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#the show was set to have 8 episodes in the final season
immortalise · 2 years
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No cause that Retta interview done pissed me off. A whole year later and you can’t move on.
It’s giving “I’m not getting booked”.
It’s giving “The bills are piling up.”
It’s giving “I rather scapegoat than realize the show was dying because the three leads weren’t THAT interesting (on and off screen) and the writing was shit. And I’m upset that a person that was on the screen for like 5 minutes per episode racked in more viewers than I could.”
At this point, Manny should let the chopper sing on their asses. He’s been graceful for too long.
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battlekidx2 · 4 months
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Alastor Episodes 7 and 8 Thoughts
These two episodes really gave us a lot in regards to Alastor and I cannot wait to see where they go with him in season 2. What I find most fascinating about what they established with him in these episodes is how I think this perfectly sets up Alastor to directly challenge the show’s main themes of redemption.
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Alastor is the only character in the main cast that I think could effectively challenge Charlie’s idea of redemption by making her face the question of “where the line for who can be redeemed and who is too far gone is?” 
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Even Vaggie and her past as an exorcist couldn’t challenge Charlie’s ideals in the same way because Vaggie so clearly wants to be better and is trying to be better. She could only challenge Charlie’s idea of who could be redeemed. She couldn’t truly challenge the line of when someone is too far gone unlike Alastor. 
And to explain this I'll just jump right in.
It’s clear these two episodes were meant to show a shift in Alastor and Charlie’s relationship in some capacity. It’s a bit more of a subtle shift than with the other characters, but I think it’s setting up this future conflict well for the limited time the show has. 
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At the start Charlie doesn’t think Alastor cares and calls him out on this. She directly states that she believes he enjoys the suffering. He refutes her idea of him by stating she doesn’t know what he feels. He purposefully hides his feelings behind a smile as a sign of control. (The first shift. It tells her there’s more beneath the surface)
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Then Alastor helps Charlie enlist cannibal town and says he wants to mentor her in the song. This is more than the initial indifference and humor he got out of Charlie at the beginning. There’s an interest in seeing Charlie grow and being a part of it that wasn't there before. And, with Alastor helping Charlie here, trust is being built (at least on Charlie's end).
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Then Alastor talks to Niffty (who he is clearly fond of) and admits he finds the group enjoyable to be around. He says he could grow accustomed to them after Niffty says she really likes them almost in agreement with her. He's very candid with Niffty and doesn't seem to feel the need to hide his emotions around her. They appear to be on the same wavelength.
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And finally, Charlie is upset when she thinks that Alastor died against Adam and hugs him happily when he returns. In Charlie’s eyes Alastor has been helpful and risked himself and his power to protect the hotel. This is a true shift in their relationship on Charlie's end.
This bond is necessary because if (at the very least) Charlie doesn't care about Alastor then he won't be able to truly challenge her idea of redemption and the show implies it doesn't just go one way. It's just obscured.
To explain what I mean I want to look at Alastor's role in the final battle and that moment when he is alone after he escapes.
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At the beginning of the battle he felt like the trump card he should have been. He makes the exorcists, before Adam destroys his shield, look like a joke. And he gives Adam a run for his money before he becomes overconfident and lets his guard down. He didn’t expect Adam to bounce back and have that much power left to show. He was caught completely off guard and paid the price. 
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And instead of staying to face the end with the rest of the people in the hotel Alastor opts to save himself. He places himself first. When he leaves he seems almost smug, spouting off a one liner and smiling as he sinks into the shadows. It seems calculated and calm, but alone is a completely different story. This moment shakes Alastor and that moment alone puts his fight against Adam and decision to flee in a different light.
In this moment when he's alone he starts to lose it, saying there has to be a way out. This isn’t where things end. He will come out on top. 
He can feel his control over the situation slipping. His power and notoriety has been challenged left and right this season. First Vox, then Lucifer, then the loan sharks, now Adam. It’s one right after the other. And Adam almost killed him.
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He’s struggling to grasp onto what little control he has left by forcing himself to keep on his smile and it calls back to the beginning of episode 7 when he says to Charlie that just because she sees a smile doesn't mean she knows how he really feels. His smile is a sign of control. And even in this moment you can see that last bit of control slipping. And it’s left him even more desperate for his freedom than before.
The Radio Demon was introduced almost as if he was an all powerful entity and now he is being brought back down to earth and he’s raging against it, barely keeping it just below the surface. 
But there’s even more to his breakdown than just his pride. The lines “Great Alastor, altruist, died for his friends. Sorry to disappoint that is not where this ends. I’m hungry for freedom like never before. The constraints of my deal surely have a backdoor.” strongly imply that he really does care for the residents of the hotel more than he wants to admit even to himself.
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He is freaking out because he got too close to dying trying to protect and help people that he never thought he would care at all about and he’s doubling down on his plans from before. 
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His immediate desperation to be free implies he is at the hotel because he is forced to be there, but he’s desperate to get out of the contract because he doesn’t like how it’s changing him. Alastor has always put himself first and here he is almost dying trying to protect this hotel and it's rattled him even more deeply than the blow to his pride.
I feel like they know exactly what Alastor can mean thematically and they want you to know he’s a villain while seeding hints there could be change under the surface (ones that Alastor himself is afraid of and wants to double down against). There’s a balancing act going on with him and it seems they really do want to challenge the idea of redemption with him. Not just Charlie’s, but his own as well.
Alastor is still in my opinion the best written character in the series. There’s just so much to unravel with him and he’s the most fun to try and dissect to me. I can’t wait to see what they have planned for him in season 2.
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ittsybittsybunny · 3 months
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ATLA Live Action Series Review:
The Good
Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!
Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.
Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!
Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.
Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.
Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!
Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.
Is the show perfect, no - but I wouldn't mind a season 2.
The Bad
Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?
Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.
Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.
Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.
Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.
Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.
Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.
Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.
Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.
Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.
Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.
The Ugly
Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.
Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!
The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.
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TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.
Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.
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wenellyb · 8 days
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I finally realized the one thing that bothered me in the 911 fandom: a lot of the fans will focus on the future, instead of focusing on what happened in the show.
Which would be ok, if they didn't act like they know for sure what would happened next and act like they're the showrunners or something.
I go in the Bucktommy tags and I see talk about Bucktommy breakup in the upcoming episodes like it's a done deal. Or talks about how Bucktommy is setting up Buddie in season 8, as if it had been confirmed by the writers.
I'm not used to thinking like that, whether it's a canon ship or no, I like to focus on what we have seen onscreen. If I imagine the future, there are fics and headcanons for that, but I won't act like I know for sure what will happen onscreen.
But in 911 tags, you can be sure that there will be a bunch of posts about Bucktommy's alleged breakup or Buck and Eddie for sure getting together, and it won't be presented as headcanons or theories but as facts, and it annoys me.
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spenglernot · 7 months
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STORIES TELLING: THE BREATHTAKING EFFICIENCY OF WRITING IN OUR FLAG MEANS DEATH
One of the things I most admire about Our Flag Means Death is the efficiency of the writing. So much happens so fast, but nothing is dissonant or feels like it comes out from left field. I think part of the reason it works so well is that the subtext does a lot of heavy lifting; setting the foundation for what comes next. There is always more than one thing being conveyed. It isn’t simply storytelling, it’s stories telling.
Case in point: Ed's stories about underwater beasties...
S1 E6, The Art of Fuckery - Ed telling the crew a story about the Kraken. S2 E5, The Curse of the Seafaring Life - Ed telling Stede a story about fishing.
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S1 E6 Young Ed sees the kraken (himself). It’s foreboding, powerful and uncontrollable.
S2 E5 Ed clearly delineates between himself and the beast (rage, violence, protection). He is the man (an adult, above the water), conscious and in control. The beast is beneath the sea (subconscious).
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S1 E6 Ed describes the kraken as hideous, rising out of the water (of its own volition) while young Ed stands nearby, powerless.
S2 E5 Ed describes pulling to bring the beast out of the water. This is a conscious act, over which he has control.
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S1 E6 Ed describes the kraken attacking, before Ed even knew it had done so.
S2 E5 Ed describes triumphantly pulling the beast from the water.
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S1 E6 Ed describes his warning about the kraken coming too late, and the kraken takes its victim. The kraken is in control.
S2 E5 Ed shows Stede the beast he subdued: a small fish.
Why is this so damn heartbreaking and funny and touching?
We have two stories that are highly entertaining and work within the context of the episodes to move the narrative forward. But they also say a whole lot about how Ed sees himself at each moment in time.
In season 1, the beast is safely underwater, but it can always rise, with overwhelming strength and power, to wreak havoc and keep Ed safe. It’s not something Ed is fully in control of, and it can (and later does) do tremendous damage.
In season 2, episode 5, the beast is safely underwater. Ed has to put effort into keeping the beast on the line and reeling it in, but he is in control of it.
And, while the small fish silhouetted triumphantly against the moonlight is beautifully sweet and funny, what made me crumple on the floor is what it says about how Ed is beginning to manage the kraken (himself) now.
The kraken is still there, under the water, and maybe Ed isn’t ready to control it in its full form, but he’s working on it. He wrangled a small sea (subconscious) beast and is celebrating his success in that.
And then Stede says this:
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(Sob. You're such a good boyfriend right now, Stede!)
Yeah, Ed. That is really beautiful. Good on you, mate. Keep going.
This post was written before OFMD season 2 fully airs. No idea what’s going to happen in episodes 6, 7, and 8 (and I’ve generally fled social media to avoid spoilers). I’ll be back, looking at everyone’s fascinating posts after the finale airs.
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Alright. In the q&a viv said some of the fan theories were spot on and I think we know which ones. Lilith is suspicious as fuck, the hotel finally has proof that sinners can go to heaven, we lost sir pentious kind of, Al and Vox used to have somewhat cordial relations, and tons of other shit. So what can we expect for season 2?
Well, let’s look at what plot points and characters are left open.
1. First thing that comes to mind is that Cherri Bomb is gonna join the main cast to fill the hole Sir Pentious created. Despite what she says, I don’t think she’s doing “just fine” so we’ll get to see some development for her. The Addict MV says it all but who knows if that’s still canon so idk.
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2. And what about Alastor? He’s the big mystery of the show. The Aaravos of Hazbin Hotel, for my TDP followers. Well I think we will see who’s controlling him. Furthermore, I think at some point he could be forced to choose between the hotel and his freedom. It’s a bit specific but if I’m right that would be wild. Calling it now! 🗣️‼️ I don’t think we are gonna see anything about his human life yet in s2 though but who knows.
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3. Emily is definitely gonna try and help Charlie from a distance and I think there might be a heaven sideplot with her and Sir Pentious and shit
4. Lute is gonna be out for vengeance yall. Brace yourselves.
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5. The deals Vaggie and Charlie both made with Alastor are absolutely gonna come back to bite them in the ass. They will probably need Alastor to do television shit and Al will probably make Charlie do something bad.
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6. The plot between Vox and Al thickens? Right now it’s just kind of a pathetic rivalry and a onesided boycrush (/j) with the best song in the show keeping it going. I’m loving it though.
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7. We finally get to see Molly and Baxter and Arakniss hopefully lmao
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8. We get to see Lucifer’s backstory a little more perhaps
9. Angel breaks free from Val’s clutches? It will probably involve a deal with Al honestly.
10. And finally, Alastor has spent this season setting the board and now it’s time to play. We need to see his plans in action, we need the payoff. What’s he gonna do with the power and assets he’s gained?
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I also REALLY hope season 2 gets more episodes. The pacing in season 1 was fucked.
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coppercrow · 4 months
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So I no longer think that Alastor made a deal with Lilith, nor that he is working for her. I do still think their disappearances are connected though.
Picture this:
Alastor while he's still alive fears the prospect of death due to the lack of control it presents. He finds a way to make a deal with a power (my suspicion is that it's the character Root of All Evil (Roo) that Viv has hinted is the background threat of Hazbin Hotel, who I imagine is what Eve became when she committed the original sin). Alastor sells his soul to Roo in exchange for power both in life and death. He kills a bunch of people and at least some of them are in aid of his deal.
Alastor dies and and arrives in Hell charged up on Roo's power, and with a direction to amass even more. He spends the next several decades slaughtering Overlords, but not doing much with what he gathers. He isn't interested in running a business, or gathering territory, just growing his power and persuing his whims. For Alastor it seems like he won the lottery with this deal.
Meanwhile we have Lillith who all through time has been trying to empower Hell and bring it together. Heaven started the exterminations, but she continues to persist even as Lucifer loses his spark. If Roo is actually Eve, she has every reason to want to see Lilith destroyed and Hell suffer.
So during an extermination seven years ago Roo gives Alastor an outright command: kill Lilith. This is obviously not something Alastor would be keen to do, but he has no choice. He goes after Lilith and they fight. Powered by Roo and the power he's amassed, he manages to win the fight and Lilith is killed, only to respawn in Heaven (after all she's been a loving mother and cared for the people of Hell, and the only sin she was initially guilty of was rejecting Adam, and she looked decidedly non demon-ish and didn't have any horns in episode 8) or possibly flees there??
Alastor barely makes it out of the fight alive, and spends the next seven years recuperating and trying to figure out how to escape his deal with Roo. He's finally realised that his deal isn't as good as it seemed and he's starting to pay the price. If Lucifer ever finds out what he did, he'd be a smear on the pavement.
Then he finds a possible solution: Charlie. The daughter of a fallen angel and the first demon, young and idealistic and in need of support on her brand new project. While she might not use her powers, she has the potential to become scarily powerful over time.
Alastor hatches a plan - show up at the hotel, give a plausible reason for being there, and slowly ingratiate himself with her and shape her progression until he can position her into making a deal with him. Maybe one favour won't be enough, but it can be a slippery slope for Charlie. When the time comes he can manipulate her into freeing him from his deal, and leave him free to carry out his own plans (maybe setting himself up to rule Hell through Charlie as a puppet ruler?)
Over the next six months he positions himself to gain trust. He manipulate Lucifer by antagonizing him into supporting Charlie and setting up the seeds of a confrontation with Heaven. Then the time comes and he pounces and makes the deal, and he has one favour stored away to use at the most inopportune time for Charlie.
Then the battle comes and Alastor gets cocky. He volunteers himself to deal with Adam, and nearly dies for it. This freaks him the fuck out - he'd already gotten his favour but he risked himself to save them all more than he really needed to. I think that despite himself he'd started to think fondly of the hotel team and let it influence his judgement just a little.
In the aftermath of the battle he's shaken and his song is him reaffirming the plans he had when he first came to the hotel, and telling himself that he needs to escape his deal at any cost.
I think that in the coming seasons we could see the following:
- Alastor trying to double down on his whole 'I'm the untouchable radio demon' bit to try and distance himself from the hotel team, only to fail as they keep getting under his skin.
- Alastor slowly getting more desperate as the consequences of his deal close in, and increasing conflict as he wars with what this means.
- everything culminating in a moment where Alastor has to make a choice to betray the hotel team for freedom, and does it without hesitation and is all 'I'm the villain Charlie, did you really think I could be redeemed? How amusing.'
- Alastor then realising that despite having betrayed everyone he does actually care and his goals seeming hollow in the aftermath of this.
- the question of whether even someone like Alastor deserves a second chance/to be forgiven as he tries to convince Charlie to work with him to take down Roo, is the real threat to them all.
- Heaven and Hell fighting side by side to destroy Roo and the reformation of the afterlife entirely.
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fantastic-nonsense · 5 months
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obviously I'd be thrilled to just get the whole PJO series adapted and then end it there. However: Heroes of Olympus as a story can be cleaned up sooooooo much in a way that PJO just doesn't need to be, and a tv adaptation offers the perfect opportunity to do so
like honestly my hottake is that I think Disney could solve both the problem of adapting a long, convoluted sequel series and a lot of the problems HOO as a story has if they a) do The Lost Hero and Son of Neptune in the same season and b) deliberately wait until the PJO actors are in their 20s to do it
Just thinking about this a bit more:
three 12-14 episode seasons, with TLH/SoN in S1, a modified MoA in S2 that deals with some of the Argo crews' HoH subplots, and then HoH/BoO in S3
Percy and Annabeth are in their 20s and newly engaged when he disappears. This sets up the arc of Percy dreaming about settling down with Annabeth in New Rome in a more organic, functional way and also gives us as viewers a chance to see that the aftermath of the Titan War has resulted in tangible, lasting change for the demigods of Camp Half-Blood
Grover replaces Coach Hedge as the Seven's collective Protector+chaperone, which solves the series' problem of Grover's absence and the absence of the PJO Trio's friendship
the whole show/story takes place over ~6 months instead of the year it did in the books, and Percy+Jason's individual quests happen concurrently (simply not letting Percy sleep for 8 months and making an episode where he establishes himself at the Roman camp for awhile before he's forced on the quest with Frank and Hazel would solve about half of the problems on the Roman side of the series)
Season-wise, things mostly sort themselves out:
The first season starts off introducing the Lost Hero trio and we find out that Percy's missing at the end of the first episode. The second episode opens with Percy waking up at the Wolf House and starting his journey to New Rome. We get one episode entirely devoted to amnesiac Jason and Percy integrating into the new camps, making friends, and learning about their missing counterpart before the quest plots start up.
The season then alternates between Jason, Piper, and Leo's "Find Hera" quest and Percy, Hazel, and Frank's Alaska quest, with intermittent jumps to the Greek and Roman efforts to find Percy and Jason. It ends with Percy and Jason regaining their memories and each camp realizing their leader is on the other side of the country in "enemy" territory.
The second season opens around a month later as the Argo II docks in New Rome. Percy and Jason have both been given time to make friends, integrate themselves into the opposing camp, and become adjusted to a different way of life with all of their memories intact. They haven't physically returned to their home camps as they've both independently come to the conclusion that Hera switched them to initiate inter-camp unity and are wary of doing anything that would disrupt that goal. However, Percy and Jason have both managed to get messages to Annabeth and Reyna respectively at some point in that month, so everyone knows everyone is safe when the Greeks finally arrive in New Rome.
Cue MoA's various plotlines, which would be cleaned up and streamlined significantly while also integrating in some of the HoH arcs like Hazel learning how to manipulate the Mist, Frank learning how to use his shapeshifting powers, Piper coming into her own as a daughter of Aphrodite, Leo's seventh wheel arc and the Calypso subplot, Jason struggling to figure out what his place is, the Jason-Nico friendship, etc. Also set up the Greek v. Roman dispute and Reyna following them to Greece. Season ends with the Annabeth-Arachne confrontation and Tartarus fall.
The third season combines HoH and BOO; the season alternates between Percy and Annabeth's journey through Tartarus while the rest of the Seven finish their various character arcs via gathering the elements for the Physicians' Cure and journeying to the Doors of Death. After they rescue Percy and Annabeth and close the Doors, they plan to head straight to Athens to take on Gaea. Reyna reaches them just after, and Annabeth sends her and Nico off with the Athena Parthenos with Grover as their Protector.
The final battle switches between The Seven+Gods vs. Gaea+The Giants at the Acropolis and the Greeks vs. Romans at Camp Half-Blood. The Gaea plotline is resolved at the Acropolis, the Greek-Roman plotline is resolved as Nico and Reyna triumphantly arrive at Camp Half-Blood with the statue, a functional Greek-Roman working relationship, and the gods' blessing. This helps streamline the mess that was Blood of Olympus and actually provides a workable story resolution.
We get a final aftermath/epilogue episode that sorts out and ties up all remaining plot threads, teases Solangelo, and ends with Percy returning home to see his mom and planning out how to move to New Rome after he and Annabeth get married.
Obviously this is the roughest possible sketch of how it could be done, but I genuinely believe doing something like that could fix some of the biggest issues HOO has conceptually while streamlining all of the quest bloat. It'd be interesting to see them try, anyway.
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cecilysass · 29 days
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The Penultimate Partner Episode: Analyzing the Second-to-Last Episodes of Seasons 3-7
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So I was thinking about the show’s tendency to do an episode that is explicitly about the Partnership—about the deep abiding bonds between Mulder and Scully—right before the season finale.
This doesn’t seem to happen in season 1 and 2 (the penultimate episodes are Roland and Our Town, respectively, which don’t seem to play the same role). And something different is happening in season 8 and 9, so I don't think they fit as well.
But during the show’s peak popularity, seasons 3-7, the second-to-last episode seems to be setting up baseline emotional stakes for whatever plotline is about to hit. These episodes are giving us the state of the partnership, reminding us how devoted they are to one another. They also tend to have to do with one or both partners having a distorted perception on reality that requires the other partner's intervention in some way. I’m calling them the Penultimate Partner episodes.
So can we look at the themes of each of these Partnership episodes and see development over time? I think yes. It’s gonna be long. I rewatched them all, so buckle up.
Season 3: Wetwired - partnership as trust Season 4: Demons - partnership as loyalty Season 5: Folie a Deux - partnership as shared madness Season 6: Field Trip - partnership as touchstones Season 7: Je Souhaite - partnership as happiness
Season 3: Wetwired  (right before Talitha Cumi)
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This episode, like several in the Penultimate Partner episode category, involves a X-file that distorts perception. Because Scully can’t trust her own senses due to the mind control, she also can’t trust Mulder, calling into question the key tenet of their partnership. (And by season three, they have definitely established trust as the bedrock.)
Her gradual mistrust of Mulder in this episode is tense and painful; you can see on her face how much she argues with herself about it even as her mind is tricking her. Others who fall victim to this mind control phenomenon wind up murdering their romantic partner, but in the end of the episode, when they’re discussing what happened in the hospital, they both seem pretty unsurprised that Scully’s paranoia focused on Mulder. They both know, late season three, how crucial trust is between them. They understand that it’s Scully’s worst fear that Mulder would betray her. It’s not even news to them.
What Mulder’s worst fear might be is also hinted at, although it’s unsaid. He’s furious that her life is put at risk by the mysterious informant. When Mulder believes Scully may be dead and he’s going to identify her body, his reaction is chilling. He seems to completely shut down emotionally, not even showing any reaction to the Gunmen. Tellingly, when he is offered a choice between getting answers and going to ID Scully’s body, he doesn’t hesitate—he chooses Scully. (Sometimes people claim Mulder doesn’t show this kind of commitment to her until much later, even until Home Again in season 10, so it’s interesting to see it so unequivocal here.)   
I want to say that Scully’s anxiety about trusting Mulder in this episode is foreshadowing aspects of the cancer arc in the next season, but I don’t think that’s really what’s happening. This episode seems more like an entirely season 3 cap to the Anasazi / Blessing Way / Paperclip storyline, especially the murder of Melissa. Scully’s paranoia calls back Mulder’s in Anasazi, and Scully explicitly blames Mulder for her sister’s murder when she’s drawn a gun on him. Even just the fact that we're there with Maggie, who has a picture of Melissa displayed prominently, tells me that loss is supposed to be on both partners' minds. (Actually, the interaction between Mulder, Scully and Maggie is pretty amazing in this scene; they’re an emotionally complex trio who seem to be communicating on some other level. I love how when Mulder and Maggie are talking to freaked-out Scully they almost sound strangely unreal, almost like they really are speaking falsely. It allows us to imagine the scene as it looks from Scully’s point-of-view, as a massive betrayal.)
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Wetwired is, technically, a mytharc episode, as this whole mind control thing seems to tie back into X and the Syndicate. Personally I think the episode’s ending, emphasizing the mytharc-related plot and X’s involvement and whatever tf was happening there, was a little misguided. For my tastes they would have done better to play up the more personal, character-based themes a little more. But I also think this episode was the first real Penultimate Partner episode, and it was setting some patterns that were going to be expanded on.
Season 4: Demons (before Gethsemane)
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From the cold open, we can already tell this is already a more personal episode than Wetwired. Mulder is the one having perception problems now; he wakes from a disturbing dream, covered in blood, muddled memory. This is also technically a mytharc episode, but much more concerned with direct impact on character than Wetwired was. 
Scully instantly rushes to Mulder’s aid—walks right into his shower, for heaven’s sake—and absolutely never wavers in loyalty to him, even when he looks real, real guilty and a "rational" person would be suspicious. She is in fierce, must-protect-Mulder mode throughout this entire episode, from the moment she shows up palpating his head with her hands to her back-off behavior with the cops to her badass cold “I know what you do” comment to Dr. Goldstein. She also helps Mulder see through his distorted perception, telling him "this is not the way to the truth" as he holds a gun on her.
In this Penultimate Partner episode, we see something more than simple trust going on, although there’s trust, too. Maybe the word is loyalty or devotion. We see Mulder coming apart and Scully completely and utterly devoted to him. It’s actually very clear foreshadowing for the following week’s episode, Gethsemane. Mulder isn’t stable, and he needs Scully to keep him from “los[ing] his course,” as she says in Demons’ end narration. Gethsemane will follow up on the Mulder losing-his-course idea, and also will explore the idea that Scully’s bottomless support of Mulder isn’t always good for her. (This idea is voiced especially by Bill.) 
There are some ways in which this episode is a neat little bookend to Wetwired. In Wetwired, Scully flees to her mother’s house, desperate and paranoid; in Demons, Mulder, similarly unhinged, seeks out his mother at her house. In Wetwired, Scully sees things that aren’t there, and in Demons, it’s definitely implied that Mulder may be seeing things in his past that weren’t actually there. In Wetwired, Scully pulls a gun on Mulder, and in Demons, Mulder pulls one on Scully. 
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I adore this episode, even though it’s definitely vulnerable to the critique that Mulder acts like a self-obsessed loon and Scully a hopeless enabler lol. Especially because it comes before the Gethsemane / Redux three parter, I wish the episode would have explicitly connected his behavior to the cancer arc, as I feel like that would have made his wild choices seem more understandable. If he felt like he needed to find answers faster because he knew Scully’s time was running out and he saw it all tied together with her fate, then we would get why he was acting so rashly. It would also tie more nicely into Gethsemane, which misleads the audience into thinking Mulder has killed himself, in part, because he believes she’s been given cancer to make him believe. But again, I love this episode. Scully showing up and putting that blanket around Mulder when he’s shaking. Her hugging him at the end when he’s desolate on the floor. This shows a partnership that’s been through Paper Hearts and Memento Mori—that’s moved beyond trust alone.
Season 5: Folie a Deux (before The End)
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This is another episode about perception—about one partner seeing things the other can’t. Unlike in Wetwired or Demons, however, in this episode the altered perception actually represents the real truth, something everyone else fails to understand. The episode plays around with the tropes of earlier episodes like Wetwired, at first encouraging us to think that it's a delusion that Pincus is a monster, but then convincing us, through Mulder’s eyes, that the delusion is actually reality.  
As other people have observed, this episode ends up being a nice little metaphor for the whole show: Mulder knowing what no one else does, being ostracized and considered insane, asking Scully to find evidence to corroborate him and ultimately convincing her to believe him and see what he sees. Their partnership is, quite precisely, a madness shared by two. 
It’s a monster of the week, not a mytharc, so there’s no distraction of elaborate mytharc plot, just characters and monster. And this is a Vince Gilligan operation, so our focus is definitely on character. From the first scene with Mulder and Scully, we sense that we’re going to be talking about the partnership. Skinner gives them an assignment in Chicago that Mulder doesn’t think is worth it, and he complains in a particularly self-centered way to Scully, which she observes (“You’re saying I a lot.”) The episode is going to be very explicit that while Mulder might be monster boy, they are in this unhinged partnership situation together. Another important moment comes later, when Scully is calling the perp crazy for thinking he saw a monster, and Mulder says, “Well, I saw it, too.” Scully’s careful about-face after that, her delicate avoidance of implying she thinks Mulder is actually crazy, is part of the dance they’re doing at this late season five stage of their partnership. She doesn’t quite believe him, but she doesn’t knee-jerk not believe him either. 
And the foreshadowing of what’s to come in this one, whoo boy. Most obviously, we must acknowledge that 1013 knew exactly what they were doing when Mulder tells Scully “you’re my one in five billion.” A mere seven days from now, a mysterious beautiful ex who believes his theories is going to show up to immediately cast doubt on that claim. And this episode is also toying with the question of whether Scully actually does always back Mulder up when it’s important, when she has to accept she saw something illogical. At the end, does she tell Skinner she actually saw a giant bug in Mulder’s hospital room? We don’t know, but I think it’s implied she doesn’t. That’s all presaging what will happen in The Beginning coming off of Fight the Future. It’s Scully’s little way of resisting the madness, but it also hurts Mulder and damages the partnership, which will be a problem in season six. 
Season 6: Field Trip (before Biogenesis)
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Full disclosure: this is my favorite episode. So I’m going to make some big claims about it. This is the ultimate Penultimate Partner episode—the one that best knits together what it wants to say about their partnership and what it wants to establish for the finale. It's a monster-of-the-week episode (another Vince Gilligan ep, with John Shiban) but refers to the mytharc often. It’s also one of the best episodes about their partnership, period. 
This is yet another episode about distorted perception. This time, however, under the influence of a giant mushroom, both partners are unable to perceive clearly, to determine what is real and what is a lie. And when they’re confused, they critically turn to one another to help them see what the truth is.
Coming off of season six, the partnership is rocky. Mulder is frustrated that after so many theories of his have borne out, he still can’t get the benefit of the doubt from Scully, something he explicitly says in the dialogue here. Scully has felt like she’s not been trusted or heard, like Mulder has turned to others (Diana Fowley, for example) rather than his partner.
This is an episode about how they absolutely need one another to be able to make sense of the world—that individually each of their points-of-view are not enough. In Mulder’s hallucination, Scully accepts his claims about alien life forms too completely, not applying enough skepticism, not pushing back against him. In Scully’s hallucination, a world without Mulder, everyone is unacceptably unquestioning of the status quo, refusing to dig deeper, lacking Mulder’s critical acumen and drive. Neither partner likes the feeling of being unopposed, and it makes both of them suspicious about the hallucination’s reality. They may think they want their own view to prevail, but they need one another to be a whole person.
The theme of what’s real and what’s not – and needing one another to discern the truth–is exactly what is picked up and developed further in the Biogenesis-Sixth Extinction-Amor Fati arc that follows this. Scully’s skepticism has to stretch to incorporate more of Mulder’s worldview to make sense of what she sees in the Ivory Coast, and of course, Mulder calls on Scully’s worldview to see through his misleading dream world in Amor Fati. In fact, you could argue Field Trip is really about the idea that Mulder and Scully are one another’s touchstones—the people they need to know what’s right and real. 
Incidentally, this episode also plays around with some of season 6’s other subtextual throughlines: Mulder and Scully’s anxieties about possibly entering a non-platonic relationship, their unease about what a normal, domestic life might even be for them. For the entire episode they’re directly compared and juxtaposed with the Schiffs, a young married couple who died on Brown Mountain. The Schiffs are a tall man and a redheaded woman. They even die hallucinating lying together on a hotel bed after she asked him to “hold her” (although I do seriously doubt 1013 was intentionally foreshadowing a full year ahead). The last shot is of Mulder reaching out to take Scully’s hand across the ambulance, suggesting a kind of partnership beyond just, you know, partnership. Which takes us to the next season.  
Season 7: Je Souhaite (before Requiem)
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Truthfully, I don’t think this episode fits quite as well in the Penultimate Partner category. It doesn’t share some of the same traits as these other episodes—it’s not quite as notably about perception, for instance—and it’s not fundamentally about the partnership in the same way. But it does end up commenting on their partnership (even their relationship, really) as part of its theme, so I think we can include it—especially because its position right before Requiem ends up being important. 
Je Souhaite (btw, written and directed by Vince Gilligan) has a bit of an unsettled feeling to it because it was kind of treading water, waiting to see what happened with DD and the series. Nothing too monumental could happen with the partnership or the plot because it wasn’t clear to anyone what would happen next with the show: whether it would end or continue, whether DD would be involved or not.
So we have a story about Mulder and Scully making peace with not having a significant impact on the world—e.g. not bringing about world peace, not introducing invisible bodies to science. Instead, they are content to delightfully share a beer and comment that they have made one another “pretty happy” (as Scully says about Mulder). Through the jinni character, they seem to take the lesson that they can enjoy being with one another, accept the simple happiness that their relationship brings them. Rather than wish for success that comes too easily, they take joy in the little things with one another.
Comparing this episode to the Penultimate Partner episodes that come before, we can really see how Mulder and Scully’s dynamic has evolved by season seven. We have a Scully who is much more open to supernatural phenomena, for example, and whose skepticism seems more like a reflex or a defense mechanism now. Scully’s move towards belief is partially reflected in the plot of the episode: the X-file here really isn’t even science fiction. It is just straight up fantasy or magical realism. Aside from Scully's brief mention of a disease to explain what happened to the mouthless man in the cold open, no plausible scientific explanation for the jinni's long life or wishes is really even floated.
Scully is delighted by the discovery of the invisible body, and Mulder is visibly delighted by her delight. He’s also frustrated by her retreat into doubt when the body disappears, of course. But even the reversal into her old skepticism is half-hearted, as she soon after she's engaging in discussion with Mulder about what his final wish was. This is consistent with the overall blurring of the old hardline believer-skeptic dynamic we see in season 7. It’s also peeking ahead to Scully’s coming role as resident basement believer in season 8. 
The last scene, with the beers and Caddyshack, is meant to be a callback to djinni Jenn’s comment that she wishes she could “live my life moment by moment... enjoying it for what it is instead of... instead of worrying about what it isn't.” Mulder, we see, is taking a cue from her. (And good for him, as we almost never see these characters do this. Except on rare baseball-related occasions.)
However, this episode’s position right before Requiem—and right before the events of season 8—ends up giving this scene a real bittersweet bite. We know, after Requiem, that they were probably a romantic couple at this time. We know, after Requiem, that this time is going to be their last happy time together for a long while. Later in season 8, we learn that one lingering wish of Scully’s in season 7 is that she wanted to conceive a child with Mulder. And of course we know, after Requiem, that she gets her wish—but with a vicious catch, with a terrible side effect, much like what happens with the jinni’s wishes. 
So that’s my academic thesis on that. I know others have pointed out the existence of this type of episode before. What did I miss? Do you think I am wrong to leave out seasons 1, 2, 8, and 9? Why do we think these episodes focus so much on distorted perception? Interested to hear others’ thoughts (if they make it through this lol).
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absolutebl · 3 months
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This Week in BL - I'm Late, I know
Organized, in each category, with ones I'm enjoying most at the top.
Feb 2024 Wk 2
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Ongoing Series - Thai
The Sign (Sat YT) ep 12fin - we waiting 2 weeks I guess? Bah.
Pit Babe (Fri iQIYI) ep 13fin - I wasn't impressed by the last ep at all. Trash watch happened here.
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My final thoughts:
Based on alittlebixth's omegaverse novel #พิษเบ๊บ’ set in the world of car racing omegaverse. Thailand brought us the world's first omegaverse BL but then failed to lean into the courage of its a/b/o convictions by not emphasizing the difference between our world & theirs, adding & subtracting characters & allegiances + a weak ending. With earnest performances, enthusiastic sex scenes, a fantastic side couple, and some delightful scenery chewing - the actors tried… poor things. It's just the story failed both them and their parent genre. Frankly? I just wanted it to be more outrageous and trashy, since I never expected it to be good. Instead, it was just… meh. 7/10
(Imma remind all the newbies that this is not unprecedented from me with hugely popular BL.)
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Cooking Crush (Sun YT) ep 10 of 12 - I like it but there’s a high % of this show that doesn’t interest me. Anything to do with the side couple, or the friend group, or the cooking competition drives me into a comatose state of UGH. That means that in this episode, I paid attention to about 5 minutes worth. 
For Him (Thurs iQIYI) ep 11 of 12 - I'm ready for this to be done. I think they were trying to be this year's Big Dragon, but they just aren't good enough. I really didn’t need a third couple.
City of Stars (Fri iQIYI) ep 2 of 12 - I'm warming up to FueangKrom a bit. It’s cute. I am finding the pacing interesting. That pacing might be bad, but right now it’s simply different. 
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Ongoing Series - Not Thai
Love For Love's Sake (Korea Weds iQIYI) 5-6 of 8 - I still love this show a lot, but this 2 ep installment felt a little disjointed. I’m not sure if that’s the narrative structure or the subs. The captions are shockingly bad for a KBL and I don’t have enough Korean to make up for their clear failings. 
Although I Love You and You AKA Sukiyanen Kedo Do Yaro ka (Japan Thurs Gaga) ep 5 of 10 - Oh the return of the manic pixie dream ex. This is all very high school drama for purportedly grown-up adults. But them both being jealous and then kissing was sweet.  
AntiReset (Taiwan Fri Viki/Gaga) ep 3 of 10 - They remain adorable and the sunshine robot is very sweet. But it is a little slow. 
Perfect Propose (Japan Fri Gaga) ep 3 of 6 - I prefer the episodes when we get more of them onscreen together. But this was fine. 
Happy Ending (Korea Tues YT) 3fin - The ending disappointed me (are you surprised?). What can I say, not Strongberry's best as far as I’m concerned. High school besties that many could be sweethearts. I don’t like an ending that’s left up in the air. 6/10
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It's Done but...
What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps - will binge when I have any spare time. 2024 is crazy busy for me so far.
The Servant and the Young Master - from Vietnam, it's on YouTube. I will give it a try when I have a window of time.
Began Beginning (Myanmar YouTube) - A Burmese BL? @heretherebedork vouched for it, so I will give it a watch.
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It's Airing But...
[NO INTERNATIONAL] Cherry Magic (Sat YouTube) ep 3 of 12 - yeah Japan put the smack down on our boys. Sadness. You can use a VPN if you like. Read all about it here.
Ossans Love Season 2 (Japan Gaga) - 5 years later, will anything have changed? This is Japan so… probubly not. I won't be watching this. I disliked Season one and actively hated the follow ups. No thank you.
Playboyy (Thurs Gaga) 14 eps - Dear Playboyy, it's not you, it’s me… I hate you. You’re about as deep (and as palatable) as a shot glass of cum. While I'm sure you’re someone’s kink, you're my weakest link. Goodbye. I DNFed this at ep 5. Frankly I'm impressed with myself for getting that far.
7 Days Before Valentine (Weds WeTV) 12 eps - Gave me Luminous Solution vibes. It finished, is it worth it?
Dead Friend Forever (Thai Sat iQIYI) 12 eps - finished, horror, supposed to be very philosophical, I think I'll give it a go.
Time the series (Tue Gaga/YT) 10 eps - dropped it at ep 4.
Next Week Looks Like This:
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Starting Up
2/16 My Strawberry Film (Japan Gaga) - not quite sure how much BL this one is, because... Japan, but we shall see.
2/17 A Secretly Love (Thai WeTV) - Khonprot, a third-year head hazer of the engineering faculty, has a secret crush on Pluem, a tsundere fourth-year head hazer. Over the years, he's seen Pluem cycle through many girlfriends. Recently, after a public breakup, however, Khonprot thinks maybe a boy has a chance. Unless this is really good I probably won't I hate the WeTV interface...
Still Coming in Feb
2/24 Unknown (Taiwan Youku) 12 eps - Older brother tough guy criminal breadwinner looks after his sister and defacto adopted little brother. Little bother falls in love with him and is sent away after a stolen kiss. But when he comes back…
Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.
THIS WEEK’S BEST MOMENTS
We gotta talk about LFLS this week. Look at Korea go!
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Talking about a dead fish kiss, how meta! This will end up on one of my best of the year moments. I could not have been more gobsmacked.
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Also something rarely directly addressed, particularly for same-sex firsts.
And then, a claiming trope, a personal favorite of mine.
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Thank you Korea!
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I just love them. (Pit Babe)
(Last week)
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midnightechoes · 1 year
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So this week is going to go down as maybe the most sapphic week in animation history. It’s going to have a great case, there are so many sapphic shows or shows with prominent sapphic couples airing this week.
Don’t know what I’m talking about? Here’s a quick rundown:
Yuri Is My Job!
Premiering on Crunchyroll on April 6th.
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Yuri is My Job! is based on a yuri manga of the same name. It follows high schooler Hime, who cares deeply about her image as sweet and helpful, even though she’s actually selfish. She accidentally injures the manager of a cafe, and agrees to work there to make up for it. But this is no ordinary cafe, it’s like a cafe dinner theater where all the waitresses play characters from a fictional high school and act out skits for the patrons. Hime’s character is supposed to be in love with one of the other waitresses’ character, but she starts actually falling for the girl. Only problem is, behind the scenes the other waitress seems to hate her.
Yeah, that sounds kind of bonkers! I can already see the story now, Hime starting out playing a role, and eventually having to legitimately earn the love of Mitsuki.
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Birdie Wing: Golf Girls’ Story
Season 2 premiering on Crunchyroll on Friday, April 7th
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Ah Birdie Wing. If you saw season one, you know just how delightful wacky this show is. It follows the stories of Eve, a golfer that plays in illegal underground golf matches for the mob, and Aoi, a golf prodigy and the new sensation of the golf world. Their lives crash into each other and the chemistry is overwhelming and immediate.
Technically Eve and Aoi aren’t canon as of the end of s1, but it’s hard to imagine that the show isn’t heading in that direction. It makes no effort to hide the fact that these two are into each other.
I’m so excited to see what season 2 has in store for these two. Birdie Wing is just a delightfully weird little show.
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Princess Principal: Crown Handler Chapter 3
Premieres in theaters in Japan on Friday, April 7th
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Alright, so this won’t be useful to a lot of people reading this, as this is only premiering in Japan this weekend. But I wanted to mention it because (a) it’ll come over to the US sometime this year, and (b) Princess Principal is awesome and I want to promote it when I can.
Princess Principal was a 12 episode series that aired in 2017, and Crown Handler is a six-part sequel OVA series.
In a nutshell, Princess Principal is a steampunk spy thriller set in an alternate universe European kingdom that has been divided by a wall, Berlin-style. It follows a team of spies, masquerading as high school girls, as they try to prevent the two sides from going to war.
I know, “why is this on a list of gay shit?” Well, because it is. Two of the main characters, Ange and Princess Charlotte, are big-time into each other and while the original series does the anime thing of “we’re only allowed to go so far with this”, the OG series has a lot of intimate scenes between the two and does end *SPOILERS* with the two of them sitting on the beach together while holding hands.
And perhaps Crown Handler, being made years later, can finally take their relationship farther.
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RWBY Volume 9
Volume 9 episode 8 airing on Crunchyroll on Saturday, April 8th
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RWBY has been ongoing, and the current volume has been airing since February, but there’ll be another episode this Saturday. Right now RWBY is in the middle of dealing with a lot of trauma, BUT, the bees are canon and dating so every episode of RWBY is now officially gay. So says me.
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The Owl House: Watching and Dreaming
 Series finale airing on the Disney Channel on Saturday, April 8th
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I’M NOT READY TO LOSE THIS SHOW! 😭
*ahem* The third and final season 3 special airs on Saturday, and promises to be mega emotional and super gay.
I’m grateful that this show had a chance to finish its story, something a lot of sapphic media doesn’t get to do. But I am still pissed about it getting cancelled in the first place simply because it didn’t fit their “brand” (read: this show is too gay for Disney).
But I just know that Dana and her team put together a sensational finale.
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Mobile Suit Gundam: the Witch From Mercury
Season 2 premiering on Crunchyroll on Sunday, April 9th.
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Affectionately called G-Witch, season 1 of this show was a revelation in the fall. It follows the story of Suletta Mercury, precious cinnamon roll and the most talented mobile suit pilot around, and Miorine Rembran, daughter of the president of the Benerit Group, a mega-corporation that has massive political power.
The show revolves around a school that’s mostly full of the children of powerful people. And then there’s Suletta, a nobody that just wants to be a normal girl and have a normal school life but through a series of events ends up in a mobile suit duel that she easily wins, earning her the title of Holder, which makes her Miroine’s groom.
At first, the two treat the arrangement as a business arrangement, both seeing practical value in this arranged engagement. But it’s obvious that Miorine is actually pretty into Suletta from the start, and we see Suletta slowly falling for Miorine too.
G-Witch is incredible. Part awesome mecha fights, part political intrigue, part romance between two useless girls who’d rather die that admit their actual feelings.
I am SO EXCITED for season 2!
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LGBTQ media hasn’t had it great as of late, with a ton of frustrating cancellations and it almost feeling like Hollywood is going backwards in terms of its commitment to giving us space to tell our stories.
But animation, both in the US and in Japan, seems to be making great strides, being our light in the dark.
All five of these shows are airing episodes this week, and Crown Handler will be in theaters this week and on streaming/blu-ray later this year. RWBY has been airing for weeks and its been the gayest volume yet. the Magical Revolution of the Reincarnated Princess and the Genius Young Lady just finished airing and was wonderfully sapphic. I’m In Love With the Villainess is scheduled to air sometimes this year. And just maybe we might get Arcane season 2 before the end of the year.
I’m excited for how sapphic and yuri animation is progressing, I hope it keeps going forward.
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gentlebeardsbarngrill · 3 months
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03/04/2024 Daily OFMD Recap
TLDR; Cast&Crew;WJW; Con O'Neill; David Jenkins; Bumbles; Rhys Darby; A LeagueOfTheirOwn Watch Party; Wrecked WP Continues; NewarkNewark WP tomorrow; Fundraiser Statuses; SchadenFreude; Fan Spotlight; Podcasts; LoveNotes; DailyDarby/Tonight's Taika
== Cast & Crew Sightings ==
== Wee John Wonday ==
Today's Wee John Wonday featured our Pirate Queen Ruibo Qian! Please check the video out on Kristian's Instagram! Don't have time to watch? There are some highlights below the pic!
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Some Highlights:
Anapela couldn't make it tonight sorry!
Ruibo is really into perfume like Kristian
Ruibo and Anapela really clicked on set!
Ruibo still has hope regarding s3!
“DO I wanna smell like a haystack with a cow dung hidden inside of it?” - Ruibo
Ruibo would be interested in polycule, Zheng may not be
Kristian has an announcement coming out tomorrow - 📚
Apparently the last episode, when they were all walking out in the colonial outfits, it was SUPER LONG and a lot of it was cut.
Qian means money = so Ruibo is literally the Money Bitch
== Con O'Neil ==
One of our wonderful crew-mates was out and about and ran into none other than THE Con O'Neill! Thank you so much for sharing this meet up with us @queerjolras!
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Con also posted a picture of himself and his pup Cooper on IG today!
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== David Jenkins ==
Our friend @cosmosart-s posted a lovely picture of David for the 2 year anniversary OFMD anniversary and David ran it on his IG Story! One thing I've noticed a few people mentioning was the "3" hearts. Not to clown/honk too hard, but just something to think about <3
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== Rare Bumbles Sighting ==
Many of you know of Rhys and Rosie's cat Bumbles, but we don't get to see Bumbles too often! Rosie uploaded an adorable photo of one of the Darby Feline-Fam.
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== Rhys Darby ==
Are you in Aotearoa? Stop in to seen see Rhys on Wed 3 Apr 2024, 8:00pm–10:00pm at the Wild Estate in Auckland!
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New Cryptid Factor Episode!
89: #089 The 2nd First Issue!
Spotify / Podfriend / Apple Podcasts
== New Watch Parties ==
= Mar 3 - Mar 7 A League Of Their Own =
Join us this week starting Monday, March 4th for a multi-fandom watch party! Each day will have different games and polls! (Sorry this is a bit late, I didn't get it until today!)
Where: Amazon Prime
Time: Every day 1 PM EST / 10AM PT! 
Day One, March 4th: Pilot episodes for both series with tweeting predictions for the rest of the seasons. 
Day Two, March 5th: Bingos! Live tweet your reaction and share your filled out bingo cards! 
Day Three, March 6th: Polls! Live tweet your reactions and share your thoughts on the shows so far! 
Day Four, March 7th: Caption the screencaps from the shows: Wrong answers only! 
Day Five, March 8th: Finale time! Share your predictions for the next seasons with the hashtags. 
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Watch Party Hashtags:
OurFlagMeansBaseball, 
SaveOFMD 
SaveALOTO to join the event! 
== Watch Party Reminders! ==
Mar 4 - Mar 8: Wrecked Season 1
Wrecked is no longer on any streaming platform, and it is not available digitally on US sites. (Apparently, it is available on German Amazon?) There are sources being passed around. If access is an issue, DM @iamadequate1 on Twitter or Tumblr
Season 1 watch from March 4th to March 8th. 
Season 2 watch from March 11th to March 15th. 
Season 3 watch from March 18th to March 22nd. 
Times will be 10pm GMT / 5pm EST / 4pm CST / 2pm PST. Watch two episodes per day. Episodes are 21-22 minutes each. Use the following Saturday for the tags/watch if interested but not able to make this time.
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Hashtags: 
#WreckedPirates
#SaveOFMD
#RhysDarbyFaction
= Mar 5: NewarkNewark with @adoptourcrew =
Please join @adoptourcrew for a @NewarkNewark watch party on March 5th at 10 pm GMT/ 2pm PS / 5pm EST!
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== Fundraiser Statuses ==
= Underground Ads =
The Final Stage of the Save OFMD Crew fundraisor for the underground ads is still going! If you're so inclined, feel free to donate or share around! Ko-Fi Link
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= In Soup Now =
Wow! Only 24 hours open, and already at 10%! Great job all!
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== Schaden Freude ==
Thanks @iamadequate1 for catching the very sad times WBD Inc is experiencing on the NASDAQ
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== How to Help ==
Another Ranker Poll! Feel free to hop in and bump OFMD up. You can rank shows up AND down so make sure to rank other shows as well. Ranker Link
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== Fan Spotlight ==
Our lovely crew-mate @melvisik is back again, this time with our favorite Captain Rhys Darby as part of the Crew Cards <3
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== Podcasts ==
@fandomthingpod on Twitter did an episode on the OFMD Renewal campaign and interviewed our esteemed crew-mate @lcwebsxoxo! They gave lots of kudos to the @saveofmdcrewmates and @adoptourcrew and the recaps got a shout out too! (Ty for the mention LC!) The Campaign To Save OurFlagMeansDeath
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== Love Notes ==
Hello lovelies :) It was an action packed day for sure (as Mondays usually are). That being said I took some time to do some stuff today I've been meaning to, so I apologize for not taking more time on love notes!
Please know me and your crew-mates are thinking of you and hoping for all the best things for you in the upcoming days.
I know it's short but here are some reminders / love notes in other people's words for today/tomorrow. <3
Stay Strong Lovelies! Whatever you're up to, you're gonna make it through, I believe in you!
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== Daily Darby / Tonight's Taika ==
Yeahhhhh no gifs tonight luvs, I am running late and I can't stop looking at these still pictures anyway, so here you are <3
Taika Src / Rhys courtesy of Prim on Discord!
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thosegayweewooshows · 1 month
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you do realize tim, oliver, and lou have been very adamant that buck and tommy is a short term relationship right, so of course tommys not gonna be in 7 or 8 and when he returns it's to set up their break up in the finale. They've been more then clear this is NOT a long term/endgame relationship even if some people want to put their heads in the sand. It's a stepping stone towards Buddie.
You do realize that things can change right? Tim hadn't even finished writing the season when episode 7x04 and 7x05 aired. Oliver hasn't even read all the scripts for this season yet (according to a recent interview), plus we already know the show is renewed for season 8. It's possible that Tim could decide to explore Buck and Tommy's relationship a bit more and make it a more long term relationship.
You speak as if you KNOW what's going to happen but at best you're just hoping and making assumptions. That's fine. Just don't blame anyone on the show if what you say will happen doesn't. Oliver has said they want to tell a queer love story with Buck and Tommy. He said maybe Buck and Tommy can continue with a similar thread like Tarlos (the married gay couple from Lone Star). While that doesn't mean that Tommy will stick around it does sound like it's a possibility.
Even IF Buck and Tommy's relationship is a stepping stone towards Buddie that doesn't mean they shouldn't take the opportunity to tell a beautiful story with Buck and Tommy while they still can. No matter what some fans have convinced themselves, no one has promised that Buddie will happen and even if it did it could be a long time before they tell that story.
Also some fans love to use "stepping stone" or "plot device" to try to minimize Tommy's importance. Tommy will always be an important part of Buck's story because Tommy is why Buck had his bi-awakening. I know that upsets some Buddie fans but the story is the story. In my opinion, the Buck and Tommy relationship will always be significant even if it's not endgame.
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narujenreacts · 3 months
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Will Murder Drones get a Season 2?
Alrighty. So, after GLITCH's post yesterday of Digital Circus that also mentioned "We're also working hard on Murder Drones & will be releasing final episodes soon!", which sent a lot of the fandom (including yours truly) into a panic that this meant these are the final episodes for the SERIES and not the 1st season. However, that felt off to me since GLITCH has been promoting MD as Season 1 and not a short series, which, if it had always intended to be only 8 episodes, it would've been. That's just how it goes in the industry for online series. And I believe GLITCH wouldn't make that kind of mistake in marketing. It'd be different too if it was only promoted as Season 1 for the teaser, but it's been that way up until that Digital Circus post. Hell, here are some of the things Kevin and Liam said during GlitchX:
"I remember when we were coming up with the, uh, this is like way before when, you know, Murder Drones was really, like we were really going for a smaller, smaller show-" - Kevin
"The whole oil thing that was getting set up in the pilot, that was gonna be like a MASSIVE sort of plot thread throughout the season." - Kevin
"Because in terms of importance to kind of where I want the story to go, it just ended up being less relevant." - Liam
"We, um, did the opposite of that. I think the series as it progressed, which I think is - it is intentional, I would say. We have gone from, I think, supremely silly to supremely kind of self-serious." - Liam
"There's so many dog easter eggs if you go and watch through the entire season." - Kevin
"We are announcing the finale of the season." - Kevin
With everything they said, none of it sounds like Murder Drones was intended to be a single season series. Now, this leaves two questions myself and I'm sure some of you have, "Why haven't they announced a S2 yet then and why are they barely posting MD?" I decided to enter analyzation mode and went digging through GLITCH's Twitter and YouTube. What I found was that this isn't GLITCH's first time handling their series like this.
Meta Runner Season 1 (Animated Movie Cut) was released on Aug 28, 2020 and in the description Season 2 was immediately announced since they already had it done.
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Meta Runner Season 2 - EP 1: Hard Reset released Oct 16, 2020. The final episode for S2, "EP 10: Fatal Error" was released Dec 18, 2020 and there was no mention of the 3rd and final season.
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Want to know when they announced it? Not until Nov 29, 2021. Over a YEAR later.
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And before that they barely posted anything of MR. At first it was Sunset Paradise, and then once that series was about to conclude they started posting about MD. A lot. Way more than they have for DC. And when they announced S3 for MR they didn't even mention it was the series finale! That wasn't announced until May 6, 2022, 6 months after S3 was even announced.
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However, once they did they made it VERY clear it was the final season. 99% of their posts of MR after that mentioned it was the final season.
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So, to conclude my thoughts. I don't think we should be worried. I wouldn't suggest getting our hopes up TOO high, because despite GLITCH handling MD the same way they did MR, there's always the chance MD doesn't get a second season. That way we're not deeply disappointed if it doesn't, but after looking into it I personally feel a lot more confident MD will get a S2. Just be prepared that if GLITCH doesn't say anything, it could be up to a year before they do, but if MR fans could hold out for as long as they did, we can too. Don't forget either GLITCH isn't only working on the first season of DC. They're also working on the pilot for Gaslight District.
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misc-obeyme · 8 months
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Once again, I got to choose the prompt this time! I chose "hot chocolate" from my autumn themed back up list 'cause it sounded so cozy lol. I really wanted to write a scene with Levi that was set somewhere other than his room or MC's room, so this is what I ended up with. Just a short but sweet lil scene. Also I definitely made up some details I'm sure you'll be able to tell immediately which ones lol.
FLUFFTOBER 2023
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GN!MC x Leviathan
Warnings: none!
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You stood just inside the door to the House of Lamentation, wrapping a purple scarf around Levi's neck. He frowned at you, clearly not at all pleased with how the situation was going.
"I don't see why we have to go to a cafe for hot chocolate when we can make some here," he grumbled as you tucked the scarf into his jacket.
"Don't you think it'll be nice to get out of the house for a bit?" you asked, smiling happily.
Levi shuddered. "I'm an otaku, MC! Why would you ever think I would like getting out of the house?"
You laughed, completely unbothered by his complaints. "It's a good excuse to wear this adorable scarf of yours. You hardly ever wear it and it looks so good on you!"
Levi groaned. "Why do I have to wear it anyway? You sound like Asmo."
"You have to wear it because it's cold outside," you said.
"Just another reason to stay home!" Levi declared, tugging on the scarf like he was going to unwrap it.
You grabbed his hand, which distracted him and made him blush. "Come on, let's go!"
You pulled him out of the front door, down to the street. You kept your hand clasped in his, threading your fingers together. You were rewarded by the deepening color of the blush on his cheeks.
Levi mostly stopped protesting now that you were already outside. He let you lead him down the street, holding onto your hand like a lifeline.
When you finally reached the cafe you had in mind, you were pleased to see that there wasn't much of a line. You felt Levi squeeze your hand hard. You smiled at him, pulling him close as you went inside and got in line.
You pulled Levi along as you got to the counter. "Three Ruri-chan special hot chocolates, please," you said to the demon taking orders.
Levi looked from you to the barista and back again. "What?"
The barista simply nodded, took your money and name, and told you it would be out soon.
You tugged Levi over to a table and sat down. You didn't want to let go of him, so you just held his hand across the table.
"I'm surprised you didn't already know about it," you said to Levi, grinning happily at him. "This cafe is doing a collaboration with the studio that makes Hana Ruri. They got the recipe for the hot chocolate they show in episode 15 of season 8."
Levi tugged down on his scarf so he could speak more freely. "The hot chocolate that Ruri-chan and Azuki-tan drink after they defeated the snowman from space?!"
You laughed, but before you could respond, the barista called your name. You let go of Levi's hand, patting it before getting up to grab the drinks.
You came back shortly, putting the drinks on the table.
Levi exclaimed excitedly. "These mugs!"
"They're limited edition souvenir mugs," you said. "You get to keep them."
Levi looked up at you, his eyes a little teary. "So that's why you ordered three."
"One to keep, one to display, and one to use," you said.
Levi put his hands over his face in an attempt to hide his blush. "M-MC… why didn't you tell me this was why you wanted to come here?"
You reached across the table to pull one of his hands away. "I wanted it to be a surprise! Now hurry up and drink some of this before it gets cold!"
Levi picked up one of the mugs, reluctantly letting go of your hand to do so, and sipped at the chocolatey liquid. You were thrilled to see the smile spread across his face as he closed his eyes happily. "Just imagine. This is what Ruri-chan experienced after the harrowing battle with the space snowman…"
You took one of the mugs and sipped your own. The hot chocolate was actually really good. By then it had cooled off enough that it was the perfect temperature, a delicious sweetness that filled you with warmth. Even so, it wasn't as sweet as the emotions you saw in Levi's eyes when he finally opened them again.
"Thank you, MC," he said quietly, a shy smile on his face now.
You smiled. "I'm just happy you're enjoying it. I guess it was worth leaving the house for, huh?"
Levi groaned and put down his mug. "I'll never complain about leaving the house with you again!"
You laughed.
Later on, when you had walked home with a little bag that carried the souvenir mugs, the two of you washed them carefully.
You were about to leave one in the kitchen and bring the other two upstairs, but Levi took one of them out of your hands. He placed it on the shelf next to the one he was going to be using.
"What are you doing?" you asked.
Levi blushed. "That one is yours." He lifted the one in his hand. "I can display this one."
You cocked your head. "But-"
"I would just pack it away anyway," Levi interrupted you before you could protest. "I'd rather you use it."
You smiled, reaching out to grab his jacket and tug him closer to you. You leaned in to kiss him and his arms circled around you, one hand still holding on to the third mug.
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flufftober | kinktober | masterlist | Thank you for reading!
taglist: @anxious-chick @t0tallycoolname @libidinous-weeb
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spenglernot · 7 months
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STORIES TELLING: ED TEACH’S JOURNEY FROM ARMOR TO AUTHENTICITY
One of the joys of watching season 2 of Our Flag Means Death is discovering the visual parallels with season 1 that add so much meaning and richness to the story. With affecting, extraordinary economy of visual storytelling, we can see the progression of Ed’s journey from choosing armor in season 1, episode 10 – Wherever You Go, There You Are, to choosing authenticity in season 2, episode 7 – Man on Fire.
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[I have to point out the gorgeous cinematography here. Panning down on the left, panning up on the right. The clear resolve of S2 E7 Ed turning to ascend to the deck. I also love the timing of both shots. S2 E7 Ed is turning toward the red silk that S1 E10 Ed will release.]
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S1 E10 Ed considers the red silk. The symbol of his tenderness, softness, and vulnerability.
S2 E7 Ed hoists his leathers and his firearm - his literal and symbolic armor and protection - to the edge of the deck.
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S1 E10 Ed releases his tenderness, softness, and vulnerability to the sea.
S2 E7 Ed releases his armor and protection to the sea.
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S1 E10 Ed throws the person who understands what he’s going through and is in a position to help him work through it in a healthy way, into the sea.
S2 E7 Ed makes breakfast-in-bed for the person with whom he shares emotional and physical intimacy. An act of care and service that strengthens his bond with Stede.
Show, don't tell doesn't seem adequate to describe these two sequences. They are masterful and say so, so much.
The double-edged sword of self-awareness
You’ve really got to give it to Ed. He’s making huge progress. Making a better choice for himself. Moving forward.
Change can be terrifying. For Ed to release that which protected him for decades is, well… it’s courageous and demonstrates hard-won self-awareness and integrity.
Of course, choosing to be authentic to yourself doesn’t translate into automatic relationship building. Understanding and communicating with other people, particularly the person you are in love with, is a related but different skill set. It is also true that, once you know that you can’t perform a persona to please other people, no matter how much you love them, you risk losing them.
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Ed in the second frame, above, kills me. He knows that piracy might be the wedge that drives Stede and him apart. He is trying to share how he feels. But Stede is so enamored with finally being a successful pirate (and glowing from the best (and only) love-sex of his life) that he can't hear Ed.
I love that OFMD takes no shortcuts in matters of the heart. If these lads are going to be together for reals, they are going to have to work for it, and there is still much work to be done.
I'm looking forward to likely being simultaneously emotionally fulfilled and mentally devastated by the season 2 finale in about 30 hours.
This meta was written before OFMD season 2 has fully aired. No idea what’s going to happen in the finale (and I’ve generally fled social media to avoid spoilers). I’ll be back, looking at everyone’s fascinating posts after episode 8 airs.
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