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#thought i rewatch some old episodes for comfort and instead just made myself so sad oop-
lale-txt · 2 years
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“What were you before you met me?" "I think I was drowning." "And what are you now?" "Water.” ― Ocean Vuong, On Earth We're Briefly Gorgeous
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dangermousie · 3 years
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2020 End of Year Post - kdrama edition
You can find my 2020 cdrama post here: dangermousie.tumblr.com/post/638449659546845184/2020-end-of-year-post-cdrama-edition
This is only going to cover kdramas that aired in 2020; if it originally aired another year, it’s not on this list.
It’s been a pretty lackluster kdrama year. There are probably only 5 kdramas I truly loved and only three of them I was really obsessed over. Better luck in 2021!
DRAMAS WATCHED
(In order of liking from least to most as opposed to pure quality; I am including if I’ve seen enough to make up my mind; yes I realize that’s inaccurate, but that’s my list)
42 Born Again - so bad, so incoherent, so insane, I have no idea why the leads signed up for it (and unlike some of the other watchers, I think it was awful from the very start.) There is literally nothing about this drama that makes sense.
41 Love with Flaws - a bunch of people who should be tried under the Geneva Convention.
40 Sweet Munchies - Jung Il Woo proves his inability to pick a functional script.
39 Meow the Secret Boy - if you ever wanted to bang a cat, this drama is for you. Not being a furry, however...
38 Do Do Sol Sol La Sol - I lost braincells just typing out this title.
37 When I Was the Most Beautiful - the only way it’s not the dumbest, most pointless melo of 2020 is because Born Again considerately came out the same year.
36 Woman of 9.9 Billion - if you want to watch an artsy French movie about miserable people, but only badly made, boy do I have a drama for you.
35 Lies after Lies - screams after screams.
34 Backstreet Rookie - people were up in arms about various problematic plots. I am a survivor of many plots much more problematic but even I couldn’t survive how utterly boring and annoying this drama was and how utterly irritating the leads were. This has taken Ji Chang Wook off my top favorites into “should I even check his latest Lovestruck in the City? Probably not” territory almost single-handedly (Melt Me helped, to be fair.)
33 Men Are Men - boring is boring.
32 Dinner Mate - two beautiful boring people eat out a lot.
31 Was It Love - no it wasn’t.
30 Alice - Joo Won in the shower can make up for a multitude of sins but not plot nonsense of such magnitude. When you find yourself thinking it would be better if he hooked up with the alternate universe version of his mother because at least then something entertaining would happen, you know it’s bad.
29 More than Friends - started out OK, then made me hate basically everyone and kept going.
28 Start-Up - honestly, it’s probably more decent than its place here, but the toxic and batshit fandom for it (the worst this year) made me feel like breaking out in hives any time it’s even mentioned.
27 The Spies who Loved Me - how to take a good cast and waste it.
26 Private Lives - it was good but it never took off with its concept and spent more time on the incoherent plot than the OTP which was its one strength. It’s a decent drama but coming after Heartless City and My Beautiful Bride from the same writer, it’s a disappointment.
25 Record of Youth - as high as it is due to Park Bo Gum hard carrying this entire awful drama on his shoulders and doing it so well I finished it. Alas, while he is in one drama (and that drama is great), the rest of the characters and the entirety of the script are a pointless useless mess.
24 Do You Like Brahms - excellent first third, mediocre middle, and terrible last third. I don’t know what musical term applies to this? Diminuendo, I think.
23 I’ll Go to You When the Weather is Nice - nice and mellow but nothing much happens.
22 Forest - mainly for Park Hae Jin’s excellent and frequently naked bod.
21 The Ballot - I didn’t love it as much as everyone did but it was well-made.
20 Hyena - more romance and less weird law stuff would make it better.
19 365 Repeat the Year - surprisingly solid.
18 The Game Towards Zero - see 365.
17 When My Love Blooms - very old fashioned, very lovely.
16 Chocolate - also very old fashioned and very lovely but also with Yoon Kye Sang performing medical procedures bleeding and shirtless. MMM.
15 (tie) Secret Royal Inspector - a fun if run of the mill sageuk.
15 Find Me In Your Memory - best melo this year.
14 Mystic Pop Up Bar - surprisingly good even though I wasn’t planning to check it out.
13 Where Your Eyes Linger - came out of nowhere but was tender and hopeful and lovely.
12 Itaewon Class - Park Seo Joon hard carries a drama that is already excellent. Love it.
11 Psychopath Diary - Yoon Shi Yoon is such a treat in a hilarious, cynical, dark comedy.
10 Kairos - more like ouroboros.
9 Queen Love and War - in a year where sageuks are very rare, this was solid and surprisingly moving and shippy.
8 The King Eternal Monarch - people didn’t like it but I did. It’s no masterpiece and both the leads and the writers have better dramas, but it was a lovely romantic fairy tale for me.
7 Mr. Queen - sharp, hilarious, and some of my favorite actors.
6 Psycho But It’s OK - healing, sharp cinematography and even sharper chemistry.
5 Crash Landing on You - the last ep pissed me off so much this drama is dead to me but I loved it so much until then I can’t place it lower in good conscience.
4 Train - who knew I would go this hard for an OCN drama or that OCN would do romance so well? But this time-travel mystery romance is just incredible and I shipped the OTP and rooted for the characters and loved every last bit of it.
3 Run On - this is the drama Record of Youth wanted to be but failed. Smart and lived in, you feel like you are peeking at real people, but also even four episodes in, I am so invested in the main characters separately and together, and care for them so much, it’s a little frightening.
1 (tie) Tale of the Nine Tailed - my perfect fantasy romance. I liked it better than Goblin, yeah I said it.
1 Flower of Evil - all the tropes I love in one incredible package. I would rewatch episodes waiting for new ones trying to puzzle the story and to stay withdrawal but it works just as well on rewatch. Lee Jun Ki brings his trademark tortured intensity and for once, both his leading lady and his script back him up and are worthy of that. It’s perfect.
FAVORITE DRAMA
It’s a tie between Tale of the Nine Tailed and Flower of Evil but if I had to pick just one, FoE, because it had me seriously obsessed and guessing about the protagonist and gave me the narrative tropes I love so much and an OTP that statisfied all my hurt/comfort kinks and then some.
WORST DRAMA
Born Again - honestly, this is so bonkers it almost becomes good but alas...
FAVORITE MALE CHARACTER
Do Hyun Soo/Baek Hee Sung, Flower of Evil - he is so messed up, so on edge, so traumatized. Yet capable of so much warmth and caring even as he himself doesn’t realize his humanity. FoE is basically a story of a man pushed and punished by the world for his entire life who, because of one woman, finds a safe place and peace and slowly comes to life without realizing it, and watching his desperation to keep this small bit of normalcy is so heartbreaking and exciting all at once. Plus, you start the drama thinking he’s a psychopathic serial killer and end it (if you are me) thinking he must be protected at all costs and if anyone even looks at him wrong they must suffer, and that’s quite a change!
FAVORITE FEMALE CHARACTER
Nam Ji Ah, Tale of the Nine Tailed - she is so funny and tough and smart and loving and amazing that I will totally buy that a literal demi-god will do anything and everything for her and love her for literal eternity.
NEEDS TO BE MURDERED
Dad in Record of Youth - yes in a year with serial killers and supernatural demons, I picked a normal character from a mediocre drama. It’s his everyday awfulness to his family that hits so hard and I am sad he never got his comeuppance.
FAVORITE SHIP
Ji Ah x Yeon - a fearless reporter and an immortal demi-god who’s been hoping for his human beloved to reincarnate. A really rare set-up where the OTP is equally ride or die, so compatible and completely BAMF. I got why he waited for her for that long and then fell in love with her all over again. Perfection.
Runner up: Flower of Evil - he is so messed up he literally does not believe he is capable of love or empathy, but he falls in love with her anyway and so utterly she permeates his entire life. She is tough as nails and only believes what she sees and is the sole person who believes in him against the world. She loves him but he needs her. She needs him but he loves her. They are amazing.
FAVORITE SECONDARY OTP
Seo Dan x Gu Seung Jun, Crash Landing on You, North Korean x Conman were so good I shipped them harder than the main OTP and the end of that storyline pissed me off so much I dumped the drama and didn’t finish it for months (and it’s still dead to me.)
NOTP
Record of Youth - it started out and they didn’t have much chemistry but the dialogues were interesting and I thought the chemistry would grow. It didn’t and deteriorated, their dialogues became boring and relationship had zero development (about as much as the supposed female lead.) I think we were supposed to feel bad they broke up and they were going for a bittersweet open ending, instead I found myself happy about the break up of two incompatible, chemistry-less people and hoping for the love of God they never get back together.
FAVORITE SCENE
Yeon and the bridge of knives, Tale of the Nine Tailed - Yeon choosing to undergo the creeptastic bridge of knives for a chance to save Ji Ah, who at that point he is not aware is the reincarnation of his Joseon love because, as he says, he doesn’t care if she is or isn’t, it just would be more horrible to have her die than to undergo the horrific torture he is undergoing, and then the sequence with his catching her, her weeping over him and the fact that she is the original Joseon girl revealed and all the bandaging and his watching her sleep and all that loveliness, is everything for yours truly.
Runner up: Hyun Soo having that break-down at the cliff at the end of ep 15 of Flower of Evil as Ji Won desperately tries to convince him she is alive and he finally stumbles to her.
Runner runner up (it’s my list, I will do what I want): Do Won preparing to blow his brains out to give a chance to Seo Kyung to live in Train.
BIGGEST CRUSH
Seon-Gyeom, Run On. Yeah, I know. Im Siwan is tiny, delicate featured and has a runner’s build, none of which are things that normally appeal to me. But his character is so odd, so honest, so unflinching in pursuing what he thinks is right, so incapable of self-pity despite plenty of reasons for it, and so ridiculously attractive when he smiles, I don’t even care.
BEST SCENE STEALER CHARACTER
Kim Bum, TotNT - I started out being annoyed by him and ended up looking forward to his scenes and being distraught by his ending.
NEEDS A SEQUEL
Honestly, none. I was fine with all the endings. I wouldn’t mind seeing post-end life of Tale of the Nine Tailed characters or the OTP settling into their literal new world in Train, but I am good.
TROPE THAT NEEDS TO DIE
Time jump that solves all the problems off screen or alternatively years pass and everyone is frozen - something that kdramas need to learn and need to learn badly. See Record of Youth, Brahms and Start Up.
FAVORITE TROPE WE’VE SEEN A LOT OF
Men who are ride or die for their OTP - this was a great year for this - the male leads of four of my five dramas were beyond anything on that scale (only exception is Run On because it’s still too early to tell there.) Yes PLEASE.
BIGGEST DISAPPOINTMENT
This was a banner year for that what with Start Up, Do You Like Brahms, Record of Youth, and Private Lives all starting out well and nosediving off the cliff but winner is Crash Landing on You. I loved it so much for bulk of its run but the last episode pissed me off so much I deleted all my files and called it a day.
BIGGEST GOOD SURPRISE
Flower of Evil - I had no expectations of this drama and wasn’t even planning on watching it despite liking both the lead actors because yet another “look at evil serial killer be evil” drama with no romance was not my thing. Luckily someone convinced me there might be some romance and I peeked curiously. Honestly, their promo campaign was the most misleading and dumbest thing ever.
Runner up Psycho but it’s OK - I have never liked Kim Soo Hyun in anything before and the drama premise seemed WTF but it was shockingly good and KSH totally blew me away.
Hardest Working Lead
Yoon Shi Yoon - he starred in two (!!!) dramas in 2020 playing three characters and not only were both these dramas awesome in a lackluster year, but if it wasn’t for the fact that I knew it was the same actor and the fact that the characters shared a face, I would have never believed that they were played by the same actor. So good!
2020 DRAMAS I HAVEN’T SEEN THAT I MOST WANT TO WATCH
None. Covid Year gave me PLENTY of time
BEST NON-2020 DRAMA I’VE WATCHED IN 2020
My Beautiful Bride and Deserving of the Name - I was obsessed with both of them and honestly, they were much better than the bulk of 2020 kdramas I watched.
MOST ANTICIPATED IN 2021
The Moon That Rises in the Day, Hong Chun Gi, Joseon Exorcist, Island,  Frightening Cohabitation, Snowdrop.
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innermoonlight-bhe · 3 years
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Me, again, on Destiel. Please read.
I’ve been having problems all this month. And while I was self-exploring the reasons of my uneasiness, I tracked it back to 15x18. When I first watched the episode I had lots of unresolved feelings. I felt happy and at the same time really distressed. After waiting for two week for the end of Supernatural I thought those feelings would disappear but they just kept on getting stronger. I began feeling stressed and, this last two weeks, feelings just empty. I had no desire to do anythings, like I was lost. Yesterday I realized why and got me sad and mad at the same time. I don’t want to take a lot of time writing this but there are too many emotions and rational thoughts that don’t let me sleep at night. 
This is why I want to divide this text into two parts:The first one being the queerbating debate on internet. This includes the normalization of heterosexual relationships, audiences, plots and writing, marketing and advertising, and other things that have to do with t.v. industry. In specific, the rare case of CW and its treatment of the whole Supernatural family. In the second part I would like to focus on my personal experience, which I’m sure is same to most people who were left all alone in this Destiel world of disappointment. This last one you can decide to ignore or share with me. The one that i’m most interested is that you read the first part, even though it can seem a little out of context, since I’ll be referring to another tv shows of the CW.
 FIRST PART THEN OF THE DESTIEL OPINION:When I was left so sad after the queerbaiting I began watching a famous soup opera aka telenovela, called Yo soy Betty, la fea. It’s famous worldwide and I felt it like a comfort home after all the Destiel drama. It made me happy because the story plot is only one: the heterosexual couple that falls in love. Of course I’m reducing this too much, but the point is that yesterday, after I finished watching it, I realized that even though the main couple had problems at the end the audience knew they would’ve ended together. It did happen, in the anti-last episode, same as in supernatural and the Cas confession. The two further episodes centered on the happy conclusion on the story. There are clear points to establish:
Point 1:  Supernatural was born as a serious mainly centered on two heterosexual man traveling all along a country hunting monsters while looking for a father. Meanwhile a classic telenovela centers on a love couple who fight against everythings to be together; in this case it’s establish since the beginning and no one will except anything else. 
Point 2: Meanwhile telenovela’s audiences are destined to be woman, wanting to follow the classic love story; Supernatural was being male focused actually did excepted woman but also men watchers. Supernatural had a largest specter of viewers.
Point 3: Telenovelas are not willing to change the story for the audiences desires. They work with practical and classic formulas that rarely will fail. There’s no necessity to receive a feedback to complete. Supernatural and tv series, on the other hand, actually need the feedback from the viewers because on it depends their permanency on the screen. 
Supernatural needed to keep their viewers high so the show could continue. I’m gonna leave the classic telenovela out for a moment. It’s important settling this differences to approximate myself to the basic point of my madness: how unethical is the queerbaiting.The public opinion changes, and The CW having clear this is very know to keep in touch with fans wishes and needs. In the case of Jane the Virgin, a barely combination of the telenovela classic plot but in a tv series way, had a big “change” with one of their main characters: Petra. Her connection with the main character, Jane, was noted and wanted by many of the viewers. But the show’s creator knew that main plot (point 1)was a girl who accidentally gets pregnant and eventually falls in love with the love of her life, Rafael. So the show writers wouldn’t just change this main plot in order to make a couple happen, so instead they gave the public what they wanted by making Petra bisexual and introducing a perfect girl for her, also called Jane, to deliver the wish of fans. This relationship worked purely and on its on. The reactions with Petra bisexuality were low, and they took care of it as if it was something normal and not anything that needed satanizing. No one could be expected to freak, not even Petra’s twins. Even though the first seasons Petra only had male relationships. This is a good thing that The CW did, but they didn’t do this out of the goodness of their heart: they did it for views and for the audience (point 2). Jane the virgin was also planned to have female audiences and to treat serious social issues respecting sexuality and love. This is why it didn’t came as a surprise. 
Then why did Destiel couldn’t happen? Because the CV is homophobic? Probably there’s some of this in it, but the reality it’s they weren’t giving up on the part of the audience that is actually homophobic, or that at least won’t feel comfortable watching a heterosexual character discover himself as bi. The thing of the audiences is important because the “ambiguity” in which Cas’ confession was treated worked perfectly for them: it gave exactly the sufficient enough to keep us happy, meaning while keeping the perfect amount of “friendship”. So anyone can take whatever they want for the story. By this part I understand why they wanted to deal with this confession in an ambiguous way: to please everybody. But why did they wanted to please everybody? It wasn’t out of kindness of their heart, it was for views.The whole queerbaiting debate has being on the tables for a long time but we also ignore the unethical implications on it. It has been used by many contemporary media, to hint at something that the producers are not expecting to happen any time. And even though, they keep on teasing us. This is highly unethical because the reason behind them is the accumulation of money. Supernatural survived because of Destiel. I resisted myself to say this because I had respect for the series until I stopped watching around season 10. The story and plots were doom, repetitive and boring at times. We keep watching for the emotions caused by the supernatural family. Not only Destiel but Sam and all of the characters. The original plot explained in the point 1 was lost and blurred, we were far away from that premise and that was why the finale episode feel just bad. 
The show had chances to grow without losing the origina plot but also confronting change and accept that sometimes, things must pass and you have to move. Destiel was an important support of the show, the views and year after year renovation of the series. Pointing at the queerbaiting has lost its meaning if we forgot why they do it, why they keep on doing this even though it makes us feel bad. This affects the shows work in perspective because it changes the plot and natural progression of the story. For the queerbaiting, they have scenes that are forgotten next episodes like they never happened. I’m a literature student and the first thing they say to us is that a scene, even a word, should be taken so seriously that it actually work on the long road of the story. In Destiel we have beautiful, all heart breaking scenes of Cas and Dean being romantic, closed, just in love. The Dean’s confession were he admitted to the priest he wanted to experience new things, the Castiel’s love confession, and others are an example of how this scenes have a space in the show but are still isolated from the original story. They don’t play a part in the bigger image. That’s why we don’t see Dean talk to Sam about Cas, this is why they are so many Destiel plots left unsolved. I have a small memory of an old lady assuring Dean that he’s in love, even though we haven’t seen in a long time a female in Dean’s life (Dean, who the first four seasons flirted with e v e r y woman he met.  Because producers and writers can let this scenes happen as long as it doesn’t change the main characters. Even, they are willing to let us think that Cas could be bi but Dean isn’t, by not having him say anything after Cas says I love you. And to be honest, we didn’t except much. 
We knew that we were clowning and it’s not like we excepted a love making scene from those two. We raised our expectations after 15x18 and not after. A lot of us were waiting on the finale to bring joy even though we never actually imagined it would go canon. 15x18 lifted expectations very few had and that lots, myself for instance, returned to watch after hearing Destiel was semi-canon. It brought back feelings, I got to rewatch supernatural to enter the atmosphere once again... So it was perfect for the CW. On one hand, the biggest queerbaiting on history gave them back for 15x19 and 15x20 all the fandom they had lost for the previous queerbaiting and tiredness of waiting. And also, they keep the antis and the homophobe watching. It was perfectly staged and nothing else was expecting. Something similar happen with Jane the virgin. With the death of Michael (I rather shipped more Jane with Michael) a lot of fans stopped watching. This was planned since the beginning and they actually gave us a fake death and then the real one. I actually stopped watching one season of Jane the virgin after his death because I was devastated, even though since the beginning everything pointed at Jane ending up with Rafael. Her connection with Michael was lovely and pure love. But after killing him off they wrote the relationship of Jafael so perfectly, not rushed or anything: it developed in a way that her relationship with Michael was intact but finished by death. It was a hard punch but at the end we ended up to accept her relationship with Rafael because of the clear progression between the characters. But, at the end of the series, at the last season they decided it was good idea to bring Michael back from the death and have her chose Rafael, after all of the progress It took for her to forget Michael. The changed her and all of the perspective of love changed for the show. It made thing that soul mates don’t exist, that all the love Jane felt for Michael disappear after having a whole season of her suffering for her lost, after she wrote her first book for him. It would’ve been so much better for the story if Michael stayed death. 
So the things is it’s not only queerbaiting on homosexual couples, but the whole idea that they need to have a huge audiences watching their last seasons. I returned to watch Jane the virgin excepting for Michael. This awful thing they do. Just for views and gain of capital bothers me and its what makes me angry. In the case of Supernatural it’s also a topic of homophobia and the fear that the homophobia of a few will ruin the views of series finales. An as I considere the unethical implications is why I would love to have them apologize to us. It’s like a person promising the stars and stopping you to move on, while they know nothing will happen. They use us as numbers to gain money and attention. The decision that I and a lot of people took to unfollow all of The CW accounts is no radical. It’s a little if we take into account all of the money they made from the unethical queerbaiting. It causes me a lot of anger and actually feel like a I need an apology because I felt used and dirty. This is the fault of the industry and the CW has a fame of doing so.
 PART 2: 
This will be little in comparison. Now I want to get to the sad sentimental part. I felt all empty because four years ago that I stopped watching I also stopped talking to the love of my life. Hearing about Destiel had me going back to moments. I even desired to talk to him again to tell him that I wasn’t all wrong. Destiel wasn’t platonic or an illusion. it has clearly staged to makes us think it could happen. It’s not the story of an angel who falls for a human, that gives everything up for him, that loves him. After his confession is the story of unrequited love. Dean never says it back and it’s a feeling that a lot of people have suffered. To love someone and not having them saying them back, of the relationship that never ends but at the end it’s one of the most important. This one I talked about I never dated, I never kissed, but he’s the man i’ve loved the most in my life. Having Castiel saying I love you and never receiving anything back, giving his life and no one saving him, it’s just heartbreaking for all of us who have constantly giving everything without expecting anything in return. At the same time it’s the story of a a couple that never happens but that should have. The same reflexion as always: if it were heterosexual it would’ve happen long time ago. But it also happens in real life, that if time alined, if things were in other way relationships would’ve happen with people in our lives.I had a lot of more feelings for Destiel, but that would be for another time. Right now I just realized why made me, personally, feed angry and sad. I realized I was a Cas to someone else. I realized I was used by a network. The queerbaiting actually has psychology repercussion on us, and it’s something they fail to understand. Accepting that I was affected by a tv show took me a hard time. I didn’t know how to explain to others why this had me absence for week, I thought I was ridiculous and week. I felt bad but know I realized I’m not wrong. It’s not my fault but it’s years of messing with out feelings on purpose. Some day i’ll write an essay on this. I have to much to say but I end it with this:
The media manipulates our emotions and doesn’t take any responsibility whatsoever. 
Don’t trust the media.
(Sorry for the bad english, I’m mexican. But at least Destiel is canon in my language). 
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ktlsyrtis · 4 years
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Conflicted. That’s the only word that comes to mind when I think about tonight’s episode. Serena Campbell has left the building, and with it comes the end of a era in both the world of Holby and my life (and the lives of plenty of others).
And now I find myself here with a glass of wine and a whole mess of feelings.
The good:
Tonight’s episode was truly a gift for Serena fans. After over a year of her being reduced to beautiful set dressing and everyone else’s agony aunt, it was a pure delight to see the fiery, passionate, funny, capable powerhouse of a woman who captured my heart from the moment she declared her love of a bargain with a wink and a smile.
I was rewatching some old episodes yesterday, and to see Serena go from a surgeon who was considered by others to be a bit of a soulless paper pusher, that preferred a world of well-ordered electives and financial targets, to the woman touting the joys of thriving in chaos, and performing surgery on her office floor with a pocket knife, is something I will always treasure.
It was also so satisfying to see so many of Serena’s colleagues acknowledge her as the badass she is. Serena has always been one of the emotional backbones of the show, and that really shone in this episode.
The part that made me happiest was the ending. After everything she’s been through within the walls of Holby in the last eight years, seeing her walk out that door with her head held high and a smile on her face is honestly all I could’ve hoped for. It does my heart good to see her go into a future full of possibility.
The bad:
This is where the conflict comes in. Because there were some aspects of this episode, and Serena’s larger storyline, that are hard for me to reconcile.
To start, I hate the entire Max/Ric/NHS conflict story at its core. I hate that, once again, Serena’s story revolves around her abuse and betrayal at the hands of the institution she’s given so much of her life to. When Max fired her out of hand (no matter if it got reversed), it damn near broke my heart. And don’t get me started on Holby’s apparent belief that professional women can only be competitive backstabbers, rather than supporting each other. Max has been a deeply wasted opportunity.
Also, while I’m glad to see her leave, Holby beating Serena down to the point that she seems to be honestly considering giving up medicine? Doesn’t feel like a victory to me. It feels like just another thing she loves that’s being taken from her.
The Bernie:
You could technically file this under ‘the bad,’ but I thought it warranted a separate conversation.
Let’s start with Bernie in this episode. Because she was definitely there, in every corner. From the conversations with Alex and Cam, to the glare Serena gave Max when she sat on the edge of Bernie’s desk, Bernie was present in a way that was almost palpable. All of the scenes with Alex were just...ugh. Uncomfortable, off-putting, and infuriating are a few words that come to mind. 
I actually like the idea of Serena and Alex being friends, in theory. It would make sense that they would share a strong bond and be able to connect in a way they can’t with anyone else. Shared grief will do that. But does Alex have to be so fucking creepy all the time???? And just because they’re two queer women doesn’t mean there automatically needs to be the implication of some thing romantic there. Literally no one wants that. (Quick shout out to Catherine Russell for not ever leaning into that for even a second. I’m convinced she had our backs on that one!)
The part that upset me the most was their conversation after Alex’s surgery. Watching Serena have to comfort Alex about her sadness over losing Bernie...I don’t think I have the words for how upsetting that was. Like, what kind of fucking slap in the face. She doesn’t even really get to grieve the love of her life, and now she has to hold the hand of the woman Bernie moved on with? Thanks, I hate it.
Which takes us back to the core issue, the one that irrevocably tainted the whole proceeding from the start - why on earth did it have to be like this? 
I honestly don’t understand the logic behind killing off Bernie, and I doubt I ever will. I’ve tried to make my peace with it as best I can, but this episode really hammered home what nonsense it truly was. Because from a narrative perspective, it did nothing? Except to make Serena’s life that much more miserable, and to give Cam even more mommy issues. But nothing about it really impacted the plot in a way that couldn’t have been done another way.
The whole episode, all I could think of was how very easily they could’ve given us the happy ending we deserved. They didn’t even have to get them back together! Imagine if instead of the whole death plot, Cam had just occasionally mentioned all the good Bernie was doing in Africa, how it made him feel like what he’s doing is so much less important. They even could’ve had Alex show up injured, and let slip that she and Bernie are engaged. Think of the drama! And then when Serena is finally fed up with it all, and she’s standing with Ric and he asks what she’s going to do next? She just smiles That Smile™, and says she’s heading to Africa. That she’s going to try and win Bernie back. 
But of course that isn’t what happened. And there’s a part of my heart that can’t get past the idea that while she may find peace, Serena is never going to be truly, fully happy.
The tl;dr:
At the end of the day, with everything that came before, I think this is the best possible ending Serena could’ve gotten, and for that I’m extremely grateful. It’s just going to take me a while to process the end of a character who’s meant so very much to me, and all they ways it could’ve been so much better than we got.
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Neat things that happened today:
Went for a 2-hour hike today. Sun was shining and it was warm, but not too warm. This time I actually thought ahead and put on bug spray however, one pesky mosquito still managed to bite me. But, when put in perspective, the last time I went on a hike without bug spray I got 6 bites and that was on one leg alone so I take this as a little win. Also, this biker with ridiculously oversized tires on his bike nodded/waved at me which was nice.
During the hike, I got into this creative mood that had me thinking about all the things I could do in the future. It really sort of went all over the place. I daydreamt that I would start off as some sort of bank investor and then when I got rich off of that I would start my own business. I became a social entrepreneur whose business sent high school students to different countries to plant trees for volunteer hours. Then I started a new business but it was like a YMCA but for like gaming. Finally, I started thinking about what kind of technology I would try and develop if I were rich and could spend millions on anything that I wanted. One of my ideas was inspired by Blackmirror,  S1E3: The Entire History of You. The premise of the episode is that you can record everything that you see and store it in your memories to rewatch whenever you please. I think that we aren’t too far away from that. If we can just make cameras smaller we could have a GoPro the size of a button that would attach to the side of your head and record everything you saw. Anyways, it brought out this creative side of me that usually doesn’t come out so pretty good hike if you ask me.
Took a cold shower after my hike. Felt amazing. Developed this new strategy where instead of running the water for a little bit and then entering the shower, you stand in the shower and just embrace whatever comes out. Before this, I would have to play the mental game of trying to convince myself that the cold shower will feel nice once you get in so just man up and charge in even though your hand is warning you that this shower is far too cold to even be standing next to. Much, much, MUCH better to just be shocked by the water because you’ll adjust quickly and it’ll be refreshing.
Made a playlist of chill/vibey songs that I like. I don’t know why but I always refused to make playlists for, how you say, “modern music”. What I mean by “modern music” is music that is currently trending and played at parties and whatnot. My reasoning for not making these types of playlists is that in a month or so the music becomes outdated and your playlist which you dedicated time and effort into is now “old” and stale. I made one of these playlists back in 2016 and in no less than 3 months it became unusable at outings. The only playlists I have are for working out and a sad music playlist (for when I have to work through my emotions). But today I found an alternative approach to playlists that works for me. I will curate a playlist of chill songs that I like to sing along to (picture songs you would play windows down driving on a hot summer day with the love of your life beside you) and continually update it when I find new songs that fit the vibe. Although the fact the I very rarely play my music in front of other people makes all of this effort very much futile, it comforts me that if this were to happen I would at least be somewhat prepared. 
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amandajoyce118 · 3 years
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2020 In Review
I used to end the year with blog posts highlighting 100 things, or 50 things if I wasn’t that ambitious, that I loved about the year. Usually, those things were pop culture things. 2020, however, is a special year, no? I mean, a pandemic, quarantines, political unrest, massive bread lines, natural disasters, refugees seeking better lives, stressful elections, etc. For most people, to make a blanket statement, this year sucked.
Most of the people following me know that I’m a freelance writer, but I have a full time day job as a fresh merchandiser for a food service distributor. That means I never “shut down” or worked from home or any of the other things people have been forced to do. I work a full day pretty much every day with customers who don’t understand why distribution has slowed, why I have “long term outs” of items like cases of hard boiled eggs or fresh ginger, why there are certain days of the week when they just can’t get chicken wings. I have people who refuse to wear masks, employees who forget to disinfect work stations, and a questionnaire I have to fill out before every shift as to whether or not I think I’ve been exposed to covid. And when I’m done there, I escape by writing.
As a result, I haven’t been doing much for fun. Outside of my day job, the media I consume is generally for freelance work, which has made this year really exhausting, no matter how much writing/stories is an escape for me. That’s why, instead of just things I loved this year, I’m going to give you a list of 10 pieces of media I’ve consumed - over and over and over again - that I’ve somehow not gotten sick of when writing listicles about the subjects. I feel like we all need to feel like we’re getting lost in a good story, or with characters we genuinely enjoy, even if, like me, we’re getting lost in those worlds with those characters to be able to write about them.
The Baby-Sitters Club
I was obsessed with the books, the ‘90s show, and the eventual movie as a kid, so it’s no surprise that I was counting down the days until the Netflix adaptation premiered - and I loved it. I’m not going to lie, I’ve watched this show from beginning to end four times this year. It’s such a quick watch and there’s something really great about watching these girls grow up.
Nancy Drew
Again, obsessed with Nancy Drew as a kid. More specifically, obsessed with the ‘80s case files as a kid. I read all of them I could get my hands on. The new television show is a little more Riverdale than the novels are, but it’s an interesting spin on the characters and stories we already know - and the representation of a diverse community on the show is fantastic.
Anne With An E
I’m still holding out hope for a movie to close out this show since there are something like seven books in the original series and the show basically only covered the first one? Where is the justice? But, this is another show I think I’ve watched three times from beginning to end because Anne Shirley Cuthbert is someone you want to be friends with, no matter how old you are. You also want her to come to her senses within about 30 seconds of being introduced to Gilbert Blythe, so you know, it’s a fun and angsty time.
Agents Of SHIELD
One of my favorite Marvel properties ended this year, and… I should probably be more sad about it? Like, I absolutely would have watched more episodes of this show if it had kept going, but I’m also incredibly satisfied with how the show concluded this year, which is rare for me. I’ve gone back and rewatched a handful of episodes for articles, and Agents Of SHIELD feels like a show that I’ll end up rewatching yearly because it’s one of the few shows where I’ve actively engaged in fandom for years and still genuinely love.
Timeless
Yes, I rewatched this gem this year while writing a handful of listicles, and I’m bitter that this didn’t get more seasons. The cast chemistry, the stories of those often overlooked by history, and the twist of a shady organization being closer than you think? It’s pretty perfect. I miss it. It’s a yearly rewatch already.
Pitch Perfect Trilogy
Every so often, I find myself in the mood to hear Anna Kendrick belt out a few songs. Pitch Perfect tends to win out over Into The Woods, and I can’t ever seem to stop at just the first movie. Pitch Perfect is cheesy and not as perfect as its title implies, but it always puts me in a good mood. I want more comedies about a capella groups, please.
Mighty Morphin Power Rangers
If I had to say where my love of serial storytelling, or my ability to engage in fandom, started, it was with Mighty Morphin Power Rangers. I had friends who would create their own team of Rangers when I was little, and we’d trade kicks on the playground (which got us in trouble), and yeah, as an adult watching a show made in 1993, this show is ridiculous. Full stop. But it’s also the kind of show that makes you remember that a whole generation was raised on the idea that even if the good guys don’t always win, they keep trying. They never give up. And that’s just as important today as it was then.
Teen Wolf
I recognize that this show is sometimes a mess and that continuity is not always its strong suit. Does that mean I love it any less? Nope. And neither does the rest of the internet since some of my articles still get heavy rotation even though the show has been off the air for years. It’s the kind of show that pulls me in, even when I already know what’s about to happen.
Leverage
Oh, Leverage. How do I possibly explain how excited I am that you’re getting a revival? I don’t think I can. Also, I don’t know why I’m talking to Leverage directly when I haven’t to anything else on this list. Leverage is about a group of criminals who steal from the corrupt to give back to their victims. I mean. It’s Robin Hood for the modern age. It’s a found family. There are love stories. There are redemption arcs. It’s just chock full of greatness. And Aldis Hodge as Alec Hardison.
RWBY
I only really got into RWBY last year, and it’s fast becoming one of my favorite anime, though admittedly, I don’t watch a ton of anime. I love the references to fairy tales, mythology, and history mixed into this crazy fantasy world. I love that the villains are as compelling as the heroes. I love that in such a large cast of characters, I want to know more about everyone. It’s a fascinating show and some of the episodes are only five minutes long. 
Sailor Moon
I grew up in the ‘90s era of television, so, of course, I watched Sailor Moon after school. The English dubs because I’m a heathen, what do you want from me? I’ve really enjoyed revisiting the ‘90s series after watching Sailor Moon Crystal because, obviously, the ‘90s anime is not exactly the story that was told in the manga. It has such a rich mythology and fascinating characters not to mention beautiful designs.
Naruto
I’m going to be honest, you guys. I never thought I would be into Naruto. But something about it just hooks you. I got into it because there were always listicle topics that editors created for the show on the sites I write for, and I was curious. Unlike manga purists, I actually really like the filler episodes. I think they add a lot to understanding the characters. Also, there is no anime character I love more than Shikamaru in Naruto Shippuden.
New Girl
Okay. New Girl has really been the saving grace of 2020. I know this show ended a few years ago. I know that people should be ready for other things. But here’s the truth: I’m not really a sitcom person. I was as a teenager, but as an adult, I like my serial storytelling to be completely unrealistic and dramatic, usually. But 2020 has been so heavy that I needed the lightness New Girl provides. 
And I love each and every resident of the loft - even the ones I would never be able to stand hanging out with in real life. I love how much they all grow up over the course of the show. I love the one-liners. I love the running jokes. I love the musical numbers. I love the Nick and Jess of it all. In 2020 alone I have watched the first five episodes of this show about ten times. I’ve watched the show from beginning to end twice in just the last three months of the year. I love it so much I’ve even considered writing fanfiction for it (though I really don’t have the time and haven’t even finished old works over the last year). When this pandemic is behind us all, I’d actually consider playing the (arguably dangerous and would likely give everyone alcohol poisoning) game of True American just to see if my friends and I could get through it. 2020 has been rough, but at least New Girl is still on Netflix.
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There you have it, a baker’s dozen of the things that got me through this year - mostly in television format. There’s something I just love about serial storytelling, and when it looks like the world is falling apart, it’s nice to have the comfort of happy endings and stories you can plot out yourself. Here’s hoping 2021 is kinder to all of us, and has plenty more stories for us to get lost in.
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kazziemuse · 6 years
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Hey Arnold! The Jungle Movie - Review!
My History with Hey Arnold!
Hey Arnold! It’s about time! Before I dive into the Jungle Movie itself, a note from history and the person writing this review. At the time of this writing, I am 29 years old. Yes, I am a late 80’s baby! And with that, I grew up in the 90’s…When we didn’t all have cell phones, the internet, online multiplayer gaming, and going outside to explore was daily life. What else was good about the 90’s? The cartoons…and, one specifically? Hey Arnold.
I remember at the time, Hey Arnold was a new thing in 1996. It would air during a two-hour time slot dedicated to after school cartoons called CITV. My Nan would pick me up from school at 3:00pm, and we would be home by 3:30pm, just missing the first cartoon. That was ok though, because beyond all else, my favorite by far was Hey Arnold. I used to sit with my Nan watching, and because Hey Arnold was SUCH a real-life show, it got my curiosity running wild. There was so much in this show that grabbed me, that taught me and that made me feel certain emotions for the first time. I would spend hours thinking about episodes and bugging my nan with questions about what we just saw. It must have driven her crazy.
In the many years that I watched CITV after school, not many cartoons from that time period stood out to me as well, apart from of course…Hey Arnold. And, I have fond memories of watching it with my Nan who, sadly passed away in the year 2000. I was 12 years old.
Hey Arnold “concluded” a few years later. And while I still loved the show, I was starting to move onto other things. Still waiting for TJM which, never came. In those early days of dial up internet, it was hard to find information if you didn’t know what you were doing. And thus, I entered my teenage years with the Hey Arnold book closed…But, for how long?
Fast forward to my early mid-twenties. OMG life, right? Real life? This sucks. Crisis after crisis…Let’s try and dive back into something that gave me some good feelings and thoughts. I know! I will dive back into some cartoons…Lets rewatch some childhood favorites, such as Recess and Hey Arnold.
Re-watching the Hey Arnold series as an adult was like watching a different show entirely. The emotion, the truth about how life can be so cruel, the real world problems these characters faced and most of all, Helga’s undying love for Arnold which of course, I shipped immediately. After finishing the Journal, I was devastated to find out the story of TJM being cancelled. I researched, signed the petitions and with little hope of Hey Arnold ever coming back…I counted my blessings and moved on into other fandoms, which would consume the next 5-6 years in terms of obsessions.
It wasn’t until about two years ago, I stumbled across the news that TJM would happen. And honestly? I was excited but not ecstatic. I had moved on and completely obsessed with other fandoms. More TJM information started to fly around, and I slowly started to become obsessed again. It’s only really in the last year or so, that I have re-watched the whole series, followed the news and subscribed to YouTubers. And with that, I’m hooked again.
Leading up to The Jungle Movie
So, with my history with Hey Arnold covered, was that really important? Yes! Because like many of fans, it’s a story of growing up with this show and how returning to the things you loved can bring back the same happiness. But now it’s time to dive into The Jungle Movie!
Where to begin? Craig gave us so much insight to this movie to get one internally screaming! But, at the same time, he didn’t reveal too much as to give us the whole plot. The balance was truly perfect. We would have the answers that we wanted. Where are his parents, and would Arnold and Helga ever be?
SDCC 2017. The first sneak peek is shown and boy! I remember that afternoon so well. My heart was skipping beats watching. Look at this! Look at the animation, how spot on the voices are, look at how true they are to the original characters. It felt like an absolute dream! No revival can be this good? Can it? The more and more footage and screenshots that got released…The more and more I got obsessed and excited. Honestly, at first I wasn’t too keen on Arnold and Helga’s animation. I felt at times it was too different from the main series, especially Helga. That point aside, we were still getting The Jungle Movie soon! And I’m sure it’s not going to ruin anything for me. Hell, it might even grow on me!
In the leading months and weeks to TJM being aired, it had become my main obsession again. Craig’s weekly to daily Instagram posts became something I kept checking my phone for; the previews got me running from my desk at work to a toilet, so I could watch and fangirl in private. This was amazing! I knew this ship would soon be canon! But also, we would find out the answer to the biggest Hey Arnold Mystery of all time: Arnold’s parents.
By now, I was part of Facebook groups, being as active as possible in YouTubers live streams, meeting other fans at ComicCon, and the best part…Making friends within the Hey Arnold community. I was so ready for The Jungle Movie.
The Jungle Movie
As a 10-year-old watching the show back in season 1, I would’ve had a glass of orange juice. Now, as a 29-year-old watching the premier of The Jungle Movie for the first time, I had a glass of wine in hand. The movie kicked off, and the palpitations in my heart were disturbing my comfort. But I didn’t care, Arnold was back on my screen for the first time in many years.
The first dream sequence was painful and emotional. He finds them, but they keep leaving him? This must be a huge fear for him. The wine is needed and straight away this film is grabbing me, it had my emotions from the first scene. Buckle up girl…It’s going to be a long night! Arnold subsequently wakes up, and the main plot of the film is evident. But, this is a cartoon! Cartoons are meant to be funny! Luckily, Hey Arnold has that balance of comedy and emotion, because here enters Grandpa and Grandma to smooth over that first hill of feels. The boarders haven’t changed apart from a slight change in voice, but nothing that’s upsetting. And a pig eating bacon? No I quite agree, that is not ok haha!
With Arnold meeting Gerald on his stoop with friendship thumb wiggle, accompanied by familiar backing of jazz music, it’s apparent that Hey Arnold has kept that original vibe. And I couldn't be more excited to see what was in store! Like bumping into Helga in the next scene. Classic! Helga’s introduction into the movie was our typical old Helga. Leaving her temporary home at the beeper emporium while arguing with her father Bob.
The Jungle Movie has aged with the current time in terms of technology. The characters are only a year older from the original series. Beepers (or, pagers as they are known here in the UK) are not a ‘thing’ anymore with the ever-growing cell phone industry. A small but clever gag was Phoebe explaining what a beeper actually was to our younger audience watching. On another note, Bob’s company is failing as beepers are now obsolete. You get what you deserve Bob!
We see our main characters bump into each other just like tradition. Helga’s behavior hasn’t changed (thankfully). She is still love struck, but quickly raising her defensive walls (shout out to Francesca Marie Smith for keeping her character so true). But one thing that really struck me about this encounter was Arnold. He was reacting to her differently as he would in the original series. Instead of his normal frustration at Helga scolding him, he just smiles, offers to help her up and laughs to her attempts to push him away. “Whatever you say, Helga” with an almost flirtatious look on his face. Wait WAIT, why is he acting like this? Is this a call back to him knowing her feelings after the confession at FTi? Very interesting!
We move onto what seemed like a classic episode of Hey Arnold. Arnold and Gerald working as a team to win a contest. Helga scheming to help then win in a hope to win his affection, and ultimately them winning leading onto the main plot of the movie. I thought this was an incredibly clever call back. It was like being back in that Hey Arnold magic. It felt so true and pure to the original series.
Arnold Shortman, A 10-year-old signing his passport and confirming a long term mystery of his surname. Which was right under our noses for the last 20 years. So, Mr. Shortman, you promised your Grandpa not to search for your long lost parents. Your grandma is hilariously dressed up as a Jungle explorer. Keeping her wacky antics is nothing but a pleasure to watch. Are you ready to go? What could possibly go wrong?
Olga is coming! What could possibly be worse for Helga? Again, the writing stays true to the original show. Helga living in Olga’s shadow and being neglected by her father in favor of Olga. Sad but true. I feel that the amount of neglect Helga experiences from her dysfunctional family reflects on the way she feels her emotions so strongly. She has a lot of love to give and just wants to be loved in return. She is so used to disappointment and neglect which is why she puts up her defensive walls and bullies people away. She doesn’t want to get hurt. The only thing she can express is anger. I feel that is why it is so difficult for her to show the real love filled Helga. She is expressing herself in the only way she knows possible that will keep her safe. But over time we see her brave enough to let her true self seep through…More on this later!
We see our favorite class of PS 118 saying goodbye to parents and loved ones. A huge call out to Mr. Simmons, who is saying goodbye to his gay partner. We don’t see LGBT awareness much in cartoons. As someone who is part of the LGBT community myself, I felt this was a very warming addition. Thank you Craig and team! On the subject of Mr. Simmons… How hilarious was he with his agenda? From the fictional city of Hillwood, to the fictional country of San Lorenzo, my friends, welcome to the jungle.
Here we are guys, after how many years, speculation and imagination…We are finally here with Arnold and his class in San Lorenzo! But remember to be at the docks at 3:00pm to catch the boat down river. Our captain is Eduardo; anything suspicious about him? Many of us from the get-go were suspicious about “Eduardo.” Now here he is, in front of us ready to pilot this boat, and straight away he is fixated on Arnold. And what the hell did he say about tuna anyway? (Yes, I know it was Fortune ;)) Sure, it COULD be his parent’s best friend. We don’t actually have any recent images of him and he may have aged…I mean…He seems friendly, welcoming and genuine. So far anyway, right? But we all know…this “Eduardo” fellow has a huge part to play and we all know it’s not going to be in Arnold’s favor.
It’s our PS118 students as funny as they were 15 year ago. And, I for one am so happy to see them keeping us entertained with their old antics. Arnold, however, is away from his friends and with “Eduardo,” speaking of his parents and hoping to find some answers. But remember, he promised not to go looking for them and Arnold is a boy of his word…right?
I felt Arnold was more out of character than anyone in this movie. But who can blame him? He has the opportunity that he has waited for his whole life: to find his missing parents. With such an opportunity, Arnold takes a risk under false assumptions, which inevitably leads himself and his friends to danger.
Speaking of Arnold being out of character and his development…something stuck out to me and few other fans about his behavior towards certain friends. We see Arnold obviously concerned for his friends’ safety and how he is struggling to keep composed after he is sworn to secrecy by “Eduardo.” Gerald, his best friend of whom Arnold never hides anything from, is the first to confront him. And to my shock, Arnold hides the truth even though Gerald is not oblivious to the fact something is going on…Arnold?
Instead, Arnold opens up to Helga…HELGA. And poor Helga…she has struck up the courage to finally (and again) confront Arnold about her feelings. Hoping that her efforts to get him there to San Lorenzo had nudged at his heart strings, Helga is frustrated when Arnold opens up about his fears of getting his friends in danger while he plans to look for his parents. Again, he opens up to Helga, and not Gerald. Is this maybe a sign of his feelings and trust in her?
We can understand Helga’s frustration and feels of rejection when Arnold dodges out again of her confession. Even though technically, they were having two completely separate conversations. Helga takes this as the last straw. To all of our gasps, she gives up all hope of Arnold retuning her feelings and destroys the most precious thing in her possession since day 1: her heart shaped locket of Arnold. Devastating right? Brainy?
The vibe of the movie is certainly starting to take a turn into unfamiliar territory. Craig Bartlett said, “Friendships will be tested,” and I guess, these are those tests. When you think things couldn't go anymore wrong for our gang, well…it does. They are attacked by river pirates. Eduardo, claiming Lasombra is behind the attack, tells Arnold to hide and forget about his friends…hmm…still trust him, Arnold? By this point, any trust I had in this guy was completely gone.
Epic sword battles, fights and rapids. Our PS 118 friends take the most dramatic journey of their lifetime. Clinging on for dear life, we are all on the edge of our seats hoping that no one falls overboard…Even Curly, who is having the time of his life up on the crows nest. After a rough ride, we end up ship wrecked. We can breathe a sigh of relief that no one is thrown overboard, apart from poor Eugene. But who didn’t see that one coming? But never fear, He’s ok! As he is his own lifeboat.
With some truths coming to light about Arnold being involved with why the attack happened, trust and friendships begin to suffer. It was heart breaking seeing Arnold being avoided by his friends…Only “Eduardo” there to help him up during their long-suffering hike to the safety of the camp. But for me, Rhonda absolutely stole the spotlight here… Come one, We are all Rhonda…taking selfies, refusal to part with one’s luggage and being absolutely traumatized at the thought of hiking through the jungle. Her reactions and deliverance had me laughing so hard. That is certainly something I would like to see more of in Hey Arnold future.
The montage of our PS 118 class traveling through the jungle was a chance to demonstrate some of our characters individually. It was fun to see Nadine having the time of her life collecting weird and wonderful bugs, Sid crying on the floor after the unfortunate demise of his beetle boots (good call back there), and Rhonda struggling to just do…well anything. These kids never fail to make me laugh, even today! They all have something special and individual about them.
We are about halfway through the movie now, and if you made it this far, thank you for sticking with me! Now, let’s move on to what we have suspected all along…“Eduardo,” right? Wrong…if you didn’t suspect something of this guy, then go back and watch again, because this guy had something about him from the get-go. Our “Eduardo” is actually none other than the film’s villain…Lasombra. DUN DUN DUNNNNNN.
We then learn the true intentions of the class trip to San Lorenzo. It was all a scheme conducted by Lasombra just to get Arnold there. Unfortunately for our football headed amigo…he’s already put a lot of his trust in this guy. And he was wrong to trust someone who won’t give out a Wi-Fi password.
As the story continues, I felt nothing but mixed emotions. I found myself laughing, and then soon wiping tears from my eyes. We have so many sad moments that tug at our heart strings. Helga’s monologues expressing her love for Arnold have always been some of the most rewarding scenes from the whole Hey Arnold series. The writing and deliverance from Francesca is nothing short of spectacular, and let’s face it. We’ve all been there! Arnold giving up whilst in-prisoned hit me so hard. His voice was full of regret and defeat. Arnold, the boy who is always so optimistic, has given up.
It takes Helga to talk him out of his depressive state, and to accept the challenges ahead of them. Helga is already sticking to her guns and coming out of her comfort zone to assist Arnold. Seeing her comforting him and really being there to offer her support, which Arnold accepts is just so heart-warming! A sign of things to come with these two? Maybe.
Secret pathways, using beepers to create a homing beacon, and a pig eating shrimp cocktail in first class? The only thing missing from this movie is violence…wait no, it’s got that as well. I was surprised to see such brutal deaths of Lasombra’s guards. Although it’s kept fairly ‘clean’ with no blood (thankfully), we do see a guy getting hit by multiple arrows, one guy plummet to his death, and another bunch of guys getting crushed by rocks. That’s quite a few on screen ‘implied’ deaths. Who said TJM had no action?
I doubt this movie could mess me up more than it already had, but boy was I wrong. The emotions were about to kick into overdrive, and I have only had 1/4 bottle of wine left by the time Arnold, Helga and Gerald had found the Green Eyes. The answers to all our questions of the past fifteen years were soon to be revealed. As a long time fan of the show, it was so special getting to see these mysterious beings for the first time. The way they acted, spoke, lived and looked was something one could only imagine for all this time. Not only were we about to get our answers, but so was Arnold.
The hidden city of the Green Eyes was absolutely spectacular. The animation and the amount of detail put into this habitat was an eye saw which dropped jaws. We soon learn of the heartbreak that happened to this society: the adults were all asleep…for the past nine years! While nine years of sleep sounds like a luxury to most of us, joking aside, for these kids they have been functioning on their own for all that time. We start to learn about the final moments recorded of Arnold’s parents: the murals. WOW, was this hard-hitting. It’s the first sign of his parents that this poor kid has had in years, and you can tell just how desperate he is for answers.
The final pieces of the puzzle were starting to fall in place. It was just down to Arnold to do that final act. The problem being, it’s still a puzzle. And Arnold has no idea what to do. Before he can even start to figure it out…yep, what we were all waiting for: Lasombra.
Now, how many of you expected a young chief to throw a blade at Lasombra…A BLADE. I mean how badass was that? Followed by our trio and gang of Green Eyes kicking the wind out of this guy, unfortunately he was armed with a sword, and no one wants to go up against that unarmed. So, we all know what’s going to happen now. Lasombra is going to take what he came for with Arnold in tow.
Dragging an unwilling Arnold by his side, Lasombra reaches the (classic) rickety old wooden footbridge with the certain death plunge below. As they cross, we see Helga and Gerald appear behind them. Despite Arnold’s warnings and pleads, Helga and Gerald continue without any considering for their own safety. I mean wow, this thing is hanging by a thread, and these two kids are attempting to cross just to save Arnold. Can we get a round of applause for completely bravery and loyalty here? But this is a cartoon, that bridge won’t snap right? RIGHT?
Arnold has a dilemma in front of him. He has to solve this puzzle fast before his friends plummet to their deaths. OK that’s cool…it’s not like I’m already on the edge of my seat or anything. Arnold faces the Corazón with his amulet in tow. Sweat pouring down his head and full of determination to save his friends, we see his green eye tracing the steps needed to unlock the treasure inside. Once unlocked, Arnold is pushed to aside and Lasombra looks directly at the heart of gold in all of its pure beauty. Unfortunately for him…he is not as pure and ends up with a poisonous dart in his forehead.
Screaming in pain and heading for the cliff edge which, he inevitably falls off, (yeah byeeeee). Arnold is finally free to help his friends who are still clinging on for dear life. Our hero slips, falls and only just manages to grab onto the same plank Gerald and Helga are clinging onto. Now, top up that glass of wine here guys, because this is where is I almost downed a whole glass. Arnold and Helga meet each others eyes and they just widen. You didn’t need any dialog to know what was going through their heads here. Arnold was finally seeing Helga for her true self, her bravery, her loyalty and that she really does love him. Here they are about to die, and all of this is too late to act upon. They just stare at one another waiting to die, talking only with their eyes. Would somebody please throw them a life line before I jump at my TV?
That life line is finally delivered from the REAL Eduardo, and I can finally breath. There is hope! One thing that grabbed me about what happens next, while Eduardo starts explaining what has happened and how he has been following them. Helga is taken in by the Corazón. Now, I remember back in The Journal, Miles stating to not to look directly into it because they say it’s too sacred. But yet here is our girl Helga…mesmerized and staring directly at it with her hands placed on her heart. No poisonous darts being fired at her. Yes…I was worried for a moment there.
Of course, Lasrombra isn’t dead and climbs his way back up the mountain to finish what he started. With the two fully grown adults getting into a fight over a mustache, pushed and thrown. Helga is the first to run in to assist dragging a bag to place over Lasrombra’s head and using her fist “Old Betsy” to smash him in the face a good few times. This girl is just outstanding and an overall badass. Unfortunately, we see the Corazón fall off the cliff edge to be lost(?). Lasombra finally meets his ends once the poison takes its final effect and he once again falls to his death. “He died like he lived, full of poison.” 10/10 for the sass there Eduardo.
From one heart wrenching scene to another. Now, with Eduardo in tow, he is able to translate the native Green Eye’s language. Once back at the hidden city, Arnold is finally told his parents are there, and that the Green eyes will take them to where they lie. Um, Excuse me? Where they LIE? Could that mean? No…you can’t do this to me…after all these years and the last hour of pure emotional feelings. You’re now going to tell me they are laying there peacefully? I honestly by this point was on invested into the story being told that I hadn’t put two and two together like most of you have already. Instead, I was off my sofa bitterly nose to my TV in suspense to finally find out what happened. As Arnold entered the room, seeing them there pale-faced, sleeping so peacefully hand in hand…I whispered no to myself while a stream of tears started running down my face. I was literally Arnold by this point. After all those years here they are…And here is Arnold seeing them for the first time.
“Are they-?” No, It’s the sleeping sickness. OF COURSE! Wait that means…they are alive? They are alive? I actually laughed as I let out a small laugh in relief. And no, I really didn’t catch on that they had caught the sleeping sickness, not in 15 years. As it was explained that the Corazón was the cure, my heart fell again. But no, it can’t end like this, There HAS to be a way right? Seeing Arnold crying over his parents’ lifeless bodies while Helga and Gerald look on in complete shock was heart breaking. But of course, our girl Helga has a solution.
I honestly didn’t know how Helga would fix this. They knew what they needed and what they had to do. But, they had lost the Corazón. When Helga approached Arnold with a possible solution, I fully expected her to hand him the Corazón. I thought maybe she had taken it while she was staring at it. That was the only thing my mind could muster in those few seconds. I never expected her to open out her hands and present Arnold her golden locket with his picture in. That object that has been a huge symbol of her life for so many years, she is sacrificing so much in that one moment. It’s not only her most precious possession, it’s her true identity. Everything she has kept hidden and inside for so long was out on offer to help Arnold.
This selfless act was causing more and more tears to flow from my eyes. I later thought about this more in depth and theorized the following: Helga mentions her locket is just gold plated and it’s not pure of heart. Now, how would Helga know the Corazón was a pure heart? And anything in its place would need to be pure? Because she stared into the Corazón and felt that pureness. This is why I think she didn’t get a poisonous dart shot at her. Because of that connection with pure hearts, and Helga’s heart is a pure as they get.
Helga doesn’t think highly enough of herself to feel that her locket will work. It takes Arnold to give her that push in confidence and guys, this couldn’t have been more cuter or tear jerking if they tried. “I think your heart is more pure than you know.” He finally understands her.
Pure hearts, loyalty, dedication, love, friendship, determination and Brainy being a saint in retrieving Helga’s locket got us to where we are now. We are about to witness what we have all wanted from Hey Arnold in so many years. Helga’s locket worked, and the cure rains down upon those in deep slumber. Butterflies start to flourish as the cure takes effect. Does that mean? Arnold runs to his parents’ chamber with the most dramatic heart sobbing music in the background. This was it, finally the moment we had all be waiting for, his parents…Arnold parents, of whom have been missing for nine years with no contact. In front of Arnold eyes, they wake from a deep slumber and the first thing they see is their baby. Hey, Arnold. His eyes replicate my own as he runs towards them. He did it, and I couldn’t be more happy even though I was a sobbing mess with no wine left.
The story was concluded. The mystery which lingered for over a decade was now solved. Arnold stood with his parents and celebrated along with the Green Eyes. Miles and Stella’s work was finally complete. It’s a sight we all wished we could see for so long. But our hero wasn’t there? And even after just being reunited with his parents, Arnold noticed Helga sneaking off. Helga was trying to retrieve her locket, which I thought was both a funny and sweet touch. Because after everything, that locket still symbolizes so much to her. After being interrupted by Arnold, Helga still tries to put on her tough girl front and hides her true self still, but Arnold is no longer blind to who Helga really is. With his words, we know that Arnold is seeing through her, seeing the real Helga and finally, after seeing her being so brave, loyal and willing to give up so much for him, he is ready to accept her love.
Even though Arnold didn’t outright say how he feels about Helga, I am a true believer of actions speak louder than words. We have seen how Arnold has acted towards Helga his entire movie. He silenced Helga, she literally had no come or no way out for the first time ever. His act of confirming how he feels about her is sweet beyond words. He takes her hands and offers her a mutual kiss like a true gentleman. The two of them share a moment with their lips locked, and it couldn’t be more beautiful. I was almost angry when Gerald walked interrupted the moment.
The adventure was over. Arnold wakes up in his bed and he is immediately concerned. Oh no you don’t, do not tell me that was all a dream. I am screaming profanity at my TV whilst a near identical scene is played from the beginning of the movie. Was that really all a dream? Please for the love of raspberries no. Please, please no. Arnold’s eyes widen and fill with tears when he thinks that it was indeed just a dream. But they wouldn’t do that to us…and in come Miles and Stella with breakfast for our forever moaning group of boarders. We have never seen Arnold so happy, Wide smiles and dancing on the spot at the sight of his parents back home. I must admit, I really did hold my breath for a second there!
Seeing Miles and Stella home and comforting Arnold is something I never thought I would see. And here it was. It was the sweetest conclusion and satisfying conclusion to the longest story. I would love to see them spend time together, but it’s the worst day of school. Repeating from one of the first scenes of the movie, we see Arnold and Gerald meeting Helga and Phoebe on the corner. But THIS time, things are a little different. There’s no classic bumping into one another. Gerald and Phoebe lead the way hand and hand leaving Arnold and Helga wondering if they should follow suite. While Arnold does attempt this making Helga (and all of us watching) swoon. Helga still ups her defenses and grabs her hand back. I can understand why people would questions her actions here, but I’m kind of happy they left that part of Helga in. This is still her character and she is not going to change overnight. She still keeps her guard up and she has a lot to learn in accepting Arnold’s effect in public. Still, the fact that she smiles as she walks off is a huge development. And don’t worry folks, Arnold isn’t put off by her…he runs after her with that same flirtatious smiley face.
A nice final touch is Arnold’s parents missing him and offering to walk him to school. That final look from Arnold as he enters his school with all his friends and Mr. Simmons declaring he still has a job after the jungle ordeal…that look in his eyes, looking back at his parents looking for him, waiting for him. And that smile knowing that they are never going to leave him again. THAT my friends is how you end a movie.
Conclusion
Nothing is perfect, but the Jungle Movie sure offers some closure. Every time I watch this film, I notice something new. The amount of detail in the background is admirable. They are like paintings. The texture, the colour, the ambience of them is just beautiful. The background animation of characters is incredibly detailed. Instead of just having a still image, I constantly found background characters to be animated and reacting, especially Helga.
The music in this film was gripping, and well suited for the story. A mixture of classic Hey Arnold style Jazz and hip-hop. South American Latin, full orchestral pieces. The emotion was most certainly intensified with the music backing. Hats off to Jim Lang. In cartoon revivals, one thing that is difficult to recreate are those voices. I can honestly say the returning cast and new cast did an absolute fantastic task of both recreating and advancing the characters. It was like watching an old and new show at the same time.
Overall, The Jungle Movie was everything an old school fan like myself could have hoped for. I am not only incredibly satisfied with what we have been given but, I am also thrilled for those who worked on this project for so many years. The creator, Craig Bartlett and his team and the fans who campaigned to make this happen. It’s a fine example of determination, love and appreciation for one another, which isn’t expressed much in today’s world. I am so happy with The Jungle Movie, and I finally have my closure from this epic story.
I can bet, if my Nan were still around today, she would be the one asking me all the questions. And, while I type up my final words, I feel a small part her sitting with me for the first time in many years.
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ineedtofeelbetter · 7 years
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I strongly encourage you to ignore this.
Since probably 2012 whenever I'm going through a bad depressive phase (typically caused by fucking up in a huge way [i.e. losing my job, accidentally wrecking friendships irrevocably], triggering endless waves of self loathing to the point of being suicidal), my way of coping usually involves burying myself in Johnlock.
It was an accident the first time.
It was after series 2 came out and the first hiatus hell began. I remember watching TRF the first time and screaming "They're boyfriends! They're boyfriends!" at my tv. I mean, I shipped them after the first series. But it was after TRF that it seemed so obvious to me. I watched those 6 episodes so many times.
I knew about slash already, but wasn't into it. I had stumbled across some Firefly Mal/Simon slash not too long before that and it just made me laugh. Not because it was gay, of course not. But it was so against character and both of these people had other love interests on the show, ones that played into their behavior and choices. It so happens they were heterosexual. But I believed them. Say what you will about Mal & Inara (cause Mal's behavior toward her, although in-character & kind of believable for the type of man he was, was problematic AF), Simon and Kaylee were SO into each other and seeing them finally get together at the end of Serenity was honestly one of the best parts of the film.
So after watching series 1 and 2 of Sherlock over and over again during the first hiatus hell, I craved new stories. And I desperately craved stories exploring their relationship. It seemed so clear to me in the show but I NEVER thought Moftiss were going to go there. I felt like I would of course never see these characters get together on screen, so I might as well seek out some good fanfic. I knew it'd be out there, of course I wasn't the only one to have seen their obvious love for each other. And boy howdy did I find it.
I can't remember what the first one I read was called or the author's name but it actually was too slow for me and was unfinished. The best part that I remember though was that Moriarty wad a former lover of Sherlock's and would seduce him with puzzles (what actually sounded like Nutshell Murders), but then he'd get Sherlock high to have sex with him. I just thought that was a brilliant choice and made Moriarty more evil, and in a real world way.
The first fic I ever fell in love with though, and the one that would help me through an incredibly dark time in my life, was The Heart In The Whole by Verity Burns. It ended up being the perfect mix for me. It was predominantly fluff with just a bit of smut. And it felt relatively realistic for the characters, especially John. I could picture Martin in some of the scenes and that is what seals the deal for me. I read it so many times. I eventually even found an audio recording of it and downloaded it and listened to it all the time. I still do sometimes. It was my primary source of comfort during this time.
I still don't know why I found it comforting though. I wasn't involved in the fandom at all, I hadn't tapped into into the fandom on Tumblr at all. I'm still not really. I follow a lot of blogs and reblog a fuckton here, but I don't contribute, I don't engage with anyone. I do think that fic though was the reason I found the fandom here. I'd been on Tumblr since 2008 but only followed some Sherlock/Johnlock heavy blogs during the first hiatus. Series 3 came and went, TAB happened. I didn't love either of them as much as series 1 and 2 until I went online and read meta and discussion. And that's how I eventually found Rebekah's TJLC Explained series.
I do disagree with some of the points made throughout, but it did make me believe that we might actually see a romance, we might see these iconic characters come out and get to be together. I watched those videos over and over again and this is when meta/analysis became more enjoyable than the show itself.
I think it was the hope that made me happy. I believed and it made me happy. 2016 was a year filled with sadness for a lot of people for a lot of reasons, big and small. But I thought surely Moftiss would want to help us see hope in 2017. It was a tiny thing, insignificant in the grand scheme of things, but would have made a world of difference to a lot of people.
We all know how 2017 got started and how sorely disappointed we all were. It drove people out of the fandom, more seriously it drove some people to question their actual sanity.
I read all the tin-hatting, I tried to hang on to that hope. But to be honest, it died inside me. I think I still hold on to the tiniest little ember, as faint and unlikely as it may be (I have a theory about October 28th, but I'm 99% sure it's wrong), but for all intents & purposes it's dead.
With every new horror 2017 has to reveal, I miss the old comfort of Johnlock. The knowing it was never going to be real, but being satisfied with the wishful thinking. Before questioned sanity and gaslighting from showrunners and fans being talked down to and blocked on social media. I'm not placing any blame on the fandom whatsoever, btw. I made a choice to believe and still stand by the blatant evidence on the show. I blame the show runners and the BBC. But I do miss the innocence we used to have.
The entire point of my writing this fucking rambly ass shit is as follows:
I lost my job about a week and a half ago and have fallen into a massive depression of the likes I described above. I haven't been sleeping or eating and have been seriously considering suicide again and have tried to go back to the comfort I once found in Johnlock. Instead of listening to that old fic, I started rewatching the TJLC Explained videos. Unfortunately, what mostly stands out now is all the places we were wrong.
I desperately want to understand what happened with series 4 on so many levels and although I understand why they left the fandom, I desperately wish Rebekah would do more TJLC Explained videos analyzing these episodes.
That is all.
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