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#we still don't know where hobbits come from
sindar-princeling · 1 year
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I truly and deeply love Eowyn because she's angry, bitter and can be genuinely cold when we meet her - and she's only 24! already she's changed by this war, by the loss of her parents, by the long period of her life where she had no parental figure because Theoden was battling his own depression, and by Grima being a creep. Tolkien's young characters go to war and are changed by it, like Pippin, like Sam, who is still quite a young hobbit (he's 39, and they come of age at 33), but not her - she is already deep in grim thoughts about dying for honour, cheerless, cold.
I don't like comparing all Tolkien women to one another because they are quite different from each other and comparing them just because they're women often feels reductive because they serve vastly different roles in the story, but when you're considering how he presents femininity, it's necessary to do so. so far we've met Lobelia, Mrs. Maggot, Goldberry, Arwen, Galadriel and Eowyn (Rosie was only mentioned as far as i remember?). hobbit women we meet while we are still at home, and they fit right into the homey atmosphere of the shire, in which characters are often presented playfully, or have one defining trait (think about the characters we only know from notes attached to bilbo's "gifts"). further from home, we meet goldberry, arwen and galadriel, who are old, fair, good, beautiful. each of them is different (and galadriel especially has a dark, flawed part of her we can see), but with the women meet on the journey, further from home, a pattern starts to emerge - they come from a different time, from a different world, and even with all their fairness and kindness they can at times feel distant, out of reach.
and then!! eowyn comes into the picture, and- she could be you. she could be me. she's not only complex, but also within reach. she's not a gentle or joyful presence, she's not a powerful ancient force, she doesn't come bearing gifts for everyone - she's so full of negative emotions and pain which she needs to heal from, she's so young and already feels like an old, weary soul.
and it's not to say one kind of character is better than the other, or more complex or anything, because that's exactly the reductive way of looking at those women that I don't like seeing in discussions. ultimately, they are all just different people. but the introduction of eowyn broadens the spectrum of femininity shown in LOTR, and while it's still not exactly wide, it's a bit wider than it was before.
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itsonlydana · 3 months
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"passenger princess" | chapter six
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the hobbit | a modern!AU by itsonlydana
❱ pairing: Thranduil x fem!reader
❱ wordcount: 4,9k
❱ summary: a horror movie, 'your dad jokes' and overcoming the fear of being vulnerable by opening up
❱ warnings: mature language
❱ an: we're back on schedule! Anyone got the reference with the documentary?🤭
general m.list + series m.list
🌿 reposts and comments are appreciated, they motivate me a lot - especially with longer projects <3
CHAPTER SIX: MOVIE
It was movie night and once again you found yourself sitting on the giant sofa, a glass of wine cradled between your hands as you watched Legolas and Aragorn argue over what to watch.
It was amusing, really, to simply sit back and observe how both completely missed the fact they could be on the same page if they weren't blinded by the urge to please the other.
While Legolas was trying his hardest to convince Aragorn you didn't have to watch another romcom and he would much rather try to understand that one French art film Aragorn studied in his poetry class, the brunette was keen on rewatching Mean Girls for Legolas.
They seemed to have forgotten you were there to be included in the discussion.
Feet burrowed into the cushions under you you sipped on the wine that Thranduil brought out to the pool two days ago.
Every sip brought the scent of sunscreen and the warm rays of sunshine back to you on this rainy evening.
Your gaze trailed to the floor-to-ceiling windows next to the sofa, right outside to where the pool was illuminated by lanterns and laid undisturbed except for the raindrops splattering onto the surface.
Thinking back to that day, you felt a heat creeping into your cheeks that not only came from the wine.
You had no idea what had been the push into the decision but when Thranduil had joined you in the pool, he had joined you. Not just sitting at the edge or watching you from the shadow of the terrace.
He'd come outside and immediately shed himself from his shirt and trousers, leaving you to a close death with every layer of fabric removed and every bit of light skin revealed.
You nearly had a heart attack at the sight of his upper body and the lean muscles you had known were there, but never had the pleasure –and oh, it truly was a fucking pleasure– to see in all their glory.
Thranduils shoulders were broad, yet fit his form and the adonis belt that accentuated his –must be said– slender waist.
The sentiment that no man his age should be allowed to be this good-looking extended to include all men or women no matter the age. It made little sense to you that this man looked like that at his age when you knew full well that he didn't exercise.
He had a body to fantasize about, and you gladly did.
"What do you say?" Aragorn called to you from the other end of the couch, where he was rubbing his temple, "Tell Legolas I really don't mind watching whatever he chooses."
"Oh, you remembered I'm still here?" you asked while Legolas gasped and clicked his tongue in annoyance, "Yes, but you shouldn't not mind, you should enjoy the movie as well!"
"Legolas, I mean it. It's alright if we watch Mean Girls!"
"Woah, pause!" you took another sip and swiped the air with the other hand. "You two have been so insufferable ever since you did it. Can we go back to pining but without all the.. you know, back bending for just a movie?"
It shut them up, maybe they thought you hadn't noticed them sneaking off together or whatever the reason was, you were glad for the momentary silence.
"Let's just do the 'surprise me' thingy and no one will be truly happy, alright?"
No idea when you'd become the voice of reason but both nodded in agreement, sparing shy smiles to each other that said more apologies than Legolas had ever given to you in words, for the evenings you had to watch his choice of movie.
Love could really change a person.
"Fine," Legolas threw his long legs into movement, walked to the cabinets next to the flatscreen, and grabbed the remote. "Next time we–"
"We'll have the same discussion over and over again," Aragorn added.
"You're disgusting," you pretended to gag, heaving your chest for dramatic effect, "Finishing each other's sentences is so cringe."
"Using cringe in a sentence is cringe."
"Shut up and dim the lights, Las. Please down to the level that's in your head, alright?" You smiled angelicly, cheeks hurting from the effort though it was all worth it at Legolas scowl when he tried to fish for a response but ended up silently muttering under his breath and turning the lights off.
Engulfed in near darkness you only saw his lanky figure reach for something on the incliner next to the sofa before a cushion flew toward you with a scarily accuracy.
Wouldn't you have leaned to the side because you wanted to place the glass onto the coffee table, there would've been an accident for sure.
"Legolas you fucking idiot," you swore, already grabbing the cushion that hit your back. "Do you want another wine-stain incident?"
The wine-stain-incident of last year went down in history as the biggest argument this house had ever seen.
Legolas and Thranduil had been arguing like never before, snapping at each other back and forth for days over red wine spilled over the newly bought designer sofa cushions.
It went so far that Legolas camped at your dorm for a whole weekend, clearing out your fridge and complaining that his Ada was up his ass for an accident he didn't even remember.
After three days of coming home from work and seeing Legolas sulk on your bed, the thing that pushed your patience over the edge had been one night when the blonde couldn't sleep and decided that your bed was big enough for him to cuddle you; big surprise: it wasn't.
Nothing was big enough in the tin can of a dorm.
"So what?" Legolas fell onto the sofa next to Aragorn, giving you plenty of space to spread out on your half, "I'm just gonna tell him it was you again. Nothing's gonna happen then."
"You're a wicked man, Las," Aragorn said. Legolas grinned.
You snorted. "Sure, if you want your ass handed to you. Don't think it's going to work twice."
"Oh no, it will." Legolas raised an eyebrow much similar to his father, "Just like last time his anger will go up in the smoke the second he sees you and then–" he cooed in a very over-the-top imitation of Thranduil, "–no no no, it's alright! I hated the sofa anyways.. what? It's new? Doesn't matter, I'll buy a new one, babe."
"He doesn't sound like that and it wasn't like that!" you complained.
It had been exactly like that.
"It kinda was," Aragorn chimed in and received a smile (Legolas) and an angry huff (you).
Legolas tapped away on the remote, lightning up the living room as the flatscreen showed the last thing that had been watched.
Some nature documentary that, in the small second Legolas gave you before opening up the streaming app, seemed to be about whales and crocodiles.
Thranduils taste in movies was everything Legolas didn't enjoy: docus with long biology conversations, silent black and white classics or, his guilty pleasure, fake jury shows where he would point out where they went wrong or how inaccurate the case was.
You adored how he would sit on the sofa wearing his slim glasses and pretend he wasn't interested in the drama at all.
"Alright," Legolas said and pressed a button for the random movie.
"By the way," you said hushed, "He doesn't call me babe. Your father calls me sweetheart or darling, which is completely different and so much more endearing in my opinion."
Aragorn let out a loud breath and leaned over to rub Legolas' shoulder. "Wow, that was basically a 'your mom' joke, although much more eloquent. Hope you're alright."
"He will survive," you waved off, "It's not like I told him how he–"
"No, I actually don't want to hear that!" Legolas interrupted you loudly and turned up the sound of the TV, shutting down every remark that could've followed by the loud boom that cracked through the surround system like thunder.
You didn't need to read the title of the movie, that the first scene was a first-person shot of someone running through the woods at night and the only sound was their breathing and the snapping of twigs was telling you exactly what you were in for.
"Sorry," Legolas said before you even opened your mouth, grinning over at you in the moonshine light of the movie, "No take backsies for any insults just because you don't wanna watch horror!"
"But–"
"No no, no buts."
"You're so mean," Aragorn said to Legolas, but nevertheless grabbed one of the blankets beside him and threw it toward you, "Here, to protect you from any murderers."
You stuck out your tongue at him and yanked the blanket over.
Horror, was by far, the worst outcome of the random selection.
Everything else would've been fine, hell, even a compilation of every time you'd embarrassed yourself in front of Thranduil could be an easier watch than an hour.. oh well two hours of jumpscares.
"You'll be fine," Legolas was already munching on the popcorn he'd prepared earlier, throwing the golden snack into his open mouth and –naturally– not missing a single piece.
It was infuriating how talented he was in some aspects.
"Just don't look to your left and imagine the killer's waiting for you behind the trees."
"I hate you so much."
As expected, the blanket provided little comfort as the movie progressed and whenever you glanced over to Aragorn and Legolas, you could see them whispering together, quietly laughing over the dumb decisions the main character made.
So unfair they had fun while you suffered.
The scenes got even worse the longer you watched, tension sharpening like the knives you saw on screen, flashing in and out as the killer sneaked through the woods. The wind outside as well as inside screamed like a boiling kettle, rattling as the storm picked up and hammered the wind against the window.
There were creaks and echoes everywhere.
Every hair on your body stood up, an electrifying rush of adrenalin cursing through your body and having you cling to the blanket in an attempt to shield yourself.
It came out of nowhere.
The sound of a door opening and immediately shutting close with a bang loud enough that you let out a scream like your life depended on it.
It led to Legolas joining in, yelling in surprise and as he turned around to stare into the dark kitchen, the popcorn flew everywhere.
There, looming in the doorframe was a tall figure, dripping water and looking extremely haunted by the white flashes of the screen illuminating long wet hair and hauntingly sharp cheekbones.
"Oh my fucking god.. fuck! Fuck this shit," you gasped for air, inhaling one breath after the other until you were nearly dizzy.
"Ada, you scared the shit out of us!" Legolas quickly let go of Aragorn, whom he'd jumped the second he'd heard your scream pierce the quiet room.
"My apologies," Thranduils deep rumble sounded.. off. Strained, like the lopsided smile on his lips. "That was not my intention." He looked around, pausing at you and for a second the look on his face seemed haunted. "Please, continue. I'll be upstairs and make sure not to bother you anymore."
"Thran–" you started and rose to bend over the back of the sofa.
He stopped in his movement, haltering to nod at you, "Hi, sweetheart, excuse me for scaring you like that. You look lovely, though." And then he was already stalking back to the hallway, his wet hair clinging to his equally drenched coat.
You turned to Legolas and Aragorn, your expression communicating the confusion you felt clearly by the look of their equally unsure faces.
"Ada?" Legolas called, not looking away from you, his eyebrows drawn together.
"Yes?"
"I may have spilled wine onto the new white carpet. It was some hours ago but maybe we can fix it?" Questioningly you inclined your head, close to asking him what the fuck he was talking about, when Thranduil answered:
"Oh, no worries," –your eyes widened– "It's fine. Let's talk later."
"Well," Legolas stated as soon as you heard Thranduil walk up the stairs. "Either someone kidnapped Ada and that's someone else, or he's calculating how to murder you two for practically living here at this point."
Aragorn, sensing that this wasn't the time to continue, paused the movie. Even he was frowning.
You fell back onto your bottom, eyes flickering back to the doorway in uncertainty. "So I didn't just hallucinate that? You noticed how weird he was?"
"So weird. Maybe something happened?" Aragorn mused and started picking up the popcorn Legolas had strewn all over the place.
"Maybe he finally realized I live here rent-free as well."
You and Aragorn looked at each other. You spoke up first: "Las, the way you inhale his snacks and wine he's just ignorant of the fact. Do you have any idea what's up with him?"
Legolas shrugged, throwing one of the popcorn pieces into his mouth again. "Not the slightest. Haven't seen him like that since.. oh–", he paused, grimacing like he tasted something sour.
"What?" Next to him, Aragorn took away another lint-covered popcorn before he could eat that as well.
Suddenly, Legolas seemed sheepish, his gaze scattering everywhere except you which you immediately noticed.
"Legolas, since when?"
"'S probably doesn't matter," he mumbled, his face turning a traitorous reddish shade that reached the top of his pointy ears.
"You're lying," you detected, not trying to hide the sharp edge in your voice. This was quickly escalating, moving far beyond a simple discussion over what movie to watch. "What's going on? He's never like that… at all. He looked like he'd run over someone!"
"Love," Aragorn tried softly, but you were already too busy staring at Legolas to notice.
"You really want to know?" Legolas asked, the blanket he and Aragorn were under clutched into his fists. "I'll tell you but don't, and I mean it, don't zero in on that. This could be different, like completely." After your nod and a look over his shoulder to check that Thranduil wasn't creeping through the hallway with an axe, he continued:
"Y'know my mother left him, right?"
As soon as he mentioned her, you grew wearily. "Yes–"
"So she left when I was still a baby, like no worries he's fine with it and I'm fine with it and we were alright. He kinda knew it would happen, she was around but never there. He was the one giving up half of his firm so that he could work less and mostly from home. She just.. didn't change at all and when she was gone, Ada wasn't surprised."
You knew the story, it was one of those things Legolas had shared with you under the confined comfort of the blanket of the night and his bed.
"Uhm.. yeah, I don't know how to tell you this but she came back once."
The world swayed, ripping open right in front of you and you felt yourself tumbling, one foot over the edge of that darkness this statement had dunked your head into.
"Oh," you said, immediately trying to shut down the feelings of unease and insecurity gnawing at your mind. "I mean, she's your mom?"
Legolas huffed, "Barely. Biologically yes, but even then one could argue I'm Ada's clone." He grew serious again, his long fingers tapping the arm he'd thrown over his middle, "T'was like what.. nine years.. ten years ago? I was in the kitchen doing my homework when the keys turned and some woman suddenly stood in front of me that I didn't recognize but knew who she was. I kinda screamed. Ada came and when he saw her, he looked just like he looked then."
You blinked, your breathing coming in a bit faster than what you would define as 'totally fine'.
"What happened then?" Aragorn asked for you. Thankfully, because you weren't sure what to say.
"He threw her out and called someone to change the locks," Legolas said and lifted his head to stare at you, "Ada told her to go to hell or he'll sue the living shit out of her for child abandonment and whatever dirt he would find. Yes, he had the same look on his face, yes he was so fucking weird and kind of apathetic but, and listen to me; this could be a whole other thing."
"Wha– what.." you started, stumbling even over that one word, "what if it's not? Maybe he changed his opinion over time."
"Sure," he rolled his eyes but dropped the sarcasm when it did not comfort you at all, "No seriously, believe me, he doesn't want her in his, my, or our life. Not then, not now, not when you two finally figured yourselves out."
While that helped just as much as throwing a single glass of water onto a giant campfire, you nodded and put on a mask of uninterest.
Simply because it was much easier than getting into a whole discussion over feelings that may or may not be out of place.
He could've simply had a bad day at work.
"Let's just continue?" you asked, nearly begged, and were glad when Legolas and Aragorn didn't say another word but started the movie again to fill the awkward silence.
Under the blankets, you were wired.
You'd known you should've let it rest, to leave Legolas alone and maybe if that story had stayed untold, the straw just waiting to be dropped, hadn't dropped to throw your mind into a frenzy that was based on a "what if" situation you had on your hands because of a single, small interaction.
Well, it stood out and didn't fit Thranduil at all, but should you really care that much?
As Legolas said, you and he hadn't even figured out what was going on, just that there was something you both wanted to pursue.
The movie didn't fade you the slightest after the conversation, the next minutes flew past you like they didn't happen at all and when you heard Thranduil come down the stairs and walk into the kitchen, you flew from the couch.
"Be right back," you muttered as you ducked past Legolas and Aragorn; the latter brushing his hand over yours to give it a gentle squeeze.
The momentum that led to you standing up in the first place left you at the sight of Thranduil's turned back, hunched over a plate of chocolate cake Legolas had bought while shopping for snacks.
He looked so weary and tired, deep worry lines indicating his age, still attractive and even more now that he had his hair up in a bun and wore sweatpants you'd never seen him in, but yes, exhaustion was written all over his face when he turned around.
"Hi," you shuffled around, making a lame hand movement that was neither a wave nor anything else, "Should I go? No forget that, of course I'll leave you alone. Never asked, alright? Bye—"
"Stay?"
The question was soft and almost overshadowed by the squeaks of fear coming from the TV.
"I…," you started, stammering but when Thranduil held out the plate and the cake he was still shoveling into his mouth in big bites, you agreed. "Of course."
You jumped onto the counter next to him, ignoring how the sight of sweatpants, gray slightly baggy but not baggy enough sweatpants!, up close messed up every single thought swarming around your head like busy bees.
He leaned back against the counter beside you, ankles crossed and his head thunked against one of the hanging cabinets on the wall.
For a while, all you did was let Thranduil feed you bites of the cake, taking every fork he held up to your mouth carefully and swallowing the questions you wanted to ask with it.
He ate as well, lifting one bite after the other to his lips in between feeding you and every time your eyes hung onto his plush mouth.
Not because his rosy lips looked especially enticing with chocolate cream smeared into their corners, but because of the indications of his teeth in them, in the raw bitten look of them that told you there was definitely something going on.
"Hey," you nudged your leg against his side, "do you want to talk about it?"
The sigh that left his throat sounded more like the groan of a pained animal, his Adams Apple bobbing as he swallowed another bite before placing the plate on the kitchen island.
"You don't have to," you followed up in a rush, not wanting to corner him or force him.
"I should." Thranduil kicked one foot against the counter and turned his head so he looked at you.
Sitting up there, you were close enough to reach over and, in a moment of spontaneity, wipe away the chocolate on his lips.
He caught your hand, pressing a quick kiss onto your palm and keeping it in his when he dropped them.
"Yes, I should absolutely tell you," he swallowed again, "you have a right to now as someone.. as someone important in my life." The way he talked and furrowed his eyebrows showed how much energy and willpower it took him to admit that.
It meant a lot that he tried and cared about the conversation about opening up and being there, being in.
"I got a call at work today that I didn't expect and I'm still unsure what to make of it." Thranduil's hand tightened ever so slightly. His teeth once again found their place in his lower lip, dragging it back and releasing it.
"A lawyer informed me Legolas' mother wants to talk to me."
The air left your body instantly, the sentence punching you into the gut with an iron fist that had 'shouldn't have asked' imprinted on it and marking you all over.
Thranduil noticed, of course, he did, and lifted your intertwined hands for another kiss onto your knuckles.
"I told them not to bother me again," he clarified fast, "Told them ten years ago, told them now."
"Legolas told me that happened," you admitted quietly and let your head fall on top of his shoulders.
"I hope he told you that I had never any interest in keeping contact or searching that woman. I respected her choice to step away from our lives; she expressed a reluctance to embrace motherhood, and I had no authority to impose that role on her if it brought genuine discontent."
"Yes, he said that as well to comfort me."
"And I presume it did not?" Thranduil spoke forward into the otherwise empty kitchen and you followed his words with your eyes, searching the tiled floor for the courage to jump over that damn river of worries that hindered you from opening up.
He did it as well, you thought, he said you had a right to know, that you were someone important in his life.
"No," you finally acquiesced, feet firmly planted onto the metaphorical ground.
"Not the slightest. There is this woman I don't know, the mother of my best friend and the ex-partner of this man I really like and she's a total mystery and suddenly I hear she tried contacting you a few years back and now again and my mind can't help but project that she would be a much better fit to you than me."
There was a pause as the words sunk in.
Then Thranduil turned, opening up your legs with his large hands and stepping in between them.
The dimmed kitchen lights made this intimate, tension there was none for the look in his eyes spoke more of worry and his hands placing themselves under your thighs to pull you closer with effortless strength acted more out of the need to hold you than anything sexual.
"Darling," Thranduil's face filled your entire vision, the impact of the worry etched into the darker circles under his eyes hitting you square into the heart. "I can follow that train of worry and this is not me dismissing it but rather me questioning myself and my actions. Have I given you a reason to believe you're not the only one I want to spend my time with? You alone roam through my house and my head and dreams as if you own them, no one else."
You shook your head and rested your free hand on his chest, splaying your entire palm on the crimson sweater he wore, "Never. But she's probably your age and I'm... well I'm not."
"That is true. She is my age and you are not. She's also– what did Legolas say ten years ago?" He thought back, "Ah yes," he tipped his head closer, leaning his forehead against yours, "No one important. No one worth a second thought. No one, and now those are my words, that would come between you and me."
Your hands wandered, trailing up his collarbone standing out, and up his cold throat.
The hairs you brushed on his neck were still slightly wet, curling at the bottom as they slowly dried. "Then why were you this worried?"
He paused, mirroring you and cupping your face in his warmed hands, "This plagued me for different reasons. A part of me feared you would get scared and I might lose you, and the other was circling the dumb idea that Legolas could be angry that I blocked her off."
"So it was stupid of me to be jealous," you exhaled a deep breath, feeling the heavy weight being lifted of your heart as Thranduil's thumb followed the curve of your jaw and chin.
"Feelings are never stupid, they are valid in every form as long as you don't single them out or ignore your mind. And for you, that's really important because you have a really clever mind." He tapped your temple with his pointer.
A laugh escaped you, easing up the tension. "We're getting good at this," you said and nuzzled your head into his palm, "y'know, talking."
"I do feel very wise right now," Thranduils voice was airy and light, falling into that usual banter you guys were so much better at.
"Mhm, must be the age."
Where his voice had been light, his chuckle was deep and throaty, the tone rasping over every word he spoke: "My age allows for exceptional knowledge in many areas."
If you had been a maid in earlier times, that statement would've caused you to faint and even now it brought a heavy blush to your face at the directness in it.
Because you neither knew what to answer nor to do, you lightheartedly shoved him away, and while you regretted not going in for a kiss, the euphoric feeling that spread through you as he chased behind you through the kitchen made up for it.
"Come on, Grandpa," you giggled, swatting away his arm as he reached for your middle, "Use your knowledge to protect this fair maiden from the movie we're watching."
Legolas's head turned just as you entered the living room, the skeptic look on his face morphing into an understanding smile when Thranduil followed close behind you.
"Fair maiden?" he snorted, "Please, as if."
"Shut up Las," you hit his head as you passed him, nearly hitting Aragorns chest as well and wow, when did they decide that showing their affection in front of Thranduil wouldn't lead to instant death?
You settled into the cushions again, pulling Thranduil next to you.
There was a passing look between Thranduil and Legolas, where Legolas raised an eyebrow daring his father to say anything, and then between Thranduil and Aragorn, where they both nodded at each other before turning away; Thranduil to you, Aragorn to Legolas.
It was so weird, your lips curled.
Then you realized the movie was paused, the screen showing the beginning rather than the middle where you'd left.
"Noo," you whined as realization hit you, "You didn't continue!"
"Why would we? It's so much funnier if you're crying and screaming," Legolas teased and you fired a look of pure hatred at him that he reflected with an angelic smile.
Next to you, Thranduil had made himself comfortable, long legs stretched out and one arm lifted onto the cushions, giving you an encouraging nod to come closer.
You followed the invitation, huddling closer until you were nearly glued to his side and, after drawing the blanket over the both of you, his arm found its place on your hip, fingertips lifting your shirt just enough for him to feel the warmth of your stomach under his spread palm.
"Don't worry," he whispered and his nose nudged the crown of your head, "I scream much louder watching these movies. Now, Legolas, know that after this movie you're in for spilling wine again and ruining the carpet!"
"Wasn't me." Legolas tipped his chin to the wine glass next to where you'd sat when Thranduil had come home instead of telling him that there was in fact no stain or no ruined carpet.
"Oh," Thranduil's hand started circling your stomach, causing the army of butterflies in there to fly high, "then don't worry, sweetheart. I hated it anyway, ugly color, so much white. I'll buy a new one in red if you like that color that much."
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frodo-with-glasses · 7 months
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More Reading Thoughts: Three Is Company
Frodo calling it “Our Birthday” is making me feel things. Oh would you look at the time, it’s Crying About Bilbo and Frodo O’Clock again TT~TT
It’s honestly such a mood that Frodo says to himself “I’m following Bilbo!” so he doesn’t have to think about “I’m carrying a thing of great evil into danger and unseen ends”. Me too, Frodo. Me too.
“And see that Sam Gamgee does not talk. If he does, I really shall turn him into a toad.” 🤣
“Bilbo went to find a treasure, there and back again; but I go to lose one, and not return, as far as I can see.” OH WOULD YOU LOOK AT THE TIME—
Also “and not to return” is so heartbreaking, especially knowing that by the time he gets to Mordor Frodo is fully expecting to die at the end of his journey TT^TT
“It may be your task to find the Cracks of Doom.” JUST DROP THAT FORESHADOWING RIGHT THERE LIKE IT’S NOTHING, HUH, TOLKIEN??
Also teehee crack
Yes I am a twelve year old boy on the inside, moving on
The local shade towards the Sackville-Bagginses is HYSTERICAL
“Ah yes Merry is looking out for a house for me in Buckland.” INSTANCE #2 OF MERRY BEING ORGANIZATIONALLY GOATED
I’m honestly very impressed by how neatly Tolkien crafted Frodo’s backstory and interwove it into the story. The idea that he’s going back to Buckland where he grew up really does seem credible! None of the hobbits would suspect a thing! I almost have to wonder which came first in Tolkien’s mind, Frodo’s backstory or the fact that he’d need a good excuse to go East. It’s so well-crafted and it makes my writer brain happy.
F in the chat for Folco Boffin; we know your name and nothing else about you
Frodo draining the last of the wine like “lol at least the Sackville-Bagginses won’t get THIS!” is very funny to me
I have said it before, I’ll say it again, Frodo looking in the mirror and going “geez I’ve gotten fat” will NEVER NOT BE FUNNY
“Frodo did not offer [Lobelia] any tea.” I hereby name you Frodo Sassville-Baggins.
Aww, the Gaffer agreed to Sam going to Crickhollow to work for Frodo!
If only he knew just how far he was really going
“…though it did not console him for the prospect of having Lobelia as a neighbour.” o7 for the Gaffer, everybody
And they had tea by themselves and left the dishes for Lobelia 🤣 FRODO SASSVILLE-BAGGINS
“‘Coming, sir!’ came the answer from far within, followed soon by Sam himself, wiping his mouth. He had been saying farewell to the beer-barrel in the cellar.” LOL
Also I can’t blame him, knowing what he’s walking into
“He waved his hand, then turned and (following Bilbo, if he had known it) hurried after Peregrin down the garden-path.” OH WOULD YOU LOOK AT THE—
Frodo, whining: "My bag is so heavy" Sam, lying: "I could carry more, sir!" Pippin: "Oh no you don't, let him suffer"
Honestly the dynamic of this trio is super underrated LOL
I'm honestly not sure whether "well, we all like walking in the dark" is meant to be sarcastic or genuine—the way it's repeated later on makes me think it's genuine, but I can't be sure—so just to be safe I'm bringing the Frodo Sassville-Baggins score up to 2.5
I'm taking the time to read the walking bits slowly now, and honestly, the way Tolkien describes the countryside of the Shire is so beautiful. I want to go there, and I want to walk there, and I want to see what the hobbits are seeing. Every little piece of nature and topography elicits an emotion; from the enclosed safety of Hobbiton, cradled in its cozy little valley, to the great fir tree standing guard over the hobbits as they sleep, to the road winding endlessly on before them, promising still more work and beautiful scenery and adventures to come. Is this slow reading? Yes. But I love it so much.
Frodo wakes up and the first thing he does is grumble to himself about his back and neck. He really is an old man. I love him.
Honestly this entire scene is comedy gold
Frodo: "Wake up, hobbits! It's a beautiful morning." Pippin, a literal teenager: "What's so beautiful about it?" ROFLOL
Pippin, literally out in the middle of nowhere: "Sam, draw a bath!"
And for that, Frodo steals his blankets and makes him roll over. Frodo Sassville-Baggins score: 3.5
Pippin: "Water! Where's the water?" Frodo: "I don't keep water in my pockets!" SASSVILLE-BAGGINS SCORE: 4.5
And then he makes Pippin come get the water with him, since he wants it so badly. I love Exasperated Older Sibling Frodo and I wish we got to see so much more of it.
Pippin, after Frodo randomly bursts into poetry: "Wow, was that Bilbo's poetry, or yours? It's kind of a downer."
I'm so glad they kept the "it's dangerous business, Frodo, going out of your door" line in the movies, because it really is so good.
Sam's canonically good hearing returns!
Frodo suggesting they prank Gandalf for being late is honestly so cute lol
Twice in this chapter we get the eucatastrophe of Frodo just barely not putting on the Ring, right at the last second. The first time, the Black Rider just walks off on his own, and the second time the Elves show up and scare him off. I will praise Frodo's virtues 'till Spring turns into Winter, but I think this is clear evidence right from the beginning that Frodo was not, and could not, be saved from the temptation of the Ring by any virtue of his own. He is saved; he does not save himself. All of which is honestly very Christian of Tolkien.
Pippin, to Frodo: "All right, keep your secrets!"
I love the walking song. I might do a revised recording of it, if you guys will tolerate my singing voice again X-D
Can we just acknowledge how bad*ss it is that Frodo sneaks up and spies on a Black Rider, just out of curiosity?? Like, I know this is more a feat of stupidity than it is of courage, but given everything we know about them by the end of the book, that is honestly WICKED cool.
Sam, having to be dragged back by his arms: "ELVES! ELVES!"
GILDOR!!
GILDOR MY UNDERRATED BESTIE
I can't wait to draw Gildor. He's gonna be so PRETTY
"But we have no need of other company, and hobbits are so dull" is so funny tho
The Elves, with all the love in their hearts: "You can't sit with us, you're boring!"
FINROD MY MAN
I have not read the Silmarillion, but I know enough about it to know that Finrod is the G.O.A.T.
The Elves: "You're being followed by Black Riders?? Okay you're coming with us now"
Frodo speaking the High-elven tongue like a NERD
I love him
And Gildor immediately like "LOL y'all watch your language, the babies can understand us!" I love him dearly
....Okay wait I have a thought about the hobbits walking with the elves until they nearly fall asleep on their feet. A thought about soldiers and Tolkien's experience in war. Wait. I'm gonna have to make a post about this.
Eyyyy it's the Turin constellation!
Something about the Elven hall did indeed become a core memory for young Lady Glasses. I spent quite a few years building a fantasy world that would capture that sense of mysticism and wonder. Just like Sam and Pippin, I never really remembered the details, but the emotion stuck with me, and it enchanted my imagination.
The Elves bringing out a Thanksgiving feast and saying "sorry we don't have better food" is like going over to your friend's immaculately cleaned house and them saying "sorry for the mess"
Frodo speaking the Elves' language and charming them all is so cute
Sam falling asleep at Frodo's feet as he talks to Gildor is SO CUTE
“At last Frodo asked the question that was nearest to his heart: ‘Tell me, Gildor, have ever you seen Bilbo since he left us?’” OH WOULD YOU LOOK AT—
"My faithful Sam" UGH THE FEELS
Gildor: "But it is said: 'Do not meddle in the affairs of Wizards, for they are subtle and quick to anger.'" Frodo: "And it is also said, 'Go not to the Elves for counsel, for they will say both no and yes.'" HAHAHA GETTIM FRODO
SASSVILLE-BAGGINS SCORE: 5.5
Gildor saying "you don't need to understand the Black Riders, just stay away from them" is honestly very Christian of Tolkien too. The best spiritual warfare advice I've ever heard is "don't try to understand demons; just get as close to your Protector".
Anyway Gildor complimenting Frodo is very cute and that is all
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betyloca · 3 months
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giant cat and little mouse
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summary: you are a were jaguar who joined Thorin's company thanks to Gandalf but a certain hobbit always follows you like a shadow
you were escaping with the dwarves from the orcs you ran as fast as you could some of the dwarves were fighting them until they surrounded them you looked behind you you saw bilbo who was hiding behind you he looked scared you put an arm in front of him in a protective manner
you saw some grubs approaching showing their teeth you noticed that gandalf found a cave that would take them to Riverdale you looked at bilbo saying
y/n: Bilbo, when I distract them, run to the cave.
Bilbo: What?
y/n: run just run
you told him you started running towards the guargos while you transformed into a jaguar you pounced on them biting and scratching them you saw how bilbo ran to the cueba
You began to finish them one by one until more began to arrive "fuck" you thought until you heard a sound and arrows began to shoot at the bows and guargos you saw elves fighting with them until they left
An elf saw you and pointed an arrow at you. You growled at him in warning.
elrond: stop she is not a danger
guard: but it's a beast
Elrond: It's not, she is y/n.
approaching said while examining some scratches on your back.
Elrond: You were hurt, we will take you to Riverdale.
He said, stroking your head as he headed to his horse to head to Riverdale. You followed them even in your jaguar form. You couldn't transform into a human. You still didn't have any clothes.
Hacecandoce said while examining some scratches on your back.
When you arrived you saw the dwarves, the hobbit and Gandal safe, which relieved you.
They were on guard when they noticed the elves, but even more so when they saw you clearly, you forgot to tell them that you were turning into a jaguar.
gloin: what creature is that?
balin: it's a jaguar
Fili: Why would they bring him?
You began to move while you saw how they looked at you with fear except for the hobbit, he began to move slowly while you stayed still.
Oín: Bilbo, what are you doing?
Thorin: Bilbo come back here
He didn't pay attention. He stayed looking at you until he placed his hand on your face. You looked at it, resting your head on it. He smiled, caressing you while you purred.
Bilbo: It's Y/N.
Kili: What?
Bilbo: I saw her turn into a jaguar
Gandalf: It's true, she is a were jaguar.
~~~~~~~~•~~~~~~~~•~~~~~~~
It was night you were walking through the gardens without being able to sleep you were looking at the stars your wounds had been healed you were wearing a dress that they had lent you you were deep in thought when you felt a familiar smell you hid behind a column when you noticed Bilbo coming out of his room hiding looking for you you stood behind him whispering to him
y/n: who are you looking for, my beautiful prey?
Bilbo jumped in fright, turning around to look at you nervously.
Bilbo: I just walked to no one
y/n: okay
You said passing by him as you walked, he followed you in silence until you reached a bench where you sat down.
y/n: sit down or do you plan to stand
He sat next to you while playing with his fingers.
y/n: and tell me what you plan to do next
Bilbo: After what?
y/n: from this adventure
He looked at you thoughtfully.
Bilbo: I didn't think about it and you?
y/n: I don't know either
Bilbo: well if you want you can come to my house and we could have tea
you giggled
y/n: okay that sounds good
They remained silent until he spoke again.
Bilbo: Does it hurt when you transform?
You looked at him he seemed a little worried.
y/n: no when it was the first time yes but not now
he let out a sigh
y/n: you know, I have never seen a creature that was not afraid of me, men, dwarves, even elves are afraid of me, but a little hobbit was not afraid of me, that is having courage.
Bilbo: why value?
You started to make him care more while you made him feel smaller than he was.
y/n: make you face a beast that you know very well would tear you to pieces in a few seconds and no one could help you.
You said as you saw how nervous he was and the blush that appeared on his cheeks.
Bilbo: And if the beast decides not to hurt me
you leaned into his ear, whispering to him
y/n: well you would be very lucky if it didn't touch you with its claws.
You said, letting out a growl as you ran your claw-like nails along his neck and up to his cheek. He shuddered, letting out a gasp.
You started to like how nervous he got
y/n: although I think you like that, that's not the case, my little prey.
You looked at him, you saw how blushing he was, he was a mess of nerves as you put your hand on his neck, caressing him with your claws.
y/n: or am I wrong?
Bilbo: Yes, I would like to.
You made yourself kiss his cheek until you reached his lips and he let out a gasp.
You continued kissing him until you separated from him you saw him gasping for air he looked at you blushing.
Y/N: You are such a cute little thing, you know that.
Bilbo: Yes
He said looking at the ground without wanting to see your gaze. You took it in your hands looking at it as if you were going to devour it.
Y/N: You know my little mouse wouldn't hurt you.
you said kissing him again without letting go this time.
You didn't know why you liked how nervous you made him but you suspected it was your mating season.
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retellingthehobbit · 4 months
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Your retelling, will it be implying a Thorin/Bilbo attraction?
I ask because I just discovered that ship and when I looked it up on tumblr, it led me to your work lolol
Every time someone asks me this I feel more like I'm making a Real Adaptation! I love the idea of people following this webcomic for years while analyzing the gay subtext as if they're waiting to see if Supernatural will make Destiel canon. a powerful feeling. The short answer is yes! The long answer is that it's complicated, and that if you're not a Bilbo/Thorin Person you should still stick around because I'm going to handle it in a very funky way that is not what you're expecting (also at the rate I draw, it won't be "canon" in the comic for approximately 2039482289798334534534534534 years.) Generally Thorin's role in my version of the story is that he's a living embodiment of The Quest, and Bilbo's feelings for Thorin mirror his feelings for the Adventure. When Thorin first arrives at Bag End, Bilbo is overwhelmed and annoyed and confused-- he finds him both fascinating and horribly frustrating at turns, and has no idea how to feel about Thorin in the same way he has no idea whether he'll join the adventure. As the story continues, Bilbo's feelings on the Quest will shift, and his feelings about Thorin will shift as well. I just really love the general idea of a new take on Thorin where he has a bit more pathos and a deeper relationship with Bilbo. I also think the way LOTR retroactively reframes The Hobbit as a story written by 'unreliable narrator Bilbo Baggins' adds to the possibilities a lot! there's a lot of queer subtext in Lord of the Rings, and it's fun to bring more of that subtext into the Hobbit. Tolkien often refers to hobbit adventures as "queerness,' and makes "queerness" the name for the thing that bigoted hobbits are afraid of; the fact that Bilbo has been repressing the "queer" part of himself that he inherited from his mother is, canonically, the thing he's struggling with in the beginning of the story.
I really enjoy the bit in the Unfinished Tales where Gandalf describes Bilbo like this:
And now I found that he was 'unattached' - to jump on again for of course I did not know all this until I went back to the Shire. I learned that he had never married. I thought that odd though I guessed why it was; and the reason that I guessed was not that most of the Hobbits gave me: that he had early been left very well off and his own master. No, I guessed that he wanted to remain 'unattached' for some reason deep down which he did not understand himself - or would not acknowledge, for it alarmed him.
That feeling of not being "out to yourself" and not knowing what it is that you want out of life is just!!! It's just very compelling to me.
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Thorin's still gonna die though. Don't you hate it when you have this whole elaborate coming-out-to-yourself story but then your first gay crush is so Problematic he kiiiinda nearly starts a war so you betray him by stealing the Heart of his Mountain in order to prevent that war, but then the war happens anyway and he dies horribly :/. A universal gay experience.
Thorin is also an interesting character to play with, especially because I'm diverging more from the book (compared to Bilbo or Gandalf.) The way I'm planning to handle him is that he's a character we see only "from the outside," from the perspective of other characters, and no character sees every side of him. The dwarves portray him as a noble king; the elves portray him as a haughty arrogant joke, to the point where it affects Tolkien's own "translation" of the story; Bilbo has his own complicated feelings about Thorin, but even his portrayal of Thorin is heavily biased and he never gets to see the full picture.
But yeah-- the Hobbit is originally a very lighthearted story, but I do think there are lot of darker and deeper emotions you could explore in it if you wanted to, particularly if you bring in the metatext of how it's reframed in Lord of the Rings. And I do want to explore those darker emotions! So I am XD. There already was an extremely book-accurate comic adaptation of the Hobbit that came out in the late nineties (though it's super short and the pages are cramped to fit in all the prose)-- so I don't really see the point of being obsessively close to the original novel, since an obsessively close comic adaptation already exists. This comic is for the Weird Queer Overly Emotional Metatextual Reframing of The Hobbit!! Anyway, it's fun.
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ach-sss-no · 1 month
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this is one of my favorite gollum moments and unlike the waterfall scene it's short and i can talk about it now before my work email starts functioning again (also, i might forget about it later)
it's such a small thing
small but full of mischief
so this is right after they left faramir's camp; Gollum is really antsy and insisting on moving as quickly as possible.
Gollum often paused, sniffing the air, and then he would mutter to himself and urge them to greater speed.
(All the quotes are from The Two Towers by J.R.R. Tolkien, Chapter 7, Journey to the Cross-roads)
He's saying that they've taken a detour and need to catch up. It's not clear to me why he needs to go so fast and whether it's 'we will be kiled by orcs' or 'there is about to be war everywhere' or 'I need to dump you guys off at my spider gf's cave as quickly as possible because I want to get back to being evil' but it doesn't really matter why, the point is that he's wanting to go as fast as possible and the hobbits have agreed to let him set the route and the pace.
But frodo and sam get tired because they've been walking a whole lot, and insist on resting:
'What shall we do? ' he said. 'We have walked long and far. Shall we look for some place in the woods behind where we can lie hidden? ' 'No good hiding in the dark,' said Gollum. 'It's in day that hobbits must hide now, yes in day.' `Oh come! ' said Sam. 'We must rest for a bit, even if we get up again in the middle of the night. There'll still be hours of dark then time enough for you to take us a long march, if you know the way.'
FYI: there have been moments all along where gollum goes 'yes we're all tired nice hobbits' and then jets ahead at 'almost a trot' and expects them to follow
Gollum reluctantly agrees to rest but makes them walk farther first:
Gollum reluctantly agreed to this, and he turned back towards the trees, working eastward for a while along the straggling edges of the wood.
Gollum fights them on where to sleep:
He would not rest on the ground so near the evil road, and after some debate they all climbed up into the crotch of a large holm-oak, whose thick branches springing together from the trunk made a good hiding-place and a fairly comfortable refuge.
Gollum goes to sleep. The hobbits don't.
Frodo and Sam drank a little water and ate some bread and dried fruit, but Gollum at once curled up and went to sleep. The hobbits did not shut their eyes.
Gollum wakes up in an unnecessarily eerie manner
It must have been a little after midnight when Gollum woke up: suddenly they were aware of his pale eyes unlidded gleaming at them. He listened and sniffed, which seemed, as they had noticed before, his usual method of discovering the time of night.
Gollum is fully awake and alert and perky. sméagol had nice nap and beautiful sleep!! and wants to start running full tilt towards mordor immediately
'Are we rested? Have we had beautiful sleep?' he said. 'Let's go!'
Sam and Frodo were the ones who wanted to stop and rest and they didn't get any sleep at all
'We aren't, and we haven't,' growled Sam. 'But we'll go if we must.' Gollum dropped at once from the branches of the tree on to all fours, and the hobbits followed more slowly. [LOTS of scrambling through rough terrain later]
At last Gollum turned to the hobbits. 'Day soon,' he said. 'Hobbits must hurry. Not safe to stay in the open in these places. Make haste! ' He quickened his pace, and they followed him wearily.
in conclusion:
Gollum is the most obnoxious person alive.
Imagine you are traveling with this jerk and you want a nap and he refuses and you have to argue him into it. Then he is picky about the spot you sleep in. then you have to watch him sleep while you have insomnia and then he wakes up and asks you if you had beautiful sleep (he may actually be talking to himself when he says that though, which is worse)
That's not even his fault. It's not Gollum's fault that he has the ability to turn his consciousness off immediately when it's sleepytime (he's done it before and apparently that's just how he functions). he was told to take a nap. he took a nap. He's not trying to antagonize anyone. he's just like that! edit: Oh oh and he has no idea they didn't sleep because he was asleep and has no idea what they were or were not doing while he was asleep
It's not even his fault that he walks fast! Gollum is driving himself at exactly the same pace as the hobbits, and is not asking them to do anything he's not doing and I don't think it's even unfair! Maybe some of this is easier for him than for them but also Gollum has this horrible warped twisted body and has to move on all fours so it can't be that easy! He's not even rude about it and he's supplying reasons (it's not safe to linger in the area. and I'm sure it isn't)! He's just so!!!! annoying! That's why it's so funny, nothing about this interaction is evil or malicious and he is just NATURALLY LIKE THAT. There is no good outcome from interacting with gollum.
How much do you think sam wants to punt him into the sun every time he says 'make haste' (he says it a lot). Mr. Frodo is tired >:(
TL;DR another circle of gollum hell: He's sometimes at his most antagonizing when he's not doing anything wrong and doesn't seem to have any desire to cause problems he's just
he's so awful
I'm not sure he even knows this is annoying
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elronds-meleth-nin · 3 months
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Bruinen's Eastern Shore - Part 1: Flight
This is set just prior to the events of the first Hobbit movie, so take that how you will. I'll probably have four parts for this fic. If anyone wants to be tagged for any future fics or updates, let me know and I'll start a taglist. Anyway, this is my first LotR related fanfic, so enjoy!
Cross-posted to AO3 here.
~*~
Elrond x Reader
[A/N: I haven't seen RoP, and I don't plan to, so this is Hugo Weaving's Elrond. All of my knowledge regarding this universe comes from the Jackson movies and the books.]
Warnings: Slow burn, Elf x Human romance, age gap (obviously, I mean, he's over 6000 years old), mentions of combat, death, blood, undefined magic (I'm winging it rn so uh...don't think about it too hard).
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~*~
"Thank you again for taking the time to meet with me, Lord Elrond," the Man said as the pair walked through Elvish halls. The stone was older than the Human by several thousands of years, yet the Elf lord was there when they were first carved into bricks for construction. "I know your schedule is full to bursting–"
"Nonsense. I am always pleased beyond measure to speak with you, mellon-nin," the Elf interjected as they walked into his study. "Tell me, how are your people holding up with this new threat?"
That was precisely why the Man had come to Rivendell, in the first place. Even as nomads, Orc attacks used to be few and far between for his people, happening perhaps once or twice a year, but in the last six months alone, they'd repelled four assaults. Their losses were becoming concerning. The Man, their leader, decided that the time had come to seek advice and possibly assistance from one much wiser than he.
"They are shaken...frightened by even the smallest of things. The snap of a twig, a particularly loud howl from the wind..." The Elven host offered his guest a seat near his bookshelves - a quiet nook which he reserved for serious conversations or quiet contemplating - and took in his haggard expression. That Elrond understood more than anything. Remaining strong when you were just as afraid as the people whom you were trying to protect was a difficult task. Such endeavors could wear heavily on even the most seasoned and confident of commanders. "They are doing their best to remain strong, but I must confess, I-I am becoming less certain every day about the wisdom of my insistence that we keep moving. Perhaps we should find one good, defensive position and dig in..."
Elrond could see his dilemma.
"But if you took such an action, you would feel as though you were cowering, is that not so?" He offered no judgment and no solutions. Not yet. He wanted to guide his friend along the path to finding his own answer, not force his hand in one direction or the other. That was not his place. That was not his purpose.
The sigh that escaped the Man's lips was ragged, and his shoulders slumped slightly as if the weight of all Middle Earth was upon him.
"I know 'tis prideful, but our people have never shied away from a fight. To dig ourselves into a trench...that would feel too much like desperation. And, each time the Orcs returned, they would know exactly where to find us and how many more it would take to breach our defenses," he muttered running a hand through his hair. Once vibrant and full of color, the strands were flecked with gray. The Elf lord was reminded quite starkly of how much of a toll time took upon the mortals. A pang of sorrow twisted through his heart. After over six thousand years of life, he was well aware that death was a natural part of life for those species who were irrevocably tied to mortality, but his heart ached no less for his friend's eventual fate. "If we keep moving, though, they still manage to find us. Each attack grows in strength. Every time, more and more of my people fall upon enemy blades."
Elrond nodded his head with sympathy and understanding.
"Have your people offered any suggestions about what you might do?"
The Man stood abruptly and began pacing.
"Mekor put forth the idea of joining with a stationary settlement - just until the hoards are cleared, you understand," he said, but he shook his head. "I did not tell him, but the last time we were near several of the major cities, I...scouted ahead. I spoke with their leaders, explained our situation."
"And?"
"And, they all said the same thing: 'I cannot in good conscience allow you to draw such large numbers of orcs to our gates.' The difference is that they at least have gates behind which they can defend themselves," the Man paused near the window overlooking the valley. "And you know why I cannot go to the Rangers."
The Lord of Imladris drew in a deep breath and stood, making his way to his friend's side and laying a hand on his shoulder.
"Is there any help that I could offer which you would accept, mellon?" His question was quiet and probing, yet free of judgment. Elrond knew well the pride of Men and their desire to act as independently as possible. That would not, however, stop him from helping where he could. He would even go so far as to bring these mortals into Rivendell to stay. It was, after all, a refuge for just such an occasion.
After a long moment of consideration, the Man cleared his throat and lifted his chin as if to preserve his dignity.
"Our swords are old. Chipped and cracking. Several shattered during the last skirmish. And our supply of arrows and bow strings is...woeful. The few who were skilled at replenishing both were killed two months ago."
"I'll have Lindir draw up a list of supplies. No matter how small your need is, please tell him everything. We are more than happy to give you whatever help you require," Elrond said, and he could have sworn that the Human's eyes were filling with unshed tears of gratitude. Neither Man nor Ellon mentioned it. Trying to restore his friend's smile, at least to a small degree, the Elf lord changed the subject. "Tell me, how is your daughter faring through all of this?"
The grin that stretched the Man's lips was warm; the love he held for his only child shone brightly in his eyes, restoring some semblance of youth to his weathered features.
"She believes that this is all one big adventure. Though she be only a few years old, she is curious...asking more questions than I rightly know how to answer," he stated proudly. "She has her mother's intellect, and I am glad of it. I am no teacher, but I've managed to convey to her the meaning of a few words of your language."
Surprise was surely evident upon Elrond's face at his friend's declaration.
"Mellon-nin, I am honored."
"She'll need to be able to communicate with your people once she discovers what she is." The Human reached into his pocket and pulled out a small book, flipping it open and retrieving a loose piece of paper. "My late wife, as you know, was the artist of the family, however..."
He trailed off as he offered the page to his host. Elrond took it carefully, looking at the sketch of a little girl.
"Your daughter?" He asked almost reverently as he took in her joyful expression. Even in this simple drawing he could see the intelligence behind her eyes. After a few moments' keen observation, he tried to hand the drawing back to the Man who'd created it but was gently refused.
"Keep it. I brought you that, my dear friend, because if something happens to me...I want you to be familiar with her likeness. It will likely be vastly outdated by the time you meet her, but 'tis better than nothing." The somber tone of voice made Lord Elrond pause. "She is more important to me than all of Middle Earth, and if...if the Orcs take me from her, I must know that someone in this world knows to look out for her..."
Setting the sketch on his desk, the Elf placed his hands on his friend's shoulders.
"Should either of you ever need help, I will be there. She will have every protection that I can possibly afford her," he promised.
"There is...something else," the Man murmured looking into his friend's eyes. "It could be no more than an old man's imagination, but things have happened around her. Small things. Rain repelled from her as if it cannot touch her. Ripples in a pond by which she sits, though no breeze caressed the water's surface."
Elrond's posture straightened further at this new information. He knew that the blood of Númenor was thin in most, but if this was true, his friend's daughter might have a rare gift.
"Have no fear, mellon-nin. Your daughter will find her path, and if I can, I will gladly help her."
By the time of the Man's departure from Rivendell, Elrond had prepared a gift. With the weapons and extra supplies that he presented, the Lord of Imladris had one other item to offer. Opening a small, wooden box carved with Sindarin script, he revealed a silver necklace. The craftsmanship of his people was evident in the intricate curls and swirls of the metal. In the center was a forest green gem that, to the Man, seemed to glow with its own light.
"This is for your daughter. The pendant is a symbol of our protection - proof that she has favor with us. All she ever need do is show this to any Elf, and they will do whatever is necessary to assist her. If none of my people are near, she need only touch it and ask for help," Lord Elrond promised, and as if the gem could hear him, it pulsed with a warm, affectionate glow. The girl's father looked from the necklace to his friend, and this time a tear slid down his cheek as he offered his profuse gratitude. "I would be remiss to do anything less, mellon-nin."
After tucking the box safely away in his saddlebag, the Man embraced his friend. Neither knew that it would be for the last time.
--
"If you find yourself in danger, seek the elves of Rivendell."
My father repeated that to me more times than I could count as soon as I was old enough to comprehend the meaning behind his words. Our people were nomadic, constantly moving from place to place, setting up camp wherever we found ourselves. Every time we stopped, he made sure that I knew two things:
The first was the location of the nearest source of water.
The second was the way to Rivendell from our temporary encampment.
Long before I was brought into this world, my father ensured that we were on friendly terms with the steward of the valley. Each time we were even remotely close to Imladris, he made a point of speaking with the Elven lord.
Once, when I asked what Lord Elrond looked like, he brought out a small box of my mother's sketches. Rifling through them, he made a triumphant sound when he found the one he sought. Setting the box carefully aside on his bedroll, he had me sit beside him and turned the page toward me.
"The last time your mother and I visited, she made a point of drawing him. You must remember his face, my little love. One day you might need to request his help as I have done."
Much of the time, our wandering took us far from that sacred valley and the river that flowed before it. The final time that my father was able to visit, he brought back a gift. A necklace.
But it wasn't just a necklace. There was something about it that sent a wave of calm assurance through me. A sense of safety permeated my being every time I touched it. The cool metal seemed impervious to the elements, never rusting or tarnishing, as only the skill of the elves could accomplish. More than once over the years, I found myself looking at the pendant, wondering about the being who'd given me something so obviously unique on a whim.
Two decades and a handful of years later, I found myself sprinting through the trees with half of our remaining people. We were twelve desperate souls, flying through the underbrush with a hoard of Orcs behind us. Every few steps, I aimed an arrow behind me and prayed that it hit its mark upon my release.
"Come on! We're almost to the river!" I shouted, and my father's second in command, Mekor, let out an answering shout as we approached the ford. The snarls of Orcs and their Wargs nipped at our heels, urging us to move faster.
As much as it hurt, I was forced to ignore a terrified shout as the pack swallowed up one of our tired stragglers. This was a last ditch effort. If we stopped, we'd die.
Eleven.
Struggling for breath, I urged my people toward the sound of the Bruinen River and its eastern shore. Arrows from our pursuers flew through the trees, embedding themselves deeply within trunks and flesh alike. A few screams began and were silenced abruptly.
How many was that? Two? Four? No, we could count our dead once we were safe. Any who fell behind at this point were beyond our ability to save. Fifty Orcs against less than a dozen Humans? We would be lucky if any of our number survived the crossing.
Aiming another arrow backward, I allowed myself a moment's relief at the injured shriek of a Warg and the sickening crunch of its rider's bones as both crashed to the ground. Adrenaline rushed through me as the treeline appeared before us. The grass beneath our feet became a mix of pebbles and sand, rocks and mud.
"Quickly! Cross the river! Make for the eastern shore!" I shouted, and a few of the remaining people in our group echoed the sentiment. Two were cut down before they cleared the trees, their gurgling cries sending a bolt of helplessness through me even as I nocked and released arrows to buy time and space for my people. A few splashes reached my ears, and I prayed they'd make for the trees.
A yell of my name sounded from behind me.
"Come on! Get clear!" Mekor sounded much closer than I would've preferred. I needed him to live.
There were too many of them for me to hold off alone, so I turned and ran, beginning to cross the ford as quickly as I could. The pendant beneath my shirt thrummed against my skin, and an arrow whizzed by my ear so close that I could feel the displaced air from its fletching. That was too close for comfort. Much too close.
For the most part, the Orcs were afraid to cross into this territory. The Elves defended their land fiercely against such filth, after all, and very few of the cretins were stupid enough to seal their fate so definitively. However, a few who were brave enough - or perhaps foolish enough - to risk death started into the water after me. Not yet having reached the shore, I turned, grasping for arrows, but my quiver was empty. With a quiet oath, I turned and ran toward the trees. My boots were drenched, my lungs ached, and I blinked away sorrowful tears at having lost so many souls so quickly.
With a forest as ancient as this, the trees were rumored to whisper to each other and to those who remembered how to listen. The Elves listened.
Lord Elrond listened.
"Get to the trees!" I shouted, then I dug my hand into my shirt and grabbed the pendant. "Help us! Please! We're dying!"
The few brave Orcs who made it across and had not been shot down instantly apparently lent courage to their fellows. The Warg riders began to cross the racing waters, and I felt a horrible sense of dread settle into the pit of my stomach. The sight of boots disappearing into the trees was all well and good, but the Orcs would follow.
Someone had to make sure that they were distracted.
I had but one shot.
--
About an hour before he and his soldiers engaged the Orc hoard, Lord Elrond of Imladris had a vision. His gift of foresight showed a group of terrified Humans racing across the Bruinen with countless Orcs behind them. He was about to send out his guard, but the face of the young woman fighting so hard to protect the others made him pause.
He knew her face. She was older now - quite obviously an adult - but he still recognized the intelligence in her eyes and the determined set to her jaw.
More than that, the sparkle of the pendant that had escaped the collar of her shirt made him freeze. Icy dread washed over him as the vision changed to show her fleeing toward the trees. Her voice floated into his ears as easily as if she'd been standing right beside him.
"Help us! Please! We're dying!"
Elrond did not hesitate.
"Lindir!" He shouted as he began donning his armor. The younger Elf rushed into his lord's study. "Lindir, have my horse saddled. And ready a group of fighters. Hurry! Orcs are coming!"
When Elrond and his warriors caught sight of the group, the Orcs and Warg riders had just begun crossing the river. The glimpse he'd caught an hour before of her hair swishing over her shoulder as she fought repeated itself before his eyes, including her plea for help which now sounded as it should - like a whisper echoing through his very being, drawing him toward her. As he watched, she doubled back on her path, rushing back into the water.
She was trying to draw the focus of the Orcs away from her people - there weren't many Humans left. He urged his horse faster, his heart a racing drumbeat in his chest accompanying the galloping of his mount. He would not allow his friend's daughter to die within his borders while these lands were his to protect!
He'd just drawn his sword when the river's water began to whirl around her. Creating a wall between the Orcs and the remaining Humans, the water roared and flared with a shout from the woman. She lifted her arms, shoved them forward as if pushing a heavy weight, and the wall of water crashed over the majority of her enemies, washing them away as easily as pebbles in a current.
Magic. She'd performed magic! Her father had been right all those years ago.
But it was not the time to ponder her abilities. The time had come for him to fulfill his promise.
She'd bought just enough time for Elrond and his riders to reach the Orcs and cut down those who remained. Blades hissing and flashing, the Elves felled them easily.
By the time he turned back to the river, he saw her collapse onto the sandy bank, panting for air. He recognized the sight instantly: she'd overextended herself. Dismounting with a swish of his cloak, Elrond ran to her side, dropping to his knees and sheathing his blade before turning her gently onto her back.
Her glassy, exhausted gaze met his, and recognition flashed through her clever eyes.
"Elrond o Imladris, boe ammen veriad lîn." The words fell easily from her tongue despite how close she was to unconsciousness. She'd practiced them before.
"You have it, my lady," Elrond murmured, and almost as soon as the words passed his lips, her eyelids closed and she went limp in his grasp. He lifted her into his arms, cradled her close to his chest for one selfish moment, and with a few orders to his men to round up any survivors, the Elves brought their charges into the Hidden Valley.
~*~
Elvish Translations:
mellon-nin = my friend
Elrond o Imladris, boe ammen veriad lîn. = Elrond of Imladris, we need your protection.
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tathrin · 3 months
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Okay but the Dunedáin. They've been roaming the western wilds for years and years. And then Aragorn goes off and gets himself made king of Gondor, huzzah ring the bells sound the trumpets etc.
But.
The Dunedáin. Do they all go to Gondor with him? I feel like that's the implication of things. But like...do they all want to? And if/when they do, how does it go?
(There has to be a significantly higher number of them than the 30 we see represented by the Grey Company, too, right? Like even assuming the addition of wives-elders-and-children to those numbers, there has to be a much larger population than that if they're maintaining a population. Even with intermarrying of the other locals. Like, even with Magical Noble Lineage going on to keep things from getting wonky, they can't be interbreeding that much or else everybody would be an Heir To The Throne Of Gondor by now lmao. Those 30 have to just be a fraction of their folk. The "good riders and good warriors who could be gathered on quick notice" fraction.)
Is everybody excited to leave their lowkey wilderness-with-the-occasional-vacation-in-Rivendell existence in favor of the Fancy Shiny White City Full Of Other Humans? The Dunedáin have been living like this for hundreds and hundreds of years. It's not just a "we spent a few decades in exile, but taught our kids Our Ways to preserve them, so they'd be comfortable when they went home" situation. They've been living like this for so long that this is their way of life. This is their home. And now they're supposed to just pack-up and go to Gondor and be fine?
And how do the Gondorians react to having not just a new king, but a new king who brings along a whole bunch of scruffy Rangers for his retinue? Are they welcomed eagerly by a people who've just endured great loss of life and need hands to help them rebuild? I mean tbf probably at first, sure; but how long does that welcome endure without starting to cool when these Rangers prove to be not just Gondorians From Elsewhere Who Nonetheless Act Just Like The Rest Of Us And Know Our City And Its Ways As Well As We Do? Because they don't! They don't even know which hall is used for banquets and which for dancing! They don't know that on Aldëa we wear carnë! and so on.
(Do they all just go to Ithilien with Faramir out of sheer what-the-fuck-am-I-going-to-do-in-this-bigass-city-ness?)
Yes they're all of the Blood of Westernesse and all that, shared Numenorian heritage blah blah blah...but imagine you've been living off-the-grid in the forests of Pennsylvania, and all of a sudden you're dropped in the middle of NYC and told this is your home now, enjoy? How weird would that be? How bizarre, how overwhelming?
Maybe you like it, maybe you thrive there! Maybe you find that Gondorian Civilization is what you've been looking for all along! But what if you don't? What if you find you really hate crowds, and the politics of the city are stifling, and you didn't spend the last seventy years travelling all over Middle-earth learning everybody's ways and culture, thanks, and frankly you'd rather be back in Bree making small-talk with simple farmers and Hobbits, where everybody knows your (nick)name and you're comfortable? Even if you do like it, even if this is All Your Hopes Come True, it's still got to be enormously disruptive. And if you don't...yikes.
(Again, sure, there's Ithilien. But even though that wild-land-recovering-from-the-scars-of-the-Enemy would be more familiar ground to you than the city itself, and Faramir is a great guy and all, Ithilien still isn't your home.)
Like...you don't get to just go back, do you? (Do you?) Maybe but even if you do, even if some of them did, their way of life is still kind of broken; because most of your fellow Rangers are in Gondor now, and you aren't even allowed into the Shire, and the Enemy you've been guarding folks from all this time is gone...
And sure, it's good! This is a good result! This is the Best Case Scenario Ending, really!
But still. What about the Dunedáin?
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rachelillustrates · 1 month
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My top 7 Faerie stories/worlds atm 🦋
**Note, I am super dupes aware that I haven't read/watched everything, so please feel free to reblog/comment with recommendations!**
Faerie is the pulse of my heart, and my mind/spirit/etc. spends a LOT of time thinking about it, SO here's the most resonant of depictions of the realm/faeries themselves in my current opinion (and why).
(And not in any particular order:)
Elfhame, @hollyblack 's "Folk of the Air" series and all related books
Arda, Tolkien's "Lord of the Rings" and all related adaptations
"Suitor Armor" by @thepurpah
Studio Ghibli's take on spirits in Japanese folklore
Brian and Wendy Froud's take on Faerie
"Fraggle Rock"
"Tock the Gnome," by myself!
Thoughts:
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(Art by Rovina Cai, from "How the King of Elfhame Learned to Hate Stories")
I feel very much that Holly Black gets the lushness and richness of Faerie, plus the trickery of it, and that level of dangerous beauty - what attracts humanity to it, etc. How everything is in extremes, too, but also how parts of it echo the human experience - both in terms of courts, but also in terms of the heart, and the emotional impact of intense circumstances and intense feelings.
I am, admittedly, not all caught up yet since I haven't read her earlier works, but of course I recommend starting with "The Cruel Prince" and reading forward from there (the more recent "Stolen Heir Duology" having an extra special place in my esteem)!
(Also special shoutout to the fact that there are Nisse - Gnomes! - in the recent books, AND that her take on Redcaps is absolutely Orcish 💚)
(Also also, cw: Changelings. They can be a triggering/upsetting subject, considering how our concept of them as humans seems to have come about. She does make pretty heavy use of them, but not in the ways that one might expect, and always from a very emotionally-centered space - not a humans-abusing-potential-fae space.)
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So, Tolkien - yes, I am including the world of his works in this because even though he considered them religious and specifically-denominational, he took SO MUCH inspiration from folklore and faerie tales (do not even get me started on what got edited out of "The Silmarillion" istg) that Arda is not wholly Christian, from my Faerie-worshiping queer-ass faerie perspective thankyouverymuch. Not to mention what is being done in fandom with the faerie-races, especially the Dwarves and the Hobbits, AND what recent adaptations are opening up with the Orcs!! Obviously, his take on Faerie is a much more literally-grounded reality - they exist in the Earth-based world (as if Faerie has bled into what we expect Earth to be), they have magic (at least the Elves and Dwarves do) but it's both somehow super ethereal and super physical at once. And divinely connected, since the biggest magic in Middle-earth (or any part of Arda) comes from the lesser Gods - the Valar, and the Maiar who serve under them as well as from Big Sky Daddy Eru, but we're not talking about him right now. So that, to me, really speaks to the spiritual nature of Faerie too - which is always always always personally interesting to me, and Jrrt's take on the fae was absolutely foundational in my budding concept of them, before I even really thought about who they are in a conscious way.
I don't know where to recommend starting, since I got into the world through the Jackson films, first, and I wouldn't change my experience for anything because it's given me SO much. But in fandom, shoutout to the works of @conkers-thecosy (read her fics here!) as well as "A Long List of Happy Endings" by vicious_summer and "The Mushroom Mine" series by @chrononautintraining for Dwarf Stuff - and "Splint" by HelenaMarkos for Orc Stuff. Plus, as much as I know it's divisive, "Lord of the Rings: The Rings of Power" is - again - doing wonders about the Orcs AND doing very well by the Dwarves too, in my opinion, showing them as a fully realized and thriving people (though Dwarf women should still have beards, Amazon!! And there seems to be some confusion around how the name of Durin functions...)!! Available to stream on Prime, here.
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"Suitor Armor" takes place in a world that appears very similar to medieval Earth, and as such the worldbuilding itself doesn't feel very specifically Faerie - yet. However, with the main character having significant ties to the fae, and with the story still having space to explore their culture once the tale takes the characters there, I have faith that we are gonna see more of this take on Faerie specifically soon. In the meantime, what we have seen so far - how faerie magic works, how they relate to each other, etc. - rings true for me, and is lovely to behold, especially in the face of the tragedy around their circumstances in the Big Plot.
Free to read here (and coming to bookshelves in 2025!!).
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As for Studio Ghibli - Miyazaki's take on the spirits of Japanese folklore - which are absolutely Faerie - was SO formative for me growing up. I don't have anything else to say about that except that he's right!!
I recommend "Princess Mononoke," "Spirited Away" and "My Neighbor Totoro," particularly. All available to stream on Max right now (but buying physical media is better, and they're very likely available to rent other places, too).
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Brian and Wendy Froud's work has, of course, also been absolutely formative for me - especially when I started getting into Faerie properly. Their work doesn't require much commentary either - they're just correct 💗 Nothing I've experienced has ever contradicted what I've read in their books, and I feel like their work really, really gets the energy of the fae and the liminality of their existence. And that there is kindness, and light, as well as danger.
I recommend "Trolls" and "Faeries' Tales," to start with, and of course the quintessential "Faeries" by Brian Froud and Alan Lee, which started it all.
(Also, considering what's below, special honorary shoutout to their work on "The Dark Crystal." Definite overlap there and absolutely counts.)
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Obviously there's some crossover with The Muppets here, considering they come from the same studio, BUT if we're looking at just "Fraggle Rock" on its own - absolutely. Though a very different take than those mentioned above, if you're looking for the whimsy and delight at the heart of the fae, the Fraggles have it.
Both the original series and the reboot are currently available to stream on AppleTV.
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Okay, and my own! What I'm doing with the world of "Tock the Gnome" is a little bit different - again, we're looking at a realm that isn't free from some of the physical bounds we find on Earth - but in its vast history there is Faerie at its purest, and the characters are on a Big Quest that will be instrumental in restoring the realm to what one would expect of Faerieland (all wrapped up in a body-positive, sapphic-presenting queer romance, btw). My focus is on Gnomes and Orcs, in particular, since the fact that they're also fae is a big part of my message. Recognizing that, as well as recognizing the importance of connectedness between people and the balance of that and personal sovereignty, and how damage to those things might impact the whole of a magical realm.
All pages available to read for free here, across several platforms (with print issues available here).
🦋💗🦋👏👏
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messrsbyler · 2 years
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Today I'm here to talk about how from season one we are shown how Mike was forced to grow up and mature at a very young age given the dysfunctional dynamics of his family, the neglect he was put through and how he's been left to fence for himself as if he was an adult.
There's many scenes where Mike's attitude and behaviors make a contrast from Dustin and Lucas, even though they are exposed to the same situations. For example, when Hopper questions them and Dustin and Lucas start bickering over whether Mirkwood is a reference from the Lord of the Rings or The Hobbit, Mike is sitting in the middle trying to convince Hopper they can help as well and that they should be out there to find Will. This isn't because Dustin or Lucas don't care about Will as much as Mike does, but immediately we see Mike taking over the role of leader of the group with a much serious approach to the situation.
Where this is even more evident is at the beginning of Episode 2 when the guys bring El to Mike's basement and interact with her. Here is how that goes down:
Mike: "Is there a number we can call? For your parents?
Dustin: "Where is your hair? Do you have cancer?!"
Lucas: "Did you run away?!"
Mike: "Are you in some kind of trouble?"
Lucas: "Is that blood?" *reaches out to touch the blood*
Then Mike stops Lucas saying he's freaking El out. When things get complicated over what to do with El, Mike immediately comes up with a plan for the next day so they all stay out of trouble and can go out there the next night to go and find Will.
Now, keeping in mind that these are twelve years old we are talking about, Dustin and Lucas' reaction to El make sense with how a kid could react. A bit of curiosity, a bit of hesitance and awe, asking questions like of El has cancer because her hair is buzzed and trying to touch the blood on her clothes. Mike, however, takes the approach I would expect from an adult, immediately asking for a number to contact and if the strange girl he found in the woods is okay or in trouble. Instead of giving into his curiosity and awe like Dustin and Lucas, Mike pushes that away and gets to the point in order to help El and learn more about the situation so he can understand how he can solve it.
Then when El tries to take off her clothes we again see this contrast. Dustin and Lucas freak out and turn away, both probably embarrassed and weirded out that a girl just tried to take off her shirt in front of them. And honestly, it makes sense for Mike to feel the same way, but he still instead reaches out to El to kindly stop her and show her the bathroom where she can change. He steps up in the situation and takes control of it. Then when El tells her she doesn't want the door closed, Mike is quick to learn how to communicate with her in order to make her feel comfortable around him (like a protective figure would).
Once Dustin and Lucas leave his house, Mike shows El where she will sleep and they sit down to talk. Now, this is an interesting part of their dynamic because THIS is the first time since meeting El that Mike allows himself to behave like a kid just like Dustin and Lucas had been acting before. When Mike sees El's tattoo he drops trying to control the situation like an adult would and reaches to touch the tattoo because he is a kid and he's never seen another kid with a tattoo, it's something new that surprises him and he acts on that surprise. And then El pulls away and Mike is quick to apologize and pull back as well, and just like that he's back on seizing control of the situation and acting like the grown up between them.
The next day we see Mike also allowing himself to behave more his age around El, showing him around and making impressions for her with his toys, but El is mostly uninterested going around on her own and looking around the house. (This because, in my opinion, El from the first moment is more interested in a parental/protector type of relationship with Mike since she doesn't know what a friend is and doesn't know that type of relationship can even exist. Then El learns about what a friend is but by then Mike has been pushed into a romantic type of dynamic with El by Lucas and Nancy). And then El sees Will's picture and she reveals she knows Will and saw him, and Mike is back on being the leader, the one that makes the plans and doesn't allow himself to be surprised over small things or get distracted with toys and games when his best friend is missing.
So, yeah. Mike has always been in a rush to grow up, but during the first and second season I see it more being an unconscious process for him that comes from being neglected by his family. Then, by season three, Mike takes an active role in wanting to grow up fast and leave all the "childish" things behind in order to fill his role as El's boyfriend.
It's interesting to think how running out of time is Mike's thing in ST, and how that's linked to Mike rushing through life as if he had no seconds to waste because he is either after something or something is chasing him.
I see how El exacerbates these feelings in Mike, that also link to him wanting to pretend to be someone else that's worthy of being with El, from season one when Mike tries to lie to El about the wound on his chin because he doesn't want El to know he gets bullied at school, to Mike wearing that outfit at the airport that's a knockoff of real brands and that, we know, is not his style at all.
Now, of course I HAVE to link this to Byler. And, well, just thinking how Mike was forced to mature at a really young age, how he's pushed into thinking he should be embarrassed about the things he enjoys, about how he thinks he has to pretend to be someone he's not in order to get the "normal" everyone seems to want. And how then there's Will, the one person that tells Mike things don't have to be like that, that on this the rest of the world is wrong because yes, they can stay in Mike's basement and play games for the rest of their lives, they can keep on enjoying their favorite board game, they can make plans to retire at a young age and play Nintendo for a living. Will tries to tell Mike that it is okay if he wants those things, that it's nothing he should avoid or feel ashamed of, that they don't have to stop being kids because the world and the Upside Down keeps making them soldiers, fighting battles they should've never had to fight.
Because Will wants all of that, and Mike wants it too. But Mike knows he's not supposed to. He knows he should want something different, something like what the rest of the people want because otherwise he'll be different. And for now, it is Will the one that's okay with being different because Mike is there, and Mike makes Will feel like it's okay being different, that he shouldn't feel like a mistake at all. And I think Mike has put so much effort into not being different, that he hasn't stopped to think that maybe it could be good, until season four happens and the van scene happens.
There's a TON more of this I wanted to write about but this will do for now.
Anyhow, love Mike Wheeler and how disturbed he's on the inside.
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aleksanderscult · 3 months
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The Grisha always describe the “making at the heart of the world” as this powerful natural order that precedes all things. I’ve always been somewhat curious about how much truth there is to it. Obviously in the Grishaverse, Grisha are very much real. So is there a canonical magical origin story for the world? The Blight in the Zoya Duology is described as being a corruption of the natural order, a reversion to whatever existed before the making at the heart of the world. Grisha powers are inseparable from the person they belong to (ignoring Alina here) so it seems that maybe Grisha are more in tune with the making? But Saint Grigori the bear guy also said in KoS that he taught the first Heartrenders… so I’m confused about how this works. I feel like I’m missing something very important in the worldbuilding.
You feel like you miss something from the worldbuilding because the author hasn't written in detail how exactly the Grisha powers have come to be.
Heartrenders might already had their powers but Grigori taught them how to use them and manipulate them correctly possibly? (So what, does that mean that the first Heartrenders were stupid?)
Ravka seems to worship Saints, not Gods. Okay. But how did the first Grisha got his powers? Where did they come from?
The "making at the heart of the world" is the very root of every Grisha power which fundamentally means that they manipulate the matter around them but they cannot create it. They cannot create life. That's why Alina was shocked when she saw the Darkling creating nichevo'ya. But apart from that, nada.
Leigh has created a religion and a group with powers but has never dived deep to explain to the readers what the hell is going on. She has just thrown around some random words "making at the heart of the world", "merzost", "thisness" and "thatness", explained in a few sentences what each of them are but the readers are still confused because she has created more questions.
Really, even us (the fandom) don't know much and even the explanations we have are too confusing and sometimes contradict each other.
Tolkien had built an entire mythology before he even started writing "The Hobbit" but unlike Leigh he was a genius and had carefully planned his story.
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Thank you for tagging me in this @konartiste 😊 being very lame and doing it months after the fact <3
LOTR themed tag game! Reblog with your own answers and tag three or more people you want to get to know better!
- How old were you when you were first introduced to LOTR? I was nine when my mum took me to the cinema (I think I'd read and loved The Hobbit by then) to watch the movie. I did not like it at all! 😂 We didn't know what it was about and had no idea it was part one in a trilogy, which came as a nasty surprise after three hours of horrible movie lol. I loved the beginning, but like: the troll terrified me to my core and for a long time afterwards I was scared it would somehow come after me, Gandalf died, I thought Boromir had a suspicious face from the start and didn't mind that he died (cue 20+ years later and I'm writing the most important fic in my life so far about him) but his death was still traumatic, and I just wanted my comfort hobbits to get a happy ending and instead they were crying and resigning themselves to more misery. I didn't even watch the other two movies when they came out I was so disgusted with the whole thing lol. Read the books and watched the movies as an older teen and loved them all.
- Favourite LOTR character? Probably Aragorn, but also the hobbits (they're a unit). The entire Fellowship is so dear to me though. And Boromir is my blorbo.
- Books or Movies? Books! The movies are cool and all, but the books are where Tolkien is.
- Which location in Middle Earth would you want to visit? If I had to choose only one it'd probably be Rivendell, but also the Shire, the Old Forest, Rohan, Dol Amroth, Gondor... and the Great River, just because of my fic. <3
- Favourite Movie? Not sure, perhaps The Fellowship, ironically enough.
- Favourite scene? I'm so bad at remembering movie scenes! Maybe the Council of Elrond? There are so many amazing ones with such beautiful music so I'm not sure. Love Gandalf charging at the Nazgûl with Pippin in tow <3
- Favourite quote? “The world is indeed full of peril, and in it there are many dark places; but still there is much that is fair, and though in all lands love is now mingled with grief, it grows perhaps the greater.”
- What Middle Earth race would you like to be? I'm usually a Hobbit in every online quiz, but it'd be fun to see what being an Elf is like.
- Favourite LOTR ship: This is going to sound weird because I'm writing a long, shippy, Canon Character/OC fic at the moment, but I'm not really into LOTR for the ships so I kind of don't have one? I adore Aragorn/Arwen and Faramir/Éowyn as much as the next person and Sam and Rosie are precious, but I'm not really fussed.
Going all out and tagging all the mutuals I THINK I saw reblogging LOTR at some point, if I'm wrong I'm sorry, if you already did this back when it was making the rounds please ignore it, if you want to ignore it anyway by all means feel free to do so, thank you and have a nice day <3 @dangerously-human @to-be-frank-i-dont-care @phoenixflames12 @ass-deep-in-demons @spifflocated @erathene
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charlidos · 2 months
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Since I'm going through everything about Viggo & Orlando anyway, I might as well bring out the gossip that used to surround them. I don't put a lot of trust in blind items from Ted at E!Online and it's impossible to know if he actuallly had any real intel, or if it was just idle gossip about popular celebs. But it does say one thing for certain: that this was something people talked about back then (in 2004, mostly). That it wasn't just the "Viggorli tinhats" talking. And that, in itself, is interesting.
And I think it's beyond doubt that it WAS Orlando and Viggo that he was talking about here. Regardless if the gossip was true.
From 2004:
We still need to zero in on Grimy Gus and Harland Fuss (or as they're known to their most secretive of buds, Gussy 'n' Fussy). G. 'n' F. have been on location recently. Well, one of them has, at least. Don't think too many folks know that Fuss has joined his good bud Gus for a little mattress messin'. Look, I'm the first to give a hearty shout-out to two guys who want to do what they want, sexually speaking. But when both--all right, make that one--of these men go to great lengths to make the public believe he's bedding down with rising supersweet starlet Eartha Bertha, well then, I get a little pissy. Although it sure was romantic when Gus 'n' Fuss went to such a Secret Service-defying to-do while Gus was out of the States (in a film-friendly environment) making his latest butch-it-up celluloid job. Public lobby and elevator trips at the sumptuous Springtime Suites hotel with Fuss 'n' Eartha were arranged. Photographers just happened to be around, sorta the same way Rock Hudson lived his whole fake life. But I'm getting terribly off the point here, aren't I?
At this time, Orlando was (very) publically dating "starlet" Kate B, and Viggo was filming History of Violence (playing a "butch" character) in Canada. And they were both at the Toronto film festival that year, where this supposed secret romp happened. Also, the nicknames seems to refer to the whole "Prissy elf" and "Filthy human" thing they had going on the set of LotR. And during LotR PR, there was very inane gossip about Viggo seeing L, a woman around O's age, but that they broke up because V didn't care about his personal hygiene. If you look at gossip rags from around 2002-3, it was mentioned a lot...
So yeah, no doubt that it's O, V and K referred to. It's generally considered a "solved" blind. Again, doesn't mean the gossip is true.
In 2010, Ted mentioned HF again, just around when Orlando got married. In this one, there's no mention of "Gus", so of less interest to me. It's all about HF being bi, and how he and his newly wedded wife got hitched because they both needed a career boost (and HF needing a "beard"). A whole lot of nothing really. But again, quite obviously referring to Orlando.
More interesting to me, but also a bit more confounding, are some questions answered around 2009/2010:
Dear Ted: Since you dusted off the old Harland Fuss B.V., can you give us an update on his relaysh with Gus, please? Are they still together? If not, who broke up with whom? And who is Fussy seeing on the DL, then, if not Gussy? —Agusta Dear Gus Who: Long over, babe. Too bad, too, because they were way too hot together, but it was always more of a short-term (very) steamy hookup sitch. Neither dude expected a serious relaysh to come of it, just sex, sex and, oh yeah, more sex. Dear Ted: This is a question about an old blind item that I don't expect you'll answer but I thought I'd give it a shot. Are Harland Fuss and Grimy Gus still together? —Silver Dear Oldie: No. Nor were they ever. Dear Ted: Has Viggo Mortensen ever been a B.V.? I absolutely love him, and he did spend several years with those B.V.-worthy Hobbits in Middle Earth. Did they rub off on him? —LOTR Lover Dear Viggo Go Go: Oh, yeah. One of my (and readers') all-time favorites!
Again, quite clear this blind item was about Orlando and Viggo. This idea that they were just meeting to hook up, short-term (not sure if it's short term as in short meetings, or if it's short in terms of how long this relationship went on), feels a bit off for these two. But it fits that they lost touch (as per Orlando himself) sometime after 2008 or so. And what do I know, really?
No one but them knows. I'm just here, speculating wildly and letting my imagination run free.
(And I looks like I need to keep posting about them - until I've completely exhausted the subject. Or myself. Or tumblr.)
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aphroditesmoon · 1 year
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lady of the lake
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boromir son of denethor II x forestfairy!reader
summary: you save the captain of the white tower who was thought dead as he floats in the river of anduin.
warnings:lotr spoiler, physical assault(unintentionally?), reader is describes as small bcs she is a fairy but no size, skin color or other description is specified.
°°°
Boromir awoke with a loud gasp, his chest tightening at the throbbing pain it endured.
His eyes bulged out and as soon s it met the hands that were holding him down by his shoulders, instinctively his own moved to curl his fingers around the neck of his attacker.
The squeak that came out of the said person urged him to break from his trance and immediately as he takes in your presence, his hands releases his hold on you.
His own pain that shoots from his chest and back makes him groans as he falls back at the comforting bed that has held him.
You regained your composure quick as you rise back again towards him, your worried eyes meeting his grave ones.
"Where am I-?" He croaked out.
Your hands found his again, fingers intertwining with his, and he finds himself relaxing againts your touch.
"Be calm friend." You spoke for the first time.
"Your heart beats fast but your mind and body might not be so quick to follow." He had no idea if your words were an insult or an assessment, but you were right, his panic was overtaking him, for neither is weak body or his confused mind could keep up with what was happening.
As you note his breath finally being even, a slow smile tugs on your lips.
"Knight of Gondor, you are safe in my home. I've found you floating down the Anduin river, you were severely wounded, but you bring luck within you as I've managed to fix you up quite fast." You explain.
Boromir stares at the ceiling above him, dazed. Recalling the last moments before he became unconscious.
They must've thought him dead, hell, he should be dead.
His mind wanders back at his savior, trying to piece together how she must've brought him back to life.
"You- you saved me?" He asks hoarsely. You nod simply with your never dimming smile.
"You shouldn't." He concluded. Your smile fell and a frown set upon your face.
Before grieve could cloud over him even more, he coughs violently. You were at his side in seconds as you lend him a handkerchief.
You sprinted to your kitchen then, fetching him warn water to drink.
"Rest, you are still unwell, we will speak more when you're better." You assure him as he easily agrees, too tired to argue.
°°°
That night, you helped him sit up againts the headboard of the bed, feeding him pumpkin soup while he argues he can feed himself and you completely ignoring him.
He seems worn out still, so you expected him to be asleep while you did the dishes.
How suprised you were to come back to him half dressed in dried old clothes, gently reaching for his weapons.
"What are you doing? You're not supposed to be walking yet!" You exclaimed. He halted at your words before sighing.
"My lady I-, I am grateful for your kindness and hospitality but I fear I must get back to my companions, they need me-" He starts.
"You mustn't- you're still terribly wounded, I need to change your bandage, and you need rest." You insisted.
"I don't care, can't you see? I've already failed them once, I can't again."
You were silent for a moment. He was sure you didn't understand what he means,. and hopefully thinks him mad and would let him go.
"You would not make it a day on road or by boat to Minas Tirith-" You start. "-And if you are worried about your two hobbit friends, then don't anymore, they've been saved by the forest, far away from the orcs and danger."
He flinched at the mention of Merry and Pippin, eyes narrowing at you.
"And how would you know?" He drawled.
"If you had asked me who I was, I would've told you already. I am the lady of the lake. The water, the trees, and the flowers all speak to me, and I to them." You state matter of fact-ly.
He stared at you for a second then blinked. "This isn't a lake, this is a cottage."
Unintentionally, you burst out a laugh, surprising him, though he them slowly descended his frown into a short smile.
"The lake is outside." You giggled out.
"Oh, right." He swallowed, face turning red.
"A-Are you like, the lady Galadriel then?" He asks stuttering.
Your eyes widen at the mention of the divine lady Galadriel.
"Oh heavens no! I'm just a forest fairy, a nothing rock compared the the diamond the lady Galadriel is." You immediately respond, laughing again, cheeks tinted red as you cherish the compliment of being compared to her.
As your laughter died down, you sighed gently before meeting his eye. "Stay for two days, let me make sure your wounds won't reopen, and then you can leave, I'll even pack you some food for your journey." You reasoned with him.
He wanted to say yes immediately then, with the way you're insistent in caring for him, his soft heart was unable to say no. But still hiding in brave man's face, he pretends to think.
After sighing a few times and shaking his head, he looks at you and nod.
"If you insist." He finally says.
You smile at him, and his heart breaks into million pieces. "I do."
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cosmic-glow · 8 months
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Notes: What will Bilbo's reaction be when he discovers that someone has bought his house without him knowing?
Warnings: Bilbo x gn!reader; a little scary with a little plot; soft angst; SFW.
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Bag End was a peaceful place to live, the hobbits were friendly and rarely started fights, the grass was green, there was a sparkling lake behind the hill, there were no wolves or dragons around... It was all the peace you needed after so many adventures. All the gold you got throughout your life, you spent to buy that house at the top of the hill, it was a difficult bargain, but it was worth it. The house was beautiful and huge, the coziest den you've ever been in, with round windows that allowed you to see the entire length of Bag End.
The house was perfect, the only problem was that strange things happened. First, your paintings kept falling off the walls, then you started losing things that were right under your nose, they suddenly disappeared and appeared in another place you hadn't left them, but the strangest thing was when started knocking on the door in the middle of the night and whenever you went to see there was no one. You tried to ignore it, coming up with an explanation for everything, hobbits love jokes like this, they must have just been trying to scare you into laughing a little. But the problem was when you started hearing footsteps and voices inside the house when you were sure there was no one there but you.
One afternoon, you were in the living room reading a book when you heard a loud bang coming from the kitchen, as if all the pans had been knocked over at the same time, glasses were being knocked down one at a time, the sound of glass breaking gave you goosebumps, but as soon as you arrived in the room, ready to catch the person who was tormenting your days, you were floored by the vision you saw. There was no one in the kitchen and there wasn't a single cutlery on the floor, all the dishes were stored in the cupboards and drawers as you had left them, was it all a figment of your imagination?
- Who is doing this?! Show up! You don't scare me, I'm not leaving! - you said, turning around and looking everywhere.
- This is not your house! - an enraged voice shouted from behind you.
When you turned around in fright, you found a small hobbit, wavy red hair and an angry face staring into the back of your eyes, how did he get in? Where did he hide? Or how did he pass by without you seeing him? And better: who was he?
- Who are you?
- The real owner of this house, Bilbo Baggins, and I should be asking who you are, intruder!
- I bought this house! I'm not an intruder! Get out of here!
- You get out of here! Now!!
Bilbo screamed and the walls and floor shook, you felt much smaller than the enraged hobbit, the residents of Bag End were usually peaceful, but that man seemed different, something told you that you had no idea what he was capable of.
- Look, there must have been a misunderstanding, I spent all my money to buy this house, and it was completely empty when I entered, I don't know if they lied to me, but if that was the case, they deceived us both.
- Sackville-Baggins, they must have been the ones who did this, those damned gold-thirsty... - he looked away from you and cursed under his breath.
- ... Well... And what do we do now? I have nowhere to go... - you started, afraid of irritating him again.
Bilbo was silent for a while, he shook his nose and walked past you to the living room, still silent, you followed him and when you arrived he was already sitting in an armchair with his back to you. A cloud of smoke beginning to form on the ceiling from the pipe he was smoking, the fireplace crackling in the background. He was fast.
- Bilbo...? - you called and he sighed.
- I don't know, it's not fair for me to kick you out when you were as deceived as I was... - he thought a little more and you waited - Stay, the house is big, we can share - he looked at you and smiled, now looking like a hobbit very different from what you had meet.
- Thank you, Bilbo.
[...]
The days passed and, to your surprise, it was very easy to get along with Baggins, after the anger disappeared, he revealed himself to be very friendly and kind, he committed himself to helping with the tasks and was very attentive, you never imagined you could have such deep conversations feelings with someone you had just met, but with Bilbo it was so easy, it was so comfortable to talk to him, you soon developed a deep affection for him.
- I never wanted to share my peace of living in Bag End with anyone, so I find it very interesting how you ended up becoming an extension of that feeling, and not a division, Y/n - he told you one night, a little before of you sleeping, taking you by surprise.
- You also brought me peace, Bilbo... - you smiled at him and, without thinking too much, kissed his cheek - ... Thank you for everything.
- Good night, Y/n - he said with the happiest smile you've ever seen on his face.
The next day you woke up early, Bilbo was already in the kitchen making coffee, you managed to get close enough in silence to scare him with a hug, he smiled when he saw it was you.
- Good morning, sleepyhead, did you have good dreams? - you confirmed without opening your mouth, still sleepy - I know you're sleepy, but can I ask you a little favor?
- Say...
- We ran out of nut cakes and I don't even have flour in the pantry to make another one, could you buy it at the market? People don't like me and the more I avoid them the better I get - you laughed and stretched.
- Okay, I'll go, but don't start eating breakfast before I get there! - you demanded.
- No way! - he joked.
At the market, you stared at the cakes in the window, unsure of which one to get while the bag of flour weighed under your arm. You didn't like nut cakes, but Bilbo did, so here you were.
- Can I help you? Oh! These were baked this morning, would you like to try a piece to choose? - the baker said.
- Oh no, it's not for me, it's for Bilbo, I don't particularly like walnut cake.
- For whom? - the baker asked with his eyebrows now drawn together.
- Bilbo, Bilbo Baggins, he's still living in the house on the hill - you were confused when the baker turned pale.
- I'm sorry but you must have been confused, as Mr Bilbo Baggins died decades ago.
- What? - now it was you who was confused.
- Yes, that's why the house was for sale, I don't know why Sackville-Baggins didn't keep it, as they always wanted it, but Mr. Baggins passed away and his grandson moved out, so the house was empty.
You left the bakery without saying anything else and without buying any cake. It wasn't possible, surely the baker had gotten confused, you had just spoken to Bilbo, touched him, he was making coffee in your kitchen, you were sharing the same house, how could he be dead? You entered the house, opening the door with force, causing it to slam against the wall announcing that you had arrived, the sound echoing throughout the house.
- Bilbo?!! - you called.
The house was silent, nothing, no one responded. You dropped the bag of flour at the entrance and started looking for the hobbit, the house becoming almost a maze for you. It seemed like every time you called his name it was like you were denying the reality that haunted you, it couldn't be true. When you entered his room, the room you left last, without even bothering to knock on the door first, it seemed like the truth was forcing you to accept it. He was gone. No, he had never even been here with you.
When hot tears came to your eyes, looking at the now emptier room, an item caught your attention, it was a red book on his desk. You picked it up and read the title: "There and Back Again". When you opened it, a small piece of paper that was inside fell out and landed on the bedroom floor, near the trunk. You took it and the tears finally fell when you read what was written.
“You were my best adventure, Y/n.
Love, Bilbo."
It was the only proof you had that everything you had experienced was real and not a lucid dream.
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Sorry for any typos;
Buy me a coffee?
October Calendar;
Masterlist
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moghedien · 7 months
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I've seen you say a few times that a lot of modern magic systems aren't really magic and are basically science or math (or sci-fi), and specifically mention Brandon Sanderson's systems. Maybe it's just because I'm not very familiar with his work (I've only read mistborn era 1 and the first 3 books of the stormlight archive) but it seems to me his magic systems are god-given, explained to death, video-gamey magic with basically an energy bar, and I don't really understand how that'd be science, math or sci-fi. Would you mind explaining that to me? (I also don't really understand the whole hard magic vs soft magic thing. E.g., to me classic spells and wot weaving seem functionally the same yet the former is generally considered soft and the latter hard)
Describing it as video gamey is actually exactly it, because video games and even table top games that use magic are basically the same thing, because they have to be. They have very specific rules that are always going to the constant. Once you know the rules, you can minmax and manipulate scenarios around those rules, but the rules are still very much in place and very constant.
Video games are like that because they have to be, they’re programs. Table top games are like that also because they have to be to be useable for a general audience, but a GM can in theory decide to throw out said rules and decide something else happens based on vibes. That’s the simplest example I can give on the difference between hard and soft magic. Magic that follows rules is hard magic. Magic that follows vibes is soft magic.
When it comes to Sanderson, I call his magic systems math because they’re so intentionally formulaic. Doing X thing will always cause Y action. You may be able to manipulate situations around that formula in unexpected way. You may be able to throw in unexpected variables or you may unexpectedly encounter something you didn’t account for that throws off the expected outcome, but the formula is always going to be the same. No matter how many times you do it. No matter who is doing it (as long as they have the basic ability to use the magic), x+y will always equal z
The reason why I say that isn’t magic is because it’s extremely orderly and predictable. If you look at like, most magical representations in antiquity, it’s very much a chaotic force. You can try to harness it and do things with it, but you can’t control chaos and you’ll probably end up with some unexpected outcomes even if you’re skilled and careful. Also it’s largely used in like stories just to like, deliver some moral or cause some problem so it’s literally just a tool to add chaos that can’t otherwise be accounted for.
People can write “hard” magic all they want and I like Cosmere and all, but Branderson specifically as well as a lot of other fantasy writers have a problem with thinking that any magic that isn’t clearly defined for readers is bad. Branderson specifically seems to think that it’s poor writing and a mistake on the writers part if they somehow forgot to come up with never changing magic rules for the readers to obsess over.
If that’s the case though then the Lord of the Rings and the Hobbit were the worst fantasy books every written because Tolkien is like THE best example of soft magic in fantasy. No one knows what the fuck the rules of magic are in those books, but somehow it still isn’t bad writing when Gandalf comes back from the dead or dropping a ring in some lava kills Satan. Like even when we get explanations it’s just like “accept this is the case for this one situation but apply it to nothing else.” A more recent example of soft magic is in the Poppy War, which is a book I would love to hear Branderson or his fans try to say is poorly written because of the magic
Wheel of Time has a sort of combination of hard and soft magic though, which is where a lot of the criticism toward Branderson came up because he seems to ignore this when discussing the books/show. Weaves and channeling and such are on the harder side and have rules that do largely remain constant (except when they don’t), but then there’s things like Tel’aran’rhiod and the Ogier and ter’angreal in general and the horn of Valere and the heroes attached to it and taveren where it’s just largely like “yeah this is how it is don’t worry about it”
Anyway, all this to say I really do actually hate the terms hard and soft magic but they’re the most useful terms we have
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