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cheriecelestial · 2 months

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Batboys as Desi Films

𝐃𝐢𝐜𝐤 𝐆𝐫𝐚𝐲𝐬𝐨𝐧

Dilwale Dulhania Le Jayenge (1995)

Raj and Simran meet during a trip across Europe and end up getting stranded in the middle of nowhere after they miss their train. Despite their initial clashing, they fall in love. However, Simran’s traditional father has arranged her marriage elsewhere. Raj must win over Simran’s family to marry her, leading to a series of heartfelt moments, comedic misunderstandings, and ultimately, a dramatic climax where love conquers all as the couple fights for their happiness against societal norms.

Dick is so raj coded with his quips and charisma. Their chaotic banter and chemistry is off the charts. Any Indian who hasn’t watched this gets their desi card revoked immediately, I don’t make the rules. This movies fits Dick’s dramatic flair perfectly.

𝐉𝐚𝐬𝐨𝐧 𝐓𝐨𝐝𝐝

Goliyon ki Raasleela Ram-Leela (2013)

The modern adaptation of William Shakespeare’s “Romeo and Juliet,” set in rural Gujarat, India. It follows the love story of Ram, from the Rajadi clan and Leela, from the Sanera clan, who belong to rival gangster clans engaged in a long-standing feud. Despite the enmity between their families, Ram and Leela fall deeply in love, leading to a tragic and tumultuous journey filled with passion, violence, and sacrifice.

It fits Jason’s love for guns and classics. An absolute visual treat with cinematography and all the songs are absolute bangers.

𝐓𝐢𝐦 𝐃𝐫𝐚𝐤𝐞

Jab We Met (2007)

Aditya, a heartbroken business tycoon, someone who was dwelling in the lowest ebb of his life and was almost on the brink of giving it all up, aimlessly boards a train to escape his depressing life. On his journey he meets Geet, a talkative and vivacious young woman. Geet is on her way to meet her boyfriend, but her plans go awry, and she ends up stranded. Aditya, feeling sorry for her, decides to help her get to her destination safely. Along the way, they encounter various adventures and challenges that bring them closer together. Despite their contrasting personalities, they develop a deep connection. However, when they part ways, Aditya realizes his love for Geet and sets out to find her. In the end, they reunite, realizing they are meant to be together.

Grumpy x sunshine. The OG green flag. Epitome of ‘if he wanted to,he would’. Makes my chatterbox heart happy because of how much I relate to the FL. Favourite comfort movie of all time. ML kinda looks like Cillian Murphy’s scarecrow. “I like you a lot but that is my problem, you don’t need to worry about it.” Their fights and his little sassy comebacks and rants were so cute and fun to watch.

𝐃𝐚𝐦𝐢𝐚𝐧 𝐖𝐚𝐲𝐧𝐞

Jodhaa Akbar (2003)

The Mughal emperor Akbar, seeking to forge political alliances, marries Jodhaa, a Rajput princess. Initially a marriage of convenience, their relationship evolves as they learn to respect and love each other. Jodhaa struggles to adapt to Mughal customs, especially with their cultural and religious differences but her courage and integrity win Akbar's admiration. Despite conspiracies and opposition, including from Akbar's own court, their love prevails. The film explores the transformation of a young ruler, initially groomed for ruthlessness by his mentor Bairam Khan, into a wise and compassionate emperor who values mercy, diplomacy, religious harmony and cultural acceptance. Akbar's realization of the importance of religious tolerance, showcased through his abolition of discriminatory policies and his respect for all faiths.

The arranged marriage tag and the ‘raised as a weapon but softens and shows more compassion out of respect and love for his empress’ tag fits demonhead!Damian so much. The way he said mashallah after he pulled off her veil in the middle of a sword fight >>>>. I love how it captures the essence of India’s rich heritage and diversity. “Why seek paradise ? It is before me now.”

𝐁𝐫𝐮𝐜𝐞 𝐖𝐚𝐲𝐧𝐞

Khoobsurat (2014)

Milli, a free-spirited and eccentric young woman becomes the physiotherapist for a royal family. She brings her lively yet clumsy personality into the conservative royal household, shaking up their structured lives. It clashes with the formal atmosphere of the palace, especially with the stern matriarch, Nirmala Devi. Despite initial resistance, Milli's unconventional methods bring joy and laughter into the lives of the family members, including the brooding prince, Vikram. As Milli navigates the challenges of fitting into the royal household, she also finds herself falling in love with Vikram, leading to a series of comedic and heartwarming moments.

Very cliched (well it is a Disney film) and the second hand embarrassment is unreal but sometimes after a long day all you need is a feel-good cheesy rom-com. Oh to sit next to Fawad Khan in a red convertible while gazing lovingly at him. I like how she emphasises on improving the patient’s mental health to help him heal. Incase you haven’t noticed already, cold brooding™️ x silly goose is my favourite character dynamic.

𝐀/𝐍 - I’ll be honest with y’all, this was to satiate my desire of writing x desi! reader cuz I don’t have enough motivation or time to do it T^T

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thatdammchickennugget · 2 months

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how about slytherin boys tarot headcanons? like a reading for each of them?

thanks for requesting!! I have to admit I don't know a lot about tarot, so I decided to do some reseach and assigned them each one card, hope that's okay, also they are pretty short, sorry 💕including Matty, Theo, Enzo, Blaise, Draco, Pansy and Tom.

The Slytherin Boys as tarot cards headcanons

Mattheo - The Emperor;

♢ Mattheo's presence commands respect, much like the Emperor card in the tarot deck, representing authority, stability, and control. His demeanor is often cool and calculated, with a strategic mind that is always several steps ahead of his peers.

♢ Mattheo's ambition knows no bounds, and he will stop at nothing to achieve his goals, even if it means playing a ruthless game of manipulation and power politics.

Theo - The Hermit;

♢ Theo is a solitary figure, often found lost in thought or quietly observing the world around him, much like the Hermit card in the tarot deck. He is introspective and deeply philosophical, seeking wisdom and understanding in the solitude of his own mind.

♢ Theo's intellect is sharp, and his insights are often profound, though he keeps them close to his chest, revealing them only to those he trusts implicitly. Despite his preference for solitude, Theodore is a loyal friend to those who earn his trust, offering guidance and support when it is needed most.

Enzo - The Magician;

♢ Enzo possesses a natural charm and charisma that draws people to him, much like the Magician card in the tarot deck. He's resourceful, adaptable, and has a knack for turning his ideas into reality. Whether he's casting spells or weaving intricate schemes, Lorenzo embodies the transformative energy of the Magician.

♢ Enzo is a quick thinker, always ready with a clever solution to any problem that arises. However, beneath his charming exterior lies a cunning mind capable of weaving intricate webs of deceit and manipulation if needed.

Blaise - The Lovers;

♢ Blaise is a creature of passion and desire, much like the figures in the Lovers card in the tarot deck, representing attraction, intimacy, and choice. He exudes an aura of sensuality and charm, drawing others to him like moths to a flame.

♢ Blaise is a romantic at heart, prone to falling deeply and passionately in love with those who capture his attention. However, his affections can be fickle, and he is not afraid to pursue his desires with reckless abandon, regardless of the consequences. Despite his hedonistic tendencies, Blaise's loyalty to those he cares about runs deep, making him a fiercely protective friend and ally.

Draco - The Tower;

♢ Draco's life is a series of upheavals and dramatic changes, much like the Tower card in the tarot deck, representing chaos, destruction, and revelation. He is constantly grappling with the expectations placed upon him by his family and society, struggling to find his place in a world that seems determined to tear him down.

♢ Despite his privileged upbringing, Draco is plagued by feelings of insecurity and self-doubt, constantly seeking validation from those around him. His journey is one of transformation and self-discovery, as he navigates the turbulent waters of adolescence and learns to forge his own path in a world torn apart by war and conflict.

Pansy - The Empress;

♢ Pansy embodies the qualities of the Empress card in the tarot deck, representing nurturing, abundance, and fertility. She is fiercely protective of her loved ones, with a maternal instinct that runs deep. Pansy is often the glue that holds her friend group together, offering comfort and support in times of need.

♢ Despite her sometimes brash exterior, Pansy has a heart of gold, and her loyalty to those she cares about knows no bounds. She is a natural leader, with a magnetic charisma that draws others to her side, making her a beloved figure in the social circles of Hogwarts.

Tom - The Devil;

♢ Tom is a master of manipulation and deception, much like the Devil card in the tarot deck, representing bondage, materialism, and destructive impulses. He is charming and charismatic, with a magnetic presence that draws others into his orbit. However, beneath his charming facade lies a darkness that is as alluring as it is terrifying.

♢ Tom is driven by a desire for power and control, willing to do whatever it takes to achieve his goals, regardless of the cost. His influence is far-reaching, with a network of followers who are willing to blindly follow him down the darkest of paths. Tom's legacy is one of fear and destruction, leaving a trail of chaos in his wake as he seeks to reshape the world in his image.

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commonblackbirdxx · 1 month

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Heya, Written by the victors is back for chapter 2.

Crossover between httyd and rotg.

Pairings: Hijack, Hiccstrid (past)

Alternate History for httyd where the dragons did not go into hiding and that dragons coexist with humans in modern society. The guardians of childhood need to seek out a group of elusive autumn spirits to gain information on Pitch and his allies.

Chapter 2 summary:

Jack and the other guardians try to make sense of Man in Moon's message.

While a certain someone reads a news article about themselves.

1,000 years of history: Emperor Hiksti Hræðilegt Haddock III under the lens of modern pop culture

Roughly 1000 after his death, Emperor HIksti Hræðilegt Haddock III remains one of the most relevant and influential figures of history. From being the social pariah of his tribe to becoming an emperor, his story had captured the hearts and imagination of countless people.

With Nowflix announcement of creating a live-action series about the emperor and his dragon riders. The Daily NIghtfury recount how pop culture portrayed the emperor Hiksti Haddock III in the last 300 years.

How to train your dragon series (1704) by Cressida Howell

300 years later, Cressida Howell’s ‘How to train your dragon’ is still influential in how pop culture view the emperor. As one of the more popular children’s books in the North and South America, it ignited an interest about the life of the late Hiksti Haddock III.

Charming, dutiful, sarcastic and slightly awkward. The Hiskti Haddock III from ‘How to train your dragon’ (1704) by Cressida Howell is an adventurer and an engineer who wanted to explore the world and just happened to be a very endearing character. Originally released in America as a children’s book, it was a breath of fresh air compared to the gritty portrayals of the emperor in a serious and dramatic historical novel of Europe in the late 1600’s and early 1700s. It was released in Europe 5 years after its American release with mixed reviews from European critics. Though a century later, Europe have warmed up to the slightly whimsical portrayal of the emperor.

Where no one goes (1806) by Richard Broom

Introduced in 1856 to a polarising audience, it goes against the common depiction of Emperor Hiksti as a charismatic military commander in a dramatic historical novel full of glory of the war. ‘Where no one goes’ simply portrays King Hiksti III as a man in his 30s and so full of melancholy, unlike the popular novels which focused more during his youth and great battles he fought and less about his older self during the time of peace. Battle hardened and weary, ‘where no one goes’ depicts the brutally of war as the now adult King Hiksti recounts his youth. Of sleepless days where he dreams of enemy soldiers who burned to death by dragon fire, his question of morality as he builds another weapon of destruction and in the end of the novel ends with the emperor longing for the simpler times of his youth.

Highland seas series (1989) by Rachel Brook

Derided by the critics as a shallow bodice ripper novel, nonetheless it managed to have a dedicated readers to become a series. Set in an alternate universe where Hiksti Haddock III did not become a king and instead became a runaway before the final test against the monstrous nightmare, he finally become an adventurer he was meant to be. Readers have bemoaned the lost potential of the novel, setting aside the wonderful worldbuilding from the first chapters to focus on romance and softcore porn.

The Great King (2007) by Hiksti Blackwood

‘The Great King’ by Hiksti Blackwood took Emperor Hiksti’s steady image and shook it to its core. It’s a historical novel about Emperor Hiksti Haddock III but also works as a study on childhood and coming of age in medieval society, child marriages and traumas of war.

#how to train your dragon #httyd #frostcup #hiccup haddock #hiccup x jack #hijack #jack frost #my fic #written by the victors

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aeonmagnus · 8 months

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Transformers Dramatic Capture Series Nemesis Bridge - Shockwave, Megatron and Soundwave

This set consists of several special Premium redecos of WFC figure plus some extra accessories: • Siege Shockwave – Without his armor parts and with a cartoon-accurate clean deco. • Earthrise Megatron – New cartoon-accurate clean deco. • War For Cybertron Netflix Soundwave – The new Premium deco seems to have covered all gray parts with silver paint. He comes with Laserbeak. • Megatron’s throne – The same accessory included with Studio Series Leader Class Starscream.

We'll skip over the fact this never happened, since Shockwave was never on the bridge of the Nemesis. But here's a way to get clean versions of figures which include the limited Netflix cassette-deck retool of Soundwave.

#Transformers #Dramatic Capture #G1 #The Transformers #Soundwave #Laserbeak #Shockwave #Megatron #Transformers: War for Cybertron

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mmdisney200 · 1 year

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New Collector doll from Mattel 😈 Maleficent: Darkness Descends Series $150 Available April 28, 2023 9am PT on @mattelcreations site!

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Since the 1959 classic movie Disney's Sleeping Beauty, Disney’s Maleficent has become one of their most wickedly loved Villains. This special collector edition captures her dramatic change from fiendish fairy into a fearless fire-breathing dragon. With majestic dragon wings and green flames engulfing her scaly black and purple gown, Maleficent is depicted in mid-transformation — and Prince Phillip would do well to heed her warning. Maleficent will not go down without a fiery fight.

•Disney Collector DARKNESS DESCENDS SERIES™ v Doll

•Charmeuse sleeves cut like flame edges with rising ombre flame print

•Layered chiffon in transitioning green tones with flame edges also gives an ombre effect

•Dragon scale embossing on purple vinyl dress

•Iridescent wings with wash finish bring out dragon scale details

•Fade-to-green transparent effect on her legs represents her being engulfed by flames

•Luminous green dragon-claw heels accentuate her transformation

•Comes with her staff and her beloved crow turned to stone

Limit two (2) per person.

#disney #disneygram #instadisney #Mattel #Mattel creations #Disney doll #maleficent #sleeping beauty #Disney collector dolls

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poeedamerons · 7 months

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I anticipated it, and despite my futile hopes, it happened. One of the most masterfully written books on World War II was transformed into an overly dramatic series lacking any complexity, glorifying a Nazi as our heroic figure. If you can't grasp how messed up these changes are, then just get out.

This wasn't an adaptation; it was a complete distortion of the original story. Having read the book, it's infuriating to witness the show's blatant disregard for the profound moments that reveal the humanity in people, the major moral dilemmas, and the portrayal of Werner as inherently good, wiping away all shades of his moral complexity. He's essentially an entirely different character, suggesting a world where individuals are either inherently virtuous or irredeemably evil, with no middle ground. Werner's numerous transgressions are trivialized and never brought to light, leaving his path to redemption woefully incomplete. His character portrayal is utterly disjointed.

And Marie... she was as unremarkable as the color beige. It's not just about her acting skills (acknowledging she's a newcomer), but her entire character lacked any memorable impact.

Werner is a brilliantly written character who evokes our sympathy, as he was just a small grain of sand on a vast beach. Even though he had little control over his circumstances, he was still a part of the bigger picture. His most redeeming moment came when he helped Marie, making his eventual death in the book all the more heart-wrenching. He found a glimmer of light within himself, only to meet a tragic end, while someone like Volkheimer, who way less deserving, survives and grows old. The injustice of this situation was painfully evident. However, all of this depth and complexity is missing in the show. It's like it never existed.

Moreover, the absence of Frederik, who represents the greatest source of light and humanity in this book, is a significant loss. Frederik played a crucial role in Werner's personal growth. He is also an element of resistance, and his absence robs the story of an important element.

A major oversight was aging the characters in the adaptation. Portraying them as children would have underscored the loss of their innocence and the cruel theft of their youth and early adulthood by the ravages of war. It could have highlighted the extent of their suffering during that time, a reality that is frequently disregarded. War spares no one and the book is brutal about it.

The alterations in the storyline didn't align with the original narrative and it was disservice. The portrayal of the scene where Werner fixes the radio was entirely inaccurate. Moreover, all the German adult characters were depicted as cartoonish embodiments of evil – there were no layers of complexity. In the book, they were initially amiable towards Werner, but their behavior changed not because they are some cartoonish evils, but due to the complexity of human nature. They were kind to Werner because they wanted something from him, and once their purpose was served, the pretense disappeared, as Werner comes to realize.

The show completely mishandles the chronology, revealing crucial details about the Battle of Saint Malo without delving into the complexity of why the characters are the way they are or how they arrived at their current situations. The portrayal comes across as overly simplistic and lacking the depth present in the book, as if the producers attempted to compensate for this by sprinkling a handful of meaningful quotes, hoping to capture the essence of the profound analysis found within the book.

The decision to have the characters speak English with their national accents was distracting and bordered on being caricature-like. While I understand the desire to appeal to an American audience, it seems questionable whether the series would even be marketable there. Aside from the general American taste for hero-focused war movies and the presence of Mark Ruffalo, there seems to be little appeal for the American audience. Presenting a Nazi character as a hero would likely not sit well with viewers. It might have been more effective for the show to cast German or French actors and have them speak their respective languages, which could have added at least layer of authenticity to the series.

To be honest, I could continue to elaborate on how this show tells an entirely different story. With the characters aged and Werner surviving the Battle of Saint Malo, the essence of the narrative undergoes a significant shift. Overall, the series fails to capture the poignant essences of the book, offering viewers a simplified and emotionally detached rendition of what was originally a profound narrative.

Apart from the fact that not all Nazis enjoyed being Nazis, I’m not sure what we’re supposed to take away from this series… even the significance behind the title of the book seems to have been overlooked and might not be understood by the audience.

Honestly... this was four hours too long.

#all the light we cannot see #spoilers

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psshaw · 1 year

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WE’RE LIVING in an era of cultural dopes.

A cultural dope is someone like me or you, a consumer of culture or a “creative content provider” (through social media aren’t we all these days) who produces, or consumes, the preexisting cultural artifacts of the dominant political economy while functioning under the illusion that what they are creating or consuming — a TV series, a song, a novel, etc. — is “new.”

The pathway to becoming cultural dopes runs from Virginia Woolf to the Frankfurt School to Fredric Jameson, among others.

Woolf placed the commencement of the transformation of human consciousness at the turn of the 20th century with what we call modernism. In “Mr. Bennett and Mrs. Brown,” she wrote that “on or about December 1910 human character changed.” The modernist enterprise, of which she was a part, was attuned to the goals of the Enlightenment, functioned under the belief that there was a real “reality” out there and real “subjects” (in fiction, for example, one could capture and narrativize both consciousness and the subconscious), and presumed this reality could be revealed through art and reason.

In the three decades after Woolf penned her essay, the world changed dramatically. The capacity of capital production increased exponentially, and an unprecedented quantity of mass culture began to be manufactured. In The Culture Industry: Enlightenment as Mass Deception, Theodor W. Adorno and Max Horkheimer, two of the leading members of the Frankfurt School, observed that the sense of freedom that the arts engendered had been overtaken by the commodity economy. To them, art had become “a species of commodity, worked up and adapted to industrial production, saleable and exchangeable.”

Overwhelmed by the mass production of culture, the avant-garde was unable to carry out its function, which was to provide “a critical perspective on the everyday workings of ideology from a relatively autonomous, alienated position.” Ultimately, the avant-garde and its “spirit of contestation” couldn’t maintain its autonomous position and stay ahead of mass culture (…)

Postmodernism involved a decisive break with previous hierarchies and hegemonies of aesthetics and culture; it also completed the erasure of the demarcation between high culture and mass culture. “One of the most significant features or practices in postmodernism today is pastiche,” Fredric Jameson noted, in his 1982 essay Postmodernism and Consumer Society. He went on to say that artists no longer quote texts “as a Joyce might have done, or a Mahler; they incorporate them, to the point where the line between high-art and commercial forms seems increasingly difficult to draw.”

Today, we are living in hauntological times: a stagnant period in which the past is being plundered and it seems impossible that the future will ever arrive. We’ve stopped moving forward dialectically. We’re deluded into thinking the culture is advancing and not endlessly eddying — that something is happening — because the media, in all its myriad manifestations, relentlessly presents us with something “new.”

#interesting

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precuredaily · 5 months

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Precure Day 239

Episode: Yes! Precure 5 Go Go! 40 - “Take Back Urara's Singing Voice!" Date watched: 7 January 2024 Original air date: 23 November 2008 Screenshots Precure Metamorphose Gallery | Sky Rose Translate Gallery Project info and master list of posts

dramatic wind for effect

Urara has the chance of a lifetime to get closer to her late mother. So of course, Shibiretta conspires to prevent this. Let’s dig in!

The Plot

Urara is preparing for a very special audition: it will be the same show in the same venue as her late mother’s final performance, which left a big impact on young Urara and inspired her to become an actress in the first place. She approaches this with a rare seriousness, saying she HAS to pass. She primarily opens up to Syrup about the significance of this to her, but when she tries to sing a song, she can only cough. Suddenly, she and all the other main cast find themselves trapped under the sea, turned into mermaids and sea creatures.

At Eternal, Shibiretta was spying on Urara and concocting a plan. Anacondy visited her office and the two rivals butted heads, so Shibiretta sprang into action, sucking the girls into the story of The Little Mermaid and capturing Urara’s singing voice in a seashell. The witch offers to return Urara’s voice in exchange for the Rose Pact, and surprisingly, the girls seem to be willing to make this trade, but Urara refuses because their mission to the Cure Rose Garden is bigger than her personal life.

Nozomi convinces her that they can get the Pact back, so they give it to Shibiretta, who predictably double crosses them and refuses to return Urara’s voice. Cococtopus spews ink all over her, and Syrup grabs both the Rose Pact and the seashell with Urara’s voice in the commotion. Then Precure and Milky Rose transform, losing their mermaid tails.

In the course of the battle, Shibiretta tries to steal back the pact by attacking Syrup with the Stingray Hoshiina’s tail. He drops the seashell, nearly losing Urara’s voice, but Coco and Nuts manage to save it. Cure Lemonade then uses Prism Chain to grab the Hoshiina and swing it around before throwing it into the cliff face, and the team finishes it off with Rainbow Rose Explosion. Shibiretta flees and the story world fades away.

Urara performs her song “Twintail Magic” for her audition. Washio later shows up at Natts House to deliver the results. He looks sad at first, but then reveals she passed the audition and got the part.

Urara talks to Syrup alone and redeems the free ride coupon he gave her in episode 18. While flying, he says that the open sky feels nice, and admits that he may have experienced this sensation before…

The Analysis

What I Liked

It’s an alright episode. I enjoyed Urara’s strong determination, watching her work for her dream, because of the personal significance to her.

On the other hand, Urara’s unwavering willingness to sacrifice her personal dream for the greater good is very powerful and mature, it shows that she understands the big picture.

Urara has several flashbacks to recount her journey up to this point, including her singing debut at the mall. I also appreciate the payoff to the free ride pass she got in episode 18.

Urara and Syrup continue to develop a unique closeness. They’re a common shipping couple, though I think they come in last place behind the other three major ships of the series (Nozomi/Coco, Komachi/Nuts, and Karen/Kurumi) and their bond is still portrayed as very platonic, with no romantic signifiers.

While I am not advocating for it, it is a good thing that the Precure series features topics such as absentee parents or even deceased parents sometimes, and how the characters are affected and shaped by it.

The underwater forms for the mascots are funny. Coco becomes an octopus, Nuts is a pufferfish, and Syrup is a sea turtle.

What I Didn’t Like

I know that I said in episode 38 that I appreciated Shibiretta as a villain for the originality of the fairy tale worlds, and that’s true here to an extent, but it still has the problem of the writers and characters not taking full advantage of the setting. The girls are only mermaids for a few minutes and they don’t do anything as mermaids they couldn’t have done as humans. They don’t have to figure out how to swim with fish tails, they don't meet any other mermaids, there’s nothing to it. Yes, Shibiretta taking Urara’s singing voice is a parallel to the original story, and she spells that out explicitly for the younger audience members that may not be familiar with the story, but they don’t need to be mermaids for that. The only advantage of her storybook world is that the girls are stck there until they defeat her.

When the girls transform, they stop being mermaids, which seems like a real missed opportunity in my opinion.

The girls’ mermaid outfits are all identical patterned dresses, just colored in their respective theme color.I wish they’d been more unique. They didn’t have to be in seashell bras, they could have even been in their normal civilian clothes. It arguably would have been less work when making their control sheets to draw their usual tops and then have mermaid tails instead of legs, than redesigning them all in the aquatic dresses they had.

Yes this is petty, but I wish they had used a vocal-only version of Urara’s song for her audition scene. I know they want to get people to buy the single, but it breaks the world a little bit that she starts singing a song with a backing track in a room where she clearly doesn’t have a boombox or anything to sing along to.

Miscellaneous

The story of The Little Mermaid involves a mermaid who makes a deal with a sea witch to become a human, in exchange for her voice. At the end of the story she dies and turns into sea foam, but because of her good deeds she earns a soul and makes it into heaven. Obviously the 1989 Disney movie is the most famous adaptation, which deviates significantly from the story in the last act. It also got a live action remake last year, which I have not seen. However there are numerous other adaptations of the story, varying in their faithfulness to the narrative.

The only elements kept in this episode are the undersea setting, the presence of mermaids, a sea witch, and one mermaid (Urara) losing her voice, though here it’s only her singing voice and not her entire voice.

This is the first appearance of Washio, Urara’s manager, in a while.

We see Kurumi in mermaid form during her pre-transformation stock footage. None of the others get this luxury.

This is the first time the concept of Precures and mermaids are mixed. It will not be the last. I think there’s more episodes where the precures are trend into mermaids somehow, and then of course there is the mermaid-themed Cure Mermaid in Go Princess, and then finally an actual mermaid becomes a Precure in Tropical-Rouge.

I didn’t mention this in the plot recap, but at one point Nozomi gives Urara a bead bracelet that Rin made, and Urara is still seen wearing it and clutching it tightly for encouragement during her audition. So it’s a nice little nod there, and also a casual reminder that the bead maker exists. We’ll get another reminder of that next time.

There is an animation error when Urara’s mermaid form is shown off in full: the bottom of her tail cuts off above the bottom of the frame, leaving a gap.

Milk does not appear in her fairy form in this episode.

Conclusion

It’s an okay episode for Urara’s story but I wish she had been given more time to do her thing. I also wanted more in the setting of The Little Mermaid. The episode tried to do a few too many things but didn’t make the most of its ideas.

Next time, on Precure Daily: Rin has to contemplate the true nature of accessories and why people choose to wear them, and also maybe go on a date with Mucardia!? Look forward to it!

Pink Precure Catchphrase Count: 0 kettei

#Precure #Pretty Cure #Yes! Precure 5 Go Go!#YPC5GG40 #PCD239

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steampunkforever · 6 months

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Miami Vice (the 80s television show) was for 1980s pop music what Reagan-deregulated children's TV was for Mattel and Hasbro toys. Just as every Transformers of My Little Pony episode was constructed around a marketable children's toy, any given episode of Miami Vice would contain a segment featuring Crockett and Tubbs (delightful 80s detective names) that would effectively act as a mini music video within the episode. MTV was en vogue, and frankly 3-5 minutes of filler content is great for keeping your plots tight while meeting time limits. Plus, they're vibey.

Of course music has a much more impactful role in art than the latest GI Joe action figure release, but the point remains that Miami Vice was not a surprising pick for the cash grab feature length adaptations of 70s and 80s TV shows. The real surprise came when the 2006 Miami Vice movie actually ended up being good.

I'll attribute most of this to the fact that Miami Vice was directed by Micheal Mann, who not only directed landmark crime movies like Heat and Thief, but also produced the original TV series and therefore understood the soul of what Miami Vice is: about the vibes.

Jamie Fox aggressively talking into a flip phone. Twin-hull speed boat races. Colin Farrell with a mustache and mullet brooding into the sunset as his Banana Republic button down flaps in the wind. Ferraris, Cadillacs, Bentleys, cop cars, and Private jets. Police standoffs in shipyards. Nightclub stakeouts. FBI agents leaking intel. Beachfront mansions. It's all vibes, all the time. This is truly faithful to the formula. You could tell me this was an unproduced two part episode and I'd believe you.

Except this is 2006. The Ferrari is a 360, not a Testarossa. The Cadillacs are Escalades. The Bentley is now being manufactured by the VW group. The vibes are there, but the music is Linkin Park and Jay Z doing Numb/Encore, not Phil Collins doing In the Air Tonight. Driving fast cross country isn't the Cannonball Run anymore, it's the Gumball 3000. The drug war still rages, but now we face the consequences of past Iran-Contra mistakes. The real constants throughout are rich people doing drugs and immaculate vibes.

And they're spectacular. The whole thing is shot on Sony digital, done in a documentary style that screams the 2006 Paris Hilton trashy rich, not 1986 Grace Jones flashy rich, yet it captures the tone and soul of the arpeggiating synth and drum machine-soaked TV show even while replacing Dire Straights with Moby and Audioslave.

This is the difference between Miami Vice and other TV adaptations of the same era. Starsky and Hutch or 21 Jump Street leaned into comedy, while Charlie's Angels or The A-Team focused more on campiness to support their premises in the modern day.

Miami Vice does none of this, instead focusing on earnestness and pure vibes to produce a solid thriller full of cars, crime, and dramatic sequences of men staring into the sunset.

#filmposting #miami vice #miami vice (2006)#film #micheal mann

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jayzfortx · 16 days

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Remember that time? || Panville

A/N- I've decided to embark on a series of short drabbles centered on non-canon ships, such as Panville, Fremione, Harmione, and Druna. However, my main focus will be on Panville/Fremione. These drabbles will each have a specific theme. For example, in 'Remember when?', we'll take a trip down memory lane with Pansy and Neville, tracing their journey throughout the years. As for Fred and Hermione, I'm contemplating a similar approach. Perhaps we'll witness them navigating the complexities of married life, with Fred as the proprietor of a joke shop and Hermione serving as the Minister of Magic. Also, the pictures I have used, are not mine. Credits to the original artists. If at all anyone wishes for me to tag the artists, please let me know. Thank you.

Remember when we met accidentally?

Pansy observed her husband, Neville, tending to the plants in their backyard from the kitchen window. Setting aside her dishwashing duties, she abandoned the dishes and the drying cloth and made her way to the backyard greenhouse. Leaning against the door frame, she watched Neville potting a Belladonna plant with his back turned to her. It had become a habit for Pansy to twist her wedding band around her finger, a silent reassurance that despite the trials they faced after the war, everything had turned out alright. She had transformed into a better person.

Smiling at the sight of Neville engrossed in his botanical pursuits, she decided to playfully comment, "Nice arse you've got there, Mr. Longbottom." Startled, Neville turned to her, his face flushing red. Despite his heroics during the war, Pansy loved how her remarks could still make him blush. "Why thank you, but please, keep your comments to yourself. My wife won't be too happy; she's very possessive," he replied with a chuckle.

"That I am, and perhaps you should relay that message to the young women who flirt with you every time you visit Diagon Alley," Pansy retorted matter-of-factly, earning another laugh from Neville as he wiped his hands on a rag. "I'm going to miss you, Nev," she murmured, resting her head on his chest.

"Don't worry, love. I'll only be gone for a month, and then you'll join me," Neville reassured her, pressing a kiss to the top of her head. "A month is a long time. You're choosing your Hogwarts plants over your wife. I'll remember that the next time you come asking for plant-growing potions," Pansy joked softly.

"Parkinson, who taught you to be so dramatic? Aren't you supposed to be the independent pureblood woman you were raised to be?" Neville teased, gently tucking a strand of her hair behind her ear. "Shut up, Longbottom," she replied, rising on her tiptoes to kiss him.

"Baby, Remember when we met after the war?" she asked softly, her gaze lingering on their wedding bands, which gleamed in the sunlight filtering into the greenhouse.

"Please have a seat, Pansy," Headmistress McGonagall instructed as Pansy entered her office, her mind swirling with apprehension. After clearing up the potions desk following her last class with the fourth-year Hufflepuffs and Ravenclaws, Pansy had received a summons from the Headmistress via her patronus, leaving her feeling uneasy throughout dinner. With the recent capture of ex-Death Eaters, even those who had previously been granted leniency, Pansy couldn't shake the feeling that she might be called in for questioning as well.

"May I come in?" Pansy politely knocked on the door before entering the office, where she greeted McGonagall before taking a seat opposite the headmistress.

"Pansy, I have some news that I would like to discuss with you first," McGonagall began, her tone serious. Pansy nodded, her nerves evident as she fidgeted with her nails, a habit she had developed during the war when feeling anxious.

"I hope you remember Mister Longbottom, Neville Longbottom," McGonagall began, and Pansy couldn't help but feel a pang of guilt at the mention of that name. It was a name that haunted her, stirring up memories of regret and remorse every time it crossed her path – in newspapers, in crowds, anywhere. She had often fantasized about approaching him, falling to her knees, and pleading for his forgiveness for the countless reasons that weighed heavily on her conscience – from the taunts she had subjected him to during their school years to her inability to intervene when the Carrows tortured him during the war.

"Yes, Professor," Pansy replied, her voice catching in her throat. She felt an uncomfortable lump forming, rendering her speechless as she could do little more than nod in response to McGonagall's words.

"I have decided to appoint him as the Herbology professor after the Christmas break. Pomona took immediate retirement after she broke her leg going to the greenhouses last week." The revelation that Neville would be taking on the role caught Pansy off guard. It was an unexpected twist.

"I hope you have no problem, considering you'll be colleagues with an ex-classmate," McGonagall concluded. Pansy felt a mix of emotions flood over her. On one hand, she was relieved to be spared from questioning. On the other, she was apprehensive about facing Neville, the person she owed so many apologies to. Masking her true feelings with a practiced smile, she replied in a professional tone honed from years of navigating the intricacies of pureblood society.

"Of course, it will be delightful to have a colleague with whom I've shared seven years of classes," she said, rising from her seat and exiting the room.

Fast forward to the Christmas break, with most students having returned home for the holidays, Neville had arrived and was settling in. He easily mingled with the other teachers, who quickly warmed up to him. Even the few students staying behind during the break found themselves drawn to Neville's friendly and amiable demeanor.

However, it seemed that Professor Parkinson, Head of Slytherin and Potions Master of Hogwarts, was the only one giving the new professor the cold shoulder. It wasn't intentional; she simply couldn't bring herself to approach him and pretend that the past hadn't happened.

Rumors began circulating among the sixth and seventh year girls, the ones known for their mischief, suggesting that Pansy and Neville had attempted to date in their seventh year but had a falling out. Little did they know, their seventh year was overshadowed by the war.

One day, a deep voice interrupted her thoughts, a voice that belonged to a tall, broad-shouldered, handsome man. Neville Longbottom stood in her office, a sight that caught her off guard. He exuded confidence, with his sharp jawline, disheveled sandy hair, and muscular arms straining against his rolled-up sleeves. My god, he was going to be the death of her.

"Neville—sorry, Professor Longbottom? Uh, how may I help you? Please, come in," she stammered, trying to compose herself. But facing Neville, now transformed into a confident and striking man, was proving difficult. His presence seemed to fill the room, and she found herself unable to meet his gaze.

"Sorry, Professor, I was caught off guard. How may I help you?" she continued, turning away to busy herself with potion ingredients.

"Pansy? You know there aren't any students around. You don't need to be formal. We're classmates," he remarked casually, sensing her discomfort.

"I believe formality is necessary, especially during work hours. What is it that you need?" she replied, her tone more curt than intended. Instantly, she regretted her sharpness, reminded of how she had treated him during their school years.

"Plant growth hormone enhancement potion, please," Neville requested, keeping it simple. But then he realized that his recent interactions with the Potions professor had been a bit tense, so he decided to take a chance.

"Professor, I've noticed that I've been warmly welcomed by the students and all the other professors, except you. Is there another way you'd like to welcome me? Perhaps a late-night rendezvous at the greenhouses?" he added, flashing a playful wink.

Pansy found herself at a loss for words. Was Neville Longbottom flirting with her? As much as she wanted to feel flattered, guilt consumed her. She couldn't ignore the fact that she had made his life miserable during their seven years at Hogwarts. She had been a terrible person, allowing him to be bullied and tortured. If she were in his shoes, she would never forgive herself. In fact, she might even take legal action to keep her away.

"Flirting? You have the audacity to flirt with me after everything I put you through?" Pansy burst out, her voice rising with each word. She couldn't contain the surge of emotions flooding her, the guilt, the regret, and the self-loathing.

"How can you pretend that the seven years at Hogwarts didn't happen, that I didn't make your life a living hell? I was cruel, Neville. I let you be tormented, I stood by and did nothing. If I were you, I wouldn't even want to look at me, let alone flirt!" Her words came out in a rush, fueled by years of pent-up remorse and shame.

Neville's expression softened, his eyes filled with understanding. "Pansy, that was a long time ago. We were kids, and we've both grown since then. I don't hold any grudges, and I certainly don't blame you for what happened. We've all made mistakes."

But Pansy couldn't shake off the weight of her past actions. "No, you don't understand. You were always kind, always brave, even when I didn't deserve it. I'm sorry, Neville. I'm so sorry," she whispered, her voice trembling with emotion.

Neville approached Pansy slowly, his gaze gentle as he reached out to place a reassuring hand on her shoulder. "Pansy, it's okay. We were both different people back then. We've all made mistakes, but that doesn't define who we are now."

His touch was comforting, a warmth spreading through her as she met his eyes, seeing nothing but sincerity and compassion reflected in them. "You were just as much a victim of the circumstances as I was. We were all caught up in something much bigger than ourselves," he said softly.

Pansy nodded, a sense of relief washing over her at his understanding. "Thank you, Neville. For being so understanding, for forgiving me," she murmured, her voice choked with emotion.

They sat in silence for a moment, the weight of their shared past hanging in the air between them. Then, with a tentative smile, Neville suggested, "How about we start over? Leave the past behind us and focus on the present. Friends?"

Pansy returned his smile, feeling a glimmer of hope blooming within her. "Friends," she agreed, knowing deep down that their bond would only grow stronger with time.

As they shared a brief moment of camaraderie, both Pansy and Neville couldn't help but sense the unspoken connection between them, a silent acknowledgment that perhaps, just perhaps, their journey together was far from over.

The warmth of their embrace lingered for a moment longer, enveloping them in a cocoon of shared memories and unspoken promises. But just as quickly as it had begun, their intimate moment was interrupted by the sound of three loud shrieks, echoing through the greenhouse.

Neville and Pansy turned towards the source of the noise, their children rushing towards them with boundless energy. August, their son, reached out eagerly for his mother, while Alice and Francesa clamored for their father's attention.

"Well, we had a good 15 minutes to ourselves, didn't we?" Pansy remarked with a playful grin, scooping up August into her arms as their daughters enveloped Neville in a tight embrace.

Despite the interruption, there was a sense of contentment in the air as they gathered together as a family, the love and warmth shared between them serving as a reminder of the precious moments they cherished together.

#panville #fremione #panville smut #harry potter #harry potter next generation #harryginny #marauders #hogwarts legacy #hogwarts school of witchcraft and wizardry #hogwarts oc #hogwarts houses #slytherin #gryffindor #sorting hat #albus dumbledore #minerva mcgonagall #professor snape #marriage au

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heartlandians · 21 days

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Heartland Catch UP: Get To Know Lou Fleming!

Lou Fleming, a name synonymous with the sprawling beauty of Heartland Ranch is a beacon of strength. Michelle Morgan, who has played Lou since season 1, breathes life into Lou’s complexities. More than just Amy’s older sister, Lou is the resilient pillar that holds the family together.

A Homecoming and a New Beginning

Lou’s story begins with a dramatic shift. Leaving behind the fast pace of New York City, she returns to Heartland following her mother’s tragic passing. This homecoming forces her to confront the challenge of rebuilding a fractured family. Lou’s decision to stay and support her loved ones establishes her unwavering commitment to Heartland, a commitment that becomes the cornerstone of the series.

From City Girl to Ranch Savior

Armed with her New York MBA, Lou tackles Heartland’s financial woes head-on. We witness her transformation from a city girl into a shrewd businesswoman, taking charge of the ranch and even owning Maggie’s Diner. Her unwavering determination to keep Heartland afloat becomes a beacon of hope, inspiring everyone around her.

Love, Loss, and the Strength of Family

Lou’s romantic life mirrors the resilience of the Alberta landscape – enduring turbulent winds. We see her navigate relationships with Scott Cardinal and Peter Morris, an oilman who captures her heart. Their marriage, the birth of their daughter Katie, and the adoption of Georgie are defining moments that shape Lou’s life.

A Mother’s Fierce Love

While she is certainly a hopeless romantic, Lou’s fiercest love is reserved for her daughters, Katie and Georgie. Whether it’s teaching Katie to ride or guiding Georgie through life’s challenges, maternal strength radiates from her. Her bond with Amy, a sisterhood forged in loss and unwavering love, lies at the very heart of Heartland.

Weathering the Storms

Lou’s journey isn’t without its struggles. We see her grapple with insomnia, career choices, and the delicate balance between family and ambition. However, her unwavering resilience shines through, inspiring viewers facing their own storms in life. Lou transcends the role of a character; she becomes a mirror reflecting our own struggles and triumphs.

Relationships that Define Lou

Lou’s love life in Heartland is a rollercoaster ride filled with both passion and practicality.

Scott Cardinal: A childhood connection with unspoken feelings resurfaces when Lou returns home. A stolen moment almost leads to a kiss, but their timing is never quite right. Despite a shared love for Heartland, their careers constantly pull them apart. Their on-again, off-again romance ultimately fizzles when they struggle to prioritize each other.

Peter Morris: A whirlwind elopement in Season 3’s finale sends Lou to Dubai with Peter for his job, but their happily ever after is short-lived. Peter’s demanding job creates distance, and they eventually divorce. In more recent seasons, Lou and Peter reunite to raise their daughters together on their own terms, despite the unusual arrangement.

Mitch Cutty: Mitch enters Lou’s life as a stablehand. Their connection is undeniable, but their priorities clash. Mitch’s desire for a family conflicts with Lou’s contentment with her existing daughters. Despite a business partnership with Jack and Tim, Mitch’s need for independence leads him to sell his share and build his own herd, putting him in direct competition with Heartland. Ultimately, their differing life goals force them to part ways, leaving fans hopeful for a future reconciliation.

Lou’s Daughters:

Katie Fleming-Morris: Katie (currently played by Baye McPherson) embodies Lou’s fiery spirit. From joyous moments with a tambourine to horseback adventures, Katie’s childhood on Heartland is a testament to Lou’s love. She is particularly close with her great-grandfather Jack and works at Maggie’s Diner, just like her mom did years ago.

Georgie Fleming-Morris: Adopted and cherished with fierce love, Georgie finds solace in horses. Alisha Newton’s portrayal beautifully captures Georgie’s resilience and vulnerability. Her journey from a troubled teen to a confident equestrian mirrors Lou’s own growth.

Source

#heartland #lou fleming #character recap #UP FF

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immortalconclusions · 2 years

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Thoughts on Episode 1 of Interview with the Vampire (2022)

Hi there it's me ya boy immortal_conclusions.

It's been a long ride waiting for this show to come out. When it was announced a year and a half ago, my reaction was one of joy and then trepidation. "Hope for the best, expect the worst." That moment spawned hours and days and months of what the worst (and least academically inclined, I might add) among us called "intellectual debate" in this fandom, most of which was horrifying flaming garbage that most of you know about and that I won't get into here. As someone who remained optimistic throughout that time of uncertainty and tried to uplift voices of other people of color, it's been a long road. In the past year and a half I've written boatloads of fic, made dear friendships, burned friendships with others. A few months ago, I almost stopped writing and almost quit this fandom. I'm so glad I didn't, and today proves why.

"For the first time in my life, I was seen." - Louis de Pointe du Lac, Interview with the Vampire (2022)

This episode was, in a word, perfection. It was gut wrenching, gorgeous, brutal, and devastatingly sad. The framing device was using sparingly and effectively, and the pacing was magnificent. I almost didn't breathe throughout that entire ending sequence. It was a trainwreck hurtling towards its inevitable conclusion. It was overwhelming, dramatic, heartbreaking...everything it should have always been. The amount of respect and homage to canon was more than I'd ever expected.

I am not afraid to say this: they elevated and went beyond the source material.

The way they centered Louis' very human, very real struggles was so poignant and effective. Jacob Anderson portrayed his rage and his guilt and his white-knuckled repression with virtuosity. Louis is filled with guilt over the condemnation of his brother to a world which would never accept him, his homosexuality, immorality of his exploitive profession and the way it betrays his family and his race and his history. He is a man defined by his guilt, imprisoned by lies, and damned by cowardice.

"Bless me father, for I have sinned. Grievously sinned. I'm a drunk, Lord. I am a liar. I am a thief, Lord. I profit off the miseries of other men and I do it easy. Drugs, liquor, women. I lure them in and grab what they got, Lord. I take daughters with no homes and I put 'em out on the street, Lord, and I lie to myself, saying I'm giving them a roof and food and dollar bills in their pocket, but I look in the mirror, I know what I am -- the big man in the big house stuffing cotton in my ears so I can't hear their cries. And Lord I dragged my whole family into this mess with me. I shamed my father. I failed my brother. I lost my mother and sister, and rather than fix it like a man should, Lord, I run. Like a coward. I run to the bottle, I run to the grift, I run to bad beds. I laid down with a man. I laid down with The Devil. And he has roots in me. All his spindly roots in me, and I can't think nothing anymore but his voice and his words. Please, help me!"

This really got to me. That is Louis right there. That is the unfettered essence of his character. JA's performance was magnificent. (Jacob Anderson IS Louis de Pointe du Lac and I will never see him any other way.) This passage reminded me of what a genius Anne was to create this character that nobody ever had before, a character that has captured hearts and minds since. It was mainlining Louis straight into my soul.

Suffice to say, this was more than I'd ever hoped and imagined. I can't even begin to scratch the surface on some of the themes here and how much they mean to me, because I'm overwhelmed right now. This series that I've loved and grown so attached to, adapted in such a faithful and thoughtful way. Carrying all the themes through and transforming them into something even better than the original. I have a whole new appreciation for the source material that I never had before. I am floored and no joke this has restored my fucking faith in humanity. Literally. I am not even kidding about that. We all deserve to be seen. We all deserve to have the stories that are meaningful to us told and shared and loved. Today, we won.

#interview with the vampire #iwtv #amc’s interview with the vampire #amc iwtv #vc #vampire chronicles #louis de pointe du lac #jacob anderson

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blueheartbookclub · 4 months

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"The Republic: Plato's Timeless Exploration of Justice, Politics, and the Philosopher's Quest"

"The Republic," translated by Benjamin Jowett, stands as a timeless cornerstone in the philosophical canon, an intellectual odyssey that navigates the intricate landscapes of justice, politics, and the philosopher's pursuit of truth. Penned by Plato in the 4th century BCE, this Socratic dialogue remains a foundational work in political philosophy, ethics, and metaphysics. Jowett's translation, undertaken in the 19th century, preserves the essence of Plato's probing inquiries and dialectical brilliance, allowing readers to engage with the profound ideas that continue to shape the foundations of Western thought.

Plato's magnum opus unfolds as a series of dialogues, primarily led by Socrates, engaging with various interlocutors. The central exploration revolves around the question of justice, which becomes a metaphorical vessel for the examination of the ideal state, the role of individuals within society, and the nature of knowledge itself. The allegory of the cave, the tripartite division of the soul, and the philosopher-king are just a few facets of this multifaceted work that have reverberated through the corridors of academia for centuries.

The dialogue begins with an inquiry into the nature of justice as Socrates engages with characters like Thrasymachus, Glaucon, and Adeimantus. The discourse takes a dramatic turn as Plato introduces the allegory of the cave, an enduring metaphor for the journey from ignorance to enlightenment. This vivid imagery captures the transformative power of education and the philosopher's duty to ascend from the shadows of ignorance into the illuminating realm of true knowledge.

"The Republic" also ventures into the construction of an ideal state, led by philosopher-kings who possess both intellectual acumen and a commitment to the common good. Plato's vision challenges conventional notions of governance and explores the intricacies of a society governed by wisdom rather than mere political expediency. The dialogue delves into the organization of classes, the role of education, and the philosopher's ability to perceive the ultimate Form of the Good.

Benjamin Jowett's translation captures the nuances of Plato's intricate prose while maintaining accessibility for modern readers. His careful rendering of Socratic dialogues preserves the conversational tone and intellectual rigor that characterize the original work. Jowett's translation, though dated, remains widely used and respected, emphasizing the enduring appeal and significance of "The Republic" across generations.

"The Republic" is not merely an exploration of political theory; it is a profound meditation on the human condition. Plato's insights into the nature of knowledge, the complexities of justice, and the philosopher's role in society transcend the historical and cultural contexts in which they were conceived. The work prompts readers to question the foundations of their beliefs, to examine the societal structures they inhabit, and to consider the eternal pursuit of wisdom as a guiding principle.

In conclusion, "The Republic" by Plato, in Benjamin Jowett's translation, is a philosophical masterpiece that continues to shape the intellectual landscape. Its profound inquiries into justice, governance, and the nature of reality invite readers to embark on a philosophical journey that transcends time. The enduring relevance of Plato's ideas, coupled with Jowett's insightful translation, ensures that "The Republic" remains an indispensable text for anyone seeking a deeper understanding of the complexities of human existence and the perennial quest for a just society.

Plato's "The Republic" is available in Amazon in paperback 16.99$ and hardcover 24.99$ editions.

Number of pages: 471

Language: English

Rating: 10/10

Link of the book!

Review By: King's Cat

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rockislandadultreads · 1 year

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New Title Tuesday: Graphic Novels

Land of the Dead by Brian McDonald

There is wisdom in the land of the dead, for it is the place that all stories lay to rest. And what is a story, if not a simulation of survival?

Wielding his massive experience from film, tv, comics, and more, Brian McDonald lays out a history of storytelling and shows the reader how the best tales tug at our truest biological the need to survive. Readers will see how different forms of survival―physical, emotional, spiritual―inform the arc of character development in a way that makes them more complex and compelling. And how plot and circumstance must then force your protagonist to meet their worst nightmare. Toby Cypress’s electric art guides the reader through the underworld, visualizing each narrative masterpiece, and bringing the ideas to life.

Whether you’re in film, books, comics, or simply a story enthusiast, this book offers a way to see character development and the crafting of plot through the lens of human questions of morality and mortality.

Critical Role, The Mighty Nein Origins: Nott the Brave by Sam Maggs

When you become that which you fear most, how do you carry on?

Veth Brenatto doesn't have an exciting life, but she likes it that way. Unlike her childhood, it's safe. Predictable. And her husband and son love her almost as fiercely as she loves them. But Veth's cozy existence is turned on its head when she and her family are captured by raiders. In order to save them, Veth will commit an atrocity that will sever her from all that she loves--maybe forever--and lead her to become Nott the Brave of the Mighty Nein.

This is the fifth volume in the “Critical Role: The Mighty Nein Origins” series.

Last on His Feet by Adrian Matejka

On the morning of July 4, 1910, thousands of boxing fans stormed a newly built stadium in Reno, Nevada, to witness an epic showdown. Jack Johnson, the world’s first Black heavyweight champion—and most infamous athlete in the world because of his race—was paired against Jim Jeffries, a former heavyweight champion then heralded as the “great white hope.” It was the height of the Jim Crow era, and spectators were eager for Jeffries to restore the racial hierarchy that Johnson had pummeled with his quick fists.

Transporting readers directly into the ring, artist Youssef Daoudi and poet Adrian Matejka intersperse dramatic boxing action with vivid flashbacks to reveal how Johnson, the self-educated son of formerly enslaved parents, reached the pinnacle of sport—all while facing down a racist justice system. Through a combination of breathtaking illustrations and striking verse, Last on His Feet honors a contentious civil rights figure who has for more than a century been denied his proper due.

Superman: Space Age by Mark Russell

Meet Clark Kent, a young reporter who just learned that the world will soon come to an end (Crisis on Infinite Earths) and there is nothing he can do to save it. Sounds like a job for his alter ego…Superman! After years of standing idle, the young man from Krypton defies the wishes of his fathers to come out to the world as the first superhero of the Space Age. As each decade passes and each new danger emerges, he wonders if this is the one that will kill him and everyone he loves. Superman realizes that even good intentions are not without their backlash as the world around him transforms into a place as determined to destroy itself as he is to save it.

Uniting the critically acclaimed writer Mark Russell (One-Star Squadron and The Flintstones) and Eisner-winner Mike Allred (Silver Surfer and Bowie: Stardust, Rayguns & Moonage Daydreams) for the first time, this series promises fans an unforgettable journey through U.S. history and culture starring our beloved characters.

This is the first volume in the “Superman: Space Age” series.

#Graphic Novels #new books #new library books #new books to read #Book Recommendations #book recs #Reading Recs #reading recommendations #TBR pile #tbr #tbrpile #to read #Want To Read #Booklr #book tumblr #book blog #library blog

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