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#this is in fact about will byers
wibble-wobbegong · 1 year
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#1 problem with some analysis is that people turn the narrative into something which supports their own beliefs rather than trying to understand the argument the show is making in itself, whether you agree with it or not
one of my teachers tells us constantly that it isn’t about what you believe but about what you can argue with what you’re given. whether or not you agree with the message doesn’t matter, it’s about understanding the message in the first place
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kidovna · 2 months
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manifested mileven at the snowball in 2016, so now I’m manifesting byler at senior prom🪻🌻
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morganbritton132 · 5 months
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Eddie is just trying to film a Tiktok to remind his fans about some upcoming shows but trails off when Steve says off-camera, “Hey, remember that RadioShack guy that was banging your mom?”
Eddie: *flips camera around to show where Steve and Jonathan are sitting on the couch*
Jonathan: …Bob.
Steve: Yeah, him. That toe guy from Lord of the Rings looks exactly like him, right?
Jonathan: …
Jonathan: Gollum???
Eddie: Toe, as in Po-tay-toe. He’s talking about Sam
Steve, snapping his fingers: That’s the guy
Jonathan: Oh.
Jonathan: I don’t see it.
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artiststarme · 1 year
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In a surprising turn of events, it was Will that got Steve and Eddie together. He’d noticed their blushing gazes, stilted flirting, and lingering touches. He knew they must’ve been dating in secret from their friends, perhaps because they weren’t comfortable enough to tell anyone. So, he pulled them aside at one of Steve’s pool days and gave them some advice.
“Hey guys, I um. Look, I know you’re dating each other.” They looked at each other in panic but Will continued. “It’s fine, I didn’t tell anyone. But you can tell us when you’re comfortable. The whole Party will be supportive and it’s really inspiring to see the love you two have for each other. So uh, thanks. I’m happy for you guys.”
Will ignored their shocked pallor and pulled them each into a quick hug. He gave them one last smile and darted back outside to the pool party feeling good that he was able to congratulate his friends for something so important. 
Unknowingly to him, he left Steve and Eddie inside to deal with impromptu coming-outs, small crises, and plans for first dates. Because before that conversation, neither Steve nor Eddie realized the other was interested. 
So Will got them together and he was proud when he found out about it… until they did the same thing to him and Mike. Then his joy about the situation became horror (although the method did work once again).
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gmaybe666 · 8 months
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will making ....a comic for mike
I propose that will draws all the time because losing himself in drawing is when he feels the happiest and most free, I also propose that he's obsessed with collecting images of knights and soldiers and medieval fairytales and sticking them on his wall because he is Very Gay And A Nerd
link to read will's comic
message me to buy will's comic !
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chirpsythismorning · 7 months
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#byler#stranger things#st5 predictions#hellfire club is on a hit list plastered around town with the word hunt surrounding it...#and jason who just gave a huge speech about how hellfire is a cult is now dead...#cool#oh and will byers aka zombie boy who everyone in town knows is gay apparently and whose disappearance jumpstarted these cursed events...#is back in town?#oh they're so fucked#what does intrigue me is that if this is explored at all whether it be blatantly or sub-textually#they're gonna need to establish byler's feelings fairly early on to warrant the town having suspicions about them and then acting on it#but seriously#their entire town is dust#almost everyone has left besides the party and the extremely religious folks who are using jason's words as their driving force...#shit is about to go down#i have a whole post in my drafts about mike being fuuuuuckedd#like there's just too much evidence supporting it#the fact that he is on the hellfire poster#the fact that they make a point to have jason looking for mike and also nancy say that she saw him die in the vision#the fact that the scene at the town hall has both a will and mike lookalike#but the scene with will looking at his lookalike directly as they drive into hawkins but without mike's lookalike present this tie#with the following dialogue literally acknowledging people missing and dying and the shot focusing on mike#the fact that mike has been consistently late at the start of every season#the fact that mike's accompanied by a funeral home fan in his s4 promo pics#the fact that his funkopop looks like it's getting vecna'd#the fact that finn himself joked about mike dying in the opening scene...#oh and my personal favorite#mike: 'how am i gonna survive a whole week without you guys?'#that week ain't over yet folks...#anyways
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nehoteika · 1 year
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it's strange, knowing now who it was this whole time...
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homosexualslug · 2 years
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me 🤝 jonathan
protecting will byers at all costs
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astrobei · 1 year
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for @quinnick: kiss prompt #4 - lips barely touching
The car is out of gas. Will is about ten seconds away from maybe-dying (again). Mike Wheeler has been abnormally quiet today.
At least of late, one of those things is more abnormal than the others. 
The car is always out of gas. Will doesn’t know when the last time they’d filled it up was, but he does know that it’s not his problem trying to figure it out. That’s Hopper’s deal. Or his mom’s, maybe. Or Nancy’s, or Jonathan’s, or–
Whatever! The point is that the car is out of gas, Mike and Will are stranded at the currently closed general store, and they’re probably about to die.
Again.
“Mike,” Will tries, for maybe the hundredth time. “It’s not your fault, okay, it could’ve happened to anyone–”
“Yeah,” Mike grumbles miserably, as they round the corner, from aisle four – cleaning supplies and household items – into aisle five – canned goods. Most of the shelves are empty, turned over. Mike picks up a can of pickled green beans, pulls a face, and puts it back on the shelf. “But it didn’t happen to anyone. It happened to me.”
Will takes a long, deep breath in through his nose. God forbid Mike Wheeler ever let anything go. “You didn’t know,” he huffs anyway. “It’s not your fault.” The store is dark, which is great for being able to roll your eyes without Mike seeing. Will’s flashlight sputters, briefly, the bright circle of light flickering in and out of view. He smacks it against his palm once, twice, and it steadies. “Seriously,” Will adds, as Mike slows to a stop in front of him. “Stop beating yourself up. So we have to wait for a ride. Big deal.”
Mike turns around to face him. His expression is mostly unreadable in the dark, but Will’s flashlight catches the edge of it – worried, a little guilty. “Yeah,” Mike says softly. “Except there are things everywhere and waiting for a ride is just– we’re sitting ducks here, okay,” Mike frowns. “I don’t like it. It feels like tempting fate.”
“Well, the simple fact of my existence feels like tempting fate sometimes,” Will jokes. It works, for a split second – Mike’s furrowed brows smooth out into something halfway amused, and he makes a noise that might be a laugh.
“Not funny,” Mike says anyway. His lips twitch.
“You laughed!” Will insists, smiling. His voice carries down through the hallway in a vibrant echo. “I know you did!”
“Shut up,” Mike whispers, looking away. “Would it kill you to keep your voice down?”
It might. Somewhere in the back of Will’s mind, he’s vaguely aware that they’re not safe here, out in the open, and that the whole point of them coming inside instead of waiting in the parking lot was to hunker down until Jonathan and Nancy could get another car here to pick them up. And also, preferably, get some gas.
Somewhere significantly closer in Will’s mind, though, is the knowledge that this is the most Mike has said – and the closest he’s come to laughing – since the car had stalled on the way from the cabin to the general store ten minutes ago, and Mike had just barely had time to pull into the abandoned parking lot before it had stopped altogether. He knows Mike doesn’t like this – being caught off-guard, out in the open. Even minute changes in the plan – which you’d think they’d all be more prepared for, considering the way things have been going lately – get Mike a little keyed up.
And the sorry, borderline pathetic part is this: despite it all, despite the ever-present threat of danger, and the impending sense of doom that’s been hanging over their heads for what seems like forever, Will feels vaguely pleased with himself anyway, seeing Mike hold back a smile instead of forcing one on his face.
So yeah, it might kill him, if he kept his voice down. That’s okay. Will thinks it would be worth it, sometimes – the danger and the doom and everything else – to hear Mike laugh.
God, what’s wrong with him? That’s embarrassing. That’s so embarrassing.
He shakes the thought off. “Whatever,” Will says instead, praying the cover of darkness is hiding the blush that’s rapidly rising to his cheeks. He angles  the flashlight away from them anyway, just in case, and Mike’s face falls back into silhouette. “You know I’m right. You’re doomed just by being here with me.”
Mike shakes his head. “You know I don’t think of you like that.”
Will frowns. “Like what?”
“Like– like a bad luck charm,” Mike waves his hands around. “Or whatever.”
“I didn’t say bad luck charm,” Will exclaims. “Ouch! Stop putting words into my mouth.”
Mike grins. “Would you rather have, uh,” he picks up the nearest can to him, something small and vaguely gray, “tinned sardines in your mouth? Tinned sardines in water? Oh, gross. Never mind, actually.”
“I would rather not,” Will decides, even though the shelves are so bare that they might have to suck it up and take home the tinned sardines in water after all. “Would you like some, uh. Tuna?”
“I guess we know why there’s so much fish,” Mike sighs, leaning heavily against an empty shelf. “Nobody wanted it.”
“You mean the ten people outside of our circle of friends that are still left in Hawkins? Yeah,” Will scoffs, then sets the can back down with a soft clink. “I guess not.”
Neither of them say anything for a moment. It’s quiet in the store, the room dark and lit faintly by Will’s flashlight and the display in the corner. It lights Mike up a faint blue, catches the edges of his jaw and where his hair is curling softly over the hood of his jacket. 
Will’s flashlight sputters again. 
When it comes back on this time, it’s more faint than it was before. It’s dark in here, Will realizes, a bit belatedly. Like, really dark.
He takes a deep breath and shuffles closer to Mike, just a little, like the shape of his body all leaned against the empty shelves is a grounding force. Mike gives him a look that Will can’t quite decipher in the dark.
“Everything okay?”
“Yeah,” Will breathes out. The proximity is helping, a little. “Just– waiting for our ride.”
Mike leans in a bit closer too, places an arm under Will’s elbow. It’s a light touch, nothing forceful, but the semblance of support is there. “You sure? You look a little pale.”
Sometimes, Will hates how well Mike knows him. He doesn’t get antsy in the same way Mike does in situations like these, but he’d be lying if he said they didn’t affect him at all. It should be expected by now, the automatic fight or flight. 
For some cruel reason, it still isn’t. “You can’t even see me,” he says, but lets himself lean into the touch anyway.
“I can see enough,” Mike says easily. “Do you want to sit down?”
Will shakes his head. The only thing worse than waiting out in the open is sitting out in the open. At least when you’re standing, you can run. “No. I’m fine.”
Will can’t see Mike either, but he’d be willing to bet real money – that he doesn’t have – that he can tell exactly what Mike’s expression looks like. The pause grows, swells and swells and swells, until Will is sure Mike is going to say something–
There’s a clattering outside.
Instantly, Mike’s hand tightens its grip on Will’s elbow. “Did you hear that?”
“Yes,” Will hisses, twisting around to try and see through the windows. “Of course I heard that, Mike.”
“Do you think that’s–”
“No idea,” Will whispers. With no small amount of reluctance, he tugs his arm out of Mike’s grip. He misses the warmth of it almost instantaneously, and the tugging in his stomach is only amplified by the way Mike automatically leans in behind him, places a hand on his back to replace the absent touch, like it was never gone at all. Will swallows, and flicks the flashlight off. “Now be quiet.”
“The windows are boarded up,” Mike says, decidedly not being quiet. Will wonders where the Mike Wheeler of fifteen minutes ago went – the one that was sulking and fidgeting in silence the whole way down the first aid aisle. “They’re boarded up, so nothing can get in. Right?”
“We got in,” Will points out, which Mike seems to realize at approximately the same second he does. It’s getting a little hard to think, with Mike so close to him.
Will really wishes Mike would pull his hand away.
“Right,” Mike whispers, breath ghosting gently over the back of Will’s neck. “Okay. That’s fine. That’s fine.”
Fine, Will thinks. That’s one word for it.
Another clattering. It’s closer this time.
Will freezes.
Jonathan and Nancy are probably about ten minutes out. Twenty if they had to go back to the Wheelers’ for the other car. So they’d probably be fine if they stuck it out here, because the chance of something happening across them now, in the brief period of time where they’re stuck without a ride, in a building equipped with close to nothing that could help, is small.
Small, but not nonexistent.
Will isn’t really feeling inclined to take that chance. “Come on,” he says, then spins on his heel, grabbing Mike’s hand and tugging him in the opposite direction. “Come with me.”
Mike follows easily, stumbling slightly with the sudden movement. “Wh– where are we going?”
“Just come on,” Will says, then tugs Mike around to the back of the store. He yanks open a door, and shoves him inside. “Get in.”
“Whoa,” Mike says, as Will tumbles in behind him. “Will, what–”
“Would it kill you to be quiet?”
“Sorry,” Mike says, then does, at last, fall silent.
Immediately, Will wishes he hadn’t said that. It’s dark in here – even darker than out in the front of the store – and the only noise is the faint hum of a generator, somewhere behind the walls. It’s grating and stilted. Will wonders when the last time it had been repaired was.
Plus, it’s really–
It’s really fucking dark in here.
Will lets out a long, slow exhale, and reaches out to feel for the wall beside him. His palm comes into contact with chipped paint and he follows the shape of it down, lowering himself onto the ground.
“Will?” Mike says, and Will is in half a mind to say that thing about being quiet again, but–
It’s dark. It’s really dark.
“Yeah,” he says, barely audible even to himself over the faint hum of the generator, and the louder hum – demanding, prominent, persistent – of his blood rushing through his ears. “I just– sitting. I’m sitting.”
There had at least been some light out in the front, but this storage closet might as well be a void. It smells vaguely of dust, something stale and unknown and probably untouched for who-knows-how-long. Will takes another deep breath in.
“Where?” Mike asks. “I don’t want to step on you.”
Will cracks a smile. “Here,” he says, and holds a hand up in the air. “Right here.”
There’s a quiet shuffling sound as Mike moves closer, and then Will feels fingertips brushing against his. Mike latches on immediately, gripping tighter onto his hand and sits down in front of him. 
Will still can’t see anything – he can’t see anything – but he can feel Mike’s presence like it’s a tangible thing.
Mike could let go of Will’s hand now. Now that he’s found him.
He doesn’t, though.
“Hey,” Mike says, then there’s another faint shuffling noise. “Where are we?”
“Storage closet.”
“Huh. How did you know it was here?”
Will cracks another smile, despite himself. “My mom worked here, remember? For, like, years.”
“Right,” Mike laughs, and then he’s moving closer, knees bumping against knees in the dark. “I forgot. It doesn’t feel like the same place.”
“Tell me about it,” Will sighs. He’s probably breathing in dust and debris and soot and all sorts of gross stuff, but he can’t find it in himself to care. He presses his knees against Mike’s a little harder, just because he can.
“I remember,” Mike starts, readjusting his grip on Will’s hand – fingers interlocked, a firmer grip – “she’d give me free candy from the front counter. Whenever I came in with my parents, I mean. My mom was so confused about why I kept asking to tag along to Melvald’s with her.”
“That’s not fair,” Will laughs. “She never let me have any candy.”
“You were a menace all hopped up on sugar,” Mike points out. “I knew how to behave myself.”
That’s a damn lie, and they both know it. “Liar,” Will says quietly, leaning his head back against the wall. “You’re such a liar.”
“Maybe so,” Mike hums. “But I’m still the one who got free candy, so–”
“Mike!” Will shoves lightly at his knee, and Mike’s answering laugh fills the small space instantaneously. It’s loud – too loud, because they’re supposed to be hiding, goddamnit – but the nagging little voice at the back of Will’s head is vanquished almost as quickly as it came. “Shut up.”
Mike, as always, ignores him. “Why don’t we turn on a light?”
“The fuse is probably blown,” Will responds. “If there’s even a light in this stupid closet.”
“I mean this, idiot,” Mike says, and then clicks the flashlight back on. The batteries must be dying, because it flickers to life weakly, steadying out into a dim yellow-white. “Obviously.”
“Don’t waste the batteries,” Will says at once, trying to grab for it. “Come on, Mike–”
“Jonathan and Nancy will be here any minute and then we can go put in new batteries,” Mike says, holding it easily out of reach. “No point sitting in the dark, right?”
“Mike,” Will tries to protest, but it’s useless. Mike’s made up his mind.
Slowly, and a little far away, Will realizes what Mike is trying to do. He’s not being subtle about it, but subtlety has never been Mike Wheeler’s strong suit. He’s always been exuberant, quick and spontaneous with his actions, and this is no different. Sitting up close, closer than would be strictly necessary in any other situation. Turning the light on, despite the dying batteries. Telling Will about coming here as a kid, all those years ago. Making him laugh. Diffusing the tension.
Jesus, and he’s still holding Will’s hand.
A wave of affection washes over him, sudden and overwhelming enough for Will to feel borderline nauseous.
This isn’t fair. This isn’t fair. Mike can’t just sit here and touch their knees together and hold Will’s hand, and–
“Look,” Mike is saying, and then he’s holding the flashlight under his chin and grinning. “Don’t I look freaky?”
In all honesty, Mike looks fucking hilarious. The direct light casts long shadows across the dips of his cheekbones, the shapes of his eyelashes distorting wildly as he blinks. “No,” Will snorts, rolling his eyes. “You look ridiculous.”
“Really?” Mike grins, in a way that means he knows just how ridiculous he looks. “Not even a little?” He waggles his eyebrows, and the resulting effect is so comical that Will can’t help the laugh that bursts out of him, sharp and sudden and real.
“Mike,” he chides, for the millionth time. “You’re going to kill the battery.”
Mike looks way too pleased with himself. “Worth it,” he says anyway, as he sets the flashlight down. It evens out the sharp angles of his face, now that it’s farther away, lights his cheeks and nose and eyes up into something softer, more open.
Something about the steadiness of Mike’s expression is brighter than any source of light. Suddenly, it’s too much. Suddenly, it’s blinding. 
God. He’s so screwed.  “For what?”
“Getting you to laugh,” Mike says, simple and easy, like he’s reciting times tables instead of proceeding to turn Will’s entire world upside down on its pathetic little axis.
Will feels his lungs stutter on his next inhale. He looks away. “Don’t do that.”
The gleeful expression falters on Mike’s face. “Don’t do what?”
“Don’t,” Will says, “don’t– you’re being so– so–”
Mike looks caught somewhere between confusion and amusement. “So what?”
“So,” Will tries again, and then Mike moves closer, and the difficulty of articulating a halfway decent sentence immediately increases tenfold. “So.”
“So,” Mike echoes, shifting so the side of his thigh is pressed up against the side of Will’s. He’s being slowly backed into the corner, but the thought isn’t terrifying like it might have been five minutes ago. Suddenly, Will is overwhelmed in a completely new way. “So what?”
“Nice to me,” Will gets out. “Stop being so nice to me.”
Mike pauses, then says, incredulously and half-laughing– “What? Why?”
Bad choice of words. “You heard me,” Will says anyway, because he’s nothing if not stubborn. “You’re being too nice.”
“I should hope so,” Mike says. “I mean, you’re my friend.”
Maybe Will is imagining it, but the sentence feels unfinished. Like there’s a second half to it that Mike is keeping for himself: You’re my friend – right?
The obvious answer here is that yes, Mike is his friend. But that answer feels unfinished too, like a lie by omission. Will tries to imagine it, doing these things with anyone else – what it would be like if Dustin was holding his hand, or if it were Lucas sitting next to him this close.
The conclusion he comes to, almost immediately, is that it would be weird.
It would be really fucking weird.
That feels like– something. An admission, maybe. Because the fact of the matter is that things with Mike have always been like this, and they’ve never been like this with anyone else, and Will doesn’t think they can be like this with anyone else without it being the most unsettling thing that’s ever happened to him.
The silence, he realizes, has gone on just a second too long.
“Yeah,” he blurts out at last. “Yeah. Obviously.”
Something settles over Mike’s face. “Will–”
“Forget I said anything,” Will backpedals, a little bit desperate. “Never mind. Be as nice to me as you want.”
Mike bites down on his lower lip. It looks like he’s holding back a smile. “As nice as I want?”
Oh, no.
“Sure,” Will tries. “Do your worst.”
Mike lets out a shaky exhale. He presses in further, leans in closer until their shoulders are almost touching. “How about this?”
“That’s not nice,” Will says weakly. “That’s just an invasion of personal space.”
“Seems pretty nice to me,” Mike mutters under his breath.
Will inhales sharply. “Mike.”
“What?”
“What are you– doing,” Will whispers, stumbling over his words, just slightly, as Mike places a hand on his arm.
Mike’s gaze does not waver. “Is this okay?”
Is it okay? Will thinks his brain might be halfway to leaking out through his ears. This is–
This is–
“Yeah,” he hears himself say. “Yeah. Great.”
“Okay,” Mike whispers. He’s so close now that Will could count all the freckles spattered across his nose, if he wanted to. He could, and the thought is dizzying, dizzying – suddenly, it’s not the claustrophobia that’s making him feel like this. It can’t be, because Mike is in front of him, and he’s so close that Will could just lean forward and–
He could just–
“Mike.” And maybe he’s a bit of a broken record, but he can’t come up with any words other than his name. He clutches at Mike’s knee and meets his gaze and prays – to whatever deity allowed him to get trapped in a storage closet with Mike Wheeler two inches away from his face – that Mike Wheeler will find the courage in him somewhere to close the fucking gap.
He doesn’t, though, which is a sign that the universe must be majorly fucking with him. Not yet, anyway. Not anywhere near as fast as Will needs it to be – if this is what he thinks it is, it’s nowhere near fast enough.
In actuality, what it is is excruciating – the way Will’s heart is beating so loud that he’s sure Mike can hear it, in the proximity. The slow circles Mike is tracing over his other hand – the hand that he’s still holding. He’s so close that Will can discern the warmth emanating off him, the familiar scent of soap, can feel Mike’s eyes trained steadily on his mouth, and yet–
Either Mike is actually moving at a speed of one nanosecond per minute, or time has slowed to a near-stop around them. Mike’s grip on his hand is agonizing, caustic in all the places where they’re touching, each slow circle of Mike’s thumb against his wrist driving him slowly and steadily out of his mind. Do it, Will thinks, like maybe if he thinks it loud enough, Mike will be able to hear him. Do it, do it, do it.
Mike’s lips touch his.
The world stops moving.
It must, anyway. Or maybe it’s just that Will doesn’t think he’s breathing anymore – he doesn’t know if he can find it in him to remember how. All he’s aware of is this: Mike’s hands on his arm, his wrist. Mike’s leg under his own palm, warm and steady and pressed up against him in a smooth, unyielding line. The pressure of the wall behind him, the strands of Mike’s hair brushing against his face, and Mike’s lips – gentle, gentle, gentle, and nowhere near enough.
It’s like Mike is waiting for something. Waiting for Will, maybe.
God, okay.
Fuck it, Will thinks, from somewhere far off in his own head. Fuck it. Fuck this. 
“Will,” Mike whispers, pulling back a precious few millimeters, and that’s it. That’s all Will can take.
Will lifts his hand off Mike’s leg, raises it to his wrist and tugs. Mike topples into him with a small gasp, Will falls backwards into the wall, and then they’re kissing.
God. Okay.
Mike steadies himself quickly, braces a hand on the wall behind them and leans in, firm and enthusiastic. His hand, Will notices, faintly and with no small amount of affection, is shaking. Just slightly. Will’s trapped between them again – Mike and the wall – but this time he can’t find it in himself to care even the slightest bit. As if there’s anywhere he’d want to go that wasn’t here, as if he’d want to be somewhere without Mike’s hand carding through his hair, or without his lips moving softly against Will’s own, or the noise he makes when Will presses forward, too fast, too eager, too betrayed by his own fluttering pulse – something like a laugh, trapped deep in his chest.
Suddenly, it’s not enough. It’s not enough. It’s–
“Mike? Will?”
Shit.
In a flash, Mike pulls away, wide-eyed and pink-cheeked and breathing like he’s just run a marathon.
Shit.
“Yeah,” Mike calls, voice cracking just slightly on the syllable. “We’re in here!”
Shit.
“So,” Will says, aiming for nonchalance. He fails immediately. His voice cracks too. Great. “That–”
Don’t freak out, he thinks. Please don’t freak out.
Mike, to his credit, is not freaking out.
“Yeah,” Mike says, voice a little high-pitched but surprisingly even. He clears his throat. “Um. Yeah. You were–”
“Yeah,” Will finishes, rather lamely. He’s grinning like an idiot. He doesn’t even need to look at himself to tell. His expression is mirrored, perfectly, flawlessly, brilliantly, on Mike’s own face.
The closet door gets thrown open, and there’s a blinding, sudden light– “What the fuck,” Mike exclaims, squinting and throwing a hand up in front of his eyes. “Nancy?”
Jonathan peers around her shoulder. “What were you guys doing in here?”
Don’t look. Don’t look. Don’t–
Will can’t help it. He looks at Mike, and they immediately burst into laughter.
Shit.
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byl3rr · 2 years
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look me in the eyes and tell me that vol2 mike wouldn’t get the beatdown of his LIFE by the little shit that is s1 mike wheeler
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bugsbenefit · 2 years
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i know we talk about Mike and Will and how important they are for the plot of s5 here all the time. but can we talk about how Insanely set apart the two of them are from everyone else by the end of s4? because yes, we already know they'll be important, s5 is going to be Will's coming of age and the kids have Always been the main focus of the show. hell they're literally the center of the ending shot of the entire season can't get more obvious than that:
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everyone else had their shot at ending things already and failed, s5 would just be a repeat of s4 if it weren't for Will, Mike, Jonathan, Hopper, and Joyce being back in town for the rodeo this time around. this will be what makes s5 have a different outcome than s4 did.
but what really fucking gets me is that it's not just visually or thematically made clear how central Will and Mike will be to taking down Vecna. it's in the way the last moments of the season were written from a fundamental writing perspective because:
Mike and Will are the only central characters to never get confronted with Vecna for the entirety of the season. however. s4 ends with Mike and Will being the ONLY characters to know Vecna is still alive.
literally the only fucking ones.
i think that aspect gets lost sometimes. We know Vecna is still there because we just watched them have this conversation. the other characters DON'T know that. on that hill and in the entire town, right now, Mike and Will are the only one's with a concrete idea of why spores could suddenly start falling from the sky despite them having 'won'. they're not questioning what's going wrong because they already Know. they already came to the conclusion that they would have to kill Vecna for real. they're already over the initial shock and horror at finding out it was all in vein. they're literally ahead of everyone else.
from a character perspective this doesn't make much of a difference. s5 is supposed to pick up right where s4 left off and it's obvious that they'll fill everyone in on that immediately. they're not keeping that info from everyone they just didn't get the chance to share it yet. BUT. that is a conscious writing decision. it would have been a 30 second extension to have them quickly tell this crucial information to everyone outside the cabin or have maybe El overhear the end of their conversation in the cabin, she was only a room over after all. but they didn't do that. so we end the season with Mike and Will being the only one's on the same page as the audience.
Mike and Will being back in town is going to be pivotal to Vecna's end and we're being told on a thematic, visual, and writing choice level
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emblazons · 1 year
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I know I'm trying for on a creative/analytical hiatus (just to clear my head/get back into the groove of new schedules in my real life) BUT:
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This is the quote The Duffers included with The Piggyback script release, and…well, I know for a fact it’s not all about Mike, but it certainly applies to him as much as anyone else. I’ve said once, and I’ve said it a thousand times: you were meant to feel like you lost S4–no arc is “done,” nothing was “resolved,” and to think so is to fundamentally misunderstand the story aka that god forsaken "I love you" (x9) did nothing to fix things.
—still, and as they've said repeatedly: even though the penultimate season felt like everyone lost, including the characters who aren’t Eleven aka Mike and Will …what The Duffers ultimately want is to give kids hope that they can overcome anything?
People who struggled in high school, who are struggling to “fit in" and struggling with acting "normal—"
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—and who are trying to understand who they are—
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—felt hopeless this season...but are going to feel like they can overcome anything....& run out of the darkness and into the light? 😂
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I just. You don't even need to focus on the fact that he's also in love with Will to figure out wtf is happening here, and yet people remain clueless about how he's moving away from El and toward Will 😭 Sort through the themes of the show, and you can figure out the ending. With the duffers, that’s just how it is, and I’ve been saying it’s critical to understand the story and Mike’s arc for several months.
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oneway-closet · 2 years
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all will does for four seasons is just get beat up and hurt, especially in the first two seasons when he was literally 12-13. let him win. let him get everything. let him kill vecna, let him have a really sweet moment with his sister, let him get the boy he’s been pining after for years. he deserves everything
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Do you ever think about how, when Hopper and Joyce found Will in the Upside Down, he wasn’t breathing and his heart wasn’t beating? And it wasn’t like that happened after they extracted him, but he was already dead when they found him, so they have no idea how long he’d been dead for before he was resuscitated. You assume it wasn’t that long because he seems fine, as in, not brain dead, but it’s not stated that that’s the case.
Do you ever think about how Will probably knows this? Do you think he ever questions whether he actually was rescued, or if a piece of the Upside Down that thinks it’s Will possessed his body? Don’t know where I’m going with this. I was just imagining Max and Will bonding over trauma after she awakens and Max makes a comment about how unlike Will she died to which Will would reply he did too, and unlike her, he had no one there with him to time how long he was dead for.
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purpleshadow-star · 1 year
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People are saying that Noah went through and felt the same things Will did, and that's why his scenes hit different now. I've seen posts saying that he wasn't acting in some scenes and that he really felt the same emotions as Will, or that he was able to give such a raw performance because he felt the same way as Will. I've seen things about how Noah must have felt awful because his character was the target of homophobes, so he felt like they were attacking him, too.
I think people are taking this too far.
Could Noah have felt Will's emotions on a deeper level than we all knew? Sure. But we don't actually know that. At the end of the day, Noah is an actor. He's an actor, reading from a script, playing a fictional character, and he knows that the story is fiction. He also knows that the homophobes in the show are wrong and end up being punished/ shown in a bad light on purpose. Noah is an actor doing a job, and he knows not to internalize the scripts and the words of homobobic characters. He's played multiple roles. Will wasn't his first role. He knows how this works. He knows the homophobia is wrong and incorrect, especially since they make that clear in the show. I doubt he grew up feeling as awful as Will did just because of the words in the scripts (in scenes he wasn't even there for). Please give him more credit than that.
Noah's scenes hit different because now we 100% know that Noah was really able to put himself into Will's mindset. We now know that Noah was really able to imagine himself going through what Will was going through while filming, and he could relate to being closeted and scared to come out as well.
That's all we know.
We don't know anything else. We don't know his experience. It's entirely possible that Noah went through the same feelings and emotions as Will did, that the words from homophobic characters did affect him personally, but until we get a confirmation that that's true (which might never happen, and that's perfectly fine), I think we need to stop assuming we know his experiences while growing up closeted.
So to say, "Noah wasn't acting here," is just wrong because he was acting in every scene. Just because he is able to relate to Will more than we thought doesn't mean he wasn't acting. Until we get confirmation that he wasn't acting (like how he said he wasn't acting in the shoot-out scene and that he was genuinely terrified), let's not assume anything.
Here's what we know: Noah is gay. He was scared to come out. He came out to his family and friends. They said they knew already. They support him. He can relate to Will as far as being gay and scared and his family already knowing.
Until he shares more or clarifies further, that's all we know so far. Let's not assume things he never confirmed about his private life. We're not owed information about his experiences growing up, and we don't have the right to paint a picture about his experiences when we don't know the truth yet.
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chirpsythismorning · 2 years
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Something I don’t understand is how the majority of bylers were somehow fully tricked into believing that the Duffers actually forgot Will’s birthday, even despite the heaps of evidence that says otherwise..?
This lie was intended for the ga (Reddit, homophobes, those in denial, people not willing to look behind the curtain), who can now cling to this whenever they’re confronted with evidence of byler.
“None of that is proof. Don’t you know the Duffer Brothers forgot Will’s birthday?? You’re seriously reaching. It’s not that deep.”
They NEED this to keep the majority of GA away from figuring out the truth before the reveal. Because this curtain would open the curtain behind that curtain and they couldn’t let that happen. Because Will’s birthday being forgotten is going to be central to his arc in season 5, and not only that but also most likely central to Mike’s realization arc as well.
This whole dilemma just reminds me an awful lot of a specific scene from Stranger Things 2… and the irony that is the Duffer brothers out here giggling as they manage to convince 99.99% of their audience that they don’t rewatch their show, making a point to specifically say they don’t remember the last time they rewatched s2….
Like how can u be a byler and believe that shit??????
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