#there are a few other pretty series characters who are like this but they're few and far between

[voidpumpkin]

A definite theme of dungeon meshi is that of selfishness and selflessness with pretty much every character defined by these two things in some way

most obviously there's the winged lion who's entire existence is defined by selfishness, he just consumes, consumes and consumes, ruining everybody, with labyrinth he is bound to and he himself encouraging and shaping the selfish and selfless desires of others. His greatest desire, to consume everybody is the ultimate act of selfishness in the series yet he frames it as and pretty genuinely views it as an act of great selflessness, which is part of another theme in the show of people imposing their selfless desires on to other people.

As can be seen with Marcille, from the beginning she is shown as the most outwardly selfless, she's the one always wanting to help other adventurers, aside from Laios the loudest advocate for rescuing Falin, resents Namari for abandoning Falin and is shocked to find out Chilchuck is doing this because he is being paid. She's the one who crosses all moral and ethical barriers to save Falin, to defeat the dungeon rabbits. And then we see how she has the greatest most all encompassing desire of them all, to equal everyone's lifespan to one thousand with a selfless motive behind it, that it will erase bigotry between races. The selflessness of it is something she is almost proud, she's insulted and very insistent that she doesn't want more selfish desire like having a child or becoming a full blooded elf. Yet this selfless desire comes from a selfish place of never wanting to experience loss and is a desire (with the winged lions help) becomes one she seeks to impose on others

Similarly to Thistle who is THE example of how selfless desires become twisted and selfish by the dungeon as he original wanted to protect the kingdom and makes sure they live forever, though even then this was a selfish desire imposed upon him by Delgal. Now after a thousand years of running the dungeon he is all selfishness that he views as selflessness.

Then there is the other notable former dungeon master, Mithrun. Once viewed as a pure and selfless man by those around him he harboured countless selfish desires that the demon exploited and consumed, leaving him with what he and others thought was just the desire for revenge. A selfish desire that manifested in a selfless form as he puts his life on the line to rid the world from demons. It's through this we see one of his most interesting traits, his sincere desire to reach out and help other dungeon masters, compared to all other interactions he is never this gentle or talkative with them, the other canaries quite clearly just want to kill them, but Mithrun, one of the very few people who can understand what they're going through talks to them. By the end of the series we also come to know that his selfish desire for revenge was in fact an entirely different selfish desire, to be consumed.

Not on to Izutsumi, she's a character defined by her selfishness, as a result of her upbringing she has to rely on and care for only herself but then she becomes a part of the touden party and is put in a caring environment for the first time, and in response grows to genuinely care for them as well, risking her life in ways she wouldn't have done before. Izutsumi acts as a pretty potent example of the crews selflessness with all of them (except Laios, who they defend her from his monster fixation) acting as parents to her. Marcille gives her the love and affection, both emotional and physical that she'd never received up until that point, and didn't even know she needed. Chilchuckvis the only one with actual experience as a parents and only parental figure who has treated Izutsumi well, he pretty quickly realises she is acting like a teenage girl and quickly adjusts to treating and caring for her as such. Sensei, who is pretty much all paternal instincts cares for her the only way he knows how and is the first person to adjust meals to her needs and desires. Izutsumi can be seen as a demonstration of environments shaping a person, her formative years being treated terribly made her selfish whilst this new caring environment allowed her to become selfless for the first time.

Building off the paternal instincts comment from earlier, that one of the two things that define senshi's selflessness. Sensei is both a deeply mature and deeply selfless character, as a result his selflessness comes in more casual and more adult forms. In respecting the autonomy of others and providing them with food. With these drawing from the two things mentioned earlier, his paternal instincts but also his experiences with starvation. His paternal instincts are best shown in the chapter after Falin is taken as we see inside his head, seeing he views Chilchuck and Marcille as very young and that it is his responsibility to feed them, and considered it a failing on his part if he doesn't. This paternal instinct also is what leads him to secretly resent Laios and Marcille as he believes Chilchuck to be a child and views them as exploiting him and putting him in harms way. His focus on feeding others is of course a result of his experience with starvation, he NEVER wants anyone to go through what he went through and is THE way we see him caring for people outside of the Touden party

Next up Chilchuck, a character who at first seems to be a deeply selfish ones, as he journeys with the group because he is paid to, not because he wants to. But then we do come to respect this, as dungeoneering is a job, a very dangerous one that, and like all jobs it deserves proper compnesation. Which is something he actively tries to facilitate in one of his greatest acts of selflessness, where after having experienced the selfishness of other races and their willingness to use half-foots as bait, he starts a union to ensure proper pay and workers rights for half-foots. Though rather interestingly our first exposure to it is through the deeply selfish Mikbell, who frames what Chilchuck is doing as an act of selfishness. We also soon understand that he deeply cares about his friends, more than even he wants to as he continues to travel with them even when the job is technically done. This does result in a moment of selfless/selfish desire as he seeks to trick the group into leaving falin behind because he genuinely cares about then, he thinks they're in over their head and wants to protect them, again selfless desire that is selfish, though he does come to respect their wishes.

Speaking of Falin. cause of her minimal time to be a character we're left what screen time she gets and that's a character defined by her selflessness, from her communication with ghosts, being framed as a mothrrly figure to Thistle and the acted that began the series, sacrificing her life to save the crew, and would define how they act going forward.

For Namari it caused her to leave and take up the better offers she'd received. A selfish act that Marcille in particular resents her for but is explained by both her backstory, she is trying to buy back the honour her father stole, which would hopefully repair the relationship between the Lord of the island and dwarves, a selfless act, and the establishment of dungeoneering as a dangerous job that deserves compensation, which is why Laios and Chilchuck who do view it as a job don't resent her while Marcille who doesn't view it as a job (a. she's very open about not viewing dungeoneering as a career b. ancient magic research is her goal, thus the particularities of dungeoneering never mattered to her) does resent her. We do see other moments of selflessness from wanting to know Kiki and Kaka's age so she can identify them if they need resurrecting and standing up for Laios. Namari's character is one meant to show selfishness, especially when your life is one the line, is not inherently immoral.

The other crew member who left as a result of Falin's death is Toshiro (Shuro), who immediately goes off to find a strong crew he is hopeful can make it through the dungeon as fast a possible to rescue Falin. In opposition to Namari he is someone who chooses selflessness over this own life, running himself ragged to save her, but it is this focus on her other his needs that causes him to fail, running yourself ragged will leave you unable to succeed, as demonstrated to him by Laios. Laios is a man he resents for various reasons but one of them being that he doesn't see Laios as sincere in his care, that he doesn't express his selflessness in a 'proper' way. That his happy go lucky attitude and focus on keeping himself health are proof that he doesn't care, when in actuality a) that's just who laios is b) Laios looking after himself is a form of selflessness because how can one help others if they can't even stand.

Laios sits in the middle of selfishness and selflessness, defined in equal parts by them. He is completely sincere and dedicated to his selflessness, willing to risk his life and go it alone to save Falin, he seeks non-violent solutions to deal with his human enemies, wanting to talk to Thistle and get him to respect the citizens of the golden kingdom's wishes and doing the same with Marcille alongside working to defeat the winged lion and putting himself on the line to do so, as well as becoming the king of the golden kingdom, which he clearly doesn't want. yet he also has a lot of selfish desires because of this and being an extremely autistic dude with basically no social skills he's viewed as worse than he is, both on his and other's fault. He loves monsters and his entire life is defined by his obsession with them, this obsession spawned from a resentment of humans how they treated his sister (he got over it, he was a teen). He seeks to examine Izutsumi, and while he means no disrespect or anything gross by it, she is a teenager and has some pretty serious trauma surrounding being treated as a circus animal. He disrespects Lycion's treatment to his suicidal body dysmorphia because it's a 'skin deep' appreciation of monsters. He views saving Falin as an opportunity to finally consume monsters, his selfish desires and his willingness to express then when it really isn't an oppurtune time to do so (dude, your sister's life is on the line) mean he is taken at his worst, viewed as literally villain by Kabru and the canaries. Laios as the protagonist of story with pretty clear themes of selflessness and selfishness shows one who is outwardly a very selfish person yet the moment you stop to look is a deeply deeply selfless person, even if he is bad communicating.

This brings us to his foil Kabru. Kabru pretty clearly defines himself by his selflessness, viewing himself as superior for it, believing he should be the one to conquer the dungeon and that Laios is unworthy based on his shallow understanding of him. This selflessness is further deconstructed as something very bad for him as similarly to Toshiro is clearly doesn't value himself like he should, not allowing himself to have selfish desires, with it being pretty clear this worldview is shaped by his childhood trauma, of seeing what the dungeon can do, his survivors guilt and believing he has a duty to prevent it. This brings him into interesting conflict with Mithrun and Laios. The former is someone is a person who literally cannot care for himself and must rely on others to do that for him. His lack of care for himself, unawareness of his own needs astounds Kabru, rather ironically considering Kabru's lack of focus on his own and his focus on Mithrun, who is noted to be looking better than usual thanks to Kabru's treatment by Lycion, indeed his focus on analysing and understanding other people in general can be seen as a form of his selflessness/care for others at his expense. The latter is a person who confounds Kabru, Laios is the first person who Kabru cannot understand, the first person he can't just casually befriend one so utterly antithetical to his own interests as Laios is fixated and loves the very thing Kabru is horrified by, monsters. This also shows arguably the biggest example of Kabru valuing others, his selflessness at his own expense when eats the monster food Laios offered him, looking like he might die as he does so. This horror and confusion causes him become fixated on Laios, he is a puzzle Kabru must solve, but also because of Kabru's views on monsters, selfishness and selflessness he views Laios as an active and terrifying threat that must be stopped. But underlying this is what Kabru refuses to acknowledge until he confronts Laios next time they meet, he wants to befriend Laios, something that horroifies himself, both cause this is Laios, but this is a selfish desire. Admitting to Laios is an admission to himself that he has a selfish desire and that maybe just maybe that isn't so bad and that doesn't make him a lesser person. This acknowledgment that desires are part of who you are is what allows him to reach Mithrun, Kabru developed a new desire, to befriend Laios and thus Mithrun can too. Kabru is very potent foil to Laios, a character defined by selfish desires and seen as dangerous because of them when in fact he is deeply deeply selfless, as he is character who looks down on selfish desire and values selflessness to his own expense, only to learn through Laios that selfish desires are not inherently bad, thus allowing Kabru to help others even more.

And last but not least is elves as a whole and in particular the canaries. Elves are this selflessness and selfishness theme on a societal scale as their racial paternalism means they view it is their duty to look after races whilst also not respecting them or their autonomy and this causing great harm, with the canaries and Milsiril being microcosims of this. The canaries are a force tasked with stopping dungeons a selfless act, though motives selfish as while some clearly do it to save lives, it's established that one of the reasons they do so is to get their hands on the ancient magic inside and their racial paternalism means they don't trust other races to know the secret of dungeons, which almost dooms everybody. We also see how many of the members of it are criminals, who quite frankly are selfish cunts, really racist to non elves and are more than willing to put shorter lived races in harms way to get what they want. Milsiril is this racial paternalism embodied, as she's dedicated her life to looking after children of other races, a selfless desire, but she clearly doesn't see them quite as equals with there also being the implication that this is the result of a selfish desire to deal with her own loneliness.

Desire is a key theme in dungeon meshi with selflessness and selfish being the accompaniment to it that really makes so much it so potent.

#dungeon meshi #delicious in dungeon #laios touden #chilchuk tims #kabru #mithrun #the canaries #marcille donato #izutsumi #toshiro nakamoto #shuro dungeon meshi #namari #kaka #kiki #kiki floke #dunmeshi #media analysis #winged lion #falin touden #lycion #senshi #milsiril #thistle dungeon meshi #mikbell tomas #delgal

[yjyt85r98r]

I think one of the reasons I like Ito from Rainbow Live even though she’s a jerk is that, even after “developing” as a character, she interacts with others in a way that you just don’t see with other characters in this genre of show.

Aloof characters who have to get forced into things are not uncommon, but the unique thing about Ito is that even after she’s forced to do something, she doesn’t enjoy it. Usually a tsundere/kuudere type of character will object to being dragged around, but by the end of it, they’re like “that was great! I had so much fun!!” Ito doesn’t. She got forced to have a sleepover, and all that happened was some polite but uncomfortable conversation, some food she didn’t really like, and being comforted from a distance. She got into a romantic relationship, but she didn’t really confide in her friends when things went wrong, and they weren’t able to help her past the point of getting her into the relationship. She got dragged to the hot springs and just kind of felt uncomfortable and on edge the whole time. That’s not to say that she never got anything out of her relationships, because she did, but there was no point where she seamlessly merged into the “and everybody had fun” narrative that’s so common in kids’/girls’ shows.

Is it her fault that she didn’t have fun? Partially, yes. But it speaks to me as someone who’s always had trouble bonding with people and doing “fun” activities.

#it speaks #ito suzuno #there are a few other pretty series characters who are like this but they're few and far between #and in the aikatsu series? nonexistent.

[la-pheacienne]

I'm reading the lord of the rings and I'm once again amazed at how... good most characters are. Like, they are genuinely good people. They are a bunch of kindhearted, gracious, caring people, coming together under adverse circumstances and trying to figure things out and find a solution and support each other through it all. Like Frodo and Sam meet Faramir and Faramir is a bit suspicious at first and kind of implies Frodo may be a spy, and then when he hears his story and he's like Frodo, I pressed you so hard at first. Forgive me! It was unwise in such an hour and place. And this blows.my.mind. He wasn't even particularly mean or threatening to him in the beginning, he's just such a kind, considerate man, recognizing the kindness and honesty of another man. And they're all like that. Even Gollum starts slowly changing (for a short while) when he encounters Frodo because that's the thing about kindness and humility and grace, they are contagious. They transform people, even a creature like Gollum cannot be immune to that. Like, you may consider all this simple and basic and I get it but, hear me out. It is quite rare to see that in modern media and it is also pretty difficult to pull off in a way that is not corny and simplistic. It is mind blowing that you actually don't have to present the entire palette of human cruelty and vice in order to tell a compelling story, contrary to popular belief. Lotr does the exact opposite, and it is just beautiful and it warms my heart. Especially taking into consideration tolkien's pretty grim growing-up experience, him being a double orphan without a home, raised between an orphanage and a priest and having no family apart from his brother and then the war and then he almost dies and then he's poor as hell and then a second war and it all makes sense somehow. He writes to his wife who is also an orphan two days before the marriage "the next few years will bring us joy and content and love and sweetness such as could not be if we hadn't first been two homeless children and had found one another after long waiting" and, yes, yes! The love and sweetness just radiate from his work, the entire lotr series is a little radiant bubble of hope and love and grace that he imagined in his head to deal with a dismal reality and then he just gave that to the world, and isn't that what imagination and art is all about after all?

#i literally wrote this because faramir said 'forgive me' #like that was the inspiration here #terminal brain damage don't mind me #BUT #i have a point #i do! #i am cringe but i am free #i love these books so much #i love this man so much #lotr #the two towers #frodo baggins #faramir #gollum #the lord of the rings #aspa rambles #tolkien #aspa reads tolkien

[noneorother]

I went dumpster diving into the posters for Good Omens Season 2 and found a few pearls.

I found it odd that this season had SO MANY official posters. Hours and hours of work and real dollars from Amazon went into the production of these things. This one won a freakin Clio award. I know Neil confirmed he didn't have a lot of control of what went into these 21 (Or 22 depending on whether or not you count the umbrella piece that was made before season 2 shooting began. Personally I don't!) pieces, but I will leave no stone unturned, so here we go. I combed through every single season 2 poster I could find so you don't have to. Here's everything I've found so far:

1. The allegiances poster

After having watched season 2, knowing what we know now, this poster seems very much to me like a Game of Thrones style family at war image. We have a perfect mirror down the center, with Aziraphale/Angels/Nina&Maggie on Aziraphale's traditional left side, and Crowley with Beelzebub & Jim as reflections of Maggie/Nina, and Shax and Michael(?) as reflections of the three angels on the other side of the mirror. It seems unbalanced, unless you count the floating white head (conveniently watching in the background) as The Metatron...

Which means Michael is... not on the same side as Uriel and Saraqael? She's also grouped in with the Metatron and Shax, on the side of the demons. How very odd. Gabriel & Nina also have a mirror in that they've both turned their backs to the crowd. Gabriel is willing to go live with Beelzebub in hell, and shut down Michael's plan and the Metatron's scheming for a second Armageddon, so that literal turn towards Beez and away from everyone else makes sense to me. The Nina one however? Not so much from what we've seen. Why is she turning her back on the angels & demons? 2. The individual posters

Interestingly, the individual posters all line up pretty much exactly with the all the allegiances this season. You just have to look at the way the characters are slanted vs. how the backgrounds behind them are slanted. All 3 bookshop posters and all 3 street posters are slanting left, with their characters also slanting left. They are who they say they are, and they're on the same side.

Michael and Uriel have right slanting backgrounds, so odds are heaven is supposed to slant right. Uriel is following the rules and slanting right, but of all the characters on the posters, Michael is the only one really betraying the background slant, and is slanting left against her background. Something's up with Micahel. They're not on the same side as they claim to be. Saraqael is more mysterious, as the only one sitting straight, and the only angel to have a left slanting background. Shax seems to be slanting left with a left slanting background, which puts her in the same pose as Uriel, but mirrored. While Beelzebub is weirdly slanting right with a right slanting background, making them a bit of a traitor, like Michael. Shax, Saraqael and Michael have some explaining to do. Lastly, and I think mostly obviously, there's clearly a missing poster in the set. Why doesn't hell have a third green poster? Is it supposed to be the Metatron, and they didn't want to spoil the surprise? Furfur maybe? Why wouldn't poor old Furfur get a poster when he has more screen time than Uriel? I don't think this is very important other than it's funny : everyone single person is holding something in their right hand, except for Shax and Crowley, who are holding things in their left hands, and Muriel, who's holding fucking NOTHING. Poor baby Muriel lolsob. One thing I do think might be important is that there are 21 posters in total + 1 missing one. So maybe 22 posters for season 2? How appropriate. 3. The triple phone box

In both the Nina street poster and the group street poster, there's are a set of 3 red phone boxes down the street. We never see phone boxes in series 2. Seriously, not once. Every other detail in these ones is from Whickeber street footage: gumball machine, post box, newspapers, coffee sign, puddle, walking extras... The only thing out of place is those blasted phone boxes. As far as I can tell it's literally the only thing in all 21 posters that never appears in the show in some form, and this background plate is used for all the street posters, so the phone boxes are in quite a few of them.

4. Crowley is showing his good side, Aziraphale is always facing away from Crowley.

Crowley is always shown with his head tilted to his right this season, body tilted towards Aziraphale and always with long sideburns. Even in the illustrated poster his default is head to the right, sideburns long.

EXCEPT for this poster. This is the only time he's looking away from Aziraphale, and his snake tattoo is visible. And his sideburns are short. Either nobody noticed this or they refused to fix it. There's also the matter of Aziraphale facing his body away from Crowley in every single image except the allegiances poster, where they face each other. So cute.

5. The sneaky details posters

This one has: 1. Pride & Prejudice 2. Treasure Island 3. A tale of two cities 4. The Crow Road 5. Catch-22 9.

AND whatever the hell this photoshop artifact/invisible thing coming out of the scroll on Aziraphale's desk. I checked every version I could find of this poster and it's always there. It looks like someone tried to edit out something that was there and sort of got it mostly right. Which is completely ludicrous given the amazing amount of flawless photoshopping and collaging going on in this image. These are the magicians linking rings from the 1941 magic shop. Mystery solved!

This one has the yellow book on the bookstand, the record, and : 1. Only one clock hand on the grandfather clock, facing 6. 2. A feather duster on the floor (but weirdly it's grey not yellow). 3. The dark horse statue with Crowley's old sunglasses on it. 4. Aziraphale's bowtie ON THE FLOOR. What. Why. I can only conclude that in this poster either A) Aziraphale and Crowley have left these things behind (meaning no more bowtie for Aziraphale in season 3) B) They are currently not wearing these items somewhere else in the bookshop....

_____________________________________ I ran out of images. So the dome poster will have to be it's own post!

#good omens meta #good omens 2 #good omens season two #art director talks good omens #go season 2 #go meta #good omens season 2 #go2 #go2 spoilers #go 2 speculation #aziraphale x crowley #ineffible husbands #good omens s2

[yumeka-sxf]

Japanese Linguistic Observations in Spy x Family - part 2

Part 2 - Anya's "Anya-isms"

I think Anya has one of the most interesting ways of speaking out of all the SxF characters. But like with Twilight's dialogue that I previously discussed, it can only be fully appreciated in the Japanese version. Probably the most noticeable thing about her dialogue is how it's written compared to the other characters.

Written Japanese is comprised of three different alphabets: ひらがな (hiragana) and カタカナ (katakana), which together are referred to as "kana," and 漢字 (kanji). Kanji are the characters that hold the meaning of words, while kana simply represent the various Japanese syllable sounds and don't have any meaning on their own (much like the letters of the English alphabet). There are only about 100-ish total unique kana symbols, however, there are over 2,000 kanji in common use today. So Japanese children will start out learning kana and then learn kanji gradually during their school years. This is why Japanese children's books are typically written only or mostly in kana. This is also why manga and books aimed at a younger audience will have kana "translations" of kanji written above kanji characters, which are called furigana.

With that in mind, it's not surprising that all of Anya's dialogue in the Japanese version of the SxF manga is written entirely in kana. Even though using kanji in her dialogue wouldn't necessarily mean she knows kanji, reading a character's dialogue only in kana definitely gives off childish vibes – it conveys feelings of youthfulness and innocence, like "they're speaking only in kana because they don't know the kanji for these words…they're just a little kid, after all." At least, that's the feeling I get when I read Anya's dialogue. Though I haven't read enough manga in Japanese to say for sure, it seems like this concept of making little kids speak only in kana is not unusual, as there's at least one other example I know of: a manga from the mid-2000s called Yotsuba also has a titular 5-year old whose dialogue is written only in kana.

What's also interesting is that all of the other Eden kids speak "normally," using kana and kanji properly in their dialogue. This helps to convey the fact that, despite Anya being roughly the same age as them, their "rich family" upbringing has forced them to grow up faster. In the below panel, you can see how Damian's dialogue uses kanji (with furigana translations) while Anya's uses only kana, even for words that have kanji.

Interestingly, I found at least two cases where Anya does use kanji in her dialogue: when she's calling out the name of her big "Arrow of Light, Seize the Star" move during the dodgeball game, and when she calls out her "Lighting Bolt, Deliver my Aid" move when she tries to throw Yor's weapon back on the deck in the cruise arc. As you can see in the below panels, the names of these "moves" is written in kanji (with furigana translations). This makes sense not only because this is parodying shonen series where the characters shout out the names of their moves, but because it emphasizes how determined Anya was at these moments.

But going back to how Anya's speech compares to the other kids, another thing that stands out is that she speaks very "plainly." Her grammar is (mostly) correct, except for a few mistakes you'd expect a little kid to make. But she uses pretty much no colloquialisms, almost as if she knows the language but lacks the experience for using it in normal social interactions. I don't think this is unusual for a kid her age who's still learning, but it definitely stands out when compared to her classmates. For example, in the below panel, Becky uses normal interjections and other colloquialisms in her speech, like "ne" (ね), "wa" (わ), and "yo" (よ), which are all standard Japanese linguistic devices for softening or emphasizing your sentences. However, Anya doesn't use things like this in her speech. Again, this makes her speech come off as very plain and abrupt, almost like she's not a native speaker.

She also refers to herself in third person all the time in the Japanese version. In fact, I don't recall her ever using an "I" or "me" pronoun. I don't know why the English version of the manga doesn't keep this characteristic of her speech. I think it's very important in highlighting the childish aspect of her personality.

Putting all this together – the fact that she doesn't use typical colloquial speech and refers to herself in third person – really emphasizes the childish, naive, and almost baby-like nature of her character. I'm curious if Endo made her speak this way simply to show what a little kid she is compared to her classmates, or if it will somehow tie back to whatever roots she has in classical languages that he keeps hinting at. Regardless, as I mentioned in my full Anya analysis, what she lacks in speech and school smarts, she makes up for in empathy and resourcefulness.

Besides all this, Anya does make typical speech mistakes a normal kid would make, like mishearing words or saying things wrong. She mostly uses casual speech, but does try to use keigo (polite speech) on occasion, though not always correctly. For example, she says "ohayaimasu" (おはやいます) for "good morning" instead of "ohaiyou gozaimasu" (おはようございます).

But the most consistent "mistake" she makes (though it's not really a mistake) is what she calls Loid and Yor – "chichi" (ちち) and "haha" (はは) respectively.

Japanese has many different words for relatives depending on whether you're talking about your own relatives or someone else's, and whether you're talking to them or about them. "Chichi" and "haha" are the general, neutral terms for "father" and "mother," and are also used when talking about your parents to someone else. However, they're not used when talking directly to your mother and father. There are many other words for that, the usual ones being "o-tou-san" (お父さん) and "o-kaa-san" (お母さん), or some variations of these with different honorifics. Damian refers to his dad as "chichi-ue" (父上) which is very formal, while Becky calls her dad the actual English word "papa" (パパ) which is very informal and normal for kids to use. But again, "chichi" and "haha" are typically only used when talking about your parents, not to them the way Anya uses them. This started from the very first chapter where Loid asks her to call him something that sounds "elite." He originally suggests the very formal "o-tou-sama" (お父さま), but when Anya says "chichi," he doesn't bother to correct her.

Hearing a little kid call her dad and mom "chichi" and "haha" is kind of like calling them "my father" and "my mother" even when speaking to them directly – it's not wrong necessarily, just strange. But again, this serves to further emphasize the childlike nature of Anya's character.

<- Return to Part 1

Continue to Part 3 ->

#spy x family #sxf #spy family #spyxfamily #anya forger #sxf manga #sxf analysis #sxf meta

[icarusallusion]

One of the main reasons I've been so fond of Otasune since I first knew it was a thing was because I think they're genuinely one of the purest forms of love in Metal Gear.

Throughout the series we see horrible relationships between horrible people trying to get by and then that relationship gets dragged through the awful scenarios they live with, be it war, internal struggles, infidelity etc. Despite this common place struggle with so many other characters, we see Otacon and Snake steadfast loyal and healthy throughout every struggle they go through.

They may not be an official couple, but they will always stay the most communicative relationship even outside of shipping. I see people joke about how Otacon kind of bosses Snake around (especially in MGS4), but I always saw it as refreshing. In the series, there is so many times where x character does something horrendous and y character just sits aside and silently sulks about it.

But this doesn't happen, like at all, with Dave and Hal. There are many times where Snake doesn't think about consequences to his actions as a general rule of soldier, however Hal has never been a soldier. So when these things happen, Otacon tells him off and it's something Snake genuinely needs to hear. It's something human, away from combat. Because Otacon is one of the very few characters that talks to Snake as a person, as a human, not as a soldier or fucked up clone baby.

Snake has gone his whole life scrapping the bottom of the barrel to stop feeling so lonely, he flirts with every woman he sees, he attaches himself very easily onto superiors, etc. Snake is a man who has spent his whole life trying to appeal to people, to get the praise he was never allowed as a child. Otacon gives him the comfort he never got. While any military superior can say Dave is the best of the best. None will look him in the face and tell him he has to live to just live.

Hal also opens a lot of doors to Snake's own discovery about himself. While this next point might sound a little cringy, stick with me. People may joke about the anime interest Snake and Otacon share, but it always came across so genuinely sweet to me. Snake's only interests up until he met Otacon have been, stop feeling lonely and war. I think even part of his musher life and interests within sledding can contribute to part of this. I mean come on, not even a regular musher keeps 50 dogs in their house and dogs are a natural remedy to loneliness. But in all seriousness, David refers to the huskies as his only family and I don't see him connecting with any other mushers he works with, it reads as him wanting to not be alone while also still being so lonely. As well as how mushing is considered a more normal interest than being an otaku, especially in the early 2000s. Mushing is a sport, and being an Otaku was pretty much unheard of or hated. Watching this guy who has been stuffed full of war propaganda scream a dorky "falcon punch" and "ninjutsu" with his best friend is so heartwarming in a way.

As well as Otacon's whole meme turned question of "do you think love can bloom on the battlefield?" Is something that I think Snake needed to be asked. It's probably been something he's been thinking about. It is also one of the most human things Snake asked throughout the game. About finding love in fear. Otacon constantly prods into Snake's heart and brings out the good in him.

Not only does Hal open up a space for Snake to have genuine unashamed interests and show true pure humanity. He also shows off their childhood. Both Hal and David never got proper childhoods. They connect that with each other through cheesy animes, talking about uncertainty in love, finding out what life is all about, navigating feelings, and through that damn cheesy handshake hug. It's all genuinely pure and wholesome love that connects what they didn't get to explore in childhood with one another. When Snake opened that piss covered locker and saved Otacon, he brought his own salvation into his life without knowing it. The very presence of Otacon saved Snake. It's why MGS4 felt so depressing for me especially, the strain between Snake and Otacon left a hole in my little heart and made Snake feel even more hopeless.

I also want to talk about how Snake benefited Otacon.

Otacon begins as cowardly and timid, he's an incredibly insecure character that struggles to connect with others, probably stemming from the issues in his younger life. When he meets Snake, he's faced with someone he could relate to that has an outward appearance that makes him seem so much more confident than he is. Snake is not this, he's as insecure as Otacon. Indirectly, Snake is the whole reason Otacon gets on his feet to take action against terrorism, takes action to become a better person. Snake shows Hal that he doesn't haven't to be strong to do the right thing. Throughout time, Snake helps Otacon come to terms with his own self worth and issues.

In MGS2, it has one of my favorite examples. The infamous bro hug scene.

Before it, this is when Otacon allows himself to open up about his childhood, not even just Infront of Snake, Infront of Raiden too. This showcased such a development in his character because he's proudly talking about it, while even through tears he doesn't hide it anymore.

Did you know that during that scene if you pan the camera to Snake, you can see that he is crying too?

When Hal has a breakdown over his sister's death, Snake is there to comfort him as well as tell him how it is in bluntness with a hand on his back that he needs to save people. It isn't cold or callous, it's letting Otacon know that he has something worth fighting for after a loss like that. Then when they face one another, they embrace each other and Snake tells Hal that he believes in him. Hal spent a lot of time as a scientist, hoping for someone to believe in him, while Snake puts all of his belief into Hal.

I can never forget the iconic "You're the only god I can pray to, Otacon" line. Snake has a deep loyalty, love, and belief in Otacon that Otacon has never been truly given before.

They both, in turn love each other till the end of their lives. Their love was one of the most heart wrenching and beautiful things in Metal Gear Solid and it's no surprise it captivated so many people. Their relationship, whether you ship them or just see them as a bromance. There is no denying the love they feel for one another as friends or lovers is one of the most iconic and sweetest bromances out theres They have impacted so much pop culture and I love them forever, as I'm sure many of you do who read all the way to the bottom.

#mgs #otasune #metal gear solid #solid snake #otacon #hal emmerich #little sappy post sorry guys i love them

[cherrifire]

Please share your thoughts on the other 5 cutie marks, I'd love to hear!

Hi everypony! I got like 20 asks for the Dogwarts cutie mark lore so I'm here to speak my truth!

Before we start, I would like to write a quick reminder that a pony's cutie mark is not always their "special talent", but can also represent who they are, their personalities, and a possible destiny. Different cutie marks have different meanings and interpretations, but they're not just about representing what you're good at.

That being said, let's start with the cutie mark design I'm proudest of!

Ren's Cutie Mark

Ren's cutie mark is of a sunrise and looks pretty simple at first glance but there was a lot of thought that went into this one.

First of all, I bet you're wondering why a sunrise? Well, in the show, it is pretty typical for unicorns with great magical abilities to have one relating to space (examples being Twilight Sparkle, Sunset Shimmer, Starlight Glimmer, and Sunburst). And I figured since I wanted Ren to fall into a similar position of potentially becoming an alicorn, I gave him a cutie mark following the same trend. And I chose a sunrise to reflect the way Ren seems to glow when he enters a room. The way he carries himself is very warm and bright it just catches your eye in a similar way the sun would.

Also, Ren wears sunglasses. So a sun-themed cutie mark seemed appropriate.

Additionally, there are a couple of smaller details I want to point out too. Like the sun rays, if you look at them for a moment you'll see they're shaped like little crowns! I of course had to put a crown in thanks to how much Ren likes to play royalty, so I snuck it in there. And then the red spots underneath could both be interpreted as the sun reflected over water or blood. (But of course, this is a kid show AU so there wouldn't be any blood in Ren's destiny, just a fun reference to the red king and his whole thing about blood dyeing the snow red)

Martyn's Cutie Mark

I explained this one in an earlier ask but I thought I'd explain it again here for anyone who didn't see it!

Martyn's cutie mark is of a chopped log and a small stick.

This one is mostly a play on the name "Littlewood" but has other meanings too. As a character, Martyn tends to travel and explore quite a bit. In the Life Series specifically, he is usually the last one to find a permanent base and even then doesn't spend a lot of time in one place. Always on the move. Additionally, he's more of a wild card compared to other characters, always trying to be as unpredictable as possible.

The smaller detail here is the little swirl on top of the log is the same as the one on his Minecraft skin's shirt.

BigB's Cutie Mark

Cookies! Cookies! Cookies! BigB's cutie mark is of 3 cookies where one is trying to eat the others. There are also a few sprinkles there made to look like action lines.

We all know BigB loves cookies so of course I had to give him a cutie mark with cookies in it. For this one, I decided to follow the cutie mark trend of "symbol/item important to the pony duplicated 3 times" (examples being Fluttershy, Applejack, Rarity, Pinkie Pie) but I added a bit more creativity to it with the top on trying to eat the others to represent just how tasty they are 😋

Additionally, rather than the first cookie trying to eat the others, you could interpret it as opening its mouth to talk. Because BigB can not keep a secret to save his life! In Double Life when he started "secret soulmates" with Grian, he didn't last a day without opening his mouth. He told Ren about it immediately because he felt bad for keeping things from him.

Also worth quickly mentioning: People pointed out in my original post that they don't think BigB would be the element of honesty because of his behaviour in Secret Life. But that's just Secret Life. I think Secret Life to BigB was like that episode of My Little Pony where Discord makes the main 6 act the opposite of their true element. BigB was just going through a weird phase of telling very obvious lies because a book told him to.

Skizz's Cutie Mark

Skizz's cutie mark is of a lightning bolt from a couple storm clouds hitting the ground.

I think this is the cutie mark with the least thought put into it, unfortunately. There was still though just not as much as the others. The big thing I thought was fun was I made the lightning bolt shaped like an "S" to stand for Skizzleman. But other than that, this cutie mark sort of has the same meaning as Rainbow Dash's cutie mark. Quick like lightning, loud, bold, dangerous, and powerful.

Impulse's Cutie Mark

Impulse's cutie mark is of a lit-up lightbulb.

I absolutely crowded this cutie mark with the letter i. If you look closely, there are 6 of them. Impulse's design also has an i-shaped pattern on the belly if you look closely enough. But that's more of a fun easter egg and doesn't exactly reflect Impulse as a character.

There are a couple of reasons I chose a lightbulb for Impulse, the first and probably most obvious is that he's a redstone guy! He's a technical guy who likes to work smarter, not harder. So I figured the My Little Pony equivalent would be a light bulb/electricity. The second reason for the lightbulb is that it's usually used as a visual representation when characters have that "eureka!" moment in cartoons. When someone has a brilliant idea a little lightbulb turns on above their head. So since Impulse is the ideas guy, I figured a lightbulb would work for his cutie mark.

Etho's Cutie Mark

Etho's cutie mark is of a snowflake with a missing branch.

I promise there is more to this cutie mark than just "Canada is cold" even if that's part of the reason I wanted to give him a winter-themed cutie mark. While it is fun to make a nod to Etho being Canadian, I thought a winter-themed cutie mark would be fun to represent how he sometimes presents himself. Cold and a bit mysterious. I think deep down once you get to know him, those attributes melt away, but for people who have never met him, he may be intimidating that way.

I'll be honest, I don't watch a lot of Etho content, but I do have a few friends who identify as Etho girlies so I did my research. I was told in his Minecraft Let's Play World, that he has a snowflake build somewhere. I believe they said it was an iron golem farm? (Please correct me if I'm wrong) but I thought that was perfect for the cutie mark. And if you're wondering why there's a branch missing, it's because one of my friends said he was incapable of finishing builds sometimes so I thought that would be fun to include.

-=+=-

Alright. Rant over. To celebrate, here are a few pony doodles so I can put this post in my art tag.

#cherri.speaks #cherri.draws #trafficblr #my little pony au #renthedog #inthelittlewood #bigbst4tz2 #skizzleman #impulsesv #ethoslab #Third Life x MLP #mclp

[j4gm]

SPOILERS!!! REFERENCES AND EASTER EGGS IN F&C ep. 2: SIMON PETRIKOV

Let me know if I missed anything!

First of all the title sequence is fucking cool. I don't want to speculate about the various things we see in it, like the apartment getting blown up or the Fern tree growing into its 1000+ version, because I'm sure the show will get round to all that!

The first scene was an awesome reintroduction to the post-apocalypse, showing us the dynamic between Simon and Marcy. The button popping off Marcy's dungarees was a reference to young Marcy's first appearance, Memory of a Memory, when she removed one of the buttons herself to fix Hambo's eye.

Simon was show playing a live set at Dirt Beer Guy's tavern in Obsidian. It seems they've gotten to know each other quite well over the past twelve years. Dirt Beer Guy asks Simon if he's read his new book draft, about a character called Joe Milkshake who was first mentioned in the episode Root Beer Guy.

Despite the fact we saw Jake in the trailers, Finn and T.V. pretty much confirm in this scene that Jake is dead, and has presumably been dead since before Obsidian. I guess Bronwyn wasn't the only Jake descendant who Finn took on as an apprentice, but T.V. doesn't seem all that into it. The Finn and Jake we saw in the trailer are likely from an alternate universe that we have yet to see.

Finn uses his weed whacker to cut through these bushes. A nice way of showing he's fully recovered from his Fern guilt. The focus here is very much on Simon's problems instead of Finn's.

Finn parts with Simon to go and visit Huntress Wizard. The nature of their relationship remains ambiguous and I expect it to stay that way.

Simon has the Island Lady from The Party's Over Isla de Señorita in his phone. I guess they reconnected after he became Simon again. He also has Abracadaniel. I always liked Ice King's friendship with Abracadaniel and the rest of the Order of Giuseppe so I hope they're still friends!

Cute Bubbline scene. Back in the episode Bonnibel Bubblegum, Mr. Creampuff suggested he and PB get matching tattoos. Now she's (trying to) do the same with the girl she's chosen rather than some guy who was chosen for her! Also Marceline is using the same phone she's been seen with in a few previous episodes, including Go With Me and Be Sweet.

I think the flying human city is called Up-Ton.

Choose Goose! He keeps coming back! And he's evil now! People were joking about him being the antagonist of Fionna and Cake after that weird post-credits scene in Wizard City and the fact he was in hell in Together Again. I wasn't expecting that to actually come true. Glob knows why he's hanging out in a cage in Simon's house.

The pattern of GOLB's eyes is reflected in Simon's glasses during the ritual. He is doing the same dance that Betty was doing to summon GOLB in the finale.

Among the objects in Simon's GOLB shrine are the Farmworld Enchiridion, the flying carpet that Simon stole from Ash and was later frequently used by Betty, the crocodile clips that Betty used for her magic rituals, two effigies of GOLB, and what looks to be the shell of the snail who was seen throughout the original series.

In this credits sequence, Fionna and cake are dreaming about the mask being worn by the bear than Finn slew, and a butterfly with a smiley face on it. Perhaps symbolising Finn?

Tune in next week for episodes 3 and 4!

#adventure time #fionna and cake #easter egg posts

[thankskenpenders]

Sonic Prime Season 3: Final episodes, final thoughts

Well, here we are. The final seven episodes of Sonic Prime are out on Netflix, concluding the story of Sonic's adventures in the Shatterverse. I've previously shared my thoughts on the first and second seasons, which I was pretty mixed on, but there were still glimmers of hope. The fluid animation, Shadow being fun in all his appearances, Nine being fairly interesting as a jaded alternate version of Tails, etc. There was enough to make me believe that after some highs and lows there was still the possibility that this show could end on a high note - or at least a decent note.

This did not happen.

Sonic Prime's final season sucks. The ending sucks, and the road to get there sucks. It's left me wondering what the point of all this even was. There are still moments I like that I'll try to highlight, and the animators and voice cast are still clearly giving it their all, but these efforts sadly don't outweigh the overwhelming mediocrity of the story. I would barely even recommend other Sonic fans who are on the fence go out of their way to finish it. I won't begrudge people who got more out of this show than I did, but I think overall I just really, really dislike Sonic Prime.

...The problem, of course, is that all other discussion of the show has been overshadowed by needlessly hostile arguments over its place in Sonic's canon. So we've gotta talk about that, too.

(This post will contain full spoilers for Sonic Prime.)

The show's out of ideas but they've gotta stretch that shit out to hit the 23 episode mark somehow

Season 2 ended with the big twist that Nine decided to betray Sonic and Shadow, taking the Paradox Prism for himself so that he could go turn the empty world of the Grim into his own little paradise, since he doesn't believe he'll fit anywhere else. Nine has made himself the true big bad of the show.

The main impact this has is that now, instead of fighting endless identical Eggforcer bots and members of the Chaos Council over and over, the good guys and the Chaos Council have to fight endless Chaos Sonic-style robots sent by Nine while he goes "grrrrr I need Sonic's energy to stabilize the Paradox Prism." This continues for six whole episodes until the series finale, when the show decides it's time for Sonic and Nine to quickly make amends, fix everything, and send Sonic and Shadow home.

That's pretty much the whole season.

I cannot emphasize enough just how much of this final season is just fight after fight after fight against Nine's bots, and how fucking boring that gets. The season feels like one long, drawn out final battle that did not need to be nearly this long, but Nine had his big heel turn 2/3 of the way through the show and we've gotta fill up the rest of the time somehow. The novelty of the bots being based off of Sonic's friends (including the Chocobo-sized Birdie from the jungle world) really wears off quickly when they're just used as generic, silent mooks that the good guys have to fight by the dozen like it's the climax of an MCU movie. The first episode of the season with Sonic and Shadow fighting the new bots is pretty good, especially because Sonic and Shadow's dynamic is one of the few redeeming aspects of this show's writing, but after that it just gets boring. Three full episodes in a row are spent showing all the characters fighting robots in an empty wasteland while Nine scowls next to a big beam of energy. I found myself missing the in-your-face attitude of Chaos Sonic so much. He truly was one of the best parts of this show.

While the cast is busy fighting all these robots for what feels like an eternity, various things of varying levels of interest happen. There's a halfhearted attempt to have some kind of rivalry between Shadow and the main Grim Sonic throughout the final battle, but it completely falls flat because Grim Sonic has no personality whatsoever. It's like Shadow beefing with an above-average Egg Pawn. (Actually, no, that would be funny.) There's also a death fakeout with the two other versions of Tails, where they make a makeshift bomb and throw it a little too close to themselves on the battlefield and seem to get vaporized. If they had actually died there they would have had the funniest, most pointless deaths in the entire franchise.

I also realized at one point that they were trying to do the Avengers girl power fight thing with the three versions of Amy fighting a bunch of Rouge bots. This was very funny to me. Actually, so much of this is just following the tired MCU formula to the letter. Fighting over a macguffin, two armies just kind of running at each other and clashing in a big empty field, constant one-liner quips instead of actual jokes, the need to take out key targets to make the whole enemy army disappear, a villain who has a point but has to randomly hurt people so that there's an excuse for the heroes to fight him. When combined with how shit the multiverse stuff is, this whole show really is just Man of Action tackling some of the most played out storytelling tropes in modern pop culture in the most bland way possible. What a bunch of hacks.

By far, the one truly fun thing that happens in this protracted final battle is when a giant robot based on Big appears. It doesn't have arms or legs, but it can swing itself around to use its tail like a giant mace, and it can also shoot Froggy-shaped missiles out of its mouth. I wish the rest of the show was even half as fun as this. Again, Sonic Prime has just enough good moments to make you mad that the rest of the show isn't better.

The thing is, all this repetitive (but well-animated) action and the thin excuse plot would be totally serviceable if I just gave a shit about the characters involved. But I don't. I don't care what happens to the pirate version of Amy who goes "arrr." I don't care about what happens to Hipster Eggman. And unfortunately, by the end, I didn't really care about Nine, either.

Nine as a villain

It's hard to criticize the story here without it coming off as a broad condemnation of the tropes at play. The thing is, I like many stories that try to do similar things. I love clashes between heroes and villains that are really just fantastical exaggerations of more personal conflicts. I love stories where a tragic, sympathetic villain lashes out at the world as an expression of the pain they feel, and a compassionate hero just has to get through to them. I eat that shit right up. Undertale is my favorite game ever made. Shit, I love other Sonic stories that do these exact things. And Sonic having to fight an alternate timeline version of Tails also has so much potential for drama!

So I can very easily imagine a version of the show where all this works for me. That just isn't the version we got.

Like I said last time, Nine's motivation is just too sympathetic and understandable for his sudden turn to supervillainy to make any sense. He just wanted to start over somewhere where he can be happy after a childhood filled with bullying and loneliness. Nine betraying Sonic and stealing the Paradox Prism to go make his own world? That tracks! Especially since we don't even know if Nine will still exist if Sonic goes through with his plan to restore his original world! But trying to kill everyone in New Yolk City by tilting the world 90 degrees, intentionally targeting the civilian population because it'll get to Sonic? Nope! Sorry, that's a bridge too far. I don't buy it. He's jaded and antisocial, but he doesn't strike me as cruel. Writing in an excuse about him needing Sonic's energy to fix the Prism does not make this make more sense.

This was really just one of those conflicts where it felt like everyone should stop and talk it out. Instead we got six episodes of fighting before one of Sonic's many, MANY attempts at reasoning with Nine throughout the season finally works. This isn't me pulling some Cinema Sins bullshit where I complain about characters in a work of fiction not always behaving rationally - the real problem is that it's just so damn repetitive waiting for this conflict to resolve. This could have been wrapped up in two or three episodes and instead it takes seven.

A brief aside about that weird Dorkly-ass Sonic Advance 3 flashback scene hacked together with mismatched sprites where Gemerl happens to be present, presumably just because he's a part of the sprite for the Sunset Hill boss, and seeing him briefly makes me remember the extended cast from the games and how much I wish they had just made a cartoon about them instead of a bunch of stock characters wearing the skin of Sonic's friends, but then Gemerl just explodes with the boss machine at the end while Eggman is shown to get away so I guess Gemerl just dies in this flashback

Yeah that sure happened huh

The ending

Despite having a final battle that felt like an eternity, Sonic Prime is a show that just kind of... ends. And that ending is weird and haphazard.

The understanding I had was that Sonic's normal world had "shattered" when the Paradox Prism was destroyed, and from those remnants these new worlds were created. This is why they use terms like "Shatterverse" and "Shatterspaces" and why there's shattered glass/crystal/whatever imagery everywhere. This is a broken, fragmented version of the real universe. Right? Right?? Isn't that the entire premise of the show? And therefore, if the universe has been shattered, then fixing it means putting all the shattered pieces back together. Which I would assume means that the Shatterspaces cease to exist.

So, in the ending... Sonic's world seems to just exist as another Shatterspace. Restoring the Paradox Prism doesn't seem to combine the worlds or anything, it just fixes the broken portal to Sonic's world that exists alongside all the others. So... what exactly was the point of all the shattered glass symbolism?

Things only get more confusing as the ending progresses. Shadow brings Sonic through the portal before the draining of Sonic's whatever energy makes him disappear, and they're transported back in time to right before Sonic broke the Paradox Prism. Only Sonic seems to remember what happened (Shadow might remember, but he doesn't say anything), and with the Paradox Prism never shattered, it's unclear if the Shatterspaces exist now.

I'm not particularly hung up on the time loop ending. It's very much in line with all sorts of classic morality tales like A Christmas Carol or It's a Wonderful Life, where the flawed protagonist goes through some kind of magical experience and then returns home with a new appreciation for the people in their life. It's always been pretty obvious that was the type of story they were telling. I'm more bothered by the fact that there's no time whatsoever spent on whether or not the other worlds and the characters in them continue to exist. Sonic seems to act like the worlds will go on without him before he leaves, but it's not like we get an ending scene that shows how the other worlds are doing, so they really truly might as well not exist anymore. Sonic just wraps up the adventure from the first episode when he gets home, and before he can explain what happened from his perspective he's interrupted by a mysterious energy wave from off-screen and it's off to the next adventure.

(Despite this odd cliffhanger ending, the show is extremely over and not coming back. I have to imagine this is just a "the adventures never end" type ending and not a hint that more shit is going on with the Paradox Prism.)

This ending is also a terrible resolution to Nine's whole arc, despite him being the driving force of so much of the show. The way I see it, there are are three possible fates for him:

The Shatterspaces continue existing, and things go as Sonic expects them to go. Nine is allowed to make the Grim into his own little utopia, and everyone else leaves him alone instead of punishing him for all the trouble he caused. Instead of finding love and acceptance so he can heal from a lifetime of bullying and loneliness, Nine is allowed to run away, isolating himself from every other living being in the multiverse, and live alone as the god of an empty world with only his own creations as company. Sonic was his only friend, and he's gone forever now.

The Shatterspaces continue existing, but because of the time travel ending, most of the events of the show never happened. Sonic never helped defeat the Chaos Council, so they still control New Yolk City. Nine is back to living in this dystopian city with no friends. He never met Sonic.

The Shatterspaces have been erased. After fighting so hard for his right to exist as his own person and not just a "wrong" version of Tails, when the timeline is altered, he just... stops existing. Along with almost every other character in the show.

Do I even need to explain why these are all unsatisfying?

Misc. thoughts

I skimmed over this, but a lot of the final season is just spent seeing Sonic's friends bicker with the Chaos Council and then Sonic has to beg them to get along to save the universe. It gets old.

We also never really got an explanation for why the Chaos Council exists. They can't have come from other Shatterspaces because there ARE no other Shatterspaces. If the original Eggman was just split into five guys or time travel was involved or whatever, it never comes up. I can live with this, but it seems like an odd omission for a children's show that's constantly bogged down in technobabble explaining the mechanics of its extremely small and finite multiverse.

I have no idea where Shadow was for the first part of the final battle. I figured Nine must have captured him off-screen after Sonic first left the Grim, but Shadow was just... hanging around until his cue in the script, I guess?

Sonic saying "help a brother up" to Shadow was funny

Hipster Eggman pointing to one of the few nameless extras who tagged along for the final battle and going "Who are you? Seriously, does anyone know who this is?" was the only funny thing he did in the entire show

Mangy Tails randomly pressing buttons on the Chaos Council's generator like a curious animal and managing to improve its output was cute

Rusty Rose randomly realizes that the Birdie in her chest actually isn't being used as a power source, and that the Chaos Council was just... using that to manipulate her, somehow? I don't really know how that works but whatever

The Sonic Advance 3 flashback uses the actual boss music from the game, but they can't use the real Sunset Hill theme because they didn't wanna pay Masato Nakamura for using the Green Hill motif, I guess

To my fellow fans of bad games: did you know that Man of Action wrote the story for the bizarre Square Enix game The Quiet Man? The one where the lengthy FMV cutscenes play out with muffled audio and no subtitles because the protagonist is deaf, so you can't tell what's going on? And you had to do a New Game+ playthrough to actually hear the audio and understand what's going on? The worst-reviewed game of 2018? That one? I only learned that recently and it blew me away

So yeah, that's the end of the show. I didn't like it, and I don't think I liked the show much as a whole. I am far from alone in this sentiment, but the reasons why people dislike the show... those vary a bit.

The canon conundrum

More than anything else, it seems like most other discourse surrounding this show has been consumed by one talking point:

How can this be canon? Why is it canon?

I want to state very clearly up front that I, too, am a person who's noticed and complained about the inconsistencies with the games in Sonic Prime. Some of the characters are a bit off - or, you know, completely unrecognizable when discussing the writing of some of the AU counterparts. I think it's lame to say Sonic and friends all live in Green Hill and act like that's the entirety of their world. That sort of thing. But if Sega says it's canon to everything else? Sure. Fine. There's weirder shit in the canon.

Really, most of this can be explained away pretty easily. The show was written at a time when Sega was still figuring shit out and there were looser restrictions. Why does Sonic act a little more immature? Probably just because Prime is aiming for a slightly younger audience than the games or the IDW comics. (And also it's, y'know, written by Man of Action, who people have accused of only knowing how to write one kind of protagonist for years.) Why do Sonic and friends live in Green Hill? Because that's the most recognizable location from the games, and the game world doesn't get enough screentime to justify modeling multiple different environments, so they just focus on Green Hill. Why is this considered canon to the games? Because this is the first Sonic cartoon that outright references events from the games as things that have happened to Sonic in the past.

But announcing early on that Prime would be canon certainly let fans' imaginations wander. It was one of the few things we knew about the show before it premiered. People wondered if characters from the games and comics who had never made any appearances in Sonic cartoons might get their time in the spotlight. We wondered if it would tie into the lore or any existing storylines in interesting ways, like the IDW comics do. But above all else, we hoped that its canon status would mean that Sonic Prime would finally be the Sonic cartoon that was faithful to the source material with no catches. We've literally never seen the actual world of the games brought to life in a TV show. Sonic X came the closest, but that still took its liberties. And so hype built for this Canon Sonic Cartoon.

And then it actually came out, and after a brief intro in Green Hill based loosely on the games, it spent most of its running time focusing on things like "what if there was a version of Eggman who was a bratty teen who just wanted to play video games?" The disappointment among fans is understandable. I am disappointed. Look at how much I've bitched about this aggressively mid cartoon.

Some fans, however, came up with an elaborate theory about the series. You see, when asked about the show's place in the game timeline during a live Q&A, Ian Flynn (who only served as a consultant on Sonic Prime and did not write any of it) said this:

"I cannot answer because I know the answer, and you haven't finished watching the show yet."

A couple days later, when answering another question about Prime's place in the timeline and also about a writing discrepancy, he said this:

"As to where it fits on the timeline, I can't speak to it because that would spoil the show to a degree. So you're just gonna have to wait 'til it's done. Towards the other point, I don't know how much I can say, so it's probably better that I not comment. That's a really dissatisfying answer, I know, I'm sorry, but my hands are kinda tied on that one."

I feel the need to quote Ian directly here, because these very basic statements about how he can't talk about behind the scenes shit or anything from unreleased episodes was GREATLY misinterpreted by the fandom. People clung onto Ian's claim that we had to keep watching like a life preserver. Some took it as Ian saying that the ending would explain everything. Finally, we'd have a definitive answer for every little discrepancy and the apparent differences in worldbuilding. An explanation for why Sega and the producers repeatedly insist this show HAS to be canon.

And to these fans, the only explanation that made any sense... would be if the ending of Sonic Prime pulled a Flashpoint.

As this theory explained, the Sonic we were following in Sonic Prime wasn't the Sonic we know from the games and the IDW comics, and likewise the world he comes from isn't really the game world. This is a different Sonic who fights a different Eggman in a world that's literally just Green Hill. It was a hint that something was off all along! But in the end of the series, this Sonic would sacrifice himself to merge all of the Shatter Spaces together and form a brand new world, and that would be the more visually diverse world of the games and comics. According to this theory, Sonic Prime was canon because it was a new origin story for the entire franchise.

I want you to really stop and think about how asinine of an origin story this would be. Really drink this in. The idea that there was another, slightly different version of Sonic who went on a kinda shitty multiverse adventure and then sacrificed himself to create the real Sonic that we've known since 1991. People convinced themselves this made more sense than the simple explanation that a different team of writers got some stuff wrong and Sega didn't make them change it. Interviews where producers talked about drawing on Sonic's "mythology" (ie: they reference the games in the show) were taken very literally - they must be saying that Prime's story is mythological in nature, and that this show would be integral to the games' mythology. Why bother making a show that's canon if it's not going to be crucial to that canon, after all?

The final episodes dropped, and none of this happened. Because of course it didn't. It was all Sherlock fandom-level copium. But fans were left confused by the lack of a grand reveal of where Sonic Prime fits in the timeline, believing they had been promised this, and they turned to Ian for an explanation. Ian's answer:

It doesn't matter, b/c Prime wipes itself out. It's sometime after Advance 3*, but otherwise, it's moot. I didn't want to sour anyone's expectations or investment by spoiling how Prime resolves, that's all. If you enjoyed it, awesome. Savor it. If you didn't, then you can safely ignore it. Simple as that.

* About a trillion people have um, actually'd Ian to point out Orbot and Cubot briefly appear in the show, but if we're really being pedantic here we don't actually know how long before Colors Eggman built Orbot and Cubot, so it wouldn't be fully accurate to say a story featuring Orbot and Cubot couldn't be set before Colors. Either way, a story set anywhere around Colors, or at any point later than that, could still be described as "sometime after Advance 3." Advance 3 is just the most recent game that has specific in-game events referenced in the show. Yes I can feel myself morphing into the nerd emoji before your very eyes

Anyway, this is the latest reason Ian is getting death threats on Twitter. This time it's over a show he barely even had any input on!

I'll cut to the chase. It is truly wild to me that people are getting this heated over canonical inconsistencies in a series as historically inconsistent as Sonic, to the point that they think threatening Ian is justified. The aesthetics of the entire world Sonic inhabits change every other game. Sonic Chronicles may no longer be canon due to the Penders lawsuits, but it was canon at one point, and it took huge liberties with Sonic's world, moving Green Hill off of South Island and reinterpreting Station Square as a tiny outpost in a snowy alpine forest region. Characters' personalities change from writer to writer and based on what Sega wants at the time, with some being WILDLY different across different games. One game Sonic will be stoic and cool, the next he thinks "Baldy McNosehair" is the funniest thing ever. Sega's STILL trying to figure out what Amy's personality is supposed to be. We still don't have the explanation for how the two seemingly contradictory backstories for Blaze can fit together. There have been multiple huge, sweeping retcons, and retcons to those retcons. Sonic Forces claims that Classic Sonic is from an entirely different universe than Modern Sonic, and the plot only makes any sense if that's true - otherwise, Modern Sonic would have already known Eggman was going to beat him and take over the world when he did, because his younger self had already lived through that war. All of that makes no sense in the newly reunified timeline, but Forces is very much still canon.

For fuck's sake, we're talking about the series where Eggman blew up half the moon and then it looked completely normal in every other game after, explained away as "the moon just rotated so we can't see the destroyed side from Earth." This has never, ever, ever been a franchise where everything lines up perfectly with no issues. It's not that serious.

The real core problem with Prime isn't that things don't line up 100% with our current understanding of canon, or that Sonic's characterization means this can't be the real Sonic, or anything like that. The problem, as I've been saying this whole time, is that the story is bad. None of these discrepancies would truly matter if the story was better. They'd just be nitpicks. The fact that Sonic and friends live in Green Hill would be the farthest thing from my mind if the drama was more engaging, if the villains were better, if the jokes were actually funny, if more of the alternate universe counterparts of Sonic's friends had more than one generic character trait each, if the multiverse was more creative and varied, if the final seven episodes of this show didn't devolve into the third act of an MCU movie and then just arbitrarily end, if Nine's character arc actually had a satisfying conclusion instead of ending with either isolation or nonexistence. Maybe we'd be seeing people talk about more than just whether or not it should be considered canon if the writing was any good.

"Canon" is not real, and it sure as hell isn't worth sending people death threats over. It's a storytelling tool. Real human beings decide what does and doesn't go into that canon, or how much they do or don't want to draw on past stories, when creating a new story. Serving that canon is secondary to creating a story where the emotional truth resonates with the audience. And Sonic Prime failed to do that. That is its true failing.

And finally, to close out...

Since people will ask, here are my current ranking of the Sonic TV shows, now that Prime is finished.

Sonic Boom

Sonic SatAM

Sonic X

The Adventures of Sonic the Hedgehog

Sonic Prime

Sonic Underground

Yes, I'd say Boom is my favorite. It's far from my ideal Sonic cartoon, but it gets a lot of points for being as funny as it is. But the top four are all shows I'd say I like, more or less. They all have their pros and cons.

So now, uh... I guess let's hope the live action Knuckles show coming to Paramount+ is better than the underwhelming synopsis of "Knuckles helps deputy sheriff Wade train in the ways of the echidna warrior" would imply? Maybe we'll get lucky?

#tkp post #other media

[quasi-normalcy]

Which Star Trek series should you start with?

The Original Series: Advantages: + The one that started it all + Has some sophisticated and socially conscious science fiction that has held up exceptionally well + The lead characters all have really good chemistry and fun to see play off of one another + It's what most people probably think of when you say Star Trek (together with TNG) Disadvantages: - It can feel very dated and kind of sexist, particularly in its treatment of women - The sci-fi and social commentary may have held up, but damn it, the special effects really haven't - When TOS is bad, it's really, really bad.

The Animated Series: Advantages: + Basically just more TOS. Disadvantages: - Basically just more TOS, but substituting extremely cheap animation for bad special effects

The Next Generation: Advantages: + Probably the most popular one at this point + The crew is full of interesting characters and they're fun to spend time with + Just really smart people solving Space Mysteries + Socialist space utopia + Geordi-And-Data! + Lots of cool sci-fi concepts and social commentary + It's what most people probably think of when you say Star Trek (together with TOS) Disadvantages: - Although not in the same way as TOS, it can feel dated at times, particularly in terms of its treatment of women and it's near complete refusal to acknowledge queerness - Without wanting to bias viewer opinion, the first season is widely considered to be pretty bad - The series makes no bones about the fact that the socialist space utopia is better than every other society that has ever existed and will reiterate this point over and over again

Deep Space Nine: Advantages: + The most popular Trek series on Tumblr + Has a complete story arc, as well as arcs for all of its characters, including the extremely minor ones + Plain, simple, Garak. The humble tailor. + Garashir, if you're into that + Seriously has a really sophisticated treatment of things like post-colonial politics, anthropology, worldbuilding, and the horrors of warfare + Just the characters in general + Is the only Star Trek prior to the 2010s to even look meaningfully at queer representation Disadvantages: - Has an absolutely massive inferiority complex with respect to TNG and this drives a few poor writing decisions that seemingly exist just to poke the Socialist Space Utopia in its eye - Introduces a space religion and then just slowly turns it into Christianity with the numbers filed off - Seems to think that sexual harassment is just a quirky eccentricity - There's no women in its writers' room, and frankly it shows

Voyager: Advantages: + Probably the clearest instance of found family in space + Lots of really good episodes + Lots of fun new characters + Strong female role models + "Set a course...for home." Disadvantages: - Continuity? I never knew her! - Probably about 90% of Trek's reputation for technobabble comes from this one series - Even less queerness than TNG. - Only like...3 characters actually get arcs. - The first few seasons lean very hard into bullshit fake "Native American" spiritualism with one of the characters - How do these guys have warp drive but can't find any water?

Enterprise: Advantages: + Chronologically the first series + 90% less technobabble + The only series to plausibly frame our heroes as astronauts...on some kind of...star trek. + Still has probably the best production values of any series + Makes alien cultures of the week feel somehow richer and deeper than other series + Faith of the Heart is good, fuck you. Disadvantages: - Oh my god, the decon scenes - Seriously, if you've ever wondered what a "sexy" series written by a 14 year old boy who's only ever seen a bit of scrambled softcore porn on late-night cable would be like, this is the show for you - Somehow feels more sexist and racist than the show from the '60s - Seriously, the POC characters mostly exist to fill seats on the bridge; the women constantly have to undress themselves - Hellooooo, Bush II-era political analogies - Scott Bakula is a good actor but you wouldn't know it from this series - In season 3, they add a tambourine beat to Faith of the Heart and ruin it

Discovery: Advantages: + Noticed the lack of queer characters in the first 50 years of Star Trek canon and decided to make up for lost time + Seriously, the "Bury Your Gays" tally for this series is like...negative two + Just incredible representation in general + Some really good science fiction plots, particularly in later series + Some really fun, memorable characters + It's still running, so it has an active fandom on Tumblr Disadvantages: - Makes Elon Musk out to be one of the great visionary geniuses of history - Not really representative of Star Trek as a whole - The series swerves wildly in tone because of constant, behind-the-scenes churn in the writers' room - Offputtingly grimdark first season - Let's be honest, none of the season-long arcs have actually had satisfying conclusions - Half the cast feels like it's just there for exposition and to be killed for cheap drama

Picard: Advantages: + Has the best dramatic acting of any Star Trek series by a fair margin + Has the best musical score of any Star Trek series + Introduces a whole crew of fascinating new characters + Introduces all kinds of fascinating transhumanist concepts + AGNES. JURATI. Disadvantages: - You know all of those fascinating new characters that I mentioned? Yeah, it unceremoniously gets rid of all of them to bring back the old TNG gang. - You know that all of those fascinating transhumanist concepts that I mentioned? Yeah, it gets rid of those too so that to give us some generic action - Oh my god, someone teach the set designers to operate a fucking light switch - Grimdark - Nossssstalgia - Each season is basically unrelated to every other season - Depends so heavily on TNG that its final season is basically unwatchable if you haven't already seen a 30-year-old TV series

Lower Decks: Advantages: + It has probably the most efficient storytelling that I've ever seen; seriously, it's incredible how much it can fit into a half hour episode + It has a bunch of delightful, archetypical characters you get to know and love + You like hanging out with these people + The ship is kind of crap and you will learn to love it that way. + Basically a sitcom version of TNG. + Has a big fandom on Tumblr Disadvantages: - The art style is pretty Rick & Morty-ish - It takes most of its first season to really strike a good balance between being a sitcom and being a Star Trek series - The main character, Mariner, is kind of unlikable for the first season or so (she gets better) - Lots of callbacks to other series (though always either incidental or clearly explained) - Given that it's the first Star Trek sitcom, the comedy is honestly kinda the weakest part? Subjective I know.

Prodigy: Advantages: + Absolutely gorgeous to look at; the most visually stunning Star Trek by quite a ways + Lots of fun new characters on a cool ship + Gives you clear on-boarding notes to the Star Trek franchise if you're watching it for the first time + Can be watched on its own, but also works as a direct sequel to Voyager and a prequel to Picard (making both of them retoractively better, in fact) + Kind of like the Clone Wars or Rebels of the Star Trek universe, I guess? + Found family in space! The next generation! + Soon to be running on Netflix, so if you already have a Netflix subscription, you don't need to pay for another service + Written for a younger audience. Not necessarily an advantage, but nice if you happen to like family friendly animation or YA. Disadvantages: - *sigh* You basically need to pirate it. Thanks, Paramount. - Has a second season that we may or may not ever actually get to see even through piracy. Thanks, Paramount. - Isn't airing on the same streaming service as all of the other ones. Thanks, Paramount

Strange New Worlds: Advantages: + Basically what the original series would be if it were released today, rather than 57 years ago; all of the cool, socially consciousness sci-fi adventure, none of the weird 60s sexism + Fun, awesome characters you get to like spending time with right away + Incredible visuals + Nifty sci-fi concepts, mostly without the 90s-style technobabble Disadvantages: - A huge cast with only ten episodes a season, so many of them feel underdeveloped - Unfortunately, a bunch of its characters are younger versions of the characters from The Original Series, and they hog most of the spotlight; and the characters whose futures aren't locked in stone are kind of treated as disposable - In general, it needs to spend less time being a prequel, and more time being its own thing - "What if Starfleet ran into the Xenomorphs from Alien?" "Well, they'd probably kill them." "Okay, let's spend several episodes on this."

#star trek #tos #tng #ds9 #voy #ent #tas #dsc #pic #lwd #pro #snw

[sanji-piss-hell]

ZOSAN FIC REC

Here is some of my fave zosan fics. Some of these I read years ago and so I don't fully remember what theyre about but they we're good enough that I still have strong emotional attachments when I see the name. Most of them are things I've read recently. Literally all I do all day is homework and have an app tts fanfics to me like an audio book so there's quite a few of recs here. I am not the best at summeries but just trust me bro these are GOOD SHIT. I only provide the best. What I consider a good fic: - Takes place in the one piece world (I don't like modern aus) - Characters stay in character or if they do have changes from their canon portrayal there is a justifiable reason from within the story. - Solid story telling and arcs (even the shorter fics) - The Zosan dynamic is kept mostly how it is in canon they fight and bicker. (I know some like when they're soft with eachother like a loving married couple. You won't find much of that here) - Some of these have pervy sanji, que nose bleeds and ogling. With that out of the way here's the list!! Now to my fave zosan fic of all time and ironically enough the only fic taking place in a modern setting: Life is fine series. TW: Drug abuse, heavy angst, depression I have reread this twice and forced a friend to read it too. It is so amazing not just for the zosan but for the genuinely good story telling. You follow zoro reeling from his sudden loss of relationship with Sanji and falling down a...Well uh, path. It's fucked it's dark it's depressing and its fucking riviting. Alot of the time reading this you're just like WHY DID SANJI LEAVE HIM WHAT IS GOING ON??? Honestly I need to reread this again. Onto softer fics to heal your heart after that one: Honor in limits, his strengths in weakness By Hawksbrood

“Fucking hell cook, what happened to you?” Zoro demanded, voice low so as not to disturb the others sleeping nearby.

Sanji rolled his eyes. “What do you think? I told you we got in a fight earlier.”

“Not that, your fucking feet!”

The cook snarled at that, crushing his cigarette in his teeth. “What the fuck do you mean, my feet? They’re just feet!”

Zoro’s eyes widened, looking at the bruised flesh before him. This wasn’t that.

This was just so good and cute. I appreciate watching zoro appreciate sanji. They take care of eachother but in a way where theyre both still them yeah know? I appreciate how sanji is written letting himself be vulnerable but understanding that he's always gonna be crass cause it's just a part of who he is.

come on, come on (turn a little faster) by donutsandcoffee

The one where everyone thinks they’re dating, Sanji is oblivious, and Zoro takes everything in stride.

Sometimes a love story can go in reverse.

I reread this one recently and it's just soft and sweet. I like watching sanji flounder around. The gay panic is great.

a complete guide to falling in love by ThousandSunny Sanji was trained in the Bridal Arts; this does not go unnoticed by the rest of his crew. I read this like 3 years ago and I dont remember much but I do remember loving it!

Part Timer By 8ball Sanji really, really doesn't want to give Zoro a job at his restaurant. Zoro doesn't really even want to work there in the first place, but, well, there’s this thing with Sanji, and this thing with feelings and the whole thing is pretty damn stupid all together. Zeff just wants grandkids. He’s too old for this bullshit anyways. I am sure everyone knows 8ball very well they're like zosan famous but still just in case this one is really fucking good. Also read this 3 years ago so I don't remember much but I consider this a zosan classic. Onto the rated R Grand Buffet by asyndese Drunk fic!! If there was one thing Zoro knew, it was that you could always trust Sanji's inclinations to do a beautiful 180 as soon as he was drunk. Luckily, Zoro was more than equipped to handle it. I spent. 30 minutes. Trying to find this fic again because that's how much I loved it. It altered my brain chemistry. Sanji getting a nose job during sex is just. aaaaaaaaa. Read it. Cannot suggest enough. Horrors not yet known by Trixree

Sanji doesn’t know how he didn’t notice it before, is the thing. Of all the times he has seen Zoro shirtless (in battle, mostly) he just… never noticed. The problem is, once he has noticed, Sanji can’t seem to stop noticing. And neither can anyone else.

In which Zoro has a nipple piercing and Sanji has a Problem.

I recently reread this and the first time I read it I didn't really get the whole gender sanji shit. Now though???? Yeah another fic that rewired my brain chemistry. This fic opened doors for me it exposed me to a new world. Also sanji gay panic is in here and I live for that. It can be pretty raunchy (love that too) Three rounds with a tiger by KobochaKitsune Another drunk Fic!! also in modern times damn maybe I lied sdklfj

Liquid courage, drunken decisions, terrible euphemisms, and texts from last night, or: how to think entirely with the booze (and your dick) for once.

Or: By the time Sanji got to the party, everyone was already drunk.

I read this 3 years ago (theres a trend going on can you tell??) It also rewired my brain chemistry (from this point on just assume all of these nsfw fics rewired my brain chemistry each of these opened doors for me. This one opened the doors to bottom zoro.) Fucking 20k words of just pwp. I dont even know how the author did that bro like damn. Nature of things by stark_black Tw: Sex work and prostitutes When the Sunny docks, Sanji and Zoro sometimes seek out relief in some not so savory places. After crossing paths in town on more than one occasion, the two find they have a lot more in common than they would like to admit. I hunted this down for like fucking hours a couple of weeks ago because it was that good. Stark_Black has a fucking library worth of zosan fics this one is a classic to me. But if you want more content check out his other fics I think they have like over 100 zosan its kinda insane. Coregasm by Yakarmi

Sanji discovers that sometimes, Zoro has orgasms while he lifts.

-----

“You…” Sanji trailed off, gaze turning down as he licked his lips. Pink tongue darting out nervously. “You orgasm when you exercise?”

Zoro clenched his jaw. Shrugged. Trying to act nonchalant.

“Sometimes.”

Sanji’s eye went wide, and like his mouth had suddenly been liberated from his brain, blurted out, “that’s so fucking hot,” before clamping his hands over his mouth. His cigarette fell from his mouth, bouncing soundlessly on the ground.

Bro bestie, the way this put me on nose bleed Sanji. Perv sanji. I need that gif thats like mmm cause man this is good. Ending this fic rec with a BANG we have

Contingencies and Congruencies by PeaceSignDisasterBi

Somewhere between finishing the bottles of alcohol and mugs of beer, the crew comes together to create a contingency plan for something that may-or-may-not-happen during their time on the Grand Line and beyond. Usopp thinks it's more likely than bumping into zombies, Zoro wants to stay out of this, Sanji is just going with the flow, and Nami may or may not keep things legally binding and above board with consistent consensual acquiescence. Robin finds it all amusing.

The damn chart stays in the locked drawer in her desk, split into three neat categories: Devil Fruit Powers, Science, and Magic. Each represents whatever they're hit with but also categorizes the amount of self-control the person has during.

AKA: 5 times Zoro and Sanji had to help each other as Consensual Helpers of Dubious Consent + 1 Time There Was Nothing Dubious At All

Ok this is 152k long its pretty insane. It regoes over the arcs so throughly so carefully that I literally had to question my memory because I havent experienced alot of these arcs in a while (it's one of the reasons im rewatching one piece). I will say despite how amazing and well written this is I had a hard time comprehending sometimes. now I was sick at the time of reading this so that might be why but sometimes the way things were phrased felt like yoda talking. I think it's just me though. I'm not used to big words :( And thats a wrap!! These arent even all the ones I wanted to include I have at least 20 more off the top of my head but I'll save that for another day. I hope you find joy in these fics Like i did I'll def do another one of these as cause I didnt even touch my sanji centric fics or germa 66 or just in general the best sanji fanfic writers. (Mentioned some of them like 8ball, thousand sunny and donuts and coffee.) Best of luck to yall and let me know what you think!

#one piece #sanji #black leg sanji #one piece sanji #vinsmoke sanji #one piece zoro #roronoa zoro #zoro #zosan #one piece zosan #op zosan #zosan fanfic #zosan fic #zosan fic rec #fic rec #one piece fic recs #sanji fic rec #zoro fic rec #8 ball #donutsandcoffee #thanks for stopping by!

[ayabeanworks]

Title: Can I meet you again?

Synopsis: AU in which Geto does not defect, but you do instead.

Character: SaShiSu x reader

Series: Let's Meet in the Spring (SaShiSu x reader)

Notes: Literally just heavy angst & sadness. Mentions of death, murder, suicide and reincarnation. Heavy themes. Lots of swearing. Spoilers for JJK season 2 (anime).

Part 2 available here!

Prequel available here!

AU sequel available here!

The songs I had playing while writing this was: - Hero by Alan Walker (Probably played this one the most that it's at the top of my repeated songs Spotify list ☠️) - Apollo (Eurovision ver) by Timebelle - Dancing With Your Ghost by Sasha Sloan

"Oh?"

Shoko stared at you as you waved at her with a bright smile, brows raising in surprise as she took out a new smoke in the Shinjuku smoking area.

You made your way over to her, finding that she wasn't pushing you away. It was good to see a friend after a while, but you weren't too sure if you had that privilege anymore.

For you, you were testing the waters.

"Hey, Shoko." You took out a lighter from your pocket, one-handedly opening it for her to light her cigarette.

"Fancy seeing you here. You need something from me?" She glanced into your direction, taking a shallow inhale and extending her exhale.

You hummed in reply. "Just testing my luck."

"So, just to be sure, are the claims false?"

"Unfortunately, they're true." You could only bring yourself to shrug lightly, looking ahead. From your peripherals, you could see her taking out her phone to call the others.

"Just to be sure again: why?"

"I want to create a world where jujutsu sorcerers don't have to struggle." You didn't elaborate.

"Wow, that's funny!" Shoko laughed lightly, but there really wasn't anything humourous behind it. It was as if she was contemplating asking more. After all, everyone and everything struggles, so what is this righteous talk from you?

"Do you think I'm wrong?" You asked, hearing the faint ringing of her phone as she waited for one of the others to pick up.

"Right or wrong, it was dumb." Shoko didn't even hold back on her words, making you genuinely laugh at how frank she was, regardless had you been granted a bounty.

"Gojo, Geto, [name]'s here with me in Shinjuku." Gojo seemed to say something on the other side, but Shoko retorted, "No way! I don't wanna die." She hung up after conveying her message.

"So, what will you do now?" She turned to you, exhaling a puff of smoke into a ring above her head.

"I don't know. I might see you around, I guess." You took a step forward, facing her. "See you later, Shoko." You knew Gojo and Geto would be here at any moment, but you didn't know if you wanted to face them.

Shoko didn't say anything in response, just watching as the ashes fell from the cigarette between her fingers.

You didn't see, but it was the first time Shoko has made an expression where she was at a loss of what to do.

And, that was the last time you saw Shoko.

"WAIT, [NAME]!" Satoru bellowed out to you as you walked away, in front of the KFC you all used to go to until recently.

He caught up pretty fast...where's Sugu? You sensed his curse energy, but you weren't sure where it was. As for Satoru, he was only a few metres away from you down the slope of the street.

You sighed inwardly, ready to face him. "'toru."

The nickname you usually call him by hurt him more this time around as he registered how unaffectionate your voice was, contrary to the usual. It was devoid of any emotion. Like you didn't care about what you left behind. Like you didn't care about him.

"Explain yourself, [name]!" He demanded, sunglasses further down his nose as he watched you with wide eyes full of emotions of all kinds, but you mainly picked out disbelief and anger.

"There's nothing else to say. You've heard from Shoko." You stated, watching the twitch in his face as he evaluated your dismissive answer.

"So you'll kill anybody who makes life hard for Jujutsu sorcerers? Both sorcerers and non-sorcerers?" Satoru's voice rose in anger.

After all, you did kill an elder a week ago. It was the one that'd been annoying you since forever, the one who tried to get you purposely killed each and every time you went on a mission. Killing him was much easier than you had imagined, though.

"Well, if natural selection isn't going to do anything, I might as well do it instead." You crack a light joke, but your words were serious.

"That's not what I'm asking! I thought you were against killing if there was no meaning to it?!"

"There's a meaning behind everything. A purpose, even."

"No there isn't! You want to make a world where Jujutsu sorcerers don't suffer? That's impossible!"

"Satoru's right, [name]." Geto spoke from behind you, his voice wafting through the air as he went to stand closer to Gojo as he faced you. "There's a purpose to everything, but there's a better way of doing things than say, homicide. Especially for us in the Jujutsu world."

You wanted to scoff. But, you couldn't, because you used to be that way, too. But everything ate away at you, and you just weren't the same person anymore with the same aligning morals. You chose to go down the path you've decided to go down, even if it meant deserting everything you knew before.

"Is it really impossible?" Your voice was light, but the lilt in it was undeniably laced with seriousness. "I wouldn't do this if there was a shred of impossible in it."

The alarm on their faces was really something.

"[name]...you'll need to fight us if you keep going down this path." Suguru spoke his words deliberately, slowly, like he was getting a child to listen to him. He was careful.

Satoru clenched his teeth and fists. He wanted to say that it was impossible yet again, that when you fight them, you'll lose. But, you knew that. You knew, so why?

"Wow, I'll get to fight the 2 strongest sorcerers!" You clapped your hands together once, a smile on your lips, one that didn't reach your eyes. "Maybe so, but you're not my targets. There's some smaller fish compared to you I must get rid of first."

"Why?" Geto voiced both Gojo and his thoughts, a quick glance at Satoru knew he wasn't going to be able to hold a proper conversation without shouting.

"Why?" You echoed his question. "Well, for starters, we're treated like shit, in both worlds regardless sorcerers or non-sorcerers. Do you remember? The elder I killed, he was truly one who deserved to die. The number of times he ignored protests, warnings and more...killing off our sorcerers one by one, do you really believe someone like him being alive is worth all that struggle? For him, he deserves to die for that alone."

Geto was about to open his mouth after a thought, but you interrupted him. "Also, he was a paedophile so he deserves everything that's come his way. The world needs none of those disgusting pigs."

You couldn't forgive him. You couldn't forgive such a disgusting creature existed. When you found out the information coincidently, you knew you had to do something about it.

The anger in your eyes was juxtaposed by the small smile on your lips, one that was almost proud of what you did.

Satoru couldn't contain himself any longer, "Yeah, he was a fucking piece of shit, but killing him? That's made you one of the sorcerers we've got to kill! You're to be executed on sight! You're a hypocrite, [name]. Are you trying to get all the sorcerers you want to protect to come kill you?"

You watched him as he heaved a breath, his eyes feeling heavy on your form as he tried to convey his distraught to you about the whole situation.

You barked out a laugh, a hand landing on your hip as you stared at him, no trace of the smile on your features anymore.

"Hypocrite?" The question lay on the tip of your tongue, before you let out a low chuckle, feeling your throat go dry. "Perhaps you're right; I am. I am a hypocrite who wants death as much as those geezers who send us out to kill ourselves."

"Oh, and you forgot one detail. I don't care about sorcerers and non-sorcerers at all. They're equally as bad as each other. The only difference is that sorcerers have the power to wield cursed energy and use it to destroy curses made up from the normie's emotions." You gave him a half lie. It was easier to push him away. Push him away so he won't be able to break the armour you've put up.

"And what of him dying? Are the elders going to retire themselves? Or will they KILL us sorcerers first?" Your voice became an octave higher as you emphasised words that made you emotional.

"After I kill them, you can then reform the society as you wish. You could probably kill them yourself, 'toru, but you won't take that step. That's why I'll take that step instead." You give him a crooked smile, "There's nothing here worth living for."

"Nothing worth living for?" Satoru repeated your words, taking off his sunglasses, watching you with his blue eyes, and you could see the monstrous waves of emotion behind them. "Are you fucking blind?"

Suguru glanced over at Gojo, hoping he didn't have to inject himself in between to stop it from escalating further.

"No, I am not fucking blind, Satoru!" A chip from your facade broke off, revealing a mess of emotions in the split second your voice broke. "Do you understand how suffocating it is living in this world? Where all your friends die in front of you, or there's a chance they'll die on their next mission? Where the strongest wins - and in this world, if the curses aren't the strongest, the sorcerers at their highest standing are!"

"You know I--" He began, but you cut him off.

"I know you hate them as much as I do! But I'll do whatever it takes to get rid of them, even if it means forsaking you all to do it." You almost sound like you're pleading by the end, your eyes starting to tear up.

"And after. When they're gone, you can reform the system, and control it in the way that works best for this generation." You force a smile to your lips, but it doesn't reach your eyes. "Someone has to be the bad guy, and I'm willing to play the role, even if I may die in the process."

"[name], this can be done differently--"

"I'm tired, Satoru. I've tried. I've tried, and I'm tired. Why don't you understand that?" You whisper, shaking your head. "Do you know how many times I've tried talking to the higher ups, or anybody for that matter? No, you don't. You've been on missions this whole time, so you don't know. Even Suguru doesn't know the full extent of it. Shoko knows a bit, but she's not one who can do much about it."

Suguru and Satoru were silent for a moment, their eyes on you as your expression gave away everything you wanted to say.

"I won't be there, but it's a sacrifice worth making if you all aren't in danger. I don't care about anything else." Your words were soft, soft enough for them to hear you, soft enough for you to hope to convince yourself it was the right way and you didn't make the wrong choice.

Satoru and Suguru were the strongest duo. But, before they were, they were your best friends, along with Shoko. But now? Were you still able to call them your best friends? Did you even have that privilege anymore?

But, this is the path you took. Even if it meant abandoning those that you held dear, it was all for them. The real truth to your purpose and change of heart was to make a world easier for them, and for you, and for everybody who came after you. You didn't want anyone else to experience what you have, and you were going to do whatever you can to make that a reality.

You didn't give a flying fuck about anything else other than your best friends, if you were being honest. If it meant that you won't be by their side anymore, it was a sacrifice you were willing to make.

"So, I won't stop. This world is absolutely fucked. Why save something that can't be saved no more? I'd rather go down fighting. Morals be damned."

Your eyes glistening with tears unshed, you press your lips into a genuine smile. The last genuine smile before giving them a wave, "I guess this is goodbye. The next time I see you, 'toru, Sugu, we'll be enemies."

You turned on your heel, ready to leave, but you felt the curse energy expand from behind you, like they were readying to attack.

But, you kept walking, and nothing happened.

Satoru's outstretched hand fell back down to his side as he swore a string of curses, the pain on his face evident as he watched your figure disappear in the crowd of people.

Suguru had half a mind to get one of his curses to follow you, but he knew you well enough that the curse would be killed the minute you felt his cursed energy, so he didn't even bother.

His clenched his hand into a fist, a bitter taste in his mouth. He remembered back to when he was in a similar situation to you, but you and the others managed to get him out of it. He felt saved, but now, seeing it happen to the very person who helped him, made him shatter inside.

Why did you help him, when you couldn't even help yourself with your own words? Why didn't you let them help you? Why didn't you let them know you were having a hard time? That this was what you were contemplating?

He would have listened. They would have listened. They always would.

He felt a cold shiver go down his spine as he watched the endless stream of pedestrians, ones he used to call 'monkeys' in his head, but when letting go of that thought, you were at the forefront of his mind. It was you who grabbed his hand, you who brought him back.

It was you.

But he wasn't able to bring you back. He wasn't able to bring back the one who had nowhere else to go. The one who didn't know what to do with their emotions. The one who got lost.

But would he really call you lost when you knew what you wanted to do, where you wanted to go?

Suguru knew you weren't malicious. At least, not originally. The essence of you, he knew, was someone who cared greatly. One who had their heart on their sleeve when talking about anything and everything, especially with them. He didn't worry about you because you were always ok. But, there were things you didn't tell them and they didn't know, because you never let that part see the light of the day.

The only thing that Suguru felt in his chest, was regret. Regret so raw he felt cold and numb.

Satoru muttered another string of curses, turning on his heel, "Let's go, Suguru." His voice was small, and he didn't want to say any more.

He pondered all the possibilities of you. But he couldn't make himself understand you like you understood him. Which is what made it even more painful.

"I'm not as strong as you." Were words you once said to Satoru.

A forgotten conversation, one you started when he had come into your room even though the light was off, finding comfort in your presence. He wanted to sleep in the same bed or at least the same room, but you were still awake, sitting up in your bed and watching the stars and sky from your window.

Satoru didn't say anything as he climbed into your double bed, comfort filling his whole being from your calming scent alone. He wouldn't admit it, but it was one of his favourite places to be when he had turmoil in his mind.

"Yeah, you're weak." He mumbled, his face squished against the pillow as he faced you.

He could see the illuminated outline of your features from the moon, finding them captivating as he watched you with half-lidded eyes.

No, you're strong, were the real words he wanted to say. But, he had always called you weak, so he was going to continue. What harm was there?

You turn your head slightly, gazing at him with a soft smile. It was like you knew what he wanted to say, but didn't hold anything against him for saying the opposite of what he truly felt.

"You're right," You whispered. "I'm weak."

You went to close the curtains, slipping back into bed with Satoru as you closed your eyes, ignoring the gaze on you as you drifted off to sleep.

Satoru had a feeling those words were in reference to something else, but he had no idea what. He felt an invisible wall between you and him from the interaction just now, one that shouldn't be there lest he had his infinity on. But he never did unless in certain situations.

"You're plenty strong, [name]." He whispered this, bringing his finger to tap your forehead, before he also went to sleep.

You weren't asleep yet, so you heard his comment. It warmed your heart, the freezing depths of it wanting to thaw. It made you want to spill the inner turmoils of your mind, but you were scared it would taint the bright sun that is Satoru.

Satoru's a lot sweeter than he lets on, you let a small smile grace your lips as you face him to sleep.

Thinking back to that conversation, Satoru leaned back in the chair of your room, wondering where it all went wrong.

Were you trying to reach out to him back then? Or were you asking him for some form of confirmation? Were you trying to let him know you were not alright? What did you want?

He wasn't as good at reading emotions like Suguru was, but he knew something was wrong when something was wrong. He just didn't know how to approach it.

He wondered, if he had indulged you that time, would you have let him in?

"You had another fight with the elders, huh." Suguru stated, seeing your current state. He sat where the vending machines were, having just taken a seat after taking a shower. The can of green tea he had in his hands was opened and given to you, "Drink up."

You held an angry expression prior to this, but being with Suguru made you calm down. You took the green tea and took a small sip, savouring the bitter flavour. It was refreshing.

You handed it back to Suguru, "Thank you." He took it back and took a large gulp, feeling it cool down his body.

"You wanna tell me what happened?" Suguru prodded. He knew something was up. Normally you'd be more like Satoru when you came out pissed from the elders meetings. But this time, you were quiet, more like you were seething, like a volcano about to erupt.

You stared at the ground, wondering what you should start with. You felt that all the words exchanged between you and the elders wasn't listened to, wasn't taken into account. It was like talking to a massive brick wall, one that you had no way to get through to.

"I..." You started, but your throat clammed up. You stopped, waiting for the words to come naturally. When your throat finally decided it was ready to talk, your voice was a whisper. "If the elders disappeared, would this all end?"

Suguru's gaze landed on you, knowing full well what you were thinking. He gave you the green tea again. You took it, and another sip.

"If the elders disappeared, others would take their place."

Suguru could feel something was wrong. The atmosphere was different with you, just like how it was different for him a year ago after the star plasma vessel mission. He could sense it in his very being, something was wrong.

"If the others took their place, would they act the same as the ones now?" You chuckled to yourself, but your voice dropped an octave, "Jujutsu society is trash."

There was a slight panic that welled up inside Suguru, reminding himself of the emotions he himself went through not too long ago.

He could see himself in you, and he hated it. Not the one who had helped to bring him out of it, the one who reached out their hand to bring him back to the light. Not you.

"[name]. You don't hate all sorcerers, do you?" His voice was calm, probing for information for your current state of mind.

Back then, he was on the verge of deciding whether to continue as someone who protected the weak, or someone who didn't care for the weak. And now, you were going through something similar. He wanted to bring you back to him, to the one you saved.

After a moment, you shook your head. "I don't. I just...hate how the elders are sending out young sorcerers to their deaths. I hate how there are young Jujutsu sorcerers being taken away from their families so they can train to be another one of us disposables. I hate how no matter what, the top dogs in this world are absolute trash, who need to be burned at the stake. And don't get me started on curses. They're the worst. I hate them. I hate them so much for taking away so much from everyone. From sorcerers, from non-sorcerers..."

A pregnant pause.

"I hate this world that has curses." Your voice cracked at the end of it as you leaned down, head in your hands as you stared at the ground, a broken whisper of self-awareness, "I hate how I've begun thinking this way."

Suguru didn't know when he had held his breath. Your confession was so raw. You had every right to be angry and frustrated at the system which Jujutsu was. He had also held the same thoughts.

"Sugu..." There was a heartbreaking whine to your voice, one that sounded as if you were on the verge of crying. "I hate this."

An embrace, so gentle, so tender, so soft, enveloped you as his larger body wrapped around yours. You could smell the soap he used as he pushed your face into the crook of his neck, his larger hand stroking your hair as you finally let the tears fall, a broken sob reverberating through your body as you held onto him like he was your lifeline.

"[name], I'm here." He soothes, head gently resting against yours. He closed his eyes, pulling you in closer when he felt you trembling. This was the exact same thing you did for him before, one that soothed him and his tumultuous heart.

The only difference is, you were smaller than before, too. Were you eating properly? You were skinnier. Did you get enough sleep? There were bags under your eyes. Did you take a break? He didn't see the last time you took a break.

You pulled away after a while, eyes puffy and face covered with snot. Suguru didn't even flinch as he grabbed the towel sitting next to him, wiping off any excess liquid from your face. It was gentle, and it reminded you he was the most gentle out of the three, and he'd been in a similar position to you at this moment in time. When you looked up to meet his eyes, you decided, you didn't want to burden him with your thoughts of hate - one time was enough.

"I'll always be here if you need me. You can come to me anytime." His hand went to your cheek and his thumb wiped at the area of your cheekbone. Just like his tender hugs, this was so, so soft that it made you want to cry again, making you nearly regret the decision in your heart.

You could only lean into his hand and give him a nod, eyes closing as you felt fatigue come down on your body, making it feel heavy. You didn't even know you fell asleep so fast that Suguru had to catch you, hauling you up so he could carry you back to your room.

This was the only time you revealed your true thoughts to Suguru, and the only time he has ever seen you this way.

Maybe this was the start of it? Suguru's thoughts when he woke up were clear in his mind. The dream he had was something that really happened, and it hurt him he wasn't able to help you during your hardest moments like you did for him.

He had slept in your bed for the night, finding that he missed you and the comfort you brought him. Your scent was calming to him, and it will forever be a saviour to his soul.

A week before killing the elder, Shoko had found you passed out in the infirmary, half of your body on a chair, and half of it off and on the ground.

She raised a brow at your position, wondering if you were tired and just fell asleep. On closer inspection, she could see the dark circles under your eyes, the thinning of your cheeks, and realised you've lost a lot of weight. The bottle on the chair were a bunch of sleeping pills, open and spilled, indicating you had taken some just prior.

If she wasn't worried about you before, she was definitely worried now.

And when you woke up, you were just like normal, which made Shoko question whether you were just overworked. She did know you fought a lot with the elders and were sent on difficult missions because they were out to get you. So with this information in mind, she was sure you were in need of a proper break, away from everything and everyone.

Which was why she advocated for you to get a break, away from Tokyo, to an island resort with lots of sunshine. A proper 4 day break. Of course, she got Satoru to pay for it since he was loaded and actually owed [name] for a previous thing.

But, the aftermath that came from that was the death of the elder 3 days after coming back.

Did that moment of clarity cause everything to happen? When you were on break, was that when everything went out of control? Was that when you decided this was the path you wanted to take?

You had looked completely back to normal after coming back that the worry Shoko and the boys held for you was almost like a false alarm - but they didn't realise that that in itself was the real alarm.

You were happy - or at least, you were smiling like you did before. It was wonderful to see you back to your regular self, something everyone mutually agreed on by the other sorcerers.

Until you murdered the elder, that is.

That was your first step into the world of depravity, away from the world of Jujutsu, and closer to the world called Hell.

[name]'s heart was soft. It was originally that way, and as you traversed through life, fell and got back up, your heart became stronger. However, it was just an outer layer, like a piece of armour for your fragile heart. You would pretend things were fine until it wasn't, even if you wore your heart on your sleeve, letting the people around you know what you thought, even if they thought you were joking.

It was almost too sudden when you realised all the armour around your soft heart had shattered to pieces.

It was like you lost a part of you that day, and you didn't know what could fix you. You didn't know if you could be fixed. So, you did the only thing you could do.

Pick up the pieces and do your best to put it back together, create a wall for your heart before it gets pierced again.

But before you were able to, a gunshot would shatter your glued armour, shattering in your hands, and your heart was laid bare, bleeding out without any way to stop.

And you wished and wished, for someone to reach out their hands to you and drag you out of your ocean of misery. But, nobody could reach deep enough, and you couldn't reach because you had no strength left to.

You couldn't reach out anymore. No matter how much you wanted, the same fate would await you, and you'd fall into such despair again.

You were tired. You were so, so, so tired.

The ones who made you like this, were ironically the ones who could take you out.

"____." You give them one last smile, a genuine one, as you feel the tears coming down your face, bringing your blade to your neck, before slicing and ending your own life.

You didn't want to die at the hands of your best friends. Not because they're your best friends, but because they would bear the burden of having killed you, and you didn't think they'd be able to take that, especially at the ripe age of 19. So, you'd rather do it for them, making it easier. After all, it would've been close to impossible going up against two of the strongest sorcerers.

You could only hear screams at you from the distance as the pain numbed your mind and body. Geto & Gojo were both screaming your name as they sprinted to you, their panicked shouts becoming background noise as they held onto your body, lifting you up to bring you to Shoko.

Your eyes could only see the terrified blue eyes from Satoru as he carried you on Geto's curse. He seemed to be wanting the curse to go faster, but Geto could only reply in an equally as panicked tone, saying this was his fastest one and that they're going as fast as they could to Shoko.

Your eyes are too beautiful to be panicking, you wanted to say. But, you couldn't. Blood had gotten into your oesophagus, making you struggle to breathe as you coughed and suffocated on your own blood.

"[NAME]! ARE YOU WITH ME?! STAY AWAKE!" Satoru's frantic shouts were barely ringing in your ears, but the creases on his face shouldn't have been there. They were going to give him wrinkles.

With one of the last ounces of your strength, you lifted your hand up to cup his cheek, then gently smooth the line between his brows, giving a weak smile.

Satoru let out a choked sound similar to a sob, understanding exactly what you were doing and what you wanted to say. He held your wrist, supporting you in whatever way he can as he could feel your body heat leaving you. Suguru placed a hand on your cheek, stroking the area under the eye, just like he always did.

It made you feel nostalgic, but you could barely see his expression, since tears had blurred your vision. You wanted to reach for Suguru before you had no more strength, so you gently moved your raised arm in that direction. Satoru, knowing exactly what you were doing, guided your hand to Suguru, who took your hand gently, holding it preciously between his two hands.

"Let's get you home, [name]." Were the last words Geto said to you. By 'home', he meant with them, back to Jujutsu, so they could forget everything that happened and start over. It would just be like those happy days, back when there was nothing to worry about.

In your state, you couldn't make out everything he was saying, but you knew they were kind words by his intonation and the caress he held for your bloodied hand.

You only gave them a smile, one that was apologetic, as you felt your consciousness fading away. The tears that blurred your vision finally fell, and the slight squeeze of your hand in Geto's made him realise that was it.

For you, it was time to sleep. It was a time for you to finally rest your tired mind and body, away from this world, and away from all those that you loved.

Suguru looked over at Satoru, who was biting his lip almost bruisingly as they trembled. With his sunglasses off, he could see everything in detail, including the way your cursed energy stopped, from when your body heat disappeared, and he couldn't feel you anymore. You were a hollow shell of a body now, and the last thing you left them was an apologetic smile on your face.

Away from the battleground, Shoko looked out the window, a pang of sadness hitting her all at once when she realised the screams belonging to Geto & Gojo resonated through the forest. She could barely just hear them, but she knew, the dread that filled her veins was apparent. She knew.

She closed her eyes, taking out the cigarette between her lips as she exstinguished it, her arm covering her eyes as she leaned back in her seat, silent tears falling down her cheeks.

"Quite sad, really. None of you realised [name] suffered this much." Kenjaku sowed the top of your head back together after revealing some information you kept hidden to Suguru & Satoru, and about your last moments and thoughts.

Seeing the despair and shock on their faces was intoxicating, especially when it came to the body he borrowed. Kenjaku knew the amount of love that had been given to the original owner of his current body, and using that, he could disarm even the strongest of sorcerers in the modern day.

It was a pity you were dead, but if you were alive and not dead, Kenjaku wouldn't have been able to take over your body now, would he?

It was especially sweet because the body hadn't even been cremated and still looked the same as it did 10 years ago. And those two who had been responsible for it were standing in front of him, in Shibuya station during Halloween.

Even better because you had died in their arms, so seeing you alive as Kenjaku was more of a sick joke than anything, but he loved that expression on the ones who had essentially allowed you to be this way.

"If only the people around them were able to reach out a hand before their descent into madness, none of this would have happened." Kenjaku ran a hand through your hair.

Satoru let out a low growl from his throat as he watched whoever was in your body use it, control it, and pretend to be you. No one could be you. You were gone. You were gone 10 years ago. And he knew - he knew you were not in front of him.

You died in his arms.

So there was absolutely no way that could be you. Absolutely not!

But, his six eyes said otherwise. It was you. Everything was you. It was the same you who died in his arms 10 years ago, the same you who gave him one last smile before leaving the earth.

It tore him to pieces inside.

Suguru put out an arm in front of Satoru, eyeing the cursed user in your body. He was pretending to be calm, but the way his hands and jaw clenched at the blatant disrepect Kenjaku had for your body was digusting. How dare he exhume your grave and take your body from it?

He felt a cold, almost murderous feeling bubble up inside him as he readied himself for combat.

That was not you. And it couldn't be, even if Satoru's six eyes recognised you to be alive. You weren't alive. You had been lost long ago, and whoever was in front of them was an imposter.

"[name]! How long are you going to let this little bitch take over your body?" Satoru finally burst, pissed at the prospect of someone disrespecting you.

Your hand, reacting almost instantaneously, went straight for the top of the head, right where Kenjaku's brain was. It stabbed straight through the cranium, a crunch eliciting a scream from Kenjaku himself as the brain was stabbed, wounding his real body. Kenjaku used your other arm to stop your attack on his weak point, feeling the blood pour out.

For a moment, it was silent except the light splatter and pitter patter of blood from your body. Suguru and Satoru stared at what happened in front of them, shocked that what Gojo said had ellicited such a response.

Kenjaku pulled your assaulting hand away, holding it in a death grip with the one he could control. The blood dripped down his face as he used his reverse cursed technique to heal the head wound, cracking the sides of his neck after he healed your head and his brain.

"Wow, I can't believe [name] went straight for the kill." Kenjaku laughed to himself. "But that's all there is to it. The soul and body are one, aren't they? Don't think this will happen again." He chuckled and waited for the hand to calm itself.

"Oh, and did you know [name] wrote a letter to each of you? Including Shoko. They knew they'd die so they hid it away in the school. I think they hid it somewhere important for each of you. Even they don't quite remember." Kenjaku couldn't quite recall what the contents of the letters were as the memory itself was fuzzy. He wanted to see it as their strong friendship strained due to his taking over of [name]'s body.

He wondered why this specific memory was blurred out, and he couldn't recall anything from your memories about this specific thing?

It was like you were deliberately making sure you didn't remember it, and deleted the memory from your head so no one could find the letters.

A letter? The strongest duo's eyes narrowed at the imposter in their dead best friend's body, wondering if it's a part of their tricks. But it was also hard to not believe them, since they look like you. And everything about you, they would believe.

Because you were the type of person who would write letters to them.

"I don't know what they say, but they've been there since before [name] died." Kenjaku tapped his temple, "If you can get out of here, I implore you to find them."

That pissed the two off. Kenjaku was implying they wouldn't get out of this alive, or at least, to see the letters that were supposedly left for them. It pissed them off to no end, and they prepared to battle, not wanting to take part of his nonsense any longer.

Dear Satoru,

I'm glad to have met you. I love you. I love Suguru. I love Shoko. I love everyone. We had so many fun times, and it was the best time of my life. Everything was so bright, cheery and brought me so much happiness, I can't even tell you the extent of it.

I hope you don't mind this letter. If you've found it after I've defected or after I'm dead, I can't express with words how much doing this pains me. If I can't use my words, I have to use my actions, right? I hope you don't forgive me for what I've done. It's unacceptable and you have every right to hate me. I've killed innocent people for the purpose of my goal. Horrible, right? I really hope you won't forgive me.

But I know you. You will. You're just that kind of person.

I'll miss your bright blue eyes and white hair. I'll miss your loud and boisturous personality. I'll miss how your heart races every time I hug you. I'll miss you nuzzling into my head when we hug. I'll miss the soft 'sweet dreams' you say every time you carry me to bed after I fall asleep studying. I'll miss when you take photos of me everyday. I'll miss your annoyingness. I'll miss your teasing words every day. I'll miss your blushing cheeks when you're embarrassed. I'll miss your comical, over the top reactions. I'll miss you eating a whole bunch of sweets in one setting. I'll miss the crepe shop we'd often go to. I'll miss how you make me feel safe. I'll miss your voice. I'll miss you.

If reincarnation exists, I want to meet you again. I want to see your smile again. I want to call you 'toru again. I want to give you the biggest hug, and feel the thrum of your heart racing. Then, I'll give you a kiss on your head, just like you always do to me before I sleep.

You're strong, 'toru. Make sure to stay safe and be careful. I don't want to meet you on the other side so soon. Grow up to be even stronger, and reform Jujutsu's society. I know you can do it!

By the way, I left your favourite recipe of the sweets you liked that I made. That way, you can enjoy them anytime.

Love, [name].

P.S. Don't eat so many sweet things at once!!! I don't want you getting cavities!!!

Dear Suguru,

You were the first one to notice anything going on, and for that, I'm grateful. I'm sorry I brushed you off so coldly. I didn't know how to ask for help. I wish I'd have listened to your heartfelt words to rely on you a little more.

If you see this, I've probably already defected or I'm dead. But I just want you to know, I love you. I want to see you again. I miss you. I want to hug you and let you know everything I'm thinking. I want you to give me one of your strong hugs, knocking the air out of me. I also equally want your soft, tender hugs, as you whisper comforting words to me. I want to hear your voice again. I want to run my fingers through your hair again and question why you only use soap on it. I want to cook with you again. Have late night discussions. Cuddle. Piggyback rides. Kisses on the cheek. Allowing me to latch onto you like a koala when I'm cold since you run hot. I miss our times together. I miss you.

If reincarnation is real, we will definitely meet again. I want to see you smile from the bottom of your heart, and enjoy the most delicious food! And, if no curses are in that world, then you'll finally have a food you don't like - I'll be willing to lend an ear so you can whisper it to me! I want to cup your cheeks and tell you you've done well, for enduring during tough times and standing right back up. I want to finally give you a piggyback ride, since I was never able to fulfil that wish here. I want to be able to call you Sugu again.

Stay strong, Sugu. Make sure to stay safe. Since I know you hate the taste of curses, I've left the key to my safe with candies that are really good at cleansing the palette. Don't ever let these get into 'toru's hands or else you'll never see them again. I got these custom made just for you, and I've left a note with instructions on where to get it and what special order it was. I was supposed to give it to you sooner, but I left before then. Hope you enjoy them!

Love, [name].

P.S. Please take care of yourself!!! And don't use soap on your hair!!! Use proper shampoo and conditioner since your hair's so pretty!!!

Dear Shoko,

I'm sorry you probably had to see my dead body.

If I had spilled my heart out to you about my troubles, I wonder if it would've helped? I kept things bottled up for too long and it's become like this. I'm sorry I wasn't able to keep our promise. We didn't get to go to Disneyland like we promised all those months ago - the tickets are just sitting somewhere rotting away. I really wanted to go with you, Sugu and 'toru. It would've been great fun, and we would've made so many memories.

I miss your voice, Shoko. I miss your laugh. Your insults. Your frankness. Your weirdness. Your chillness. You. Heck, I even miss your scent of smoke. I miss you so much. I want to see you.

Can I meet you again? In a world without curses, where we don't need to risk our lives and watch our loved ones die. If I ever get reincarnated, can you find me? Or I can find you? I want to enjoy our times together again, feel the breeze against our skin, sing joyfully, joke around, play around, and take many photos together. That's the only way I want to spend it - and I want it so much you don't even know. In that kind of world, we can finally be happier. We can finally smile geniunely. I'll be able to finally see you again.

I bought some smokes for you and it's in my safe. Suguru has the key. Take some of the candies too, they might help in cleansing your palette every now and then.

I love you.

Love, [name].

P.S. Too much smoking isn't good for you!!! Please quit or at least do it a little less!!! I worry for your lung health...

Trembling hands read their letters as they were found around Jujutsu High school. It had your cursed energy as a seal, but the minute it was touched by any of the three, the seal would break. The letter itself was blank, with a couple of pages for each of them. The words appeared once they injected their cursed energy into it.

Words written by you appeared on the page, covering all the pages given for each letter. As the trio read the letters you had kept hidden from them, they couldn't help but let their unshed tears fall.

They were all known as strong sorcerers who don't cry. But, you brought them to their knees with your sincerity, and you were lost too soon. It was the last thing they had from you, and the warmth in every word of those letters struck a chord deep in their hearts, remembering 10 years ago and the day you had died.

"I kept [name]'s room clean," Suguru started, his eyes glossy. He had already cried, but every time he wanted to read the words off the letter, he was ready to cry again. He didn't want to. "Everything's the same."

It was as if they went down memory lane. Nothing had changed in your room. It was just as Geto said, it was exactly the same.

Whenever Geto had some time, he would clean your room, just like how he knew you would like it. It was something he sometimes did if he stayed over to help you study or just to hang out. So, he knew where everything was.

Immediately going to the safe, he put in a random number, guessing your birthday, then he used the key entrusted to him and unlocked it.

"What a bad password..." Geto couldn't help but laugh lightly, but his laughter died in his throat when he opened the safe.

The first thing the three of them saw was a couple of picture frames, each of them with pictures of the four of them that they remember taking when they were younger. The photos where all of them were happy, grinning and had no care in the world, it made their throats dry, clamming up uncomfortably.

Geto picked up the picture frames, taking a closer look at them with Shoko.

"Oh, look, there's more." Gojo peered in, seeing the promised recipe, bag of lollies, Disneyland tickets and smokes from each of their letters. He took them out and handed them what was gifted.

As they examined the items, Gojo read the recipe, a page written neatly by you. It was as if he could imagine you sitting in your room, writing it just for him while you tasted the different variations that you recommended in the recipe.

Geto put the photos face down, falling flat on his back on your bed as his arm covered his eyes.

Shoko stared at him for a moment, deciding to join him by doing the same thing. Your bed was only a double bed (you had requested a bigger bed for your first paycheck) and didn't have that much space for the three of them, much less four.

Seeing the two of them do the exact same thing, Satoru joined them, but instead, he sat up against your headboard, laying his legs in a cross legged position.

He fipped the picture frames back up, a bittersweet smile on his lips as he basked in the silence and warmth of your room he was so familiar with.

He closed his eyes, and like the others, thought of you.

Would it have been different had you told them everything you were feeling? If you talked through exactly what was causing you grief, and what could be done about it? Were they not enough to help you back up? Would you have felt so suffocated that you chose to die? Would you have still died in their arms? Would Kenjaku have still taken over your body? Still left them behind?

They say sorcerers don't die without regrets.

And they knew if they died, their one and only regret would be you.

At a certain crepe shop, Gojo Satoru waited for his crepe, one he decorated with strawberries, whipped cream and a drizzle of chocolate. It was one he used to frequent with his old friend, and he'd come here every week with them to buy a crepe. It wasn't the order he normally went with, but today, he felt nostalgic.

It had been so long since the last time he had visited the crepe shop with you, but it remained fresh in his mind even after reincarnating many times over. What timeline was he in now? He counted 7. That was 7 lifetimes without you. Suguru & Shoko were also counting, and they did whatever they could to find out where you would be. But, each and every one after their first, you were nowhere to be found.

Suguru & Shoko would sometimes come to the crepe shop, but they were also busy making a living in a world without curses. The tragedy from their first life remained fresh in their current ones, holding them so strongly they didn't want to give up.

But unknown to them, you were right under their nose all along, and you frequently went to that same crepe shop at times just before or after they were there, a mysterious force pushing you to the place.

It was at one time, where Satoru thought he saw you, that it reignited the flame that had been dormant for so long, to finally see you, after so many timelines and lifetimes apart.

Your voice, followed by your laughter, and your hand. He had you memorised, and he was so thankful for his good memory that recognised you. It was the closest he got, and when he heard you, saw a part of you, he was sprinting, but you had already disappeared onto the train, and the last thing he saw was the back of your head.

It was brief, but it was enough for his mind to go overdrive and let the others know his findings, that it was possible for them to find you this lifetime, and the crepe shop was the biggest key to it all.

And, when they cracked the code and finally found you, all the memories, feelings and thoughts from their original life came back to them, allowing them to finally see you in a world without curses, even if they had to wait 7 lifetimes.

If they had to put it into years, those 7 lifetimes were equivalent to over 600 years of not seeing you.

But, this lifetime, they finally found you.

Over 600 years in the making, and you also found them.

A/N: I CRIED WRITING THIS. It hurt me 😭 here's part 2!

There's also somewhat of a prequel as well from Geto's POV if you were interested!

Here's also an AU in an alternate timeline with information that takes place directly after the original timing here.

If y'all want some fluff here's the masterlist for the rest of the series 🕊️

#jjk #jujutsu kaisen #geto suguru #jjk season 2 #satoru gojo #gojo satoru #jjk gojo #jjk x reader #jjk spoilers #jjk au #satoru x reader #jjk satoru #gojou satoru x reader #gojo #jujutsu satoru #jujutsu kaisen satoru #geto #suguru geto x reader #jjk geto #geto x reader #jujutsu geto #suguru #satoru #satosugu #sashisu x reader #sashisu #ieiri shoko #stsg #shoko ieiri #jujutsu kaisen x reader

[higgsbison]

where can i start reading disc world?

(tl;dr version: Either with Guards!Guards! if you want angry urban fantasy or Wyrd Sisters if you want angry rural fantasy, then follow the list for that sub-series)

Oh anon brace yourself, there are in fact several ways people have big opinions on.

These are mine:

1. My least favorite way is from the start in chronological order

the trouble here is the first few Discworld novels were written as these kinda silly goofy fantasy/dnd parodies that weren't even supposed to be a part of a bigger thing and they honestly aren't that good, especially not compared to later books. That's the way I started and I just dropped the series for a few years cause of it, so I really don't recommend it. The author himself said he wasn't that good of a writer back then which is understandable, cause it was like 40 books ago.

2. What I reccomend is in chronological order based on different sub-series

Discworld novels all happen in the same world, but they follow different groups of characters, so you have several sub-series.

I'll post a list here, but it's pretty confusing so I'll also explain two of my favs below.

City Novels (Watch novels and Industrial Revolution novels)

About a huge, terrible metropolis and the people that help it run, stumble and sometimes trip over the years.

People normally split this into watch novels which follow the city watch and are crime procedurals/adventure books with a ton of social commentary and industrial revolution novels which are about the city speedrunning from medieval to industrial era via several inventions and follow different main characters who are mostly all there against their will.

To me, the main character is the city itself and I super recommend reading these from start to finish in order to see how it changes with time.

starting book: Guards! Guards!

Witches Novels

About three witches doing witch things in a small mountain kingdom, unless they're going on a trip somewhere.

Incredible horrid old lady characters, a lot of exploration of fantasy tropes, some deep emotional beats, very warm human phlosophy and personal responsibility themes.

There's a semi-seperate "YA" series about a younger witch (Tiffany Aching novels), but don't let that fool you, because those hit just as hard as the "adult" ones.

starting book: Wyrd Sisters (technically Equal Rites, but that's also in the awkward early books period for me)

As for the others, the death novels are also very very good, Small Gods is an amazing standalone book and I'd literally just avoid the Rincewind novels until you're already hooked on the series, but they probably have their fans too.

3. Just pick up a random book you see in the library

A tried and tested method a lot of people swear by, most of the books are standalone enough for this to work, BUT my personal opinion is at least the city books should be read in order (especially Night Watch) and there's several less than stellar books you could pick up first by mistake this way (Color of Magic, Light Fantastic, Interesting Times and Faust being the worst imo).

#discworld #this is my personal opinion ofc but imagine your first books was interesting times #everytime someone asks me how to get into discworld i transform into that look how hard i can piss comic

[doctorbitchcrxft]

Pilot | Supernatural Series Rewrite | Dean Winchester x Reader

Pairing: Dean Winchester x Reader (Eventual)

Warnings: canon violence, canon gore

Word Count: 4833

A/N: This is gonna be the slowest of burns. Every Saturday, these will publish at 3:00 PM CDT! I hope you all enjoy. Taglist/Requests are open!!

Series Rewrite Masterlist

A trail of men disappearing spanning decades had brought you to Jericho, California. It seemed it would be a pretty standard hunt. From the moment you arrived, though, you knew this would be different.

You’d run into other hunters on jobs before, but none as strange and belligerent as John. John was all you knew him by. He was rough around the edges, and in all honesty, a complete dick. You had unintentionally gotten into an unspoken race with him to see who could finish the hunt first. Both of you refused to back off and go find another job; you just out of spite and him… you had no idea why a guy old enough to be your father was being so petty and territorial about this hunt. And perhaps that’s what fueled your fire to finish this hunt before John could. You thought maybe he knew something you didn’t about the hunt, and you were desperate to find out. But then… he disappeared. 

About a week into the “competition” you were having with John, he disappeared. You didn’t see him around Joseph Welch’s house, the Breckenridge Road home, or the Centennial Highway Bridge. It was completely puzzling. He didn’t seem like the type to up and leave in the middle of a job, but you brushed the unsettled feeling you had aside to keep pushing through your hunt. 

You had torched the body of Constance Welch the same night you guessed John left. You were just about to leave town, and then, Troy Squire ended up dead by what you assumed were Constance’s hands. 

You pulled up to the Centennial Highway Bridge in yet another stolen car. 

‘One of these days I won’t keep putting a neon sign on my back by stealing cars and actually find a way to buy one,’ you thought.

Almost as if on cue, another car pulled up next to yours. Except this car— a black 1967 Chevy Impala— was way nicer than the shitty sedan you’d copped for the time being. 

Two young men in the most layers you’ve ever seen anyone wear in the California sun stepped out on either side of the car. You pushed aside the thought of how attractive the shorter of the pair was and kept walking toward the taped-off part of the bridge where a few officers were milling around a crashed car. 

“Is that Troy’s? Oh, my God,” you shook your head, making sure the officers could hear you. 

“Ma’am, you are not supposed to be here,” an officer told you, trying to keep you from walking any closer to the car.

“I know, I know, I’m sorry, I just—” you sniffed, “—I’m his cousin. We were really close growing up, and I, uh, just had to see this for myself, um, do you have any idea what could’ve happened?”

“We were wondering the same thing,” a deep voice called from behind you, making you wheel around.

‘Fuck. The Impala dudes.’

“And who are you?” the officer you’d been speaking to asked.

“Federal marshals,” one said, flashing a badge.

‘Goddammit, more hunters.’ You held back an eye roll, doing your best to stay in character.

“You two are a little young for marshals, aren't you?”

The one you’d found attractive initially flashed a smile. “Thanks, that's awfully kind of you. You just had another one just like this, correct?”

The officer you’d been speaking to didn’t seem too convinced by their story, but replied anyway. “Yeah, that's right. About a mile up the road. There've been others before that.”

“Any connection between the victims, besides that they're all men?”

“No. Not so far as we can tell.”

“So, what's the theory?” the taller guy asked. 

“Honestly, we don't know. Serial murder? Kidnapping ring?” The officer seemed to remember you were standing there as he spoke. “Ma’am, I really do need you to go.”

“I was just about to—” you started, before the shorter guy cut you off. 

“What kinda crack police work are you doing; talking about sensitive information in front of townies?” He was cut off with a grunt; apparently the other guy had stepped on his foot. 

“Thank you for your time,” you told the officer, suddenly feeling very awkward. You turned on your heel, hurrying away. 

***

After the bizarre incident with the other two hunters on the bridge, you went down to a local diner to get something to eat. You were puzzled as to why Constance was still around after you torched her bones. You flipped through a few pages of your journal when you saw the two hunters from the bridge walking in with two goth chicks. 

‘What the fuck. First John, and now this.’

The shorter one of the pair caught the glare you threw their way over your shoulder. He had a smug look on his face you couldn’t quite read as he sat down in a booth with the girls and his partner. You did your best to listen in on their conversation as you sipped your drink. 

“I was on the phone with Troy. He was driving home. He said he would call me right back, and...he never did,” you heard one of the girls lament. 

You recognized the voice of the taller one. “He didn't say anything strange, or out of the ordinary?”

“No. Nothing I can remember.”

“I like your necklace.”

“Troy gave it to me. Mostly to scare my parents—” the girl laughed, “—with all that devil stuff.”

“Actually, it means just the opposite. A pentagram is protection against evil. Really powerful. I mean, if you believe in that kind of thing.”

“Okay. Thank you, Unsolved Mysteries,” the other guy’s voice broke in. 

You held back a small laugh. You hated to admit it, but he was pretty funny. 

“Here's the deal, ladies,” the pretty one said, “The way Troy disappeared, something's not right. So if you've heard anything… What is it?”

Your eyebrows drew together, your back still turned to the group.

“Well, it's just... I mean, with all these guys going missing, people talk,” a new voice chimed in. 

“What do they talk about?” the two boys said in unison.

It got a little harder to hear as one of the girls quieted her voice. “It's kind of this local legend. This one girl? She got murdered out on Centennial, like decades ago. Well, supposedly she's still out there. She hitchhikes, and whoever picks her up? Well, they disappear forever.”

‘Yeah, yeah, I already know that. They are way far behind me in the process.’

“Well, thank you for your time, ladies,” the voice of the taller one spoke amidst some rustling. You figured they were getting up to leave. 

You dropped a twenty on the table, let the door shut behind the group, and stood to follow the boys out. You hung back a little while you watched them head to their car. 

“I know you’re back there, sweetheart,” the pretty one called without turning around.

“I know you do. I was just testing you,” you said, walking closer. “Look, I’ve already got this one covered. You guys should find something else.”

“Not a chance,” the pretty boy replied. 

“Look, man—” you started. 

“We’re just looking for our dad,” the taller one cut you off. “We think he’s working this same job.”

“Wait, is your dad’s name John?” you asked, surprised. 

Both of them started toward you, their shock and confusion evident. “How do you—”

“Whoa, easy,” you giggled. “He was here a few days ago and then he just, pfft,” you imitated a puff of smoke, “disappeared.”

The pretty boy ran his hand through his hair, looking frustrated, while the taller guy continued talking to you. “Was he working with you?”

“Hardly,” you scoffed, “we were kind of in an unspoken competition to see who could smoke this bitch first when he disappeared. And then, Troy ended up dead a day later. I thought maybe he was connected to Troy’s death some kind of way.”

“I don’t think so,” the taller one answered. “I’m Sam, by the way. This is my brother, Dean.”

“Nice to meet you. I’m (Y/N),” you shook Sam’s hand. When you reached for Dean’s, though, he rolled his eyes at you without taking it. 

“Oh-kay,” you muttered. 

“Sorry about him,” Sam told you. “He’s—”

“A bit touchy?” you smirked.

“Yeah,” Sam laughed. 

“I can hear you two, y’know,” Dean snarked. 

“I know,” you quipped. “So, what’s your theory on your dad?”

“We have no idea,” Sam said. “We were hoping you might know.”

“I have nothing for you,” you shook your head. 

“Well, do you know anything about the case?” 

“A lot, actually. Chick’s name is Constance Welch. She’s a woman in white. She lives at the end of Breckenridge Road. I talked to her husband, and he definitely cheated on her. He buried her in a plot behind her house. I went there and torched her. I was just about to leave town when your dad disappeared, Troy wound up dead, and you two showed up.”

“Then, there’s gotta be something else keeping her here,” Sam told you.

“Okay, then what?”

***

“So this is where Constance took the swan dive,” Dean said. The three of you looked over the railing of the Centennial Highway Bridge. Sam had been nice enough to force his brother to let you tag along. 

“Okay, so now what?” Sam asked.

“Now we keep digging until we find Dad. Might take a while,” Dean responded.

“Dean, I told you, I've gotta get back by Monday—”

“What’s Monday?” you asked. 

“I’ve got an interview with law school.”

“Oh, shit, no way!” you smiled. 

Sam smiled back at you before Dean cut in. “Yeah, I forgot. You're really serious about this, aren't you? You think you're just going to become some lawyer? Marry your girl?”

“Maybe. Why not?” Sam cut back.

“Does Jessica know the truth about you? I mean, does she know about the things you've done?”

“No, and she's not ever going to know.”

“Well, that's healthy. You can pretend all you want, Sammy. But sooner or later you're going to have to face up to who you really are.” Dean kept walking down the bridge. 

“And who's that?”

“You're one of us,” Dean said. 

Sam hurried around him. “No. I'm not like you. This is not going to be my life.”

You felt really awkward doing what felt like intruding on a private moment. Your eyes began to scan the railing of the bridge opposite you.

“You have a responsibility to—”

Sam cut his brother off. “To Dad? And his crusade? If it weren't for pictures I wouldn't even know what Mom looks like. And what difference would it make? Even if we do find the thing that killed her, Mom's gone. And she isn't coming back.”

You were doing your best not to listen in on their conversation when Dean grabbed his brother by the collar and shoved him against the bridge railing.

“Uh, guys—” you started, your eye caught by what looked like Constance standing on the railing of the bridge.

“Don't talk about her like that,” Dean grumbled at his brother; ignoring you.

“Guys!” 

“What?!” Dean turned to face you, stopping when he caught sight of Constance. Constance then stepped off the railing. 

The three of you broke off in a sprint toward the spot she’d leapt off. You searched the water below. “Where'd she go?”

“No idea,” Dean answered. 

Your visual search was interrupted by a bright light coming on in the corner of your eye. Dean’s Impala’s headlights. 

“What the fuck—” Dean trailed off.

“Who's driving your car?” you asked him. 

He responded by pulling the keys out of his pocket and jingling them. 

“Oh.”

The car jerked to life, heading straight for you and the boys. You broke into a sprint yet again, doing your best to outrun the car; a task that proved impossible. 

“Jump!” you screamed, and the three of you threw yourselves over the side of the bridge. You thankfully caught a bit of the bridge that jutted out over the water and pulled yourself back up, groaning.

‘My arm’s gonna be sore as a bitch in the morning.’

“Dean?” Sam yelled down to the water below. “Dean!”

“What?” came his aggravated response. 

You looked down to see a mud-covered Dean crawling out of the water. You couldn’t hold back a laugh upon seeing him.

“Not funny, sweetheart,” he called up to you.

“My name’s (Y/N),” you answered. “Don’t call me sweetheart. It weirds me out.”

“Sure thing, sweetheart.”

“Guys, you can argue later. You okay?” Sam called down to Dean.

“I’m super,” his brother responded.

You and Sam climbed back over the railing of the bridge while Dean made his way up to you. The car had stopped only a few inches from where the three of you dove over. Dean busied himself inspecting the engine while you sat with your back leaned against the passenger’s side door. 

“Your car okay?” Sam asked. 

“Yeah, whatever she did to it, seems all right now.” Dean shut the hood. “That Constance chick, what a bitch!”

You chuckled to yourself at his antics. “Alright, well, I don’t think the bridge is what’s tying her here. What now?”

Dean raised his hands in frustration, flicking mud off his hands in the process. 

Sam caught a whiff of his brother. “You smell like a toilet.”

***

Your next stop was a motel. When you went to check in, the clerk informed Dean that another man under the last name on Dean’s card had bought out a room for the whole month. And so, you and the boys went poking around John’s room. 

Every surface was covered in newspaper clippings, magazine articles, photos, hastily scribbled notes, and bits of red tape tying some of them together. 

“I knew John was weird, but this is a whole new level,” you commented, slightly in awe of the frantic scribblings covering the wall. 

‘'Don’t talk about him like that,” Dean grumbled. “I'm gonna get cleaned up.” He started toward the shower. 

“Hey, Dean?” Sam stopped him.

His brother turned around. 

“What I said earlier, about Mom and Dad, I'm sorry—”

Dean held up a hand, cutting him off. “No chick-flick moments.”

Sam laughed. “Alright, jerk.”

“Bitch.”

“You guys are strange.”

Dean rolled his eyes at you before disappearing into the bathroom. 

You started looking around John’s room. A closer look at the walls of information revealed pages on demons, witches, possession, and other bits of newspaper referring to mysterious deaths unlike anything you’d heard before. One was an obituary clipping from 1983; taking you aback. The picture was of a gorgeous blonde woman named Mary Winchester who died in a house fire. Her picture was surrounded by other house fire deaths and linked by red thread to multiple of the demon and witch articles. You walked over to his dresser where there was a picture of a much younger John holding two boys who you assumed were Sam and Dean. 

“You guys were cute kids,” you told Sam, showing him the picture.

He smiled sadly at it. 

After a brief melancholy pause, you spoke up. “So, what’s your deal? College? Law school? Part-time hunter? That doesn’t add up.”

“My, uh, my dad raised us as hunters after my mom passed,” he explained. 

“I’m sorry,” you told him, sitting on the bed next to him. “Was her death the reason your dad became a hunter?”

“Yeah. I’m not exactly sure what happened; I wasn’t even a year old yet. Dean remembers way more than I do, but he said our dad was never the same. Anyway, two years ago, dad and I got into a fight. I wanted to go to school, and he wanted me to stay and hunt. So I left.”

“Dean said you got a girl now? Was that the voicemail you were listening to a few minutes ago?”

“Yeah, actually. Jess. She’s— she’s amazing. I’m excited to get back to her.” You could see how much he loved her just in how his face lit up talking about her.

“I’m sure you are,” you smiled. 

“So, what about you? What’s your story?” he nudged your shoulder with his. 

“Meh, not much to tell.”

“Aw, come on—” Sam rebutted. 

“I’m serious!” you laughed. “I’ve just always hunted. Never knew anything different.”

“I know that’s difficult.” His tone became serious again. 

“Nah, it’s not so bad. I enjoy it. Brings me a little peace, y’know?” you shrugged.

“You sound like Dean.”

“Speaking of which, he’s taking forever and a day in the shower,” you joked. You bounced over to the bathroom door, leaning your ear on it about to knock. “Hey, princess—” 

You were cut off by the door opening and stumbled into Dean’s chest. 

He caught you by the shoulders. “You were saying?” 

You shoved off him, annoyed by his smug smile and quirked eyebrow. “Sorry.”

“Anyway,” Dean began, “I'm starving, I'm gonna grab a little something to eat in that diner down the street. You want anything?”

“No,” Sam said.

“A burger would be great,” you told him. 

“Wasn’t asking you,” Dean said. 

You stuck your tongue out at him. “Aframian’s buying, anyway, so what difference is it to you?”

“Nothing, it’s just fun to rile you up.” He winked and smiled at you, amused at your aggravated expression before closing the door behind him. 

You shook your head. “Dick.”

Sam laughed. “You get used to him.” He went back to his phone, relistening to his girlfriend’s voicemail. He furrowed his brows before pressing it to his ear. “What?” He stands up, catching your attention. “What about you?” He huffed when he hung up the phone, rushing over to the closed curtains to peek out. 

“What, what is it?” You crossed your arms.

“Police got Dean. We need to leave.”

“Shit.”

Sam quickly pulled away from the window which you understood meant you had company. You hid under the bed, anxiously waiting to see the officer’s boots make their way into the bathroom. You began scooching yourself out from under the bed frame, and when he’d slammed the door to the bathroom open, you and Sam snuck out of the room. Thankfully, Sam had Dean’s keys, and the two of you sped away from the motel in Dean’s Impala.

“Well, shit,” you breathed, your heart still beating quickly.

Sam huffed out a laugh, still recovering from the adrenaline.

***

You and Sam were headed to Breckenridge Road to hopefully figure out how to stop Constance. Since you had torched the body, then maybe something in her house was keeping her alive. 

After Dean’s arrest, the two of you were intent on getting Dean and getting the hell out of Jericho before anyone else had a run-in with the cops. 

Sam’s phone rang, and he answered quickly. “Hello?” He tossed a look your way. “Actually, it was (Y/N)’s idea.” You had no doubt he was referring to the fake shooting you’d called in to the police department so Dean had an opportunity to escape. You motioned for him to give you the phone.

“You’re welcome, by the way,” you told him once you had the phone to your ear. 

“Yeah, whatever, sweetheart,” Dean’s gruff voice responded.

“I told you not to call me that.”

“And I’ve made it pretty clear I’m not going to listen. Hey, give the phone back to Sam. I gotta talk to him.”

“And why can’t you tell me? Don’t you trust me? I’m offended, babe,” you quipped. 

“Don’t objectify me.”

“Hey, you started it with the whole ‘sweetheart’ thing.”

“C’mon, (Y/N), give him the—”

“Shit!” you screamed, dropping the phone as the car came to a screeching halt. “What the hell, Sam?”

“Constance,” he replied coolly. He kept a level head despite the tense situation. 

You looked up at the rearview mirror to see her in the backseat. “Fuck.” 

Constance’s hauntingly beautiful voice melodically flowed from the backseat. “Take me home.”

“No,” Sam answered. 

You saw her glare as the doors started to lock themselves. You whipped around to start trying to reopen them. The car began jerking forward. 

“What the hell, Sam? Stop!” you told him. 

“It’s not me.”

You looked over to see him holding his hands up. The steering wheel was moving itself. You turned back to the door, struggling to get the lock open. Eventually, you wound up at Constance’s abandoned Breckenridge Road house. The car’s rumble quieted and the headlights turned off. 

“Don't do this,” Sam pleaded, still holding his hands up. 

The ghost flickered, sounding sad. “I can never go home.”

‘That’s it.’

“You're scared to go home,” you realized. When you turned around to look at her, she had disappeared. Before you could even turn back around, you felt the bench seat reclining forcefully. 

“Sam!” 

Constance sat atop him, begging him to hold her. 

“You can't kill me. I'm not unfaithful. I've never been!”

“You will be,” she hummed. “Just hold me.”

You fumbled for your gun hidden under your top. Before you could fully aim at her, you felt your back make brief contact with the Impala’s door before flying through the air. You barely registered Sam yelling your name as you groaned in pain on the dead grass beneath you. 

You rolled around, trying to regain your wits and recover when you heard the sound of multiple gunshots. 

“Sam!”

“It’s me, (Y/N), stay down!” Dean yelled. 

Suddenly, Dean’s car burst through the front of the abandoned house. You pushed yourself up off the ground; your joints and back aching in protest. 

“Sam! Sam! You okay?” Dean called after the car. 

‘I’m fine, Dean, thanks for asking,’ you thought. 

The two of you climbed over the rubble to the passenger’s side window. 

“I think,” Sam responded weakly. 

“Can you move?” you asked.

“Yeah. Help me?” He reached out to his brother. 

Dean pulled Sam through the window of the car. “There you go.”

You turned to see Constance looking sadly at a picture she was holding before slamming it to the floor. She glared at the three of you harshly, forcing a bureau across the floor to pin you to Dean’s car. 

You groaned in pain once again as Dean struggled to push the furniture off. You stopped your struggle at the lights flickering and the sound of water rushing down the stairs. 

“You've come home to us, Mommy,” the echoey voices of Constance’s children sang. They appeared behind her, hugging her as she screamed. In a surge of energy, Constance and her children began melting to the floor. Constance’s resounding scream seemed to get louder and louder with each passing moment, the flickering of the lights becoming more and more intense. You squeezed your eyes shut until the screaming subsided, suddenly feeling the pressure on your stomach relieved. All that was left of Constance and her children was a puddle of murky water on the floor. 

“So this is where she drowned her kids,” Dean said while you rubbed your stomach, recovering from the pressure of the bureau. 

Sam nodded. “That's why she could never go home. She was too scared to face them.”

“You found her weak spot. Nice work, Sammy.” Dean slapped his brother on the chest where he’d been injured by Constance.

Sam laughed despite the pain. “Yeah, I wish I could say the same for you. What were you thinking shooting Casper in the face, you freak?”

“Hey. Saved your ass,” Dean commented, starting to look over his beloved Impala. “I'll tell you another thing. If you screwed up my car? I'll kill you.” 

You giggled at Sam and Dean’s banter. Sam and Dean started to get back into the car, and you idled awkwardly. 

“Whatcha doin’? Let’s go.” Sam looked at you expectantly. 

“Go where?” you asked, feeling stupid. 

“I think we make a pretty solid team. You should tag along.”

“What?” Dean asked while you started shaking your head. 

“No, no, I shouldn’t—” 

“You should. I’m going back to school, and I know Dean’s gonna be lost without me trying to find my dad.”

A slow smile crossed your face. “Thank you. That’d be nice, actually.”

Dean rolled his eyes, but didn’t say anything to the contrary. And with that, the three of you set off to drop Sam back off at college. 

***

The thing Dean so desperately wanted to tell Sam that he couldn’t tell you earlier was that his dad had left coordinates to a place called Blackwater Ridge, Colorado in the journal he’d left behind in Jericho. John was getting weirder and weirder by the minute. 

“AC/DC. I like it,” you said from the backseat. 

“Thanks.” Dean cracked what seemed like a genuine, lopsided smile at you for the first time in the rearview mirror. “Sam thinks it’s mullet rock.”

“Yeah, well, it’s better than Kiss and Poison.”

“True that.” Despite the fact that he was agreeing with you about something as mundane as music, his tone was still guarded.

“How far is Blackwater Ridge?” you asked Sam, who was looking over a map. 

“About 600 miles,” he answered.

“Hey, if we shag ass we could make it by morning,” Dean cut in. 

Sam suddenly looked uncomfortable. “Dean, I, um…”

The older brother deflated. “You're not going.”

“The interview's in like, ten hours. I gotta be there,” Sam tried to reason.

Dean nodded, disappointed, and returned his attention to the road. “Yeah. Yeah, whatever. I'll take you home.”

The mood in the car had turned tense, awkward, and sour, and remained that way for the rest of the drive back to Sam’s college.

“Dude, you go to Stanford?” you asked incredulously.

“Yeah,” he nodded, sheepishly.

“Alright, smartass, look at you.” You nudged his shoulder with your balled fist. 

Dean rolled to a stop in front of Sam’s apartment complex. 

You and Sam got out of the car. You gave him a quick hug goodbye before climbing down into the front seat. 

Sam leaned into your rolled-down window. “Call me if you find him?”

Dean nodded. 

“And maybe I can meet up with you later, huh?”

Despite Sam’s chipper tone, Dean’s disappointment was clear. “Yeah, all right.”

Sam patted the car door twice before turning away. 

“Sam?” Dean called before his brother could get too far. “You know, we made a hell of a team back there.” 

You felt a pang in your heart at Dean’s indirect attempt to try to convince Sam to stay. 

Sam nodded with a half-hearted smile. “Yeah.” 

Dean then began to drive off. 

The two of you didn’t get any more than five minutes down the road before you felt something was off. You could no longer hear the steady ticking of Dean’s watch breaking through the almost awkward silence. Sure enough, when you looked over at the wrist he had perched atop the steering wheel, the watch was stopped. 

“Dean,” you said. You tapped his watch’s face with your fingernail. 

He matched your worried glance, immediately turning the car around.

The car had barely stopped before you and Dean were leaping into action. You let Dean take the lead in rushing up to Sam’s apartment. 

Dean kicked the door to the apartment open, calling out to his brother in the process. You gasped when you caught sight of flames licking at the ceiling coming out from what you assumed was Sam’s bedroom. 

You heard Sam’s voice weakly calling his girlfriend’s name as you rushed to get him out of the smoldering room. You just barely caught sight of a body bleeding from the stomach burning on the ceiling before you and Dean dragged a screaming Sam out of his bedroom and away from the fire. You fought him every step of the way out of his apartment complex. 

It didn’t take long for the fire department to show up and the police to start asking questions. A small crowd had gathered to gawk at Sam’s smoldering apartment. Your face was steely as you watched the firefighters carry Jess out in a body bag. You and Dean took the brunt of the questions the police had, allowing Sam as much space as he needed. 

You and Dean soon headed over to the Impala where Sam was packing up the weapons cavity of the trunk. Both of you seemed too scared to ask Sam what was running through his head, and neither of you had any idea what to say. 

Sam threw a shotgun into the weapons box before muttering, “We got work to do,” and slamming the trunk shut.

You threw a look at Dean, who shook his head in response. Biting the inside of your cheek, you followed the boys into the car. As the three of you left Sam’s apartment in the rearview mirror, you realized the course of your formerly relatively boring life was changing very quickly. 

‘Damn you, John. Wherever you are.’

#dean winchester x reader #dean winchester x y/n #dean winchester x you #dean x reader #dean x y/n #dean x you #dean winchester #supernatural #supernatural series rewrite #spn #spn series rewrite

[direquail]

My specific read on John is not that he's a nice guy, either. It's that, like any good character (specifically a tragic character, which, TM has said that he is modeled on a mythical tragic hero, so) he has a flaw that dooms him. And what that means is, when he has the choice to change what he's doing, that flaw either prevents him from taking the option he's aware of, or prevents him from being aware that there is another option altogether.

And so as a writer, what I look for are moments where either:

something good about a character becomes an excess that harms themselves or others

we receive information that shows a persistent blind spot a character has

we look for times when a character gives their view of the world/a situation and it Does Not Match Up with reality, or is hinted that it doesn't

we look for evidence of something simmering under the surface that clashes with their outward, agreeable presentation

What fills that role for John?

Yep.

When this first pops up, it's pretty easily dismissed as yet another layer on the falsehood he's propped up. Admittedly, he's been doing it for ten thousand years, so it's probably got a few layers to it.

However:

This one, to me, gives us a hint about what John is blind to: That his friends see his vindictiveness and his failings and that they could still love him. This is where it crosses into tragedy, for me; where his own inability to forgive blinds him to the capacity that other people have for generosity--and so, to a world where "justice" means more than "vengeance for the dead".

And this illuminates the whole chain of events that leads him to that climactic scene in Harrow the Ninth, telling Mercy that she never would have forgiven him anyways:

John is, at heart, deeply angry--like most characters in the series, and like a lot of people who grew up in poverty, especially if they managed to escape it. He also has some deep sense of justice, and deep sense of judgment.

So we have this cycle of related emotions and ideas: Justice, judgment, outrage. And a human measure of selfishness, amorality, double standards, etc.

In one situation, this allows him to throw himself completely into the cryo project, something that (if it hadn't been sabotaged politically) could have made a difference to humanity. He brings in people who work to make it even better, who demonstrably want to make the outcome as just and humane as possible. It's also implied that this is part of why he received those powers; "I chose you to change."

(And, I'll be honest, one of the other things that I see that chafes me is the implication that there was nothing about John to recommend him to the Earth. I'm actually of the opinion that there was; she chose him, and I don't think she just rolled a d100 or drew a card off a tarot deck and called him up. John is also still a human, flawed person.)

Then, the situation changes. It's no longer an issue of dedicating expertise to solve a problem; this is a political issue, and specifically of rich people using their resources to shift outcomes towards the one they think will benefit them the most, that will secure their survival, explicitly at the expense of everyone else.

And their strategy is, profoundly: short-sighted and unnecessary (pooling resources would help create a better outcome for everyone, including the rich, by reducing global trauma and preserving more of the systems that already structure their world); bigoted and uninformed (many rich people think that the world has to be a certain way, generally that the world is violent, competitive, dog-eat-dog, etc., and someone has to be "on top", and there will always have to be a loser, or lots of losers); and utterly cruel, unjust, and pointless.

And John--John, who grew up poor, who grew up aware of the despair around him and the injustice of his position and more than likely made use of that anger to achieve what he had up to this point--John is so angry.

Because they're all the same. They're all the same. It's the same song, over and over again, no matter how stupid and pointless and unnecessary. He is certain, beyond a shadow of a doubt, that it doesn't have to be this way. He passes judgment.

But John is losing to them, because he doesn't have the resources they do. He can hate them and fight them all he wants, and it doesn't matter, because he's nowhere near in the same league as they are politically.

And then, after the cryo project is cancelled, he gains his powers.

The thing about anger and judgment is that the deeper it runs, often, the more invested the person who holds that anger in themselves is in not seeing what they hate in themselves. E.g: John has conceptualized the people he's resisting as fundamentally unjust, cruel, amoral, and bigoted. There's a very good chance--to different degrees, depending on the person--that becoming aware of similar traits in himself might wake up those feelings he has towards those other people--aimed at himself (that is, cognitive dissonance). He can't see the things he's passed judgment on in himself and function. He's not like them; he's trying to fix things, to bring about justice.

Of course, there's justice as in "living in a just society", and justice as in "justice for the dead". But that's a later realization, because right now, everyone is still alive.

So John hides those parts of himself; from himself, from other people. So thoroughly he can exclude it from his consciousness and pretend it doesn't exist. He thinks no one sees the real depth of his own rage, his own cutthroat pursuit of a solution. And then, when he can't pretend it doesn't exist, he can still pretend to be the man he thinks they need him to be. He can "fool" them. He can say--he's trying. He screwed up. He doesn't know what he's doing.

And then, Casseiopeia says, No, actually, we know you, and we know you're horribly vindictive. And we're on your side--we're on the same side--our fight is your fight--and we love you. But your drive for revenge is seriously limiting your ability to imagine and create a living, just world, and that's what we're fighting for. Remember? That's what we set out to create.

And John's brain can't quite handle this; he can't imagine that they could actually see him and still be on his side. Because he couldn't see that and still be on his side. He can't forgive; he can't imagine forgiveness.

He can't see the things he's passed judgment on in himself and function.

And, by this stage, in some ways, it's already too late to change course. But this is one of several "come to Jesus" (no pun intended) moments where John could become aware of alternatives, or could change his behavior--and doesn't.

And I think this is where we get that self-awareness from, the thing that makes him creepy and tragic but also infuriating: He is aware, but apparently that's not enough to stop him from being his worst self--so is he just pretending to be moral? Capable of making different choices but choosing not to? And the weird statements he makes later:

This is, imo, not a power-hungry dictator who genuinely doesn't care about the cost of his throne, or a gleefully predatory abuser. This is a dude who's committed to a course of action and doesn't feel great about it. This is a guy who has violated his own sense of justice and has to live with it.

This is a guy who set out to save the world, killed it, and now the only thing that's left to him is to avenge it.

And like, from a mythology standpoint, that is exactly what the Erinyes are, like the Furies and Alecto. They are not the justice of Apollo or Athena. They are screaming for blood. They are hunting their quarry to the ends of the universe. They are chthonic.

Again: This isn't what Cassieopeia or Christabel said to him. This is what John has said to himself. This came from him. This is a reflection of what he believes.

And it encapsulates, exactly, why he erased their memories. Why he took away their agency.

The difference between him and many, many people is he had the power of a god and no one to check him when he was struggling with his own worst impulses. And then, he created a world where no one could, not just because then he could do what he wanted and pretend to be kind and loving and moral, but so that he would never have to lose the love of the people he needed.

Because, unfortunately, he still needed them.

It just took ten thousand years for the lie to unravel.

#the locked tomb #john gaius #tlt meta #i'm not a john gaius apologist. i just think about cognitive dissonance a lot #and frankly tumblr and twitter are the home of cognitive dissonance

[dixons-sunshine]

(Masterlist updated 2024/05/05)

★ You can just call me Krys.

★ I'm a woman and I go by she/her pronouns.

★ I like to read and I write stories, although I feel like they're not that good.

★ I love a lot of things, including The Walking Dead, Supernatural, Marvel, Stranger Things and a lot of other things.

★ My comfort character is Daryl Dixon.

★ My favourite seasons in The Walking Dead are seasons 2 and 6.

★ Richonne is my favourite TWD ship.

★ Snakes and spiders can go to hell.

★ Proud owner of one hyperactive, annoying, loving dog and a couple of cats who love me one minute, then hate me the next.

★ English and Math nerd.

★ I have a huge tendency to ramble, so I apologise in advance if I do.

★ I love to interact with everyone online, but I'm too awkward to reach out first.

★ I'm always down to discuss theories, headcannons or anything else. Just inbox or DM me!

★ I write whenever I have time, so I might post very frequently or every once in a while.

★ I don't tolerate any racism, sexism, xenophobia, homophobia, hate language, etc. This blog is a safe space for everyone!

★ I'll keep on adding as I write.

★ This does not include my stories written in 2022.

★ Fluff—❤️ Angst—💔 Smut—🔥 Suggestive—👀

The Walking Dead

DARYL DIXON

ONE SHOTS:

Scooby Snacks With Your Whiskey ❤️

You Are My Sunshine ❤️

In SICKNESS And In Health ❤️

Daryl Dixon x Pregnant!Reader headcannons ❤️

I Found You 💔❤️

Sleepy Time ❤️

Something To Prove 💔❤️

Daryl Dixon x Mom!Reader With Baby Headcannons ❤️

Hazelnut ❤️

Daddy's Little Girl ❤️

Night Terrors ❤️

Pregnant Pause 💔❤️

Spot Of Tea ❤️

Feel The Rhythm In Your Soul ❤️

I'm Right Here 💔❤️

Holding On To You ❤️

Just A Bad Dream 💔❤️

Two Plus Two Makes Four 💔❤️

I Never Lived For The Applause 💔❤️

Cleansing The Mind, The Soul And The Body ❤️

Just Try It ❤️

Run Away With You ❤️

Spa Day ❤️

Daryl Dixon x Former!Celebrity!Fem!Reader Headcannons ❤️

Observe ❤️🔥

His Motorcycle Princess ❤️

That's What Makes You Beautiful 💔❤️

SERIES:

Shopping Spree, Hangout Dreams AU:

Shopping Spree, Hangout Dreams ❤️

Dyeing For The Haircut ❤️

Snitches Get Stitches ❤️💔

Third Time's Not Always The Charm ❤️

Through The Good Times And The Bad 💔❤️

Mouth To Mouth ❤️

Breathe With Me 👀💔❤️

Headcannons ❤️👀/ Part Two ❤️👀/Part Three ❤️💔

A Trip Down Memory Lane ❤️

Selfish 💔❤️

NEGAN SMITH

ONE SHOTS:

The One That He Wants ❤️👀

Blade 2:

SCUD FROHMEYER:

ONE SHOTS:

Stay Quiet, Pretty Boy 🔥

Apologies, Baby 💔❤️

(More coming soon!)

★ Done with it. ★ Almost done with it. ★Working on it. ★Haven't started on it yet.

➳༻❀✿❀༺➳

★ That's What Makes You Beautiful—Daryl Dixon x Fem!Reader.

★ The Archer's Girl—Daryl Dixon x Fem!Reader (Shopping Spree, Hangout Dreams AU).

★ Inner Fury—Daryl Dixon x Fem!Reader.

★ What Doesn't Kill You Makes You Stronger—Daryl Dixon x Daughter!Reader.

★ My requests are: OPEN.

★ I'm taking requests for:

→ Daryl Dixon

→ Scud Frohmeyer

→ Rick Grimes

→ Michonne Grimes

→ Rosita Espinosa

→ Glenn Rhee

★ My default is Fem!Reader. However, I'll write for any gender, skin type, culture, etc. Just specify it in your request!

★ I'll write any tropes/kinks I'm comfortable with, and if I'm not comfortable with it, I'll let you know!

★ Some tropes/kinks I'm not comfortable with writing is non-con, dub-con, incest, stepcest, pedophilia, pervert!(character), piss kinks, mommy/daddy kinks (won't write it myself, but love reading it in other fics), hardcore degradation, spanking/any bodily harm, cheating (if it's on the reader with the person I'm pairing them with), and fetishes, like foot fetishes for instance. There are a few others as well, but these are the main ones I don't feel comfortable writing.

★ I won't write character x character. I obviously have my favourite ships and characters I feel should get together, but I won't write for ships. It's not something I'm comfortable with. I'll include canon couples in my works, but not ships that haven't gone canon yet.

★ I'll try my best to write every request I can, but remember I have a life outside of Tumblr and it might take me a little while to get to your request.

★ Tumblr has a tendency to delete asks sometimes, so if I don't get to your request, there's a huge chance that it got deleted.

★ If it's been a while since you've sent it and I haven't gotten to it or you feel I've forgotten about it, feel free to remind me about it.

★ Other than that, request away!

➳༻❀✿❀༺➳

©dixons-sunshine 2024. I do not give permission for my works to be copied, modified, adapted or translated to any other site or platform without evidence of my given consent.

#krys writes .ೃ࿐ #krys' weird mindset .ೃ࿐ #masterlist #navigation #the walking dead