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#the Cremator
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The Cremator (1969)
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funeral · 6 months
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The Cremator (Juraj Herz, 1969)
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icollectimages · 2 years
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The Cremator (1969) (Spalovac mrtvol)
Country: Czechoslovakia
Directed by: Juraj Herz
Cinematography by: Stanislav Milota
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hiranyaroman · 11 months
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Death; The Cremator (dir. Juraj Herz, 1969)
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cronennerd · 4 months
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Favorite new watches of 2023:
Onibaba (1964), dir. Kaneto Shindo
The Collector (1965), dir. William Wyler
The Cremator (1969), dir. Juraj Herz
Straw Dogs (1971), dir. Sam Peckinpah
Zardoz (1974), dir. John Boorman
The Plague Dogs (1982), dir. Martin Rosen
Crimes of Passion (1984), dir. Ken Russell
Law of Desire (1987), dir. Pedro Amaldovar
Welcome to the Dollhouse (1995), dir. Todd Solondz
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The Cremator (1969)
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saint-daimon · 2 months
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the cremator (1969)
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The Cremator (1969) -Juarj Herz
“The flames, my sweet, will not hurt you.”
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dreamlike-hellscape · 4 months
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The Cremator (1969)
dir. Juraj Herz
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mys7erion · 1 year
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the cremator, 1969
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peachmaggot · 1 year
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The Cremator (1969)
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hulkowaaa · 1 year
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"Citliví lidé milují hudbu/Sensitive people love music/Les personnes sensibles aiment la musique"
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likeitovich · 1 year
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The Cremator (Spalovac mrtvol) by Juraj Herz (1969)
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hiranyaroman · 11 months
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The Cremator (dir. Juraj Herz, 1969)
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cronennerd · 6 months
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Favorite first watches of October:
The Black Cat (1934), dir. Edgar G. Ulmer
The Bride of Frankenstein (1935), dir. James Whale
Onibaba (1964), dir. Kaneto Shindo
Kill, Baby...Kill! (1966), dir. Mario Bava
The Cremator (1969), dir. Juraj Herz
Bloodsucking Freaks (1976), dir. Joel M. Reed
Mr. Vampire (1985), dir. Ricky Lau
Def by Temptation (1990), dir. James Bond III
Dust Devil (1992), dir. Richard Stanley
Two Orphan Vampires (1996), dir. Jean Rollin
Lists of my 31 days of horror watches: 2023, 2022, 2021, 2020
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roskirambles · 7 months
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Horror Movie of the Day: The Cremator (Spalovač mrtvol, 1969)
Content warning: Antisemitism.
Karel Kopfrkingl works for a crematorium in Prague during the raise of World War II as the support for Hitler raises. He’s obsessed with an idyllic interpretation of Tibetan Buddhism that has been tainted with German fascism, as he now believes incinerating the dead is the means of freeing their souls. And now a former soldier and comrade of his called Reinke is slowly pulling him into the party, thus helping him grow in status. If you put two and two together, it shouldn’t be hard to see where this is going. And it's as horrifying as what it doesn't show.
Based on the novel by Ladislav Fuks (and adapted to the screen by his own hand), there's a playful wickedness to this Czech film like only Eastern European cinema could pull off. Being completely seen from the point of view of Karel, the movie is full of these self aggrandizing monologues of poetic language where he boldly proclaims his ideals, passions, piousness, allegiances and love for his family.
Yet, the camera betrays his words with a different tale: one full of hypocrisy, poorly masked sexual obscenity, callousness, depraved obsession and a descent into increasingly violent madness. Karel isn’t just burning bodies, he’s becoming the reason they end in the oven to begin with. Whatever kindness he may had is being slowly replaced by ideological poison, against his own blood even, the film begging you to read between lines to see the full disturbing picture beneath it's faux elegant framing and incongruously placid music.
Besides the deeply uncomfortable subject matter, if there’s a barrier of entry here that has to be the visual language being akin to an art film for a large chunk of the first half. If you can put up with it, however, the morbid comedy and horrifying glimpses into the mind of a depraved man can be captivating in the best/worst way.
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