#scott tracey

[itachi86]

whoa moonset is ten years old already. jfc i want the third book of that series so bad

#book things #legacy of moonset series #scott tracey #i mean i didn't read it when it first came out but #TEN YEARS #i still want the rest of that series so fucking badly #malquinn should be endgame #jenna should be bi #IS COLE PROPHETIC

[lobbycards]

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Italian lobby card (Fotobusta), re-release 1974

#submission #Dr. Strangelove #Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb #Stanley Kubrick #Peter Sellers #George C. Scott #Tracey Reed #Lobby Card #Lobby Cards #Fotobusta #Fotobuste

[addictivecontradiction]

Respect, 2021

#biography #drama #music #respect #aretha franklin #liesl tommy #tracey scott wilson #callie khouri #jennifer hudson #forest whitaker #saycon sengbloh #hailey kilgore #audra mcdonald #talent

[the-gershomite]

G.I. Joe #4 of 4 -April 1996-

"The Ultimate Price" (12-15 of 15)

written by Mike W. Barr

penciled by Tatsuya Ishida

inked by Scott Reed

colors by David Nestelle

letters by Tracey Hampton-Munsey

#dark horse comics #g.i.joe extreme #comics #mike w. barr #tatsuya ishida #scott reed #david nestelle #tracey hampton-munsey

[duranduratulsa]

Now showing on my 90's Fest Movie 🎥 marathon...Wild America (1997) on classic DVD 📀! #movie #movies #actionadventure #wildamerica #stoufferbrothers #jonathantaylorthomas #DevonSawa #martystouffer #scottbairstow #FrancesFisher #markstouffer #JameySheridan #DannyGlover #zackward #traceywalter #sonnyshroyer #dvd #90s #90sfest #durandurantulsas3rdannual90sfest

#movie #movies #action adventure #Wild America #stouffer brothers #Jonathan Taylor Thomas #Devon Sawa #Scott Bairstow #marty stouffer #mark stouffer #jamey sheridan #frances fisher #zack ward #tracey walter #danny glover #sonny shroyer #dvd #90s fest #90s #duran duran tulsa's 3rd annual 90s fest

[writemarcus]

Review: After a Too-Long Absence, The Fire This Time Festival Reignites

July 08, 2022

The Fire This Time Festival: Season 13: Ten-Minute Plays

Plays by Fedna Jacquet, Marcus Scott, Phillip Christian Smith, Lisa Rosetta Strum, Rachel Herron, and Agyeiwaa Asante

Directed by Zhailon Levingston and Tracey Conyer Lee

Presented by FRIGID New York

at The Kraine Theater85 E 4th St., Manhattan, NYCJuly 7-10, 2022

The annual The Fire This Time Festival, after a two-year absence from the stage, including a postponement from its usual winter slot to early July, has returned to in-person performance with its thirteenth season, bringing six new short plays from early-career playwrights of African and African American descent to The Kraine Theater. The Ten-Minute Play Program offers both in-person and livestreaming options, and this year, audiences can also complement their theatergoing experience by picking up a copy of 25 Plays from the Fire This Time Festival, which collects plays from TFTT's first eleven seasons, edited by TFTT founder and Executive Director Kelley Nicole Girod and organized into thematic groupings from policing to gentrification to Black love. If further volumes are forthcoming, any of this year's thoughtful, funny, provocative, compassionate offerings would be a worthy addition. Meanwhile, just get thee to the Kraine!

First up is Fedna Jacquet's Girlfriend, which sees longtime friends Lea (played by Jacquet) and Tonya (Denise Manning) having drinks together for the first time in a long time, a fact related to Tonya's now-defunct romantic relationship. Talking about the reason for Tonya's break-up (spurred, it's worth noting, by a visit to the theater) leads the two women into a consideration of how attempts to police their identities and define their experiences come not only from the expected quarters. A moment when Lea (rightly) calls out Tonya feels (also rightly) like a short, sharp shock amidst the humorous, supportive interplay between the two women. Friendships anchor several of this year's plays, and Marcus Scott's Wookiees in the Wilderness follows Girlfriend's female pairing with a pair of close male friends. High-schooler Smokey (Anthony Goss) needs more practice in archery and riflery in order to pass the Eagle Scouts' Wilderness Survival Test before he sets off for college, and, to that end, he meets Bishop (Ricardy Fabre) in the wilderness near the Lake of the Ozarks. At first, the two vividly drawn and portrayed friends fall into a debate about race and Star Wars that includes Bishop's memorable claim that "Chewbacca might as well be a Somali pirate in space" (and yes, there are lightsabers). When their talk turns to an incident with more than a passing resemblance to the murder of Ahmaud Arbery, Bishop's early declaration that there is more to sci fi than just Star Wars looks like foreshadowing of the profound decision that Smokey puts before Bishop about alternate modes of action (or perhaps of rebellion, in Star Wars parlance) and whether they are justified and effective.

The third play, Phillip Christian Smith's Mount Sinai, is more (straightforwardly) uplifting, despite its friends being fellow cancer patients. Gladys (Marjorie Johnson) says that she has always been a "good girl," having worked her way up to a successful career and raised successful children, while Minerva (Patricia R. Floyd) characterizes herself as a "card" and, in a small echo of the identity issues raised in Girlfriend, has never been able to get anyone to call her by her given name rather than a nickname. Among other topics, the women, in lived-in performances by Johnson and Floyd, touch on the pandemic (Minerva observes that "essential workers" means "Black people") and its losses, but ultimately the play suggests that, despite challenges including aging and illness, there is always more to enjoy in life. The pandemic frames a more urgent search for happiness in Lisa Rosetta Strum's By the way…, which checks in on two close friends (Fenda Jacquet and Ricardy Fabre) who have been quarantined together for a month in 2020. Quarantining of course involves drinking and game playing, which come together here for a confessional game. That game brings a revelation which challenges both the preconceptions of one of the duo (again, about identity) as well as the status quo of their relationship, as Jacquet and Fabre skillfully trade tipsy fun for unvarnished intensity.

The very funny and slightly dark Red Red Wine, by Rachel Herron, shifts the confessions to a work environment. Mel (Denise Manning) is working for Somm (Patricia R. Floyd) in the latter's wine shop while being mentored as a potential Master Sommelier. Mel would be the first Black woman to achieve this rank, but only because Somm quit while practicing for the exam. After Mel reveals some things about herself that recall the issues raised in the previous play, she wants Somm to explain in exchange why she quit; and Somm's answer puts before Mel a decision that is not unlike the one that Bishop has to make in Wookiees in the Wilderness. Wrapping up this year's program is Agyeiwaa Asante's Wildest Dreams, in which the ghosts of the past are literal. Spirits Maybelle (Marjorie Johnson) and Jimmy Dale (Anthony Goss) have not yet moved on from the plantation where they died of unnatural causes 187 years ago, a location now used for events such as weddings or, on this day, a graduation. A sign held by a Black graduate reading "I am my ancestors' wildest dreams" prompts some soul-searching, so to speak, for the pair and ultimately asks when one person has done enough–how much right does someone have to personal peace when the unfinished business is social progress? Wildest Dreams closes these questions–and the evening–on a hauntingly ambiguous note. The 13th season of The Fire This Time finds the festival's programming as strong as ever. With 6 compelling shows brought to life by 6 talented actors, The Fire This Time Festival proves that 13 is not an unlucky number. -John R. Ziegler and Leah Richards

#The Fire This Time Festival #Fire This Time Festival #NYC #Black Theatre #Black Theater #Black Playwrights #Wookiees in the Wilderness #Kraine Theater #Marcus Scott #MarcusScott #Write Marcus #WriteMarcus #Zhailon Levingston #Tracey Conyer Lee #FRIGID New York

[cultfaction]

Snake Eater III: His Law (1992)

Snake Eater III: His Law (1992)

Jack ‘Soldier’ Kelly (Lorenzo Lamas) is back and this time he is a Private Investigator who is hired track down the Hell’s Fury biker guy and avenge the drugging, kidnapping and raping of a young girl named Vivian Molison (Tracey Hway). For this mission Kelly teams up with his friend Cowboy (Minor Mustain) whilst his girlfriend Hildy (Tracey Cook) disapproves of such a dangerous mission. Along…

View On WordPress

#Bam Bam Bigelow #Lorenzo Lamas #Scott &039;Bam Bam&039; Bigelow) #Snake Eater III: His Law #Tracey Cook #Tracey Hway

[reasonsforhope]

"When Francois Beyers first pitched the concept of 3D ocean farming to the Welsh regulators, he had to sketch it on napkins. 

Today the seafood farm is much more than a drawing, but if you walked along the Welsh coastal path near St David’s, all you’d see is a line of buoys. As Beyers puts it: “It’s what’s below that’s important.”

Thick tussles of lustrous seaweed suspend from the buoys, mussels cling to its furry connective ropes and dangling Chinese lantern-esque nets are filled with oysters and scallops. 

“It’s like an underwater garden,” says Beyers, co-founder of the community-owned regenerative ocean farm, Câr-y-Môr. The 3-hectare site is part of a fledgling sector, one of 12 farms in the UK, which key players believe could boost ocean biodiversity, produce sustainable agricultural fertiliser and provide year-round employment in areas that have traditionally been dependent on tourism. 

Created in 2020 by Beyers and six family members, including his father-in-law – an ex-shellfish farmer – the motivation is apparent in the name, which is Welsh for “for the love of the sea”. ...

Pictured: Drone shot of Câr-y-Môr, which is on the site of abandoned mussel farms. Image: Scott Chalmers

Ocean farming comes from the technical term ‘integrated multi-trophic aquaculture’, which means a mixture of different seaweed and shellfish species growing together to mutually benefit each other. But it’s not just a way of growing food with little human input, it also creates ocean habitat. 

“You’re creating a breeding ground for marine animals,” explains Beyers who adds that the site has seen more gannets diving, porpoises and seals – to name a few – since before the farm was established.

Ocean farms like Câr-y-Môr, notes Ross Brown – environmental research fellow at the University of Exeter – have substantial conservation benefits.

“Setting up a seaweed farm creates an exclusion zone so fishermen can’t trawl it,” explains Brown, who has been conducting experiments on the impacts of seaweed and shellfish farms across the UK. 

Brown believes a thriving ocean farming industry could provide solutions to the UK’s fish stock, which is in “a deeply troubling state” according to a report that found half of the key populations to be overfished. “It would create stepping stones where we have safe havens for fish and other organisms,” he adds. 

But UK regulators have adopted a cautious approach, note Brown and Beyers, making it difficult for businesses like Câr-y-Môr to obtain licenses. “It’s been a tough old slog,” says Beyers, whose aim is to change the legislation to make it easier for others to start ocean farms. 

Despite navigating uncharted territories, the business now has 14 full-time employees, and 300 community members, of which nearly 100 have invested in the community-benefit society. For member and funding manager Tracey Gilbert-Falconer, the model brings expertise but most importantly, buy-in from the tight-knit local community. 

“You need to work with the community than forcing yourself in,” she observes. 

And Câr-y-Môr is poised to double its workforce in 2024 thanks to a Defra grant of £1.1 million to promote and develop the Welsh seafood industry as part of the UK Seafood Fund Infrastructure Scheme. This will go towards building a processing hub, set to be operational in April, to produce agricultural fertiliser from seaweed. 

Full of mineral nutrients and phosphorous from the ocean, seaweed use in farming is nothing new, as Gilbert-Falconer notes: “Farmers in Pembrokeshire talk about their grandad going down to the sea and throwing [seaweed] on their farms.” 

But as the war in Ukraine has caused the price of chemical fertiliser to soar, and the sector tries to reduce its environmental impact – of which synthetic fertiliser contributes 5% of total UK emissions – farmers and government are increasingly looking to seaweed. 

The new hub will have capacity to make 65,000 litres of sustainable fertiliser annually with the potential to cover 13,000 acres of farmland. 

But to feed the processing hub, generate profit and reduce their dependency on grants, the co-op needs to increase the ocean farm size from three to 13 hectares. If they obtain licences, Beyers says they should break even in 18 months. 

For now, Beyers reflects on a “humbling” three years but revels in the potential uses of seaweed, from construction material to clothing.  

“I haven’t seen the limit yet,” he smiles."

-via Positive.News, February 19, 2024

#wales #welsh #ocean #marine biology #aquaculture #marine life #marine animals #seaweed #sea scallops #oysters #united kingdom #uk #conservation #conservation news #overfishing #environmental news #farming #sustainable agriculture #sustainability #ocean farming #good news #hope

[hotvintagepoll]

Propaganda

Joan Bennett (Man Hunt, Scarlet Street, The Woman in the Window)—Joan Bennett has everything you could ever want in a hot vintage dame of the big screen, She has gorgeous big green eyes that are so expressive both when they're filled with tears or with scorn or lust. Despite being a whole five foot barely anything she brings a presence that makes her feel larger than life. Never letting any scene partner take away from her and she was up against some heavy hitters like Spencer Tracey, James Mason, Michael Redgrave, and Edward G Robinson just to name a few.. She went from being an adorable blonde to a deadly and sexy brunette. She's THE femme fatale to end femme fatale and I will not take any criticism. Her voice is distinct, her look her own, and not even her shitty husband shooting her agent in the dick stopped her; finding success in theatre and hit TV show Dark Shadows. (Screw Hollywood for being sexist but shout out to Humphrey Bogart for insisting she stay in 'We're No Angels') She should've been nominated for an Oscar for Scarlet Street. She made Fritz Lang relevant again with her amazing performances. She made noir NOIR, her influence can be over stated. She's beautiful as hell, she was a genuinely kind person despite all nonsense she was put through and though she didn't think much of the films she was in she was doing it for the LOVE of film making. I just have lots of feelings about her. She's a blorbo.

Lizabeth Scott (Dead Reckoning)—no propaganda submitted

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

Joan Bennett:

She was THE leading woman in TWO famous “the woman in xyz location” films which is very funny. Fritz Lang loved her and he was correct (as always). Slayed on Dark Shadows and in Suspiria. Slayed as a blonde. Slayed as a brunette. So pretty. Excellent voice. Big sad eyes. Talent. Elegance. She’s every woman.

The epitome of a femme fatale, just look at her

Blonde, brunette, this woman can do it all

#lizabeth scott #joan bennett #hotvintagepoll #ladies 1 #fuck that old woman

[petalpetal]

okay top 5 favorite books I think that my followers/tumblr would like in no particular order

Yume by Sifton Tracey Anipare

its magical realism that addresses the racism foreigners face in Japan (especially black people and people who are half Japanese)

The Library on Mount Char by Scott Hawkins

probably the best novel I have ever come across that has the most in depth orginal lore that you would only find a series buts it one book.

Ella Enchanted by Gail Carson Levine

probably the best representation of how to escape your abusers

The Book Eaters by Sunyi Dean

what if vampires ate books instead of blood but with a lesbian and asexual representation in it. (also gives handmaiden tale vibes)

Lonely Castle in the Mirror by Mizuki Tsujimura

this is a beautiful story about how bulling/family trauma can affect kids. the premise is all of these middle schoolers are invited to a fairy castle for a whole year where they have to option to be granted any wish they desire as long as they find they hidden key. within the first week its obvious they all have one thing in common none of them are gong to school because of bulling.

I HIGHLY RECCOMEND THIS IF YOU EVER FELT LIKE AN OUTSIDER WHILE AS A TEEN BECAUSE YOU WILL RELATE TO AT LEAST ONE OF THE CHARACTERS

if you cant get a copy of this I suggest watching the anime movie or reading the manga.

[imhidingonceagain]

Theo Raeken loved Liam Dunbar while Liam Dunbar could've loved Theo Raeken:

At this point my love for Thiam is evident and I love to think that my headcanons about them are facts but I also love to analyze canon and in my opinion Theo loved Liam while Liam could've loved Theo but we didn't have enough time.

Let me explain:

The first thing is that Theo's sexual orientation is never disclosed in the show but we can analyze what we get. Theo never showed romantic interest for anyone. The only two remotely romantic examples in his scenes are the ones with Malia and Tracey, however those instances were "programed", those were fake interactions impulsed by his -villanous- interests at the time.

Theo, however, seems much more interested whenever he interacts with men (I am not saying that he likes every single man he interacts with, but we can admit that even his expression seemed to change). Still, I don't think Theo felt anything for anyone -other than anger, jealously, etc.- until he met Liam.

In my opinion, yes, at first Theo didn't leave Liam's side because he had the power to send him back to hell but later there's plenty of times where Theo keeps showing even when he doesn't have to.

I have a post dedicated to explain how Season 6 Theo is the "Real Theo" and that Theo is pretty much mesmerized by Liam in many scenes. Evidently, he also feels some type of loyalty towards Liam to the point where he only decides to not leave Beacon Hills until Scott mentions Liam in that phone call.

Not to mention the amount of times where he saves Liam's life and helps him with his IED.

It's never stated explicitly but I think Liam is the first person Theo loved in a very very long time (or maybe the first one, we don't know how his relationship with his family was), wether it was platonic or romantic, Theo had feelings for that boy. I am personally inclined to think that those feelings are not platonic at all given the fact that I firmly believe that Theo might be gay or maybe bisexual with a strong preference for men.

Now, here comes the problem... Liam is a completely different case.

Liam feels resentful towards Theo most of the time and I think his unwillingness to send him back to hell has more to do with the fact that in Season 6 it's hinted that Liam will be the new leader at some point and he has to prove himself.

However, at some point things get much more complex because there's plenty of times where Liam keeps asking Theo for help even when he doesn't really need him. Liam listens to Theo and he knows that Theo is a reliable person -Towards Liam himself only because the rest of the pack never seems to forgive him, not even my sweet boy Mason- and wants to have him fighting by his side. He explains his plans and waits for Theo's opinion -the funny thing is that no matter how dumb Liam acts Theo will help him with his plans and save him if necessary-

And... the biggest point of the analysis on Liam's side is that it's heavily hinted that Theo is Liam's new anchor. Of course they never say it explicitly, but the subtext is too strong to ignore it (it's painfully obvious even). One of the biggest proofs of it is Theo saying "That's progress" when Liam controls himself after seeing him in that scene with Gabe because that line is a direct parallel to Stiles saying "That's progress" to Malia... HIS EX GIRLFRIEND.

I think Liam was not really prepared to accept that Theo was already his ally, his friend -given the fact that they smile at each other, they save each other, etc- and his anchor.

Liam was already feeling some type of affection for Theo by season 6B but it was buried behind the angry and annoyed facade Liam keeps for the entirety of that season.

Liam could've definitely loved Theo back but the show ended too early for Liam to come to terms with his new feelings.

I am choosing to ignore the existence of the Teen wolf movie because it makes Thiam even more tragic. If we consider it canon then it's very likely that Theo never confessed to Liam and Liam, at some point, probably buried his feelings even more until they faded.

#thiam #teen wolf #liam dunbar #theo and liam #fanfiction #theo raeken #teen wolf movie #puppy pack

[wetusb]

5 songs I’m currently enjoying

tagged by @steppesliver 💕

hyouriittai - YUZU

better in the dark - Jordana, TV Girl

sun bleached flies - Ethel Cain

Anxious - AJ Tracey

FE!N - Travis Scott

tagging @catfoodsminmo @rmilkies @aztarion @dietgabbana @perilegs @trashbaby1996 @lowgardn @nietopyrz @jojofucker69 and YOU 🫵🏼

#im in my feelings + at the gym lol #tagged

[addictivecontradiction]

Respect, 2021

#biography #drama #music #respect #aretha franklin #liesl tommy #tracey scott wilson #callie khouri #jennifer hudson #forest whitaker #marlon wayans #advice

[the-gershomite]

G.I. Joe #4 of 4 -April 1996-

"The Ultimate Price" (1-11 of 15)

written by Mike W. Barr

penciled by Tatsuya Ishida

inked by Scott Reed

colors by David Nestelle

letters by Tracey Hampton-Munsey

#dark horse comics #g.i.joe extreme #comics #mike w. barr #tatsuya ishida #scott reed #david nestelle #tracey hampton-munsey

[kissyourdemons]

We don’t talk enough about the fact that Scott is indirectly responsible for Tracey and Josh’s deaths. Just because it was Theo’s claws that ended their lives doesn’t absolve Scott of his role making that happen.

Theo wanted a pack and killing it wasn’t part of his original plan. He only killed Tracy and Josh because Deucalion lied to him and told him it was how he could achieve his end goal of becoming an alpha. Scott’s thing has always been to find another way and yet this was the plan he went with? Granted, Scott didn’t know exactly what Deucalion would do, but what else did his expect from the demon wolf who slaughtered entire packs?

While, yes, Theo made the choice to act on Deucalion’s words, it doesn’t change Scott’s role in it all. Too many fics gloss over this and I just wish they didn’t. Scott’s humanity has always been a core value of his character, but that doesn’t only mean the nice parts. Yes, he’s very forgiving and trusting. But he also makes mistakes and those mistakes hurt the people around him. It’s a disservice to Scott’s character as well, because really, what’s more human than making the wrong judgement call that gets two teenaged killed at the hands of a child soldier?

#theo raeken #teen wolf #scott mccall #deucalion #started off on a Theo rant and somehow ended up going off about Scott #accidental character analysis #teen wolf meta #josh diaz #tracy stewart

[writemarcus]

Cast Announced for 13th Annual The Fire This Time Festival

Plays include Wildest Dreams by Agyeiwaa Asante, Red Red Wine by Rachel Herron, Gurlfriend (Black is Black) by Fedna Jacquet and more.

by Chloe Rabinowitz 

Jun. 6, 2022  

FRIGID New York will present the 13th Annual The Fire This Time Festival at The Kraine Theater (85 East 4th Street between 2nd Avenue and Bowery), July 7-10. The Obie Award-winning festival will feature World Premiere 10-minute plays by early career and under-represented playwrights from the African diaspora, co-directed by Zhailon Levingston (Chicken & Biscuits on Broadway; Patience) and actor, writer, director and TFTT alum Tracey Conyer Lee.

Performances will take place on Thursday, July 7 at 7pm, Friday, July 8 at 7pm, Saturday, July 9th at 2pm, Saturday, July 9th at 7pm, and Sunday, July 10th at 3pm. Performances will also be available to livestream from home. Tickets ($20) are available for advance purchase. The cast will feature Ricardy Fabre (New Golden Age at Primary Stages; Lessons in Survival at Vineyard Theatre), Patricia Floyd (The October Storm at Hudson Stages Company; "Show Me A Hero" on HBO), Anthony Goss (Gong Lum's Legacy at New Federal Theatre; On Strivers Row at Metropolitan Playhouse), Fedna Jacquet (Ain't No Mo at The Public Theater; Gloria: A Life at Daryl Roth Theatre), Marjorie Johnson (Dot at Vineyard Theater; Hoodoo Love at Cherry Lane Theater), Denise Manning (What to Send Up When It Goes Down at Playwrights Horizons/BAM/ART N.Y.; Daddy at The New Group).

Wildest Dreams by Agyeiwaa Asante

For over 187 years Maybelle and Jimmy Dale have haunted the Mason plantation, a now popular tourist attraction and event venue. Tired of their time on this plane, they wonder what it'll take to get them to the other side.

Red Red Wine by Rachel Herron

Somm was well on her way to becoming the first Black female Master Sommelier in the world, but she gave it all up to produce her own wine label. Now she's enlisted the help of her mentee, Mel, to help grow the brand; the only question is will Mel still be on board once she learns the secret ingredient in their best selling red?

Gurlfriend (Black is Black) by Fedna Jacquet

Two black girls drinking wine and living their best lives. #BlackGurlMagic #UnapologeticAF. We get to see THEM-jokes and bruises on display. By leaving the world outside, these best friends are able to bond in a fresh and delightful way...but what happens when the ever-shrinking classification of blackness threatens to exclude one of them? We ride the bold and excruciatingly confusing rollercoaster of identity, friendship, and regret to a new destination unknown to both Lea and Tonya. #Drama

Wookies in the Wilderness by Marcus Scott

Bishop and Smokey are best pals. Smokey will do anything for Bishop, who is in the midst of recovering from a recent trauma. Bishop will do anything for Smokey including going out to the mountainside wilderness of the Lake of the Ozarks to prep him for his upcoming Wilderness Survival test for the Eagle Scouts. But as the sun down begins and night falls upon them, the boys are reminded to truly be prepared for anything. Wookies in the Wilderness is a buddy drama about race, class, wasted potential, retaliation, Star Wars, and equal opportunity in Trump's America.

Mt. Sinai by Phillip Christian Smith

Gladys and Minerva, casual chemo friends, discuss life, the south, children, and the handsome cancer patient in Room A. Has Gladys finally fallen in with the bad girls in her twilight years?

By The Way by Lisa Rosetta Strum

Two best friends have been quarantined for the past month. When one of the friends reveals their true feelings for the other, perceptions, prejudices and fears get exposed and a friendship could be changed forever. The Fire This Time Festival was founded in 2009 by Kelley Girod to provide a platform for playwrights of African and African-American descent to write and produce evocative material for diverse audiences. Since the debut of the first 10-minute play program in 2010, presented in collaboration with FRIGID New York, The Fire This Time Festival has produced and developed the work of more than 80 playwrights including Katori Hall, Dominique Morisseau, Radha Blank, Antoinette Nwandu, Jocelyn Bioh, korde arrington tuttle, Stacey Rose, Aziza Barnes, C.A. Johnson, Kevin R. Free, Charly Evon Simpson, Angelica Cheri, James Anthony Tyler, Jordan Cooper and Nathan Yungerberg. In 2022 Bloomsbury books released the anthology 25 Plays From The Fire This Time Festival: A Decade of Recognition, Resistance, Resilience, Rebirth and Black Theater which includes 25 ten-minute plays that were produced by The Fire This Festival over the past 11 seasons. The Fire This Time Festival collaborated with Center Theatre Group and Watts Village Theater Company to launch the initiative "Not A Moment, But A Movement" to amplify Black artists through three virtual events that pair playwrights, visual artists and musicians during 2021. FRIGID New York's mission is to provide both emerging and established artists the opportunity to create and produce original work without limit to content, form, or style, and to amplify their diverse voices. We do this by presenting an array of monthly programming, mainstage productions, an artist residency, and seven annual theater festivals that create an environment of collaboration, resourcefulness, and innovation. Founded in 1998, the aim was and is to form a structure, allowing multiple artists to focus on creating and staging new work and providing affordable rental space to scores of Independent artists. Now in our third decade we have produced a massive quantity of stimulating downtown theater.

#TFTTF #The Fire This Time Festival #Marcus Scott #MarcusScott #WriteMarcus #Write Marcus #Zhailon Levingston #Tracey Conyer Lee #Agyeiwaa Asante #Rachel Herron #Fedna Jacquet #Phillip Christian Smith