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was talking with a friend about how some of dunmeshi fаndom misunderstands kabru's initial feelings towards laios.
to sum up kabru's situation via a self-contained modernized metaphor:
kabru is like a guy who lost his entire family in a highly traumatic car accident. years later he joins a discord server and takes note of laios, another server member who seems interesting, so they start chatting. then laios reveals his special interest and favorite movie of all time is David Cronenberg's Crash (1996), and invites kabru to go watch a demolition derby with him
also by the way i am always obsessed with how spider-people just click and can work together without anything being said in spiderverse . mcu spiderman being like "omg ive never worked in a team” “how are we going to work together” “well im on a team so i’ll lead us" like that was the most boring way to do it . spiderverse instead saying "we just know how to work together because our histories and lives are so linked, its like knowing someone your whole life. seeing the self in the other. our lives rhyme.” LIKE I LOVE YOU GUYS
The Justice League have a problem, one that needs some level of knowledge and expertise of a being from the Infinite Realms to give them a better chance of actually solving this problem.
However.
Every ghost they have summoned, without fail, took one look at Constantine. Squinted (yes, squinted). Then decided to go back to where they came without a word.
This. Would have been useful, nice even. If it was a situation where they needed the summoned being of a cult to head back to where they came without a fight.
But alas, that is not what is happening.
The Justice League, obviously, ask him why the ghosts keep fleeing back to their Realm at the sight of him, but Constantine can't answer because he genuinely has no idea why they keep leaving when getting a proper look at him.
So they keep trying and they do find some success in it. They summoned a boy, most likely older than he physically looks yet it still puts some of them off because of, well.
You know.
A boy with white hair and toxic green eyes. The boy stops short, as if not expecting to be randomly transported to somewhere else, takes a look around the room, then the Justice League. His eyes settle on one person.
Constantine, in particular.
He squints (Why do all of them squint? Nobody knows) and then a sudden looking of realization passes on his face. Different from the looks of vague fear and genuinely want to not involve themselves any further, his face held slight disgust and a heavy amount of disappointment.
Thankfully, he didn't leave immediately after that.
Constantine asks what's with the look on the ghost boy's face, the ghost boy in question squints even further. Stares at Constantine for a moment or two, buries his face in his hands and brings his knees to his hand and groans out.
something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet