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linkspooky · 1 day

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DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive.

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil.

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it. Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

#bnha meta #mha meta #atla meta #azula meta #azula #princess azula #dabi #toya todoroki #shoto todoroki #azula redemption

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hornychristianprincess · 2 days

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wasted (leehan x fem reader) pt. 1

paring: leehan x fem reader genre: smut, fluff, angst, fuckboy!leehan, college au word count: 6k summary: hooking up with a stranger at a party is fun when said stranger is a tall, attractive philosophy major whose name you don’t learn until weeks later. warnings: explicit sex scenes, oral (female and male receiving), a lil butt action but nothing too crazy

ao3 link can be found HERE.

“You’re a new face,” remarked the rich, husky voice belonging to the stranger who had just approached you. In a house party that was relatively packed, you thought you were blending in by sticking to the wall and enjoying your solo cup full of unlabeled liquor. And yet, here was the approaching figure of a man so tall you had to crane your neck to face him, knowing nothing about you and yet still managing to observe how out of place you seemed.

“That obvious, is it?”

“Don’t worry. It’s nothing about you, per se. It’s just, these things are usually pretty tight-knit; the same people come every time. So when someone’s new, you notice,” he tells you, his slow, calm way of talking making you feel relieved and deeply curious at the same time. “Do you go to school here?”

You nod your head in confirmation, though it feels foreign to do so when parts of you still feel more like a visitor than a student. “I just transferred here.”

He smiles hospitably at this, gesturing his arms out towards the room of people who surround you. “Welcome to our vibrant community. Please enjoy your stay. Refreshments are in the back and the ice machine is down the hall.”

You giggle genuinely at him and the sort of clumsy, awkward way his words seem to land on you. He’s the kind of person you were expecting to meet when you transferred from your rural state school to this smaller liberal arts college. There’s something almost dorky and strange about him, from the way he dresses in an oversized cardigan and big round glasses to the way he holds eye contact with you for what you deem longer than normal. And yet, his self-assuredness is crystal clear to you. It’s at this moment that you acknowledge to yourself how attractive you find him.

“Did you come here with someone?” he asks you, his posture changing so that he’s leaning into you just slightly.

“Yeah. My roommate is here somewhere—” you gesture aimlessly around you, “—probably getting tongued down in someone’s bathroom.”

At this point, you had been fighting off the inclination to assume that the man in front of you was chatting you up for any reason outside of sincere curiosity. But his intentions are made crystal clear when he replies, “Yeah? Care to follow suit?”

You laugh both out of amusement and shock at his forwardness, and even he seems taken aback by his own candor as he smiles in a sheepish, apologetic sort of way. Still, the way that his piercing dark eyes never seem to cease their burning into you, there’s no doubt in your mind that he meant every implication embedded in that response.

“You know, you never told me your name,” you point out, not sure why you are prolonging what feels like the inevitable moment tonight when you’ll find yourself tangled in bed with the handsome man in front of you. Perhaps you’d just like to talk to him for a little bit longer, enjoy the gratification of his attention. Or maybe it’s just fun to tease him and watch the way his eyes crinkle in bashful embarrassment.

You’re pleased when he seems no less interested in you even as you divert from his advances. In fact, he perks up at your observation. “That I did not. Call me pretentious, but I like to think that learning my name is a privilege.”

You show your disinterest in this notion with a scoff, something the stranger seems to take in stride. “Is a man’s name not all that he has in this world, from birth to death?” he asserts with a prideful smirk.

“Philosophical. That your major?”

“How’d you know?”

You’re starting to feel a little scared with just how much you’re beginning to love the sound of your overlapping laughter. When it dies down, you bask in the brief moments of silence where neither of you knows what to say next and instead just stare at each other’s faces in an almost innocent, child-like way. It’s so different from what you’re both feeling inside, anticipation and lust and desire swirling in a mix that makes your bodies feel charged.

“So since you’re not telling me your name, should I tell you mine?”

“Only if you feel I’m worthy of it,” he replies. The game that he’s playing confounds you but you see no harm in playing into it, something tantalizing and freeing about not being bound to the expectations of each other’s names.

“That, my friend,” you reply, “is yet to be decided.” You raise your hand to push against his shoulder, surprised at how sturdy the skin under his cardigan feels. He ricochets dramatically against the force of your hand, and when his body returns to yours, it’s closer than before. He rests his hand on the wall just above your head, the way he’s angled making him appear even taller than he did before.

“You know, I was exploring this house earlier, and there’s a room in the back with a comfortable-looking king-sized bed,” he says, words that would sound fuckboyish and crude if anyone else said them, but come out dorky and amusing when he does, especially when his next statement is, “And the entire time I was in there, all I could think was, wouldn’t it be nice to have someone to pillow fight with?”

You smile, the expression mirrored on the stranger’s handsome face as he watches you react to his off-putting way of flirting. You decide to help him out by being more direct. “Are you asking me to pillow fight with you, stranger?” you ask, voice tilted in your best attempt at sounding seductive.

“Only if you’d be willing, stranger.”

When your roomate convinced you to go out with her tonight, you were intrigued by the notion of getting to know this new campus community, plus the always-tempting chance to get a few drinks in your system. You weren’t thinking that you would be in this position, about to hook up with a guy who won’t even tell you his name.

You’ve been feigning confidence up until this point, an easy enough task when the man in front of you is good-looking and talkative. But now, as you prepare to follow him with the pretty certain chance of having sex, you have to finish off the remnants of your drink first, allowing the heat of liquid courage to wash over you like a warm blanket.

“Lead the way,” you tell him, taking the hand that he offers you before being led through the crowd of partygoers.

He takes you into a bedroom that’s on the ground floor, allowing you to settle in in front of him as he takes heed to lock the door. The bass from the loud music outside vibrates against the enclosed walls of the room. You’re grateful that it’s not completely silent, otherwise this would feel more awkward.

“See,” the stranger says, walking over to face you. “I wasn’t lying about the king-sized bed.”

With the way he’s standing over you, combined with the looming implications of what you’re about to do – or rather, what you’re about to let him do to you – you’re too anxious to laugh. Instead, you stare at him, waiting for him to make the first move.

“Do you like to kiss when you hook up?” he asks you, straight-forward and to the point. You like that. You’ve never understood people who don’t like to kiss those they’re having sex with. Is the act of kissing somehow more intimate than letting someone inside you?

“Depends,” you reply, already moving to cradle the side of his face with your hand. “Are you a good kisser?”

He doesn’t answer verbally, moving instead to lean in so that your lips meet. Everything about this man feels like a paradox. Your interactions thus far have felt innocent, awkward even, and yet they still led to you following him into a stranger’s bedroom with the intention of having sex. And now, though his looks and the way he carries himself feel so clumsy, the way he kisses you is intense, all-consuming.

He wastes no time trying to build up to something intense. Without pretense, his tongue is invading the wetness of your mouth, forcing your lips open as an audible whimper of surprise spills out. One of his hands comes up to lace itself into your hair, and in another act that surprises you, he pulls on it so that your faces come even closer. You’ve never found the taste of liquor on someone’s lips more addicting than you do now.

You pull away to find a smirk on his lips, cockiness written all over his expression as he asks, “What do you think?”

It’s hard to conjure up any words when his hand is still in your hair, tipping your head back so that his eyes can comfortably rake over your face and particularly linger on your reddened lips. “I think I really, really want you to fuck me,” is what you manage, and even if you were the type to feel shameful at such remarks, it would be hard to when your words visibly light up his handsome expression until he’s kissing you again.

Your lips melt into his in a kiss so passionate it has you both walking backward in an eager effort to get each other onto the bed. You waste no time in pawing the clothes off of his slender body, satisfied as you hear his jeans then his cardigan hit the carpeted floor with a soft plop.

He does the same when it comes to your dress, a flowy, strapless piece that required you to go braless for it to work. Once it’s off and you’re both down to just underwear, you’re met with the feeling of his bare skin against your bare skin, your bare chest against his bare chest, and more relieving than anything else, the feeling of the bed frame meeting the back of your thighs as you finally reach the bed.

Pushing you up onto the edge of the bed, he lets his hands wander the expanse of your body, enjoying the feeling of your tits squeezed in the palms of his hands. You lean into his touch, moaning a little in his mouth as he never stops kissing you, even as he reaches down to breach the waistband of your underwear.

You don’t realize how wet you are until his slender fingers push out to separate your folds, a task made difficult as your sticky arousal glues your lips together. But he manages it dextrously, wasting no time in finding your clit and drawing slow, teasing circles with the pads of his fingers.

His other hand, which had up until this point been palming your breast idly, now comes up to hold your face as he regretfully pulls his lips from yours. He studies your expressions with furrowed eyebrows, a teasing lilt in his voice as he asks, “Do you like it when I touch you here?”

Just as soon as you part your lips to respond, his fingers dip lower until he’s sliding two of them into your fluttering hole. Your wetness provides no resistance, and now he’s coiling them deep inside of you. “Or here?”

You can’t think or respond when he’s pumping his long, slender fingers in and out of you, an act made more intense as he forces you to look at him with his hand on your jaw keeping your head in place.

If you had to describe sex you’ve had in the past, vulnerable isn’t a word you’d use.

And yet, it’s exactly how you feel as his eyes never leave your face, overseeing every expression you make from overwhelmed to whimpering to having your lips parted in a moan.

A faint part of you wonders if you should feel more uncomfortable with how intimate this sex feels.

And yet, you don’t think you’ve ever felt more pent up just with someone's fingers inside of you than right now, especially when he opens his mouth to praise you in his deep voice.

“You’re so fucking pretty,” he says, his breezy tone of voice reminiscent of a lullaby. “I’m so glad I met you tonight. Can’t wait to fuck you.”

He fucks his fingers deeper inside of you as he says this, causing you to mewl as you throw your head back in his hands. “Don’t make me wait, then,” you challenge, gripping his arm to steady yourself as another moan threatens its way to your lips.

“Such a needy girl, aren’t you?” he wolfishly remarks. “Well, if you insist.”

With am amused smile on his face, he pulls his fingers out of you, raising them between your two faces so that you both can look on at the wetness which coats them. You’re not at all surprised when he brings them to his lips, only turned on as he sucks both fingers clean with a wet smack.

“Wanna know what you taste like?” he proposes, his expression and tone of voice far too innocent for what he’s just done. You don’t respond, only pull him into you for a kiss so lewd it makes your insides jump. You reach your hand between your bodies as you kiss him, attaching your fingers to the bulge protruding from his boxers. You enjoy the feel of his clothed cock, large and substantial in your hands, before he’s pulling away to sigh against your lips.

Your hand leaves his body as he moves away from you. “Don’t go anywhere. Need to grab a condom.”

You watch him in amusement as he goes to hunch over his discarded jeans. In his absence, you relax on your stomach, facing him on the edge of the bed. “Where would I go, stranger?”

“I don’t know,” he intones, returning to you with a silver packet in between his fingers. “But If I could freeze you like this forever, so pretty and waiting for me to fuck you, I would.”

The stranger’s way with words has your body responding once more, a ripple of electricity traveling up your legs and even more so when he takes off his boxers in front of you. You’re not ashamed at whatever expression of suprise is surely showing up on your face at the sight.

You’d likely use the word pretty to describe his dick, veins bulging out of it like little vines and a tip that matches the rosy color of his lips. You decide then that he’s the biggest you’ve ever taken, though you suppose you should save that judgment for when he’s actually managed to fit inside of you.

Your thoughts are broken by his touch as he lifts your chin up with his hands, a smirk ever so prominent on his puffy lips. “My eyes are up here, you know.”

You both giggle at his cheekiness, a moment of humour that is promptly ended when the opening of the condom packet grabs your attention. You reach out to cease his movements with a hand on his wrist. He meets your gaze with a cute, confused look on his face. “Wanna taste you first, stranger” you assert with a blink.

“You’re so cute,” he remarks enjoyably, “But I won’t last if you do.”

You look up at him through your eyelashes, batting them extra hard as you say, “Just a peck?”

As you already suspected from the lack of conviction in his earlier refusal, he’s not at all stern as he moves to rub his thumb across your cheek. “Since you asked so nicely,” he replies permissively.

You barely have to lean forward off the bed for your mouth to reach his cock, tall and straight and hard in front of your face. Wetting your lips with your tongue, you press a kiss just underneath his tip, making eye contact as you pull away to watch as a heavy sigh leaves his lips. You don’t stop at just one peck, peppering them all along his shaft and enjoying the smoothness of his skin against your lips.

“I thought you said just a peck?” he reminds you when he notices what you’re doing, placing a hand on your hair but making no effort to push you away.

“Am I not pecking?” you ask, relishing in the groan he lets out when you wrap your puckered lips over his reddened tip. You’re just about to open your mouth fully before he finally shows some restraint, pulling you off of him with a tug of your hair.

“That’s enough,” he asserts, the mattress dipping from his weight as he hops onto the bed behind you. “If I’m not inside of you within the next 5 seconds, I’m gonna lose my mind.”

Conscious of his presence behind you, you raise your body into an arch and feel pleased when he immediately grabs at your hips to pull you in closer. He ignores the impatient little wiggles of your ass that you do in attempt to get him to fuck you, prefering instead to spread your pussy open with his fingers and groan as he watches arousal spill out of you. “You’re so fucking wet,” he remarks dreamily, sliding a languid finger inside of you in a way that makes your arch deepen. “And it’s all for me, isn’t it, baby?”

His vocal tone has taken a shift so that he sounds less adoring and more sadistic, the observance of your arousal being just for him stated almost matter-a-factly. You don’t know why it turns you on even more than before, but it does, especially as he plays idly with pussy as if he forgets it belongs to a living, breathing you.

You’re fighting off whimpers as his fingers continue their exploration of your entrance. You hear him let out a long, drawn out “Fuck,” under his breath before he’s withdrawing from you entirely and asking, “Can I eat you out?”

Images of his plump, rosy lips flash through your mind like a movie sequence before you’re humming out affirmatively, excitement of what’s to come making your body tense as you feel him laying down on the bed, feel his breath against your mound as he becomes level with your pussy, feel his lips against your clit as he goes in to take all of you in his mouth.

The sounds that fill the room now are nothing but a lewd combination of your moans, his slurping, and the continued blaring of music coming from outside the walls. The way that he eats pussy is almost just as clumsy and unsure as he is, but he somehow manages to make you cry out as his tongue expertly flicks against your clit, or he licks into your entrance to taste the arousal there.

You feel yourself becoming lightheaded and breathless as he licks you closer into orgasm. Already worked up from all the time he spent fingering you, what feels like the last straw is when he experimentally licks upward and brushes his tongue against the tight skin of your asshole. Noticing how it makes you moan and reach back to pull at his long hair, he keeps going, wetting your ass with his tongue.

Alternating between this and your cunt, it’s only a matter of time when you find yourself mewling and tensing as your orgasm takes over your body. Your thighs are shaking and your hands are pulling so hard at his hair that you’re afraid you’ll rip it, but nonetheless he holds you up with two large hands against your ass and groans as you come all over his face.

When he finally pulls away from you, your body collapses against the bed, all the marks of a good orgasm hitting you at once – ringing ears, tensed limbs, rising chest. You’re brought back to Earth by the feeling of faint, fleeting kisses being left on the expanse of your spine, the stranger’s body pressed against yours before he’s level with you and moving to pull your head to face his.

“Can I kiss you?” he asks, sweet and innocent in yet another moment of tenderness that feels inappropriate for the setting you’re in. Nonetheless, you nod and relish in the feeling of his mouth against yours once more, acknowledging faintly to yourself that he just might be the best kisser you’ve ever been with.

He brings your body back to life by snaking his arms underneath you, grabbing at your boobs and almost making you feel ticklish as he gently caresses your stomach. Pulling away from your lips, he mutters the command of, “Turn around,” against your lips that you follow with zeal.

Flat on your back, you’re brought face to face with the man who has exceeded your expectations in almost every way compared to anyone else you’ve slept with so casually. Long locks of dark hair drape against the sides of face as he holds himself above you, making him look intense, but only briefly before he’s asking through an impish smile, “Are you intimidated by eye contact?”

He says it to you like it’s a challenge, like he hopes you’ll be shy so that he can guide you through it anyway. You shake your head stubbornly. “No,” you answer, “But I’m intimated by you.” It’s true. You’ve definitely never met a person like him, never had sex feel so intimate with a complete stranger. It scares you.

“Don’t be. I’m really a softie,” he assures, a childlike expression of excitement lighting up his handsome features. He presses a hand against your cheek in a gesture of affection, lips curling into a grin. “Only, my dick is as hard as a rock right now. Kinda wanna bury it inside of you.”

“What’s stopping you?”

You’re surprised when, in reply, he adjusts his body so that he’s lined up perfectly with your entrance, his latex covered tip pressing just slightly into you. “That’s a great question,” he quips, and without any further pretense, he slots himself inside of you.

You let out identical sounding sighs as his cock is engulfed by the sensitive, wet inside of your pussy. He presses his hips against you, making sure he’s as deep as he possibly can be before looking down at you for your approval. “Feels good?”

“Yes. Oh god, yes,” you’re whimpering in reply, head already thrown back as you get used to the feeling of his girth filling you.

Hearing you express how good you feel is all the stranger needs to hear before he’s pulling out of you, methodically ensuring that just the tip is left inside before pushing back in. His vigor catches you by surprise, leaving you no time to adjust as he continues at a feverish pace. Unintelligible, broken-sounding cries spill out from your lips with each moment his hips meet yours.

“You have such pretty eyes,” he remarks as he watches you, a compliment you don’t think you’ve ever heard before while being fucked into the next dimesion. “And a pretty mouth, too,” he adds, his thumb breaching the wet insides of your lips before he’s leaning down to kiss you. The kiss is messy as you struggle to meet each other’s mouths, devolving into a mixture of tongue and spit and broken breath.

“Talk to me. Tell me how good I’m fucking you,” he groans against your mouth, sitting up on his knees to fuck you in an angle that’s deeper that before. With the pounding that he’s giving you, you’re just barely able to catch your breath, let alone form the words to respond to him.

“Can’t…scream your name if I don’t know it,” you manage to say in a teasing sort-of-way, your smirk widening into an open-mouthed cry as you’re sure he grazes your g-spot with a particualrly deep drive of his hips.

He chuckles at your way of trying to get him to share his name, and whether he’s truly serious in wanting to withhold it from you or because he just wants to tease you, he says, “Come on my cock, and maybe I’ll tell you.”

“Fuck me harder, and I will,” you reply tauntingly, not because he’s not already, but because even through the haze of your approaching orgasm, you want to see how he’ll respond to your challenge.

He smiles at this request, though while maintaining his same pace. “But I don’t wanna break you, sweet girl,” he remarks, and if he weren’t, too, about to crash into his approaching climax, he’d surely make it a point to tease you for how you clench at the pet name. Instead, he opts to slot a hand between your legs and make work of your clit, rubbing it in tantalizing circles. “Does this help?”

Just as you were sure this sex couldn’t get any better, the added stimulation to your clit has your entire body reeling with pleasure. “Oh god, yes. Don’t stop.”

With each approaching second, you can feel yourself about to fall apart, a condition only worsened when the stranger pulls you down by your hips, bringing him even deeper inside of you. You love the sound of his deep voice from above you, sounding almost far-away and dreamlike as he mumbles remarks like, “Keep making those pretty noises for me, baby,” that shoot straight to your core, only adding to your wetness.

“Fuck, you’re killing me baby,” is what he says as his own pleasure begins to reach it’s peak. You love the expressions he makes, the almost painful look on his face as he says, “Wish I could come inside this tight little pussy.”

Even with the knowledge that he put a condom on, you can’t help but react positively to the notion of being filled with his hot, sticky release. And without intending it, your walls close tightly around his cock in tandem with the loud moan that on its own revealed just how much you enjoyed that little tidbit of dirty talk. And without fail, the stranger is quick to pick up on it and tease you for it, though through his own gritted teeth and groans as he inches closer to release.

“Yeah, you’d like that wouldn’t you? If I filled you up with my cum? You wanna have my baby and you don’t even know my name?’

It’s the half-degrading, half-awe-inspired tone of voice he uses that throws you over the edge, your thighs shaking in anticipation of what you’re sure will be an earth-shattering orgasm. “I’m close,” you confess through baited breath.

“I know you are,” he acknowledges in reply, and without warning, your body convulses with the strength of your climax. “That’s it. Come on my dick.”

You don’t think you’ve ever felt anything quite like the overwhelming pleasure that washes over you in a series of pulsating, neverending waves. The stranger fucks you through it without any alteration in speed, and it’s just as you’re about to squirm away in overstimulation that he finishes with one last, deep thrust inside of you. The sound of his groans are just as melodic and husky as his voice is, sending little afterschocks of arousal up your belly until finally, he pulls out of you with a grunt.

Looking up at the ceiling, you feel the mattress dip beside you as he collapses onto the bed. Usually, this would be the point where the post-nut clarity hits you and you’d begin to regret another series of bad decisions that led you to a stranger's bed. Instead, as you lock eyes with who might possibly be the most beautiful man you’ve ever seen, you only wonder what you did to deserve such good fortune to have met him tonight.

“That was fucking amazing, stranger,” he remarks, putting voice to your own exact thoughts as he rolls over so that he can stroke your cheek idly. You try to hold off the pestering inclination to blink so that you can take in the rosy-cheeked, delicately striking state his orgasm has left him in.

You thought that after giving you what was surely the best pounding of your life that you’d be less inclined to view him as a total weirdo. Instead, there is something so innocent now about the way he looks at you, as he can’t even believe this happened. Wanting to tease him, you reply, “Good enough for me to learn your name?”

He considers your question with an impish chuckle, and though you’re not at all desperate to know his name, you’re still surprised when he replies, “Will you forgive me if I say something tells me I want to keep you hanging for just a little while longer?”

There is an air of mysteriousness to his words that you pick up on but have trouble interpreting. And while you itch to know what’s going on in that big brain of his, you decide not to question him any further, instead just appreciating the ease and contentment of this moment.

“You’re the strangest person I’ve ever met,” you tell him candidly, leaning in so that the tip of your noses touch. “But I’m glad I met you tonight.”

You’re not embarrassed at all when you lean in to kiss him, because even though the sex is over, you just want to feel his lips against yours one last time before you go back to being two strangers who will likely never see each other after this. He reciprocates, seemingly ignorant to the idea of kissing someone chastely as he pulls you in and slips his tongue into your mouth.

Nevertheless, when you pull away, you know the moment is over when he says, “Walk of shame out the door together?”

You’re not sad, only content as you turn to him and answer. “Let’s.”

It’s a cozy Thursday morning on your campus as you step outside to meet with your friend, Jaehyun. When you had allowed him to borrow your computations textbook, you had no idea it would lead you to his apartment complex, where he swore he had left the book on accident.

“I promise you, I thought I brought it with me to class, but I must’ve left it in my room,” he explained sheepishly, patting his pockets as he searched for his apartment key. With his straight-cut bangs and habit of forgetfulness, Jaehyun was about the closest thing to a friend that you had since transferring. You went to the same high school together, congregating in the same social circles but ultimately going two separate ways after graduation.

It wasn’t until your first day at this new school that you sat down for your morning class and discovered that Myeong Jaehyun went here, too. Since that moment of recognition on both of your ends, he’s been your only piece of relative familiarly in a place that still feels new to you.

“Here we are,” mumbled a disgruntled Jaehyun as he finally managed to unlock the door to his apartment. It was your first time seeing the place, and as far as student housing went, you were impressed. The space was populated with nice-enough-looking furniture and boyish decorations that you could tell belonged to Jaehyun and whoever his roommate was.

“I’m gonna go get your textbook from my room. You can wait out here,” said Jaehyun, turning to head into the hallway where the rooms were. You were just about to get comfortable, maybe sit on his couch and chill as he invariably spent ages looking for your textbook, until the noise of a door opening startled you into attention.

“Oh hey,” said Jaehyun casually to a familiar silhouette that appeared into the hallway. “Y/N, this is my roommate, Leehan.”

You fought the urge to laugh out loud as you were met with the image of the stranger who, just a few weeks ago, was drilling his cock into you in some of the most mind-blowing sex of your life. When he first came out and hadn’t noticed you yet, he simply looked curious, as if he was coming out of his room to see what was causing the noise. But now, he barely fights off a smirk as he, too, processes your presence. All of this goes unnoticed by an unsuspecting Jaehyun, who proceeds into his room to rummage for your textbook.

Left alone with the boy who you can now identify as Leehan, you look him up and down, taking in his casual appearance and hair that has only grown longer in the time since you last met. He leans against his doorframe, looking you over with a gaze just as intrusive before saying, “So. Y/N, huh?”

Both of you laugh out loud at the same time, the humor and awkwardness of the situation hitting you all at once. The smile on Leehan’s face forces his eyes into crescent shapes that you faintly acknowledge as endearing.

“Leehan,” you state with a grin, returning the preceding instance of acknowledging each other’s names. “It suits you. Although, I’m not sure it’s special enough to justify you withholding it.”

He shrugs indifferently at that, looking not even a little embarrassed as he replies jokingly, “What can I say? I prefer an air of anonymity when conducting my one-night stands.”

“Is that what that was?” you quip back with a tilt of your head. You know exactly that that’s what it was, but playing coy about it is how you save yourself from the embarrassment of having to address the weird sexual-tension-mixed-with-awkwardness that lingers between the two of you.

He runs a hand through his hair, maintaining the smile on his face as he shrugs noncommittally and replies, “I don’t know, I was too drunk to remember. In fact, who are you again?”

You both giggle, the atmosphere and banter between the two of you surprisingly easy, even outside the context of being drunk at a house party. You can faintly hear the sounds of Jaehyun’s rummaging becoming louder a few doors away, letting you know he’s no closer to finding your textbook. To your own internal surprise, a tiny part of you is relieved to have the time to see where this interaction with Leehan will go.

“So, you’re friends with Myeong Jaehyun?” he asks, gesturing his head in the direction of his roommate’s door just a few feet away. You notice how he slips his hands into the pockets of his sweatpants and straightens his posture, a move somehow making him look 10x taller.

“It’s a love/hate sort of thing. But yes, I’ve known him since high school.”

The corner of Leehan’s lips switch into a half-smile, something foreboding in his tone as he then says, “Then I guess I should expect to see you much more often, Y/N.”

You raise a questioning eyebrow, and through a confused grin, ask, “Why do you say that so ominously?”

Leehan doesn’t answer at first and instead just maintains his piercing gaze on your face. He’s so strange, but what’s even stranger is that you find yourself attracted to him. Attracted to him and his weirdly crooked smile and habit of staring at people for longer than normal. His shaggy brown hair and pouty lips that you can’t forget were once meshed with yours.

“No reason,” he finally answers, and before you can question such obviously purposeful ambiguity, it’s just then that Jaehyun comes out with your textbook.

“Found your book,” he says, cradling the thick textbook underneath his arm. Looking over at Leehan, whose open-mouthed expression obviously reveals he was in the middle of saying something, he pauses. “You good, Leehan?”

Leehan maintains a passive expression, though the hints of a smirk just barely bleed onto his lips as he gestures his head in your direction. “Yeah, just talking to Y/N.”

Jaehuun exchanges an inquisitive look between the two of you. “You guys know each other?”

Not sure how to answer that question, you look to Leehan for any non-verbal guidance. And funnily enough, he looks to you with the same sort of expecting look, and now you’re staring at each other for longer than normal, fighting back laughter as a confused Jaehyun looks on.

“You could say that,” Leehan replies, nodding his head affirmatively.

part 2 coming soon

taglist: @lailols @papichulomacy @0310s

comment or send an ask to be added to the taglist!

#leehan #boynextdoor #leehan smut #boynextdoor smut #leehan x reader #leehan fluff #leehan angst #boynextdoor fics #hornychristianprincess #donghyun boynextdoor #boy next door smut #donghyun smut #donghyun boy next door smut #kpop smut #kpop angst #kpop fluff

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melzula · 1 day

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My HC is that since Zuko is royalty, the heir, and also commanded his fleet on his hunt for the avatar, he’s used to taking charge. But the way I’m thinking of it is him being casually dominant with the y/n. Things like using a soft but firm voice to make sure they eat enough, that they’re warm, putting his hand on their thigh to keep it from shaking, etc. the gaang would start to notice how it takes one look from Zuko and y/n complies. Wrapping his hand around their hips to bring them down to sit in his lap, subtly tugging their skirt down when it rides up, stuff like that.

Could I please request some of your amazing writing for casual dominance with Zuko?

pairing: Zuko x reader

notes: okay so this was actually pretty challenging to write just bc i had to be careful about not making zuko come off as too controlling while also still fulfilling the details of the request. however i think it came out pretty good !

summary: Zuko shows his love for you the only way he knows how to

To those on the outside, your relationship with Zuko appeared to be… odd.

No one could quite determine whether he saw you as an equal or as someone who needed to be taken care of. Everyone knew you could handle your own; you’d been a skilled swordsman during the war and a master at hand-to-hand combat. No one doubted your ability to fend for yourself, but it seemed once you began dating the Fire Lord there was no longer any need for you to do so. Zuko took care of you, and being with him meant never having to lift a finger and never having to worry again. You were his prized jewel, and he took it upon himself to care for you in the only way he knew how.

Growing up, the Prince had never properly learned how to show affection or lovingly nurture a relationship. His parents weren’t the greatest example, and his father’s coldness left much to desire. However, his upbringing as a royal and his time commanding a fleet during his search for the Avatar allowed him to grow into a leader. In his younger years he’d been hotheaded and impulsive, but with time he had learned to be firm yet fair. He was a benevolent leader who only wished to do what was best for his people, and this same thought process extended to you.

You’d missed dinner one night and left him waiting in the throne room, too engrossed in your studies to realize how much time had passed or just how hungry you were. Your stomach growled incessantly and your head was beginning to ache, but you were adamant about finishing your book. Having recently been proposed to by the Fire Lord, you took it upon yourself to read up on the history of the Fire Nation and your expected duties as Fire Lady. You were overwhelmed, and eating dinner was the last thing on your mind.

“Y/n,” he had called, startling you out of your focused state as you rested your gaze upon his figure in the doorway. “We were supposed to have dinner together, remember?”

“I’m sorry,” you uttered bashfully, using your book to shield your embarrassed features. “I must have lost track of time. Let me just finish this last page and then I’ll-“

“Y/n,” he repeated with a pointed look, one that had you slowly lowering your text.

“Yes, Zuko,” you had finally relented. You couldn’t ignore your growling stomach any longer, and so you’d tossed your book aside and taken the arm he’d offered for you before allowing him to escort you to the dining room.

Zuko wasn’t strict, wasn’t cruel, just firm. It was his way of showing he cared for you, and you took no offense to how he so often liked to be the one in charge. Whether it be in his actions or in his tone of voice, he took the lead and you followed. This wasn’t to say that you didn’t have a mind or will of your own, but often times Zuko took it upon himself to step in whenever he felt you weren’t taking care of yourself the way he believed you should be.

His love could be conveyed through mundane actions such as wordlessly slipping your shawl over your shoulders without you having to ask to ensure you won’t be cold during a stroll in the palace gardens or resting a comforting hand on your thigh to stop the nervous bouncing of your leg during an important meeting. Anyone and everyone could see the influence he held over you, the dominant role he’d taken in your relationship, and you happily fell into place with him.

“Don’t you think it’s just a little weird?” Sokka had noted once to his sister after watching Zuko carefully wrap his fingers along your hips and delicately pull your figure into his lap as if he were handling a porcelain doll. You looked radiant in your silk robes and ceremonial makeup, a look picked out by Zuko to ease your anxieties over your lack of knowledge of traditional Fire Nation fashion, and as the Fire Lord’s fiancé you were the talk of the ball.

“Maybe it does seem like Zuko is usually the one in charge,” Katara had agreed thoughtfully, her gaze carefully resting upon your features to search for any sign of discontent or restlessness. Of course, she found none. “But I know y/n, and if she had a problem with it she would have stood up for herself and said something about it.”

The siblings watched as you conversed with various guests, your smile sincere as you spoke with the people you would soon help rule over as Fire Lady. Shifting in your seat as you crossed your legs, Zuko took note of the way the slit of your skirt had partially opened to reveal your bare leg. Wordlessly and without interrupting your conversation, the Fire Lord shifted the fabric so that your skin was kept from prying eyes. He didn’t care in the slightest if anyone saw, but he knew you would be embarrassed if guests began to question your way of dress, so he took it upon himself to fix the problem for you.

“I think it’s a love language thing,” Katara had explained after removing her attention from the scene and returning it to her brother. “He’s showing he cares through actions instead of words. Maybe it’s the only way he knows how to.”

“I guess you’re right,” Sokka relented, though his features still displayed a mild sense of disgust. “But that doesn’t make it any less oogier.”

Maybe no one on the outside ever truly would be able to comprehend the dynamics of your relationship with Zuko, but it wasn’t for them to understand. He took care of you and loved you in the only way he truly knew how to, and you appreciated him endlessly. With Zuko as your soon-to-be husband, you knew you’d always have someone looking after your best interests. All the same, Zuko knew he’d always have someone to love and accept him for who he was.

You were a perfect match.

| zuko tags: @ilovespideyyy @yiyibetch @eridanuswave @lammello @a-monsters-love @taeeemin @livelaughlovekuni @lovialy @alexatiu @heartfully10 @creationcitystreet-em

#melzula writes #request #zuko #zuko x reader #zuko imagine #prince zuko #prince zuko x reader #prince zuko imagine #atla #atla x reader #atla imagine #avatar the last airbender

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amongemeraldclouds · 23 hours

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imgonnagetyouback

Mattheo Riddle should have known better than to break your heart. Now he was about to get everything he deserved.

Warning: fluff, angst but has a happy ending, no use of y/n. Has a subplot of you being a bet.

✿ Masterlist | TTPD Masterlist | 2.8k words

Mattheo Riddle should have known better than to break your heart. It was his fault, really, that the loud explosion from an innocent little box sprayed green glitter above him and across his dorm. He had it coming.

By the time you made it to the doorway, glitter rained down on Mattheo, Theo, and Enzo like a fairy tale gone wrong. One where the prince betrayed the princess so she had to redefine her happy ever after. Right now, it was revenge served with sparkles.

You watched as Mattheo coughed out glitter and it glistened as it fell. You couldn’t suppress the snicker that escaped your lips and his focus shot straight at you, eyes burning with rage.

“Love the new look,” you grinned, “let me guess, inspired by fairies?”

Mattheo strode over to you, leaving a trail of glitter behind him. “If you love it so much, why don’t you come here and get glitter all over your—”

Enzo smacked the back of his head. Flecks of glitter fell from his head to his clothes at the motion like a shiny pepper shaker. Salazar, it was going to take weeks to clean it all out. “Language,” he warned Mattheo.

“I didn’t even say anything,” Mattheo shot back, glaring at Enzo.

You rolled your eyes. Once upon a time, you may have smiled at Enzo and seen him as a knight in shining armor. But that armor had long rusted since that cursed evening. He was just as guilty as Mattheo was.

“The only thing I need from any of you tossers is for karma to explode in your face,” you paused for effect. “Oh wait, it just did. I didn’t realize karma looked so shiny!” You waved at the air for emphasis then spun on your heel and cackled as you walked away. Perhaps you were never meant to be the princess in the fairy tale, but rather the evil witch. You could hardly care. Revenge felt good.

There was a spring to your step and excitement buzzed in your veins. It worked so much better than you thought! Fred and George would be so pleased to learn their prototype was a success. You were going to tip them extra when you returned to their store. After all, you were just getting started.

A few weeks ago

It all ended one quiet evening. You approached Mattheo’s dorm to surprise him with a batch of freshly baked cookies, his favorite, when you overheard a conversation about a bet. You rolled your eyes, unable to hide the fond smile that lit up your face. There was always some type of mischief or another when it came to the boys.

You were no longer smiling when you heard your name, your hand frozen halfway to knocking on the door.

“…five weeks is a new record for you, who would have thought?” Enzo said.

“Are you sure you didn’t trick her into giving you some type of love potion?” Theo added.

You waited for your boyfriend to defend you, but instead he praised himself.

“And you tossers thought I couldn’t do it,” he huffed, “it was only too easy.”

Tears pricked your eyes and you kicked the door open, enraged. “Had your laugh? Thought this was fun?” You strode in, anger and hurt bubbling up from within you. You tore the container free and hurled warm cookies onto them, crumbs spraying in the air as they fell.

All eyes turned to you, wide and horrified. You weren’t supposed to find out. Mattheo opened his mouth as if to speak, but no sound came out.

“It’s my turn then, we’ll see who has the last laugh,” you said, storming off as you finally let your tears rain down on your cheeks.

It was bad enough that you risked it all for Mattheo. You fell for his puppy dog eyes that you held for the first time when you chanced upon him at the Astronomy Tower. He was drunk on melancholy, his tongue loose from one too many shots of fire whiskey. You wanted nothing more than to wrap this precious boy before you with warmth and a kindness he never knew. He shared things with you that it seemed he didn’t tell anyone else.

He sought you out the next day to apologize and you assured him there was nothing to be sorry for. Still, he insisted on making it up to you by taking you out for a meal. It didn’t take long for one meal to turn into two and then more than you could count. Evenings spent in the Astronomy Tower or beneath cozy blankets. Weekend adventures and future plans. Gone.

You always knew love was a gamble. After all, there were so many ways to break one’s heart. But without taking risks, you’d never win the jackpot so you rolled the dice and traded your heart away. Only Mattheo bet on you with money to his friends. You were only a bet. Guess he didn’t have a heart to gamble with in the first place.

Now the storm raged within you, thunder clapping and rain pounding. Outside, crickets chirped in the still, quiet air as you walked off.

“Do you think the cookies on the floor are still edible?” Enzo asked, his voice fading by the second. You heard someone smack the back of his head. “Ow!” He exclaimed.

Mattheo didn’t come after you.

Present

“Are you sure you want to go through with this?” Pansy raised her eyebrow at you in your shared dorm. “Just the other night, you were drunk and very nearly went to Mattheo to—”

“Well now I’m sober,” you declared, not wanting to hear any more. Liquor, it seems, had a way of bringing out the truth and leading you down embarrassing paths. You cursed your thoughtless heart for still feeling longing, desire, love. Instead you reminded yourself of the consequences: ache, regret, sadness. You have had enough.

“I’m finally back to my senses thanks to your help. I swear, tie me next time to the bed if I ever do that again.”

“Kinky, I like it,” she waggled her eyebrows and you threw a pillow at her, joining her laughter. “Did Mattheo ever do that to you?”

“Doesn’t matter,” you replied, trying to stay on topic. “The only thing I want to do to Mattheo now is hit him.”

She continued, “Sure, hit him with your lips and suffocate him with your—”

“I don’t even want to hear the end of your sentence!” You shot up and out of bed, nose crinkled and eyebrows drawn together. You tried your hardest to look disgusted even though she was correct and you hated yourself for it.

“Besides,” you said, addressing her initial question, “I already did! Let’s go see!”

“Efficient as always,” she shook her head, picking up her bag and following you to class.

You kept your evil cackle to yourself this time as you neared the classroom where you spotted Mattheo walking ahead, his brown curls now dyed in dark, forest green.

You matched his pace, walking beside him then turned to him, “green hair suits you, trying to be the new Slytherin mascot?”

He mirrored your grin, trying to tamp down his annoyance, “just showing off my house pride.”

You smirked and walked ahead, joining Pansy once more and laughing together. He may not admit it, but you noticed the clench in his jaw that only ever happened when he was annoyed. He may not have cared about what others thought of him, but it bothered him that you snuck up on him with hair dye in his shampoo and got him back.

“Stop looking at her with heart eyes!” Enzo exclaimed as he smacked the back of Mattheo’s head.

“I’m not. You’re looking at her with heart eyes and stop hitting me,” he said.

“Did the chemicals seep into your brain too?” Enzo shook his head.

“It’s not my fault a girl on a revenge mission is attractive,” Mattheo replied, unconsciously biting his lower lip.

“Just go and make up with her already or we won’t know peace,” Theo chimed in, brushing some of the lingering glitter off his robe for emphasis. “You clearly still like her.”

Mattheo’s eyebrows knit together as he considered it. He longed to apologize and he missed you, but he had been too ashamed. He thought perhaps by now, your revenge plans had quelled your anger. Turning it over in his head, he knew just how he could get you back.

You snuck into the potions room, still deciding whether to brew an itching potion or a hair fall potion for your next prank. Fred and George had taught you a few things you were excited to try. You were so focused on the ingredients that it took you a second to react to the lock that clicked behind you. You turned around, that wasn’t supposed to—

You took a step back in shock when you realized it was Mattheo who locked the door.

“Is my hair really that hideous?” He asked, choking out a chuckle in all his green haired glory.

“Go do your mascot duties out there,” you pointed at the door, narrowing your eyes at him.

“You sure I can’t instill some house pride in you?” He said suggestively and you hated the way your body still reacted to him, electric with anticipation.

“Riddle, I swear—” you began, pointing your wand out to him.

He held his hands up, “stop, wait! I’m here to apologize. I’m sorry. It started out as a bet, that evening in the Astronomy Tower, but then the lines blurred somewhere along the way. Salazar, I can’t even point out when you took over my world. Perhaps from the very start. You were not what I expected.”

You clapped slowly, interrupting him. It was one heck of a performance.

“Please, you have to believe me,” he huffed desperately. “Use the Legilimency spell on me!”

“You can’t tell me what to do,” you shot back stubbornly though you couldn’t deny the curiosity that crept in your mind.

“If it will get you to believe me,” he said, calmer this time.

“I don’t want to, I can’t do that to you,” you whispered. You knew he was not comfortable with the spell. His father had used it on him one too many times, violating his privacy and sense of safety. For him to even offer it meant a lot. It was annoying that you still cared for him.

“It’s okay” he assured you, wrapping both his hands around your hand that still held the wand, his eyes burning into yours. “I want you to take a look. It doesn’t have to change anything. If you still hate me afterwards, you can feed me laxatives or I’ll even shave my hair bald for you. Just see and then I’ll unlock the door.”

“Fine,” you sighed, giving in. At the very least you would get closure, which was more than you thought you could get. “But you will have to shave your head if I still hate you after this.”

“Anything for you,” he replied, “if you want, I’ll even shave my—”

“I don’t need to hear it!” You held your hand up, interrupting him.

He laughed wholeheartedly. Salazar, he missed you. “I was going to say my eyebrows, you perv,” he quipped.

You raised your wand in annoyance and cast the spell. You did not need him to be charming and ridiculous, it was calming the storm within you. You could not afford to hear him calling you ‘easy’ once again.

Bright light exploded around you as the spell took effect and images blurred past as you sifted through his memories.

It started that evening on the Astronomy Tower. He knew you went there every evening at a certain time and so he waited for you. He drank more than he should have, always pushing his boundaries. He meant to be charming and flirty, instead he found himself sharing pieces of his soul with you. With your kind smile and sincere eyes, you made it so easy for him.

He always thought it would send people running, but your feet were firmly planted on the floor and you leaned into him, each word he uttered was cradled in your warmth. You were a safe space he never knew could exist.

It was the spark that set his whole world ablaze with joy and desire. You saw him wake up the next day and his first string of thoughts were about you. He wondered if you slept well, what you dreamt of. Then he saw you across the hall, smiling with your friends and his mind went blank. When your face lit up, he felt warm and gooey inside, like his favorite cookies. You realized then they were his favorite not just because of its delicious flavor, but because eating them always reminded him of how he felt for you.

When he watched you walk the opposite direction, his breath caught in his throat. He watched the hemline of your skirt brush the back of your leg and he was disappointed with how long it was. He needed it higher. He wanted to drag you into an empty classroom and bend you over so—

“Okay, I don’t need to hear that! I get the picture,” you told him.

“Fine, fast forward to that night,” he urged you. You hesitated, but you had already gone this far so you did as he asked. Dread sank in the pit of your stomach.

There they were, from Mattheo’s point of view this time. The conversation replayed again, its sharp edges biting into your heart once more.

“And you tossers thought I couldn’t do it,” he huffed, “it was only too easy.” He wasn’t talking about you after all, not in the way you thought.

At that moment, you felt the warm, gooey sweetness in his chest once again. He thought it was so easy to be with you that five weeks felt like nothing. He wanted more, needed more time with you. He didn’t even want to take any money from the stupid bet. You were more than any reward he could ever get.

Then you stepped in and he watched cookies fly in the air before they fell on the ground. Your eyes were glazed over with shock and betrayal and he was too embarrassed to say anything. Shame and regret kept him rooted on the ground as he watched you stomp on a cookie as you exited.

You pulled back from his thoughts, zooming out and back into your body. You took a step back trying to balance yourself and Mattheo held a hand to your shoulder to steady you. “I really am sorry, I hope you know now.” He looked at you with his puppy dog eyes and it took everything within you to keep yourself from flinging your arms around him. Not yet.

“Now I know,” you echoed dryly. “Time for you to shave your head then you can leave me alone.”

His eyes widened a fraction before he caught himself, dejected. True to his word he turned back and took out the key, inserting it into the lock. He was about to leave his safe place for good. The warm, gooey feelings would soon grow cold and he would lose you. No. He stood up straighter and held his head high, turning to you.

“You know what? No, I’m not taking no for an answer. You can hate me all you want and I’ll shave my head. Do whatever ridiculous thing you plan in that evil, beautiful brain of yours but I’m staying and I’m fighting for you until you take me back.”

You smirked. “How do you feel about itching potions?”

“Eh,” he shrugged. “They’re annoying, but I’ll survive.” His eyes narrowed then, realization dawning on him. “Wait, does this mean you’ll take me back? Is that what you’re saying?” He asked hopefully.

“Do I really have to spell it out for you?” You raised an eyebrow.

His mouth widened to a grin. “No,” he quickly said before he ran and charged towards you, engulfing you in a hug. In his excitement, he lifted you off the ground and twirled you around. You laughed at his eagerness. Perhaps there was a happy ending to this fairy tale after all.

The next day, you ignored the curious stares and hushed whispers that trailed you as you walked down the hallway. Let them talk. You strolled into the Great Hall, head held high.

Mattheo’s eyes widened when he saw you approach and you just smiled as you slid beside him on the seat he saved for you.

“You dyed your hair forest green like mine!” He exclaimed.

“Couldn’t let you have all the fun, huh?” You nudged him, lightly poking your elbow into his rib.

His face lit up with a smile that could rival a hundred Lumos spells cast at the same time.

Mattheo sure was an idiot with his green hair and sparkly robe, but he was your idiot and now the entire school knew it too. You two may have looked ridiculous, but you’d do it together like everything else. Just two idiots in love.

✿ Masterlist | TTPD Masterlist

A/N: So glad I got over my writing slump and completed this two weeks since I started. Yay!

#mattheo riddle fluff #mattheo riddle x reader #mattheo riddle x you #mattheo riddle imagine #mattheo riddle #mattheo x y/n #mattheo x you #slytherin boys #amongemeraldclouds fluff #amongemeraldcloudswrites

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timdrakesbussy · 1 day

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Some of my™ Stardew Valley HCs

TW: mention of miscarriages

Emily listens to all kinds of music but despite not looking like it, she mainly listens to heavy metal. It's one of the thing that brought her and Shane's early friendship together. And because of that, Haley shares a bit of fondness to the genre that she enjoys Sam's band (but don't tell him. this will mess with her rep).

Sam is pretty educated when it comes to literature, and English was always his favorite subject when he was in school. He's the main songwriter of his band and while Sebastian could also write, Sam manages to be witty and clever with his lyrics. Other than storytelling through song, he loves his double and triple entendres. Suffice to say, he could get along pretty well with Elliott and it's one of the reason why Penny loves hanging out with him.

Ever since she was a child, Maru thinks that Sebastian is really cool and she wants to be like him one way or another. Of course, she still wants to be herself but Sebastian is just so damn cool. During her time at school, she made herself learn how to ride a motorcycle using a friend's bike because she knew Sebastian would never lend her his.

Elliott was from an esteemed family from a foreign land (just Stardew's equivalent of Europe tbh) and was a licensed lawyer until he stopped to be a writer. Needless to say, his family are not happy by this sudden decision. Not that he needs their opinion on the matter, he was pushing thirty when he made this decision.

Harvey was an ER doctor in Zuzu City until the incident™. He knew that with his line of job, he can't save everyone. However, he can't help but feel guilty and terrible afterwards. Which is why he has routine check-ups for the villagers, and if they can't visit him, then he will visit them. You cannot escape him because he will find you (affectionate).

Both Haley and Alex believed that at one point, they actually liked each other romantically. But when they had their first kiss together, they realized that they weren't meant to be. They have this deep platonic connection that even Emily doesn't really understand, but she's happy that her baby sister have someone she can rely on and trust for all her life.

Robin takes pride in her name even if her parents weren't supportive over her work at first. She have Sebastian share her last name, and when she married Demetrius, she hyphenated their surnames instead of just taking his.

Demetrius and Sebastian were close when he was a child. Sebastian was an overly curious and precocious boy and Demetrius was happy that he could share something with his stepson, their interest in biology. Although Sebastian was squeamish and even almost cried when he dissected a frog, he managed to calm him down. And even after their mutual parting as Sebastian grew older, he's the only one who knows what Demetrius' favorite animal is: moonlight jellies.

Jodi and Kent were teenagers when they had Sam. Jodi came from a highly conservative and religious family so they forced them to marry after Jodi gave them the news that she was pregnant. As they were teens, Kent took any odd jobs he could get in the city, from a corner-store clerk to a garbage man. Until he got offered into joining the military.

Pam was a trucker before she became a bus driver. In fact, she met Penny's dad in the business. But in her childhood, she was in multiple beauty pageants and even into her adulthood, she knows how to hairdo. She helped Penny with her hair since she was a child and hope that she could still do Penny's hair in her future wedding, whenever that is.

Alex's mom had multiple miscarriages before she have him, and that was into her ten years of marriage. She was beyond ecstatic with his birth that she immediately called her aging parents who also shared her happiness, they then invited her to the Valley a few days after Alex was born so they could celebrate in the Mullners' house. Lewis heard about the news and asked if they wanted to celebrate in the Saloon in which Evelyn denied because Clara wanted a small celebration with just her family.

Abigail is the only marriageable candidate to be born in the Valley. Sebastian moved in not long after Maru was born so he was close to her as he was the only child her age at that time. Penny moved in when she was seven with her parents until her dad left when she was ten. Haley moved in when she was ten years old while Sam moved in a year after. Alex often visited his grandparents but he officially moved in after Clara's death in his pre-teens. The rest moved in as adults.

Similarly to Alex, Shane only ever visited and stayed for a while in the Valley until he needed to take care of Jas. He wasn't close with his parents and they never tried to be anyways, Marnie is always the mother figure he has. So other than Marnie and Jas, the only people he considered as his family was Jas' parents. Her father, whom he met and befriended in college (as he was his roommate, before they mutually dropped out) and her mother whom he wasn't very close to at first until they both find comradery in bullying (affectionate) Jas' father.

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sysmedsaresexist · 3 days

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We're curious, since you apparently were anti-endo in the past Was there any specific event or conversation or experience that got you to start contemplating the idea you might have been wrong? I know you've mentioned talking to a buncha big name docs and going "okay I think I'm on the wrong side of this debate" but what got you to the point of even bringing it up with them in a genuinely open minded way? We think its an interesting topic for people who've escaped any kind of shithead mindset, not just anti-endo stuff, and so we're oft curious what pulls people out of those pits

This has been a loooonnggggg time coming.

I wish there was just one event that did it, if it was that simple I'd be putting everyone I come into contact with into that situation.

I spoke with Kymbra Clayton in early 2021 about her paper, Critiquing the Requirement of Oneness. It was on a bunch of, "proof endos exist," lists, and it didn't sit right with me. I was surprised to find that she wasn’t... quite anti endo, but she was upset that her work was being used to support them. Her paper was specifically about the shift in clinical circles from final fusion to functional multiplicity as a possible treatment goal. It sort of sent me deeper on the anti side, but it made me realize that, holy crap, I can talk to these people???

So I emailed Colin Ross later that year, desperate to prove someone else wrong, and despite numerous back and forth emails, he was completely pro endo. I never spoke about that conversation until I made my post about it... jeez, what, two weeks ago? What even is time.

But from there, I worked through other doctors, pro and anti, from both my personal, professional circles, and anyone else who would respond to inquiries about their work on whatever social media they were active on. Mostly, as therapists, they stressed the importance of understanding and kindness, regardless of personal beliefs.

I ended up helping a lot of endogenic systems learn about DID, and I realized that, wow, shocking, being nice facilitates conversation. As I got nicer, people were more willing to talk to me about their experiences. I saw how many people were really struggling and I realized that I wanted to help them more than I wanted to be right.

I got REALLY goddamn tired of hearing, "we don't have DID," and I realized I had to concede on that point. There was ZERO conversation to be had if I couldn't get my head around that. But if not DID, then what?

The more I heard, the more I shaped my own thoughts and understanding, the more I broadened my academic searches (wow, there's more terms to Google than just "DID trauma"), and the research was just overwhelming.

I wanted so badly to see the Stanford Tulpa studies fail that I actually started to enjoy the other work of the doctors involved (specifically Tanya Luhrmann, Michael Lifshitz is a little out there for me, but he sure is passionate). The more I read, the more I understood what they were hoping to accomplish and prove, and the more I saw ways that this kind of research can help people.

I don't agree with everything, but I'm still excited to see where it goes, and I realized it's okay to have mixed feelings and opinions, as long as I could be respectful about it.

I've been sneaking out endo safe content for about a year now, adding it on as the last tags. I've discussed at length about my changing beliefs. I'm shocked that no one noticed??

But I didn't actually change my stance publicly until the antis turned on me.

With this new round of antis from TikTok, they were posting stuff about DID that wasn't correct. At all. Some of it was disgustingly wrong. I tried to correct them, gave them pointers and resources to use, explained things they weren't understanding. I gave an amazing play by play of how @sophieinwonderland was going to tear their post apart, and managed to get it pretty damn close to what actually happened! That was fun.

And in return, they called me an endo and started an actual smear campaign against me.

(Hi, friendos, another reminder to get off my blogs and block me, please)

It was the straw that broke the back. I had held on the anti label specifically to be able to work within the anti community, but I was clearly not anti, these were clearly not my people, and they weren't interested in learning. Their actions and behaviour were beyond low. I wanted nothing to do with them.

But, I mean, I guess some people noticed my slow shift, because when I did reach out into the endo community just before I made my first Colin Ross post, they were quick to pull me in without question.

The acceptance and kindness that has been shown to me is... breathtaking. I can't think of a better word. The conversations that I've been having with people have been more interesting and beneficial than ever before.

Syscourse needs to involve actual conversation, and I've finally found that on the pro side.

TL;dr I wanted to prove endos wrong SO badly that I accidentally proved them right

#syscourse #pro syscourse conversation #story time with sas #anti endo #pro endo #system safe #CDDs first

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exhausted-archivist · 2 days

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Common Fanons That Are Confused As Canon

Through my time of collecting lore and learning things about Thedas I've come across a couple things of fanon that leaked into lists of canon elements. Which was an interesting little thing to follow the rabbit hole of where they even originated. While making this list I did ask others for any that I might have missed or not seen because I wanted to be thorough as I could when even making this list. I haven't been in the fandom long enough to see all the things that have come up.

To be clear, I thought it was neat to see what became so pervasive in the fandom to become easily mistaken as canon or misunderstood. I'm also not discussing whether canon as it stands is "good" or judging the fanon or anything like that.

I just wanted to put it all together in a list, especially as I have had friends who were getting into the series and ask about certain things; as well as Dragon Age Summer hitting us soon and new interest in the series abound.

General

Mages can sense other mages The closest source I can find to this is the fact that Anders states that he can "feel the power in you". No other mage states anything similar and could likely be attributed to the fact that he is possessed. Much like how Cole can sense your magical connection as an Inquisitor. An outlier is how Keiran can sense your magic regardless of if he has the Old God soul; but he is also not confirmed to be a mage as of yet.

All Saarebas always have their lips sewn shut/horns cut off This seems to originate from da2 specifically, with the model of Ketojan having the scarring, the other saarebas missing horns, the concept art, and then boils down to BioWare being inconsistent with their lore/depictions. Most of Thedas fixates on the fact that the Qunari have saarebas with their lips sewn shut, the Seer's yarn tale denotes that tamassrans tell the story of a saarebas with their lips sewn shut, the tarot art for Saarath, and the flippant joke between Sera and Iron Bull. But, the lore specifies that it is in extreme cases or in general that it can occurs but it is not the standard. [WOT p. 103 & 128] Much like tranquility, it is used as a form of punishment - one that we know can and is abused by certain factions. We also see saarebas characters in Inquisition who do not carry either of those traits. Specifically Hissera (multiplayer), Saareth (Trespasser), Heroes of Dragon Age models, and some Qunari in da2.

All Saarebas have their tongues cut out This is seperate from the previous point due to the different source of this fanon. It seems to be an exaggeration of one particulare line from Sten. In dao, Sten will state during the Broken Circle quest that "This is why we cut the tongues from mages, in Par Vollen." He is very general with the statement, but contextually it is reasonable people took this to mean all mages. However, since dao it has been made clear that it is not a universal practice throughout the Qun.

Elves are shorter than humans This one does have a clear point of where this started, though it is never stated in lore, back in Origins elven models were universally shorter than humans. But from DA2 onward, male elves were only shorter than their human counterparts of the same sex while female elves are shorter than both human sexes. Fenris is taller than f!Hawke while both forms of Hawke are taller than Merrill. Solas, Abelas, and a m!Lavellan are taller than female human characters but all human characters are taller than female elves (except Sera who has a female human model).

Dalish are illiterate This is a little less clear to me where its origins started. Perhaps based off of medieval period history (which da isn't necessarily medieval in time period) or due to the fact that most common folk in certain regions in Thedas are illiterate and reliant on pictures over written words. But we know from the Witch Hunt dlc that the Dalish keep tomes of their history and of the ancient elven empire. They also actively translate ancient elven script for their own records. Whether this is role restrictive or not is unclear, but we do know that the Dalish are literate in both Common and semi-literate in ancient elven script.

Dalish and City Elves don't have contact This seemingly comes from a misunderstanding stemming in the city elf origins in dao where some npcs will comment on how Dalish might be myths. However, in dao, da2, dai, the comic Knight Errant, and the novel The Masked Empire, that elves from both sides do semi-regularly trade people with each other if not visit certain alienages, as well have other points of contact with each other. Pol, Zevran, Coran (Vaea's uncle), and potentially Feynriel are all city elves that join Dalish clans. Merrill and Arianni are known Dalish who join alienages.

City elves are genetic/physical differences from the Dalish elves This one I have seen around a lot, most stemming from the idea of the previous one that the elves in the city are generations apart from the Dalish, implying they have no contact with each other. Which could be true for certain alienages. But as far as lore is concerned there isn't any example of this, not even as being a point of reference for the Dalish to consider any of the aspects as to what makes them "less of an elf" in comparison to Dalish.

Elves pass on their elven traits Most seem to know this isn't canon, albeit one of the less popular canon elements; but new fans don't always know this. It is popular fanon to give half-elven children the reflective eyes, smaller stature, more angular features, straighter nose bridge, and/or pointed ears from their elven parent.

Only elves can have mixed kids with other races This seems to come from the fact that elven traits aren't passed on to their kids when mixed parentage is involved. However humans, dwarves, and vashoth can all have mixed kids from the other races. According to Patrick Weekes, this decision was made consciously to avoid very racist and harmful rhetoric. We know of many elf/human mixed kids: Alistair, Eiton, Feynriel, Gestan and Thale (residents of elven area of Halamshiral), Kieran (conditions), Michel de Chevin, Rinnala, "Sabina's Brat" (son of the elven prostitute Sabina at the Blooming Rose), Slim Couldry, Tainsley (Potentially. Is described as a 7'(2.13m) human, though he references a Dalish uncle.) While mixed dwarf children are rare simply due to dwarven fertility issues we do know of two dwarf/human kids: Keiran (conditional) and the child of Tyrdaa Bright-Axe(Avvar) and Hendir (dwarf).

Elfroot leaves get you high/is Thedosian marijuana This is another Origins era thing, due to an easter egg that made a play on the American "This is your brain on drugs" anti-drug campaign using elfroot. This was then repeated in 2015 when Patrick Weekes said that its medicinal properties were rediscovered in 4:20. [Source] Elfroot hasn't been shown to get anyone high in canon, it is the roots that are primarily used as medicinal. In World of Thedas (WoT) vol. 2 the recipe for Dalish Deep Forest Comfort says you can substitute elfroot for spinach making the leaves more vegetable in quality. That said, marijuana leaves are edible and rather nutritious. They just don't have the chemical make up to induce a high. Those lie strictly in the buds. According to Origins, elfroot does flower though.

Red lyrium is completely different and more dangerous from blue lyrium This one is all on BioWare in regards to this misconception. Because while yes, it is more dangerous than the blue lyrium, they aren't two seperate substances. More that red lyrium is a branch off. To cover the generals of the written lore of lyrium it breaks down like this: Blue lyrium in it's raw form innately toxic to just be around to all but dwarves, however it will kill a mage who gets too close in proximity. That proximity being within the same room while non-mages would have to touch the stuff. It also has a pension of self-combustion without warning or a clear cause. When it is refined down for templar use it is "safe" for non-mages to come in contact with and consume. Whether this level of refinement is the same level as what is used to make various cocktails and liqueur is unclear. But we do know that getting too close, being in same room as lyrium refined to this level, is enough to make a mage sick. Finally, we have the most refined and diluted stage of lyrium, this is used by mages to make potions, certain alchemical work, and other things. This isn't enough to kill a mage, make them sick (without extreme over use), and infact can result in positive outcomes for a mage. Red lyrium overlaps with most of that, with a couple key differences. First off is that red lyrium doesn't seem to self-combust. There is some contradiction on whether or not non-dwarves can mine it as due to game mechanics you can destroy it, but the only ones we see mining wild nodes are dwarves. But if the red lyrium is grown from a living creature it seems accessible to all races? In codices about the various types of red templars, we learn that a small vial around a templar's neck is enough to make all the mages in the area around him sick.

Character Specific

Alistair

Alistair is a dog person I couldn't track any clear origins for this, it seems to be a case of overlap with the stereotype that "all Fereldan's love dogs" and a mix of building off of a line of dialogue about him being raised by the hounds and them being his family. However, he doesn't seem overly one way or the other. He mocks dog at times, talks down in not such a playful way, and at times seems to treat dog with the same attitude he does Morrigan though not as blatantly. This could be chalked up to his joking nature though.

Alistair's obsession with cheese While he does admit to an obsession to cheese, it is often cited that Alistair makes a ton of cheese jokes in dao. When in truth he only makes four through out the entire game. Given his joking nature it is up to personal interpretation of how much he actually loves cheese.

Alistair and Cullen knew each other before Origins This is more specifically that the two went to the same monastery for their templar training. There is no canon evidence for this though. That said, there is a possibility due to not knowing much of anything about how the Templar Order trains its recruits nor the amount of monasteries they have in Ferelden for training.

Alistair collects toy soldiers This seems to come from the gifts he can be given during the Feastday dlc. Canonically he is given runestones and carved statuettes of various types stone. These statuettes are described in a manner closer to effigies than toy soldiers.

Alistair's mother is not Fiona This one is a bit funny as it has multiple origins and is dependent on the player's experience with the series. From what I have gathered there seems to be one of three sources: - People who never read the Dragon Age novel The Calling - People who read The Calling after playing dao and feels like it is a retcon (though The Calling was released prior to the release of dao, same with the novel The Stolen Throne) - People who take a "chuck the baby with the bathwater" approach to the lore The funny thing about this is that the cover story in dao for Alistair's mom is based off a combo of things; the hypothetical scenario Fiona told Maric and answers she gave Maric when he asked what to tell Alistair if he asked about his mother. The hypothetical was that Fiona would not return to the Circle and would hide from the templars and pretend to be a washer woman. When Maric asked what to tell Alistair of his mother, Fiona said to tell him his mother was human as she did not want him to deal with being half elven and all the stigma that comes with that as well as to tell Alistair that she was dead.

Avaline

Aveline is straight She will kiss Hawke regardless of gender and ask them if they ever considered her and them. Though it is clear she never had romantic interest in Hawke in particular. An easily missed aspect I think given the general opinion of Aveline as well as most people seeming to not choose the flirtatious option with her.

Blackwall

Blackwall doesn't have a sense of humor This one genuinely surprised me considering he jokes with Sera, The Iron Bull, and Solas. His banter shows as much that he does have a sense of humor and tells jokes. But it does seem pretty common of a fanon characterization for him.

Dorian

Dorian paints his nails His model doesn't have painted nails in game, but it is a popular fanon. There is nail polish in Thedas though. It's mentioned in the novel Masked Empire as well as the novel Last Flight. It seems to be of Anderfles origins, but given the Last Flight is post Orlesian occupation, it could originate in Orlais.

Lady Mantillon said, tapping an elegantly lacquered fingernail on the polished wooden arm of her chair, “we will fail, or we will be killed. Neither is acceptable.” - Masked Empire, Chapter 17 p. 362 Every one of her fingers glimmered with a jeweled ring, and her nails had been freshly lacquered. - Last Flight, Chapter 13 p. 144

Fenris

Lyrium can be drawn from Fenris' tattoos There is no mention of this being possible in da2 or any of the subsequent media. There isn't even mention of others being able to sense the lyrium in his tattoos or even mages getting sick around him as they sometimes will dependent on the concentrations and/or purity of lyrium.

Fiona

How Fiona was cured of the taint This comes from The Calling novel, where it isn't ever clarified what actually removed the taint from Fiona. The common fanon is that it was either the mentioned brooch, or that by having Alistair. That it was by having Maric's son who has Great Dragon blood due to being of the Theirin bloodline that cured her. However, in the novel she is very clear that the mages at Weisshaupt aren't sure what cured her. She only offers one explanation that the Grey Wardens theorized and trails off before saying what the second one was.

“It’s gone,” she said flatly. “The mages at Weisshaupt weren’t sure if it was because the First Enchanter’s brooch sped things up artificially, or... at any rate, all the corruption vanished. They don’t think it’s going to come back, either. There was test after test, but they think I may be the first Grey Warden that never has to endure the Calling again.”

Hawke

Hawke is stabbed by the Arishok This fanon likely came into being due to one of the moves the Arishok has where it will leave you almost dead. So a bit of canon as it is in his move set, but fanon in the idea it is something that always happens in canon.

Unable to confirm if Fanon, Canon, or a mix of both

Teagan marries Bella, the barmaid from Redcliffe This one goes back really far and is hard to tell if it is a case of mistaken identity and association, or a really buggy option for the epilogue, or isn't actually a possibility. What I can confirm is that Teagan does have a woman he can marry given certain conditions are met in dao, but it is actually Kaitlyn, the sister who's brother goes missing in Redcliffe. If you properly compensate her for her grandfather's sword she'll open up a foundry in Denerim and will marry Teagan after having known him for a few months. According to this thread, you have to get Kaitlyn to move to Denerim with her brother, make Bella the maid to Teagan and in the ending slide Teagan and Bella will get married. Though I haven't been able to confirm that this is possible. (If you have a screenshot/video of this slide and know how to trigger this please let me know) This is also not an option mentioned in the Keep, however neither is Kaitlyn's. Which isn't surprising given some of the ending slides that were not direct player choice (ex) choosing Orzammar's king) are mostly cut from canon.

#dragon age #meta #dragon age fanon #dragon age origins #dragon age 2 #dragon age inquisition #the calling #dao #da2 #dai #Let me know if you have any you think I should know about #I thought it was interesting to collect the fanon I kept seeing and put it all together while tracking down it's origins.#This has been sitting in the drafts for ages but I will keep collecting others in a separate post

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ihni · 2 days

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What if ...

... Hopper and Neil Hargrove had been in the army together?

I don't know anything about the army and all I know is that the war at least Hopper went to was the one in Vietnam, but let's play with the thought that the two of them were there together. And did NOT get along, like at ALL; Hopper thought Neil was deceitful and untrustworthy, too proud and manipulative. Overestimating his own importance and competence, and too happy to cause pain in others.

They both survived the war and went back to their own lives, only like 20 years later or so, the Hargroves show up in Hawkins and Hopper meets Neil Hargrove again.

Despite telling himself that they're older now; that they're adults who have had time to grow into themselves, Hopper STILL doesn't like Neil. Like, his skin is crawling when he sees the man, even after all these years. But it's not like he has a good reason to dislike him now; outwardly, Neil Hargrove seems to be just a normal family man, setting down in Hawkins with his family. No one else has had any complaints. And either way, Hopper can't explain it, it's just a feeling. He just doesn't LIKE him.

And the thing is, that the guy has KIDS now, too. Or - as Hopper learns, as soon as he gets the documents he pulled from California - a son, at least (the girl being Neil Hargrove's new wife's kid). And by the file that Hopper has to pull some strings to get his hands on, the kid is shaping up to be a bad seed, just like his dad. Reports on fights, trespassing, shoplifting, underage drinking, reckless driving.

Hopper doesn't want that kind of bad influence in his town. So what, if he wants to nip it in the bud? So what, if he pulls the kid over as soon as he gets the chance, just to get a feel of him? The kid is tense, obviously hiding something, and speaking so respectfully that it borders on sarcasm - strike that, it's definitely sarcasm.

So what, if Hopper feels the need to put the fear of god into the kid? He's here, and his father is not - Hopper can't touch Neil, who never officially puts a toe out of line, but a teenager with a bad attitude? It's basically Hopper's JOB to do something about that.

So he goes hard on the kid. Tells himself it's for the kid's own good; keeping him on the straight and narrow and teach him what's right and what's wrong. And hey, if he gets to bring the kid home to the Hargrove doorstep sometimes and look Neil Hargrove in the eye while he lets him know what his son has done now (Not so perfect now, are you Hargrove?), well, then that's just a bonus. Perks of being the Chief of Police.

It becomes personal, in the way that he will take any chance to gte on the kid's case for SOMETHING. But also the opposite of personal, because the kid - Billy - isn't really a person in his own right in Hopper's eyes. He's just an angry kid. Neil Junior. A chip of the Hargrove block. He is simply a means to an end. The best way to get to Neil in a way that doesn't seem unreasonable, or petty, in the eyes of everyone else.

And of course, I want the Moment of Realization. I don't know where or when; maybe Hopper stumbles over Billy's car parked out at the Quarry, or maybe he nabs him after a party, or maybe he sees him out walking by the side of the road late one night and pulls up next to him.

And maybe that's the time when Billy has had ENOUGH. When he either gets angry and starts yelling, 'What do you have against me, man?? What have I ever done to you?", or maybe he tries to run because he can't do this right now, or maybe it's a Bad Night and he's tired and terrified and he breaks down crying (but tries to hide it).

Maybe it's all three.

And, I don't know, but maybe Billy's hurt and wincing and Hopper notices, and maybe when Billy refuses Hopper (not very gently) demands to see, and -

Maybe there are bruises. Maybe there's a burn scar somewhere on Billy where he couldn't have put it himself (like between his shoulder blades), the one you get from a red-hot lighter. A mark that Hopper remembers from his time in the the army, from when a buddy of his made a bet with Neil and lost, and Neil let his lighter burn for a long time and then pressed the hot metal against the guy's back. That too scarred, and it looked just like this.

And maybe that's when Hopper lets his memories boil over, and his voice is rough when he asks what happened, who did that, and maybe that's when Billy mutters something about Hopper and Neil being army buddies and Hopper doesn't have to worry, Billy isn't a snitch, he can keep his mouth shut.

And that's when things slot into place in Hopper's brain, and he realizes that the kid is just a KID, that the anger comes from hopelessness, that the attitude is a mask to hide his fear. Because even now, he's cowering in Hopper's grip - but still keeping eye contact, back straight, hands to the side. Learned behaviour.

And that's when Hopper realizes he has Fucked Up.

#jim hopper #billy hargrove #stranger things #neil hargrove #billy and hopper #no i will not write this‚ i have too many other things to write already #yes i would be fucking overjoyed if someone else would write it or take it and run with it in any way shape or form #i just adore the ... wrongfully judged trope #you know what I mean?#please someone if you know of any kind of content like this send me a link I will DEVOUR

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dreamsinmoonlight · 3 days

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Dude, I need part 2 of Yandere Alastor with Angel Reader, could you do it?

(HERE WE GO! Part two: Electric Boogaloo. I dedicate it to Hoizer's "It Will Come Back". Because, I mean, that song is a yandere song to it's depths.

Part One: Oh Doe

Fandom: Hazbin Hotel

Characters: yandere!Alastor, angel!reader

Genre: Same as before, yet maybe a little more? And a little hope even?!

Pairing: we both know what this is

Summary: After your reunion, you came to understand that you didn't understand some things. But other things never change.)

My Doe

In the weeks that followed since your arrival at the Hazbin Hotel, you come to understand more and yet at the same time you couldn't help but feel you didn't understand nearly enough.

Angel was a sweetheart, once you got past some of his stranger tendencies, the ease and constantness of his flirting and flaunting of his sexuality. At first you had been confused and flustered because you weren't used to such things, not at all, and you learned eventually there was an element of amusement to it for him, because as Husk liked to inform you "your wings show off way too much, kitten, and the spider loves watching you flounder". Which didn't exactly stop you honestly but you started to get past it and you started to notice the loneliness and the injuries and the sweeter aspects of him. No one liked to talk about it but sometimes you got him to agree to let you use your angelic magic to heal the worse of it and he's tell you such fascinating stories of hell with the brightest shine in his eyes, you couldn't help but like him.

Speaking of Husk he was much the same but it was more like getting past the grump and the walls the ex-Overlord had up. He had the most info to share with you, not to say that Charlie didn't but talking to her was like talking directly to a rainbow; she was sweet and optimistic and you loved and adored everything in that in her but when it came to the cold truth, it was Husk who seemed most willing to talk.

It took a few days before you found out why he knew your name and you learned he was in some ways like you: a collar and chain kept him tied to Alastor, unable to escape him anymore than you were to escape from your memories and past with him. There was a small edge of concern you caught early from his words to you, that Husk knew you were something Important to Alastor, in ways that made him all the more dangerous to you. There was some pity to it and you appreciated it to a degree though you tried so hard to smile and act as if it was nothing, as if you hadn't had nightmares again of that day, of the way Alastor had looked, had sounded, the feel of his hand on your cheek wet with blood, your own blood. Of the fear, of the pain, of the darkness before coming to as an angel in Heaven.

You met Lucifer, and he was a strange person who you felt oddly comfortable around because how could you hate someone who looked at their daughter with the love in his eyes? He was such a funny and energetic person and you were fascinated by the way he, this enemy of Heaven, could be such a shining light. And how much he and Charlie resembled each other.

You met Nifty, strange, insane Nifty, who laughed and ran around and ranted about bugs and looked at you with the widest stare before trying to stab you with the nearest implement; Angel had had to stop laughing first, Vaggie screaming as she held back the tiny cyclops, before he could explain what had happened during the battle. Ah, you thought; so this was the one who had given Adam the final blow. But the order to stab any angel she saw didn't seem to be completely gone and you just giggled and smiled and said it was okay. You didn't hold it against her in any way.

You met Cherry Bomb, Angel's friend, and you tried not to giggle because you knew her already so well. Sir Pentious spoke of her with such glowing warmth you couldn't see anything but what he surely saw when you looked at the punk explosives expert.

You learned about them, you became part of their group, and you worked hard to find all the ways you could possibly help the hotel, help Charlie, and you understood all that so much. But still you found you no longer understood Alastor.

The Alastor you knew had always been a gentleman and so was this Alastor but there was so much darkness to the way he moved. And you couldn't help but see something else when he smiled at you, hidden behind the cruelty, the violence, the obsession that you should have seen so long ago before it got too bad but no, it was far too late for regrets on that.

Always he was near, even now. You sat on a stool at the bar area, humming a soft tune to yourself as you waited for the others to come home; Charlie was out on a date with Vaggie, Angel had gone to his job and Husk was out gambling as he often did. Nifty was somewhere, she never left the hotel unless she was taken out by one of the others, and as for Alastor, well, he said something about needing to do a radio broadcast. Somewhere in the back of your mind you remembered the sinner who had whistled at you when you had gone out with Charlie the other way but you weren't too sure why they came to mind.

Your wings were stretched out and you could feel the eyes from the shadows; they were everywhere and here they were watching you. The first time he'd popped out of them you'd been terrified and Angel nearly threw every book in the study at him with words that an angel like you should never have to hear. Alastor let you keep your wings but the price seemed to be the shadows were always watching you, just in case. You shivered and bit back a whine, instinctively pulling your wings back in to wrap around you, a futile attempt to hide from the staring and the sensations you felt. The result was the feel of fingers along your feathers and an ache in your chest you attributed to fear and anxiety maybe mistakenly.

"Oh doe, look at you hiding away like a scared little fawn" came that staticky but clear voice, digging its way into your ears and leaving you wondering if it would be easier to stay inside or come out.

"Alastor," you whispered his name like an old prayer; it used to be something that gave you comfort, in a life long gone, when the one it belonged to had been a dear friend, a close friend. When you'd felt you known him. Not this stranger with the same voice and memories and feelings.

Those fingers became claws and you tried to swallow the whimper that threatened to leave you as you felt him get so close to ripping into your skin. Your blood would be golden now, not red, not red anymore; would it make him happy or angry?

"I suggest, my doe, that you not keep hiding from me," he said in a whisper that almost sounded sweet, almost familiar; for a second you could pretend it was dear sweet Alastor, before it crackled, "You wouldn't wish to upset me, now would you?"

Of course not. You remembered, you remembered too well, you remembered more often than not now that you saw him so often. This stranger who had the ghost of your old friend.

You hesitantly unfurled your wings and looked out, eyes wide as you looked upon the face of the greatest threat to your safety you knew. Those bright red eyes, that large yellow grin full of large yellow teeth all in points, the two tufts that you recognized as ears immediately, still standing up tall. He was still pleased, he was not angry yet, he was not annoyed yet. He would maybe not hurt you-

A small crackle of a chuckle left his mouth and you gasped as you felt his claws dig into your wings, puncturing thin sensitive skin, narrowly avoiding nerves that would leave you grounded if harmed. Feathers stained gold fell to the ground and you could not help but cry, the pain intense; your wings, like any flighted creature, all too delicate, all too sensitive. The tears came without ever a chance of holding back, of stopping them, and the softness of your cry, there was obviously something appealing in the way you looked and sounded because you saw that terrifying face soften and for a second, through the tears, you thought you saw your Alastor again.

"Oh doe, my doe," he said and pulled his claws free to cup your face in his hands; how many times would he streak your cheeks with tears and your own blood, "Have I told you how beautiful your eyes are when they're brimming with tears?"

He wiped your tears from your eyes, leaving more blood on you in his wake, before drawing his hand to his mouth and running his tongue along his claws. He still smiled, he never stopped, he never seemed to do anything else; you looked up at him and saw the emotions instead in his eyes.

"I'm sorry," you whispered, shivering, shaking, bleeding, your wings aching in their urge to fold but unable to do so from the pain; you'd be fine, you'd be fine, you wouldn't die, you'd be fine.

"Don't apologize for being so brilliant to me," he said and his eyes narrowed, "Just never try to hide from me again; I haven't been able to see you in such a long time. I never wish to let you out of my sight again, that's why they're watching you after all."

"I'm sorry," you repeated and flinched as he reached out to touch your face again.

With your eyes closed you couldn't see his expression, not the way it wavered for a second, when the facade fell but returned long before you would ever know it was gone. Alastor stroked your cheek, admiring the way the golden blood painted your skin, and he tilted his head just a bit, just to the side.

"I'll forgive you, if you come up to my room," he told you and a jovial tone took over, "It has been so very long since the last time we sat about listening to music together, my doe, and I must say I have greatly missed it! The princess is a precious one and Husk does his best the dear boy but no one else I ever have known has understood the proper way to appreciate jazz as much as you do. Come, before the others return and surely drag you and/or I into another ridiculous and fanciful adventure; we're well overdue for one after all~"

You opened your eyes and looked at him and he was still smiling, still the same. Red and pink, deer demon, red eyes, yellow sharp teeth, dapper and torn all at once, fear and danger and violence in one neat form.

But you smiled back and you reached out to take his hand.

Alastor the Radio Demon you didn't understand. But you understood Alastor the radio host, the man who used to walk with you through the rain and scold you for giving away your umbrella every time. And that's who you saw smiling at you, even if just for a second.

#hazbin hotel fanfiction #hazbin hotel #hazbin x reader #hazbin hotel x reader #alastor x reader #alastor the radio demon #hazbin hotel alastor x reader #fanfiction

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afterglowkatie · 4 hours

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someone better | l.w.

leah williamson x reader | 2.6k | There was always someone better. You never felt like you’re enough for anyone, especially not yourself. Would anyone really miss you?

ˏˋ°•*⁀ Heavy themes include: suicidal thoughts, depression, low mental health, thoughts about a suicide attempt, intrusive thoughts, negative thoughts. Please read if you can handle things like that. sorry if it doesn't make sense, it's essentially a vent fic i just needed to get things out it's been a low day so yeah

The air was crisp. You could see your own breath, which would’ve been amusing when you were a kid but now it was a reminder that you were alive. You didn’t mind the cold, at least it gave you something to feel other than the numbness that had taken over your body. The rooftop access in your apartment building wasn’t secured and was never monitored so you found peace in sneaking up onto the rooftop to think and reflect. Seeing the city’s skyline, it was beautiful. A stark contrast to the awful thoughts that plagued your mind.

Watching the lights shimmering below, all the people that wandered the streets below, all the people that were in their own apartments, yet you never felt more alone than you do right now. A bit ironic. Shakily taking a breath, you decided to sit lean against the edge of the building and let your thoughts consume you. There was no stopping it so why not let your mind run free when you’re in a space without any interruptions. Even if letting your mind run free meant it was slowly killing you in the process.

The thought of death was always in the back of your mind, occasionally making its way to the front when you thought you had exhausted all your other coping mechanisms. Another irony, when you were younger you were always afraid of death. Afraid of dying, but now more than ever it was what you craved. You would happily welcome death if it meant you could disappear from life to never return. Never having to face the pain and suffering of everyday life again.

It’s not like anyone would miss you, or even notice or care that you were gone. That was it really, no one needed you. A hard thought to stomach, one that made your head spin, that made you fall deeper than you already were. They all had someone better, someone more important to them than you were. You were always just someone they could use to fill the time before someone better came along.

Every time you got attached to someone, you’d eventually lose whatever friendship you had with them. A ‘filler friend’, you would call yourself. The one no one thought about unless they needed you or if they had no one else. Always a last resort, never a first choice. No one would truly miss you. They might say they do but a day later they’d go about life like normal and never think or say your name again. You knew these thoughts were irrational to an extent, although the part of you that believed that these negative thoughts were the truth always won. This was the truth that others were afraid of telling you. The truth you had to tell yourself.

You had convinced yourself that all you do is break, burn and drain the life out of others. Always trying to be the person they needed, the person they wanted you to be regardless of your own feelings and pain. Which you obliged, learning from a young age that all you had was yourself. Your own problems and thoughts were only yours to carry. Quickly learning to suppress emotions, fake smiles, and keep a bubbly personality around anyone else. No one needed to be burdened by you, your absence in life would be a blessing, even if no one else knew it yet they would realise not long after you’d left.

But that’s the thing, everyone else in your past had left or moved on. What made anyone else at Arsenal any different? It would be silly to think that this club would stay the same until everyone ended their careers. You all seemed like a family, but even families broke apart. It would also be silly to think that even if everyone separated that you would all stay in contact. Maybe for a little while but it wouldn’t take long before everyone drifted apart from each other, before anyone drifted apart from you. You thought you were easily forgotten. So what difference would it make if you decided to leave now? You were tired of trying to live. Trying to live to everyone’s expectations of who you were and who you should be.

You were more than grateful for how far football has come and thankful for all the fans and support from everyone online and in person. But with that continued to grow the expectations you had to live up to. You were the team’s ray of sunshine. Even the fans saw you that way. You were the one that gave everyone hope. Always knowing how to help lift your teammates up when they were feeling low, especially after a loss of an important match. You never wanted anyone to feel the way you felt now, the way you had always felt. Which is why you continued to put that weight on yourself.

Though being the team’s source of positivity and hope was exhausting. You were getting tired and felt that no one noticed how broken you had become on the inside. Slowly becoming a shell of who you once were, but you would try your best to never let anyone see. Especially not let your teammates see. You were good at that. At never letting anyone in enough for them to see how much pain you suppress each day. No one had to see how much you tear yourself apart just to be enough. To be enough for them, enough for a friendship you saw them all have with each other.

Friendships were hard, you weren’t funny or interesting enough to keep anyone around for long. Your insecurities were always eating you alive. You found comfort in the coldness of the night more often than you would’ve liked to admit. Your midnight rooftop escapes were becoming more frequent, less time spent in bed and less time spent sleeping. It gives you more time to reflect. Typically hyperfocusing and reflecting on the way each individual group within the team interacted with each other. Always wishing you were enough to have a friendship that they all seemed to have with each other. Sometimes it felt like you were an outsider looking in.

It’s how it always went. You tried to put your all, your entire heart, into friendships and trying to keep connections with others. But it was all so exhausting and tiring. Past experiences constantly kept tainting any new opportunities. People in your past thought it was easier to constantly fumble and drop your heart, letting it shatter into tiny pieces leaving you to try to put it back together before the next person came along to do the exact same. You were used to the cycle, it had happened growing up within your family home life, within your last club, it was exhausting. It left you feeling constantly broken and empty and thinking that maybe you just weren’t deserving of a deeper friendship. Part of you likes to believe that you are deserving but lately it has been harder and harder to believe in that. It has become harder and harder to believe that if you stuck around long enough that things would change, that you would find what you were yearning for. But at the end of the day, who would want someone like you in their life?

Maybe you overthink too much, perhaps you let your mind have too much free range that it makes you believe these awful thoughts. That it makes you believe no one enjoys your company and that everyone would be better off without you. You didn’t know how to control them once they started. Your mind just taking you through each one of your teammates, showing you they were fine without you, better off without you in their lives.

Though your mind would happily let you forget and not notice how much everyone in the team cared for you. How they had started to notice that you were slowly fading away. You never saw the hushed whispers and how the group conversations had started to slowly shift into others voicing their worries and concerns for you. You were always so lost in your mind during these episodes that you missed the way you gained extra attention from Leah. Leah was always quite attentive and never failed to notice changes in you.

Finally feeling the chill of the air, you blew heat into your hands rubbing them together. Leaning against the edge you looked down. The thoughts to end everything then and there easily slipped into your mind. It was high enough that it would be a definite permanent action, but you could never bring yourself to follow through. Though tonight, everything telling you to follow through with your thoughts were louder than they had ever been. Closing your eyes, you inhaled deeply. The cold air burning your lungs. The burning feeling you had become used to the more you spent out at nights. Somehow your body could feel numb and on fire at the same time. Perhaps it was just your anxiety but you would never admit to that. Admitting to your feelings is acknowledging that they’re there and that there’s a problem you had to fix. You’d rather pretend.

Looking down once more you were reminded of the one constant you had in your life. The one person who made you feel everything, the one that could make you believe life was worth living. Leah. Were you selfish for feeling this way when you had someone who would give you the world, who would give you everything she had? You felt selfish, that’s for sure. Leah was always enough for you, but there was that one part of you that wanted a friendship so similar to the friendship Leah provided for you before your relationship turned into something more than friends. Thinking about Leah gave you a semblance of hope. A continued faith that you’ll be okay in the long term, a reminder that right now was a short term feeling.

Turning away from the edge and the sidewalk that was calling your name, you decided to go back to the warmth of your apartment and the person who was currently occupying one side of your bed. Rubbing your arms, trying to defrost a little before climbing in beside Leah. You didn’t want to share the coldness that plagued your body when all she ever offered you was warmth, both physically and mentally. Leah looked peaceful while she slept, you smiled. It wasn’t big but it was real. Your smile around Leah was always real, no matter how small. You love Leah, and if you couldn’t live for yourself you would do it all for her. Eventually you would be able to do it for yourself, but anything that helped keep you here, keep you alive was enough until you could manage to want it for yourself.

Leah knew how much you were trying. She saw the pain in your eyes, she knew you well enough to be able to see right through you. You never liked to keep things from Leah, but you could never find the right words to tell her so you silently hoped she could see. Leah knew you went up to the rooftop most nights, but she also knew you were strong enough to pull yourself away and back into her arms when you needed it. She had followed you up to the rooftop, curious to see where you had been spending your nights. She watched from afar, worried since you were too close to the edge for her liking. But then she saw the way you were able to take yourself away from the edge and back down.

Leah watched from afar for a little while. Every single time you came back down to bed Leah would give you endless amounts of love and support. Whispering words of encouragement and praise that you didn’t think you needed to hear. Leah trusts that you would come to her if your thoughts ever got too much. And as much as you wouldn’t want to burden her, you also know deep down you would seek her out instead of following over the edge of the rooftop.

Every time she was thankful to see you walk back through the doors to your apartment, to your room, even if you hardly slept she knew you were safe. Knowing that you wouldn’t accept the help from anyone if they offered it outright, Leah would help you in other ways. Subtle ways that you hadn’t completely noticed yet. Leah would make sure all the laundry was done, folded and put away. She watered all the plants you had forgotten about so they wouldn’t die and when you left this episode you wouldn’t feel bad for neglecting your babies. Leah would give you a routine that you followed each day so you didn’t have to use up the energy you needed to use to fight on something mundane, on something Leah could do for you.

She wanted you to be able to give your all into this fight, one she knew you would be doing on and off for the rest of your life. But if it meant having you around then she would do whatever it took. Leah knew you were capable of taking care of yourself but she also knows how hard it can be to get up and fight to live every day. Leah was proud of you for continuing to get through every day.

Leah smiled when she woke up to you climbing into bed, before dawn she noticed which was a new record for you lately. Instantly Leah was in your embrace, the smile on her face just from your presence lulled the screaming thoughts enough for you to believe you could have some sense of sleep.

‘I hope it wasn’t too cold out there tonight,’ Leah’s voice was low and raspy, a mix of trying to not be too loud with it being so late in the night along with having just woken up, ‘Wouldn’t want you to catch a cold baby,’ Leaning down you placed a kiss on the top of her head, her thoughtfulness was comforting.

‘You don’t have to worry about me Le,’ You felt her body suddenly stiffen at your words, tending to overanalyse your words and thinking the worst, ‘You’re stuck with me forever babe,’ A small chuckle left your lips and Leah started to relax again in your arms. Maybe you weren’t a problem in people’s lives, maybe you needed better judgement on who to give your heart to. Giving your heart to Leah was easy, you know she’ll keep it safe. Romance always comes easily to you. Giving your heart to a friend was where you struggled. But now wasn’t the time to lose yourself again.

‘Never forget you have a place in this world. You’re special, important and loved,’ Leah always knew what to say and when to say it. It was like she could read your mind, which at times scared you, ‘I love you,’

‘I love you too, Le,’ Holding her close gave you hope that one day you could feel whole again, ‘Now, my love, you need to sleep,’ Even though she was in and out of sleep you could still cause a faint blush to spread across her face just from your words.

‘Only if you sleep,’ Before Leah knew it she had fallen back to sleep. Watching Leah sleep, you like to believe her peaceful aura would send you to sleep and that it wasn’t you falling asleep from pure exhaustion. Your fight was far from over, you were only just beginning but she gave you the strength you needed each day to make progress. Always reminding you on days you made no progress that waking up and living was progress enough. Making it through each day, no matter what, was enough. You were enough for Leah. You were enough for everyone else around you. You just had to believe to be enough for yourself.

#leah williamson #leah williamson x you #awfc #arsenal women #arsenal wfc #leah williamson x reader #leah williamson imagine #woso one shot #woso imagine #woso fanfics #woso community #woso x reader #woso #womens football #awfc x reader #awfc imagine

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