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#with flaws some of them are ones he just APPEARS to portray such as moody - he's not really moody he just can act moody

soukouku · 2 years

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CHARACTER OUTLINE :

FULL NAME: osamu dazai .

TITLE(S) : twin dark (former), youngest executive in the port mafia (former)

NICKNAME(S) : any long string of insults <3

╳ FLAWS.

♔ STRENGTHS.

🖌 SKILLS & HOBBIES.

TAGGED BY : @vicioushope i love u sm TAGGING : @celestiel ( gimme that jetussy ), @feralspent, @ruenoirs, @parieha ( oda ! ), @windprose ( mary ! ), @kwngo ( ahmya ! ) and @veritcs ( jono ! )

#♪ justice is a weapon 「 study 」#♪ burdened with a pack of ten misfortunes 「 dash games 」#rambling and further explanation to stuff -#with flaws some of them are ones he just APPEARS to portray such as moody - he's not really moody he just can act moody #sadistic is italicized bc he USED to be when in the mafia but these days he doesn't really engage in that behavior #and also he wasn't sadistic bc he...enjoyed it ? it just worked it was a direct method so he used sadistic methods #skills & hobbies is always a really sad thing to think about with daz because the truth is...he doesn't really have any ??#we know he bets on horse races - hence the casino gambling i can see him wandering in there and getting some easy money #acting isn't a hobby it's a skill - honestly the other ones are as well they're just things he's GOOD at #he doesn't particularly enjoy it #it just is #chess he only enjoys with an equal opponent (like dos) otherwise he can't stand it

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avanderson94 · 2 years

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Spotlight: Paul Dano

This post was originally written for my college film studies class.

Paul Dano's acting style borders on method; he commits to his performances off and on screen, and nothing makes this more evident than how strongly he emotionally and physically embodies the roles he portrays. He is able to convey just as much with his eyes, expressions and movements as he is with the lines of dialogue that he speaks. Though his typically lanky build, soft voice, and perpetual babyface gives him the impression of a rather awkward and unassuming man, his chameleon-like ability to change not only his appearance but his entire body language helps him play against type and portray a variety of different characters, none of them less believable or natural than the rest.

Over his career, Dano has shown an amazing range in the types of characters plays. His breakthrough was the 2006 comedy-drama film Little Miss Sunshine (dir. Jonathan Dayton & Valerie Faris) as Dwayne Hoover, a moody teenager who has taken a vow of silence until he can fulfill his goal of becoming a jet pilot. Even though he doesn't speak and remains stoic for most of the movie, you quickly understand and sympathize with his portrayal of a rebellious misfit with a dream.

Barely a year later, Dano appeared in the 2007 film There Will Be Blood (dir. Paul Thomas Anderson) in which he plays opposite Daniel Day-Lewis as Eli Sunday, the megalomaniacal young preacher of a small town in early 1900s California. Eli is self-righteous, vindictive, and manipulative; he alternates between the facade of a humble man of God and stark raving lunacy with an undertone of sniveling petulance. He's an utterly contemptible character that you'll want to root against even if it means siding with equally contemptible people, and that ability to evoke such strong feelings towards his character perfectly exemplifies why his performance is so effective.

His character in 2011's For Ellen (dir. So Yong Kim) could not be more opposite that of Eli Sunday. In For Ellen, Dano is Joby Taylor, a troubled aspiring rock star in the middle of a difficult divorce who fights to be a part of his young daughter's life. Dano's performance as the flawed Joby is vulnerable, as we watch him evolve from a depressed, alcoholic failure to a multifaceted man who wants to put his mistakes behind him and show genuine love for the daughter whose life he was absent from for so long. Dano carries this weight through some of the most emotional and bittersweet scenes in recent memory.

Other roles that demonstrate his range include Denis Villeneuve's 2013 crime thriller Prisoners, in which he plays a handicapped and childlike young man accused of kidnapping two little girls who faces brutal revenge by one of their fathers; Beach Boys founder Brian Wilson in the 2014 musical biopic Love & Mercy (dir. Bill Pohlad); dark comedy-drama Swiss Army Man (2016, dir. Dan Kwan & Daniel Scheinert) where he portrays a desperate and delusional castaway who befriends the flatulent corpse of Daniel Radcliffe; and the 2018 Showtime miniseries Escape at Dannemora (dir. Ben Stiller) which features Dano as real-life murderer David Sweat as he and fellow prisoner Richard Matt (Benicio del Toro) plot, manipulate, and dig their way towards short-lived freedom. His most recent and perhaps most mainstream role yet is The Riddler in Matt Reeves' 2022 film The Batman. Dano plays another different type of character here, this time as a masked serial killer who taunts the police and titular hero with puzzles à la the Zodiac Killer. Parts of this portrayal could be comparable to Eli Sunday, but here he is far more intimidating, conveying a chilling derangement with just his eyes as he watches his victims from behind his mask. He even gets to indulge in a little bit of over-the-top raving, not unlike the sermons delivered by the aforementioned Reverend Sunday.

Below, I wanted to share a scene of his portrayal of Eli Sunday in There Will Be Blood. In this scene, oil tycoon Daniel Plainview (Daniel Day-Lewis) is manipulated into being baptized at Eli's church in exchange for a piece of land. Eli, who holds a grudge against Plainview after he snubs his request to bless the oil well, puts on the veneer of a zealous holy man but visibly delights in humiliating Plainview and forcing him to proclaim before the crowded church that he abandoned his young son after he was injured in an accident at the well.

youtube

#actors #paul dano #essays #Youtube

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floralkittygambler · 3 years

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HuskerDust - More Toxic Than You Think [LONG]

This is the rough version of a deeper and more complex subject I want to ‘decorate’ with more ‘screencaps’. DISCLAIMER: This is allegedly controversial and led to me getting literal death threats and an ED triggered. Ive about heard a lot of people’s shit on this so dont try it. I’m speaking from personal experiences too - experiences I really fuckin dont wanna be sharin yet they kinda validate my points. I want people to be aware of the damaging image from someone who can speak from experience without attracting dickheads or people twisting things. Again, I aint particularly comfortable sharing this so yeah- Be courteous- TW AHEAD - ALSO LONG ASS READ. DNI STANS OR ANTIS. May tag a few folks, may not. HuskerDust is an extremely popular ship in the community however there’s glaringly obvious flaws in this one-sided relationship that both the fans and even the team fail to see. Neglecting the dangerous real world implications this ship [as well as many others] present to it’s audience - especially the more influenced of the audience, most who are children.

Angel flirts with all the male cast however one who catches his eye the most is Husk. Now I want to point out a few things [of many... obviously]; Angel is instantly starry eyed upon seeing Husk, likewise he actually started off with a ‘Hey~’ instead of something sexual. However he quickly ruins this after Husk tells him to go fuck himself [defined by: “ go fuck yourselfphrase of fuckVULGAR SLANGan exclamation expressing anger or contempt for, or rejection of, someone.” ie, he rejected instantly] by responding with an offer to allow Husk to essentially watch him masterbate. Alongside this, he cradles his face. Husk pulls away and seems to pull a face to express rage/disgust or growling imagery alongside COMPLETELY withdrawing his body away from Angel as Angel stares with goo-goo eyes. Firstly, Angel loves animals - perhaps it’s Husk appearing cute that adds to this, however Im not going to address animal imagery just yet. Secondly, Angel isn’t really portrayed to respect other’s boundaries BUT he does respect... Alastor’s. Al declines the blowjob to which Angel shrugs and doesn’t push this matter any further. With Husk, he’s pretty harshly told to piss off yet he makes quite and explicitly sexual remark, alongside invading his personal space and touching a man clearly disinterested and pulling away. From the initial rejection, it then becomes sexual harassment. I also want to add that Husk comes with [some] perks in his feline form. And if my name didnt make it obvious, I work with and live with cats on a daily. Briefly, I have been educated in how to understand cat’s language in various individual cat as well as how to handle and work with them. Cats are often drawn towards me and Ive been successful with various types of cats. My most recent being a cat I’ve dubbed as Big - Big was abandoned quite young and has lived most his life on the streets [where I live is high in crime and drug rings, so you can imagine how strays are treated] leading to him being extremely fearful and hating people, hissing and fleeing just seeing people. I took time out last summer to finally give befriending him a shot. It’s taken just under a year of hard work and now he visits every day for his mush [wet food] and kisses, responds to his name and runs up to me in delight. Ive even taught him a phrase to signal that I dont want him or the other cat’s to fight [keeps them all safe and aids them becoming acquainted under supervision - something that’s been working surprisingly well]. I apologise in advance as this is not going to be the first instance of this sort of thing but they are relevant. Trying my best to keep it as brief. For Husk, I will be using a mix of cat and human characteristics to break down his reactions. In this first interaction, he turns his body away in a way to suggest caution, wariness and disinterest. In fact, much of his general body language is that of a man deeply closed off from connections - for starters, he folds his arms quick a bit which suggests lack of openness, shutting off and defensiveness *usually*. Likewise, when touched, he slightly jumps and tenses before pulling back in aggression with flattered ears - a sign cats give to display extreme hostility in a situation. It’s NEVER a good thing but then again, neither is crossing someone’s boundaries. It’s even stated that Husk hates Angel’s advances and wishes for nothing to do with him - the same dislike of sexual advances that Al dislikes in Angel. The ending as they all walk inside, Angel turns to Husk, winking and blowing a kiss his way despite the clear rejection earlier. In fact, Husk once again grows tense and is even irked by such a gesture. This won’t be the last mention of Angel totally disregarding how Husk feels - something that rubs off onto the fans AND the team themselves. And it’s... *concerning*, to phrase it lightly. Angel so far is the most persistent towards the most resistant, and in my post on RadioDust I have already established [briefly] on how Angel seems to chase unavailable men. The more unavailable, the more tempting. The one that got away, mentality. It’s not healthy. And I’m surprised so few have acknowledged this. Taking a break from what we’ve seen in the Pilot, let’s establish some facts about the pair. Angel died in 1947 in his 30s [some posts specify 34-35], putting his birth year around 1911-12ish. Husk died in the 70s IN his 70s [again, nothing is truly specified, so for both we’ll go with 75 - the same number in his IG username] that puts birth year roughly 1900′s. Now an age gap between two adults of 11 - 12 years difference is actually reasonable and can work, depending on circumstance and whether theres a balance in power or not. But when we account for their life experiences and death ages, it’s something else entirely. Angel died young. Not only that but his mind seems more stuck in his raunchy teens than of an adult. And even THEN, he wouldnt be one to necessarily settle down [by which I mean in life, not romance]. He’s extremely emotionally stunted and his selfishness and wanting his own way come off very spoilt [when Husk is pissed off about the cat costume, Angel gets moody because he’s used to compliments AND is dressing to impress Husk. When Husk wanted the money he was rightfully owed, Angel threw a fit for ages until starting to earn it back - even though he owed Husk a drink, which I’ll be coming back to, Husk still wanted the money in the end perhaps hinting to only accepting a freebie as it’s on offer as well as Angel being overly persistent. He even dumps his pig onto Husk to look after, while theres no issue in pet sitting, Angel said Husk ‘owed’ him due to missing the show yet when HE owed Husk, he threw a fit.]. Angel’s life style is wildly chaotic in life AND death, and even though we all know he’s most likely going to be redeemed, he still lacks a lot of experiences in life. He lacks maturity. On the other hand, Husk’s been through his own share of chaos and heartbreak. Difference is, he’s had a life time of experience. He doesn’t act immature in a childish sense. He truly behaves like a downtrodden old man. He’s had his days and would feel more secure settling down in a more peaceful environment with fun yet much needed calm. A better way to handle his need for risk. Age gaps in adults that are large [75 - 35 = 40 years!] are far less likely to work for a multitude of reasons. The main reason is the difference in life stages - that difference in mentality and experiences plays such an impacting role on compatibility. Often their goals and energies are polar opposites and their common grounds minimal. There’s also the looming concern of power dynamics. Whilst it’s usually the older figure that’s holds the power advantage, in this case it’s a little bit more complicated. I’d argue that it’s possibly Angel with the higher power. This rarely works irl but it’s POSSIBLE. Look at Hugh Heffner and his last partner before his death. I believe she was around 22. However there’s many common grounds, immediate attraction, and similar goals. Though incorrect, Heffner does give off a pimp-like vibe (he’s not but you get what I’m implying with mothlike imagery). Husk does not strike me as that type. It would definitely cheapen his character. In terms of interests, the main thing they have in common is that they like to drink. A bad habit, especially when one is an alcoholic. Both are also rather lazy except for certain circumstances [Husk will go out of his way to help HOWEVER he’s obliged to under Al, the only one he’s seen to willingly help and bond with/be seen with is Niffty. Angel is when there’s a fight, chaos, drama or any sex work]. Both are also rather snarky and vulgar. In terms of love, both suffer intimacy issues. On Husk, it’s ‘losing the ability to love a long time ago’ meaning he was likely cheated on or at least had a failed relationship. If he was ever ready for a new start, he’d definitely want something stable yet rewarding. For now, he needs a LOT of work - work he is not yet willing to put in, nor does he have a reason to. Angel doesnt want to commit because he’s extremely selfish as well as in an already abusive ‘relationship’ already. Sex work is sometimes VERY taxing on the mental health due to some of the folk you service. He’s seen the worst in many and just enjoys the pay and fuck. IF Husk was cheated on, then it’d make a lot of sense if a sex worker wouldn’t be his flavour, it would just serve as a reminder. Not only this, but Angel HIMSELF actively participates in cheating. Not with Val... but with *Travis*. BOTH know Travis is married (I’d be feckin worried if Trav didnt-) yet they still choose to cheat anyways, regardless of the pain it could cause. Angel even mocks this by sending greetings to Trav’s wife. Honestly this... Reminds me a LOT of Stolas - a main character who sexually harasses another character clearly not interested/comfortable, participates in cheating and we’re supposed to root for them (and before anyone gets offended, I do have more to say on Angel’s behalf so please be patient). Either way, it’s very toxic and concerning. Even if Husk wasn’t cheated on, I dont think many would feel exactly secure after having such a rough past with love, diving into a relationship with someone who’s openly participated in multiple affairs. And that’s no shitting on sex workers either, it’s just a point that some would feel uncomfortable with the idea of being with ANYONE (regardless of their work) having actively and KNOWINGLY took part in having an affair previously - especially multiple. Husk’s in an emotionally fragile place and needs more security. We’ve already established Husk heavily dislikes Angel’s advances. In fact, his responses to Angel are similar to his responses to... Al! His body language is VERY test and closed off to even Al, who’s most likely knew him for a very long time. If even Al gets this treatment (whilst also disrespecting his boundaries) then it’ll be the same with Angel (both force Husk into their lives and schemes, both disregard his boundaries). And he’s shown to STILL go out his way to help both however this is most likely tied to an unspoken ‘debt’ he owes Alastor. Plus he’s been mentioned behind the scenes to be a secret softie and protective grandpa type. But this animosity is very reflective of how Loona behaves and responds to Blitzo as well as how both Loona AND Husk (One being a ‘lowly servant’, the other being a literal old MAN) as pets - even the fans - just because of their forms. But this isnt the first of the disrespect they receive. Now we delve deeper Both are addicts of some kind (Husk - drinking, gambling. Angel - Drugs, possibly sex). Not a good mix at all romantically. Addicts often and unintentionally feed their addictions to each other as well as can increase likelihood of relapsing which even a recovered addict can slip back into. When times get tough (a natural occurrence) both are likely to suffer with their addictions. Interestingly, they can become addicted and dependent on one another, which is genuinely unhealthy for a mindset anyways, regardless whether addiction existed prior or not. Addiction only increases these chances. Angel likes confidence in a man (confirmed on Patreon). Yet, Husk is even confirmed in streams to be deeply troubled and insecure. One thing he hates is his demon form, something that we’ll touch on shortly. Angel loves quality food ESPECIALLY of Italian origin whilst Husk is willing to eat the shit they give you in bars (admittedly that was painful to type as someone who grew up around pubs - either way it’s not exactly high quality or gourmet is what I’m saying). Interestingly, in some character references of Angel, it’s stated that he hates rejection. Hates. That’s a VERY strong word. This could explain but not justify why he’s persistent with Husk (similar to NiceGuys believing you’re playing ‘hard to get’ - further illuding to an immature and toxic mindset) though it interestingly doesn’t apply with Alastor. Odd. There’s a counterpoint to symbolism in art. A very VALID counterarguement... If it suited Viv’s style. During Media Studies, Business, Design and Art, hell fucking Silent Hill! - I’ve been educated on effective symbolism as well as artistic trademarks (the most famous that most should know is Alfred Hitchcock!). Hitchcock often appeared in all his films, usually as a sidefacing silhouette, trading marking his films with his very PRESENCE. Viv’s seems to revolve around hearts. I mention this because an IG account made the point that hearts were to symbolise anyone connected with Angel’s story and love life (Valentino’s business and shades/collar, heart behind Angel’s head, Heart tattoo on Cherri’s right shoulder, hearts for Husk’s paws, eyebrow marks above natural brows, wings, and nose as well as most of the playing cards). Thing is, there’s hearts EVERYWHERE in all of Viv’s works and such symbology of Angel and hearts is weakened if it connects to the villains/abusers as well - taking away the positivity in a love symbol. Viv’s used hearts in her font, backgrounds, in characters ears, in all her series just generalised, Blitzo’s forehead, background characters, again the cards, Travis’s eyes, Millie’s right shoulder in the SAME place as Cherris. Even Vaggie had a heart tattoo on the shoulder in some christmas themed artwork (on her left). Heart’s is just something Viv seems to brand herself with. And that’s fine though I feel she could do with cutting it down slightly. One thing to early note on the cards (again, this’ll creep up later and my name should tell you why), most are heart suits and usually either a face card (J, Q, K), Joker, ace or 2s. Face cards/Jokers for more details close up (look at the signing artwork) and the rest are just easier to animate, though a little bit of a peeve to someone into their cards as well as the massive overuse of red in Hazbin overall. It’s extremely unlikely to be symbolic. If they change it to be so, then it’s... Weakened. As I’ve mentioned earlier, Silent Hill is an example of extremely clever symbolism in more darker media (more so, SH is considered a ‘hell’ of sorts and does feature religious iconography WITHOUT causing offence. A great example of how to portray this type of thing - they even mix humour in if you consider some of the sneaky references, dialogues and odd UFO/dog endings). Discussing Viv’s art further, she drew a gift for her sister (original creator of Husk when he possessed white fur) of Angel playfully dragging a disinterested and annoyed Husk (I believe this was still around the time SpiderMoth was canon). The newish art tends to have Angel putting a holly crown on him or sitting on his knees, Husk seeming too lazy to really do anything about it. Very nonchalant. I also want to include some interesting stream arts here and later to further highlight their bond. A fan asked Viv in a stream to draw them “actually getting along” - this wording implying that the fan is aware of Husk not enjoying Angel’s company. So Viv did, with an extra doodle of Husk being one of the ‘canadian people’ from South Park who sing “Im not your friend”. The art alone shows Husk’s absolute discomfort, even the extra thing Viv added w/o request. As they’re her characters and the fan asked for what they’d look like getting along, to show this discomfort goes to show the dynamic once planned. Husk just isnt a fan of Angel, especially when he’s being sexual and touchy. It can be great for small comedic parts, however both the team AND fans have now crossed this over to really creepy and triggering realms in their ships. It’s creepy and doesnt look good on Angel (who they actively root for) nor the gay community (more on that).

[Yes Ive already pointed out the comedic side of this ^ but it doesnt bode well considering the other points and issues that arise] There’s also a request for drag angel flirting with drunk husk. Personally thats a lil creepy to specify one of the two being intoxicated and thus not able to truly consent. If Angel is willing to flirt with someone in that state, it doesnt mean he would fuck them, but it does feel the fan was thinking that’s the case. In all truth, I think Angel WOULD flirt with those incapable of consent purely to swindle or pickpocket. I’d like to think [and HOPE considering his own abuse by Val] that he’d never take it further. And I hope Viv, the team and the fans see how incredibly creepy that thought is. I’ll give benefit of the doubt though it is still a concern. Either way, Angel appears... Annoyed? Husk is completely turned away and seems incredibly grouchy and confused. This shows yet more rejection on his behalf as well as Angel’s response to being rejected, which highlights his immaturity towards it. Remember, he’s USED TO and EXPECTS everyone to want him (even saying this in the Pilot). Hell, there’s even a Rich Vaggie request where Viv again randomly includes Husk. This time, he’s faced towards her and relaxed, though seems unimpressed and overall disinterested in this type of behaviour. Behaviour and interests of Angel [Celeb status and rich appearance due to Val, despite getting very little of the cut and the vanity, as well as Husk just not giving a shit about this sort of peacock display]. (Also wanted to note in Viv’s #3 stream 1:50:50, Faust makes out that Husk is a ‘dirty, creepy old man’ as well as him constantly threatening violence towards Angel. I dont see him as *creepy* in this context - as it implies perversion that he blatantly lacks fortunately - though it’s very telling of how Husk feels and again shows this toxic relationship).

/Angel’s Type: First off, daddy issues. He has them. Now let’s look at ‘daddy’. Henroin is shorter than Angel, dark fur, grumpy, old, wears only a hat and tie, big brows... Sounds familiar? Ok, look at his brother Arackniss. Similar to Henroin, dark, short, grouchy, bullied by and bullies Angel, is adverse to Angel and overall possess a bad relationship. Ok.... His main client, Travis! Short, dark fur, moody, Only wears hat and tie, drinker (shown in stream as request so take drinking with a pinch), similar face to- Is no one else seeing this trait? Angel seems to go for these shorter than him grouchier men who either want him for sex or hate his presence. Men who are like his dad and brother. All of these guys are far too similar, and we’ve got enough men in suits, bowties and sharp teeth in this show to boot as it is- The psychology of this type of attachment is rooted in a bad familial relationship alongside the subconscious desire to repair or compensate for it. Unknowningly the person will keep seeking out this sort of guy who isnt good for them to fix this internal issue. The resolution is to NOT go for these types. It’s also connected to intimacy fears, by going for those you know arent good for you/right for you/interested in you is often the manifestation of these issues. Pair them with daddy issues and it’s a disaster! There is science to back this up. Valentino is interestingly the opposite yet still toxic issues arise. Why? Because he’s going from one extreme to the other but with the same mindset. Neither of these men or types for MANY reasons are right for him. And visa versa. Seeing a pattern? ~~~~

Angel w Husk? I mentioned before that Husk hates his demon form. If you’re an old man, a gambler, some Vegas bloke and have this grouchier disposition, why the fuck would you want to look like an oversized pet? Exactly. Angel however adores his own aside from the feet. Now I find it strange how the guy we’re rooting for just so happens to like his own form which was intended for punishment. But that’s not todays post. I said earlier that Angel is heavily fixated on Husk’s appearance. Especially the feline aspects (calling him Husky and Kitty - petnames he hates that also treat him again more like a pet than a man -, dressing as a ‘sexy cat’ to appeal to him which can come off as more mockery. This is even backed up by fans who seem to think an old guy’s gonna act like some school girl anime trope?). All of this completely disregards and disrespects Husk’s feelings and perspectives. Something the fans and team take part in actively. Angel - whether you want to hear this or not - is SELFISH. When Husk ‘owed’ him for missing the show (babysitting Fat Nuggets), Husk begrudgingly fulfils this. The second Angel owed Husk for stealing drinks, Angel threw a hissy fit. The silent treatment, going to other bars and posting about it whilst complaining (again focusing on Husk being ‘cute’). Trying to cop out of it by buying Husk a smoothie (though it looked like a date, lets be real, do you REALLY have to bribe someone to date and be around you? No) and even then he still had to owe the money which was more of Husk’s concern. Yes he did in the end and more money than needed, hence the returning of the extra cash, but that is no excuse for the childish behaviour prior. He’s much too accustomed to being adored and pampered and getting his own way that he cant grasp when people arent a fan or willing to pamper him. If they make them a ship, all it does it make Angel completely into a shitty Gary-Stu that everyone loves and pities for his suffering, rather than teach him to grow, earn his redemption and confronting his own toxicity. Let me make this extremely clear: ANGEL DOES NOT DESERVE ABUSE OR RAPE. But when he starts behaving as shitty, he’s hard to root for. Remember, he’s sexually harassing all these guys, with Husk getting the brunt of it. But it’s treated as a joke for them and only taken seriously for Angel. Val abuses all of his employees. He abuses VOX and even THAT was mocked by fans and staff. It’s... It’s frankly gross. In every interaction Husk has with Angel, his body language is closed off, tense, uncomfortable, turned away and hostile - look at the IG. He wont even allow Angel to touch him. Compare this to Niffty, who he’s fine with taking pictures with and letting her hang around and touch him. Body language is relaxed (relaxed shoulders, open body language) and he doesnt look hostile at all. What does Angel do? Always tries to get close to Husk (such as sitting as close as possible during Poker) and forces both his OWN hobbies onto Husk (ones that Husk shows a strong disinterest in) and Husk’s hobbies (Poker). It’s very FORCED and not natural. Going back to immaturity, he blames Husk and his cards for being shit at the game. They’re always bickering, insulting, fighting in the comments but fans only see this as a ‘cute couple fight’ or Husk being ‘tsundere’.Tsundere. An anime trope often used in young characters. Irl tsundere is NOT this dramatised. The tsundere you see in anime, apply that irl and you get the recipe for the most toxic, petty and immature relationship going. You get constant fights, unease, not feeling loved/appreciated, little trust - the list goes on. Plus an old bloke really isnt going to indulge in tsundere traits. It’s childish. After his history with love, I doubt he’d be up for games and messing about. For something meaningful, he’d just want open honesty. Their ‘relationship’ feels like it’s written by horny kids attempting a fanfic after being inspired by 50 shades and twilight (both show toxic relationshiiiiiips~). The worst is that these are adult writers trying to portray some realistic yet sensitive topics. This is just ill fuckin taste. Even the warnings in Helluva’s ‘Horny Demons’ leaves a bad taste when the fans are thinking Stolas is the best dad despite both parents ruining Octavia’s mental health. Despite the next day after that episode aired Stolas starts flirting with Blitzo again on IG. Despite Blitzo being clearly uncomfortable and sexually harassed and even co-herced into sex (VERY UNHEALTHY MESSAGES HERE). Viv herself has been in bad relationships so how the fuck she’s blind to this and even borderline fetishizing this sort of behaviour that everyone seems to play off as ‘Awwww cute tsundere <3 BOYFRIENDS BOYFRIENDS BOYFRIENDS’ is abhorrent. I’ll go into this more later on how this really just... It treats male sexual harassment and assault as a fucking joke- Angel’s constant unwarranted flirting is no different from the freaks on IG that send dick pics to underage kids and random women in their dms and fathom that they’re ‘nice’ and have a ‘chance’. Wanna know the creepiest? The candid photo of Husk on Angel’s wall. Something Husk seems horrified about. It’s fangirlish and teenager like at BEST, and obsessive stalker at worst. He’s NOT respecting Husk’s boundaries or feelings. That’s still up despite Husk’s reaction. He still wore the costume despite Husk’s feelings. Angel’s thinking with his dick and it’s such a fucked up message that everyone seems to support just because ‘its FICTION. Theyre in HELL.Theyre BAD people.’ Yeah? Well look at how that’s effecting and warping reality and perspective. It’s glamourising it. Fetishsizing stalking and making it cute. Yer have celebrity or boyband or whatever youre a fan of pics on your wall. NOT your crush. NOT someone who clearly isnt interested or happy with this. If someone who kept commenting on your pictures “sexy” suddenly had a picture of you on their wall, what would YOU think? How would YOU FEEL? Because myself and my own sisters have been in VERY fucking similar situations and it’s traumatic. His paw is even attempting the lens - Angel is crossing his boundaries and not getting the message that Husk doesnt want this. He’s forcing himself onto Husk. Yknow... VAL forced himself on Angel and it ended up in numerous rapes. Angel hasnt raped Husk, but if he wont take no. If he wont respect boundaries. If he only wants Husk to do what he wants but throws a fit when he owes husk - he’s picking up on Val’s bad habits more and more. How are so few - even the very team creating this - not seeing how disgusting this is? Are we only supposed to give a shit if Angels hurt? If so, the message isnt so much of how despicable Val is but how awful it is to upset Angel. Fans constantly blame Husk for being grumpy, annoyed at or rejecting Angel. Look at this real world implication. Not only that but Angel being gay just reinforces one of the worlds most disgusting and inaccurate stereotype of gay men being sexual predators and forcing men to have sex whether theyre comfortable or not. MOST gay men arent like this, and those who are its just because THEYRE shitty people (Jeffree fucking Starr, but look how people ‘stan’ his fuckin behaviour). Val is rubbing off on Angel as much as fiction has a MASSIVE impact on reality - whether we’re willing to admit it or not. Like Val, hes pushing past boundaries, he’s selfish, hes more into visuals than anything else. It’s one sided, superficial and theres no click. No connection. Be in this situation yourself and seeing this sorta shit becomes second nature to stay alive. Angel even says that most of hells residents are ‘ugly freaks’ yet finds Husk cute. It’s all LOOKS. Who else likes appearances alone? Val. I know this will trigger and upset fans, Ive been told to fucking die and have my ED triggered when I mentioned it before. But accept that all of them have flaws. Everyone irl have flaws. But there’s flaws and then theres a fuckin crime. If Husk was a woman, more people would see the flaw, but even then... Look at many romance movies - not all but many go for opposites attract (science proves this inaccurate irl), stalking, or even sexual harassments and assualts but she falls for him and they end up together. That aint love thats Stockholm with extra steps. Think you’re triggered and upset? Go through this shit - have a history with it happening - and then see some show you love and a comfort character get treated the exact same and everyone JUSTIFIES it, including the team themselves. It’s NOT cute. Part 2 to the previous point: Both do share common interests, but it’s very unhealthy such as excessive drinking, both being addicts and being rather lazy, etc. Otherwise the common ground just isnt good. They’re opposites that really dont compliment each other. (Not a valid point here but I find it interesting how Angel loves aquariums and Husk can fly too). Viv’s writing is mediocre at best (but with glowing potential - a diamond in the rough - hence why it’s so frustrating) but Husk’s writing is the laziest. According to Viv he’s (paraphrased) “easiest to write... doesnt care about anything, almost always grumpy leading to similar reactions to everything”. His voice and alcoholism even has a lot of inspiration from Rick Sanchez. As I said with Angel in the RadioDust post, it’s almost like the addictions are seen as a joke. A running gag is fine if you can play it off well and it’s not about something so serious EVEN MORE SO when the series is about how damaging the addictions are and redemption. Why is this end goal being ignored unless it’s about Angel himself? That’s not just favouritism or bias, that’s also heavily self indulgent and a backwards ass message. Right now, Hazbin and Helluva have this ugly fixation on sex and ships. VIV has a fixation on ‘horny demons’. Her main characters are incredibly sexual bar Al (dont even say Husk, Niffty, Charlie or Vaggie or even loona and Moxxie are even on par with the focus and treatment Val, Angel, Blitz and Stolas are given). It’s very fixated and concerning. Its starting to feel like it’s about to divulge into hentai than a legit series with even a hint of the plot or a message. It reminds me of Family Guy trying to be BoJack. It’s starting to remind me of fucking Sausage Party and the final orgy. Sex and swears makes it inappropriate for kids but that doesnt make it adult or mature, and this is coming from someone who swears more than a fucking sailor whos stubbed his bare pinky toe on a fucking crate corner. Constant swears arent funny or artful in the slightest when it’s over done. It’s just... childish adult humour. We cant be expected to want to root for any of them at this rate- All A24 and other companies are seeing is big cash and easily manipulated child audiences (for easy money). They KNOW it can be better but theyd rather be lazy as they’ll profit big either way. This is going to end up like YanSim and YanDev. Amazing potential, shit writing with a leader too stubborn to accept and act on criticism, seeing it as hate. At this point, Husk isnt a deeply troubled man with vices and interests. He’s just fuck candy and romantic end goal for Angel. To compliment and complete him. Just another accessory to the Angel Show. Vivs sister who made Husk even loves Angel so it’ll only serve to further this already toxic narrative. The ship doesnt look or feel right. There’s too much established now to see the dynamics and favouritism in the creators. Self indulgence. You cant play favourites when you do this sort of thing professionally. The audience can see it and it turns people away. Ask any nonHaz/Helluva fan what they think and it’s... Well, average. Another thing is everyone went full hype on Frozen focusing on something other than romance as a form of love. But then go back to “Ok now everyone reenact the final scenes of Sausage Party” afterwards. Not everything is sex and romance, and it really is starting to feel Viv and the fans are focused on that like Incels focusing on ‘chad’. It’s creepy. Helping with food, telling someone self conscious on their weight that they’re not fat, not taking more money than someone owes, even helping out with a pet - that’s something that a good friend would do. In fact, Husk even laughs at the goofy Angel cutout and it being destroyed. It doesnt instantly equate to wanting to fuck. The fact that the fans and even some of the team seem borderline horny is... Completely destroying this show, it’s message and everything about it. Viv said ships were hardly the focus in her stream but look at it now. Look at what Viv focuses on now. It’s just fanservice shit. Nothing more. Self indulgence shit, look at the team making rape into a fetish or shipping themselves publicly with the characters on the public IGs. It’s like watching children run a business and it’s painful because the entire series is suffering when it could be amazing. Friendship should be more normalised as a valuable type of relationship just as much as love or family are. I’ll also add that Husk adding after the show “Oh fuck... Is this what I missed? Shit.” is ooc like the ‘date’ (that was compensation for stolen drinks, like a tamer version of Blitzo fucking Stolas for the grimoire). It contradicts that he slept it off rather than an attempt at staying awake, as well as calling it a “god damn peepshow” implying a repulsion to the peverse tendencies. The constantly commenting, following and posting Angel related pics makes little sense either from someone who’s blatantly been sexually harassed as well as the clear repulsion of the candid pic on the wall. He outright rejected Angel. What would be realistic are the IGs focusing on learning about the characters, their lives and interests - ALL updating at realistic paces. Old men arent tech savvy usually nor care for social media that much. He’d post drinks, gambling, casinos, life with Niffty and Alastor. Heck maybe a picture of Angel captioned “When will this guy leave me the FUCK alone?”. He even only seems to tag angel, even in the pic that had Charlie and Vaggie [their shared account] or Niffty. Theres a CLEAR bias in the staff room and it’s messy. Look how most the female cast is ignored (Vaggie/Charlie, Velvet who posted a birthday gift to one of the new artists on the merch WHY? Gasu btw, Niffty, Millie only posting twice - heck even Vox and Loona sometimes get neglected. CLEAR. BIAS.) The ships focused on are 1) NOT established canon yet publicly favoured by Viv and the team (Stoliz, HuskerDust, VoxVal - that last pair havent actually got a VA either-), 2) Are TOXIC and theme around abuse or sexual harassment but it’s ‘cute because gae’ - NO. This makes gay people look really bad when they’re not. 3) HD and SL focus on one sided, stalkerish, cop out ‘tsundere’ excused ships to sugar coat the creepiness which only further fuels bigotry, 4) SL has MERCH on it now, so thats also profiting on sexual harassment imagery (again, dont give a shit they arent real - the EFFECTS are. The people who can relate ARE. The people being horridly stereotyped ARE). Thing is, the IGs originally were there to promote ADDICT which started as a fan song anyways despite everyone saying how Viv is stubborn in her ways an uninfluenced by her fans (proof says otherwise) yet shes allowed a fan song to be canon. Theres a focus on forced love for fanservice. The IGs have long outstayed their welcome. The Val account allows glamourisation of the sick shit Val does AND entinses fans to bully as they forget a REAL PERSON runs the fucking account, Val isnt even a scary villain either - hes just a big teen like everyone else - stuck in a teen drama with all this. Pimps are smart. Theyre scary. Theyre masters of manipulati- HOW DO THEY NOT DO THE RESEARCH?! Viv wanted this sense of realism and dealing with sensitive topics in one of the worst executed ways Ive ever seen- It’s toxic. It’s dangerous. These are shit messages and your fans display that when they think all criticism is ‘hAtE’ and actively bully real people w REAL EXPERIENCES. Telling them to ‘stop pls’ does fuck all because you still promote shit messages straight after. Like with Stolas to Blitz in a IG story a day after Ep 2. Classy. Fanservice seems desperate to keep these fans (rather than market correctly... Just like YanDev) and it leads to fans feeling like they have the audacity to steer the series. Poor business with WEAK boundaries. Viv, you lost your series a long time ago. Want it back? LISTEN TO LEGIT CRITICISM. Stop surrounding yourself with yes men. Even my best fucking friend calls me out when Im out of line because a real friend will fucking take the chance of hurting your feelings if it means helping you in the long run and grow. Mick joked about the inside of Husk’s ears matching Angels coat, that the ears are cat’s most sensitive and vulnerable parts. 1) Cats vulnerable part is their tummy - hence why you need their trust first (alternatively yer get the odd cat that has full confidence they cat hurt you a lot faster than you can tickle them - I own one), 2) Its weird that Viv doesnt know this considering how many cats she has - its important to learn the language of those you love to give them your full understanding and a great bond 3) This romanticises sexual harassment more than it already is in the media (remember, theres women out there still murdered for saying no!) as well as reinforces the stereotypes of gay men forcing non-interested men into sex (again, a very toxic and unrealistic trope - a dangerous one thats led to gays being murdered!). And the ears design is unnecessarily overly complex considering those fuckin wings he supports. If the design adds nothing to the character but aesthetic, then it can go on the chopping block. Rules for simple animation. Besides from Angel sharing the same tooth as Val (who knows if that was added after he started working for Val as branding?) you could use this argument to say Pent or Al are soulmates for Angel because of having striped suits, or sharp teeth - no, it was intended as a joke that Viv fueled to irresponsibly because it’s not the first time she’s dodged publicly addressing something (something youll NEED to get used to in a big company), and she’s publicly dodged shit after this too so Im not putting faith in her until she can act professionally as the job requires. Likewise, professionals should consider what and how they joke as they’re presenting an image of a company/business. And people WILL eat that shit up face value regardless. In her stream #2, a fan requests for art of flustered angel and smug husk to fuel their ship. at 2:10:21, she does so. She’s also done this for Baxter x Niffty and Cherri x Tom. As a professional, you really should be avoiding this sort of thing in the name of fanservice. I get it, fanservice = financial gain. But it also results in empty meaning. It’s a shell of what the passion project once was, hence why you make the ENTIRE skeleton before involving others. The team help construct the muscles, tendons and organs. The public - moreso critics and the more experienced in those fields help sew the skin. Then you bring it to life, the fans become like blood. They aid to keep it alive. Even Ash and Mick mention Husk being ‘tsundere’. Im had most my piece about it earlier, however I’ll repeat and add some extras. Tsundere is an exaggerated personality, often used in younger characters. In terms of a relationship, it’s very immature, leads to poor communication and results in a toxic love. Science can back this up as well as the lack of realism. It’s more immature minds/hearts that go to what they interpret as tsundere in hopes of the love life the media portrays. A farce. Y’know what Angel needs? Someone open, honest, open to love and comforting. He doesnt need someone rebuffing and him chasing. It’s nothing more than an immature thrill. Once the love begins, it’s burns out QUICK. It’s far from sustainable or healthy. It’s not what either really need and further show Angel’s fixation on men who subconsciously remind him of his father. It’s not healthy. Another thing is a tsundere actually IS interested but shows it in the most immature and childish means possible. Would a really old bloke actually give a shit to play those sorts of games? No. Not one coming from a place like husk has. It’s painful how lacking in research and experience these people are. Science backs up that opposites solemnly attract also. In fact, they often either repel or only get as far as friendship. Fan and Team Mentality in Brief: Im coming out with my ultimate pet peeve: if you’re going to have one of the MAIN characters be a gambler, do your research. The only background shit is a casino, LOADS of sex references (in Pride? Really?) and drugs. It’s like someone listing what they think is adult and tabboo and naughty. It’s yikes. Cards are almost always aces, 2s or blank. MOST are heart suits (like we need MORE red - we get it, it’s hell. But it’s an immature larvae stage hell). I get 2s and aces being easier to animate, however you have Husks wings, the entire of alastor, angels arms - if youre busting the budget for the menial then bust it to the cards. Theres like ONE spade. The full house isnt a full house (here’s a display of the fans lack of education on the matter as well which serves as a sure sign that they know just as little on any of this as SpindleHorse, they think it’s a sign on him being a card cheat. A card cheat. I aint saying hes not but what I AM saying is poker professionals are some of the most observant people in the world. Especially when money’s involved they’ll ensure youve got your facts right. That wouldnt fly at ALL. But theres more~ fans think Husk spent loaaaads of time staring at angel’s face in the IG poker out of <3 Newsflash. When you play poker you read EVERYONE like a book. Every little twist and twitch of the features. Its not about love. It’s about winning. Its about money. Play enough poker and it’s instinct if you want to actually play decently. Call bluffs. Life aint a fuckin romance.) And playing Poker at a BlackJack table? In a casino? These are all common knowledge and basics if you just research. And this is coming from someone with a history of this. The fans even believed Tipsy Bartender’s ‘Peach Princess Cocktail’ was something Spindlehorse made as a beverage form of Niffty, Angel and even Charlie because of the name. Now, Im not expecting everyone to be a fuckin boozy either, but to not even consider it’s a very real drink does show that many fans are far too young for that 18+ label. Fanart of HD often has Husk being OOC OR being held hostage (often via webs - one even being reblogged by Viv, aint that cute!). Some even have Husk completely intoxicated, which would be rape. Im not sugarcoating it. Because too many are getting the sweet treatment and copying Viv’s ‘dont address and it disappears!’ tactic - A LOT of internet celebs do it. The ship is drawn a lot by the team in the public eye, Viv reblogs it publicly (SL, HD, alongside canon only ships, how curious-). Husk is pan yet doesnt behave as the stereotype. And Id FULLY support this with my fucking SOUL (fun fact: you cant sell a soul. Thats myth to scare people-) if it was done correctly. But the way bisexuals, lesbians, gays and aces are portrayed so stereotypically (even Pan in terms of Val’s sexomania), it’s really REALLY uncomfortly coming across as Husk being pansexual JUST to make him an ‘option’ for Angel. Hell even the hets are given a shite representation. Some art btw has husk tricked into a kiss. Cute, we’re really starting to like blurring consent aint we? Remember, Angel has celeb power in his world. In the real world, he has a following. HE has the power in the ship massively. Hell, fans JUSTIFY Angels behaviour and absolutely rip Husk a new shithole if he fuckin even so as to DARE OPPOSE ANGELS MUCH DESERVED LOVE! - sarcasm because I have to make that shit clear now. Fans dont care about Husks feelings, he wasnt even popular until this ship started to explode. Y’know what would be cool and break stereotypes? An old straight white guy actually accepting his friends sexualities. The pan thing feels really fucking gimicky and exploitive and gross based on the history of all this shit. It feels disingenuine. Representation doesnt come from it just being there. What next? Katie whips on blackface to further show shes a bigoted knobhead whos white and straight? Dont get me wrong, Katie’s an arsehole but theres other means to show this rather than ALL HETS HATE THE BIG GAE. They dont. They really dont. But hey, we’ll show a gay man sexually harass every guy and root for him! NO. Thats fucked up. It makes gays look like the predators theyre not. It’s like the fucking 50s with modern tech - is that the real identity of Vox? Fuckin maybe. WHAT THEY NEED - FUCKING FINALLY, ITS THE END IVE BEEN ON THIS SHIT FOR DAYS WHILST SICK LUCKY ME EH? CAN YER FEEEEEEEL MY TIREDNESS OF FANDOMS AND CREATORS EXCUSING SHITTY THINGS FOR CLOUT, MONEY, FAME AND OTHER DUMB SHIT? IF YOU CANT, THEN WHAT THE FUCK, AND OTHER NEWS: Right. Lets get our main shit. Compatibility between the pair is really low - lower than even the team seems to see. And yer old fart of a Hag here’s gotta use my personal suffering as an example because thats what the cool kids do, right? Their friendship compatibility is high. VERY high. But low for love. HEALTHY love. In terms of convo flow, it only has a river when insults are flying, otherwise Husk actively cuts Angel short or outright annoys him. In reality, someone like Husk would gross out Angel, but the cute cat look can turn that the fuck around - JUST the look. Fans and the team oddly think it’s cute though. Yes, I remember being negged at the bar and thinking “BOY arent my pants flooded like the fuckin planet when the ice caps are melting”. There’s no click. Theres infatuation and lust one sided based on looks. Husk isnt even remotely interested and no means delayed yes apparently. Angel as a rape VICTIM should know better than to blur consent like this. Angel isnt a rapist [for the skim reading raging stans ANGELS NOT A RAPIST, YAAAAAY!] but he sure has a shit grip on when he’s looking like Val when Val forced Angel into a kiss by not accepting rejection. It’s. CREEPY. Its fuckin weird. Husk is literally named after being a shell of his former self, I doubt random sex and forced interest is gonna make him spring to life like bastard Zeberdy from the Magic Pissin Roundabout. Honestly, sexual harassment and addictions are treated the same in this - a joke. A punchline. A gag. Sure makes me fuckin gag. Nah, the more healthier Chaggie relationship (needs work on Charlies damn part - dont let freaky taxidermy men sexually assault your life partner like that) is booooring, lets focus on sexual harassment leading to true love like all the other shitty romcoms shall we? Or sugar coat it with ‘getting to know them better <3′ like Beauty and the Beast. A story, by yours truly: My mom’s mates with this woman. Lets call her M because her name starts with an M. M is just like Angel except slightly older, overweight and disabled - so not everyones cup of tea visually (shes neither here nor there to me imo, not like I hold interest in shaggin her). Like Angel, she fuckin flirts with any ANY man around her. She’ll even touch without consent, rub allllll up and down their backs and bodies, and not leave them alone. She even did this with a few gay men. Shes not a horrible person BUT mom and I are constantly trying to stop her and get through her head how DISGUSTING this treatment is. But nothing gets the message across. Shes ALWAYS talking men and sex and has an on/off fling with this one bloke (dont worry, hes the male M, cheats and does the same as her). Everyone, even women, are uncomfortable with this. Irl it’s desperate and a HUGE repellent. Men are visibly SO uncomfortable. She does it to my father too who is - in case youd forgotten - MARRIED TO HER BEST. FUCKING. FRIEND. My father is not a man of fear (and interestingly, hes one of the real life Huskers I know!) but this woman? *insert Heavy bc why tf not* She scares him. My dad does everything in his damn power to pull away, reject, resist, avoid and cut her off. The only reason hes even nice to her at all is because mom likes her (when M isnt a gross hornbag, shes genuinely a good friend to my mother - much like angel and Cherri). My dad’s strictly banned from insulting her or telling her to fuck off from my mother BECAUSE of her nature with him. Even at her non horny times, he’s even said shes not his flavour. I’ve had numerous accounts like this myself (ask any woman-) but the worst was the guy thinking - THINKING - that Id eventually be his whilst he played up a lot of our similarities up, seemed nice and I actually thought I had a good guy friend (put it this way, Im genuinely scared of men because of guys like this). At this time, there was a character I discovered who looks and behaves SO much like me, and shes married. My simping arse for this fictional BEAUT [Im sorry but Iris is fucking awesome] compared her romantic traits towards Olgerd as something Id do - and this was a STATUS. It wasnt even too him, tagging him, nothing. I was just spamming Iris like the Iris whore I am, and... Yep. Ill be honest and say that God only knows what else I did that made him think I was ready to rip off my clothes and shag him. My post history back then showed Im like this when I find a character I relate to. I also send hearts a lot publicly and to friends to express joy - I get NERVOUS how that’ll be taken now. He tried to pit my ex friend and I against each other for him and even cyberstalked us pretending to be a girl named Raven. My GUT told me this aint no bastard ‘Raven’. The vibes he gave me, and the fact when I kept saying no he took it as a delayed yes (He even said “Ill wait for when youre ready” not “I understand and am happy to still be friends”) gave me literal nightmares of this guy tracking me down and raping me. He’s currently dating that ex friend (I was still willing to be their friend and support them but they said it was hard to keep us separate in her lifes and she didnt want conflict, so I cut it off amicably with her and I fuckin hope he treats her right. I even sensed in my gut she’d like him and he’d like her - even that theyd be good together! But then I found she was 17 and he was 10 years older, that he was cyberstalking and pitting us against each other, that he was secretly an arrogant fuck and that he gives off red flags like her ex’s - but shes passed 18 now and I want to trust her as an adult that she can deal with this. Shes got a good family.) As a kid, Ive been fuckin groped at school in my shitty neighbourhood. One kid even harassed me wanting to know if Id started my periods yet. Hed constantly fondle girls and ‘keg’ them aka yank down their skirts or trousers in public, and 2 years later held a fucking KNIFE to my throat in a classroom with the shittiest substitute teacher, all because I stood up to him (I was not known for my bravery at school so). He was harassing my female friend who suffers from it since as well as her upbringing, bullying her and stealing her stuff. Shes TINY. She was bullied just as bad as I - who was somehow both the school ghost AND pariah somehow- - and I stepped in and told him to cut that shit out before snatching her things back. I told her to ignore the desperate prick. Thats when he took a boxcutter and held it to my throat, threatening me to keep my head down. Now my neighbourhood fucking qualifies as the British ‘hood’ but Id been lucky to avoid this. Ironically, I wondered what this situation would be like a year prior. Im convinced I can fucking foresee bad shit now and with anxiety that aint good. I froze mentally and I just said “Wooow, Im fucking scared- *friends name*, ignore him” and continued my work. I fucking mentally kicked myself for speaking but I genuinely didnt know what to do. Obviously not fucking that. He sat the full TWO HOURS at our table with this knife, jolting forward mockingly and switching who he pointed it at. The knife btw was from that very room as it was graphics and art. Teacher didnt even notice though honestly Ive had an entire class throw shit at me and call me a whore and the teacher in that class looked at me and TURNED AWAY. End of the day, I reported it to my actual graphics teacher when he returned and he told me he’d take this higher up and to get my parents. My home was only 5 minutes away but I had to walk alone when most the students were gone AND through a fucking alleyway. I always walked with my head low but that day I kept it high and tried to look brave because I genuinely thought he was waiting for me. That he was going to rape and kill me because he’s a pervert and Id just discovered a fucking violent one at that. I broke down at my door. Do you know how fuckin hard it is to look your parents who are dealing with two cancer patients and other issues in the eyes and tell them their ‘little girl’ had a knife to her through for standing up for herself? We went back, I described everything and even remember the yellow-orange handle just to get this kid punished? I even wrote an official police statement (well, the written witness account they add to their statement and evidence) and had to speak on mine and my friend’s behalf because she was that shook up. I never even used to speak for myself! He got expelled, but yknow what us jolly folk dealt with? Hearing kids and his mates mumbling about the ‘rat’ and how much of a cunt they were. Teachers and kids praise him for his art skills and even pin them on display EVERYWHERE (one - ONE - was a fucking self portrait and none of the staff seemed to find issue in that) and even an occassion where he came back into the school when he legally wasnt (trespassing). Do you know how hard it is to fucking avoid someone without raising suspicions from everyone around you in a narrow corridor? Im TALL too. I got NO support from this and felt on edge because he could easily sneak into school. I couldnt say shit because his stupid ‘spies’ were about. Just typing this is upsetting enough- I also know a rl Angel who’s like him minus the sexual harassment. She’s... I never used to like her and visa versa but we actually get along really well now, even though she can be creepy and perverse- But she wouldnt be my type either nor I with her. Often we really fuck each other off but we can also bond great. Another incident reminds me of Husk’s candid photo. Ive had people keep my photo despite me saying not to however I had someone SOMEHOW at that school one the fuck up that. There was a cut out from a magazine of a lady who looked like my DOUBLE except she was asian. Now I thought this was cool and it made me feel sorta pretty. This one girl showed everyone and the teacher, pretty much everyone was like “Oh shit that really is you, C!” and it was harmless fun at first. Until I wanted the picture. Again, this woman looked EXACTLY like me. Yet this girl refused and said she wanted to keep it and even carried it around in her pencil case. Yes it wasnt me but due to the similarities, this photo was called me (tbf the fuckin pic got more respect than I did-). This isnt the only creepy instant between me and this girl but the photo reminds me of it. And this tops people keeping photos OF me which happened in primary school. This was me but legal at that time. And asain. It was super fucking neckbeardy the way she treated this photo and stared, often stroking it and looking at me. I just hope she was only trying to scare me. Theres one final instance of a sexual assault but Im just not yet ready to be public about it. 2 here already know. Those are some of my rl experiences and more to come (unfortunately) that show these behaviours in real life. It seems - it comes across - that sexual harassment, MORE SO TOWARDS MEN, is seen as some punchline and not something legitimately horrifying or dangerous. It’s not cute. It’s fucking FAR from it. Ive already mentioned how putting two addicts together can lead to relapsing, dependence on each other in an unhealthy way. And Ive even mentioned what Angel needs in a relationship in the RD post. Luckily for you, I’ll copy and paste it here: “ We need to think about where both are mentally. What benefits would a relationship give both? How would they be good and bad for each other? For Al, aside from his outdated views and being a fucking murderer and narcissist, he actually seems in a good mindspace for a relationship IF he opted to be in one. Angel however has a very immature mindset, likewise is in a phase of life where hes bed hopping. IF he were to be in a relationship, I’d say he needs a male equivalent of Cherri - someone with a similar mindset yet some differences, willing to have fun and in touch with their younger side, down to cuddle, open to share and receive love as well as not afraid to publicly be affectionate with him, someone who sees him as more than just for sex, someone fun, someone who’ll let him embrace his cutesy side publicly without shame - Cherri is younger so maybe someone who’s his age or slightly younger perhaps? I think Angel’s not retirement home ready to settle and needs someone on his level that can cuddle and chill as well as feels free and youthful enough to go wild with him. In one sense, he’s got a teen girl sorta mindset (dont put him with a teen though, it’s fuckin weird-). He needs someone positive and raw, someone to let him be himself as well as someone comfortable to be themselves around him. He has a habit of latching onto unobtainable men (in psychology, this is self sabotaging subconsciously): Travis the client, Val a pimp, Husk (emotionally unavailable and needs HEAVY self work - interestingly far more than Angel - plus he’s still onto his last relationship and an addict to gambling and alcohol), Pent who’s the enemy he was currently fighting (inappropriate timing), Alastor who’s not interested in another but his own needs [selfish, VERY bad for a relationship]. Subconsciously he’s self sabotaging on purpose. There’s many psychology books as well as sources online for this, if you’re interested. Either way, Angel is drawn to men either like his father [who dislike him, shun him, or are otherwise cold, abusive or just blatantly dislike or otherwise dont care about him] or anyone with money to fuel his drug addiction/’debt’ to Val. Going with any of these men isn’t a good idea. Preferably, Angel needs someone who he doesnt immediately crush and obsess over. Someone who he doesnt sexually harass or assault. Someone he can build a connection with quickly that can bud into romance (think how Chaggie started as a friendship which clicked immediately). Maybe even someone he doesn’t expect to fall for but does so anyways. It would be more realistic as Viv wants as well as more healthy. That for once he isnt sex or money craved instantly, thus doesnt sexually harass/assault and is given a proper chance to develop and grow a friendship and love. Someone who isnt an addict. Someone with an on-par mindset where they click. Someone open to love. For any chance of a good relationship, Angel needs to be with anyone BUT who we’ve already seen. There’s too much toxicity that’ll be swept under the rug and justified otherwise. Too much shit to fuel homophobes in terms of gay stereotypes. Even though Ive focused a fair bit on Angel, it’s NOT just about Angel. That’s something fans forget. Some he depends on or someone who depends on him in the long term wont last and will be very dangerous to both. Just because you suffer, you dont then deserve to be rewarded with ‘something nice’. You dont get to have everything youve ever wanted. Giving him any of these blokes [minus Val] gives him a pass. Gives him what he wants. I get Viv loves him but life doesnt work that way. True lasting growth comes from learning that. Acceptance and growth. You dont get everything you want and sometimes thats a GOOD thing. He’s not a spoilt kid who gets everything he asks for, he’s YOUR creation. If you really wanted what your creations deserve then you need to research and be realistic with it. Because hes starting to feel like a shitty Gary-Stu at this rate.” Sorry for that copypaste clusterfuck. Copy paste is not my forte lol Now Husk. Remember Big? Probably not after the info overload, but if you do GREAT. Big needed love, patience, understanding, someone who could help him, someone who understood and respected his boundaries. I spent so much damn time and now he cuddles up and exposes his tummy because I make him feel understood, loved and safe. He NEVER purred or meowed (why would he need to meow when he didnt speak to humans?) but now he does. He lives on the streets of a neighbourhood with rough folk. He used to draw blood and go rabid on my arms. But I was patient and showed him that I understood his reasons but that he was safe with me and had no need to strike out. I never pushed his boundaries let alone doing it multiple times (the rl angel I know is fucking skilled at pushing cat’s boundaries and wonders why they all huddle up to me and avoid her lol). Husk is an unavailable man. Romantic/Sexual love does NOT heal his wounds. But thats the only thought fans and the team have given on his side. He needs love to ‘fix’ him. The WORST reason to get with someone. Theyre not a project and you arent a fucking miracle worker. Treat them as an equal. He needs a good friend. JUST a friend. Like Big, he needs patience, trust, understanding, and extensive help (arguably more intense than Angel’s). He needs to love himself a bit more FIRST. Someone who respects his boundaries INSTANTLY. Someone relatable and similar, open to love not just sex and not as troubled (if they are, they need to handle it way better, healthily and overall be in a good mindspace). Viv can ship whatever the fuck tickles her fancy, but once your passion project becomes public and funded, you have set responsibilities on how to address and handle sensitive issues as well as having to accept criticism. If Husk goes sober in the name of love (ESPECIALLY with the guy not respecting his boundaries and sexually harassing him), then it’s a fucking INSULT to alcoholics. I know a few rl Husks but there’s one that anyone who knows me enough knows the man I hold closest to my heart was an alcoholic and spitting of Husk. That’s why Husk’s character means so much to me. But there’s only 2 here who know a bit more of this man. This is something Id hoped to not share so soon, nor as messy. And Im already getting waterworks because this is FAR from easy. I guess Husk became the very thing *I* needed in order to face this. This man was my grandfather. WAS. I cant even fucking accept that. I was a fucking child. I feel stupid being so open about this over some stupid cartoon but it just shows the real life effects this has on REAL fucking people. This man was old and lonely. Always at the pubs. He taught me card games, card tricks and card magic as well as one of his own sons dealing with a gambling addiction. I feel so fucking stupid crying about this- I dont want to open up but its the only way I feel I can get people to understand my side in all of this. This man was a fucking MESS. A closed off, lonely, grumpy old bastard. He lost his love because of his alcohol addiction and never found love again. Never got over that woman. (Shes still kicking and we’re close - im keeping some things under wraps between them as its not my place). Gave up on life and love. Worked hard at his fixation on cards and puzzles, as well as crass jokes and knowledge. But he was very lazy otherwise. Bitter and angry. And you know what? He was my world. I love this man with every fiber of my being because he was the first person to love and accept me for me. He treated me as an equal and helped me grow as a person. In fact... He was only ever happy around us kids. He had hope again. Protected me. He used to hate gays and blacks and you know what? He taught HIMSELF as to why that was shitty thinking. He taught ME about differences in people and to accept it. He taught me that you dont always have to understand to accept. He taught me poker and... swears admittedly. He was a beautiful soul that was broken inside. He needed to love himself. But you know what actually fucking happened? You know what I watched as a kid? I watched as he smoked until every morning he woke throwing up phlegm just to BREATHE. I watched as sometimes the light in his eyes died and through smoke breaks and early drinking how he’d sometimes slip and show me his pain. And we’d have deep talks about it and the world and everything. How alcohol ruined his life yet he craved it. His scent. I remember arguments I wasnt supposed to overhear and growing up seeing him fucking DIE slowly in a hospital bed. The man he was ended up as a fucking husk. His skin was bloated and purple, he was half machine on how much shit he was hooked up to. How he was barely a man at all. He was dying of cancer and he fucking knew and never told us. His cancer meds gave him horrid hallucinations. And I practically spent most of my time in that hospital because TWO people had cancer. Two stunning people had fucking stupid bastard cancer. He was a fuck up. He was flawed to shit. But seeing glimpses of the real him was a fucking ethereal experience. He made me feel like a PERSON. And all we could do in the end was watch him just die. He WANTED to die and you could see it but hed only eat around us to fake fight out of his own hubris and not wanting to let us down. That year, I watched 2 of the only people who ever gave a shit about me die the most dishonourable deaths God could have gave them. Years prior I watched his son gamble EVERYTHING away - his lover, his house, his everything. Hes a moderate gambler now with a partner who never had a history of any addiction. She helps keep him in line as he helps her. But most nights I fucking dream of this shit. I cant even think about my hero because I fucking weep. I still have nightmares. Im still up thinking how I could have saved him from himself when it’s him who was the only one able to. I have to live my life with those memories and I was just a kid. Im a full woman and Im still haunted by it. Even that year is blasphemy and I fucking hate it. I want to take him in my arms, hold him and tell him he’s enough. That its ok and he can get through this. Anything that reminds me of him, I love because I know the other side. The real side. The side not tethered to vices. When I see people like that, I pray they see themselves like that too and I want to help them see it. Tell them that they can live again. It’s better than fucking decaying in a hospital bed. That when people make this sorta shit into a cute quirk it’s not. And it’s dickheads like me who have actually seen it play in the real world to REAL people they love. They arent a fucking accessory to fix for your own narrative. They arent a fuckin performing monkey. At least with Rick and Morty it’s kinda humorous and never played for some shitty toxic ship to appeal to everyone who’s never had to face that shit themselves. And Im like my old man but with more hope and no addiction. I drink and I gamble but I’ll never let myself get that low. Because I honour him but Im not as fucking saft. I wont allow it even though it’s a fucking battle. Those addictions are in the blood. My family history. Its always been so fucking normal. I’ll never knock someone for an addiction or try to preach them out of it because theres often pain fueling it, but I’d never encourage it or toxic faux cures and stupid romance promises as some bullshit MLM remedy either. I KNOW it’s fiction but I want people to see the real side. I want VIV to see the real side. Id willingly for FREE fucking sing that shit if it meant spreading a good message. Because this is fucking hell. FIXING IT: The ship’s basis is too set in stone now - too familiar to change. Best is to never let it be canon. Because you know what else it teaches? That rOmAnCe cures all. Not therapy. Not rehab. Not any REAL work. Just fuck and date it all away as if it’s that easy. It’s a mockery! I tried to be professional about this but when the media bombards this shit constantly, the has the AUDACITY to play like it’s giving a good message is salt to the wounds. A kiss with a fist. An old man dont care for the petty teen drama that Angel and Cherri (even fuckin Al) thrive on. Want this to send a good message still? Angel hates rejection and thinks everyone wants him. Have Husk reject him. Especially because no one should go out with someone whos sexually harassed them there. Been there, done that got the fuckin tshirt. Have Husk reject Angel the way Gravity Falls has Wendy reject Dipper. It helped Dipper move on and mature, and this is what Angel needs for growth and to be more humble. Husk would be a fucking excellent mentor to Angel, a friend and protector, someone who shows him the ropes like Grunkle Stan like a grandfather figure. To not fall for his mistakes. Husk would be a better expert than any of them plus it balances the power dynamtic. It’s healthy and realistic. Touches the topic with the sensitivity it needs. Not everything needs a ship or romance. Wounds healed that way dont stay healed long. Angel seems more fitting as a son like figure, and he can play that dad like role for him. And if any of the team EVER saw this, fucking take this idea. Its YOURS. FREE. FOREVER. If we wanna play this NDA but still reblog some of the story telling arts and have some of our team indulge in it. I wont sue. Fucking TAKE IT if it means doing this shit right because Spindlehorse have beautifully triggered so many different people and their different traumas to please teenagers sexual fantasies, their own kinks and for a jolly good joke. This is a bastard long read and Ive had to face the traumas again but if good can come from it then I’ll GLADLY dance this duet again. Stans, Antis, dont even TEMPT interaction. You arent brave sending suicide threats behind a screen, youre a coward and a waste of oxygen. I WANT Hazbin and Helluva to succeed. I want Viv and her crew to do well. Trust me, I wouldnt waste my time if I didnt give a shit. Viv is fucking gifted and its being wasted if it’s not at her full potential for the approval of a rabid army of kids and immature adults who dont know any better (stans and antis). I know she would like a good and decent fanbase. Stans and antis arent it. Tagging you folks because it’s long but yall actually helped me have the courage to open my trap to this. Screenshots are coming later though all of what Ive said is easily sourced. But this has been days, Im sick, im tired, ive been upset facing my own traumas. If any tags wanna help then by all means but otherwise. @honesthazbinarchives, @siaesnow (also added age still bc despite the lack of physical aging, theres also the mental aspect and experiences as well as power dynamics side to it, in case youre wondering), @noirellearts, @enchantedchocolatebars, @galemalio (thank you for letting me weep like a bitch), @angel-blitz, @critical-hazbin, @what-the-hazbin, @hazboobhotel, @pineapple-critiques-stuff, @devils-advocutie, SORRY AGAIN FOR BEING A LIL BITCH FOLKS, I feel awkward like my teen years but yeah- fuck it Im old and imma rot soon anyways. If this experience can help then Ill be glad.

#hazbin hotel #hazbin critical #anti huskerdust sorry folks #vivienne medrano #criticism #toxic relationships in fiction #how fiction impacts the real world #yeah im a wimp who cares?#hazbin needs to change for the better #concerned fan #dont be another yandev #dont be another yansim #stans and antis dni #stans and antis will be blocked and reported #hope this gives justice to my hero about the rl effects of addiction #rest easy Kiddas got this #still shitting myself #read more wont work sorry

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vilmublue · 5 years

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Personally, I like how Moomintroll is portrayed in the new 2019 show Moominvalley. Like many characters in the series, his age is often ambiguous, but in this version he is specifically a teenager and the show is about him growing up, as confirmed by the developers. A lot of people familiar with the Japanese and English dubs from the earlier show are shocked by his deeper voice (not me, I’m a Finn) and in this version he’s clearly taller than Snufkin!

But while he may be physically older, he is still rather child-like emotionally, with Little My wondering if he has ’learned anything yet’. He is kind and sensitive, but can be a bit selfish, impulsive, dependant and moody. He’s frustrated when people treat him like a child and while the world of Moominvalley clearly doesn’t have nearly as much pressure to grow up as our world does, he thinks he shouldn’t do certain things because he thinks he’s too old and he multiple times tries to hide and restrain his strong excitement for things.

Despite that, he can’t resist to do many things a one could consider childish. He tries to catch small river creatures in a jar and even forgets to include air holes, like how children tend to catch things like bugs with not much care for their well being. When he manages to find an extremely rare tiny dragon, he is giddy to keep it a secret and a special thing for himself (and Snufkin), but clearly doesn’t know how to own one (or more precisely, doesn’t understand the dragon is wild and shouldn’t be owned in the first place). He tries to turn a bark boat in a pool of water, thinking that if it turns clockwise it’s a sign that everything will stay the same (notably, instead of letting the boat move on its own and let the answer be a surprise, he makes it give him the answer he wants). When Too-ticky specifically tells him not to open a door, he REALLY wants to open it and can’t resist the temptation (and takes a silly picture of himself posing dramatically, after he found a camera).

He is very close to Moominmamma, who is the always gentle and approachable mom to the point of being coddling, but he is sometimes conflicted and a bit more awkward with Moominpappa, who is very self-centered and can ignore or downplay others’ feelings. He is extremely attached to Snufkin, especially during Spring, and often tries to act more cool in front of him and hide his excitement. Moomintroll understands Snufkin needs his own space and doesn’t want to prod, but as a very dependant person Snufkin’s absence can make him very unhappy. He and Snorkmaiden seem to have a thing and they like each other, but he clearly isn’t as interested in the romance much to her frustration, often doing things like fishing over a romantic boat trip or thinking more about Snufkin and appearing very uncomfortable when she talks about their future kids. He develops a sibling-like relationship with Little My, with them often appearing to dislike and jab at each other, but in the end they do care. His relationship with Sniff is also sibling-like, though he can be irritated by Sniff’s absent-mindedness (and since both of them can be full of bad ideas, leaving them together can be a disaster).

Some people might find these traits unlikable (and the characters in this version in general because their flaws are more pronounced), but to me they feel kind of…realistic, in a way? Moomintroll is a nice moomin, but he’s not 100% nice and can be self-centered and thoughtless and in a bad mood, and just because he is older age-wise doesn’t necessarily mean he’s mature. And he does develop during this first season of the show. He learns to become a bit more assertive when Little My bothers him enough (seemingly partly for her own gain and partly for the genuine wish to help Moomintroll develop). He figures the bark boat turning is probably just a wind changing direction and starts to accept change more. He understands the weird and seemingly randomly acting Hattifatteners have their own logic and way of life. He understands the Groke isn’t a monster despite appearing terrifying. He is easily scared by danger and spooky stuff, but doesn’t hesitate to save a friend no matter how dangerous it is. He comes to realise that you have to listen to a person in need, not just talk over them and do what you think is best for them.

#Moomin #Moomintroll #Snufkin #Little My #Moominmamma #Moominpappa #Snorkmaiden #Sniff #Hattifatteners #the Groke #cartoons #analysis #vilmu posts #long post

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the-glitter-acetylcholine · 4 years

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Harry Potter characters that were criminally underused (in no particular order)

(MAJOR SPOILERS)

Luna Lovegood - literally only introduced like halfway through the fifth book, yet probably the most influential ravenclaw character. Her odd mannerisms and odder outlook would have made her a fabulous addition to the golden trio’s shenanigans, yet she only serves this purpose in one case

Mad-eye Moody - he’s “well-developed” in the fourth book, and we get a lot of content of him... only to discover it wasn’t him at all. Then, he briefly appears with the order and then dies. Great. What a wonderful use of a skilled fighter and mentor.

Remus Lupin - okay, so he does get the whole third book but then... he just fucks off? Ofc then he, too, returns to fight with the order, fall in love with a woman half his age, have a baby with her, and then die immediately thereafter. He’s just such a cool guy with so much to offer to Harry and to readers (when it comes to insight on discrimination in the wizarding community) and he just doesn’t get a chance to do nearly enough. What a wasted opportunity.

Pravati and Padma Patil - yeah, these are two different characters, but we know so little about them that I can’t even discuss them individually. They’re twins in different houses! How cool! There’s so much to be explored there, especially considering the competitive atmosphere among houses that Harry perceives. Not to mention the fact that they inexplicably agreed to go to the Yule Ball with Harry and Ron respectively despite a) apparently not knowing them very well and b) not even being all that desperate to hang out with them at the ball (I think Padma asks Ron to dance a few times and then gives up) (side note: this made me extremely mad when I was little, because I had I major crush on Padma). What compelled them to do that? What are they like? What are the differences between them that caused them to be sorted into different houses? Gah, they could have been so interesting!

Cho Chang - this is one that makes me genuinely a little mad (same goes for #6). She’s just so two dimensional, and that’s really not fair. She’s a decoration on Harry’s arm for what? A year or two? And she then cries, dates Diggory, and then she cries again (I think she dates Diggory first but you get the point). HER PURPOSE IS NOT JUST TO CRY OVER GUYS. She’s a ravenclaw. Let’s hear about that. Where do her interests lie? Is she an academic? Is she an artist? What kind of intelligence does she have, what kind of knowledge does she seek? What made her like Harry to begin with? Did Harry ever like her for more than her “sleek black hair” (not a direct quote, but I’m sure it’s described as something to that effect)? I want to knowwwww

Lavender Brown - aka... Ron’s brief, annoying girlfriend? The precursor to Romione? I mean, was this girl even in the D.A.? Maybe she was, but I don’t remember, and that’s the problem. She’s a Gryffindor. She’s brave, she’s headstrong, she’s proud! But she’s only ever portrayed as overbearing and clingy which SURE, may be some of her traits, because she’s allowed to have flaws, but that’s not all she is. I want to see her relationship with Pravati and Hermione, who she roomed with for six years (beyond her annoying Hermione when she dated Ron). But nope! I guess she’s just another accessory!

Nymphadora Tonks - i.e. Tonks. She’s funny and brave and powerful, but we barely get to see her in action (yes, before you ask, i had a crush on her, too). She’s interesting, so interesting, because her emotions are often expressed through her appearance, and she undergoes like two full personality shifts throughout the books (it’s worth noting that she’s also introduced pretty late in the series, book five, i think). She’s depressed for a while, then she falls in love, gets married, and has a son (and then dies), and, while it seems like this is a lot of usage (which it is), I can’t help but wish we had seen a little more of it all, specifically of her falling in love and of her married life, of her motherhood, before she died.

Xenophilius Lovegood - literallly (i would argue) one of the most interesting characters in the series, despite the fact that (I think) he is only featured heavily in one scene. I would definitely call him a more complex character than Snape. In his one scene, Xenophilius offers the golden trio one of their most important lessons through the Tale of the Three Brothers, the story which ultimately wins them the war against Voldemort. And yet, it’s a trap. He’s stalling, keeping them around so that Voldy’s goons can come pick them up and presumably kill them, or at least imprison them until Voldy comes ‘round again. But, and here’s the important part, he does it to save his beloved daughter. His daughter, who is the only family he has left, after his incredible scientist-witch of a wife died doing what she loved. The Lovegood’s are a family of inherently good people, yet Xenophilius sides with the very people who took his daughter in a weak effort to get her safely back. His plan won’t work, they won’t return Luna. They DON’T return her, but Xenophilius is fundamentally weak, made weak out of his love, and his fear of losing the last person in the world he has to care about, to protect, to love. He’s just SO DAMN INTERESTING ughhhhh give me more Xenophilius pleaseeeee

Kingsley Shacklebolt - he’s??? so cool??? Literally he’s just awesome, but we barely see him. He acts as a spy, essentially, when the ministry gets taken over by the death eaters, and helps the order actually get shit done, but he’s just so underused. Idk, I don’t have much to say except that he’s awesome and I want more Shacklebolt content

Cedric Diggory - he’s actually talked about a fair amount, so I don’t think I need to say much, except that he is literally the nicest guy ever, and, despite Harry actively hating him for like a whole year, he helps him in the Triwizard Tournament and represents Hufflepuff beautifully as being more than just the “miscellaneous house”. But then of course he’s killed before he and Harry can become friends, and before readers get a chance to understand anything about his social status (is he the asshole popular guy or sweet quite guy???) or motivations. Of course.

Percy Weasley - aka MY FAVORITE WEASLEY KID. R*wling did my boy so dirty. He’s cool because he’s kind of a stuck up academic asshole stereotype, or at least Harry perceives him as such, and then he changes slightly over the years as he and Harry both grow and mature and then it all culminates in his great moment of emotion and humanity! Fred’s death is, without much contest I think, the most devastating death in the whole series (Dobby could admittedly give him a run for his money, though), in part because he’s just so damn sweet and funny and innocent, and in part because right before it we FINALLY get to see Percy smile. He smiles at a dumb joke Fred makes, and then Fred DIES (a well placed death, I’ll admit begrudgingly), and just the juxtaposition of the moment... *chef’s kiss*. And then we never really check back in on Percy, and we don’t really get enough closure on that moment. :/

Colin and Dennis Creevy - again, two characters stuffed together, this time because we actually know a fair amount about them and... they’re kind of the same character. Colin is obsessed with Harry, and so is Dennis. That’s about it. I just WISH we got a little more on these kids, on why they felt so drawn to him as this apparently untouchable hero among them. Were they abused? Orphaned? Abandoned? Did they have some sort of trauma in their lives that made them so attached to the idea of a savoir? Or did they simply regard Harry as most little boys might, as a cool sort of action figure character? The world may never know :(((

Susan Bones - God, I wish I had more to say about her. She’s sweet, she a hufflepuff, I think she helps Ron at one point in Herbology. Her aunt dies I think. Is she the one who had the rabbit at one point? Idk, she’s just one of those characters who’s so far in the background that she almost stands out, and I kinda just wanna know more.

Fawkes - yeah, I know he’s a bird or whatever, but he’s fucking cool, and we get a Fawkes-ex-machina in the second book and then he’s essentially inconsequential for like... forever. I want to know how he and dumbledore bonded, why his feathers in those two specific wands were so attracted to Harry and Tommy boi specifically, other than symbolism uwu. Does Fawkes have a moral compass, or does he simply follow Dumbledore’s orders? Could his loyalty potentially be changed?

Narcissa Malfoy - please, for the love of god, give the Malfoy’s a chance. At least Draco and Narcissa. Narcissa is essentially the flip side of Xenophilius’s coin. Her side of the family is shrouded in dark magic, but her priority is keeping her dear son safe. I just want to know her and her inner struggle more intimately, because she’s such a contradiction, she’s a death eater who loves and protects, a dark magic user who wants to create something warm and beautiful for her family. She’s scared for a husband, a top death eater, one of Voldemort’s personal faves, and scared for her son, who she knows is good at heart but who struggles through the first steps of death eater initiation out of a sense of duty, a duty to her and his father. She’s the intimate mother figure, yet she’s an antagonist, fundamentally speaking. Fascinating.

These are just some I thought of off the top of my head, I’m sure there are literally hundreds more, from the two guys from the Knightbus to Bathilda Bagshot to Nagini the legend (also wtf happened to her in the Cursed Child?? Nvm, I can’t even get into that shithole right now), and I have to admit that I still love Harry Potter, for its characters and it’s incredible world building, though R*wling is a massive piece of terf-y shit.

It’s important to note that I understand the purpose of flat characters, I understand the purpose of background characters, of undeveloped characters. What I’m pointing out here is that there was a lot of potential in these characters that was largely squandered because R*wling focused her energy on attempting to redeem Snape without a redemption arch, attempting to redeem Dumbledore with an inadequate one, and refusing to properly redeem Draco despite his well-developed arch, for some fucking reason. If you can’t tell, I’m salty, but I’m only salty because I care. Ily, have a good day!!

#harry potter #harry potter discourse #sorry i went off a little #but this is all i can think about rn #it’s 1 am #improving harry potter #percussion strings winds words #glitter goes off

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codenamesazanka · 5 years

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I know this is a really vague thing to ask, but do you have any tips for writing Shigaraki? I know Echodrops made a whole meta about fanon Shigaraki vs canon Shigaraki but do you personally have anything in particular you'd want to mention yourself about the portrayal of Shigaraki in fanfics?

(Here’s the link to @echodrops‘s post! It’s really, really good, and helped me figure out Shigaraki a lot in the first place. thank you!)

oooh! Not at all a vague thing, this is a great question. I started all this meta because I wanted to figure out how to write Shigaraki as well. A word of caution tho, because this would be my personal interpretation of Shigaraki, though I’ll try to use as much manga examples as I can. As always, super long post.

Note: images are edited to fit exact quotes to relevant and reasonable sized images, instead of a whole manga page

Here’s some hand man characteristics/traits that I think are overlooked:

Shigaraki Tomura, in his beliefs/values, has a tendency for all-or-nothing thinking, to be extreme in his actions. In all three of his incarnations - the oneshot Tenko, the draft Sazanka, and this current one - a core of the character is 1) finding something flawed/bad/had hurt him somehow 2) completely loathing it 3) vowing to destroy it.

Tenko despised samurai and their warring, and wishes to rid the world of swords. Sazanka is on a quest to kill quirk-users with quirks he deems too dangerous for society. And Shigaraki has decided that the Heroes and justice system is a farce, and is out to destroy it.

Kinda fitting for a guy with his quirk - he either doesn’t destroy something, or destroys it completely. The moment he makes his decision, it’s fast and permanent.

For Shigaraki, murder is murder, destruction is destruction, violence is violence, no matter how you dress it up. That’s why he couldn’t see the difference between him and Stain. That’s why he can’t see that Bakugou, as aggressive and vicious as he is, still wants to be a good guy.

Now this is my take, but I think his mindset is: Because All Might can’t save everyone, he’s a fake, he’s trash; because everyone will say they condemn murder yet go about their lives carefree even though they know logically someone is out there getting killed, morality and justice is an illusion; because justice is so fragile and flimsy, I will expose it and destroy it.

Not in any goodwill or for a better society, mind you. He just hates it.

He also has no illusions about himself or his actions, he knows he’s evil.

Shigaraki is a lot more sarcastic and sardonic than usually portrayed in fanon. He’s very rude and can be foul mouthed, but the real insult comes from his tone and behavior. He condescendingly calls Eraserhead cool. He calls Stain the ‘Great Senpai of scoundrels’. He points out to Overhaul how a wakagashira/underboss like him should be more polite. Just about half of everything he says is dripping with mockery, and he’s very breezy and irreverent. So a bit less ‘I hate you, fuck off’, and more cheek.

Adding to that, if I’m reading my Japanese right, Shigaraki can change how he addresses people depending on the person and situation. His default speech is rude, but he’ll talk somewhat (barely) politely-ish if needed; it’s just it’s very obvious he’s not taking it seriously.

Related, I feel like Shigaraki says a lot of things he doesn’t really believe. He tries out concepts, half-heartedly, on a whim. There’s that infamous speech at USJ about Heroes and Villains both using violence - which does seem to have some semblance to the actual ‘two sides of the same coin’ that even Best Jeanist talks about.

And here’s him considering Stain’s effects on heroes, with gusto, before ditching it.

I know it’s Smash!, but here’s him reciting some sort of pseudo education philosophy he picked up somewhere??? to Kurogiri to get out of exercise.

He’s a total smartass

Of course, this brings up the question, is he genuine in his speech to Bakugou, or to Toga and Twice?

Like Echodrop notes, he can be in a good mood. He can be (seem?) happy, he can smile, he will acknowledge when someone does a good job of something.

Sure, it’s got a manic edge to it, it’s probably not coming from a place of good, fluffy, innocent feelings, but he can laugh, enjoy the moment, be psyched about something.

I really like this scene because he actually giggles a bit. He squeezes Midoriya, and he really does seem excited for a chat.

He’s quick to go back to being default cranky tho. Quick to enjoy, quick to get irked.

Shigaraki is a weirdo and I love him.

My boy is smart. Really, Shigaraki is smarter than he looks. In the Ultra Archive, his profile lists his intelligence as ‘A’, ranking him above most characters, including Midoriya. I get that Deku’s whole thing is being the strategizing main character, but Shigaraki’s just as analytical. Even the Smash! Comic points this out.

His room is filled with books, so either he reads a lot or he hoards them to look smart. I think it’s the former. Well, it’s not mutually exclusive, I should know.

He thinks and reflects and questions. He was super pissed about Stain, but he realized Stain was right and tried to figure out why. He went on a walk to calm down and just ruminate. He sought out Midoriya just to get second opinion. Afterwards, he quickly sees the bigger picture and realizes the issue is systemic and he’s gotta attack the structure. Of course, kinda shaky on the specific details and it’s not endgame long term, but still impressive.

There’s a lot of Villain!Deku fanfics - and I like them a lot! - that turns Deku into the criminal mastermind or makes him the brains behind Shigaraki’s operations. Which is fair, Deku could totally be one! And also a lot of fics where Shigaraki is dismissed, with everything he does being AFO’s machinations. Again, fair. But Canon Shigaraki is AFO’s successor and leads the League for a reason.

This also means, I think, that Shigaraki isn’t as clueless to the fact that All For One is manipulating him. This point is entirely debatable, though. All I have to back this is how Shigaraki wondered if he was lied to in the USJ.

Even tho he’s facepalm crusty boi neet, Shigaraki is still a very dangerous S-ranked villain. I feel like sometimes people forget this.

He’s not that childish. He can be immature, he’s still learning the ropes of being a supervillain, he’s got an irritable and sullen disposition, but he’s not a five-year-old. He’s also not completely unhinged.

When things don’t go his way, his first response usually isn’t to shriek or whine or immediately snap. He’s got a clear head and a good sense of what he can and can’t do. Kurogiri is down, All Might escaped their grasp, but Nomu’s still active? Cool, we got this. It’s only when Nomu gets team-rocket-ed that he panics. Stain stabs him? Doesn’t start a fight right there and then, asks Master for some Nomu, is patient enough to wait until he decides he really can’t stand Stain, then finally gives the go ahead for a rampage.

Shigaraki knew from the start he can’t handle All Might. That’s Nomu’s job. As much as he hates All Might, he doesn’t jump at the chance to kill the hero personally. He’s not ruled by impulse or easy distractions, not really. And he will back down if Kurogiri reasons with him - see accepting Stain as a party member, see letting Toga and Dabi live. And after he got his motivation, he’s been very restraint since.

He doesn’t immediately destroy his things in anger - we only see him destroy only few items pre-mall talk. He decays binoculars, a photo of Deku, maybe a newspaper, all quiet and deliberate. Kurogiri’s bar is intact and clean, despite being the long-time hang out spot of the destructive Shigaraki Tomura. Would he decay a controller after losing a game? Maybe, but also just as likely maybe not.

Shigaraki will complain and bitch and sulk and hold a grudge, tho, yeah. He will lose it after a series of stressors/things gone wrong. He can be moody, cruel and sadistic, bloodthirsty and mayhem-loving. But he’s got himself under control more often than not.

Finally, video games: My biggest pet peeve about portrayal of Shigaraki in fanfics: He’s super obsessed with video games, to the point that he plays them all day long, and he can’t stop using video game slang for everything - or so a lot of the fandom believes.

I’ve pointed out before that we’re more likely to see him reading the newspaper and we’ve never actually seen him use a console ever in manga or anime. True, he likens scenarios to games frequently, but not all the time - the USJ fight was when he did that the most, then in his other appearances only once or twice during the whole scene (Doesn’t want Stain as a ‘party member’, none at all when meeting Dabi or Toga and then at the mall, camp arc has him seeing himself playing a Sim instead of an RPG, calls All Might ‘last boss’ during the raid, then nothing for his next appearances). At least not out loud. As fun as it is to imagine him as a geeky gamer, and he is, but he does more than just that.

I think Shigaraki uses video games and media to create mental scripts for himself to understand/interact with the world, but it serves as a skeleton. He fleshes it out, always adding to that mental model to create a more complex one. He calls his change of strategy as playing a Sim game, but it’s a good analogy that works for him, and we see how layered his plan is - dealing a blow to UA that works whether the Vanguard succeed or not, kidnapping Bakugou and Ragdoll, in order to bring about the media and public criticism of UA/heroes, and had it not been for the raid, something would’ve happen to Bakugou that would’ve demoralized everyone.

He def is grounded in reality enough to know what he’s doing is more than just a game.

And that’s all I got for now! There might be a part two. idk, but I hope this was helpful!

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rachelreviewspopculture · 4 years

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Emma. (2020). Directed by Autumn de Wilde

Autumn de Wilde’s Emma. (2020) is unlike any Austen adaptation I’ve ever seen. It’s Austen by way of Wes Anderson.

Emma holds a special place in my heart as my favorite of Jane Austen’s novels, which, if my circle of friends and acquaintances is to be trusted as a decent sample of the population, does not seem to be a popular opinion in the least. Most favor the sparkle and wit of Pride and Prejudice or Anne Elliot’s deeply felt emotional life in Persuasion, but Austen famously wrote that she wanted to create a main character no one would like in Emma, and she seems to have succeeded. One picks up on Austen’s own attitude toward her heroine in the first line of the novel, in which she writes, “Emma Woodhouse, handsome, clever and rich . . . had lived nearly twenty-one years in the world with very little to distress or vex her.” On the surface, this could appear as simply an accurate description of our main character (and it is), but if one knows Austen, one also knows there is always much more going on underneath the surface in her writing, and it takes some attention to see this. Here in the first line of the novel she is already making fun of poor Emma.

My appreciation of Austen’s sardonic side is not the only or even the main reason Emma is my favorite of her novels; it is rather the complexity of what Austen does in the novel and the seeming ease with which she accomplishes it. Like all who have genius, Austen makes it all look so effortless, which is one of the reasons her writing is often misinterpreted and misunderstood. When one looks past the surface of her novels, one sees that Austen explores foundational questions of human nature, which of course includes love and marriage, but also questions of being and appearance, and questions of family and community. It seems to me Austen has a particular interest in the question of paternity and authority, as father figures (or the lack thereof) all seem to bear special importance for her heroines.

In any case, in Emma, Austen weaves the novel around the self-important main character and two other supporting actors born in the town of Highbury the same year as Emma, Frank Churchill and Jane Fairfax. These latter two are seen relatively sparingly in the novel and instead act as specters of what Emma’s life could have been; the three are connected not just by birth year, but by the early losses each has suffered. Frank, born to the affable Mr. Weston, loses his mother around three years old, and as a result his father ships him off to live with an aunt and uncle, thinking he cannot take care of his young son himself. Jane is an orphan whose only living family are her very poor grandmother and very tiring aunt, Mrs. and Miss Bates, and who, despite her accomplishments and beauty, seems destined to become a governess because of her lack of family and connections. Finally, there is Emma herself, whose mother died when Emma was young, and was raised with her sister by her father. All three children born to gentlemen from the same town, and yet all three with very different fates. Throughout the novel Austen demonstrates just how deeply these familial losses have affected our trio without ever commenting on the situation directly. Frank feels somewhat torn between his two families; Jane seems to be the loneliest creature alive; Emma is rather more obnoxious than she should be with a father who indulges her every whim, so long as she stay at home with him where he is sure that she will be safe. Of course the story is told through the drama of who is going to marry whom, but the story Austen tells in Emma is more deeply one of loss, community, and friendship.

There is so much more here than romance. In fact, there is always more to Austen’s novels than romance, a fact that escapes many of her readers and I think, most of her adapters. I of course have my own private ranking of the different on-screen adaptions (with Joe Wright’s Pride and Prejudice (2005) coming at the bottom of that list), but all tend to be both romantic and Romantic in tone—not only focusing on the love stories of the main characters, but also filled with picturesque set pieces of the English country side, awash with dark and moody color palettes, and when the final profession of love does come, it comes in dramatic and breathy fashion. I enjoy a fantastical profession of love as much as the next girl, but I think Austen herself might laugh quite a bit at these adaptations (and in particular the professions of love included therein), as one of the things she constantly points out in her novels is that because human nature is quite flawed, language is often the means of confusion as much as it is clarity. We need a community around us in order to understand both ourselves and other people because our own vision is incomplete without others. But again, because human nature is messy, the coming together of a community can also be quite messy. Humans are a bit absurd, after all. Austen doesn’t miss this, but her on-screen adaptations mostly do.

Autumn de Wilde’s Emma. does not miss this at all. Brightly lit and pastel-colored, one knows immediately one is in for an Austen adaptation unlike any other. Emma (Anya Taylor-Joy) is established immediately as simultaneously completely obnoxious—treating the servants poorly in her self-righteous manner—and sympathetic. The movie opens on the day of her long-time governess’s wedding, which not only will take Miss Taylor away from Emma’s day to day life, but also leave Emma the only person at home with her perpetually worried father, Mr. Woodhouse, here portrayed by Bill Nighy unlike I’ve ever seen before, not as fragile and eternally grieved, but as sprightly and absolutely absurd—terrified of drafts and ready to spring up from his seat at any moment to find and block their source.

This is the unexpected joy of de Wilde’s Emma. It picks up on and leans into Austen’s humor in ways I’ve never seen done before; I found myself laughing out loud at some of the blocking and visual jokes, and this led me to think about Austen’s novels and their adaptations in a new light. One of the reasons the Great Books can (and should) be read again and again is the almost infinite depth of these works, which leads to different aspects of the text shining through during different readings. Indeed, there is an almost Scriptural quality to great works of art, with something new coming to light each time one engages with them. Think of how we approach Shakespeare: his plays are infinitely fruitful, depending on the context in which one places the characters and the tone and emphasis given to each line. The plays stay the same and yet each rendition brings something new about reality to light. Couldn’t the same be said of Austen’s works?

De Wilde’s Emma. highlights humanity’s absurdity—and mines it for every bit of comedy it can—but also the loneliness we feel when our communities are broken. One of my favorite aspects of this adaption of Emma is its depiction of Mr. Knightley (Johnny Flynn), the Woodhouses’s neighbor, and one of the only corrective influences in Emma’s life. Adaptations of Emma often show Knightley as more or less having his shit together from the beginning and not having much of an emotional journey to make other than figuring out at some point he is in love with Emma because of his jealousy of Frank Churchill. But Emma. picks up on Knightley’s somewhat lonely existence—he spends his days taking care of his very grand estate alone and in conversation with no one else. As Knightley walks through his magnificently decorated hallways, we see that much of the art is covered; he lives there, but does not enjoy what he has for he has no one with which to enjoy it. De Wilde’s Knightley is alone most of the time and somewhat awkward, and he too must make an emotional journey to understand that he is not after all content with his current state of affairs.

I wrote above that Emma. is Austen by way of Wes Anderson. There are aesthetic similarities: brightly lit shots filled with pastels, a coherent color palette for each character’s costuming, head-on and intimate blocking that makes one feel one is in the room with the characters rather than observing them from some Archimedean point. But the similarities run deeper than just aesthetic interpretation: Anderson’s films tend to concentrate on some sort of wounded family-unit beginning to acknowledge the wound and starting to heal by coming together despite the difficulties our messy natures present for us in attempting such a task. And the comedy Anderson finds in this does not come from making fun of his characters, but rather in showing the absurdity that arises out of our attempts to answer our desire for communion. Both the people we love and we ourselves have shortcomings and so the task of community and communion is bound to be a bit messy—and also very funny. Anderson never laughs at his characters, but always with them, in a deeply felt recognition of the human condition. De Wilde’s Emma. is very similar, and highlights this theme of the desire for community and all its frustrating and absurd consequences in a way never before brought to life in an Austen adaption. At first the unfamiliar tone took me off guard, and I wasn’t sure if de Wilde was taking license with Austen’s work. Upon further reflection, however, I see now that de Wilde is perhaps truer to Austen than any who have come before her, for she sees past the surface level romance, which most do not get beyond, and in her adaptation of Emma points to the great tragedy and comedy of being human.

#austen #jane austen #emma #emma2020 #autumn de wilde

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bearwiththe-goldenheart · 5 years

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Lillian White (Ozmafia OC)

@yukinonshi and @lavendel080 practically dragged me into this hell and now I can’t escape so without further ado, introducing Lillian! Credit to @a-scarecrows-love for the template!

Basic Information

Name: Lillian White

Name Meaning:

Lillian: "Purity and Beauty"

White: "Innocence and Pure"  Age: 22

Nickname(s): Lil/Little Bunny by Soh

Lil by Everyone

The Picky/Indecisive Bear or Bear by Kyrie

Race: Human  Ethnicity: American

DOB: November 10  Sign: Scorpio

Appearance

Hair: Lillian has light brown hair that she usually keeps it in a side ponytail or a braid!

Eyes: Golden Yellow   Height: 4'9  Weight: 118 Ibs

Any scars, birthmarks, etc: Like every person who is apart of a Famiglia, she has the Adelheid tattoo on the right side of her chest, however she also has her former Famiglia crest on her lower side of her hip. She also has a few scars in some parts of her body, when she was still apart of her old famiglia

Professional Status

Famiglia: ???? (Former Famiglia), Adelheid (Present)

Social Class: She's a subordinate for the Adelheid famiglia, however when she was apart of the ???? famiglia, she was a soldati.

Weapon: Lillian doesn't like violence, she doesn't feel the need to get her hands dirty nor do someone else dirty work, however because of her job she's required to have at least one weapon on her at all times. She prefers to use something small and hidden that won't attract to much attention like a spear or a knife.

Fairy Tale: Goldilocks and the Three Bears

Personal Status

Relatives:

Lilly Ana White (Mother)

Aryld White (Father)

Personality: Lillian comes off as stuck-up and bratty, with the way she portrays herself, there's always something she has to complain about. She is very picky about the littlest of things, and often is very indecisive when making decisions and that tends to make her waste time and choose at the last second. Her complains and indecisiveness often contradict one another, she says one things is 'too cold' but later says its 'too hot'. Lillian always has something to say and there's hardly anything or anyone that impresses her. She's very noisy when it comes to gossips concerning other famiglias and likes to use them to her own advantages. Lillian is quite moody and likes to stick to a daily routine, so whenever something that doesn't go her away, her mood would be sour for the rest of the day. She is quite stubborn when it comes to work and goals of her own, and isn't willing to listen to reason when her mind is set or if it doesn't benefit her.

Strengths: Hardworking, Loyal, Honest, Organized, Resourceful, Independent, Persistent  Flaws: Indecisive, Picky, Stubborn, Silver-tongue, Noisy, Hot Temper, Arrogant

Fave Food: Lillian takes her meals very seriously, it's one of the many things, she's very picky about so she has a handful of least favorite foods than favorite, however there's three expections. She likes anything made by Heidi, she also is very fond of sour flavored food (chips, etc), no matter who is cooking it and last but not least the bread that Soh usually sells on the weekends.

Curious Facts: Lillian often has nightmares about her old famiglia, it gets to a point where it's a struggle to get some good shut eye without waking up in the middle of night sweating, to avoid this problem, Lillian doesn't sleep often and heavily relies on caffeine and energy drinks to stay awake. Since she doesn't sleep much, she often does unfinished work from that day or start a new assignment.

Relationships

Soh (love interest): Lillian first impression on him were anything but nice, she couldn't stand the fact that a member of the gang who supposedly attacked her famiglia, was allowed to walk the same street as her much less even breath the same air as her! She didn't like how he always so nice to her when she clearly insulted him, she didn't like the puppy dog eyes he gave whenever she glared at him, she didn't like the smile he wore on a everyday basis, it felt fake to her, she felt like he was trying to taunt her with his kind gestures. However Soh had no ill will feelings toward Lillian, he pitied her and saw the cracks in her mask and couldn't help but feel bad for her, he genuinely wanted to help her. He didn't share the same hatred she had toward him, yet he knew it was hopeless to try to reason with her because all she saw was a monster and in some ways she was right.

Caesar: Lillian despises his entire being and the feeling is pretty neutral on Caesar side as well. Being the leader of the gang who killed her famiglia, Caesar did get the most burnt of Lillian anger and fury, she feels unsafe and always on edge when Caesar is around, always paranoid that he might strike her out as well. Lillian does plan on seeking vengeance for her famiglia yet hasn't been able to land a strike on him yet, too afraid of the consequences. While Caesar doesn't think much of her expect being 'The lousy bitch who stirs shit up all the time'.

Heidi: Lillian is forever grateful for Heidi taking her in when she lost everything of her famiglia, even though Lillian does get annoyed at Heidi tactics, she wants to be useful to Heidi and the Adelheid famiglia. Heidi is like a big annoying sister that Lillian never had and wants their relationship to improve further, she wants someone Heidi could rely on -just as much as Peter- so Heidi won't have a reason to kick her out.

#ozmafia oc #lillian white #soh x lillian #ahhh I finally opened a blog for her <33

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southposting · 7 years

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‘Doubling Down’ Rant.

I feel like one of the most prominent aspects of this episode was the portrayal of the characters’ psychology, the writing and the dialogue did a great job portraying how people spiral into toxic relationships on the first place, and why it is difficult for them to get away once they've fallen in.

Kyle for one, is portrayed as a caring and moral-ridden individual that although reasonable, lets his emotions get in the way of his course of action. Kyle wanted to intervene because he considered it to be the right thing to do, never once entertaining the idea of an ulterior motive with Heidi until the other girls proposed it to him. While all the other boys aknowledged Cartman’s poor treatment of Heidi, none of them were willing to get themselves involved.

This takes us to Kyle's initiative and how his and Cartman's dynamic plays out throghout the episode. Kyle has consistently been responsible for challenging Cartman’s attitude, positioning himself as ‘good’ and Cartman as 'evil’, this relationship that has ultimately served to feed both Cartman’s enthusiasm to torture him, and Kyle’s sense of selfrighteousness and tendency to see himself as a martyr, victimization is something Kyle has in common with Cartman, but to quote, 'We all wrongly see ourselves as the victim sometimes, but Cartman sees himself as the victim ALL the time’. Kyle differentiates himself in being able to aknowledge his mistakes and learn from them.

To get some insight into Kyle’s remark: 'In a way, I feel like we’re all going out with Cartman right now’ reflecting on how all of them are, at some degree, and specially Kyle, always been involved in a toxic relationship with Cartman’s mind games. Kyle has been, for a long time now, Cartman’s main sympathizer, he can’t help but look out for his personal improvement, often attempting to get him to do the right thing and aknowledge the fault in his ways, a cause that Cartman hasn't hesitated to take advantage of, tricking Kyle into commiting to a mean if he can profit from his support.

In this episode, Kyle appears to have come to the conclussion that Cartman is beyond help, and that neither he nor Heidi can do anything to change that, for the best thing they can do for him is not to feed his sociopathic needs, furthermore demonstrated by their encounter on the hallway, with Kyle continuously trying to reason with him and assure him it was all for his own good, Cartman making deaf ears to his claims, finally leaving Kyle no choice but to knock him out in self defense, who apologizes regretful.

Cartman, on the other side, is miserable with Heidi, but also without her. As I stated on my last post concerning their relationship:

'He can’t bring himself to end the relationship and thus giving Heidi freedom of choice, she’s his property and so Cartman can’t stand the idea of his belongings moving onto other people. Cartman thinks of Heidi as a tool that exists with the only purpose of being at his disposition to give him attention and validation on command, no more and no less.

Simultaneously, Cartman can’t stand Heidi, because she doesn’t Cartman’s idealized image of her. Naturally, Heidi isn’t the tool Cartman expects her to be, she is an human being with her own individual needs. Whereas Cartman seeks a relationship where he is prioritized over all, never giving anything in return, and a partner willing to follow him blindly against all the odds, without him having to worry about losing their support; Heidi looks for a functional, healthy romantic relationship, were all the parties involved contribute their part. Cartman is unwilling to fulfill this role, because doing so would position him as an equal of Heidi’s, which means, to him, degrade him from his high-entity status.’

Nearing the end we realize Cartman has found a way of manipulating Heidi into believing she’s in the relationship she's craved for, and thus avoiding any sign of resistance on her behalf. He has learned that if he wants to manipulate Heidi successfully, he needs to put a little effort on the relationship every now and then, offering her occasional reassurance when things seem grim. This way, Cartman can act selfishly while at the same time 'rewarding’ Heidi for her subservience, throwing away any doubt she might've had in him. He fools her into believing his toxic behaviour is a necessary mean that needs to exist in order to keep improving himself.

Heidi is someone who wishes to aid the needy, she cannot bring herself to refuse someone’s cries for help, which is, besides the ironic effects of peer pressure, the main reason she continues to be stuck with Cartman and allows herself to be manipulated by him. He sees in Cartman someone who takes bad decisions, but is fundamentally kindhearted. Someone who is in need for her guidance. Even when ditching Kyle after being gaslighted by Cartman, her kind nature is a definitive trait of her character. Cartman was persuasive enough to make Heidi compromise with his beliefs, he made sure his words appeared to be reasonable. He told her what she wanted to hear when she was feeling the most guilty, deflecting the blame for the failure of their relationship unto Kyle instead, but reassuring her by telling her he hadn’t been counscious of his actions. He convinced her of attributing her own supposed flaws ('being moody’) to her ethnic background, and this way implying she has no control over ever improving herself, comforting her but making her feel helpess over her situation at the same time, this serves to Cartman as a mechanism to increase her emotional dependence to him, by making her feel he’s the only one who will ever love her despite her imperfections.

Regarding Cartman’s idea of Kyle, I feel like Cartman projects all of his own corruption unto Kyle. He subcounsciously thinks of Kyle as his equal, although he cannot recognize the corruption from within. Kyle’s intentions are never pure in Cartman’s mind, he must always be plotting something against him the same way he himself does to him. To him, Kyle’s purpose in life is to get in Cartman’s way. As the series progressed, we’ve seen Cartman gradually watering down his hostility towards Kyle in latter seasons the more time they spent together, and instead replacing it with an odd sense of familiarity and trust, until this point, Cartman’s friendly demeanor towards Kyle that even manifested itself at one point earlier in the episode, takes a sudden turn the moment Cartman finds out he might have been responsible for his breakup with Heidi. Following this event, we see Cartman’s hatred towards Kyle reach its peak when he goes batshit after his trippy jewish dream sequence, spewing all his resentments against Kyle in spite of the latter’s attempts to excuse himself, Cartman feeling betrayed after letting himself 'fall into Kyle’s claws’ by allowing him the benefit of the doubt previously.

Having stated all this, I think Cartman has taken care of the problems he had with Heidi, and now that the challenge is over, the last scene leads me to believe he has shifted his interest from the pleasure he obtains from having domain over her, to the impact his behaviour towards her has on Kyle instead. He’s using his influence on the people around Kyle to make them into proxys as a mean to inflict pain onto him. Heidi is no longer the tool, his entire relationship with her is now a tool on itself.

It was also interesting to see the conection between B plot and A plot relying on the parallel of the toxic relationship between Cartman, Kyle and Heidi, and that of politicians with their supporters, instead of having each storyline intersecting with the other, though I don’t have a strong stand on the matter, since I’m for the most part ignorant concerning the USA political status.

The weakest point of the episode in my opinion was the introduction of elements that seemingly served no purpose in the narrative, and ultimately aimed for a specific purpose in order to lead the plot in a certain direction. For example, Cartman’s dialogue when making fun of Heidi for gaining weight after tricking her into introducing meat into her vegan diet, indicated he had a goal in mind by doing this, though we never get any insight on what this particular goal may be other than to reassure his dominance over her. Besides this being a dangerous move for Cartman to make just after getting Heidi’s trust back, it seemed like it didn’t serve any purpose other than to incite Kyle into intervening in the relationship. Another example would be Cartman visiting Token’s house, there wasn’t really a point for Cartman to do this besides giving him the chance to make racial remarks some more. Finding out about Kyle being responsible for his breakup with Heidi through Token’s dad seemed too coincidental, though I don’t really mind, even less after being presented with Cartman’s fantastic Kyle delirium sequence.

I really enjoyed the execution of the humor, there were some great jokes, the animation team did an amazing job and overall I think this was a fantastic episode with a rather dark thematic.

#south park #sp #rant no one cares about #kyman #heiman #kydi #doubling down #analysis #rant

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theracoonlodge · 7 years

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At Lunch With Joyce Randolph & Audrey Meadows

AT LUNCH WITH: Joyce Randolph and Audrey Meadows; Trixie and Alice, on Their Own By BRYAN MILLER Published: October 13, 1993

SOMETIMES an actress becomes so identified with one role in her career that the character clings to her as stubbornly as puppy hair to a navy blazer, impossible to brush off.

"For years after that role, directors would say: 'No, we can't use her. She's too well known as Trixie,' " said Joyce Randolph, who was immortalized as the wife of Ed Norton, the rubber-limbed sewer worker in the 1950's television sitcom "The Honeymooners."

A similar fate befell Audrey Meadows, who played the wisecracking wife of a blustering bus driver named Ralph Kramden, portrayed by Jackie Gleason. "After the series, I was lucky to do guest shots with Dinah Shore and Red Skelton, but almost all of the stuff I was offered was something in the kitchen, always in the damn kitchen," Miss Meadows recalled over lunch recently at Le Cirque in Manhattan.

For both women, still close and affectionate, their famous television personae hover above them like giant balloon characters at a Macy's parade, attracting throngs of nostalgic admirers and prompting dozens of letters a week.

Since "The Honeymooners," Miss Randolph's acting career has been limited to commercials and occasional musical summer stock. She lives in Manhattan with her husband, Richard L. Charles, a retired advertising executive. Miss Meadows, who lives in Beverly Hills, Calif., and has been divorced once and widowed once, has made many guest appearances on television shows and was in two subsequent sitcoms, "Too Close for Comfort" and "Uncle Buck." She has recently completed a book about "The Honeymooners" titled "Love, Alice," which is to be published by Crown next year.

Entering the restaurant wearing a shimmering pink-and-white Chanel suit and oversize tinted glasses, Miss Meadows was hardly recognizable as the tough-as-steel-wool spouse who fended off many threatened flights to the moon, courtesy of Ralph. Her once crystalline voice has taken on a cigarette-induced gruffness, but her distinctive inflection, familiar to all "Honeymooners" addicts, remains.

Miss Meadows began her career in musical comedies. The daughter of a missionary, she lived in China until age 5, when her family moved to California so that the children could be educated in the United States. "I first got into musical comedy as a teen-ager as the result of singing in church," she explained. She eventually joined road tours of shows like "High Button Shoes."

Miss Randolph had a similar theatrical background. After performing in local theater in her hometown of Detroit, she made the mythical trek to New York City in search of fame. In 1945, after several years of touring and appearing in Broadway shows, she found herself in Schenectady, N.Y., where the General Electric Company had some of its early television production studios.

"Mostly I remember the lights, which were so harsh, and that terrible black lipstick," she said, rubbing her lips as if trying to remove it.

The first television sketches were largely reworks of popular radio mysteries. "For a while I was publicized as the most murdered girl on television," Miss Randolph said, laughing.

Acting jobs were easier to find then than they are today. "We all were in the same kinds of bars and restaurants -- Sardi's, Lindy's, the Blue Angel," Miss Meadows recalled.

Miss Randolph found her way to the DuMont television network, where she was asked to do a Clorets commercial. She was such a hit that CBS asked her to do the same commercial on "Cavalcade of Stars," a variety show whose host was Mr. Gleason, a former nightclub comic who was a rising star.

It was on this show that Mr. Gleason began developing characters like Reginald Van Gleason 3d, Rudy the Repairman and Ralph Kramden. "Cavalcade of Stars" opened in 1950 and ran for two seasons, followed by two years of "The Jackie Gleason Show" and then, in 1955, "The Honeymooners."

Mr. Gleason liked the young "Clorets girl." So when he began casting "The Honeymooners" he offered the part of Trixie to Miss Randolph. For his stage wife, named Alice, he chose a seasoned actress named Pert Kelton. The part of the sewer worker went to Art Carney.

Miss Meadows, who eventually replaced Miss Kelton as Alice, was a pioneer in the early days of television, too, in both Chicago and New York City, doing bit parts in skits on variety shows as well as commercials. Her mellifluous voice won her a job in the comedic sketches of the radio duo Bob and Ray. While working on radio, she was asked to take a leading part in the Broadway musical "Top Banana," starring Phil Silvers.

On Broadway she became acquainted with Mr. Gleason's manager, Bullets Durgom. "He actually looked like a bullet -- bald, short, roundish," she said.

By this time, Mr. Gleason had moved his variety show, which included a "Honeymooners" sketch, to CBS. Just two weeks before the first show, he had to find a new actress to portray Alice because Miss Kelton had fallen ill.

Mr. Gleason supposedly rejected Miss Meadows for being "too young and too pretty." As Miss Meadows relates the story, she went home that evening, put on a frumpy housedress, changed her hair and had a photographer take pictures. Mr. Gleason saw the photos and hired her on the spot, not knowing he had rejected her the day before.

Did the two young actresses have any idea they were about to make television history?

"Heavens, no," Miss Randolph said, placing an open hand on her cheek, a la Trixie Norton. "Everything was so casual in those days, you never thought it would be important." In fact, Miss Meadows was the only one of the supporting cast who drew up a contract calling for residuals.

"The Honeymooners" achieved immortality with the 1955-56 television season, when 39 episodes were filmed at the Adelphi Theater on West 54th Street in Manhattan. The cast performed twice a week, Tuesday and Friday nights, before an audience of about 1,000.

Mr. Gleason loved spontaneity; hence, there was little or no rehearsal. Often the cast received the script the night before performing; it was not unusual for them to try on their costumes just before going on the air.

"I remember some nights when we had guests on the show, and I saw some of them vomiting in the wings from nervousness," Miss Randolph added.

Both actresses recalled one memorable fiasco on stage, during an episode called "Better Living Through TV," in which Ralph buys a warehouse full of fancy can openers and tries to sell them fast by appearing in a television commercial with Norton.

"The two of them are making the commercial, and the can opener is supposed to come down on Jackie's hand so he can do his pain bit," Miss Meadows recalled. "Then he starts running around the room, and he hits a prop wall that isn't fixed securely. He knocks down the wall and lands on his face. Then, Artie goes to help him and Artie lands on his face. That scene, just as it happened, was left in and is still being shown today."

Neither woman has anything nice to say about the most recent biography of Mr. Gleason, "The Great One," by William Henry 3d (Doubleday), which portrays Mr. Gleason as a moody, booze-soaked egomaniac who bullied his writers and abandoned his family.

While both contend that the book presents a flawed portrait, Miss Randolph concedes that Mr. Gleason sometimes mistreated his staff. "He was very mean to the writers," she said. "He kept them isolated. He didn't get to know them."

Miss Meadows, to this day Mr. Gleason's greatest defender, attacked Mr. Henry's emphasis on Mr. Gleason's drinking. "Jackie did not drink on the show, ever, not one sip," she asserted.

About the book's accusation that Mr. Gleason tried to thwart the richly talented Art Carney, both women strongly disagree.

"Never, never," Miss Meadows said. "There were times when he would say in rehearsal: 'Give that line to Artie. It would be funnier coming from him." Added Miss Randolph: "Art didn't want to be top banana. He was always so low-key and shy."

When Mr. Gleason was once asked why "The Honeymooners" was so popular nearly 40 years later, he replied, "It's funny." Miss Meadows concurred. "We had such good writing," she said. "The money people running the industry today don't know good scripts."

Moreover, "The Honeymooners" was a mini-morality play, in which the characters always learned lessons about things like greed, vanity, trust, love and the importance of sharing.

"You know what I thought was interesting about 'The Honeymooners'?" Miss Meadows said. "There we were, blowing whatever money we had from his driving a bus. The Nortons lived a little better than we did because they put everything on credit. We were both lower middle-class people, but we had class. 'Roseanne,' even though it's funny, do you think they have class?"

Both women think "Murphy Brown," "Seinfeld" and "Mad About You" are also funny.

After lunch, Miss Meadows and Miss Randolph did what their fictional counterparts never would have done: they shopped on Madison Avenue, taking time out to explore the new Barneys. They were spotted by an adoring sales clerk at the Estee Lauder counter and soon attracted a large crowd of autograph seekers -- so many that Estee Lauder herself came to see what the fuss was all about. "You see," Miss Randolph declared. "It can happen anywhere."

Copywritten NY TIMES

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heroquills-a · 5 years

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what's your opinion on Soonic Boom?

( heck i wasn’t sure if this was addressed to me or sonic but i’ll just answer it ooc tbh.

the show??? its so good. i haven’t actually watched the whole thing yet but from what i’ve seen its hilarious and very charming. i was a little apprehensive about the redesigns at first but they definitely grew on me, as did the new voices. personally, i think that roger craig smith is a perfect voice for boom!sonic. not only that but the animation is pretty decent too, and while the cgi can feel a little bland sometimes it’s still pretty good for what they’re working with.

i especially love how,, more casual it is? it’s like if the sonic series were a sitcom, and i just love that tbh. it’s not necessarily anything super dramatic like in the games or comics so it’s kinda refreshing in my opinion. i feel it works best that way.

i do like what they did with some of the characters too, though i have some gripes. i like how much more mature and level headed amy feels in the show, and how they really toned down her crush on sonic. honestly in boom it really makes me root for them? because you can tell they’re both lowkey pining for eachother but it’s not something overly in your face or anything so amy doesn’t just feel like a love interest, but rather one of sonic’s best friends. i really appreciate that tbh. and seeing their occasional shy awkward pining is really cute too so it’s kinda like the best of both worlds.

i also love tails in this show too, he’s a tiny savage and its Good. i kinda draw some inspiration from boom!tails when i’m writing him because i portray tails as a lowkey moody 12 year old, yet he still has his cute lil moments on the show and it’s just nice to see, especially what he does with his inventions.

and sticks is a fun addition to the crew, i was kind of indifferent about her at first (and still sort of am since i don’t have as strong as an emotional attachment to her than the rest of the cast), but i do like her. i bet she would have been one of my favorites as a little kid to be honest.

though i do have some issues with how they portray knuckles and shadow ?? i’m personally not a fan of how dim-witted they make knuckles out to be. because he’s much more than no brains all brawn. i kinda wish they’d tone that down and let more of his brooding temper & compassion for other ppl shine through a little more. but eh, what can you do.

as far as shadow goes…..yeaaaah not really the biggest fan of boom!shadow. in the two episodes he appears in i just mostly spent the entire time going “?????”. i don’t really understand what his motives are or what even the point of bringing him in was if they weren’t gonna at least portray him with some level of accuracy. i guess it’s a little interesting to see him taking the role of a villain character again but i mean…. it’s also kinda disregarding all the character development he went through in the games too.

long story short, while it does have some flaws i do like the show and need to eventually find the time to sit down and binge it all. as far as the games go… well i haven’t played them or really watched any cutscenes but i’ve heard they weren’t that great so i mean idk lmao. )

#anon #asks #🌀 — later guys! i’m outta here! ❪ ooc. ❫#tbh i've been interested in adding a boom!verse to this blog among other verses in the past #i just never really found the focus to sit down and get that set up #plus i think i should actually watch the whole show first so i can have a better grasp on how sonic is in that show compared to #the way i usually write him

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recentanimenews · 7 years

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FEATURE: Crunchyroll Favorites 2016, Part One: Anime and Manga!

Hoo boy, 2016 was a rough year (and that's putting it very, very mildly)--but there were a few bright spots, and that's what we're here to talk about today! Crunchyroll Favorites kicks off its fifth year with another three-part look at all our favorites from the past twelve months!

The rules were simple: for Part One, only anime, manga, and related media that were released in 2016 (or received a Western release in 2016), or experienced a major milestone (like starting a new season or closing up a major arc). There's a lot to look at in Part One--let's get started!

NATE MING (@NateMing)

FLIP FLAPPERS- Finally, a modern magical girl series that steps out of Madoka's shadow and delivers something that's unique, energetic, and positive as hell. Callouts to everything from Fist of the North Star to Sukeban Deka to (of course) Sailor Moon are welcome for longtime fans, while still getting appropriately dark and moody. Cocona is all about the unease of adolescence, and Papika exudes the simple charm of Son Goku in all her pure, heroic glory. Speaking of...

Dragon Ball Super- I rarely get excited to watch simulcasts as they come out--I tend to wait and binge, but I'm there every week within a day for Dragon Ball Super. In 1995, when I was 13 years old, I wanted a sequel to Dragon Ball Z with Future Trunks coming back. Now, over twenty years later, I get to see a DBZ sequel where Future Trunks comes back--and the series feels even more like the original Dragon Ball. This is the real secret to eternal youth.

Yuri!!! on ICE- Yeah yeah, "fujo bait" or some other BS, you're just mad their fandom is more organized than yours. That says a lot to me--that a TV anime, a sports anime, can pull together so many people and get them excited, week after week. Lapsed fans have viewing parties, share recommendations, and remember why they were once into anime in the first place. This is what happens when it feels like something's made for you, and that's a wonderful thing. Yuri!!! on ICE was a pretty okay show, but it's what it symbolizes that means so much more to me.

JoJo's Bizarre Adventure: Diamond is Unbreakable- I always say that JoJo's is like the original Star Trek movies--the best parts are even-numbered. Diamond is Unbreakable continues Studio David's glorious adaptation of Araki's mega-epic, bringing out all the style and soul and violence of Josuke and the gang's battle to save their town. New to JoJo? Start here--and buckle up.

Tanaka-kun is Always Listless- Anime comedies are pretty important to me--whether it's the sheer absurdity of Cromartie High School or the more low-key silliness of Tonari no Seki-kun, finding a fairly simple premise and then focusing on it is a good way to hook me. In this case, a lazy guy has to deal with his high-energy friends, and we learn that sometimes, taking it easy is the only easy way to get ahead in life.

Evangelion 3.33: You Can(Not) Redo- It felt like this movie was never going to come out here after its 2012 release, but holy crap it was worth the wait. After the familiar ground of 1.11 and the bold, assertive new direction 2.22 took, 3.33 brings us back to what Evangelion does best: raw emotional pain, horrifying visuals, and never quite trusting or rooting for anybody we see on-screen. What a ride.

Rurouni Kenshin live-action trilogy- Another awesome release that was a long time coming, this adaptation of my all-time favorite manga condenses the first 17(ish) volumes of the series into three movies, trimming some plotlines and making them all just work as dynamic, rough, yet stylish martial arts actioners. Thankfully, great fights and drama don't overshadow Rurouni Kenshin's sense of fun. Check these out when you can!

Thunderbolt Fantasy- Written and created by Gen Urobuchi? Voice acting by Junichi Suwabe, Rikiya Koyama, Nobuyuki Hiyama, and Tomokazu Seki? An opening by T.M. Revolution?! I don't care what you say, you have those credentials, it can be live-action and be made in Antarctica and still be anime as hell. As the only person I know who regularly bought ComicsONE's kung-fu manhua, Thunderbolt Fantasy brought me back to the days of hunting down volumes of Saint Legend and Heaven Sword and Dragon Sabre.

My Hero Academia (manga)- There's always a certain point when a manga hooks me, and I'm in it for better or for worse. One Piece had Arlong Park (and later Enies Lobby). Naruto had the Chunin Exam. Hunter x Hunter had Yorknew City. Now, My Hero Academia's 2016 developments--and a very public, dangerous reveal and its emotional fallout--have pulled me in. I don't just say "My Hero Academia is good." Now I say "My Hero Academia is One Piece good."

Crunchyroll x Funimation- Competition's good, but everybody wins when we all work together. Funimation are the other half of what we do, and have been in this business a hell of a lot longer. Being able to watch brand-new anime subbed on CR or dubbed on Funi is the kind of thing I never thought I'd see, and I am excited as hell to be a part of this, and to see what good it can do for anime fans.

JOSEPH LUSTER (@Moldilox)

Dragon Ball Super- Dragon Ball Super went from "this thing I keep hearing is poorly animated" to "my favorite show of the year" in record time. As soon as it was available legally I jumped into a mountain-leveling, rosé-tinted marathon of madness, and as of right now it's the best damn thing since DBZ. Super has completely rekindled my not-so-dormant love for all things Toriyama, and I can't wait to see where they take the series next.

Mob Psycho 100- I loved the One-Punch Man anime, but I'm pretty sure Shigeo "Mob" Kageyama could take Saitama in an unrestrained fight. That's saying a lot, but it's just another indicator of how much I adored BONES' gorgeously-animated spin on ONE's manga (which needs to come out in English ASAP). It certainly has some of the most creative fights of 2016, and that's a year that brought us the butt-battling of Keijo!!!!!!!!

Re:ZERO -Starting Life in Another World- On paper, Re:ZERO isn't something I should have enjoyed as much as I did. I read the first volume of the light novel series and found it as clunky and poorly written as most other light novels I've attempted (noted exception: Kizumonogatari), but the anime really hooked me. It's one of the few series I felt I was watching right alongside everyone else, and it never failed to surprise me and punch me in the gut when it mattered most. This one will be remembered fondly down the line, and here's hoping we get more since Tappei Nagatsuki is still churning out volume after volume of the novels in Japan.

Also, Subaru is great, you just can't handle how devastatingly real he is.

PETER FOBIAN (@PeterFobian)

FLIP FLAPPERS- On a visual level, FLIP FLAPPERS is a fascinating tour de force of concept and animation, featuring regular bouts of intense sakuga and amazing environmental design in the diverse worlds of pure illusion all illustrated in a pseudo-classical style. For critics it is a cornucopia of satisfying references to fine art, science, psychology, philosophy, and spiritualism with visual callouts to a diverse range of media from Neon Genesis Evangelion to The Shining to Popeye. For the casual viewer it’s a powerful story of adolescent discovery told both literally and through beautifully-rendered metaphor.

Re:ZERO -Starting Life in Another World- Despite the formulaic basis of Re:ZERO’s story, appearing as one of a dime-a-dozen isekai light novel adaptations featuring a female harem, Re:ZERO proved to have some serious narrative worth. Not quite a deconstruction, Re:ZERO featured a deeply flawed protagonist in Subaru and an atypical narrative featuring a novel premise in Subaru’s ability to resurrect from death. This gave the anime a huge potential for speculation, and created an entire community of enthusiasts and analysts who followed it from week to week to see what happened next.

ERASED- Halfway through winter season I was absolutely convinced that nothing in 2016 would be able to top the combination of subtle direction, emotional narrative, and unique premise of ERASED. The series masterfully invested its audience in Kayo’s well-being, so for the viewer, the series became less about solving the mystery of the murders than the simple hope that this brave, unfairly abused girl could find some modicum of happiness in a cruel world. Satoru’s altruistic quest, forthright concern, willingness to admit his own faults, and habit of accidentally vocalizing his thoughts made him a truly endearing protagonist.

March comes in like a lion- This show tells a story that's as difficult to look at as it is to look away from. The inextricable nature of the sources of Rei’s joy and sorrow have created a narrow path he must walk upon just at the edge of despair. Studio SHAFT makes excellent use of visuals, employing darkness and deep water to give Rei’s emotions an elemental quality that allow you to experience the suffocating hold that his depression has upon him, while surrounding the Kawamoto household with a warmth and childlike simplicity that represents the refuge their unconditional love offers to him.

Mob Psycho 100- Mob Psycho 100 may justifiably have a place on top 10 lists for 2016 simply for visual power of the anime alone. Like FLIP FLAPPERS, Mob Psycho 100 is a demonstration of what is possible when you let artists loose on a project. It also showcased ONE’s versatility as a storyteller, strangely, by portraying the same type of overwhelmingly powerful protagonist through a different lens. Behind all the oddball humor and eye-popping art is the story of a boy who struggles with being normal, while everyone around him wants to stand out.

Shōwa Genroku Rakugo Shinjū- What we have here is one of a kind: a dedicated, generational period piece not only faithfully depicting post-war Japan, but doing so through the the lens of an obscure and nearly-extinct form of artist theater that is uniquely Japanese. Rakugo feels like the sort of soulful, arthouse passion project that a Hollywood director would have to put years of time in to build the clout to justify its creation. Its direction, emphasizing on gesture and expression, is absolutely cinematic, drawing out each emotional note of the melancholic narrative. The somber humanity of Rakugo almost doesn’t feel like an anime, and is a testament to the versatility of the medium.

My Hero Academia- The next up-and-coming shonen hall-of-famer, in many ways My Hero Academia has already surpassed many of its peers with its fascinating triadic rivalry between Deku, Kacchan, and Todoroki. MHA does a tremendous job of portraying its immensely charming cast of characters' pursuit of diverse personal goals that are equal parts altruism and self-interest. Most importantly, Horikoshi has tapped into the ethos of superheroes, creating inspirational figures that are intrinsically human, but saddled with the responsibility of representing something larger than life.

JoJo’s Bizarre Adventure: Diamond is Unbreakable- Despite my many attempts to get into the series, Diamond is Unbreakable is perhaps the first iteration of JoJo that had something interesting to say. The slow-burn murder mystery set in an idyllic town and the many asides, notations, and references all work in concert to build the fictional city of Morioh into a nearly real place like The Simpsons' Springfield. With that hurdle passed, Araki’s stylized art and its amazing adaptation into color and movement by Studio David become an art form unto themselves.

Tanaka-kun is Always Listless- Maybe it was how atypical Tanaka was as a lead in a medium where protagonists are homogenously faceless, featureless, and altruistic that drew me to this series. The entire cast each have some sort of hang-up, but the titular Tanaka-kun just treats it differently (ironically) by treating them all the same. Tanaka-kun definitely has a lot of offer on the classroom comedy front, but it also provides a unique sort of iyashikei, or healing media, in which characters' idiosyncrasies are taken in stride and wholeheartedly accepted, even appreciated, by others. It’s this light-hearted dedication to the positive that makes this anime so dear to me.

Yuri!!! on ICE- Complaints about animation and 11th hour writing aside, I do believe Yuri!!! on ICE was one of the most important anime this year or perhaps of the past several years. Yuri!!! on ICE is a story meant to appeal to a much more vast audience than the more targeted content we’re used to, and it showed. It's created new fans for the sport of figure skating, reached out to the LGBT community, and represented countries that hardly see a mention in modern media. It was written for a global audience and it reached it. Only time will tell if it's destined to have any sort of lasting cultural impact, but in the present, at least, it has drawn some deserved attention to the art form.

KARA DENNISON (@RubyCosmos)

Kabaneri of the Iron Fortress- I had this show dropped on me by a friend with absolutely no lead-in whatsoever. I've had my fill of steampunk and zombies, so I nearly gave it the brush-off... but then I realized Mikimoto was behind the character designs! It's a gorgeous piece of work, and not at all tuned to the tropes I was expecting. The promise of more is incredibly exciting.

BAKUON!!- Motorcycle anime? Sign me up. It took literally zero arm-twisting to get me into a show about schoolgirls on bikes. Especially when one of them is pretty much literally the Stig. I haven't finished this yet, but I'm looking forward to watching the end very soon!

Love Live! School Idol Project (pre-2016)- Yeah, yeah, I'm late to the party. After lurking around on the game, I finally gave the anime a try to see what all the fuss was about. And I admit it: it's actually really good. It helped that I was in touch with the characters after playing on the app for so long, I think, but I really did jam with this. Looking forward to starting Sunshine soon.

EVAN MINTO (@VamptVo)

Space Patrol Luluco- As Crunchyroll’s resident Trigger fan, I’m obligated to put Luluco at the top of my list. It’s the famed studio of loony ex-Gainax dorks indulging in some of the most surreal, self-referential comedy this side of FLCL (the show where Luluco director Hiroyuki Imaishi got his start as an animation director). Not only does Luluco boast references to every Trigger property from Kill la Kill to Kiznaiver and cameos from Little Witch Academia, Sex & Violence, and 2016’s REAL Best Boy — Inferno Cop — but it’s also a surprisingly sincere shojo-inspired cosmic love story!

Mob Psycho 100- I loved what I saw of One-Punch Man, though I never did finish it (I know, I know). Mob Psycho 100, also from webcomic artist ONE, has some of the same appeal — superpowered battles, lush animation, and an absurd, slightly dark sense of humor — but cuts it with a heartfelt coming-of-age-story. More than anything else, though, I watched Mob just to see what wild shots the animators at BONES would try next, and I was rarely disappointed. Mob Psycho 100 is easily one of the best-looking shows of the past five years; every animator gets a chance to show off their unique style, and even the most mundane scenes are infused with energy and personality.

ERASED- It’s rare we get an anime series I can comfortably recommend to my parents, but ERASED manages to capture the nail-biting cliffhangers and complex mysteries that drive so many popular modern American TV series. On top of all of that, director Tomohiko Ito (of Sword Art Online fame, go figure) crafts powerful, cinematic visuals without resorting to expressionistic anime flourishes. When it all comes together it’s a captivating experience. The ending needs a bit more room to breathe, but even with a few stumbles at the finish line, ERASED is a series I’ll be recommending for years to come.

JoJo’s Bizarre Adventure: Diamond is Unbreakable- I wasn’t super pleased with Stardust Crusaders, but Diamond is Unbreakable brings back all of the wacky charm of the first two parts of the JoJo’s saga, EXCEPT WITH STANDS. This time Araki doesn’t hold back, introducing a host of completely absurd Stand powers, including: “transform a person into a newspaper and read their life story,” “heal people via Italian food,” and “a real army but the size of toys.” It’s also much smaller-scale, with a lot of recurring characters, many of whom are some of my favorites in the whole series. Though they’ve dropped the incredible Kamikaze Douga OP sequences, David Production makes up for it with colorful, high-contrast artwork that perfectly accentuates Araki’s manic sense of style. I’m sad to see Diamond is Unbreakable go, but JoJo’s still has so much more in store.

Only Yesterday- At 25 years old this year, Only Yesterday is hardly a “new” title, but 2016 was the first time we got it in the United States! Produced at Studio Ghibli and directed by Grave of the Fireflies’ Isao Takahata, the film is a beautifully understated, lyrical look at a woman’s life, told simultaneously through a summer spent farming and a series of memories from her childhood. Most of the movie is ordinary almost to a fault, but like many of Takahata’s movies, it builds carefully and almost imperceptibly to a sublime emotional climax. Only Yesterday is easily one of my favorite anime of all time.

Belladonna of Sadness- Another retro release, Belladonna is the third and final film in the Animerama series of erotic art films produced by Osamu Tezuka’s Mushi Productions. This one, however, is entirely directed by Eiichi Yamamoto (Tezuka co-produced the other two). Suffice it to say, it’s not exactly what you might expect from the studio that produced Astro Boy. A medieval lord rapes a beautiful peasant woman, who seeks revenge by making a deal with the devil. Yamamoto presents the story’s gothic horror — complete with Satanic rituals and frightening descents into madness — with elaborate animated paintings and an incredible psychedelic rock soundtrack from Masahiko Satoh. Not for the faint of heart, Belladonna of Sadness is an arresting work of experimental animation that’s a welcome change of pace from the banality of modern anime.

One-Punch Man (manga)- I’m finally close to caught up with One-Punch Man, and I’m surprised I didn’t read it sooner! Eyeshield 21’s Yusuke Murata has a great eye for character design and pulls off some surprisingly ambitious page layouts, but it’s ONE’s absurd, childish sense of humor that makes the series stand out so much from its shonen action contemporaries. Saitama’s complete apathy undercuts every opportunity for serious danger or drama, giving the series a sardonic self-awareness that’s relatively rare in shonen action series.

And Yet the Town Moves- After a 10-year run, And Yet the Town Moves is finally over. Masakazu Ishiguro’s decade-long manga never follows a single storyline for more than two or three chapters, instead constructing a deliberately out-of-order series of episodic comedy vignettes about a small Japanese town and the grossly out-of-place maid café at its center. What always made And Yet the Town Moves a joy to go back to was Ishiguro’s ability to weave endless strings of jokes at his characters’ expense, all while painting a picture of a tight-knit community of decent, lovable folks both old and young. Appropriately for a sitcom that consistently shuns sentimentality in favor of comedy, the final chapter ends with just another dumb joke.

The Gods Lie.- Lots of anime and manga feature children as the main characters, but it’s rare that these stories really tackle what it means to be a child in modern society. The Gods Lie, on the other hand, tackles it head on with the story of three kids — the oldest of whom are in 6th grade — who live alone in an abandoned house for a summer. There’s a fair bit of high drama in this single book (an absentee father, a sick, elderly soccer coach) but The Gods Lie communicates far more about how how societies nurture and shelter their children through showcasing the fractured but functional surrogate family that the three kids form for each other.

The Osamu Tezuka Story- Though it’s sometimes a little too detailed for its own good, The Osamu Tezuka Story is an invaluable book for anyone like me who’s obsessed with the life and work of Osamu Tezuka, the “God of Manga” who created Astro Boy and revolutionized both the postwar manga and anime industries. In manga form, author Toshio Ban lays out Tezuka’s life from his schoolboy days sketching in the margins of notebooks to his death in 1989, pulling from memoirs, interviews, and personal accounts from those who knew him best. Tezuka loved to write manga epics about the lives of heroes and historical figures, so it’s fitting that he’d get immortalized in his own manga biography.

SAM WOLFE (@_Samtaro)

One Piece- 2016 was another great year for the One Piece manga, as the Straw Hats finally did something fans have been anticipating for years: take on one of the Four Emperors of the Sea! Luffy has been making waves on Whole Cake Island, home to the notorious pirate lord Big Mom (and let me tell you, she’s got that name for a reason). Next to Teach, Big Mom has become one of my favorite One Piece villains, largely due to her distorted views on family. But is Big Mom really so bad? After all, her dream is to sit at a table where everyone sits at the same height…

ERASED- ERASED was a critically received murder mystery and drama that took the anime world by storm earlier this year, and I can’t sing its praises enough. Regardless of your feelings on the ending, ERASED had us gripped, and because the anime promised an alternate ending than its source manga, we were all in the dark. But to me, the success of ERASED was its appeal to both anime fans and non-anime fans. When a newbie asks me for anime recommendations, ERASED is sure to be on that list.

Dragon Ball Super- Dragon Ball Super really wasn’t on my radar until it was licensed in the States, and boy am I happy it was. As a big fan of Battle of the Gods and Resurrection F, Super was familiar territory, but this year I realized how good of a follow-up this show is to Dragon Ball Z; the power levels are higher, as are the stakes, and Goku is finally an underdog again. It’s good to be back.

Yuri!!! on ICE- I know, I know, you’ve heard enough about this one, but it deserves the nod. Yuri!!! on ICE is a special show for a lot of reasons: it’s appealing to anime fans and non-anime fans alike, it was an original story (meaning, it’s not based on a manga or light novel), and it told the story of two male figure skaters falling in love. It’s more than just a fujoshi dream come true; Yuri!!! on ICE did something really new, and that’s worth noting, even if you’re not a fan.

ISAAC AKERS (@iblessall)

As has been my custom with this space over the past few years (okay, just last year), rather than highlighting the shows that made it into my top 10 of the year, I’ll be touching on a few of the year’s offerings that just missed the cut.

She and Her Cat -Everything Flows- One of the quietest and shortest shows of the year was also a serious contender for being one of its best. Based on an earlier work of the same main title by Makoto Shinkai, She and Her Cat -Everything Flows- is a peaceful, melancholic look at the life of a young woman struggling with the loneliness and sadness that can come with being out on your own in the world. Much like one of my favorite short pieces from 2015, the Animator Expo’s tomorrow from there. She and Her Cat captures with ease and empathy a kind of wistful yet warm existential state. If you’ve been in the main character’s shoes even a little (or, if you’re in them right now), She and Her Cat -Everything Flows- is like getting a nice hug.

Three Leaves, Three Colors- Studio Dogakobo is well-known for their bouncy comedies, with recent hits like Monthly Girls’ Nozaki-kun and Love Lab leading the list. However, Three Leaves, Three Colors (from the same mangaka as Engaged to the Unidentified) is a somewhat more demure affair despite sharing many of the same trappings. With standout bits of animation scattered throughout and great color work, it’s a pleasure to look at, but it also boasts a rock-solid main trio of friends who play off each other in fun ways. There are even some almost surrealistic comedic interludes interspersed here and there. If you like moe comedies and missed this one this year, here’s your cue to check it out!

The Lost Village- Arguably the most controversial show of the entire year when it was airing, whether The Lost Village was genius, mediocre, or horrid varies depending on who you ask. I’ve weighed in on the matter with my own thoughts multiple times, but even considering how much respect I ended up having for the show I still find myself a bit baffled by it. That being said, it’s definitely one of the shows I had the most fun watching, writing, and discussing during the year, and I think those who engage with it ready to be flexible with their expectations will find, at the very least, a very unique anime to add to their completed list.

As for manga… I didn’t read any manga this year and I don’t think Nate will let me put Orange on my list for the third straight year, so sorry. [EDITOR'S NOTE: I would have been cool with this.] Pokemon Special’s still fun and good, by the way.

NICK CREAMER (@B0bduh)

FLIP FLAPPERS- FLIP FLAPPERS offered basically everything I want in an anime: great character writing, stirring themes, beautiful worlds, and an overall sense of whimsy that kept the whole thing fun and propulsive even when it was touching on topics like child abandonment and an inability to love yourself. It was an astonishing visual showcase and also a remarkably well-constructed character story, using its many diverse Pure Illusion adventures to consistently illustrate new things about its central characters. It’s one of those weird passion projects that make anime special, and I’m very happy it exists.

Concrete Revolutio: The Last Song- Okay, when I said FLIP FLAPPERS was everything I want in an anime, I sort of lied - I also like shows with searing political messages, and The Last Song was that all over. Depicting the breakdown of an alternate post-war Japan where superheroes are real, The Last Song was more reflective and bittersweet than Concrete Revolutio’s first season, but just as clever, creative, and engaging. From its wild pop-art style to its smart application of superhero archetypes to the social turmoil of 60s/70s Japan, The Last Song offered me a hefty meal to dig into every single week.

Sound! Euphonium 2- And reaching the final pole of my anime preferences, Sound! Euphonium continued to be thoughtful character drama done right. The show’s second season was messier than its first, adapting some material that couldn’t match the consistency of its predecessor, but the show’s characters continued to be very strong, and Kyoto Animation’s execution was just beyond compare. While many shows use the open canvas of animation to tell soaring, fantastical narratives, Euphonium demonstrated just how much magic and beauty there is in the personal and everyday.

Kizumonogatari- Oh, I also watched the first two Kizu movies this year, and they were glorious. Monogatari has been one of my favorite anime franchises for years now, but seeing Tatsuya Oishi’s gorgeous take on the prequel novel still felt like a revelatory experience. Instead of the TV series’ usual embrace of heavy internal monologue, Oishi fully realized Araragi’s depression, panic, and sexual mania through sound and pictures alone, making for one of the most distinctive and visceral film experiences I’ve seen. The Kizu films are a remarkable achievement.

FROG-KUN (@frog_kun)

Yuri!!! on ICE - An anime that was born to make history. Besides all the pretty boys and ice skating, the one thing that will stick with me about this show is how international its scope was. Yuri!!! on ICE takes you around the world and offers a surprisingly detailed and true-to-life picture of international competitive ice skating. We got to see skaters from Thailand and Kazakhstan excel at what they love on the world stage. As compelling as Yuri's journey as an athlete was, any of the skaters could have been the main character of this story. In fact, this was something that director Sayo Yamamoto and mangaka Mitsuro Kubo specifically went out of their way to suggest. No wonder this series was so beloved around this world!

Re:ZERO -Starting Life in Another World- This series might look like a typical fantasy-adventure story about an insufferable male nerd at first glance, but I was really impressed by how much empathy the narrative had for its main character. Subaru is an extremely weak character in the scheme of things, and the world doesn't revolve around him. His struggle to connect with others and move past his self-hatred resonated with me for similar reasons that My Teen Romantic Comedy SNAFU and Neon Genesis Evangelion did. I also happened to really love all the side characters in this series, and there's enough left unexplained by the end to make me burn with curiosity to find out what happens next. Season 2 when?!

your name.- I got to see Makoto Shinkai's masterpiece when it came out in Australian cinemas in November, and I ended up loving it so much that I saw it twice in three days! In my view, it's the first Shinkai film that balances its macro plot and themes equally with the love story, and that might be one of the reasons why I found it so personally relatable. your name. was created in response to the Fukushima disaster, and I found its message of empathizing with others and treasuring every fleeting moment especially profound in that context. I also think that the film touches on something deep about the way we humans connect with each other, and how it's possible for us to emotionally identify with people we've never even physically met. For that reason, among many others, it has become one of my favorite anime of all time.

WILHELM DONKO (@Surwill)

Sound! Euphonium 2- The first Sound! Euphonium was already my favorite anime of 2015, and the sequel again managed to make my list this year, as the second season was not lacking any of the traits and attributes responsible for the remarkable first season. Sound! Euphonium 2 kept its authentic grounded tone, which was accompanied by realistic characters and character-interactions, relatable drama, and background art nothing short of stunning. After a bit of a slow start, the season really picked up after the incredibly animated musical performance during the Kansai Competition, and in the end managed to tie up most loose ends beautifully. I’d also like to quickly mention Kumiko’s voice actresses’ unusual and mellow performance, which added a lot of personality to her character in my opinion.

Haikyu!!- Volleyball? I’m surely not going to care for an anime about a sport I don’t even know all the rules to. Boy, was I wrong. I picked up Haikyu!! around the start of the year, while the second cour of the second season was still running, and was immediately hooked. The show is extremely engaging, energetic, fast-paced, and almost always kept me on the edge of my seat during the matches. Haikyu!!’s cast is equally lovable (even the opponents in the show are great), and undergo some major character development throughout the seasons. I really did not care for Tsukishima at the beginning of show, but he soon became one of my favorites, especially after the thrilling third season. I guess I could say the same about Haikyu!! in general.

Re:ZERO -Starting Life in Another World- I don’t think I need to talk a lot about Re:ZERO, as it was undoubtedly one the biggest, if not the biggest anime this year. The show was definitely one of the more interesting takes on the Isekai (different world) formula in recent memory, and always sparked a great amount of discussion after each episode. And what can I say? I really liked to see Subaru suffer.

Love Live! Sunshine!!- I’m fully aware that Love Live! Sunshine!! is the odd one out of all my picks, and I would never objectively consider it as anime of the year, but it was my personal favorite of 2016. Even though I watched both seasons of the original, I never really cared for the Love Live! series, but that drastically changed with the start of Love Live! Sunshine!! While I never warmed up to Muse, I just adore every member of Aqour’s, and generally consider Sunshine!! to be a step up in every aspect compared to the original. However, it wasn’t until my own pilgrimage to the show’s setting, Uchiura and Numazu that I really fell in love with the series. I’ve done a lot of anime pilgrimages, but this one ranks among my favorites. After that I started collecting everything Love Live! Sunshine!! related I could get my hands upon. From art books, to figures to coffee mugs, I have it all – I even play that darn mobile game every day. Yousoro ~

Honorable Mentions: Flying Witch, KONOSUBA, Ajin.

BRANDON TETERUCK (@Don_Don_Kun)

FLIP FLAPPERS– Magical girl anime have encountered a bit of a dry spell in recent years. Thankfully Kiyotaka Oshiyama brought us a unique spin on the genre with his directorial debut, FLIP FLAPPERS. While FLIP FLAPPERS was a mishmash of different styles, ranging from campy shojo horror to Mad Max action, each episode worked harmoniously to create a cohesive emotional narrative. FLIP FLAPPERS’ two heroines, Papika and Cocona, learn more about themselves and each other by exploring a slew of psychedelic and dreamlike worlds. Although the peculiar fusion of genres may not suit every audience’s taste, FLIP FLAPPERS had essentially what I wanted out of a modern magical girl anime: creative and experimental animation sequences, heavily allegorical storytelling, and fabulous henshin scenes.

KIZNAIVER– Hiroshi Kobayashi’s directorial debut, KIZNAIVER, was an ambitious project unlike anything studio Trigger had attempted before. Alongside scriptwriter Mari Okada, Kobayashi created a contemporary adolescent drama that wasn’t afraid to tackle some of the touchier issues in Japanese society. Throughout KIZNAIVER, its cast of misfits constantly grapple between wanting to feel the physical and emotional pain of others and questioning whether an artificial connection could create a sense of togetherness. This was the primary dramatic narrative of KIZNAIVER, and while intriguing in and of itself, it was truly Kobayashi’s thoughtful directing and clever use of visual symbolism that elevated the material. KIZNAIVER may have lacked narrative polish around its edges, but it was one of the most visually poignant pieces of commercial anime to come out of the industry in the past couple of years. Here’s hoping that Kobayashi will have more directing roles in the future as his cinematic vision brings a lot to the table for commercial anime as a whole.

Sound! Euphonium 2– The first season of Sound! Euphonium had always been a favorite of mine, and as such, the bar was set quite high when I heard a prequel was announced. Despite a rather lackluster first arc, the second half of 2016’s Sound! Euphonium 2 blew me away. The relationship between Kumiko and Asuka, two of the central pillars of Kitauji High’s concert band, embodied both the heart and soul of Sound! Euphonium’s web of emotional connections. It was beautiful to see their close-knit bond - built upon respect, trust, and understanding - unfold as the barriers between senpai and kohai were broken down. It set the stage perfectly for the resolution of Sound! Euphonium’s many other narratives: Kumiko and her older sister’s mending of their sibling conflict, Reina’s emotional maturing, and Taki’s finding peace within himself over his late wife. With a soulful conclusion to an already fantastic anime by Kyoto Animation, Sound! Euphonium is a series that couldn’t have ended in a more satisfying manner.

Mob Psycho 100– Mob Psycho 100 is unequivocally a testament to the creativity and passion of the anime industry’s top animators. Director Yuzuru Tachikawa and animation director Yoshimichi Kameda created an experimental take on ONE’s source manga that showcased the importance of animation for storytelling and expression. While still operating within the confines of a shounen work, Mob Psycho 100 is an anime with a visual and ideological identity that does not confirm to the sterile and idealistic standard of perfectionism that is seen in many contemporary anime. “If everyone is not special, maybe you can be who you want to be.”

Love Live! Sunshine!!– Last, but certainly not least, is a pick that you may find a bit strange if you’ve been reading the reasoning behind my other favorite anime of 2016. While I do value artistry in animation and direction, there are times when a fun anime with a cute and charming cast of characters is just as enjoyable to watch. Despite adopting a similar plot structure to the original Love Live! series, Love Live! Sunshine!! knew how to play around with its audience’s expectations, in some cases subverting characterization tropes and outright parodying the original. The girls of Aqours were a low-key bunch of loveable dorks who enthusiastically attempted to emulate the franchise’s previous group of idols (often times with hilarious or unfortunate results). Aqours’ playful banter and goofy antics quickly made me invested in their underdog soul search for stardom, while the intimate relationship between Chika and Riko brought a smile to my face. With the collective energy and excitement it brought to my life while watching, Love Live! Sunshine!! was one of my most pleasant surprises of 2016. Also, Dia is best girl.

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And that's a wrap for Part One of our three-part series! Be sure to tune in at the same time tomorrow for PART TWO: VIDEO GAMES! And if you're still in the mood for past CR Favorites, check out the previous years' features here:

Crunchyroll Favorites 2015 Part One Part Two Part Three

Crunchyroll Favorites 2014 Part One Part Two Part Three

Crunchyroll Favorites 2013 Part One Part Two Part Three

Crunchyroll Favorites 2012 Part One Part Two Part Three

Crunchyroll News' Best of 2011 Part One Part Two

What were your favorite anime and manga of 2016? Remember, this is a FAVORITES list, not a BEST OF list, so there's no wrong answers--sound off in the comments and share your favorites with us!

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Nate Ming is the Features and Reviews Editor for Crunchyroll News, creator of the long-running Fanart Friday column, and the Customer Support Lead for Crunchyroll. You can follow him on Twitter at @NateMing.

By: [email protected]

#Anime #News #Latest in Anime News by Crunchyroll!

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nofomoartworld · 7 years

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Hyperallergic: Drake Improves Despite Himself

For such a popular rapper, Drake inspires more begrudging love than any comparable figure with the possible half-exception of Kanye West. Tell a Drake fan that you find the man as an obnoxious, immature, faux-sensitive manipulator who gets undue credit for portraying his lousy personality honestly, as if he had a choice, and the majority of responses begin with “Yeah, that’s totally true, but…” rather than “What a load of horse pucky”. Ambivalence is the appropriate response to his music; you’re supposed to hate him. Maybe casual listeners who enjoy his singles on the radio without bothering to dissect his seven Billboard 200-topping albums l can engage without getting sucked into an abusive relationship, but committed fans keep running lists of his character flaws, despise him for said flawed character, respect him for revealing said flawed character, respect him for his perpetual efforts to change, despise themselves for respecting him, despise him for making them despise themselves, and take perverse pleasure in the whole icky process. Drake purportedly worries about the emotional damage he wreaks on women who date him, but perhaps he should consider his poor fanbase.

Complaints about personality are irrelevant when the music in question, like most hip-hop, doesn’t code expressive and/or confessional, but Drake’s does. A typical Drake song simulates baring the soul: obsessing over fame and romantic anxiety and otherwise publicizing insights best left in the therapist’s office. Claims about his honesty parse only if you believe the real-life Drake resembles the persona he plays; otherwise the question remains as to why, rather than making a show of refusing to hide an irritating persona, he doesn’t just construct a nicer one. The subtext of wealth and celebrity wrecks his potential as an everyman figure — one who might conceivably have eschewed megastar-specific afflictions for universal human error. Six years ago in The New Yorker Sasha Frere-Jones compared Drake to reality television, which still applies insofar as both turn valiant attempts at self-improvement into disingenuous public spectacle. For reasons I dare not speculate on, American consumers of mass media love watching affluent men and women of questionable intelligence and certain vulgarity fret over their own shallowness while struggling to speak in pop-psychological cliches. Were Drake ever to work through his issues, as they say, he’d lose his audience; gone would be the suspense that comes from perpetual striving and the ever-present possibility of a relapse. He’s proven this a lucrative formula, with six of his seven #1 albums having gone platinum and the new More Life, out since March, sure to follow. As long as his singles get airplay, Drake will be suffering through public therapy for a very long time. Say this for narcissists: they fascinate.

Drake’s official albums are punishing, interminable slogs, where wispy, vacuous beats provide an appropriately empty external correlative to the lazily expositional male fantasies dribbling from his mouth; I’d quote lyrics if the ostensibly nice, sensitive guy who’s actually a callous sociopath strategically deploying his sensitive image weren’t by now such a familiar role. By contrast, his mixtapes adhere closer to established hip-hop standards of listenability, tempo, hookiness, general aural focus, and the like. When musical partner/in-house producer Noah “40” Shebib programs a juicy beat behind him, he’s capable of splendid results. On 2015’s If You’re Reading This It’s Too Late, his most direct and compelling release, producers Shebib and Boi-1da deploy a strikingly light and agile set of melodic keyboard loops within the same signature airy style, while Drake discovers he can brag and sneer like a real rapper. Compare the sharpness of his rapping voice to his unctuous singing, which wobbles gauchely between velvety sigh and velvety whine. More Life, which he calls a “playlist” rather than an official album release, thus falls into the more tolerable category. Sprightly and energetic, it’s also looser and more expansive than If You’re Reading This. Richer textures, intermittent weird instruments woven into the electronic mesh, and an increasingly keen ear for savory R&B choruses mark a record that cruises through its bangers and earns its squishy moments. Sonic grace establishes a humane feel.

With artists who linger in the public spotlight, it’s important not to let familiarity and/or Stockholm syndrome trick you into mistaking your inactive gag reflex for substantive aesthetic quality, but especially toward the album’s beginning, some of these tracks abound with substance. “Passionfruit” simmers over a streamlined chillwave groove as Drake sighs a melody whose loveliness extends to his own vocal quaver. “Madiba Riddim,” cascading through a lilting guitar hook that shares its trebly tone and bittersweet prettiness with several African pop genres, also showcases Drake’s gentle soulfulness as a singer responding to rhythmic nuance and kinetic motion. “Get It Together” remixes South African DJ Black Coffee’s extended house track “Superman” into an abridged dance interlude, highlighting the original’s thumping percussion, shifty piano, and ominous electronic sitar-esque throb. Meanwhile, the starkly elegant beat in “Blem” snaps with a velocity dependent on the thinness of the synthesizers, as does “No Long Talk,” whose confident stride, simultaneously flippant and delicate, inhabits a mode more rappers should try. Such ear candy would delight more decisively of the music didn’t frame Drake’s performance as sincere confession to be taken seriously — if he weren’t also insisting “God knows I’m trying for you” (and never succeeding, because then he couldn’t make another album), moaning “Gonna have to teach me how to love you again” (you do all the work honey, he’s just too sexily damaged), coyly suggesting “You got issues that I won’t mention” (but he’ll mention that he won’t mention them), and threatening “I might just say how I feel” (as if he’s never opened up before). But his shtick can’t be laughed off; for the music to truly click requires caring about Drake’s feelings, and if you do, the sensual, mysterious calm captured on More Life transfixes. Moody guys excel at mood music.

Sublime moods last for only so long before dissipating. The highlights described above constitute five songs on a 22-song release. Although Quavo and Young Thug, among others, contribute enlivening guest verses, as usual with Drake half the album degenerates into atmospherically pro forma synth presets and rhythmically clumsy attempts at gravitas. Attenuated trifles bolster longer, more substantive songs. English pseudosoul singer Sampha and grime fixture Skepta get their own solo interludes, for mysterious reasons. At times More Life reminds me of Kanye West’s The Life of Pablo, that other massively messy compendium of celebrity talent, minus West’s considered sequencing and liquid musical flow. Piling on the guests, the weird samples, the tangential interlude-exercises, the unnecessary filler tracks providing connective tissue — there’s so much other stuff here that Drake himself almost disappears. Four years ago this excessive practice would have indicated a megastar’s ambition to craft a plushly immersive suite, but by now it also codes as an attempt at self-erasure. The “playlist” format ensures a casual lack of focus and the illusion of a lapse in creative control. Drake raps plenty, but fans of the statement album will miss his guiding hand. For those who dislike his persona, what better development could there be?

As with West, there remains the possibility that Drake actively and deliberately calculated this effect, but let’s not upset ourselves over the intentional fallacy. Cynics will interpret albums like More Life and indeed Pablo as indicators that external validation liquefies a performer’s talent and confidence, that money inspires the spurious notion that creative excess equals aesthetic quality, but these aren’t bad things, exactly, and to insist otherwise reveals a furtive craving for auteurism. More Life’s highlights are so tasty I only wish it were even messier, even more dissociated, even more unpredictable. That Drake made a halfway decent album despite himself is a triumph appropriate to our grotesque celebrity era. His ego having slipped from his fingers, he’s watching it, helplessly, floating away on the wind, watching his own subjectivity dissipate while losing himself in the music.

More Life (2017) and If You’re Reading This It’s Too Late (2015) are available from Amazon and other online retailers.

The post Drake Improves Despite Himself appeared first on Hyperallergic.

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