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#scribble post
shameofokhasis · 17 days
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i’ll uncanny YOUR valley bitch
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cecilsweep
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aphel1on · 6 months
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i have such a love for characters who descend into madness or villainy out of deep, deep empathy. characters who fundamentally cannot cope with the cruel realities they find themselves in and blow up about it in spectacular fashion. fallen angel type characters with tears of outrage in their eyes. characters who break before they bend, and break so badly they splatter blood all over their noble ideals. every variation on it gets me so good
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tomiyeee · 7 months
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mistawolfie · 16 days
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Omg the girlies are fightingggggg~~~~
They’re having realizations about each other and themselves and are growinggggggg~~~~
Their fight leads them to the understanding of the self and tightening of their bonds as comrades and friendsssssss~~~~
Omggggg~~~~~~~
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ryssbelle · 28 days
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Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!
Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎
#my art#marinette dupain cheng#miraculous ladybug#miraculous fanart#style mimic#sorry for the @s btw#yall should go follow those artists if you dont already also#this was sort of inspired by a post the three artists on the top row made#i think they all got together and drew with one another#which is really cool#but i was genuinely confused because i mimic styles a lot#and ive seen others do it too so i was just like#wow they really know each others styles really well#until i thought about it and read their posts some more#style mimicking is really freaking fun and i think its really good practice#and a good way to explore other ways of doing things#like you really have to learn new techniques and get out of your comfort zone#also anna scribbles i could not find a recent pic of marinette in her main outfit#so thats the only marinette i drew in different clothes cuz i couldnt find a more recent ref of you drawing it#anna scribble marinette has privileges thats the others dont#but ye#i also threw my own style in there as a frame of reference to what me draw like#ive drawn marinette before just not in a loooong while#sabertooth walrus was the hardest for me to mimic cuz they have a broad range in their style#so its like which sabertooth do i wanna be in this pic#Buggachat has such a distinct style thats very clean and consistent which is amazing so they were easy#being easy or hard arent bad things either it also has to do with like styles meeting up with one another#buggachats and mine arent too too different in some shapes and aspects#so yeah itd be easier plus they drew marinette like 3 sec ago so i have more recent of a ref#as opposed to sabertooth who i have a recent ref of ladybug but not marinette so we got two diff styles in one
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tazmiilly · 4 months
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emotional support beanie for old man
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i-eat-deodorant · 3 months
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trying to make my case on why the "except for one" referred to in the AMA is actually leshy
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canisalbus · 7 months
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I like making comics where nothing happens.
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skizabaa · 10 months
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Imagining ruin dca like this
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a11eya · 16 days
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TITLE: do you still think about me?
PAIRING: Bakugou Katsuki x Reader
SUMMARY: Okay, so you had the biggest, most embarrassing crush on Bakugou when you were both in high school. He was kind of your first love, if you believe in those kinds of things. But you got over it. It's fine.
You see Bakugou sometimes at hangouts, at get-togethers. He's in your orbit, or you're in his, because of your mutual friends. You're all adults now, so it's fine. It's a little weird, but fine.
You're supposed to be on vacation, at a place that's hours away from Musutafu. You're not sure what you've done to deserve it, but Bakugou's here too. And instead of both of you pretending the other doesn't exist, as usual, he's talking to you. He's everywhere. It's fine.
(It's not fine.)
TAGS: pro hero Bakugou Katsuki, aged-up characters, friends to lovers (being generous with that friends label lol), fluff, pining, eventual smut
STATUS: Ongoing; 1 of ?
NAVIGATION: Series Masterlist
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The ryokan’s lobby is bustling, voices a soft buzz echoing through the space. Some guests are like you, waiting for check-in, and other guests are partaking in the complimentary drinks and snack bar. It all calls to mind vacations you went on with your family, growing up. 
Sighing, you sink into an armchair, letting the fatigue from a long trip on a train and subsequent car ride sink in, shed off. 
“Here,” Rie says, setting a cup of tea and a cookie on the table in front of you. She sits in the chair across from you. “You’re grumpy because you haven’t had any sugar today. Eat these. There’s more up front, at the snack bar.” 
“Thanks mom,” you say, and she leans forward to flick you on the forehead. You wince. 
“Just because we’re friends doesn’t mean you can get away with your sass. Especially while we’re on vacation,” she tells you, then lifts her own cup of tea to her lips. You scrunch your face up at her. 
Her eyes flick past you, and she blinks rapidly. You recognize that expression—up to no good. 
“Oh hey,” she says, affecting a casual tone. “Look who just walked in.” 
Rie waits for you to look, but you’re not so easily led around. You narrow your eyes at her. She raises a brow at you. A moment passes. 
Your curiosity’s too strong. You turn and regret it. 
It’s Bakugou. Bakugou Katsuki. What the hell is he doing here?
You immediately swing back around, scowling deeply. You can feel your ears getting warm. 
She gives you a Cheshire grin, finger gunning you. “It’s your first love.”
“Rie, I will leave.” 
She scoffs. “Yeah, right. And miss out on the massages we booked? The onsen? I don’t think so.”
“You don’t know what I’m capable of,” you say darkly. 
She snickers, tilts her head at you. “You don’t want to say hi?” 
“Not really, no,” you say. “And if you call him over, I’ll kill you. Hanta will be sad, but he’ll get over it.” 
Rie laughs. “I don’t know about that. He is dating me, after all.”
“I’ve known him longer. He’ll forgive me.” 
The two of you switch over your attention to an approaching receptionist. 
“Thank you so much for waiting,” he says. “Your room is ready now. Please follow our staff. We’ll take care of your bags.”
You let them take your luggage, too distracted by staying out of Bakugou’s line of sight to pay attention to the small talk the receptionist’s making. Thankfully Rie’s chatting cheerfully with him, leaving you to your task. 
As you enter a hallway leading off the lobby area, you catch a last glimpse of Bakugou. He’s speaking to a staff member at the front desk area, presumably checking in. He’s alone. You wonder if anyone will be joining him, or if he’s here by himself. 
Shaking your head, you push away those thoughts. It’s none of your business. This ryokan’s rather large, and it’s popular with tourists and locals alike. You doubt you’ll see him again during your stay. 
You stare doubtfully at the email Sero forwarded you, then look up at him, your eyebrows furrowed. 
“Hanta, this is a luxury onsen ryokan. And you want me to go with Rie? Why aren’t you going?”
Sero claps his hands together in front of his face. “Please? The agency denied my time off request because we’re so busy. You gotta know how busy we are, even holed up in your office.” 
You frown at him. “The agency denied you? That’s crazy. You haven’t taken time off the whole year.” 
“I know, right? Anyway, Rie doesn’t want to go alone, and the reservation at this place is only valid for so long. Cancelling’s not an option.” 
You frown. “If they denied you, they’ll probably deny me too, Hanta.” 
“Noooo, it doesn’t hurt to put in the request! Plus, you haven’t gone on vacation in years. Treat yourself! This can be my months-in-advance birthday gift to you.”
You try one last time. “Are you sure Rie even wants to go with me? I know you want this to be a surprise, but maybe you should ask her if there’s anyone else she’d want to go on a trip with.”
Sero gives you a look, as if you’d just said something unbelievably stupid. “I’m not even going to respond to that.” 
You snort, smiling. “Alright, alright. Thanks, Hanta. I’ll take all the pictures of Rie and send them to you if the agency does grant me the time off.”
Sero slings an arm around your shoulders. “Thanks, bud.” 
“I miss Hanta,” Rie says, collapsing on her back onto the bed. 
You push both of your bags to the side, to be unpacked later. The entire far wall of your room’s lounge area is glass, with a door leading out to the outdoor area and open-air bath, and you give in to your urge to step outside onto the wood, deck-like floor. 
The bath rises from the floor to your right, rectangular, spacious. The staff member told the both of you it’s fed from the onsen, and the steam it’s giving off dissipates into the cool spring air. The bath and deck are built to overlook a large pond with koi swimming in it, giving the impression that where the deck ends the water begins. The far side of the pond is lined with trees and shrubbery. Wooden partitions on either side of this area enclose the space, giving it a sense of privacy. 
It’s absolutely gorgeous. And it’s so quiet here. Aside from the ambient water sounds from the onsen on the property, birdsong from the nearby forested area, there’s little to interrupt this emerging feeling of serenity. 
“You saw him literally before we left,” you say. “Rie, come out here and look at this view. I call dibs on using the bath first.” 
“You could be more sympathetic. We haven’t been able to see each other much this month,” she grumbles, but she comes out to join you anyway. 
“Okay, you can use the bath first,” you tell her. 
She grins at you, bumping her shoulder against yours. “Thanks, friend.”
“The things I do.” You don’t really mind. You have the entire long weekend to enjoy this place. The peace and quiet are already doing wonders for the tension in your shoulders.
A twinge of guilt passes you in a wave. After the staff member who’d escorted you to your room had given you both a short tour of the space, it really hit you how expensive this all was. 
“Rie, you really should’ve come here with Hanta,” you tell her, frowning. “He should’ve pushed for the time off or adjusted the reservation. This is way too nice of an experience to pass up.”
Rie snorts. 
“Don’t stress,” she says. “You think he didn’t try all that? It was either keep the reservation with someone else or lose out on a lot of money. I wanted you to come, so don’t overthink, silly.”
You lean your arm against hers. “Thanks, Rie. I’ll get you and Hanta something nice for your birthdays.”
She hums, and the two of you lapse into silence, appreciating the birdsong, the late afternoon sun gilding the pond, the surrounding trees in warmth. 
“So, what’s up with you and Bakugou?” Rie asks. “I thought you worked out all those feelings for him back in high school.” 
And there goes all that peace. You groan, turning and heading back inside, grabbing your bag and starting to unpack your clothes. Rie follows you, sprawling out onto your bed this time to be as annoying as possible. 
“I did,” you say, because not answering would result in incessant pestering. Better to nip this conversation in the bud so it doesn’t come back up again while you’re on this trip. You tell her, “We’re cool. You know that. You go to the same get-togethers.”
Since graduating from UA, you’d kept in touch with Sero, who you’d met because he’d been the hero you’d been assigned to for the management course’s third year project. You became good friends, as Sero’s one of those good boys, best boys, genuinely kind and fun to talk to. 
Through your friendship with him, you’d met some of his friends—Kaminari, Kirishima. Mina, Sato. Bakugou. 
While you’d befriended the others pretty easily, Bakugou was a different story. And it wasn’t necessarily his fault. He’d chilled out considerably by your third year.
It was because of your cringey, super obvious crush on him during your first year. 
You were so painfully obvious about it, everyone in your class knew. It didn’t take long for kids in the other courses to take notice. When Bakugou entered a room you were in, you would freeze and forget what you were saying. You’d sneak glances at him, and your entire body would warm up if your eyes met. Even thinking about it now, as an adult, makes you want to die a little.
Thankfully, whether it was because he chose to willfully ignore you or because he just never found out, your crush ran its course. It helped a lot that you began interacting with Bakugou within social circles because of Sero; it humanized him, made him real to you. The fantasy of a crush can’t survive knowing someone, getting to know them, you found. 
Still, probably because of that history, you never got close to Bakugou, while at UA and after. You were too embarrassed, and now you’re just not super interested. If you don’t count this past year, since graduation, you’ve seen him only a handful of times, always in passing and never one-on-one. 
But if you do count this year, specifically the past six months, you’ve seen him a lot. 
At a get-together at Mina’s place. At Todoroki Shouto’s birthday a couple months back. At a dinner with Rie, Sero, Kirishima, and Mina a few weeks ago. You figure he’s had some free time open up, to accept the hangout invites that he once left unresponded to in the group chat. It’d make sense, since he’s at this ryokan when everyone knows he’s a workaholic. 
You’re happy for him. Work-life balance is super important. And you guys aren’t getting any younger.
“No, you guys are weird together,” Rie says. 
You throw a pillow at her. To your annoyance, she catches it easily. 
“What do you mean by weird?” you ask.
“I don’t know. It’s hard to describe. He always looks like he’s bitten into a lemon when he sees you.”
You roll your eyes. “Great. Can we stop talking about Bakugou now?” 
“Last question, I swear.” 
“Last question for the entire trip about him,” you say, narrowing your eyes at her. 
She sighs, as if this is a huge burden on her. “Deal. I was just thinking—what did you even see in him when we were teenagers?”
“Okay, but why are you thinking about this at all,” you say. 
“Just answer the question.”
“It’s not that deep,” you say, shrugging. “I liked his face.” 
“Really?” Rie’s expression, disgruntled and appalled, makes you laugh. 
“Don’t act like he’s not objectively really attractive. He’s handsome, be real.”
“Maybe to some people,” she relents. “But his personality cancels it out, carry the two.” 
“He’s mellowed out so much over the years,” you say. You feel a little odd, finding yourself defending him. “He’s sweet, when he wants to be. Remember how he got Mina that bracelet she wanted so badly, for her birthday? Or how he picked up those special oranges for Hanta when he went on that one mission?”
Rie looks at you for a long moment. As your words settle into the silence, you begin to feel self-conscious. But it’s not like what you’d said isn’t true. Rie knows this. 
Just as you open your mouth to no doubt incriminate yourself further, she leans back on the bed and closes her eyes. “I guess you’re right. You done folding those clothes? I’m hungry. Let’s get dinner. Hanta says it’s kaiseki.”
Dinner is absolutely delicious. Your server tells you and Rie that the chef’s designed the menu to feature ingredients native to the region, ingredients in season. Everything’s fresh, and even dishes you aren’t normally particularly fond of have you cleaning your plate. You feel spoiled. 
You take lots of pictures. Of the dishes, of Rie. You send them to Sero. 
Hanta: The food looks great! My girl looks even better!!! Send more pics pls
Rie’s pleased when you show her the messages. After fussing over her appearance, she makes you take a picture of her in your room’s outdoor bath, hair elegantly twisted up and off her shoulders, the ambient lighting softly illuminating her face. 
“I’m going to take a walk, see what that little bamboo garden looks like at night,” you tell her. She waves at you with one hand, tapping away at her phone, no doubt sending messages to Sero. 
“Don’t drop your phone in the water,” you say, and she makes an impatient sound, shooing you.
Smiling, you leave her to it. 
Now that it’s nighttime, the ryokan is quieter, more subdued. It’s easy enough to find the bamboo garden. The paths are brightly illuminated, the walkways clear and easy to take. Maybe because it’s the evening, but you encounter few people. Most are partaking in the onsen, unwinding after a long day, you guess. You plan to do so yourself, but you stumble across a dimly lit sitting area overlooking a small pond and waterfall. It’s pretty, and you can’t resist lingering. Taking a seat on a bench, you let your mind empty as you watch the glimmer of moonlight on the water. 
“Hey,” a voice says behind you, and you startle, turning. 
Bakugou’s standing there, looking uncharacteristically soft and undone in the onsen’s yukata. His hair is a little damp, spikes fallen. 
Seeing him in traditional wear takes you aback; you’ve only ever seen him in casual clothes—jeans, shirts, sweats. His hero suit, all sleek lines. The yukata’s a good look on him. 
“Oh hey, Bakugou,” you say, then hesitate, feeling awkward. What to say? Should you pretend this is the first you’ve seen of him here? 
While you flounder a little, Bakugou walks over to sit in a chair nearby, facing the water. You’re bewildered at this turn of events. You’re surprised he stopped to say hello, let alone sit and have a conversation with you.  
“Saw you and Soy Sauce Face’s girlfriend at dinner,” he says. “You on vacation?” 
Blinking, relieved, you reply, “Sort of. Long story short, Hanta was supposed to come out here with Rie, but work denied his time off. So I’m the replacement Hanta.” 
Bakugou looks at you. His eyes narrow. You shift in your seat, feeling a little bit like a bug under a microscope. Did you say something weird?
“What about you?” you ask, trying to lift the focus off of you. “You here on vacation?”
“...Yeah. For the weekend,” he says, looking back at the pond, exhaling sharply.
For someone on vacation, he doesn’t look too happy about it, you note. 
“Us too,” you tell him. “What do you think of the ryokan? I haven’t gotten the chance to explore yet, but what I’ve seen is gorgeous. Did you just use the public onsen?” 
“It’s alright,” Bakugou grumbles, and you blink, face scrunching up in incredulity. 
“You must have really high standards to say that, sir,” you say, and he snorts. An expression you can’t quite make out in the low light crosses his face, fades. He really is a handsome bastard, you find yourself thinking. 
He says something you don’t quite catch. 
“Sorry?” you say. Internally, you scold yourself for your idle thoughts. Another part of you argues back that there’s no harm in looking. 
“How’d you know I used the onsen?” he repeats, looking a little annoyed.
“Oh,” you say, surprised. Without thinking, you lean forward, reaching out to touch his hair. 
Bakugou turns his head sharply; he grabs your wrist on what seems like instinct, halting you. You freeze, mortified.
“I’m sorry!” you say hastily. He drops your hand immediately, like you’re contaminated. You draw back. Flustered, you continue, “It’s just—your hair’s still a little wet. I took a guess. Sorry again, I don’t know what I was thinking.” 
You were treating him like he’s Hanta, or Rie, as if you’re close friends. Jeez. 
“Forget it,” he says gruffly. 
There’s a long stretch of silence, and you begin to think of excuses to make to escape. 
Just as you open your mouth with one, he says, “What’re you doing tomorrow?” 
“I—I think Rie wanted to check out the town’s morning market, and the temple nearby,” you say. “She likes to sleep in, so we’ll probably do that after my morning run. The staff said there’s a scenic walking trail through the forest, so I’ll probably check it out.”
You force your mouth closed before the rambling continues. Wait, you should ask him the same, right? To be polite?
But before you can say anything, Bakugou grunts, then stands. 
“Go back to your room,” he tells you. “It’s getting late.”
With that, he leaves. You sit there for a long moment, staring after him.
“Hey, welcome back,” Rie says from her bed, covered from nose to toes in a blanket. Her eyelids droop in a way that tells you she’s minutes from sleep. “You were gone for a while.”
“Yeah, sorry,” you say, closing the door behind you. Woodenly, you begin to gather clothes to change into. “I’m going to take a quick shower, okay? Go ahead and sleep; don’t wait up for me.”
“Mmkay,” she says, eyes already closed. 
You move around as quietly as you can, getting ready for bed. 
All the while, you can’t help but think about the conversation you just had. About Bakugou.
For the past couple months, at gatherings with mutual friends, it’s been like this when you talk to each other. Awkward, with a strange underlying tension. You’re not sure if it’s your fault, or his, but. You wish you could be normal around him. It’s only like this with him.
As you climb into bed, getting settled, the memory of him in his yukata flashes across your closed eyelids. The moonlight on his face, cooling the red of his eyes. His hand around your wrist.
Fuck. 
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Notes: Hello friends! This fic is a very belated birthday fic for our guy, my little muse 🧡 This is intended to be a twoshot, and I hope to have that second part up next weekend. Please look forward to it!
A couple notes, as there are some specifically Japanese items referenced in this fic:
A ryokan is a Japanese-style inn! Onsen are hot springs. So an onsen ryokan is an inn that features hot springs on the property. Here, here, and here are videos you can enjoy of people visiting some.
Kaiseki is a multi-course, traditional Japanese dinner. Some of the videos I linked above show the kinds of kaiseki offered!
Thank you for reading! Hugs and kisses 💕 Until part two!
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shameofokhasis · 2 months
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oh my fcukingf god jon
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confessedlyfannish · 1 month
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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scribbles-ink · 1 month
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quick doodle
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phantom-peachie · 1 month
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I was,, possessed,,, 🧎‍♀️
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