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#thought is already bad enough
pansyfemme · 2 months
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im hoping after this semester ends i will just cease to exist. just straight up disapear into the atmosphere. not so much die as just like. never have been a person to begin with
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fairy-spring · 7 months
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Sooooooo anyone wanna take bets on that new Zelda movie?
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julijbee · 3 months
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girlbossing too close to the sun.
#art#ive literally just been treating this game as a library simuator#i walk from bookseller to bookseller opening up all of their books#vivecs sermons are either a highlight or the point at which i stop reading#ive been trying to convince the ordinators that imitation is the highest form of flattery but it hasnt been working#let me wear your helmets please theyre so funny..#posting morrowind in 2024 isnt a cry for help but youre not wrong to be concerned.#morrowind#almalexia#vivec#im going to explain the chitin armor give me a moment#so the bonewalker nerevar on the shrines is adorable and it was only after drawing it however many times that i realized#it looked relatively close to a modified chitin armor#and so i modified chitin armor a few times and this was probably the cutest result#i also know i drew almalexia relatively pristine and untouched by years and vivec not so much but my thought process was#vivecs role as if not a favorite then the most accessible divine or the most “hands on” in a manner of speaking#acting in ways visible to the general population or actions explicitly brought to their attention#like not that almalexia isnt doing anything she is#but the dissemination of information regarding that is very different etc etc etc#anyways to a certain extent a god is the face on a shrine or in art or upon a statue or carving#but vivecs presence is interwoven with the geography of vvardenfell especially and his actions and writings with pubished materials#and the arts and culture and customs etc etc etc#so to me the face of a god you know and feel a commonality with or a god that walks alongside you is a face you would recognize#and vivec is already otherworldly looking enough#the simple mark of the years on his skin in some way grounding him in reality felt more right#that and i think the ways in which he and almalexia care about outward appearance are slightly different- they prioritize different things#and the ways they present outward power and their embodiment of their respective attributes share some similarities as they both have that#important preoccupation with physical power and physical strength to a certain degree#oh my god nobody read this i am yapping so bad.#tes
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probadbatch · 2 months
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Congratulations to our newly minted Crosshair / Ventress shippers
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formerlyashkatom · 3 months
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I don't want to reblog it because there are so many bad takes on it but there's a post in my for you quoting a tweet that says 'I'm an ally, but gay people make a lot of really bad webcomics. Not my business but you should figure this out internally probably'
counterpoint: bad webcomics are the backbone of society, let people cook.
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alexiethymia · 1 year
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Listen, book!Lockwood who is so repressed that it just translates to beaming smiles has a special place in my heart, but at the same time I cannot stress how much I appreciate the live action series for showing us unbelievably exhausted Lockwood who’s so obviously scared that Lucy and George will eventually leave (willingly or otherwise) but still has the gall to push them away. My boy was barely pulling it together. And ofc he would be so tired that the bags under his eyes are so prominent because we’re outside of Lucy’s POV now. Lucy who’s always had rose-colored glasses when it comes to him.
Speaking of Lucy, I really do love how she calls him out. She’s so aggressive with her love. It’s like she’s demanding that George and her will love and care for him and there’s absolutely nothing Lockwood can do about it so he just better shut up and take it. Peak found family right there.
How that scene where Lockwood comes to apologize to Lucy in the kitchen had so much ‘husband in the doghouse’ vibes, and how ultimately what Lucy is really mad about is just her wanting Lockwood to value his life more. And for Lockwood to outright admit that yeah he was a bit suicidal but it’s a bit like he found a new reason for living because of Lucy and George, again I say PEAK FOUND FAMILY, this is my jam. The ease of which Lucy being Lucy calms him down. (Ugh, again the domesticity of choosing egg cups). He can’t stand when she’s mad at him and he learns about apologizing properly this time around, but when she wordlessly forgives him, you can see on his face how he could fall so quickly and deeply in love with her. That’s one thing I love so much about the live action series. While the book showed us more of Lucy’s feelings for Lockwood, I actually think the series highlights Lockwood’s feelings more in that if I hadn’t read the books beforehand, I could have easily seen it as Lockwood falling first. His abandonment issues are so prominent in the series and while they play it with humor with Fittes and Kipps, you can just see that desperation behind the lighthearted tone, and for Lucy to say that she chooses Lockwood and George anyway….!
This is basically an excuse to ramble about the little things they add in the series that I love so much, which works because we’re not restricted to Lucy’s POV, in no particular order:
How Flo can immediately see how Lockwood feels about Lucy because of the effect she has on him. Prior to that statement, she’d only met Lucy once before, but that brief meeting told her everything she needed to know. She probably knew Lockwood in the aftermath of his family’s death, so for her to see Lockwood just buttering someone’s else toast for them and being all domestic and smiley, treating another person like a family member especially considering how guarded he is, she must have thought (and rightly so) that meeting Lucy made him have an appetite for life again.
We actually get to see Fittes’ and Lockwood’s side of the fight! And it was awesome. “I’m Anthony bloody Lockwood.” I can no longer remember if that line was in the book or not but idc I love it.
George and Lucy’s scene was in the book, but the acting in the series just really sold it for me. How Lucy’s heart just broke hearing George talk about himself, especially everything he said then were feelings I’m sure she’s also had about herself. I seriously loved that last episode. George and Lucy were adorable. Again I say, found family ftw.
The rise of the Flo x George ship! “You, me, and herons!” Again I say, adorable.
There are some elements that work better in book format, but in many ways the tv series really did elevate this beloved book series. It was a wonderful, wonderful adaptation. As a reader, I couldn’t be more satisfied. As a shipper, I couldn’t be more ecstatic.
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niinnyu · 10 days
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Here's why I think the Gojo bait is not great writing and why you should maybe think so too (Spoilers till jjk 260).
We've spent the last few chapter consistently establishing a few things about our protagonist (Yuuji) and our antagonist(Sukuna).
1. Yuuji's father's soul is a reincarnation of Sukuna's twin: This instantly creates a connection between Sukuna and Yuuji.
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As if you needed one outside of Sukuna's constant mockery of his former vessel's lack of "competance", and that most of yuuji's biggest losses can be attributed to Sukuna, building his wrath brick by brick. But surely adds to it all.
2. Yuuji feels incredibly lonely right now: Anyone he's created any sort of meaningful (?) Bond with outside of just 'hey you're an ally I can fight alongside with' is currently either dead or greatly incapacitated.
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3. Also ofc the absolute damage that Yuuji has started incurring on sukuna. Damage that the slew of sorcerors before him couldn't. Forget about everyone teaching him abou love, Yuuji will show him Burning Rage.
This while also having hinted at Yuuji being possibly strong enough to do so on his own. He can go head to head with the King Of Curses with or without the help of his fellow sorcerors once he is able to harness this power.
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Anything that was Gojo vs Sukuna feels absolutely irrelevant with the build up that Gege themself has been creating through the past few chapters.
Gojo's form right at the end of the chapter undercuts the pacing completely. Readers are more interested in those last 2 panels of Gojo which are completely removed from and rather jarring to the buildup between Yuuji and Sukuna. Fan interest in Gojo isn't their fault because that's what the chapter makes you focus on.
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The only way I see this continue the buildup is if this is somehow Yuuji's doing or done with his knowledge, in which case it'd have been better to end the chapter by showing that Yuuji is aware of it and has an ace up his sleeve, bringing it back to the 2 relevent characters, and for people to stew in what Yuuji could be up to for a week.
But no matter what Gojo's visage there means, Yuuji in this moment has been so greatly undermined, not by his lack of strength, not by Sukuna outright demeaning him, but by the writing itself. By Gege.
And oh, how Yuuji deserves better.
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sergle · 7 months
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I really truly, from the bottom of my heart, hate you bitches so much, because on the tiktok of literally COCK AND BALL jokes w brittany broski, there were a few notes/messages like this:
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And I KNOW you don't think anyone's going to check. You had someone go into your askbox and say "hiii brittany broski is shitty about palestine she's really ignorant :/" and you went oh omg I didn't know!! thanks for telling me! So I checked! This is in reference to her talking in her podcast, because people were asking why she hadn't done any big press statements about Palestine, you didn't retweet this or that, you must not care, don't you care, what's your stance, etc etc please say more OKAY COOL. So what's going on there? What did Brittany say on her podcast? Is she a Bad Person? Can I have some transcript, please? ____ "Hey guys, before we get into this week's episode, I want to talk to you about the ongoing and prolonged suffering and loss of life in Gaza, in Israel, and the oppression of Palestinian people widespread. I don't ever want it to be a question that I would ever not be against the oppression of any group of people, that I would ever stand on the side of the oppressor." "There was a lot of fear of misusing my platform." ... "I will admit that I was nervous to talk about it, because I don't want to say the wrong thing. And this is too fucking serious of an issue to misspeak, or to spread misinformation, or to speak over or for someone." ... "So I want to take a moment on my biggest platform- which is this podcast, to say that I stand with the people of Palestine, I stand for the liberation of Palestinian people." ... "Every day, to log on to social media, and be just inundated with graphic, unimaginable violence, and loss, and grief, it's just--There are no words." ... "And I feel helpless. That's part of it too, when you feel helpless, the last thing you want to do is talk to people about it-- but visibility is a resource in and of itself. And I can offer that." ... "The outpouring of rage and passion online, and anger at what's happening, I would argue needs to be dedicated and focused on our elected officials. We live in a democracy- albeit an inherently flawed one- we live in a democracy where we have elected officials who were elected and put in power to represent us, and if we feel misrepresented, if we feel underrepresented in foreign affairs? These officials have public phone numbers and emails. There are scripts available online to express your disdain and your rage, and unfortunately that's one of the only ways we'll see actionable change."   "If you expected more from me, it's a terrible feeling- but I don't want to center myself, this needs to be all eyes on Palestine right now, where the real activism is happening. I would encourage you to follow journalists that are on the ground, people who are in Gaza, we need to be listening to them. I would also hope that we're at a point in this conversation where I can express my desire to stand in solidarity with the people of Palestine and that NOT meaning or suggesting or condoning anti-Semitism of any kind. There's a rise of anti-Semitism and islamophobia in the United States and it's just-- it's disgusting, and it's scary, so I want that to be said too. I just wanted to share that I am experiencing part of this collective sense of helplessness and hopelessness-- but it DOESN'T HAVE to be hopeless. I'm going to include a phone number in the description of this episode where, if you don't know the name of your senators or your Congressman, it's never too late to learn, and you can reach out to them." _______ Hm. What a bitch!! Yeah, just so ignorant and uncaring. Obviously she's not keeping up with anything. Should've retweeted more shit ig!
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nateezfics · 2 days
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y’all i can’t do this no more
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shokveyv · 9 days
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shut up
#transformers#maccadam#drama#i like the cover#people saying it's too 'sexy' are the problematic sexists#this same shit happened with z0ner's cover. yes i bullied her too because i believed the stupid shit you guys were saying#I MANAGED TO GROW UP BUT YOU PEOPLE ARE STILL DOING THIS TOXIC SEXIST ASS DANCE#i thought i was the bad person but honestly it's yall and your bullying asses#you're disgusting for bullying artists just because they draw women how they want#GROW UP.#I LOVE DRAWING CURVY SLIM SEXY ROBOT GIRLS#THERE'S NOTHING WRONG WITH THAT#WE SHOULD FILL THE WORLD WITH MORE OF THEM BECAUSE IT'S WHAT I WANT TO SEE#IF YOU WANT TO SEE SOMETHING ELSE... DO IT YOURSELF!!!! MAYBE ONE DAY THE COMPANY WILL LIKE YOUR ART ENOUGH TO HAVE IT ON A COVER#i like milne's stocky arcee just as much as average arcee from TFA just as much as svelte arcee in this cover#i really thought it was me that was why i left the fandom due to my ignorance but coming back and seeing this petty ass drama you guys#are unleashing... im realising that you guys are the problematic ones. omfg#you make it so unfun to be in this fandom. might as well publish the most recent animation i was working on then take the ones i've already#finished into hiding. you people suck the joy out of drawing for transformers.#transformers was my last bastion out of depression and you guys reminded me why people shouldn't get into transformers#getting back into tf revitalized my desire to draw and held me back from suicide. but knowing how toxic environment you guys are...#there's no reason to keep living with such inhospitable negative toxic bullies.
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dreemurr-skelememer · 4 months
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I'm gonna be anonymous when I say this because I have seen this done by many people... I strongly dislike the "Error and Nightmare gang are the good guys and trying to make the universe stable while The star sanses are the idiots who will not see reason" .. Like... I .. really? I'm not sure if the reason why I don't like it is because I have seen it so many times or what but it annoys me dearly. The members of the star sanses are reasonable and they are just often made as one sided ignorant people- I mean okay Lets go on the different pov, on the bad sanse side: You see them risk their lives every day getting themselves hurt over and over again all to defend different worlds for the sake of bringing what they believe to be peace and you label them as the fools who just want all the glory- really??? people who get hurt over and over again just do it for that stupid reasons??? I mean come on! Seeing as generally it is shown that the bad sanses want peace as well why not be trying to reach an agreement??? you fight over and over again and you couldn't even be bothered to try and reach their heads to finally listen to what you are saying like what "in a way" dream has done with nightmare countless times but they cant do the same? Just have them fight knowing that the other side are in the wrong and you choose to do nothing but break them?? Like is this your pride or something?? Why are they labelled as good guys yet they allow the other side to fight to their deaths with a good motive in mind but they only lack the full picture?? How am i suppose to "root for you" if this is what you do????? We get inside information of how peaceful they are and how they care for each other deeply, but if you care so much for each other why would you allow the other side to keep fighting your loved ones when they are missing the big picture, you know the big picture yet you say... NOTHING. NADA. ZILCH!! you cannot tell me that they don't listen to you when you barely speak up about the true issue or find a way to show them- you maybe say it once or twice in the whole story and then any other time you go straight to fighting or just avoid them.. COWARDS!! ALL OF THEM!! And in these stories the star sanses always state their reasons for their interference yet you cannot tell them why you are doing this?? All that comes out your mouth are insults and sneers, who would want to believe you when that is all the comes out of your MOUTHS... Excuse me... Just pissed sorry for the long rant.. Oh my gosh AND DONT GET ME STARTED ON DREAM AND NIGHTMARE, DUDE YOU GOT THE BALLS TO BLAME YOUR KID BROTHER FOR BEING A KID AND NOT RECOGNISING YOUR TRAUMA EVEN NOW AS YOU ARE MUCH MORE MATURE AND HAVE THE ABILITY TO REALIZE WHAT HAPPENED TO YOU BOTH AS CHILDREN????? Is he the one holding onto the past or is it you??? Night is always depicted as the dadmare, boss, the caring lover, the brother yet he doesn't even have the decency to face the fact he abandoned his brother in stone for 500 years or so, when he comes out you automatically hate him for something he had no idea or control of and choose to ignore his pleads, when your brother wants to reach you, you break him over and over again not wanting him in your life ever again when as i said before he was your "KID BROTHER" and you want to tell me your the good one for just wanting to cut him off with no answers or anything? You gotta be pulling my leg bro... and it would be a different story if the dreamtale background is different but no! it isnt! nothing is said to make it seem dream was an abuser of sorts, they were both hurt and yet you blame dream for all of it you have a whole ass support system yet that is your mindset??? I cant.... I really cant Uh sorry again for this long ass rant though =w=
anon our souls are holding hands resonating as one
my two cents on this (that isn't something i said. a million times before already) is that it's usually because people refuse to see the star sanses in the same light they do the bad sanses the people who actively dislike the star sanses and what they do usually do so because they can't relate to them, from what i've noticed
the bad sanses are easier to root for because of the fact that they are made of struggle and the dirty, gritty parts of morality and life so to say it's easier to think of good things in the middle of so much bad, because it's in our nature as people to look for hope or root for the good, no matter how little it is having the ability to look for goodness and love in so much evil is a form of love in of itself everybody struggles and life sucks and sometimes the world is evil and sometimes we do bad things, but that's the thing, the fact that we as people find something good in the middle of it all (like finding familial love bloom in the bad sanses, as an example) is very inspiring. at least to me!!! that's how i see it!!!! that's how i like to think people see it as well because that's how i see and enjoy them together so i can totally see why people find more relatability and love for the bad sanses. i really do get it and i agree!! like a lot!!!!! i love them too
but that exact reason is also why it really sucks that people just don't see the star sanses in the same light?
i wanna reemphasize my point in relatability: it's difficult for most people to relate to the star sanses because inherently they are the heroes, the protagonists, the main characters, because nobody are any of those things i feel like people often put them on a pedestal because of their central tropes and characteristics. they have it all already, they don't need more praise, right?
i think the biggest problem people have with the star sanses, like your whole ramble very clearly shows, is that they don't humanize them i feel like a lot of people assume that just because they are good and choose to be good and are praised for being good, they are unreachable people don't think they struggle. that it sucks being that.
it's often why i like writing the star sanses with so much struggle and so much mental illness lol, because being good is fucking HARD and they're as imperfect as everybody else. dream is anxious, ink is brash, blue is a workaholic, stuff like that
there's a lot to say but it's just....the bad sanses and the star sanses are two sides of the same coin. the bad sanses is finding good in the middle of, basically, evil and misdeed the star sanses is finding struggle in the middle of trying to do good
people often portray both of them black and white morals and it's why it gets frustrating and flat and badly written.
idk, just like how i find inspiration in the bad sanses of finding hope and love in the middle of darkness, i really admire the implications of the star sanses when you actually decide to humanize them. because if you make the star sanses struggle throughout their praise, glory, and righteousness, it's...really admirable that they still choose to do good.
like you said, the star sanses risk their lives often and fight, offering treaties and agreements, just to make things right that's so??? admirable????? like for the amount of times the bad sanses fucking fight them, i genuinely would've just given up completely, but they just....don't??? and that's so admirable and sweet? it makes them so deserving of their titles as guardians.
idk!!! this is a massive ramble too, i don't even know where i was going with it but like, yeah, i think i wanted to talk mostly about why people preferred the bad sanses over the star sanses and how it makes me sad i get you anon. with my whole body and my whole soul. i understand what you mean and i see you
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insufferablemod · 1 month
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hi im still mad davesprite never got to talk to dirk
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skitskatdacat63 · 5 months
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Tradition vs Modernity vs Comradery
+ context & lore:
In the first drawing, Fernando is wearing a capote de paseo, which is what bullfighters wear before the match begins, as seen below:
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In the second, Seb is shouting the very familiar "Olé" which is shouted by the crowd to praise the matador. He's a little brat, so of course he's yelling it for himself, but he did get many 💐
The third(which was a random sketch I had that I didn't think I'd finish tonight, so ignore if its messy) has very important context to me. Before going to the final act and killing the bull, matadors dedicate their montera(hat)(and symbolically: their kill) to a a specific person in the audience(or just the public as a whole.) Seb and Fernando are finally in the same color! Seb is bowing!!! And Fernando is honoring Seb!!!! Also ignore that I drew Seb's post-retirement hair. Though, maybe this drawing is supposed to represent Fernando making a dedication to his now-gone rival 😔(Seb: stop telling people im dead!)
Now, some more lore :D
So I talked about this in my last matador post but I'll expand more. I think it's very funny to characterize Fernando in this au as this fun-hating traditionalist. Because you have to understand; he's only this way when it comes to Seb. Because you absolutely KNOW he was doing silly, unserious shit back when he was younger. But absolutely god forbid Seb do anything silly.
It's very ironic because there literally is a part in the third act of a bull fight where it's basically encouraged to be a bit silly. This is a tad morbid, but basically right before they deliver the killing blow, some show their mastery over the bull by doing some superfluous action(ex. kissing the bull, kneeling in front of the bull.) There's some guy who literally would lean on the bull and mime taking a call. But anyways, Seb would def do this. I've not been able to draw it exactly how I want, but he would bend down and do his little bull horn symbol and mime charging at the bull. (Fernando, trying to make up reasons to hate Seb: oh my god, look at this blatant disrespect, look how he is disrespecting the bull, I cannot believe how rude this boy is!)
Also there's something to be said about how the matador shows mastery over the bull by kissing it or bowing to it...and Seb is technically the bull in this au and Fernando is the matador. There's just this unfortunate level of weird power inbalance that still lingers even though their rivalry is over and can't be affected anymore. There was no succinct answer about who truly was better because Seb was forced out of it. So there's always gonna be this level of "is he just pitying me? Is he just mocking me? Is he just patronizing me?" on Seb's part whenever Fernando praises him or makes dedications to him. And Fernando's always going to be haunted by the fact that there's no answer to who is truly better because he'll never know if Seb had reached his full potential or not. Anyways, they also have nasty sex while wearing their costumes and do weird bull/matador roleplay :)
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callibones · 2 years
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Part 2 Part 3 Part 4
STEVE LOOKS AT HIS BIG EMPTY HOUSE AND THINKS FUCK IT
(ft. baby Steve and Hopper accidentally teaching El the word 'orgasm')
cw: child neglect, underage drinking, sexism, brief fatphobia, Italian (like 2 words)
plugging my steve playlist
At first, eating fast food every day sounds like a dream come true. His parents don't allow him to eat pizza - we don't want you to become fat, Stephen, what would the people think? - but when he finally breaks the double digits and they deem him old enough to stay home alone, the freezer is filled with frozen pizza. "You know how to get takeout, right?" his mother asks. Steve doesn't mention that he needs to get on his tippy-toes to reach the tall table with the phone and nods. And then he is alone.
Tommy Hagan says that he loves it when his parents aren't home. His brother wants to be left alone, and so he is sent upstairs and can watch as much tv as he wants, even the horror movies he isn't allowed to yet. Sometimes, when his brother invites friends over, he can even sneak a bit of alcohol. He loudly proclaims that alcohol is cool and fun and awesome, but one time, when Steve and Tommy are alone, he whispers that beer actually tastes really bad and makes him sleepy and that sometimes it gives him a tummy ache.
And it is somewhat exciting, at first. Having the entire house for himself. He can watch as much TV as he wants, even the scary movies his mom hates. (But at night, when he dreams of monsters and demons and blood, there is nobody there to reassure him that it isn't real). He can eat whatever he wants whenever he wants. (One night he puts all the pizza in the oven and plays a game against himself: eat as many slices as possible. The next day the teacher sends him home with a bellyache and he barely makes it into the bathroom before he is throwing up. He can't even look at pizza after that without feeling nauseous)
After that disaster he discovers the wonder that is takeout. (The table is so incredibly tall and every time he reaches for the phone there is a split second when his heart stops and he is sure that the phone will fall on the floor and break into a hundred pieces and he won't be able to hear it when his parents finally decide to call (they haven't had time yet, his father is a very busy man) and they will find out and they will hate him forever. But he always manages to catch it, so it's fine.)
Hawkins is a small town, which means that Steve's options are severely limited. His parents left him three pamphlets from different restaurants he can call. The first is Italian. Steve remembers heaving on the toilet and throws that one away. The second is a Diner. His stomach is already growling and reading has never come easy to him, so he calls without even reading the last one.
By the time his parents return, he knows the number of the diner by heart and is already on first-name basis with most of the staff. His favorite is Daisy. She always asks him how he is doing and sometimes she sneaks in sweets he didn't order.
He misses Daisy when his mother starts cooking again, and then he feels bad for missing her because his parents are finally home! He never really appreciated his mother's cooking until he had to go without. He has vague memories of refusing to eat his vegetables when he was small, but the feeling of eating something not greasy is so good he even takes seconds. His parents smile and he feels his heart fluttering in his chest. "See, he is already growing up", his father says, and Steve beams.
He wants to help in the kitchen, but his parents don't allow it. ("Only women belong in the kitchen", his father thunders. "You're just making a mess! For gods sake Stephen, leave me alone! Aren't you too old to keep running after your mummy?!", his mother complains.)
--
Steve isn't sure when exactly he decided that he didn't care. Maybe it was when he went to Carol's house and realized how empty his fridge is in comparison to hers. Maybe it was when he started exchanging his readymade supermarket sweets for other people's lunches, so he could at least have something that isn't prepackaged. Maybe it was when Daisy suddenly stopped going on the phone when he called the diner and the new worker (he doesn't know her name) got really annoyed with him when he wanted to talk about his day. (He is scared that he is the reason she is gone. That all the secret sweets and fries she would add to his order got her fired. But he doesn't know how to contact her, or even her last name, so he can never find out for sure)
All he knows is that one day he looks at the kitchen and knows he can't do frozen or canned meals anymore.
--
Steve goes to the living room and searches the huge bookshelf with narrowed eyes. (He once asked his father why they had so many books if neither he nor his parents like to read. He said that he should stop asking stupid questions.)
He chooses to see it as a good sign when he finds a cook book in the lowest shelf. The bookshelf is even taller than the telephone table, and if all the recipes were too high up he wouldn't be able to reach them even with a chair.
He makes for a noticeable picture, a tiny boy dragging around a huge book and an even bigger bag. (He had never gone to the supermarket before. When his parents go on a business trip they always leave him with enough food to last until their return, and when they are home food always seems to magically appear in the kitchen - or he assumes it is in the kitchen, he isn't allowed in there when mother is home. He thought grown-ups just magically knew what they needed to buy, but he took one look at the ingredients list and knew he would never be able to remember everything. When he sees a woman taking a shopping list out of her bag, his tiny mind is blown.)
Sometimes he can't reach a shelf. Then he stretches and glares until an adult notices and takes pity on him. They offer to help him with the book or with the bag but he refuses. Father says he is already a big boy, and big boys don't need help. It doesn't count when people just do it without asking. He would've been able to reach the flour all by himself if no one had interrupted him. Probably.
His first attempts in the kitchen are disastrous to say the least, and his respect for his mother only grows. One time his neighbors even call the firefighters. He was terrified when he heard the sirens nearing his house - was sure that his parents found out that he was messing in the kitchen even though they explicitly forbade it and that he was going to prison and that he would never walk free again. Luckily that didn't happen. He doesn't mention that part when he recounts it to Tommy and Carol the next day. And if he exaggerates the fire a bit, there is nobody there to dispute him (it's okay if it makes him look cool.)
(The firefighter asked where his parents were. He said they were on a business trip. Another one asked when they would be back. He answered in a week. The first said he should call his parents, and Steve explained that they didn't like to be bothered. The second one frowned, and Steve asked if he was in trouble, but he assured him that he wasn't. The first one said he should call them anyway, that they would want to know this, and so he did.
His father answers the third time he calls. He sounds annoyed - Steve can perfectly picture his angry frown - and so he explains that he didn't want to call him, he promises, but the firefighter said he should.
"What happened?" his father asked, still annoyed.
And Steve hesitates. His teacher says that lying is wrong, but when he was honest and told his mother he wishes they were home more often she said that he should stop being so selfish, that it's not a good look, that it's ugly. So he doesn't say that he accidentally charred another chicken (the book said that if it is even a little bit raw it can make you sick and being sick isn't fun when you don't have anyone to take care of you) and forgot to turn off the oven. He knows his parents don't want him in the kitchen. They will probably feel like they should come home early, and of course they won't because father's work is important, but they will feel bad while they are gone and Steve doesn't want his parents to feel bad. So he starts talking about his day, hoping to be able to come up with something by the time he gets to the part where he has to explain the fire. Luckily his father doesn't have time to listen to his ramblings and hangs up before that.)
The next day Steve goes to the supermarket, the trip already a part of his daily routine (this time with a list, like a real grown-up), and tries again. He learns what fancy words like "bardare" or "irrorare" mean and that you need to preheat the oven before you use it. He still messes up, but it's okay.
After all, he's got a lot of time to learn.
--
Steve is glad that he wasn't the only one.
And he feels horrible when he thinks that. These fucking monsters are terrifying, he was sure he was going to die more than once. (He still can't believe that he didn't).
But if he had to go through all of this alone, he wouldn't be having a We All Survived An Attack By Monsters From Another Dimension/Will Byers Is Back/The Weird Supergirl Needs Friends/Isn't The Sheer Amount Of NDAs We Needed To Sign Literally Insane/Just Like What The Fuck In General-Dinner right now. He feels a bit like an outsider - which is ridiculous considering his literal girlfriend is also a part of it (or at least he hopes she still considers him her significant other). But he has nothing better to do and he doesn't want to worry Nancy, so he compromises with himself and brings food as a sort of apology.
(he isn't sure what he is apologizing for)
He arrives early to help set up the table, and Joyce places his dish right in the center.
The first one to taste it is Hopper. Steve doesn't blink when Hopper guides the fork to his mouth and he doesn't breathe when he starts chewing. For a moment it seems like time stopped flowing (he is eerily reminded of the first time he saw that monster, the demo-monster-whatever. The realization that the world is so much scarier than he originally thought). Then, Hopper's eyes widen. He makes a sound that would not be out of place in a bedroom. The kids (and isn't it awful that they are so fucking young they are like half his age they shouldn't have to deal with this) stare at him in varying degrees of disgust.
"Holy fuck Joyce, I think I just had an orgasm. I would literally sell my fucking kidney for this lasagna."
The kids look as if Hopper had stripped down and started pole dancing on the table. Nancy's little brother makes an unimpressed "ew." Supergirl imitates him, although she doesn't look too sure about why she is doing that. Steve can't help the small smile forcing itself on his face.
"Oh no", Joyce says, "it's Steve who brought the lasagna". The entire rest of the table stares at him (as if he was the one who has fucking mind powers and okay maybe he isn't over everything like he tried to convince himself he is) and he can feel his cheeks reddening.
--
(Later, the kids give him a self-made "I survived a Demogorgon and all I got was this stupid apron"-apron. He wears it every time he goes into the kitchen)
Unexpected talent #1: cooking
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lucienarcheron · 2 months
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There are actually so many takes people have in this fandom be it through headcanons/fanart/general thoughts that make me wanna fist fight sometimes but you know what is best to do? Block/disengage/mute/ignore - whatever it is that I need to do to never see it again and I take responsibility for what I consume. Even though sometimes it's people who are my mutuals and friends that I generally enjoy connecting with. Sometimes we don't see eye to eye and that is perfectly okay!
But also...it would be super nice to be able to click on a tag/fanart/whatever and not see fighting or negativity or general asshole behavior. It would be SUPER nice if passive-aggressive tags weren't added to everything. Because I can disagree with your interpretation of something and not like it without it meaning I'm being a jerk. Without it meaning I'm being vague about someone or something. I'm not obligated to engage with things I don't agree with or like. But people can have different thoughts and that is okay. It stops being okay when you tell me that my thoughts are wrong and you're right and because you're "right" I should go fuck myself. Canon is canon, fanon is fanon and everything else outside of what is actually in the books is speculation. Everyone is guessing and whenever the next fucken book comes out, you'll know if you're "right" even though at the end of the day, it doesn't really matter because being right isn't the point, it's about actually enjoying the stupid books.
When people who have been in this fandom for years tell you they're burnt out, you can't wonder why when general fan behavior is crusty as hell. These characters aren't going to come out of the book and fuck you. Go eat some grass, touching it isn't enough.
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