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#van wilder
lotsofcelebs · 8 months
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Lauren Cohan
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zanephillips · 1 year
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National Lampoon's Van Wilder (2002)
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garfieldsbones · 2 months
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twiggsteeoh · 2 months
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filmesbrazil · 1 year
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nysocboy · 2 months
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Gemstones Episode 2.7: Holding hands among the yurts, and eating pizza for dessert
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When you get tired of discussing sex: Whew, Eli's not dead after all, but he's in a coma. Jesse/Amber and Judy/BJ hug and cry at his bedside.  Kelvin is noticeably absent.  Then the siblings go out into the parking lot and throw up multiple times. followed by the partners.   Is this a common response to grief, or did they all have bad sushi for dinner?
Ok, we're not tired of discussing sex yet:  We cut to Keefe trapped in the God Squad's tiger cage.  There are several openings to look through, but he prefers the glory hole.This time, Sky (Joel Rush, top photo) pushes through, hitting him in the eye!  
Keefe collapses, screaming in pain, and starts to cry.  He has died and gone to hell, being punished for Kelvin's sins -- a veritable Christ figure.  Note that Keefe undergoes a symbolic death and resurrection in every season.
When the God Squad guys leave, Kelvin appears with food and toiletries.  Interestingly, Keefe calls him by the formal "Brother Kelvin."  He isn't sure that he wants a romantic relationship with this guy who lets him suffer in a tiger cage instead of saying "Game's over! Let Keefe out!" and calling security if the God Squad resists.  But Christ-Keefe doesn't even suggest release; instead, he advises Kelvin that he's as powerful as Eli, just as Jesus was as powerful as his Father.  
Beauty and the Beast:  In church, Jesse announces that Eli was gunned down while driving on Long Point Road. Trivia note: This is a real road in a suburb of Charleston.  It leads past the Seacoast Church, a megachurch that closely resembles the Salvation Center.
Afterwards, the family is at their post-church dinner at Jason's Steakhouse, when Kelvin arrives, wearing a dark purple robe, carefully holding his glass of orange drink. 
They yell at him for not being around late;y, but he isn't ready to show himself in public yet. "I am a beast!"  Jesse quips that the robe makes him look like the beauty from Beauty and the Beast.
Next they argue over who will fill the power vacuum left by Eli's absence, until Martin has had enough: "Can't you just be kind to each other? Self-absorbed, loud, arrogant fucking assholes."  That's about the size of it.
Kelvin agrees:"Y'all are a bunch of a-holes."  Jesse points out that he was talking about "you, too, dick-lips."  The term refers to lips that would be especially nice to have sex with: a call-back to the glory hole scene earlier, and yet another reference to Kelvin being gay.  
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Jesse's Plan:  After discussing the possibility of blowing up Junior's house and having a heart-to-heart with Martin, Jesse reveals to the siblings his new plan: he'll tell the congregation and the news media that Eli is recovering, and give them his hospital and room number, so the listening Cycle Ninjas will know to where to strike again.  Except Eli won't be there: Jesse will clear the hospital and lay in wait, ready to gun them down. Can you really clear an entire hospital? The siblings think that it's a crazy idea, but he talks them into it: "Let's lie to the church like a fucking family." 
Cut to the ambulances and army jeeps moving Eli to the safe house. Which happens to be his own mansion; is that wise?  Judy, Amber, and the kids join him.
On the third day he rose from the dead:  Meanwhile, Keefe sneaks back to the God Squad compound and tells Keefe: "I'm busting you out of here."  
Wait. When Eli visited, Keefe was already in the tiger cage.  Then he was shot, and they announced that he was in a coma in the Sunday service.  IT'S SUNDAY AGAIN!  Has Keefe been in that cage for over a week?  That would be inconceivably brutal.  Besides it wouldn't fit with the Christ motif: Keefe has to descend "into hell" on Friday, and get resurrected on Sunday.   I think there is a problem with the show's continuity. 
"Are we taking back the house?" Keefe  asks.  I'd be asking a lot more than that, just before I called the police and my lawyer.
"We are ejecting," Kelvin answers. "We'll move in with the rest of the family in the safe house." They run hand-in-hand through the yard to freedom.
This is a significant scene: Kelvin admits that Keefe is a member of the family, and invites a public display of affection that establishes them as a romantic couple.  A scene ago he yelled at Keefe for trying to hold his hand.  Now he initiates it.  
Question: Keefe is wearing only a jockstrap.  Where do they intend to find clothes? Kelvin had to move their stuff out of the master bedroom suite,  but it would still be in the house, right? 
Pizza and Cycle Ninjas:  At the safe house, Keefe goes to work on embedding himself into the family.  First he advises Kelvin to visit his father (and calls him Brother instead of the formal Brother Kelvin).  Then he tries to distract Jesse's kids from the crisis with what he thinks are funny stories.  While they are eating pizza, he notes that as a young boy, he often had pizza for every meal, even for dessert. That's not funny, it's sad.  Where were your parents? 
They are not impressed. 
We cut to Kelvin visiting the comatose Eli.  He admits that the God Squad was kind of dumb, but he just started it to make Eli proud. And invite a lot of musclemen to the steam showers.  He prays, promising to "never succumb to hubris again" if  God heals Eli.  And Eli speaks!  A miracle! The end.
Oh, right, we still have 15 minutes to go.  Jesse, the men in the family, and the mercenaries waiting in the cleared hospital.   Four Cycle Ninjas appear, armed with rifles. One is shot, and the others flee.  Jesse follows, knocks a second off his motorcycle, and shoves a taser up his butt, enacting an anal rape. Gideon chases and subdues the others.  The end.
The full review, with nude photos and explicit sexual discussions, is on RG Beefcake and Boyfriends
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'Traces of You: Part the First'
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‘So how’s the passion project?’
I liked Matt. I had liked him from the moment I had seen him at my local bar. I always used to get him mixed up with one of my old party friends. Same curly hair. Same Roman nose. Same quirky demeanor. It was years before I realized he was not my old party friend. Moreso because my party friend had a cool and FEMALE best friend versus his best friend who I could not stand.
Then Matt started to work at the local bar. So I was him more often. And we would talk books, tv shows, and movies. Of course I had mentioned that I was a self-published author. And while he had been fascinated at first, he appeared to be a different beast after the pandemic. At least…he was with me.
Outside of the anthology SHATTERED ILLUSIONS that I had done with my writer’s group, I had not published a book since DARKENED TABULA (Book 3 in the Darkened series) in 2020. That was a looong time for a writer to not have written anything. So perhaps it was Matt ribbing me with that fact.
But that did not make it hurt any less.
Passion project? Really? All the years we have sat at the bar counter and discussed my books, Pierce Brown, and the upcoming Dune, Matt thought that all I was doing was a passion project? Moreso since that was his greeting to me?
Moreso because…I WAS working on something.
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But Are You Happy Then?
Well one cannot hate on Ryan Reynolds.
I remember when he was a boy named Billy on the Nickelodeon show Fifteen. But look at him now!! Married to the beautiful Blake Lively. Starred in the old Blade movie series. And of course, became the living embodiment of Deadpool in the X-men Universe.
Speaking of the Blade series, he once did an article in Best Life. And the main topic…happiness. He was just starting Blade: Trinity and thanks to the movie Van Wilder and his gift for comedy…he was slowly on the rise. So naturally a magazine asked his thoughts on happiness.
I remembered that article really resonating with me. So much so that I made a copy of the article (and a colored copy of the cover hehe). And I carried it with me. From Harlem to Little Rock to back to its ‘origin’ in San Diego. I still have the article…old pages and all!! That was how much it had touched me.
Sometimes when I was in between projects, I thought about that article. I took stock. How was I feeling? It was not too long ago (or was it?) that I had written a blog about expand, expand, expand in all ways. (Someplace That is... Else — New Dawn Rising: 3 Lessons to Take into 2021 from... (tumblr.com) ) But just thinking about it…was I?
The world had adjusted to the pandemic a while ago. Corona was still running around. However, it was still possible to have a life. And I could have gotten back in the swing of things myself. Not only did I have research to do for my forthcoming novel DARKENED SOUL: THE BREAKING OF CIRCLES, but I had most of a YA sci-fi novel written. And did I even have to mention Book 4 in my Darkened series. And yet…I had no focus.
Not true. I had focus. It was all on my jobs though. To that, I had to shake my head. I had worked hard to make room for my growing writing dreams and goals. Now I was back to That Guy. That Guy whom mind stayed on work, work, and more work rather than focus on his dreams or even living. That Guy who I thought I had grown out of during the pandemic. Guess not.
Perhaps that was why Matt made fun of me. Passion project? Hobby? Not when was my next book coming out. Just not treating what I hoped to be a growing career as just that…a career.
Was he right?
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THE CASE FOR HOW THE OTHER HALF LIVES…NEW BOOK, NEW DIRECTION…?
My friend Mr. Moore had always wanted me to write.
He always loved my novels. He also supported me as I worked hard to keep my focus on writing. And while he loved all my books, Mr. Moore always felt like I was just scratching the surface of what I could be writing.
He always felt that as a gay black author from the South, I had a unique perspective that I hardly ever used in my writing. It made me think of so many of my English teachers in school. They all felt that I had the talent. That I had the potential. However, they all gave me a look or a frown when I said I wanted to write horror. One even wrote on one of my short stories. He loved the writing, but felt the story was trite. WOW.
Besides E. Lynn Harris…another author of Arkansas…held the market in that particular arena. And I didn’t think anything else about it.
Then…Mr. Moore succumbed to cancer.
For him, it was January 2020. For me, it was March 2020. As the world dealt with the pandemic. As San Diego went into lockdown, I found out that my closest friend had passed. Not only that, the funeral had come and gone. I could only imagine how his boyfriend felt.
The world got back to normal. It went back. And I…found my mind going back to HOW THE OTHER HALF LIVES. I had tried various times to work on it throughout the years. And I would get writer’s block in the exact same spot.
I missed my friend. I never truly got to mourn my friend. He never got to see how successful I could be as an author. I never got to show him how I could write something different. So it was that I started to work on HOW THE OTHER HALF LIVES again. Anxiety slowly cropped up as I neared the same spot that I always got to where the writer’s block hit.
Perhaps it was the process of coping with my friend’s death that got the words to flow. Perhaps it was Matt’s voice in my head about my ‘Passion Project.’ Perhaps it was just feeling my emotions close to the surface. Whatever the reason, I arrived at the moment where main character Shaun told the truth. The moment that everything went into writer’s block mode.
And…I kept going past it.
I was shocked the next day when it happened. The way the words kept going as my pencil crafted them out on paper. After all this time, I was going to see what happened next.
Finally.
After writing nothing but supernatural cross-genre stories, I embraced writing something different…the quirky gay novel.
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HELLO, I’M MIRROR.
I guess I shouldn’t have been surprised.
After all, it was not the first time my characters had done it to me.
As I mentioned, I had tried various times to write HOW THE OTHER HALF LIVES. And when I’ve been working on it, I had thought about other storylines and subplots to bring into the story. There was one plot device that I had wanted to throw in in a few versions that I’ve written. It involved Shaun making a potential mistake with his close friend Trey. A simple plot twist to up the emotional stakes.
It felt like a great idea to use in this novel. And the steering toward that plot twist gave my novel a firm direction after the initial reveal of Shaun’s confession to potential love interest Eric. Meanwhile, his friend Trey had a subplot involving a closeted up-and-coming rapper. So it was a matter of growing their friendship and exploring it. And then having their lives fall apart at the same time. And then plot twist. Followed by aftermath as well as new building tension.
What I did not expect was how much the aftermath of said plot twist reflected a dilemma in my own personal life. Once my characters started to voice familiar words that I wrote, I found myself pausing. It felt like being slapped in the face, shock striking my body.
I had similar experiences with DARKCHILDE, the second book in my DARKENED series. I also had a lot of moments like this in my novel DARKENED SOUL: JONATHAN’S TALE. And now here I was with HOW THE OTHER HALF LIVES.
Mirroring.
Meh. I disliked when my characters’ lives seem to mirror or mimic what was going on in my own personal life. I did not intend for that to occur. And I definitely did not go searching for that to happen. And yet, there it was on the page in front of me.
I put my pencil down. That was not what I was expecting. I wanted my characters to act the way they were supposed to. And I also had my ending planned out.
But this curveball…was not expected. My characters mirroring my life.
And I…didn’t like what I saw.
TO BE CONTINUED…
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cinemajunkie70 · 2 years
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A very happy birthday to Ryan Reynolds!
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michaeldavis3489 · 8 months
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How a Hollywood Tara Reid Lost Her Way?
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Back in the day, Tara Reid had everything to settle herself completely as a Hollywood star. She may not have brilliant acting skills, but she had the ambitions, the sultry voice, and the looks to make Hollywood her permanent home. 
American Pie has been a huge success and the cast which included Tara Reid could have enjoyed this voice of this success. But whereas her other castmates landed amazing roles after the movie, she couldn't even land a movie role that was well-received by critics. She joined movies like, Josie and the Pussycats and Van Wilder, and Dr. T & the Women.
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nellarw95 · 28 days
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Happy Birthday Deon 🥳🎂🎈🎁🎉
April 2,1978
Buon Compleanno 🥳🎂🎈🎁🎉
2 Aprile 1978
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samsdei · 5 months
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Jonathan Bennett
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struggles-and-prose · 7 months
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Hindi, Bollywood, Van Wilder and Tea
My friends and I have recently started watching some Hindu movies. They're really awesome honestly and the 2 we've watched so far are 3 hours long. So it has to be really good movies for me to stick around for 3 hours straight, watching something in a language I don't know lol. We put subtitles obviously, but dyslexia so, yay.
The movies we watched are "RRR" and "Pushpa". Epic movies really, and Pushpa is getting a part 2 in 2024 I believe. I already can't wait. Though, the original language for both movies is Telugu, so it got me wondering, how does Hindi work? lol
I've seen Hindi, Telugu, Tamil, Malayalam, Kannada, etc. They all come from India if I understood correctly, but why are there so many derived languages from Hindi? Apparently, it comes from many different roots. It's so confusing though. lol
Don't get me wrong, I think all Indian languages are beautiful and have recently started listening to music, mostly Telugu. It's so captivating. And I've been wanting to learn Telugu, but Duolingo only lets you learn Hindi. But, aren't most bollywood movies in Telugu? That's what I've seen so far.
On another note, my mother got me a Moroccan teapot today.
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It's so beautiful. I've been wanting one for a while, so I'm so happy.I think Moroccan teapots look so elegant. And yes, it's a small one, it's for 3 portions I believe. But that's fine, seeing as when I drink tea, I don't usually finish my entire teapot from Killstar lol.
Also received Van Wilder in the mail today. I just love Kal Penn.
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I watched the 1st Harold and Kumar last friday with my BFF, it was hilarious and... weird lol. I didn't notice I ordered the unrated versions. XD I'm not used to that kind of humour lol.
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freshthoughts2020 · 9 months
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padmaddean · 7 months
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Liv & Ash Wilderness s01e04
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novelconcepts · 11 months
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There’s a line from American Gods I keep coming back to in relation to Yellowjackets, an observation made early on by Shadow in prison: “The kind of behavior that works in a specialized environment, such as prison, can fail to work and in fact become harmful when used outside such an environment.” I keep rotating it in my head in thinking about the six survivors, the roles they occupy in the wilderness, and the way the show depicts them as adults in society.
Because in the wilderness, as in prison, they’re trapped—they’re suffering, they’re traumatized, they’re terrified—but they’re also able to construct very specific boxes to live in. And, in a way, that might make it easier. Cut away the fat, narrow the story down to its base arc. You are no longer the complex young woman who weighs a moral compass before acting. You no longer have the luxury of asking questions. You are a survivor. You have only to get to the next day.
Shauna: the scribe. Lottie: the prophet. Van: the acolyte. Taissa: the skeptic. Misty: the knight. Natalie: the queen. Neat, orderly, the bricks of a new kind of society. And it works in the woods; we know this because these six survive. (Add Travis: the hunter, while you’re at it, because he does make it to adulthood).
But then they’re rescued. And it’s not just lost purpose and PTSD they’re dealing with now, but a loss of that intrinsic identity each built in the woods. How do you go home again? How do you rejoin a so-called civilized world, where all the violence is restricted to a soccer field, to an argument, to your own nightmares?
How does the scribe, the one who wrote it all out in black and white to make sense of the horrors, cope with a world that would actively reject her story? She locks that story away. But she can’t stop turning it over in her head. She can’t forget the details. They’re waiting around every corner. In the husband beside her in bed. In the child she can’t connect with across the table. In the best friend whose parents draw her in, make her the object of their grief, the friend who lives on in every corner of their hometown. She can’t forget, so she tries so hard to write a different kind of story instead, to fool everyone into seeing the soft maternal mask and not the butcher beneath, and she winds up with blood on her hands just the same.
How does the prophet come back from the religion a desperate group made of her, a group that took her tortured visions, her slipping mental health, and built a hungry need around the very things whittling her down? She builds over the bones. She creates a place out of all that well-intended damage, and she tells herself she’s helping, she’s saving them, she has to save them, because the world is greedy and needs a leader, needs a martyr, needs someone to stand up tall and reassure everyone at the end of the day that they know what’s best. The world, any world, needs someone who will take those blows so the innocent don’t have to. She’s haunted by everyone she didn’t save, by the godhood assigned to her out of misplaced damage, and when the darkness comes knocking again, there is nothing else to do but repeat old rhymes until there is blood on her hands just the same.
How does the acolyte return to a world that cares nothing for the faith of the desperate, the faith that did nothing to save most of her friends, that indeed pushed her to destroy? She runs from it. She dives into things that are safe to believe in, things that rescue lonely girls from rough home lives, things that show a young queer kid there’s still sunshine out there somewhere. She delves into fiction, makes a home inside old stories to which she already knows the endings, coaxes herself away from the belief that damned her and into a cinemascope safety net where the real stuff never has to get in. She teaches herself surface-level interests, she avoids anything she might believe in too deeply, and still she’s dragged back to the place where blood winds up on her hands just the same.
How does the skeptic make peace with the things she knows happened, the things that she did even without meaning to, without realizing? She buries them. She leans hard into a refusal to believe those skeletons could ever crawl back out of the graves she stuffed them into, because belief is in some ways the opposite of control. She doesn’t talk to her wife. She doesn’t talk to anyone. It’s not about what’s underneath the surface, because that’s just a mess, so instead she actively discounts the girl she became in the woods. She makes something new, something rational and orderly, someone who can’t fail. She polishes the picture to a shine, and she stands up straight, the model achievement. She goes about her original plan like it was always going to be that way, and she winds up with blood on her hands just the same.
How does the knight exist in a world with no one to serve, no one to protect, no reason propelling the devastating choices she had grown comfortable making? She rechannels it. She convinces herself she’s the smartest person in the room, the most capable, the most observant. She convinces herself other people’s mysteries are hers to solve, that she is helping in every single action she takes. She makes a career out of assisting the most fragile, the most helpless souls she can find, and she makes a hobby out of patrolling for crimes to solve, and when a chance comes to strap her armor back on and ride into battle, she rejoices in the return to normalcy. She craves that station as someone needed, someone to rely upon in the darkest of hours, and she winds up with blood on her hands because, in a way, she never left the wilderness at all.
How does the queen keep going without a queendom, without a pack, without people to lead past the horrors of tomorrow? She doesn’t. She simply does not know how. She scrounges for something, anything, that will make her feel connected to the world the way that team did. She moves in and out of a world that rejects trauma, punishes the traumatized, heckles the grieving as a spectacle. She finds comfort in the cohesive ritual of rehabilitation, this place where she gets so close to finding herself again, only to stumble when she opens her eyes and sees she’s alone. All those months feeding and guiding and gripping fast to the fight of making it to another day, and she no longer knows how to rest. How to let go without falling. She no longer wears a crown, and she never wanted it in the first place, so how on earth does she survive a world that doesn’t understand the guilt and shame of being made the centerpiece of a specialized environment you can never explain to anyone else? How, how, how do you survive without winding up with blood on your hands just the same?
All six of these girls found, for better or worse, a place in the woods. All six of them found, for better or worse, a reason to get up the next day. For each other. And then they go home, and even if they all stayed close, stayed friends, it’d still be like stepping out of chains for the first time in years. Where do you go? How do you make small choices when every decision for months was life or death? How do you keep the part of yourself stitched so innately into your survival in a world that would scream to see it? How do you do away with the survivor and still keep going?
They brought it back with them. Of course they did. It was the only way.
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1liv · 7 months
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