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didalexiabreakupwitholgayet · 2 days

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mariona's statement during her press conference. (it's so emotional 🥹)

"good afternoon. first of all, thank you all so much for being here. before starting the press conference i would like to make a short summary of what it has been for me. being part of the club of my life. those of you who know me know that my first football memories are all related to barça. the first blaugrana shirt, ronaldinho's first boots, the first trips with the family to visit camp nou, the first matches on TV, those of barça. looking back, i realize how lucky i was that my father instilled this in me from a very young age, which means loving a club and admiring the colours. and how lucky to be able to say out loud that i have always been, am and will always be a culer.

"when i was 18 years old and had the option to come here, the decision was made on my own. i still remember that day and what o heard that girl who had grown up being a barça fan, the one who screamed and jumped when they scored goals and the one who cried and got angry when they lost, she had before her the opportunity of her life to wear the blaugrana shirt, but this time an official one with her name on it. and this dream, when it came true the first moment i set foot in the ciutat esportiva, was wonderful. after ten years i leave feeling even culer than i was before, if that is possible and we feel privileged to have been part of the best team in the world.

"the truth is that i couldn't describe in words what barça means to me, and that's why you can imagine how difficult it was to make the decision to leave. barça is my life and barça has changed my life. that is why i wanted to take advantage of this moment to dedicate a few words to those who have been part of this path in the first place, the president and the board of directors. you have made all this possible with a firm and real commitment to women's football and to us. without you this story would be totally different. you have given us the tools to develop as professionals and you have given me the best gift of being able to play at camp nou, my family, my mother and my brother, my godmother, my aunts and uncles cousins you have followed me every step of the way and have always shown me your unconditional support. i know you've enjoyed this stage as much as i have and you've been a huge part of it all.

to you, dad, who was the one who took me up and down when i played in amateur fields. i wouldn't know how to explain to you that i have managed to win three champions leagues with your beloved barça and play in front of a camp nou. i wish i didn't have to leave so early because i know you would have enjoyed it more than anything. but what has marked ends and for every title raised i promise you that you have been there, because this has always been our dream and that is why i hope that, wherever you are right now, you will be very proud of me.

to my friends for loving me and helping me and always being by my side, to the technical staff, i thought you were crazy about football, but yours is worth studying. you have made me love this sport even more and you have passed on your passion to me. no one had ever told me about bases and squares, chains or body orientation. i am the player i am today because of you. you have taught me so much and made me believe in myself. i hope that despite the training tantrums, you are aware of how much i respect and admire you. and i would like to take this opportunity to thank you for the trust you have placed in me, along with the other members of the coaching staff and club workers. you are many and very important. your work is more invisible, but do you know that you are essential to us.

to the press and the fans. thank you for embracing us and pushing us as you have. and finally, to the most important ones, to my colleagues. sharing this adventure with you has been the best part. no one but us can imagine the effort we have put in, nor the sacrifice we have made to get to where we are. we all know it has not been easy, but it has been worth it because we are a unique team. you have made me proud to be part of this historic group, and not only for all the sporting achievements, but for all the social impact we have achieved and the image we have given to the whole world. It's not just wins, but how we won. that's why i can only thank you for making me enjoy football and for making me a better player. we will miss you very much. but i will always follow closely and celebrate your successes as my own. i wish you the best and hopefully football or life will offer us a reunion. i would also like to make a special mention to Xavi Llorens for giving me the opportunity to come here and marc for making such a farewell possible, they are always in good tune, despite the difficulty and pressure of the last few months. with my hand on my heart. i just have to thank you again. i am proud and happy to be a part of this great family. visca el barça now and forever."

#mariona caldentey #fcb femení #futfem #woso #catalan #translation by me

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theetherealbloom · 2 days

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CLOSE TO YOU

Summary: A commute crush turned meet cute with Pedro Pascal

Paring: Pedro Pascal x Fem!Reader

Warnings: strangers-to-friends-to-lovers, Commute Crush, TOOTH-ROTTING FLUFF, Slight Angst, Meet-Cute, Swearing, Anxiety, Surrounded by A-Listers, Cheesy Dialogue, Romance, Kissing, Alcohol, Club/Bar Setting

Word Count: 2.2k

A/N: Happy Close To You release day! I’ve waited for this song since 2018 LMAO. Usually, I don’t write about real-life people, but I really can’t help it since this song is SO Pedro Pascal-coded. Just know that this is fictional and if this isn’t for you, you don’t have to read it! Keep scrolling :> And for those who stay to read this delusion of a fic, hey girlieeee I see you <3

P.S. I’ll be doing a bunch of fics related to Gracie’s new album that comes out next week!

Song: Close To You by Gracie Abrams

| Main Masterlist |

It all began as a harmless crush on your morning commute. The New York subway was your daily stage, a bustling backdrop as you headed to meet a client. As a social media coordinator, your days revolved around managing high-profile partnerships, coordinating with celebrities and Instagram influencers to craft campaigns that seamlessly blended their brands with consumer appeal.

But today was different. And of course, you recognized him.

You noticed him immediately – Pedro Pascal, seated right in front of you. Lost in his book, with a iced quad espresso in a venti cup with extra ice and six shots cradled in his hand, he exuded an effortless charm. His dark, curly hair framed those whisky eyes that glanced up and met yours. Just for a second, you were frozen in time, captivated by his gaze. You quickly looked away, not wanting to seem rude, yet feeling the familiar flutter of a crush brewing.

Did he smile? You swore he did, and your heart skipped a beat. The train doors opened, announcing your stop. Reluctantly, you stepped off, joining the throng of commuters spilling onto the platform. As you ascended the steps, the city's vibrant energy washed over you, but your mind was elsewhere.

Walking towards the restaurant for your client meeting, your thoughts kept drifting back to him. The way his presence ignited a spark within you, a longing that seemed almost irrational. Here you were, burning for a man who didn't even know your name. And yet, in the anonymity of the subway, a fleeting connection had stirred something deep inside you.

It had been a few weeks since that subway encounter, the memory of Pedro Pascal’s whisky eyes lingering in your mind. In the meantime, you had started managing social media for Sarah Paulson, whose busy schedule had her juggling multiple projects and interviews.

Sarah's latest project, a Broadway play titled Appropriate, was garnering critical acclaim and several award nominations. Your job was to promote her involvement, ensuring every post captured the essence of her talent and the play’s success. Though you hadn't been working with her long, you were pleasantly surprised when she invited you to watch one of her performances.

That night, you arrived early at the Belasco Theatre, adorned in your favorite long dress and practical flats, mindful of the commute back to your apartment. Ushered to a seat close to the front, you settled into the plush red velvet, feeling a mix of excitement and anticipation. As the audience trickled in, you busied yourself with casual texts to friends before putting your phone away, taking in the theatre's intricate architecture and the stage's grandeur.

Moments later, an usher guided someone to the seat next to you. Curiosity made you glance to your right, and there he was—Pedro Pascal, settling in beside you. Your eyes widened in recognition before you quickly looked away, a quiet panic bubbling in your stomach and tightening your chest. You fidgeted with your fingers, a nervous habit, trying to quell the flurry of emotions and resist the urge to stare.

As the house lights dimmed and the show began, you couldn’t help but steal occasional glances at him. The man who had unknowingly captured your heart was now mere inches away. The performance on stage was captivating, but you found yourself equally entranced by the man sitting next to you. In the soft glow of the theatre lights, you wondered if he remembered that brief moment on the subway, and if fate had just given you a second chance to connect.

When the show ended and the cast took their bows, the theatre erupted in applause. Pedro, sitting right next to you, cheered loudly when Sarah stood with the rest of the cast on stage. His genuine enthusiasm for his friend made you smile, and as you glanced at him, he looked down at you with a radiant grin.

Your heart raced, and for a moment, you felt a concrete connection that was almost tangible. Both of you opened your mouths to speak, but just then, an usher cleared their throat, drawing your attention.

“Mr. Pascal, Sarah Paulson is asking for you backstage… if you would follow me, please,” the usher said, causing Pedro to hesitate, torn between staying with you and fulfilling his friend's request.

“Uh,” Pedro began, glancing between you and the usher. Seeing his dilemma, you made the decision for him. Gathering your things, you offered a polite smile to both Pedro and the starstruck usher.

As Pedro glanced back at the usher, you seized the moment to make your getaway. You might have heard him call out, "Wait!" but you didn't stop. Stepping out onto the bustling street, the city lights of Broadway twinkled around you, a stark contrast to the growing ache in your heart.

The possibility of what might have been gnawed at you, the fleeting connection slipping through your fingers. A voice in the back of your mind echoed doubts, whispering that you didn't quite belong in this world of beautiful, glamorous people. You tried to shake off the feeling, but the bittersweet sting lingered.

You begin to walk away from the theatre, weaving through the crowd lined up for autographs by the backstage door. Just as you're about to cross the street to catch your subway, your phone vibrates in your clutch. Stepping aside, you see Sarah Paulson’s name flashing on the screen.

Shit.

You quickly answer, praying your voice doesn't betray your nerves. "Hello?"

"Hey!" Sarah's voice is warm and enthusiastic. "How are you? Did you enjoy the show?"

"Yeah, I did! You were absolutely incredible," you say, offering genuine praise and shifting your weight to your other leg.

"Thank you so much! Oh, where are you right now? Are you still nearby? I had told the usher to bring you backstage with Pedro, but it seems like they forgot."

"Oh, um, yeah, I'm near the backstage door," you reply, glancing at the crowd still waiting for autographs.

"Perfect! Some of us are going out for drinks later, and you are welcome to join us!" Sarah’s excitement is infectious.

You stammer, "Uh, I..."

"It'll be great! I promise. I'll introduce you to everyone. You're my best social media manager by far."

Taking a deep breath, you muster, "Okay, yeah, I'd love to come."

"Great! I'll send you the address of where we're headed. We'll meet you there!" Sarah says, her smile practically audible.

"Alright, see you soon." You end the call with a click, clutching your phone tightly as you take another deep breath to steady your nerves and keep the world from spinning.

A ping alerts you to a new message. Glancing at the notification, you read the address and know exactly where to go. With a mixture of excitement and anxiety, you put away your phone and head towards the bar, the city's lights guiding your way.

It took you a while to figure out how to get there, but eventually, you arrive at the bar. As you step inside, a warm hum fills your body, the lights and the pulse of music thrumming through the room. The smoky, dark atmosphere feels electric, bodies moving in a rhythm that seems to make the air itself burn.

Under the soft pink light, everything seems slightly surreal, yet oddly perfect. You spot Sarah, who immediately pulls you into a warm hug, which you happily accept. As you exchange pleasantries near their table, you feel at ease, enjoying the camaraderie.

Then, suddenly, you sense a shift. You glance up and see Pedro looking right back at you. Your heart skips a beat as your eyes meet, and in that instant, the crowded room seems to fade away.

There he is, the man who had unknowingly captured your heart, his gaze steady and intense. As Sarah guides you over to introduce the rest of her friends, castmates, and of course, Pedro, you feel a pull between the two of you.

You muster the courage to speak, telling him your name, and even through the loud speakers and endless chatter, you hear him say your name with a breathless relief. Finally meeting the mystery girl he saw on the subway seems to have stirred something within him.

When you shake hands, there's a lingering touch, a silent acknowledgment of the connection between you. You can't help but duck your head a little, feeling shy under the intensity of his gaze.

"Nice to finally meet you," Pedro says, his voice soft yet filled with warmth.

"Likewise," you reply, your own voice tinged with a hint of nervousness.

In that brief exchange, you both sense something unspoken, a silent understanding that this meeting is more than just chance. And as the night unfolds, amidst the laughter and music, you find yourself drawn to him, unable to resist the magnetic pull of fate.

As Sarah goes to mingle with the rest of the group, you both stand there, caught in a moment suspended in time. The air crackles with anticipation, and you can't shake the feeling that if you asked him to, he'd give up everything just to be close to you.

"You have a way of lighting up a room," he says, his voice low and full of sincerity as he leans in closer.

A blush creeps up your cheeks at his words, and you find yourself smiling despite yourself. "And you have a way of making me feel like I'm the only one in it," you reply, your voice barely above a whisper.

As the night wears on, you find yourself completely enchanted by Pedro. His easy charm and quick wit captivate you, and it's as if the two of you are in your own little world, separate from the chaos of the club.

He tells you stories about his acting career and his passion for music. You share your dreams and aspirations, feeling a sense of comfort in his presence that you've never experienced with anyone before.

Throughout the night, there are moments where your hands brush against each other or your eyes meet in a lingering gaze. Each time it happens, a spark of electricity shoots through your body, igniting a fire within you.

At one point, he leans in closer to whisper in your ear over the loud music. "I have a confession to make," he says, his warm breath tickling your skin.

You turn to face him, your heart racing with anticipation.

He chuckles softly, the sound sending a delightful shiver down your spine. "I can't deny that you've caught my attention since the moment I saw you on the subway."

The admission sends your heart racing, and you can't help but feel a surge of boldness. "Funny, because you've been on my mind ever since," you confess, meeting his gaze with newfound confidence.

His eyes light up with a mixture of surprise and delight, and you can't help but be drawn to the way his lips curl into a playful smirk. "Is that so?" he teases, his voice a low, husky whisper that sends a shiver down your spine.

You nod, feeling a rush of exhilaration coursing through your veins. "Absolutely," you reply, unable to tear your gaze away from his captivating stare.

Before you can say another word, he takes a step closer, his movements slow and deliberate, like a dance choreographed just for the two of you. Your breath catches in your throat as his hand brushes against your neck, sending tingles of anticipation racing across your skin.

And then, in a moment that feels like it's been plucked straight from a romance film, his lips meet yours in a soft, tender kiss. Time seems to stand still as you melt into his embrace, the world around you fading away until there's nothing left but the two of you.

As you pull away, breathless and exhilarated, a sense of euphoria washes over you, like a chemical override in ultraviolet. "I just wanna be close to you," he murmurs, his words sending a thrill through your entire being. A smile dances at the corners of your lips as you revel in the electric connection between you.

"And you could be mine tonight," you reply, your voice barely above a whisper, the words tinged with a hint of playful flirtation.

He chuckles softly, his eyes sparkling with affection as he leans in closer. "I think I could get used to being yours," he says, his voice filled with warmth and sincerity, melting away any lingering doubts or fears.

He can't wait to fall in love with you.

#pedro pascal fanfic #pedro pascal x reader #pedro pascal fanfiction #pedro pascal #pedroispunk #ethereal writes #pedro pascal smut #pedrohub #pedro pascal x you #pedro pascal x y/n #pedro pascal character fanfic #joel miller x reader #pedro pascal x fem!reader #joel miller x f!reader #yes im delusional

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alohamoramylove · 1 day

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whatever you do dont think about the hunger games from gales perspective

dont think about gale as a twelve year old boy when his father dies, learning to hitch snares and catch food, knowing his three siblings will starve without him. dont think about him finding katniss in the woods, and beginning to hope for the first time that he wont have to be alone, that he can have a friend and a partner in staying alive. dont think about how he spent years learning her (and himself through her), about the solace and the peace he finds in hunting with her, about the way that no one in his entire life has ever known him in the way she does, about how it is easier to stay alive with her. dont think about him as a 17 year old boy trying to survive, making due as he always has, and waiting out his reaping years. for the love of god dont think about the reaping day from his perspective. about him hearing prim's name and knowing instantly, probably even before katniss herself, that she will be going into the games. do not think about him swallowing his grief and rage and terror, the knowledge that he is about to lose the person most important to him. he knows what he has do to. he watches katniss move toward the stage. he bites his tongue and moves forward too. he grabs prim and holds her tightly, clenching his jaw against her thrashing and screaming. dont think about his visit with her, the sharpness of his hope, the depth of the promises he will now uphold.

dont think about him going into the woods alone for the first time in years, all of the pain and rage and sorrow and grief and despair rushing up at him in the hollow of the trees. how he still has to hunt, how he still has mouths to feed. about his weekly visits to the everdeen house to drop off game, how their house is empty of her, how alone he is now, how the loneliness has returned more viciously than it ever has been because now he knows what companionship means, how the task of surviving becomes less burdensome in the presence of love. and the whole time, he is watching the games. he is staring at her face, noticing every change with the capitol's makeup and waxing, watching her play the game before shes even in the arena. holding out hope, and watching her be traumatized in real time. eventually, watching her pretend to fall in love with another man, and maybe knowing it isnt true but knowing that it doesnt matter anyway, that she will be bound to those lies even if she survives. watching her kill and watching people try to kill her, watching her hunt and be hunted. he watches her notch her arrows in teh swift and familiar motion he has seen countless times, and he resents the eyes he knows are boring into her all across the country. because their relationship, the sacredness of their survival, will never be their own again. knowing that even if she comes back, nothing will ever be the same. and then she makes it, and shes home, and everything is different. watching her move away, and change, and process, seeing her have more money than he has ever seen in his life, knowing that she would provide enough for him that he would never have to hunt again, but she never offers because he would never accept it. working in the mines, where his father's remains still sit, where he was always headed. watching the capitol freaks visit her, dress her up and strip her down, watching the camera crews roll into town and steal her away and she is so distant now, so distant and never comign back. and still he loves her. still he knows her better and more deeply than anyone in the world. they still hunt together, but infrequently and she doesnt do it out of necessity anymore. snow threatens her and him, and she has to marry peeta and he knows she has to and still his mouth is soured at the thought. and then the announcement of the quarter quell strikes. she's going back in. he'd be a fool to think she will ever return. he readies himself for grief again, but this time it's different. shes married, and distant, and things havent been the same since the reaping anyway. and still, he prepares to watch his best friend die. the games progress, and she has allies now. people hes never met, could never trust. she used to be his ally, and him hers. and then the allies turn on her, and hes watching her bleed out on screen, and then shes fumbling with her arrow, and she is about to die. then the screen is black.

then the hovercrafts come in, and he saves the people he can but the ones he cant he watches burn, hears them scream. his entire home obliterated, his best friend likely dead but undoubtedly unreachable. three hundred mouths to feed and no foreseeable end. an eventual rescue and they let him see her, and he looks at her battered body and knows he has to tell her, and knows too that she will know her arrow sent the hovercrafts. but now his people are fed, and katniss is safe. or at least here with him. and he is trying so hard to connect with her but she is distant and scared and angry and there are parts of her now that he will never understand. and she is being used as a pawn again, just like she was in the capitol. but he is a soldier now, and he is fighting the war he has always wanted to. and he knows that she needs peeta out of the capitol, so he volunteers to save him. not because he cares for peeta, but because he knows its what she needs. and the decision wasnt even hard. and now peeta is rescued but it was a trap and peeta is a weapon and now he knows that he will never compete with peeta, that she will never look at him how he wants her to ever again. but he still has a war to fight, and so they do. he works on designing weapons, he films propos, he stays by katniss' side because thats what he does and it was never even a question. the war progresses and he watches her die a thousand times, sees that coin is trying to kill her. he fights beside the mockingjay and remembers a time when they were children in the woods together. they have never stopped trying to survive together. and the war is nearing a close and they are separated and katniss cant or doesnt shoot him. the war is over and someone is telling him that prim is dead. someone is telling him about the bombs that killed her and he recognizes it as his own trap. he is sick to his stomach and being torn apart. he spent his entire life trying to keep her alive. he can hardly face katniss. he is so riddled with rage and grief and trauma and guilt and he cant even fathom how it got to this point. he has lost everything. he has nothing left, everyone who loves him has died or stopped loving him. so he moves to 2, hears stories about katniss and peeta, about her children that she swore she'd never have. and maybe katniss was right, and war and death wasnt the answer, adn he gets that now, he really does. and its too late, and his understanding is worthless now. but he remembers that girl in the woods. the soft spoken, beautiful girl with wit and grit and incredible aim. he remembers the girl that taught him about love, and how to make a bow. he remembers that girl, and he lives the rest of his life tremendously sorry.

#the hunger games #thg #gale hawthorne #katniss everdeen #gale and katniss #gale #katniss #mockingjay #the mockingjay #thg series #peeta mellark #everlark #everthorne #catching fire

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dystopyx-blog · 2 days

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IDEAS FOR TWST OCS:

I have a few

they are in their very baby stages of creation, not at all fleshed out. Really these are just ideas for ideas. all character ideas are beast men. Not on purpose, just how things turned out.

CHAR 1

Name: [name pending] AKA “Dummy the Clown!”

Twisted from: Dumbo

gender: tbd, prob male

school: prob royal sword

dorm (if applicable): First idea is for a dumbo character because,,,,,,,, clowns

just an absolute baby

floppy lil fella, melts like puddin in your hands under praise/affection

Self image issues out the WAZOO. Copes by being a clown. Because as a clown, they have more control over how people perceive them. Yes they’re a goofy little failure, but this time it’s for comedy, and not because, well… they’re a failure. They’re a performative failure, playing up every single little mistake or incident, like “whoops, silly me, oh I’m such a goober!” Internally most of those mistakes are like a fuckin dagger to the heart for them. can you imagine,,, cute lil elephant beast man,,,, with big ol floppy ears,,,,,,,,

Secretly loves being called cute, because at least “cute” is positive

Prob goes to Royal Sword.

CHAR 2

Name: tbd (thinking Georgie but that might be too on the nose)

Twisted from: Georgette from Oliver and Company

gender: tbd, but thinking genderfluid

school: tbd

dorm (if applicable): if in nrc, definitely pomefiore

Only the vaguest ideas for this one, but I neeeeeeeeed a Twst oc based off of georgette. yall don’t even fuckin understand, “Perfect Isn’t Easy” is literally my all time favorite Disney song. did you know none of the songs from that movie are on Spotify?? Fuckin criminal. There are covers, Annapantsu covered “why should I worry” and someone named Sienna? I believe? Covered Perfect Isn’t Easy but you don’t UNDERSTAND, GEORGETTE WAS VOICED BY BETTE MIDLER I NEED THE ORIGINAL ON SPOTIFY I NEED ALL THE OLIVER AND COMPANY SONGS ON SPOTIFY— Y’all it’s not even a good movie and I fucking hate Charles dickens, why tf am I so attached to this movie???

oh yeah

Georgette

so I need a twst oc based off of her. I’m imagining a fabulous little genderfluid beast man. Bitch def in pomefiore. Georgette isn’t technically a villain but hear me out hear me out

I want the fab poodle and Ruggie to kiss 😳

in the movie, Georgette ends up with the scruffy little Chihuahua

I am imagining Georgie here being a fuckin 5’12 god/dess in massive heels, towering over a scruffy lil man. maybe even Epel, fuck if I know!

CHAR/s 3

Name:

Twisted from: the fuckin vultures from jungle book

gender: male

school: nrc

dorm (if applicable): savanaclaw

You don’t understand. No, you don’t understand. You couldn’t possibly understand

why?

because I don’t fuckin understand. but the vulture song (that’s what friends are for) was like… my favorite fuckin song. I don’t know, I don’t fuckin know. BUT

just imagine

a hippie dippy lil shitty vulture boy

mans probably stoned outta his mind

he’s a big scary vulture beast man

but he’s just a fuckin goober. also fuckin smarter than you think (like real vultures)

food for thought.

FINAL CHAR IDEAS

I want to make some Peter Pan boyos

obv I need a Captain Hook and smee but rn all my thoughts are

Name:

Twisted from: Tick Tock Croc from Peter Pan

gender: male

school: either nrc or a fan school idk

dorm (if applicable):

Y’know what

I’m just gonna make my own goddamn school. see yall in the next post.

#twst wonderland #disney twst #twst oc #twst #twisted wonderland oc #disney twisted wonderland #twisted wonderland #oc rambles #peter pan #oliver and company #jungle book #disney dumbo #dumb ocs #a lot of this was just me ranting about Oliver and company lmao

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dilfcherricola · 2 months

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Would you all still love me if I got really really into family force five

#I’m going through a Christian youth group era #I had a hella crush on phattie when I was a teenager but I feel like I’m more of a chapstick guy now #sorry crouton but I cannot understand the hype #those are their stage names for real for real #the cozy representative just did a video on them and I’d already been bumping iii pretty regularly I might fuck around and get real into it #shush up jj #personal

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bigwizardhat · 1 year

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i love the southern/american gothic aesthetic but you guys gotta stop tagging every single post as #ethel cain. she’s not gonna fuck you

#also i just feel bad for her bc she shouldn’t be pigeonholed into one gimmick/aesthetic. like she has other songs y’know #also also when i go into the ethel cain tag i want to actually see songs or photos or posts about her! not the same shitty baptist church #i know it’s just another one of those spam tags à la ‘coquette’ ‘cottagecore’ ‘mouchette’ etc etc #but it’s weird that a human being’s actual stage name AND real name have been degraded to just. tag fodder #ethel cain #american gothic #southern gothic #bc i need them to see this.

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chachacharlieco · 2 years

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Smile...?

Akash belongs to @shimizunezumi And Shield belongs to @crowind1

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randomnameless · 5 months

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Localization discourse has started to rear its head again because of some Funimation localizer defending a line from Dragon Maid but it really got me thinking, I feel like so many people are so quick on demonizing anyone who doesn't like localization changes as pro-GG when it's much more simpler. People don't hate localization changes because of the message itself but rather because it's not what the character is saying 9/10 and it comes off as calculated and cynical. I feel like it's kind of a direct consequence of transformative fandom, with the whole "I'm going to write the story the way I want it to be and fill up the spaces" but instead of a fanfic it's with the original source material.

Pro GG?

What is GG? AI?

I remember this argument of the "it's not what the character is saying" and people being pissed because they couldn't get the "right" script - and tbh, after reading some arguments here and there, localisation always comes with necessary changes/adaptation to the text, let it be grammatically or to convey ideas from a language to another, so if you want a 100% faithful script then... better start to learn the language lol

With Funimation though...

The Shinchan earlier post was telling enough of my opinion about drastic changes that aren't used to transcribe a meaning or convey an idea to a foreign audience, it's just... erasing the source material and swapping your own ideas on them.

Like, uhhh

Funimation acquired the Shin-chan US license in 2005. Funimation's dub takes many liberties with the source material and was heavily Americanized. Many sexual references, dark humor, and references to then-current popular American culture were added, including many jokes about subjects such as Jews, terrorism, and Viagra. Characters were given significantly different personalities and new, previously non-existent backstories. For instance, Shin is refused an allowance, on he basis that he could use it to buy drugs (crystal meth), his schoolmate Kazama ('Georgie Herbert Walker Prescott III' in this dub) was an absurdly hawkish ultra-conservative Republican, the unseen father of Nene (known in the dub as "Penny") was suggested to be physically abusive towards both his wife and daughter, Principal Enchou was rewritten as a half Romani, half Peruvian man with a complicated, checkered backstory that includes a stint as an accident-prone magician, The kids' teacher: Yoshinaga-sensei (known in the dub as "Miss Polly"), was rewritten as a kinky and often domineering nymphomaniac,

The earlier Vitello and Phuuz dub also edited some jokes and/or what was considered indecent exposure like shin's buttocks and tried to "occidentalise" a few references, but it wasn't like straight up changing what a character is or their personality!

No doubts funimation was "authorised" by whoever had the rights of the franchise to lolcalise and edit it as they did but it just comes out as a "why did they rewrite that stuff like they did", to make more money, to make another "mature cartoon" like Family Guy expy, idk.

And to be honest... I don't really care, because I grew up with the Vitello Dub and read some manga chapters of Shin-chan, so I know what the manga/anime (sure, the dog wasn't named lucky but shiro!) is supposed to say and/or be about.

I don't agree when you say those "lololcalisations" are a consequence of the transformative fandom in general, transformative works have existed since... forever lol (some dude wrote in the early middle ages (grégoire de Tours?) how Franks are descendans of Achilles or something to explain how kickass his king and his people are like, at this point, he's writing a self-insert OC story, right?)

But in modern times, there used to be a clear (?) divide between what was transformative work and what was canon - 50 Shades of Grey sort of started as a Twilight fanfic, but it became its own thing and no calls it a Twilight adaptation or "Twilight" anymore.

The Aeneid? Despite what devoted fans wants the world to believe, is "just" a fanfiction, aka someone writing about the characters he """loves""" no matter how OOC they are. It's a Fodlan fanfic and treated as such. Or should lol.

Still, if in a fanfic, Flayn can apologise for being born as a lizard because having lizard blood means she's automatically evil and oppresses humanity due to the fact she exists, it's only a fanfic. It's not something I like, OOC as fuck, but okay, moving on. Rhea eating ketchup is my own hc, also OOC since we don't see her eating any in the games, same thing - but fanfics are OOC by essence because they're a transformative work !

As I said, okay, moving on.

But when what is supposed to be as close as "canon", albeit translated, dips in the same "OOC" territory?

Sure, Eng!Raphael will say "I" instead of "ore" to refer to himself - and yet, imo, if professional localisers (at least the people picked by the company to bring games to an international audience!) have some sort of leeway with canon, their work is inherently transformative - since they're localising -they are still bound by some rules, unlike a fanfic author, because the aim of their work is not the same.

When you write a fanfic, you write it for yourself, to tell the story you want.

Of course it depends, like the funi shin chan dub showed, but usually, I think, when you are a professional localising something (a manga, anime, book, tv series, myth, story, anything!) you are supposed to only bring "necessary" changes to the source material to bring this source material to the "targeted audience".

And it's kind of hard to determine at what point is a "change" necessary or not - back in the 2000, "Jonouchi" had to be changed in "Joey" because, supposedly, non japanese children wouldn't be able to understand/connect/watch/idk a show with a foreign name (even here in France, we got "Petit Coeur" aka Small/Little Heart for... Piccolo in the early 90s!) - but now in the 2020s Midorima isn't dubbed "Mike".

(even if 2013 saw a localised Fates edit "Suzukaze" to "Kaze" for reasons as foggy as Fodlan's 10k years of lore)

And we of course have the notion of "targeted audience" - here in France, in the 90s, basically any "animated cartoon" was supposed to be targeted for children, like 3 to 10 years old. Which is the reason why we got lunar dubs for Hokuto no Ken and City Hunter (no "brothels", but instead, "vegetarian restaurants"!).

Yugioh was dubbed for a younger audience than, I guess, what was the targeted audience for the manga (even the original anime, regardless of the dub or not, feels like it was made for younger "children" than the ones who would read the manga!).

And this is where I wanted to come with the modern "transform the source material!" lolcalisations - are they "heavily" edited because they target a specific audience?

Like... the funimation Shinchan dub was obviously not aimed at children the manga, or even the original anime, hell even the Vitello dub, were targeting.

It's almost as if we're not talking about "bringing this definite thing to random people", but "finding/tweaking random things to definite people".

Take Fodlan's lolcalisation, especially Treehouse/Pat's.

NoA was the only regional branch to have, on the official website, something like "the Church controls Fodlan".

Through the 4 (already 4!) years of coverage, some people are still finding dub exclusive lines that portray the CoS as "BaD" or in a more negative light than the original text. Pat completely missed (or was it on purpose?) Rhea's character, so Leigh had to dub Rhage, when Supreme Leader was scrubbed off her most, uh, dubious personality traits (tfw no information campaign anymore :( or calling Rhea a Nabatean as an insult :()

Why? Why those changes? Is it because Pat/Treehouse didn't want to bring the game to the US, but wanted to bring this game to the "Dany revolution yas slay kween" crowd + the "organised religion especially catholicism BaD" crowd? Or because they thought bringing "a game" to this crowd would bring more money than to bring "Fire Emblem Three Houses" to the general US crowd? So they "reworked" FE16 to have messages that would attract this certain crowd ?

(and apparently it worked, iirc the US sales made up for 50% of FE16's sales, so it was very popular (and profitable!!))

The Pat/Treehouse changes weren't "necessary" to understand the source material, or try to find similar references (a trip to a hot spring in Shinchan was replaced with a trip to Paris, because children who might not be familiar with japan might not know what is a hot spring, or what a "trip to the hot spring" is supposed to be), so why were they made?

Is it like the Funimation dub? To reach specific people, even if the meaning and essence of the original material is lost?

In a nutshell, I don't think localisation companies (Treehouse or Funi) work in a vaccum, if they can lolcalise so much, it obviously means they got the authorisation of whoever has the rights to the original source material (maybe even the creator themselves!) to "edit" the content...

But that's what I came to regret the time where localisation, even if they had westernised names and more westernised refs, wasn't that "free", as in, Funi and Pat/Treehouse write their fanfic of Shinchan/FE16 ? Sure, why not, I mean, everyone can write a fanfic. Can I get a peak at the original source - edited as necessary because i'm not reading in the original language and I might not catch all references - please? No, because the only thing available is either something I cannot understand, or a fanfiction that takes liberties, as fanfic do, with canon.

Take Shinchan.

OG : Shin is a preschooler who has a dog named Shiro - meaning white - because his dog is white.

Vitello dub : Shin is a preschooler who has a dog named Lucky.

Funi dub : Shin wants an allowance but his parents are afraid he will buy meth and he has a dog named Lucky.

Remove the "old school" Vitello dub, and either Shin is a preschooler who named his dog "white" because the dog is white, or Shin is... a young child who receives money but lives in an area where he could buy drugs.

I can't understand the OG material, and I know the Funi one is a fanfiction, so what should I do? Treat this fanfic as canon, or, learn the language/try to understand the material by myself using dubious tools like translating apps? Or am I cursed to forever miss on Shinchan, even in the 2000s, aka an era where people can translate and localise movies from one language to another, but apparently for this one manga/anime, it's not possible unless it's lolcalised? Snowhite was turned into "Blanche-Neige" but the story is mostly the same than the one told in the US, but for Shinchan, I can only get the "Family Guy" version that isn't told in Japan?

I remember there was a controversy about localisation (when the thing that sparked that controversy wasn't even localisation related!) where some people, annoyed with the "liberties" they have with their dub version, became intense and rude and want to see localisers as "mere" translators...

And it escalated to have some localisers basically saying a game they localised is "their take" on a story - which is true, because each translation/localisation works with the bias of the translator/localiser, even if they try to be as neutral as possible, they can't completely remove themselves from their work -

Still, in FE16, Pat'n'Treehouse removed the "Supreme Leader uses propaganda" mention. Why? Is it their bias talking, they don't want her to "look bad"? But the script, the game wants the player to know she uses "information campaigns". Pat's "take" is she doesn't use it, but as a player, can't I be offered the choice to make my own take after seeing the script that mentions it, or not? Is Pat the one who directed the script, and wrote it as the "main thread" that links everything in the game (regardless of Fodlan's consistency lol), or was it Kusakihara/someone else?

If pat arbitrarly "removes" this part of the script, but I see it because I play in Japanese/Chinese/Korean/heck maybe other languages whose dub wasn't overseen by Pat, can it be said I played the same game as the players who played with the Pat dub/script?

Pat's CF!Felix calls Dimitri a monster, OG CF!Felix calls him a man -> thankfully we can count on fans to find stuff like this out but, again, why this bias against Dimitri in CF - that comes here from the lolcalisation, and not from the original text?

Why is it there? What if someone wants to play, and hopefully, understand, not Pat's "take" on their relationship in CF, but the writers/developer's? Is that someone fucked, or kindly asked to learn japanese (aka to do Pat'n'Treehouse's job?).

I don't really have The Perfect Solution (tm) anon to the general localisation discourse, at one point I was on the "just translate" fence, but when you understand a pun or a reference, and how it connects to something else, the game/book/anime/movie you're watching takes another level and it's much more enjoyable!

And yet, growing up with 4Kids and seeing shit like Treehouse butchering stuff, or hearing about Funimation Shinchan is... disheartening.

The only thing I can say is I'll always be rooting for dual audio, let it be for preferences but also to get at least what is easily understandable to everyone (I mean intonations, shocks, laughs, etc etc) and a glimpse at what the game/moving/anime is supposed to be enjoyed, especially with story heavy scripts like the FE series - while reading subs, because even the script is translated/localised, at least with the audio, it's easier to spot "lolcalisations".

And let's not forget the most important lol

The Fandom itself!

Let it be for FE, Tales or anything else, what I find fascinating (on Tumblr but even on redshit and SF once upon a time!) is how fans will be able to compare scripts, people familiar/fluent/who know a language will be able to spot the changes, and inform anyone who wants to be informed in the community that, say, Xander and Marx are pretty different characters, just like Jp!Effie and "I love to eat"!Effie.

Of course sometimes there will be misinformation (remember the Dimitri is rude because he uses the omae pronoun?), but I still find fascinating how, faced with ridiculous lolcalisations, fandom itself - aka part of the people who were supposed to be the targets of said lolcalisation - tries to "correct" and remove the unecessary edits. There are still people who dgaf about what was lolcalised from what wasn't, but even if it's just a consequence of the lolcalisation growing more and more unrestrained/unchained to the source material - it makes fandom engagment all the more precious and fascinating.

Like, you have real people basically combing the script and/or providing a translation - for free! - to help other fans, when some lolcalisers are paid to... edit and "lolcalise" the script some fans want to see.

And so, we're back to square 1 : who is the targeted audience of Funi's Shinchan or FE Treehouse?

The players/watchers?

FE Fates was, I suppose, ultimately lolcalised for a """western"" audience", aka an US one because no one gives a fuck about the rest of the world - and yet, assuming a majority of fans are from the US, said lolcalisation was mocked/ridiculed and ultimateld decried by part of that audience from who the game was lolcalised.

Some people (I've seen a redshit post about it today!) claim the lolcalised changed aren't made for the audience, but, much like a fanfiction, those changed weren't made to be more palatable to an audience, but were made for themselves - aka to push some agenda (see redshit's theory about funi pushing a "woke" agenda in their dubs and subs when it doesn't exist in the og scripts).

And to be fair, with FE16's US exclusive "Church BaD and controls the world!!!" + "Dimtri is not a man but a monster!", idk what Treehouse was trying to do, push their "organised religions BaD" agenda and "Supreme Leader is right so let's make her opponents BaD to highlight how right she is" bias? - but I can't help but wonder if it was indeed the case, and given how Pat sucked as a voice director, if the localised!version wasn't just some sort of trolley Treehouse used to convey their ideas, regardless of what the game wanted to say.

I mean, it's still fascinating, to this day, nearly 5 years after the release of the game, that we still find "Treehouse exclusive" lines, or how FEH who's still running, also has "Treehouse exclusive" lines for Fodlan characters that absolutely don't match the non global, aka, jp lines, let them be written or spoken - putting on the tinfoil hat, I wonder if Treehouse or whoever oversees the localisation isn't deadly afraid that if they don't pay extreme attention and/or rewrite anything related to Fodlan, global!players will realise that they were fed "Pat's Fire Emblem Treehouse", instead of FE16, thus takes extra care to comb and/or rewritte every line/dialogue that could make a global player think twice and note that this thing they're reading/hearing of in FEH (or even Engage!! See Dimitri's lolcalised line about people of different races living together!) is completely different from "Pat's Fire Emblem Treehouse".

Tl;Dr because I ranted and disgressed and idk where am I anymore with this post lol :

I think there's a difference between fandom's transformative works - done for fun, as a hobby! - and some lolcaliser's transformative works - they're paid for that and aren't supposed to bring a fanfiction to the audience, at least not as localisers ; so I wouldn't blame "fandom" for the fuckery that happened (Funi's shinchan is more than 17 years old!) and is sadly still happening.

On the contrary, given how fandom (at least some part of it) actively refuses to accept the lolcalised "fanfiction" - to the point of doing translation work! - I think fandom is the reason why this discourse is happening.

#anon #replies #sorry i ranted lol #and lost myself in localisation discussion lol #anyways that redshit thread had a meme about lolcalisation and using AI to push back against it #and I haven't changed my mind lol #AI sucks instead of letting Pat head Treehouse bring back human translators and people in general with a work ethic #who will localise what needs to be localised for an audience #but keep themselves and their messages/agenda out of their work #as much as possible of course #i wonder if at times all those lolcalised changes couldn't be sued for plagiarism #imagine if the french Snow White dub had her diss cream cheese to promote real cheese during the length of the movie #people would be pissed just like creators themselves #otoh if those ultra lolcalised changes passed the approval stage from the creator themselves...#then I'm just wondering what kind of idea they have of a 'western audience' or whoever the lolcaliser #said they were lolcalising for #Are we supposed to believe in 2015 IS really believed americans were too dumb to pronounce suzukaze so his name should be shortened to kaze #I say americans here because NoA exists when NoE doesn't and no one gives a fuck about us we're just eating scraps #idk #lolcalisation issues #real life issues #when you were saying calculated and cynical anon did you mean whedonspeak like the Supreme Replies #aka giving a witty one liner to sound cool?#I'm afraid I completely lost the message of your ask and replied with something compeltely unrelated :(

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