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#sorry it's got a bit long
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FNAF movie Mike meets Jeremy Fitzgerald
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snabeus · 10 months
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hhhough barbie movie thoughts…
i don’t think the “im going to see my gynecologist” line isn’t only just for us to know that barbie is fully human. the scene of her in the real world for a second (at least to me) seemed to imply barbie was getting some sort of dream job and found her purpose. but no. she’s just going to see a gynecologist. but the way she is so EXCITED… the way she’s taking the joy in this mundane thing that lots of women go through… the barbie movie is about enjoying just being ALIVE
TERFS GO AWAY 🍅 🍅 🍅
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wispscribbles · 6 months
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why are you and your drawings so cool 😭🙏
afdsasdfasg thank you !! irl ppl would laugh at me being called cool lol - Have a ghoap as thanks <33
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starry-bi-sky · 2 months
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
#dpxdc#dp x dc#danny fenton is not the ghost king#dpxdc crossover#dpdc#dp x dc crossover#dpxdc prompt#man i just really need more dpdc stuff where danny and bruce have a good relationship. like man i NEED it. like i need to see these two#bonding together. and not in a cracky 'oh danny is a distant friend/cousin/etc' stuff but like. active participants in each other's lives#or as active as can be in this case. i neeeeed these two getting along and caring about one another#this idea came to me like last night and hasn't left since nd it was driving me up the wall to think about both positively and negatively b#i neeeded someone to hear about this or i was gonna implode#danny is the first son#tried to just get the general gist of the idea down but i definitely thought of the idea that bruce lowkey suspects vlad for having a hand#Vlad allows Danny to sneak off because he thinks Danny is alone. if he knew Bruce was there he'd be piiisssed and would put a stop to it#Sam and Tucker are alive they just got ghosted for a bit by danny bc he was in Major Grief and didn't wanna socialize. He couldn't go to#them because he didn't wanna put them in danger via Vlad.#oh that thing he handed Bruce? Yeah that's his ghost core. I have a headcanon (that isnt always applied) that ghosts can take their cores#out of their bodies at will and painlessly and without issue. and its common practice actually to do so bc they can be a not insignificant#distance away from said core before problems start to act up. and its common for ghosts to leave their physical cores at their lairs for#safekeeping because as long as the physical core is fine: so is the ghost. they can reform if their body gets destroyed. it also acts as a#fast travel sometimes. where they can reform at their core in an instant. its not inspired in the slightest by SU but i do see the overlap#most cores are pretty small for safety sake: its harder to hit if its small. and they're pr resilient too but its better to be safe than#sorry. so yeah. danny essentially gave bruce the physical embodiment of his soul and indirectly said#'if anything happens to me at least i'll be safe with you'#danny doesn't know he's batman btw#starry rambles.#was gonna go into danny becoming a vigilante beside bruce but im sleeeepy so i'll do that in a reblog. he's gonna go by nightingale if#anyone is interested. stereotypical but to be frank it is a *good* name imo. has a good amount of syllables and consonants to it#and the bird theme. and since its part of an ancestral name it has even more backing for it being bird-y without being meta
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luxaofhesperides · 6 months
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We Are Robins meeting to Signal apprehending Danny ; requested by @zylev-blog!
“Hey, Danny. How are you feeling?”
Danny gives Duke a tired smile, his head falling back against the wall. He’s sitting up today, which is good. It’s definitely an improvement from the many days Danny was unable to do much but lie down and grit his teeth through the pain as Duke checked on the gunshot wound. It’s a good thing Danny’s a meta with a healing factor, or nothing Duke could have done would have saved him.
As it is, the wound was severe enough to keep Danny vulnerable and unable to move on his own without making it worse. Though Duke has looked, he hasn’t had any luck in finding whoever did this to Danny. He hasn’t brought it up to the rest of the We Are Robin gang, but only because Danny only let him help if he kept it between the two of them.
What’s another secret? If it lets him stay close to Danny and make sure he’s healing well, then he’ll keep quiet and carry on the search by himself. He’s got plenty of practice in doing things on his own.
“Busy out there?” Danny asks as Duke sits down next to him, dropping his backpack onto the ground. 
“Yeah, it’s tough with the cops after us, but someone needs to help Gotham and with Batman gone…”
A pained expression crossed Danny’s face. Eyeing him carefully, Duke opened his backpack and pulled out a few protein bars and sports drinks for him. Once Danny takes them and began eating one, Duke takes out the first aid kit, always kept at the bottom of the backpack, and sets it in front of Danny.
The most he can do is offer supplies and company at this stage of Danny’s healing. He gets twitchy and tense when Duke tries to tend to his wound, and seems to have plenty of practice in patching himself up. 
He didn’t answer when Duke commented on it once, so Duke let the matter drop. 
Metas may have legal protection, but that doesn’t stop people from targeting them. Duke has no intention of pushing Danny into remembering unpleasant things while he’s already wounded, hiding out in the upper corner of an abandoned warehouse taken over by a group of homeless people. Most aren’t inside during the day, choosing instead to be out with the rest of the city, which leaves them alone. 
Duke keeps an eye on the ground floor of the warehouse, making sure no one comes in while Danny tends to his wound. When he peeks back, he can see that it’s much smaller than it was the night Duke found him, crawling down an alley with one hand clutching his side, tears slipping down his face. There had been so much blood that Duke was sure he had just stumbled upon someone dying and froze, horrified. 
And then a shout down the road prompted him to move, hauling Danny up and helping him into the warehouse to hide. 
For a normal person, if it didn’t kill them, the wound would still be raw and bleeding, larger than any gunshot wound he’s seen before. But Danny’s wound is closing up quickly, no longer bleeding, the edges a healing pink.
It doesn’t look like it’s going to scar, either. 
“Think it’ll be all healed up by the end of the week?”
Danny glances up, then continues covering it with new bandage, large enough to cover the entire wound. “Hopefully,” he says. “Then I’ll be out of your hair and can figure out a way to get home.”
“Your folks gonna look out for you?”
“Probably. I’m not planning on telling them, though, since they’ll get way too overprotective. The only reason they’re not tearing Gotham apart looking for me is because I came here with my godfather and he told them we’d be gone for two weeks. Can’t believe he tried to kill me on day one…”
“Your godfather tried to kill you?”
“Yeah. Not personally, or anything, but he definitely hired the guy who shot me. Though he also yelled at him for shooting me? Not sure what that’s about, but I never trusted the guy and he didn’t try to help me afterwards when I ran away, so. You know.”
Duke wants to have a conversation with Danny’s godfather. Maybe bring the other Robins along to make sure the message sinks in: Don’t touch Danny.
But Danny, acting so casual about his godfather trying to kill him, would be unhappy about it, and Duke would really rather be able to take care of him than be shut out for trying to take control of the situation.
“Shit, man, that sucks,” he offers, instead of prying for details so he can hunt down his godfather. “You want a hug or something? I can’t really do much else, but if it can make you feel better about all this…”
Danny brightens and shoves the first aid kit away, his shirt (one of Duke’s old ones he offered up to replace the bloodstained one) falling to cover the bandage. “Please. I would love a hug, dude, I don’t remember the last time I felt so lonely.”
Carefully, Duke wraps his arms around Danny, leaning back so Danny could relax fully and not worry about holding himself up. Danny sighs into the hug, going fully limp as he drops his forehead onto Duke’s shoulder.
“Thanks for this. And everything,” Danny says some time later. He doesn’t move to pull away, so Duke stays as he is, watching the weak sunlight slowly move across the warehouse as it spills in from dirty windows. 
“You don’t need to thank me. I mean, I’m a Robin.” He brings up a hand to tap a finger against the R embroidered into his jacket. “It’s what we’re here for.”
.
.
.
It’s been years since he saw Danny. After he was fully healed, Duke helped him get to city limits, watching as he boarded a bus and disappeared down the road, leaving his life just as suddenly as he entered it.
After spending so much time together, quiet hours of stillness just looking out for each other, his life feels emptier without Danny in it. He knew it wouldn’t last, that Danny would go home eventually, but it didn’t make the parting any easier.
Even now, as Signal, taking a break from going on missions with the Outsiders to spend some time with the Bats, his thoughts drift towards Danny, wondering if he’s alright. In his darker moments, he wonders if Danny’s godfather has tried to kill him again, if he’s succeeded. In calmer, happier moments, he remembers Danny’s quiet stories about his family, his town, all his dreams and hopes for the future, remembers the easy company and how Danny didn’t look at him with pity when talked about his parents, just quiet and contemplative. 
Sometimes, he can’t resist the urge to look him up, but there are so many Danny’s out there that he doesn’t know where to start. He never got Danny’s last name or learned when he came from.
It’s not like he can just ask the Bats for help finding a guy he knew for two weeks before he ever joined them. They’re all busy with their own missions, and definitely don’t have time for Duke’s reminiscing. 
“Just caught sight of the truck entering city limits,” Oracle says in his ear. “It’s heading towards the Coventry.”
“On it. Any movement from the mobs?”
“None yet. I expect this to change soon. Red Hood and Black Bat are patrolling nearby if you need backup.”
“Got it. Signal out.”
His comline shuts with a little click, and then he’s grappling over the roof tops, keeping an eye on the roads in search of the truck. He doesn’t have time to think of Danny anymore, not when a shipment of new, experimental weapons is passing through Gotham. Spoiler had heard a few whispers of it and Red Robin helped find more solid details; the mobs are all looking to take the shipment for themselves in an attempt to get the upper hand in the nonstop fight for control of Gotham’s streets. 
It’s passing through during the day, visible and a good move to keep from being ambushed at night, but it’s not enough to stop mobs hoping to take out their competition with new weapons. Duke enters the Coventry just as his comline beeps once and Oracle begins giving him specific directions, along with a brief description of what the truck looks like. 
Apparently, the weapons are being moved in a U-Haul rental truck. That is… certainly a Choice™ to make for moving weapons around the country.
He follows it from the rooftops, but nothing happens. The truck passes through the Coventry without incident and takes a turn that keeps it away from Crime Alley and the Bowery. It gets to the middle of East End then pulls to a stop in the parking lot of a diner. 
Two people get out and stretch, then head in to get something to eat.
It would be the perfect time for someone to break in. Duke pulls the light over himself, manipulating it to make him disappear from sight as he looks down from the edge of the rooftop, tense and prepared for anything.
He almost doesn’t see it at first. It’s just a flicker, a flash of color, a shift in the shadows across the street. But he does see it, even if he can’t find it again, and drops down from the roof, creeping towards the truck.
Duke waits, holding his breath, off to the side of the parking lot. 
A minute passes. And then a figure materializes out of thin air, floating right behind the truck. All Duke can see is white hair and a black body suit; they’re either a meta or an alien, but either way, Duke is ready to take them down.
The figure lifts their hands and a bolt of neon green energy hits the truck, melting the back and leaving a large hole that gives them direct access to the weapons. And then they shoot again, destroying the weapons.
“Phantom!” someone shouts, and the truck driver comes tearing out of the restaurant, a white gun in his hand. His companion follows, her gun also out, and the begin shooting. 
Phantom dodges the blasts, then vanishes from sight. He reappears behind them a moment later, tackling back of them into the side of the truck. 
“No you don’t!” Duke say, rushing forward as he pulls at the shadows around him then sends them racing towards Phantom, restraining them. The driver and his companion collapse onto the ground, groaning weakly, and Duke grits his teeth. “O, send someone to look after the people moving the weapons. Apprehending an attacker now.”
He doesn’t wait to hear a response, tightening the shadow’s grip on Phantom, who struggles fiercely.
“We can do this the hard way, or the easy way,” he says, pulling Phantom closer to him.
Phantom doesn’t answer. They just scream, the force of it making Duke fall back. His shadows dissipate, and Phantom flies up.
“Get back here!”
Duke gives chase, dropping in and out of shadows, throwing some at Phantom in the hopes of catching him again. But Phantom is fast and it takes all he has to keep up as they cross Gotham.
He thought Phantom was flying around blindly, but the way they move across the roofs and then through the streets are too confident, too focused to be anything other than someone with a destination in mind. But where? Where could they be going? If they’ve been in Gotham, then Duke would have heard of them.
A flying, powerful meta with a multitude of powers? Yeah, he would have known about them.
Phantom flies through a wall and Duke curses, going onto the roof and looking around, waiting to see them fly out. But they don’t and Duke finds a broken skylight to drop in from, landing on the support beams of the warehouse, well above the ground.
He knows the warehouse, he realizes suddenly. It’s the warehouse Danny hid in while he was healing. Duke hasn’t been back in years.
“Just listen to me, please,” a voice says behind him, and Duke tense, spinning around to face Phantom, floating just out of reaching distance. “Those weapons are dangerous. No one should have them, it’s why I had to destroy them. Please, you can’t let them get those weapons out.”
Duke stares. Something about Phantom is familiar. The shape of his face, maybe. His voice. Maybe it’s just because he’s in the warehouse again, with someone pleading for his help.
Maybe it’s all in his mind.
“Danny?”
Phantom flinches, floating back a few inches. “What— How—”
“What happened? Is it your godfather again?”
“My— Duke? Is that you?!”
He definitely shouldn’t be doing this, but Danny’s here. Danny’s here in front of him, needing help, and he doesn’t need the Signal. He needs Duke.
He pulls off his helmet and lifts his bare face to Danny.
“Oh,” Danny breathes. “Well. I guess I should have known you’d be a hero. Can you help me one last time?”
“Yeah, of course Danny. Tell me what you need.”
“Those weapons, they were first made to kill me and others like me. It’s a whole thing I don’t have time to explain. But they’ve been changed to affect humans, all types of people, as well. I can survive a few hits from those weapons, but for most people, it would kill them instantly. I need to destroy all of them and stop any further production before the rest of the world gets a hold of them.”
“That’s why you—”
“They have to be destroyed,” Danny says. “And the people making and selling them need to be stopped. I can’t do it on my own. I’ve tried, but…”
“I’ll help,” Duke says, “I’ll help. This is a big enough problem to bring the Outsiders into it. Or the Bats, but they like to stay in Gotham.”
Danny floats closer, looking painfully relieved. “Really? They’ll be able to put an end to this?”
Duke reaches for him. “Yeah. they can do it. I’ll make sure of it.”
Danny’s feet land on the support beam as his hand meets Duke’s. They balance above the rest of the warehouse, drinking in the sight of each other. Duke rubs his thumb over Danny’s knuckles in soothing circles and watches as the tension begins to fall away from Danny’s shoulders.
“Duke,” he whispers, “I’ve missed you—”
The door below is kicked open, and a gunshot rings out. 
Moving on instinct, Duke tackles Danny, wrapping him up in his arms as they fall off the support beam. They hit the ground hard, rolling a bit, and Duke tucks Danny into his chest, bodily protecting him.
“Narrows!” 
The Red Hood stands over him, menacing, a gun pointed at him. 
“Hood?” He loosens his grip on Danny. “What the hell was that for?” 
“Thought you needed back up. You chased after our guy and lost your helmet, I think I’m right to be a little worried about you. So, who’s this?” There’s a hard edge to his voice, and Duke realizes with a sinking heart that all anyone else sees is an aggressor, a meta who attacked a truck full of weapons, attacked two people, and had to be chased down by the Signal. Jason’s seeing a threat and acting accordingly, putting Duke’s safety first. 
And with his helmet off, identity clear, Danny’s even more dangerous now that he has this knowledge.
“I’m sorry,” Danny whispers to Duke. He doesn’t have time to ask for what? before Danny’s shooting another beam of green energy at Jason then taking off, flying through the roof and out of sight.
“Shit,” Jason mutters, straightening up from where he ducked to avoid being hit, then puts his gun away and kneels next to Duke. “You alright? Why’d you let him go? I thought you had him.”
“I’m fine. He’s not… He wasn’t going to hurt me. He just needed help.”
“Sure. And what are you not telling me?”
“I knew him. He’s a good person, but he’s been in danger for a long time. This was him trying to protect others from what he went through.”
Jason takes off the helmet and stares at him. Then he sighs and reaches a hand down to help Duke to his feet. “Alright,” he says, “Let’s head back to the truck. You have until then to convince me that they’re the problem, and if they are, then I’ll help you blow up more of their weapons.” He claps a hand on Duke’s shoulder, then pulls his helmet back on. “Grab your helmet. We’re wasting daylight, Narrows.”
There’s nothing else he can do, no way to search for Danny when there are other leads to chase, so Duke grapples up to the catwalk where his helmet landed and grabs it.
Just before he puts it on, he sees a flicker of white just outside the window he’s facing. He ducks his head to hide a smile. It’s almost like he’s stepped back in time; Danny’s here in Gotham, needing help and asking for it in the warehouse. 
And though so much has changed in those years, there’s still one thing that Duke will ensure never changes: he’s Danny’s hero. Above Robin, or Signal, or anything else, Duke is Danny’s hero.
This time, he has the power to actually help Danny. He’s going to make sure no one ever hurts Danny again.
“Let’s go,” he says, jumping back down to Jason, helmet on. “I’ll tell you everything you need to know.”
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wachtelspinat · 3 months
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i can't help but feel like my drawing days are kind of over. not entirely, i'll still be drawing from time to time. and deffo not because i want to. but i'm having this exact same feeling since mid 2022, since i was really struggling with my elective period, i kind of disconnected with art there and never truly found my way back. on top of everything that came after - moving, starting a job and working to be good at it which leaves such little room for other things because i can't handle my life well - there is just so much horrible shit going on. and i'm having a hard time comprehending it.
a part of me also feels very stupid for drawing one thing for almost 4 years now constantly, but another part of me knows "hey, but this makes you happy". it's a constant battle in my head because online spaces are like school grounds, and i don't actually wanna stand in the corner as that one kid that just can't shut up about that one character. but then again all i ever did was drawing fanart so... what does it. who gives a shit. be cringe and be free alright. but it kinda feels so hollow, esp. when you're at it for so long. a lot of mutuals move on. some are not even active anymore anywhere. and i wonder what happened. plus a huge chunk of the tone of the fandom has changed. also with the source material getting butchered so hard (since the release of ow2) it just kills the fun. playing this game used to be fun. playing this game was one thing that helped me getting through the last meters of university. it's like watching the downfall of the simpsons again without making the comparison too set in stone, just... this thing that used to be decent and nice and watching it getting ruined in real time (broken promises about pve, the recent gameplay changes?? the lore was fucked up from the start but they kind of tried, now it's just skins for 20+ dollars) while still having feelings for the characters is shit. anyway...
i recently went through a big folder of stuff i'd drawn at the age of 12-15 and there were so many fucked up but cool monster and cyborgs designs and just silly stupid stuff and all i could think of was that i felt so distanced from it, like i don't even know i think this is normal? because a lot of time has passed and a lot has happened and i knew i've drawn all this but i wasn't able to locate the person who did in my present me now and... it's just so normal that things move constantly forward but i feel like i missed huge chunks and passed a few stops and now i'm kind of lost.
i don't even know what i'm trying to say here anymore. i just feel sad because it feels like sth is slipping out of my grasp or sth has changed tremendously and i don't know how to make damage control.
i keep trying tho, i try to draw once a week at least. it's just like as soon as i take a step back and look at it i don't feel it at all. gonna continue tho, until it makes sense again i hope.
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ask-moon-and-pebbs · 4 months
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Hello guys! Whats it like being giant supercomputer AI? Do you feel really big all the time?
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batbabydamian · 5 months
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Hey, I started reading Robin son of Batman because of your recommendation (I literally have a print of your post on my phone to not forget lol). Honestly? One of the best things I ever read!!!
Thank you for opening my eyes! Damian has been one of my favorite characters for over a year, but I didn't read/watch much of him because of school, life (and probably an executive dysfunction in the mix).
Maya is incredible. I loved her.
I haven't finished all the issues yet, but do you have any other recommendations?
WAH this makes me so happy, i'm glad you still gave it a shot even with how busy life is!! ;v;
i’d love to give reccs, and i’ll try to go a beginner friendly route! tbh you can pick up whatever here, but since you've read R:SOB i’d immediately follow up with Batman and Robin (2011) #1-8! this first arc is what’s referred to in Maya’s introduction, and it's just. so good.
Main Books
Batman and Robin (2009)
Dick as Batman with Damian as his Robin!
#20-22 Tree of Blood: Dark Knight vs White Knight arc is done by Tomasi and Gleason, the team for the next Batman and Robin series
*Batman and Robin (2011)
Bruce and Damian figuring out their relationship as both Batman & Robin and father & son
imo you can enjoy the ride and read straight through this but i’ll add context to avoid as much confusion as possible since there’s the occasional tie-in or offscreen events, like Damian’s death nbd
Batman Incorporated (2012) #1-10
events leading to Damian's death - affects Batman and Robin (2011) from issue #18
kind of a tough read especially with how Talia's written, but a lot of iconic bits like Batcow, Damian's vegetarian declaration, Alfred the cat, "We Were the Best, Richard."
Robin (2021)
another self-discovery adventure, particularly after Alfred’s death and a fallout with Bruce (and questionable writing choices from his last Teen Titans run)
Batman and Robin (2023)
currently ongoing! after a number of events, Bruce and Damian are back as a duo
Damian Dynamics!
Batman: Streets of Gotham (2009) #7, 10-12
arc where Damian meets one of his first Gotham friends, Colin Wilkes
Batgirl (2009) #5-7, #17
Steph and Damian dynamic! "the bad cop, worse cop" dysfunctional duo
Red Robin (2009) #13-14
early Tim and Damian dynamic that of course includes fighting haha. funny enough, accidentally my first intro to Damian LOL
Teen Titans (2003) #89-92
Dick!Batman has Damian join the Teen Titans. Start of Damian and Rose Wilson dynamic that’s extended in Robin (2021)
Batman: Gates of Gotham (2011)
Damian meets Cass and has a brief team up
Gotham Academy (2015) #7
Damian meets Maps Mizoguchi! they have a few other meetings, but outside of that the series itself is a great read!
Robin War Event (2015)
Robin War (2015) #1, Grayson (2014) #15, Detective Comics (2011) #47, We Are Robin (2015) #7, Robin: Son of Batman (2015) #7, Robin War (2015) #2
Duke and Damian dynamic! not exactly beginner friendly but these are the main issues in order for the event! you can also read the TPB version for everything including Tie-Ins
Nightwing (2016) #16-20, #42, #43
#16-20 Nightwing and Robin arc!
#42 Dick on a mission to save Damian! the one appearance of "Wiggles" the dragon
#43 Dick, Roy, and Damian team-up
New Talent Showcase 2018 "Catwoman: Pedigree"
Selina, Damian, and Alfred the cat
Batman: Prelude to the Wedding - Robin vs. Ra's Al Ghul (2018)
Selina, Damian, and Cheese Viking - Damian's fav game shown in Nightwing: Rebirth (2016)
Monkey Prince (2022) #1-4
Marcus Sun Shugel-Shen's main comic, but Damian features as a fun dynamic here before they're in more serious circumstances in Batman VS Robin (2022)/Lazarus Planet event
Superman (2016) #10 - 11
the beginning of the Super Sons! featuring Maya!
Super Sons (2017)
solitary arcs but there’s a few event tie-in issues later
Adventures of the Super Sons (2018)
literally more Super Sons adventures lol galactic shenanigans yeehaw
Challenge of the Super Sons (2020) 
Super Sons time shenanigans feat. the Justice League
Robin 80th Anniversary (2020)
"Boy Wonders" - brief Damian feature as Tim considers his next step in life
"My Best Friend" - Jon's thoughts on Damian and their dynamic
"Bat and Mouse" - refers to Damian's unfortunate Teen Titans (2016) run at the time of release which follows up with Teen Titans Annual #2 where Damian briefly gives up Robin
Extra Comics!
Superman/Batman (2003) #77
Kara and Damian in a Halloween team-up! also the appearance of "Li'l Matches" lol
DCU Halloween Special '09 "Cavity Search"
Damian out on a solo mission for Halloween night. Immediately after is Tim's Red Robin story "Then and Now: Our Father's Sins" which is more somber in contrast but also a good read!
DCU Halloween Special 2010 "Robin the Vampire Slayer"
a Dick!Batman and Robin story featuring the vampire Andrew Bennett
Cursed Comics Cavalcade (2018) "The Devil You Know"
Halloween themed comic with a sweet short story of Damian alongside Solomon Grundy
DC's Terrors Through Time (2022)
"Trick or Treat" a Super Sons Halloween story
"The Haunting of Wayne Manor" Damian and Deadman story - in the end, Boston kinda refers to Nezha's possession of Damian in Batman VS Robin (2022) which was happening at the time of this release
Batman: Li'l Gotham (2013)
lighthearted series that instantly makes me smile with the silliness and Dustin Nguyen’s art i love this dearly
Secret Origins (2014) #4 "A Boy's Life"
a retelling of Damian's origin story
Detective Comics (2016) #1001-1005
Batman and Robin vs the Arkham Knight (unrelated to the game)
Truth & Justice (2021) #6/#16 - 18 Digital First version
cute story of Damian’s birthday! Juni Ba’s art is so fun!!
DC Festival of Heroes: The Asian Superhero Celebration (2021) “Special Delivery”
short story about Damian! and poisoned pizzas. completely forgot the artist Sami Basri drew Rebirth Damian here before catboy Damian lol Cass’s story “Sounds” is also cute! Marcus makes his first appearance in "The Monkey Prince Hates Superheroes"
DC VS Vampires (2021)
Damian makes appearances throughout this elseworlds book, but the one-shot DC VS Vampires: Hunters (2022) is vampire Damian-centric!
Batman: Black and White (2021) #5
“Father & Son Outing” short story written and drawn by Jorge Jimenez!
Batman: Urban Legends (2021) #20-23
#20 “My Son” Talia and Bruce focus
#20 - 23 “The Murder Club” 4 Parts
Tiny Titans (2008) #33, #39, #45, #47
a few appearances but SO CUTE, LOOK AT HIM
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*Batman and Robin (2011) reading guide
i'm mostly trying to avoid the "what did i just walk in on?" kinda feeling when i first started reading comics LOL i'll list the comics where events take place, but you don't necessarily have to read them to go through this book since things are usually explained as quickly as possible in the first page or so
#0 Someday Never Comes
Talia and baby Damian before he grows up to meet Bruce
#1-8 Born to Kill
just an incredibly solid arc for Bruce and Damian!
#9 Court of Owls Tie-In Issue
Damian VS a Court of Owls Talon. While Bruce is occupied with a home invasion of Talons, Alfred makes a call for allies to protect targeted Gotham public figures from Talons. During Batman (2011) #1-11
#10-12 Terminus
Damian challenges the previous Robins sans Steph
Batman Incorporated (2012) is occurring at this time where Talia has placed a bounty on Damian and there's small mentions of that
#13-14 Eclipsed/Devoured
mostly solitary arc! end of it leads into the Death of the Family event
#15-16 Death of the Family Tie-In Issues
Damian and Joker face-off... Alfred's been kidnapped by the Joker, and Damian goes looking for him. During Batman (2011) #13-17
#17 Life is but a Dream - Death of the Family Epilogue
a sort of subconscious check-in through the dreams of Damian, Alfred, and Bruce. Nightwing (2011) #17 features Damian encouraging Dick after Death of the Family events
#18 Undone "Requiem"
Bruce dealing with Damian's death from Batman Incorporated #8
other reactions to Damian's death: Dick in Nightwing (2011) #18, Tim in Teen Titans (2011) #18
#19-23 Denial, Rage, The Bargain, Despair, Acceptance
Bruce through the stages of grief with some batfam appearances in each. also introduces Carrie Kelley into continuity as Damian's acting tutor.
Batman (2011) #19-20 also addresses Bruce's loss
#23.1-23.4
these could be skipped - villain stories, also related to Forever Evil event.
#24-28 The Big Burn
optional Batman and Two-Face/Harvey Dent arc, #23.1 is part of this story!
Damian's resurrection and return
#29-32 The Hunt for Robin
Ras took Talia and Damian's bodies from their graves, and Bruce goes after him.
-> Robin Rises: Omega
continues events from #32. if you don't want to jump to this, basically, Glorious Godfrey and a bunch of parademons from Apokolips are here for a chaos shard which Ra's put in Damian's sarcophagus. at some point, Bruce gets a hold of the shard where he sees a vision that leads him to believe Damian can be resurrected. Godfrey ends up taking the shard, along with Damian's body since it was emitting the same energy.
#33-37 Robin Rises
Bruce hellbent on retrieving Damian from Apokolips and reviving him
-> Robin Rises: Alpha
necessary to read and continues events from #37! Damian's back with a bang lol
#38-40 Superpower
Damian adjusting to having superpowers and being alive again
Annual #1 2013 Batman Impossible
sweet (and funny) one-shot of Damian sending Bruce on a meaningful scavenger hunt around the world while Damian gets to be the cutest Batman for a bit
Annual #2 2014 Batman and Robin: Week One
one-shot takes place during Damian's absence. after Bruce and Alfred find a mystery gift left for Dick, Dick recounts a story he had told Damian from his Robin days.
Annual #3 2015 Moonshot
one-shot Batman and Robin adventure on the moon!
...and of course after Batman and Robin (2011), Damian's story continues in his first solo Robin: Son of Batman (2015)!
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angelsdean · 6 months
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I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.
So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?
Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.
Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.
Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.
So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)
And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."
So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)
And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."
But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.
Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)
So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.
Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.
Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.
Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.
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sysig · 17 days
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An eye for a life, unquestionably worth it (Patreon)
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mattodore · 5 months
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he's waiting on a call he's planning to send straight to voicemail
#sorry matthias </3 maybe he'll pick up the next time you try calling............ <- me when i lie#river dipping#ts4#ts4 edit#gifs#theodore doe#echthroi#hi friends and lovers hope everyone's doing well <3#i got my old laptop to work so i have a laptop again even if the battery on it is messed up#but still#i haven't been online much bc i've started getting dizzy from staring at computer/phone screens for too long#and in particular the act of scrolling either on mobile or desktop makes my head spin and my eyes hurt :/#but i powered through it yesterday so i could get in game with theo (and matthias) since i missed him really bad... oc plague be upon ye#i took... well. like five hundred screenshots and forty videos... i was in the soup. the mattodore soup. what can i say?#i don't like posting too much on here bc. i'm crazy (<- has avpd) so i probably won't post much from yesterday's fun here#but i'll post whatever i want on pillowfort <3 pic of jerma holding out his hand captioned let's take mattodore together#what else should i say before leaving... right my inbox... well i'll get to it eventually <- have been saying this since october sorry#but okay i've been staring at my screen too long so i need to go lay down for a bit#enjoy theo in motion!! if you’re a theo-head like myself#theodite à la jermamite? hm. its in the works. i’m workshopping.#mentioning jerma twice in these tags… busting a cyanide pill onto my tongue i’ve said too much#i have to go now mwah mwah mwah bye warmth and love to you mwah
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elirium · 5 months
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Do you want to draw a WFA panel?
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With bonus Alfred, if you like!
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(I think they don't have eyes because the flash was too bright and it blinded all of them.)
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:)
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project-sekai-facts · 1 month
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Just wanted to mention that for the next month I'm probably gonna be even less active and slower at responding to asks than usual. It's finals season and also my last year of college lol so I'm spending all my time working on that instead of this blog. I graduate in a month though and then should be back to about the same level I was last summer. Daily facts will continue as normal.
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chipthekeeper · 25 days
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ANDOR credits + concept art
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Day 16
As the human and I did not share any duties during this particular cycle, I decided now might be a fitting time to inform the Vitrichl about the aforementioned book, which could possibly grant a further insight into Terrans.
Despite the quite serious circumstances we are currently in, I was able to secure a time frame to initiate a conversation regarding this topic.
I repeated the information V-7 had been able to conjure on this as well as other stories and reports on humans.
"There seems to be one…obstacle, though: The book‘s last documented location is in system Skė-51-33, which does not seem to be even remotely near our current route.", I eludicated.
The Vitrichl seemed to consider the information given, keeping in mind the reason the SIIR Noxos usually avoids this particular system: its unfriendly and occasionally aggressive nature.
Concluding, I was able to convince the Vitrichl through the benefits this book could provide in the task of studying humans, causing the Vitrichl to eludicate that changing the route was currently not possible, but as soon as the chance was offered to us, we would make a short detour through this system to retrieve said book, given that the book was still located there.
In the meantime, I was tasked with retrieving as much possible information on this particular and other sources about humans.
Our arrival on Fendaar is imminent, as we are nearing the planet‘s atmosphere. Further reports will follow.
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l3viat8an · 1 year
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1- Love your blog (definitely not me being a fan over your work) IT'S AMAZING!!
2- horny demon Brothers + other (if you want) with a poly, innocent and oblivious (fem or nb) mc who just doesn't get why all these demons + others are all over them
( you can skip/trash this if you want)
I've been having a brainrot of this-
Nsfw content MDNI
Ahhh I’m sorry this took so long! ‘n THANK YOU OMGGG <33 i couldn’t think of much for ages, so this is kinda a few things thrown together!
None of them understand it, you always seem so….uninterested when other demons flirt with you.
A few of them Lucifer, Diavolo, Mammon, Solomon & probably Asmo see it more as you trying not to openly turn others away, after all you already have him/them! What more could you need?
But then there are times where you don’t seem to get ‘the hint’ when one of them tries making a move.
Instead you smile and take them literally.
Like the time Asmo and Solomon took you to the club, dirty dancing and having a few fruity drinks.
To them it’s sooo obvious they’re trying to get you into bed, but when Asmo asked if you’d like to “Head somewhere private and have some real fun~?” you just asked “What’s more fun then dancing?” and started dragging Solomon back onto the dance floor-
Solomon had to tell you literally that they wanted to have sex and you just stood there confused.
In the end you all ended up in Solomon’s bed anyways!! Cuddling-
That happens a lot actually-
One or more of the boys spend all day trying to sweet talk and flirt his way into bed with you and then you start actually falling asleep before anything can happen.
More then once, (the boy of your choice) has, had to get back out of bed to jack off in the bathroom and go back to bed and cuddle you. It’s a hard life
Don’t even get me started on all the ways you tease them!
Just walking around in your day to day clothes feels like teasing to them-
But then there’s the times you’ll praise them, like when you told Mammon he did amazing getting an A+ in math and even gave him a few little kisses on the cheek, before turning to walk away.
His mind was going a million miles an hour as his hands reached out to stop, pulling you into his lap and resting his head in bend of your shoulder, lips right by your ear “Ya can’t just do stuff like that and walk off…” huffed against your neck hoping almost praying you’ll clue in this time-
They all love you to death but sometimes, you’re just too much of a tease!! and you don’t even mean to be~
But there are the boys who love how you act!
Like Diavolo just finds it adorable how you don’t really clue into his more suggestive touches, hell you’ll even more closer thinking he just likes having you in his arms (which he does) all the times he’s had you sitting in his lap while he does paperwork and he has to resist the urge to grind you down on his lap. 
After all you look so cute and happy there. He’d just hate to make you uncomfortable. But the thoughts are still there-
and if you do much as wiggle your hips he’s taking that as an invitation, “Sweet MC, are you teasing me?” depending on your answer and if you want too- you’re getting fucked right on top of Diavolo’s desk-
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