ANNETTE — “Hi, ace detective.” The young girl stifles a yawn. “We’ll be closing up soon, I’m afraid. Is there anything I can help you find?”
EMPATHY — She’s hoping the answer is yes. Any excuse to take a break from the dreaded *math homework.*
“No thanks, I was just on my way out.” [Leave]
“It’s okay, I don’t want to distract you from your studies.”
“Yeah, actually. I’m looking for a book.”
ANNETTE — She tries and fails to hide her relief as she sets her textbook under her chair. “Of course! What are you looking for, sir?”
“A happy story.”
“A sad story.”
“Something that will make me a better detective.”
“Something that will make me a better person.”
“Something about how to mend a broken heart.”
ANNETTE — “Oh…” She frowns, staring up at the shelves as if hoping that the perfect book will miraculously catch her eye. “Umm… Let me think…”
EMPATHY — She’s genuinely trying to think of one. She wants to help you.
ANNETTE — After a long, long pause, Annette finally lets out a sigh of defeat. “…I’m not sure,” she admits sadly. “I’m sorry, sir.”
YOU — “You can’t think of anything at all?”
ANNETTE — “Well… We do carry some self help books, sir, but…” She casts a quick glance around the store.
REACTION SPEED — Making sure Plaisance is out of earshot.
ANNETTE — The girl leans in conspiratorially and whispers, “Mother says those books are all snake oil. ‘If all it took to change somebody’s life was a book, *we* would be sitting quite prettily.’”
DRAMA — Her Plaisance impression is uncanny! What talent!
YOU — “Why do you sell them, then?”
ANNETTE — “Well,” she coughs, “not everyone agrees with my mother.”
RHETORIC — Translation: because people buy them. It’s as simple as that.
ANNETTE — “But I don’t think that’s quite what you’re looking for, is it, sir…?” She looks up at you with that seemingly impossible mixture of innocence and knowing that is unique to children.
“Yeah, you’re right. It isn’t.”
“No, I think I’ll give the self help books a try.”
“I’m not really sure what I’m looking for, to be honest.”
ANNETTE — She nods slowly, looking down at her frayed nails. “Lots of people come into the shop not quite knowing what they’re looking for. But that’s what’s so nice about bookshops, don’t you think? No matter where you look, you can find *something* interesting.” She smiles bright enough to light up every dark corner of the bookstore and the doomed commercial area below it. “I’m sure you’ll find what you’re looking for, ace detective. Maybe you just have to let it find *you.*”
+1 MORALE
VOLITION — Here in this bookshop. In Martinaise. Revachol. The world. This seemingly wretched lifetime. In the midst of it all, there is always something for you. Uncurl your fist. Let it find your palms upturned.
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How accurate/believable do you feel the bug behavior is in hollow knight? And if you find it inaccurate/unbelievable do you find that it affects the enjoyability of the story told? I really enjoy stories that center on fictional creatures (which I believe is called fantastical xenofiction?) but I always find myself anxious bout making stuff believable since I know nothing about regular biology, and it feels like most writers of xenofiction whether more humanoid or animalistic have a degree or at least some advanced schooling in biology that informs their writing.
Oh my friend, don't worry at all about biological or behavioral accuracy in Hollow Knight, because there is very little of it present and the fact that they are an advanced species means that it merely has an influence on their behavior, such as Leg Eater and Divine's cannibalistic courtship, Flukemarm's family system, or Willoh eating other bugs. Hollow Knight appears to be set in a completely alternate universe where invertebrates filled the niche of the large vertebrate species we see today (bc why else does gruz mother have bone in it), so while there are species that are analogous to the ones on our planet, it's not entirely 1:1. That's part of my enjoyment of it, actually- we're given just enough similarities and tidbits for us to base them off of irl creatures, but they're also different enough from our bugs that personal interpretations have a lot of breathing space. Their species will infer how they view and act in the world, which is something we see in the above examples, but because they evolved to live in civilizations, how much of that base instinct ends up persisting in the society is variable and up to headcanon. That's why I like it so much- because the game makes it very clear that these civilized bugs are very much not human, and builds the world and the culture of each tribe around it. The spiders and mantids of Deepnest and the Fungal Wastes being eager or unbothered by killing/eating other sapient bugs makes sense, but does not detract from the fact that both tribes harbour sympathetic or deeply honourable characters. Hollow Knight embraces the fact that each species of bug has different needs while also sticking fast to the anthropomorphic characteristics that makes them so relatable, making it a believable alternate society setup that does not discriminate which tribes are 'good' or 'bad'. Which was actually what threw me off in Bug Fables more than the inaccurate biology, as in Bug Fables, the socialized bugs were all herbivorous while the 'evil', feral bugs (with the exception of one, the tarantula sorcerer) were all carnivores. That just doesn't make any sense to me, and it bothered me more than all the other biological inconsistencies in the game- because I can assume if bugs have developed a new language and civilization, their biology wouldn't match the bugs in our world. Having consistency in worldbuilding rules is much more important than biological accuracy.
I also don't think that a background in biology is a necessity in order to enjoy xenofiction. Much of what I learned about bugs and snakes is information that I learned in my free time rather than learn in the classroom (though some of my classes did indeed inspire or reinforce some of the stuff I've made up, such as wyrms being simultaneous hermaphrodites due to mate scarcity). Having a background schooling in biology will make understanding your research easier, yes, but learning how to read scientific papers is a skill that every biology student needs to learn, no matter how long they've been in school. If you're determined enough (and curious enough), then you too can do the research necessary to flesh out the biology and behavior of fictional species! All you need is plenty of curiosity and free time, and the patience to chew through some tough, dry words to get to the meat of the good stuff. As long as your worldbuilding is consistent, the amount of biologically accurate material in your writing is more of a secondary thing to worry about.
(If you want a tip though, do a deep dive into the evolution of reproductive behaviors to help you get a basic idea of how different social structures evolve. Sex is a pretty key factor to how animals behave and evolve, with resource scarcity/location, scarcity of mates, difficulty of rearing young, tertiary sex ratio differences, and the harshness of the environment all leading to different social structures, physiology, and behavior. It's pretty fascinating stuff, and is a great help in determining how a fictional society might work.)
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