the same?’ Now, let's answer that argument. Shahid comes from a horribly dysfunctional family background. Yet you see a calm and composed man when you see Shahid in real life. Nobody knows what happens in their personal lives. But when you see the man, you identify with his ‘traits'. Imagine Shahid hopping around and smiling unnecessarily to hide the misery. How do we judge this man called Ranveer? Shouldn't you be able to point out a difference between Simmba and Ranveer?😁 He is a next level mad man. Even the bad man is good in real life. 😂
People like me are in the minority. But we enjoyed all types of actors. When we saw the same people outside the films they were different people. So we knew Jackie Shroff as a good actor and Jackie Shroff as a rugged man with filthy Hindi. It never bothered me because when I heard him speaking Hindi in movies he was the most ideal man anybody could wish for. As a fan I see a lot of them everywhere today. So I can expect a lot from them on screen too. Govinda gets an upperhand there because apart from films I only saw him in awards or some red carpet. But today the way actors are 'available' for paps I will judge you over every small act. 😜
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For example ‘83’. Great job here but when promoting Ranveer failed to imbibe even 20% of Kapil Dev’s calmness. Too loud. So what you see is Ranveer Singh again. I believe if the actor is playing a role he/she should be able to carry it for some time to make people believe in your work. You are not the same in office as home and vice a versa. Some dignity is required. Just because you belong to the entertainment industry you do not get the liberty to act like a retard everywhere and yet be loved for ‘he is so energetic’ nuisance. Otherwise you may swim in insanity. I am very sure it’s just pretending. He is not the way he shows us to be. Even Deepika tried this madness but then immediately bounced back. You cannot keep on pretending. This man is a constant nautanki. 😯
You can’t blame Ranveer completely. Because we have not seen the real Peshwa Bajirao we believed Ranveer did a fine job. After all it was Sanjay Leela Bhansali who made us believe. Ranveer was not even close to a Marathi common man yet people went gaga over him. Personally I feel he sounded just like Ram from Ramleela. Let's not go to the dance for even a second. But Rohit Shetty just proved me right because he could not remove a Singh out of Ranveer to play a Bhalerao. Do not worry, I googled Simmba. ☺️
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You are not just a fan of one movie but collectively an actor's work and how he behaves in reality. Ranveer Singh confuses me. And confusion cannot entertain. Hence he fails to be liked by me. 🙂
Now we plan Alia Bhatt war! ⚠️
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veerojaskhanna · 9 months
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Review: Rocky Aur Rani Kii Prem Kahaani
It’s been a while since I saw a solid, sumptuous ‘hindi picture’ — the kind that makes you whistle in the seats, out-sing the sound system, and dance in the aisles. I walked into Rocky Aur Rani kii Prem Kahaani expecting anything but that, since the promos had convinced me that Karan Johar had taken a sharp left into the David Dhawan school of filmmaking. Much to my surprise, the film delivered on all those characteristics, and delivered something even those ‘hindi pictures’ rarely do - it was up to date. It’s always interesting to see a filmmaker take a look back his(or her) own filmography, and see what they felt they need to change; Sooraj Barjatya had done it with Uunchai just last year, and failed miserably. Unfortunately, more often than not, this relook starts off with great gumption and falls prey to habit somewhere along the way. We are all victims of habit, hoping to transform into better, more mature, more self aware people. Johar uses this transformation as a narrative trope in this film, and maneuvers it with a lightness of touch that hints at his own self awareness. He challenges a lot of the problems his earlier films had(fatphobia, misogyny, homophobia). A replay of the “keh diya na, bas keh diya” quip from K3G had me and several others in my audi wolf-whistling. Through the film, we see transformations — characters explaining their mistakes, promising to reform, and changing into better people. In his older films, this transformation was spurred on by astronomical difficulty - in K3G, Shah Rukh Khan had go into a ten-year-log exile before Amitabh Bachchan would ask a for forgiveness with fairly gaslight-ey undercurrents; in My Name is Khan, it took a hurricane for Kajol to realise her love for Shah Rukh Khan and apologise. But though delayed, those transformations were always instant. Here, it’s simple - a monologue may unveil hidden reservoirs of confidence in characters, but they undergo full arcs before they can express themselves freely, making transformations seem neither arbitrary or abrupt. Beware though, because by the time Rani delivers speech number eight(I counted) to a character about how they must break free of the patriarchy, I was ready to throw hands. The self-referencing is also turned into a narrative trope (you can spot a reference a minute). There are countless callbacks to old films and old songs - my favourites being a callback to Abhi Na Jao Chhodkar from Hum Dono, which left me as full of awe as when Pankaj Kapur had used it in Mausam; and a character announcing her freedom by singing Aaj Phir Jeene Ki Tamanna Hai from Guide. It made me so happy that after years of self-referencing himself in films like I Hate Luv Storys, Shaandaar and Dostana, Karan Johar has learnt the difference between winking and wanking at us. The references serve a purpose beyond pure nostalgia. The older ones invoke a softer, more romantic time, without dating the film. Even the newer, more light-hearted references serve a purpose - the use of Aaja Meri Gaadi Mein Baith Ja adds to Rocky’s West Delhi/Greater Gurgaon persona. I found myself chuckling at the use of Meri Pyaari Bindu from Padosan in the Namit Das track. The only reference they could have done without was the use of Suno Suno Miss Chatterjee in a romantic moment which needed more softness, and less foot-tapping. This invoking of the past is reflected in the writing as well - the characters don’t converse with each other. they speak in dialogue. Characters say things like “Nazar kharab aapki aur pardah kare hum?” and “Aapne mujhe sanskaar nahin diye, ahankar diya hai”. They have so much swagger, you can taste them. The showdowns in the film are satisfyingly melodramatic, and one would expect no less - characters are engaged in such over-the-top conflict that the skies thunder in disapproval. Unfortunately though, the same drama was missing in the songs. Tum Kya Mile and Ve Kamleya are beautiful melodies(even if terrifyingly banal in their arrangement), but Dhindora Baaje Re, which plays out as a pivot for the story just pre-climax was upsettingly underwhelming and insipid. It may not have worked in Pritam’s favour that we hear his music in the same sitting as some of the most memorable tunes from Hindi films. As for the performances, they were just outstanding - Ranveer and Alia both pull off two very difficult things - Ranveer plays an outlandish, uncouth, near repulsive character while endearing us to him, and Alia shows us both her condescention/amusement at Rocky and her endearment to him. I think Ranveer will get more praise for his character - it’s the kind of character that shouts out at you to tell you how well the actor is acting, but Alia does a better job — Rani is put in situations which call for ‘dialoguebaazi’ but nothing seems contrived or put-on. I was particularly impressed by a scene where she comes up with a solution for a problem in Rocky’s family business, but does so without the magic-wand waving of a Hrishikesh Mukherjee character. Instead, she plays the line with an undercurrent of surprise - as though she came upon the answer by accident. As for the million dollar question - do the leads share chemistry? The answer is a resounding YES. They share chemistry, and more importantly, comfort. It’s not the electric kind(like SRK-Kajol in all those other KJo films or Ranbir-Anuska in Ae Dil). Alia and Ranveer just fit. They share an easy comfort with each other, and we understand that they are meant to be with each other, because they make each other happy, and sometimes, it’s just that simple. The supporting cast is also stellar - Shabana Azmi, Tota Roy Chaudhury, Churni Ganguly, Aamir Bashir, Kshitee Jog and Anjali Anand are such fun. I did, however want to check on Dharmendra, who seemed like the light was going to go out of his eyes any minute. Jaya Bachchan seemed to be borrowing her mannerisms from Chacha Choudhary comics and Amrish Puri, trembling in anger and staring into the distance while delivering heavy duty dialogues. The film does justify this bigness and melodrama to a great extent though. There are no normal locations, normal clothes and normal people in this world, only magic. Johar’s idea of a chandni chowk akhara is laughable, but the colours are so vibrant and the lights so bright that you go along for the ride. Why complain about the lack of realism when you are being treated to some of the most beautiful people and places on film? There are enough things to complain about - the bengali family was annoyingly free of fault(something I’m sure all the Bhadralok had no problem with); I found the Shabana-Dharmendra track unconvincing and problematic, even though it was charming; and the Dhindora Baaje Re sequence was a bit too flashy for my liking - but all in all, Rocky Aur Rani is the best thing I did with three hours in my day, and I left the cinema hall with my heartbeat thudding in my ears, my soul nourished and my love for hindi cinema replenished.
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amongreek · 1 year
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