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#you have no right to speak honestly
maladaptvs · 23 days
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if you hate daisy fay buchanon shut the fuck up i never want to hear shit from you.
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horror-aesthete · 3 months
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Twin Peaks, 1990, dir. Tina Rathborne
SE01E04 Rest in Pain
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thegreatcaptainusopp · 6 months
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Water 7 was like specifically engineered to hit on every single sensitive spot Usopp has and honestly he almost under-reacted with how nuts the circumstances were for the moment that he snapped:
1. They just came off a fight where Aokiji knocked them around like it was nothing, where he had this realization:
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So he’s going in already feeling super inadequate, more than he usually does (which is a lot already).
2. Relatedly, up to this point fixing the Merry was his job because they didn’t have a shipwright yet. Her being unfixable probably felt, to him, like a personal failing because he was the one in charge of fixing her
3. The Merry was most like another crew member to him because he’s the one who worked on her most, AND he was the only one who saw her klabautermann at this point
4. The big elephant in the room here is that Kaya was the one who gave them Merry. So, you know, he’s attached to her most for this reason too
5. There’s also the fact that this probably hit on the very specific trauma of his mother’s death, because she also got sick enough that everyone deemed her unsavable.
6. On top of all that, it also hit on his trauma regarding his dad and abandonment: he doesn’t want to repeat that and feel like he abandoned a crew member who needed him.
7. Speaking of abandonment, seeing a situation where, in his mind, the crew leaves someone behind who is now deemed useless probably touched on a lot of his own fears about his place on his crew and own perceived usefulness
8. He had also just been brutally beaten twice on the same day and is pretty badly injured, compounding both feelings of usefulness and aligning him with the merry in his mind in terms of physical state.
9. He had also just lost the money they needed to fix the Merry, again compounding the feeling that he was useless AND he was responsible for the Merry not being fixable
10. He woke up to the crew, who had already processed the news, telling him about it AND that a decision had been made, which made him feel like it was a him vs them thing
There’s probably more I think but yes, it is completely unsurprising that he fell apart so spectacularly
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rickybaby · 4 months
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Mekies: “On one hand, we have Daniel who brings race winning experience to the team and OUTSTANDING technical capabilities and sensitivities for what the car is doing. You have the incredible energy that he brings to the whole team and it helps all of us to deliver 101%”
Daniel: “I feel good. I feel like it’s early days of my career again. I have that enthusiasm and that real love for the sport again. I just feel like a better version of myself.
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evermoredeluxe · 29 days
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queenlucythevaliant · 4 months
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Tell Your Dad You Love Him
A retelling of "Meat Loves Salt"/"Cap O'Rushes" for the @inklings-challenge Four Loves event
An old king had three daughters. When his health began to fail, he summoned them, and they came.
Gordonia and Rowan were already waiting in the hallway when Coriander arrived. They were leaned up against the wall opposite the king’s office with an air of affected casualness. “I wonder what the old war horse wants today?” Rowan was saying. “More about next year’s political appointments, I shouldn’t wonder.”
“The older he gets, the more he micromanages,” Gordonia groused fondly. “A thousand dollars says this meeting could’ve been an email.”
They filed in single-file like they’d so often done as children: Gordonia first, then Rowan, and Coriander last of all. The king had placed three chairs in front of his desk all in a row. His daughters murmured their greetings, and one by one they sat down. 
“I have divided everything I have in three,” the king said. “I am old now, and it’s time. Today, I will pass my kingdom on to you, my daughters.”
A short gasp came from Gordonia. None of them could have imagined that their father would give up running his kingdom while he still lived. 
The king went on. “I know you will deal wisely with that which I leave in your care. But before we begin, I have one request.”
“Yes father?” said Rowan.
“Tell me how much you love me.”
An awkward silence fell. Although there was no shortage of love between the king and his daughters, theirs was not a family which spoke of such things. They were rich and blue-blooded: a soldier and the daughters of a soldier, a king and his three court-reared princesses. The royal family had always shown their affection through double meanings and hot cups of coffee.
Gordonia recovered herself first. She leaned forward over the desk and clasped her father’s hands in her own. “Father,” she said, “I love you more than I can say.” A pause. “I don’t think there’s ever been a family so happy in love as we have been. You’re a good dad.”
The old king smiled and patted her hand. “Thank you, Gordonia. We have been very happy, haven’t we? Here is your inheritance. Cherish it, as I cherish you.”
Rowan spoke next; the words came tumbling out.  “Father! There’s not a thing in my life which you didn’t give me, and all the joy in the world beside. Come now, Gordonia, there’s no need to understate the matter. I love you more than—why, more than life itself!”
The king laughed, and rose to embrace his second daughter. “How you delight me, Rowan. All of this will be yours.”
Only Coriander remained. As her sisters had spoken, she’d wrung her hands in her lap, unsure of what to say. Did her father really mean for flattery to be the price of her inheritance? That just wasn’t like him. For all that he was a politician, he’d been a soldier first. He liked it when people told the truth.
When the king’s eyes came to rest on her, Coriander raised her own to meet them. “Do you really want to hear what you already know?” 
“I do.”
She searched for a metaphor that could carry the weight of her love without unnecessary adornment. At last she found one, and nodded, satisfied. “Dad, you’re like—like salt in my food.”
“Like salt?”
“Well—yes.”
The king’s broad shoulders seemed to droop. For a moment, Coriander almost took back her words. Her father was the strongest man in the world, even now, at eighty. She’d watched him argue with foreign rulers and wage wars all her life. Nothing could hurt him. Could he really be upset? 
But no. Coriander held her father’s gaze. She had spoken true. What harm could be in that?
“I don’t know why you’re even here, Cor,” her father said.
Now, Coriander shifted slightly in her seat, unnerved. “What? Father—”
“It would be best if—you should go,” said the old king.
“Father, you can’t really mean–”
“Leave us, Coriander.”
So she left the king’s court that very hour.
 .
It had been a long time since she’d gone anywhere without a chauffeur to drive her, but Coriander’s thoughts were flying apart too fast for her to be afraid. She didn’t know where she would go, but she would make do, and maybe someday her father would puzzle out her metaphor and call her home to him. Coriander had to hope for that, at least. The loss of her inheritance didn’t feel real yet, but her father—how could he not know that she loved him? She’d said it every day.
She’d played in the hall outside that same office as a child. She’d told him her secrets and her fears and sent him pictures on random Tuesdays when they were in different cities just because. She had watched him triumph in conference rooms and on the battlefield and she’d wanted so badly to be like him. 
If her father doubted her love, then maybe he’d never noticed any of it. Maybe the love had been an unnoticed phantasm, a shadow, a song sung to a deaf man. Maybe all that love had been nothing at all.  
A storm was on the horizon, and it reached her just as she made it onto the highway. Lightning flashed and thunder rolled. Rain poured down and flooded the road. Before long, Coriander was hydroplaning. Frantically, she tried to remember what you were supposed to do when that happened. Pump the brakes? She tried. No use. Wasn’t there something different you did if the car had antilock brakes? Or was that for snow? What else, what else–
With a sickening crunch, her car hit the guardrail. No matter. Coriander’s thoughts were all frenzied and distant. She climbed out of the car and just started walking.
Coriander wandered beneath an angry sky on the great white plains of her father’s kingdom. The rain beat down hard, and within seconds she was soaked to the skin. The storm buffeted her long hair around her head. It tangled together into long, matted cords that hung limp down her back. Mud soiled her fine dress and splattered onto her face and hands. There was water in her lungs and it hurt to breathe. Oh, let me die here, Coriander thought. There’s nothing left for me, nothing at all. She kept walking.
 .
When she opened her eyes, Coriander found herself in a dank gray loft. She was lying on a strange feather mattress.
She remained there a while, looking up at the rafters and wondering where she could be. She thought and felt, as it seemed, through a heavy and impenetrable mist; she was aware only of hunger and weakness and a dreadful chill (though she was all wrapped in blankets). She knew that a long time must have passed since she was fully aware, though she had a confused memory of wandering beside the highway in a thunderstorm, slowly going mad because—because— oh, there’d been something terrible in her dreams. Her father, shoulders drooping at his desk, and her sisters happily come into their inheritance, and she cast into exile—
She shuddered and sat up dizzily. “Oh, mercy,” she murmured. She hadn’t been dreaming.
She stumbled out of the loft down a narrow flight of stairs and came into a strange little room with a single window and a few shabby chairs. Still clinging to the rail, she heard a ruckus from nearby and then footsteps. A plump woman came running to her from the kitchen, wiping her hands on her apron and softly clucking at the state of her guest’s matted, tangled hair.
“Dear, dear,” said the woman. “Here’s my hand, if you’re still unsteady. That’s good, good. Don’t be afraid, child. I’m Katherine, and my husband is Folke. He found you collapsed by the goose-pond night before last. I’m she who dressed you—your fine gown was ruined, I’m afraid. Would you like some breakfast? There’s coffee on the counter, and we’ll have porridge in a minute if you’re patient.”
“Thank you,” Coriander rasped.
“Will you tell me your name, my dear?”
“I have no name. There’s nothing to tell.”
Katherine clicked her tongue. “That’s alright, no need to worry. Folke and I’ve been calling you Rush on account of your poor hair. I don’t know if you’ve seen yourself, but it looks a lot like river rushes. No, don’t get up. Here’s your breakfast, dear.”
There was indeed porridge, as Katherine had promised, served with cream and berries from the garden. Coriander ate hungrily and tasted very little. Then, when she was finished, the goodwife ushered her over to a sofa by the window and put a pillow beneath her head. Coriander thanked her, and promptly fell asleep.
 .
She woke again around noon, with the pounding in her head much subsided. She woke feeling herself again, to visions of her father inches away and the sound of his voice cracking across her name.
Katherine was outside in the garden; Coriander could see her through the clouded window above her. She rose and, upon finding herself still in a borrowed nightgown, wrapped herself in a blanket to venture outside.
“Feeling better?” Katherine was kneeling in a patch of lavender, but she half rose when she heard the cottage door open.
“Much. Thank you, ma’am.
“No thanks necessary. Folke and I are ministers, of a kind. We keep this cottage for lost and wandering souls. You’re free to remain here with us for as long as you need.”
“Oh,” was all Coriander could think to say. 
“You’ve been through a tempest, haven’t you? Are you well enough to tell me where you came from?”
Coriander shifted uncomfortably. “I’m from nowhere,” she said. “I have nothing.”
“You don’t owe me your story, child. I should like to hear it, but it will keep till you’re ready. Now, why don’t you put on some proper clothes and come help me with this weeding.”
 .
Coriander remained at the cottage with Katherine and her husband Folke for a week, then a fortnight. She slept in the loft and rose with the sun to help Folke herd the geese to the pond. After, Coriander would return and see what needed doing around the cottage. She liked helping Katherine in the garden.
The grass turned gold and the geese’s thick winter down began to come in. Coriander’s river-rush hair proved itself unsalvageable. She spent hours trying to untangle it, first with a hairbrush, then with a fine-tooth comb and a bottle of conditioner, and eventually even with honey and olive oil (a home remedy that Folke said his mother used to use). So, at last, Coriander surrendered to the inevitable and gave Katherine permission to cut it off. One night, by the yellow light of the bare bulb that hung over the kitchen table, Katherine draped a towel over Coriander’s shoulders and tufts of gold went falling to the floor all round her.
“I’m here because I failed at love,” she managed to tell the couple at last, when her sorrows began to feel more distant. “I loved my father, and he knew it not.”
Folke and Katherine still called her Rush. She didn’t correct them. Coriander was the name her parents gave her. It was the name her father had called her when she was six and racing down the stairs to meet him when he came home from Europe, and at ten when she showed him the new song she’d learned to play on the harp. She’d been Cor when she brought her first boyfriend home and Cori the first time she shadowed him at court. Coriander, Coriander, when she came home from college the first time and he’d hugged her with bruising strength. Her strong, powerful father.
As she seasoned a pot of soup for supper, she wondered if he understood yet what she’d meant when she called him salt in her food. 
 .
Coriander had been living with Katherine and Folke for two years, and it was a morning just like any other. She was in the kitchen brewing a pot of coffee when Folke tossed the newspaper on the table and started rummaging in the fridge for his orange juice. “Looks like the old king’s sick again,” he commented casually. Coriander froze.
She raced to the table and seized hold of the paper. There, above the fold, big black letters said, KING ADMITTED TO HOSPITAL FOR EMERGENCY TREATMENT. There was a picture of her father, looking older than she’d ever seen him. Her knees went wobbly and then suddenly the room was sideways.
Strong arms caught her and hauled her upright. “What’s wrong, Rush?”
“What if he dies,” she choked out. “What if he dies and I never got to tell him?”
She looked up into Folke’s puzzled face, and then the whole sorry story came tumbling out.
When she was through, Katherine (who had come downstairs sometime between salt and the storm) took hold of her hand and kissed it. “Bless you, dear,” she said. “I never would have guessed. Maybe it’s best that you’ve both had some time to think things over.”
Katherine shook her head. “But don’t you think…?”
“Yes?”
“Well, don’t you think he should have known that I loved him? I shouldn’t have needed to say it. He’s my father. He’s the king.”
Katherine replied briskly, as though the answer should have been obvious. “He’s only human, child, for all that he might wear a crown; he’s not omniscient. Why didn’t you tell your father what he wanted to hear?”
“I didn’t want to flatter him,” said Coriander. “That was all. I wanted to be right in what I said.”
The goodwife clucked softly. “Oh dear. Don’t you know that sometimes, it’s more important to be kind than to be right?”
.
In her leave-taking, Coriander tried to tell Katherine and Folke how grateful she was to them, but they wouldn’t let her. They bought her a bus ticket and sent her on her way towards King’s City with plenty of provisions. Two days later, Coriander stood on the back steps of one of the palace outbuildings with her little carpetbag clutched in her hands. 
Stuffing down the fear of being recognized, Coriander squared her shoulders and hoped they looked as strong as her father’s. She rapped on the door, and presently a maid came and opened it. The maid glanced Coriander up and down, but after a moment it was clear that her disguise held. With all her long hair shorn off, she must have looked like any other girl come in off the street.
“I’m here about a job,” said Coriander. “My name’s Rush.”
 .
The king's chambers were half-lit when Coriander brought him his supper, dressed in her servants’ apparel. He grunted when she knocked and gestured with a cane towards his bedside table. His hair was snow-white and he was sitting in bed with his work spread across a lap-desk. His motions were very slow.
Coriander wanted to cry, seeing her father like that. Yet somehow, she managed to school her face. Like he would, she kept telling herself. Stoically, she put down the supper tray, then stepped back out into the hallway. 
It was several minutes more before the king was ready to eat. Coriander heard papers being shuffled, probably filed in those same manilla folders her father had always used. In the hall, Coriander felt the seconds lengthen. She steeled herself for the moment she knew was coming, when the king would call out in irritation, “Girl! What's the matter with my food? Why hasn’t it got any taste?”
When that moment came, all would be made right. Coriander would go into the room and taste his food. “Why,” she would say, with a look of complete innocence, “It seems the kitchen forgot to salt it!” She imagined how her father’s face would change when he finally understood. My daughter always loved me, he would say. 
Soon, soon. It would happen soon. Any second now. 
The moment never came. Instead, the floor creaked, followed by the rough sound of a cane striking the floor. The door opened, and then the king was there, his mighty shoulders shaking. “Coriander,” he whispered. 
“Dad. You know me?”
“Of course.”
“Then you understand now?”
The king’s wrinkled brow knit. “Understand about the salt? Of course, I do. It wasn't such a clever riddle. There was surely no need to ruin my supper with a demonstration.”
Coriander gaped at him. She'd expected questions, explanations, maybe apologies for sending her away. She'd never imagined this.
She wanted very badly to seize her father and demand answers, but then she looked, really looked, at the way he was leaning on his cane. The king was barely upright; his white head was bent low. Her questions would hold until she'd helped her father back into his room. 
“If you knew what I meant–by saying you were like salt in my food– then why did you tell me to go?” she asked once they were situated back in the royal quarters. 
Idly, the king picked at his unseasoned food. “I shouldn’t have done that. Forgive me, Coriander. My anger and hurt got the better of me, and it has brought me much grief. I never expected you to stay away for so long.”
Coriander nodded slowly. Her father's words had always carried such fierce authority. She'd never thought to question if he really meant what he’d said to her. 
“As for the salt,” continued the king, "Is it so wrong that an old man should want to hear his daughters say ‘I love you' before he dies?” 
Coriander rolled the words around in her head, trying to make sense of them. Then, with a sudden mewling sound from her throat, she managed to say, “That's really all you wanted?”  
“That's all. I am old, Cor, and we've spoken too little of love in our house.” He took another bite of his unsalted supper. His hand shook. “That was my failing, I suppose. Perhaps if I’d said it, you girls would have thought to say it back.”
“But father!” gasped Coriander, “That’s not right. We've always known we loved one another! We've shown it a thousand ways. Why, I've spent the last year cataloging them in my head, and I've still not even scratched the surface!”
The king sighed. “Perhaps you will understand when your time comes. I knew, and yet I didn't. What can you really call a thing you’ve never named? How do you know it exists? Perhaps all the love I thought I knew was only a figment.”
“But that’s what I’ve been afraid of all this time,” Coriander bit back. “How could you doubt? If it was real at all– how could you doubt?”
The king’s weathered face grew still. His eyes fell shut and he squeezed them. “Death is close to me, child. A small measure of reassurance is not so very much to ask.”
.
Coriander slept in her old rooms that night. None of it had changed. When she woke the next morning, for a moment she remembered nothing of the last two years. 
She breakfasted in the garden with her father, who came down the steps in a chair-lift. “Coriander,” he murmured. “I half-thought I dreamed you last night.”
“I’m here, Dad,” she replied. “I’m not going anywhere.”
Slowly, the king reached out with one withered hand and caressed Coriander's cheek. Then, his fingers drifted up to what remained of her hair. He ruffled it, then gently tugged on a tuft the way he'd used to playfully tug her long braid when she was a girl. 
“I love you,” he said.
“That was always an I love you, wasn’t it?” replied Coriander. “My hair.”
The king nodded. “Yes, I think it was.”
So Coriander reached out and gently tugged the white hairs of his beard. “You too,” she whispered.
.
“Why salt?” The king was sitting by the fire in his rooms wrapped in two blankets. Coriander was with him, enduring the sweltering heat of the room without complaint. 
She frowned. “You like honesty. We have that in common. I was trying to be honest–accurate–to avoid false flattery.”
The king tugged at the outer blanket, saying nothing. His lips thinned and his eyes dropped to his lap. Coriander wished they wouldn’t. She wished they would hold to hers, steely and ready for combat as they always used to be.
“Would it really have been false?” the king said at last. “Was there no other honest way to say it? Only salt?”
Coriander wanted to deny it, to give speech to the depth and breadth of her love, but once again words failed her. “It was my fault,” she said. “I didn’t know how to heave my heart into my throat.” She still didn’t, for all she wanted to. 
.
When the doctor left, the king was almost too tired to talk. His words came slowly, slurred at the edges and disconnected, like drops of water from a leaky faucet. 
Still, Coriander could tell that he had something to say. She waited patiently as his lips and tongue struggled to form the words. “Love you… so… much… You… and… your sisters… Don’t… worry… if you… can’t…say…how…much. I… know.” 
It was all effort. The king sat back when he was finished. Something was still spasming in his throat, and Coriander wanted to cry.
“I’m glad you know,” she said. “I’m glad. But I still want to tell you.”
Love was effort. If her father wanted words, she would give him words. True words. Kind words. She would try… 
“I love you like salt in my food. You're desperately important to me, and you've always been there, and I don't know what I'll do without you. I don’t want to lose you. And I love you like the soil in a garden. Like rain in the spring. Like a hero. You have the strongest shoulders of anyone I know, and all I ever wanted was to be like you…”
A warm smile spread across the old king’s face. His eyes drifted shut.
#inklingschallenge#theme: storge#story: complete#inklings challenge#leah stories#OKAY. SO#i spend so much time thinking about king lear. i think i've said before that it's my favorite shakespeare play. it is not close#and one of the hills i will die on is that cordelia was not in the right when she refused to flatter her dad#like. obviously he's definitely not in the right either. the love test was a screwed up way to make sure his kids loved him#he shouldn't have tied their inheritances into it. he DEFINITELY shouldn't have kicked cordelia out when she refused to play#but like. Cordelia. there is no good reason not to tell your elderly dad how much you love him#and okay obviously lear is my starting point but the same applies to the meat loves salt princess#your dad wants you to tell him you love him. there is no good reason to turn it into a riddle. you had other options#and honestly it kinda bothers me when people read cordelia/the princess as though she's perfectly virtuous#she's very human and definitely beats out the cruel sisters but she's definitely not aspirational. she's not to be emulated#at the end of the day both the fairytale and the play are about failures in storge#at happens when it's there and you can't tell. when it's not and you think it is. when you think you know someone's heart and you just don'#hey! that's a thing that happens all the time between parents and children. especially loving past each other and speaking different langua#so the challenge i set myself with this story was: can i retell the fairytale in such a way that the princess is unambiguously in the wrong#and in service of that the king has to get softened so his errors don't overshadow hers#anyway. thank you for coming to my TED talk#i've been thinking about this story since the challenge was announced but i wrote the whole thing last night after the super bowl#got it in under the wire! yay!#also! the whole 'modern setting that conflicts with the fairytale language' is supposed to be in the style of modern shakespeare adaptation#no idea if it worked but i had a lot of fun with it#pontifications and creations
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corrodedcoughin · 1 year
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Thinking about steddie future where they're both just average guys. No rockstars, no basketball players just two Normal men living a normal life because honestly? they deserve it. They deserve soft domesticity and happiness.
They both have jobs they like but don't love and they're happy with that. Eddie maybe becomes an electrician, working for someone else's company. His coworkers are chill, he gets to get out and work with his hands and that's more than he could have asked for. Steve is a physical therapist, or a manager in some business. He likes his team and the steady hours. He's not working for his dad which is a plus.
They buy a house together, that's not a mansion but it's not a trailer either. Steve does a lot of the dishes because Eddie hates it, hates the feeling of old food on the plates and cutlery. So Eddie will kiss Steve on the cheek and does the laundry because Steve fucking hates laundry. And sitting on the floor watching TV while he folds clothes is honestly sort of relaxing?? Love is doing the chores your partner hates.
Steve and Robin go out for brunch at least once a month, where they catch up and gossip for hours and hours and Steve comes home lighter with updates on Robin and Vickie. Eddie will have nightly phone calls with Wayne, where they talk and laugh and Eddie will eventually hand the phone over to Steve so he and Wayne can talk sports together. When he's in town Dustin will come over and stay in their spare room and they laugh and joke so much it's just like old times. They go over to Jeff's house for dinner on a semi regular basis, and it's nice having normal friends.
They adopt a very annoying cat who will climb all over them in bed and meow in their faces when they don't wake up to feed it breakfast in time. Steve will go for jogs on a Saturday morning, coming home to Eddie reading in bed. Some old western book Wayne recommended to him. There's a steaming cup of coffee waiting on their bedside tables that Eddie's prepared.
They take time off of work and go on a week long vacation because they can do that now. They do dorky touristy things and Eddie buys a mug to send to Wayne. Steve takes a lot of dorky photos of the two of them.
Idk they deserve to be normal and alive and happy with no upside down anymore <3
Oh I love this! I had actually been thinking about tradesman Eddie for a little bit I am so, so glad you’ve come up with this!
I can so completely see him learning a trade and just getting employed and put through his time by a small local employer! He has to go through his exams and that part of it worries him when he first gets the job but his team end up being really supportive and Steve stays up late with him, practicing circuits and wiring and quizzing him on currents and volts. Eddie returning the favour, letting Steve mark up his muscles and be a living anatomy dummy. Sure it gets a little sexy from time to time but more often than not it’s just them testing each other as Steve identifies bones and Eddie talks about parallel circuits.
The monthly brunches mentally and physically revive Steve after working extended hours with patients that he really does want the best for but a jobs a job and it can get pretty tiring. They joke that they rebalance each others chakras but they really do feel realigned after their meet ups. Eddie can see it to, sometimes he’ll come pick them up when it’s been a boozy brunch and delights in seeing them happy and light, clambering over each other to tell Eddie something about one of the waiters or an especially good dish they ordered. When he drops Robin home Steve sits in the front and looks at peace and Eddie feels the same way.
Their weekends are for them, sometimes that means staying home and cleaning the whole place between ordering food in and sometimes that means going on a day trip and taking Wayne around all the antique spots around the county and seeing what horrors they can uncover. Top spot currently sits with Wayne’s find of a doll whose limbs had been replaced with horse legs and had the head of a fish. Of course they bought it.
Every time they go on a holiday they make sure to send postcards to everyone, including themselves, seeing if they’ll get home before the postcard does. Steve keeps them in a photo album, each with a Polaroid of them next to it. Sometimes taken by a stranger, sometimes just a close up of their faces squashed together. It’s Eddie’s favourite thing to go through on their anniversary, or any day really, just loves being reminded that this is the life they get to have.
It’s mundane, dare say even normal, but they love it. Steve comes home every night, happy to put his scrubs in the washing machine next to Eddie’s uniform, happy to be where he feels loved.
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write-it-motherfuckers · 11 months
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I almost forgot to update you all, sorry Darlings, it's been a very long day.
Thankfully I do have some good news! Both Bug and Bunny are doing surprisingly well, though they are both noticeably anxious still. They will be on some medication for a few weeks that I have to give them at set intervals, and I will have to take them back in for a check up a couple of times too, but other than that, they are both doing shockingly well all things considered.
The vet staff was even kind enough to give them both a bath and help remove some of the mats I was unable to remove myself, as well as handle the injuries to their paws and mouths from the neglect they dealt with in their former home.
It took a while to get them to come out of their new carrier, but once they did, they pretty much went into hiding immediately. I was eventually able to lure them out with a promise of treats and an old documentary about birds so that I could give them more meds, and thankfully they both stayed in view long enough for me to get a photo of the two of them watching it together to share with you all! (Please forgive the mess, they think they're smaller than they are, so playtime clearly results in a lot more chaos than I was really prepared for.)
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(Bug is the chonkiest boy, holy shit. Him Round.)
Once again, I'm incredibly grateful for the support and understanding from all of you, it really does mean a lot to me. I don't know if I'll be able to jump right back into posting just yet, but I will do my best to get back to it again soon.
Please stay safe Darling ones, and try to be kind to yourselves 🖤
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lucy-ghoul · 1 month
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why are you, as an adult in 2024, still hung up on reylo. why are you still mocking the shippers. why do you believe yourself to be superior only because you dislike a stupid ship from a fucking space fairytale. girl (gnc) get a grip
#it's ridiculous. this ship is... stupidly cliché. like if you know fandoms at all#you could easily guess why people would be into it. hello?? have you tried to watch tfa without your hate-on-kyle-ron goggles?#did you watch their scenes together? you don't have to like something to recognize the hints#hell. at the time i didn't really like jonerys but i realized they were going to be a thing when i read agot in 2011#like folks. it's been nearly TEN LONG YEARS. let it go. LET IT FUCKING GOOOO#and for the lucy/cooper shippers out there who think reylos are (again) delusional when they compare the two ships:#no. *you* are being delusional only because you think reylo is unsexy and uncool (which is your right to think btw. obv)#if you can't see why someone would like both of these pairings for similar reasons... idk what to say honestly#people compared it to hannigram... honestly. again i see why they would appeal to anyone who's into both ships#i really do. but... unpopular opinion (since i'm more of a clannibal fan than i could ever be of reylo):#they are more similar to reylo than will/hannibal. there i said it#i'm not talking about the writing (admittedly the quality of it was questionable). i'm talking about tropes#never mind that imo the ghoul is more akin to vader than kylo but whatever#hannibal is an unapologetic kind of villain. he's not gonna have a redemption arc and that's okay#cooper is an antivillain who used to be a good man and became a disfigured cruel bastard. a parody of himself#lucy is him. him before the bombs dropped before he discovered the person he trusted the most wanted to commit genocide#nice. moral. polite. infused with the Good Old American Values™. he's basically her dark side#all of this is very hannigram/clannibal. i'm not denying it at all#but what'll likely happen is that lucy's actions will have a positive influence on the ghoul and remind him of what it means to be a man#and that's way more reylo-like. sorry.#beauty&thebeast/villain with some hidden good in him+morally righteous heroine/enemies to lovers etc.#i mean. hello??..... having said that. i'm not so much of a reylo shipper anymore and tbh never was. i really liked it at the time#but i was never fond of the st era. my fav characters are vader and leia and revan from the old eu. just saying#*and* it's also not impossible lucy gets darker with the ghoul as her traveling companion. in fact i wouldn't dislike it at all#if done well i mean#but i would still like for people to be intellectually honest and less puerile. god knows i have my notps#but i really don't give a fuck about the shippers. good for them i guess? i have better taste lmao but that's heavily subjective#val rambles in the tags#val speaks#txt
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hum--hallelujah · 10 months
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like a sledgehammer to a disco ball - 3.9k words, Fun Ghoul angst and protective Kobra Kid
Kobra jerks awake at the first creak of the floor. The only person who has any right to be in his room at night knows better than to step where the floor creaks. Instinct takes over and he's holding his blaster at body height by the time his brain and eyes are awake enough to see through the dark.
"It's me, it's me, it's me," Ghoul stammers, holding his hands defensively in the air. Only, it sounds more like "'smee," because of the way Ghoul is slurring. And he's bleeding.
Kobra drops the blaster as soon as he realizes that the dark smear across Ghoul's face is blood. "What the hell, man," he hisses, groping in the dark for a light with one hand and trying to pat Ghoul down to make sure he's not like, actively dying, with the other. He could be blackout drunk or he could have gone out alone like he does sometimes and any number of things could have happened. The cold metal of an old flashlight meets his fingers and he flicks it on, shining the dim light over Ghoul.
"I did something stupid," Ghoul says. Only, it comes out as "Uh did su'hn stooid," wavering slightly, because the entire right side of Ghoul's face, from the corner of his mouth to his cheekbone, is sliced open. There's a horrific flap of flesh hanging loose that's supposed to be connected to the rest of his face. That's where the blood staining his face and clothes and hands is coming from, and why when he speaks, it sounds wrong.
"Holy shit," Kobra whispers, feeling cold Zone night air sting his eyes because they're open so wide. "Okay. Okay, what happened?" He holds Ghoul carefully by one arm, feels the way he's shaking. He's always shaking, except when he's got his hands in a bomb. This is worse than normal though. This is so much worse than anything Kobra's ever seen.
Ghoul shrugs, waves his hands vaguely and wildly. Kobra hisses a sharp breath through his teeth, frantically runs a hand through his hair. "Okay," He says again. "I'm gonna get-" He needs Jet, de facto medic, he needs Party, needs his brother-
"No," Ghoul says sharply, and that at least is completely clear. His eyes are wild from what Kobra can see in the dark. If human eyes could glow, his would. He grips Kobra's arms. "Please don't," he mumbles around the gruesome injury. His voice is high and frantic, and it has to hurt to talk. "Just you."
Kobra freezes. There's a slowly building feeling of dread, growing stronger by the moment. He pulls Ghoul off him, holds him by the wrists. "Okay. Just me," he promises, and feels sick about it. "Just me."
Ghoul noticeably relaxes, though he's still trembling head to toe, and lets Kobra drag him across the diner in near-silence aside from the occasional seemingly involuntary whimper on Ghoul's part, into the single-stall bathroom with a barely working lightbulb. Somehow, they make it past the front room where Party sleeps without waking him, much as Kobra wants to let his brother take care of this. He's practically trembling at how badly he wants Pois right now.
There's a medical kit in the cabinet that Kobra pulls out immediately. He knows how to handle this, physically speaking. It's whatever else, the shit he doesn't know and is scared to find out, like how this freaking happened, that makes him nervous. Ghoul stands in the flickering light like he doesn't know what to do.
"Sit the fuck down," Kobra snaps nervously, gesturing to the toilet lid. Ghoul does. Kobra pulls a dubiously clean rag from the cabinet and eyes it. It scares him to see Ghoul like this. Usually if he's scared, he fights. He hisses and spits and claws at whoever comes near him. More often than not, that's Kobra. But this, the wide-eyed jittering, is a whole other animal.
"This whole thing is gonna suck," he says stiffly. Ghoul nods. With a little more light, Kobra can see the thick, shiny blood streaming from the wound through his cheek. It isn't enough that Kobra's afraid Ghoul will bleed out, but the cut is so long and clear through and absolutely grotesque. He crouches down in front of where Ghoul is sitting, sideways on the toilet, and he can't tell if Ghoul is looking at him or through him, almost as if he's the ghost.
In a quick motion that startles both of them, probably, Kobra grabs the back of Ghoul's head with one hand and presses the rag to the seeping wound with the other. Ghoul's eyes go even wider and even greener, and what starts out as a shout of pain from him turns into a choked keening sound. Hearing it feels like being stabbed.
"What happened?" Asks Kobra again, when he's convinced that the bleeding has slowed enough to try and actually deal with this thing. He twists the handle on the faucet on and off, on and off, enough times that the ancient water pump starts up and clean water gurgles into the sink. He cleans the rag that way, then wets it and wrings it out before shutting the water off.
Ghoul's shoulders rise and fall in short, panicky breaths. "I'm sorry," he says. "I'm sorry. I'm- I didn't think, it was stupid, I'm sorry," he continues babbling like that before going silent again aside from the sharp sounds of his breathing.
In a testament to Kobra's selfishness, his biggest worry is that Ghoul took his motorbike out for a spin and crashed it. He can't think of what could have caused something like this. He has visions of his bike sliding out on a turn, crumbled metal and Ghoul's body flying through the air. But if that had happened he'd be hurt other than this. If that had happened he might be dead.
"Yo," he says quietly. "Chill. Just tell me what happened." He presses the now-damp rag to Ghoul's face, trying to ignore just how grotesque the wound really is. Maybe because it's fresh, maybe because of the fear, but somehow it's worse than the space where Jet's other eye used to be. Kobra never wanted to see an injury of that level on another person again in his life, let alone someone he cares about.
Ghoul flinches away, but Kobra shoots him a look and it must process somehow, because he stills and lets Kobra clean the already drying blood away from the edges of the wound with barely a whine. "It was stupid," he repeats, his voice shaking as much as it's slurring. "I don't know why I did it, Kid."
Something about the way he says that, voice small and wavering, sends a chill down Kobra's throat. Sudden understanding dawns on him. The blood on Ghoul's hands. He's not injured anywhere else. "You did that to yourself?" Kobra asks hoarsely.
Ghoul's eyes snap onto his and the rest of the color drains from his face. Kobra thinks he's going to pass out for a second, but he doesn't. He pulls as far away as he can, scrabbling awkwardly against the cold tiles and porcelain of the bathroom. "I don't know what I though, I was stupid, I don't- Kobra," he whines, with enough animalistic despair that Kobra wants suddenly to burst into tears, if he weren't so utterly stunned.
"Ghoul, calm down, I've gotta stitch it still," he says on autopilot. "Cool your engine, man."
Maybe it's the practicality of the thing that makes Ghoul momentarily stop panicking. "I'm sorry," he says again, tears welling in his eyes that he then blinks away half-frantically. Kobra's never heard him apologize for anything before tonight. He never wants to hear it again.
"It's okay, man. I've got you." He replies. If his own voice is shaking now, too, no the hell it isn't. "Come on, you have to let me..." he trails off, eyes wide. "Ghoul, why..." Then he shakes his head. He can't think about that now. He needs to disinfect the wound and stitch it up. And it's going to hurt Ghoul really, really badly.
He reaches behind him, grabs at the bottle of alcohol. This stuff is rare out in the Zones. They try to use it as little as possible. Only in emergencies. This is enough of an emergency, though. This is a fucking crisis.
He pours the bare minimum of the alcohol onto another piece of cloth, feels the cold soak in. Ghoul watches every move with jerking, stilted intensity. Kobra looks up at him from where he's now kneeling on the cold tile. He puts a hand behind Ghoul's head again. "This is going to hurt," he warns. They've nearly gouged each other's eyes out before, yet suddenly Kobra feels like he's going to be sick at the thought of causing Ghoul any more pain. Ghoul shuts his eyes in preparation.
Ghoul still nearly screams when Kobra dabs the alcohol over his wound. Kobra can see it in the way he holds his breath, the spring-tight tension in Ghoul's entire body. The only noise he makes is a quiet, drawn out whine, though. When a tear streaks down his cheekbone, Kobra catches it before a drop of salt can enter the wound.
"'Kay," he says in a ragged whisper. "That's done. Now I have to-" he gestures like he's sewing. Ghoul's eyes pop open to see what he's saying and he visibly forces himself to breathe again.
"'Kay," Ghoul says back in an equally torn up voice.
It only takes Kobra three tries to thread a needle. Medical supplies of any type are hard to come by, a whole new kind of commodity, but this stash has been here for as long as he can remember, just in case. Blaster burns, the most common injuries amongst 'Joys, come pre-cauterized. He's rarely had to sew sutures before.
Ghoul flinches back when the tip of the needle first touches the edge of his torn skin, and Kobra pauses. "Hold still," he grumbles, more out of familiar sniping than any real frustration at this point. He keeps his hand in Ghoul's hair the entire time he sews.
The feeling of a needle piercing flesh is horrible. The fact that it's his friend, someone he'd give his life for before seeing them hurt, is even worse. Kobra wants to fucking throatpunch whoever did this to Ghoul, or better, do the same thing to them, before he remembers with a sinking feeling in his stomach that Ghoul did this to himself.
He ties off the suture just barely keeping his hands from shaking. He doesn't know how Ghoul does this with bombs. Ghoul flinches again, violently, when Kobra cuts the excess line, and Kobra has to jerk back to keep from catching a flailing, uncoordinated fist in the face.
"Hey," he snaps. "Ghoul!"
Ghoul slips off the toilet lid and onto the floor almost as if he intended it but halfway as an accident and immediately curls in on himself. He pulls his knees to his chest and curls his arms around his head and Kobra can hear him hyperventilating. Kobra fucking freezes. He's used to fighting and wrestling and knee-jerk reactions that wind up with someone sporting a black eye. He is terrified right now. And there's still Ghoul's blood on his hands, too.
"Ghoul..." He cautiously reaches out, puts a hand on Ghoul's leg. Ghoul twitches, lets out a hiccupy sound that takes a moment to register in Kobra's mind as a sob. Ghoul, chaos loving, cackling Ghoul, is crying. And not just a single tear, now, his whole body is shuddering with the force of how hard he's crying. Kobra's heart is pounding with how hard he does not know what's happening, but he grips Ghoul's arm and lightly shakes him. "Hey, I'm still here, man."
Ghoul makes that keening whine again and Kobra thinks at first that he's going to pull away at best, or throw a real punch at worst. They fight enough, for any and no reason at all, that he expects it now. That's their normal. This isn't.
Ghoul scrambles to his knees, his hands finding the front of Kobra's shirt. This restroom is small, they're already in close quarters. But maybe unintentionally, maybe just scrabbling for a little purchase on anything, Ghoul winds up grabbing onto Kobra. And Kobra has always had a hard time letting anything go.
Ghoul's forehead crashes into his shoulder and Kobra instinctively puts his hands up, grabs back onto Ghoul in return. Ghoul's usual shaking is familiar to him, but the repressed wracking sobs aren't. Kobra clutches desperately around Ghoul's back, like he could hold together what he's just sewn up, like if he keeps Ghoul close enough he can't shake into pieces. No one should be able to break Ghoul. Not even Ghoul himself.
The edges of the cabinet dig into Kobra's back, but he ignores it. Ghoul is folding in on himself, making himself as small as he can against Kobra, and Kobra doesn't fucking know what to do. He's never seen Ghoul cry like this. He's never seen anyone cry like this.
"It hurts," cries Ghoul suddenly.
"I know," Kobra says, before he realizes that crying like this is probably making everything worse, that he'd worried about salt in the wound a minute before for this exact reason. He can't imagine the pain Ghoul is probably in.
"It didn't hurt at first," Ghoul mumbles, then chokes on a sob. "It didn't hurt when I started. And then it did."
Kobra wants to ask again, why? But he won't get anything intelligible. There's a part of him that doesn't want to know. He's terrified of knowing the truth. Instead, he threads his fingers through Ghoul's hair again and just repeats, "I know. I know."
A few minutes pass in speedy, spiraling silence. The only sound between them is their shared too-fast breathing.
"I can't," stammers Ghoul finally, after his cries have tapered out into raspy gasps. "I can't turn it on or off."
"Huh?" Is all Kobra can think to say. "Ghoul, you're not making sense, nothing about this makes sense," he snips, too quick and too tense. He's so beyond his depth. He wants Jet or Party to come help but he can't have it his way because he promised. He promised Ghoul. He wants to hit something. A wall, just to feel the impact. To imagine he's hitting whatever it is that hurt his friend so badly he hurt himself.
Ghoul sniffs. All Kobra can see of him is the top of his head and the cheek with the stitches. The wound is swollen and red and is going to leave a horrific scar. Kobra clenches his fist tighter behind Ghoul's back. "When I'm having fun or not," Ghoul says. "I can't. I am or I'm not. But."
"But what?" For fuck's sake, Kobra just wants to understand. He can read Ghoul like a book from cover to cover most times, and it scares him that he's so lost right now.
"It isn't good enough," he mumbles. "It's... It's in my fuckin' name, Kid, if I can't live up to that what am I?"
Kobra stares, wide-eyed, at the wall across from him. Something clicks. The clean cut through Ghoul's face, clearly from a recently sharpened knife, clearly intentional, reached from the corner of his lips almost to his ear. "Oh fuck no," he whispers. "Hell no. What the fuck. You're not-" He feels himself shaking suddenly, with restrained searing hot anger. Ghoul cut his head open, mutilated himself, to make himself permanently grin. "You're not fucking beholden to your fucking name," Kobra says. He never swears this much, only in his own mind. He's running out of words. "Fuck," he says, with feeling.
Ghoul shudders again. "I'm fuckin insane, aren't I?" He asks with sudden clarity.
It's exactly what Kobra had been thinking, for once completely unable to figure out Ghoul's mind, but he can't just say that. He can't just say that he's terrified because nothing makes sense and he's never going to freaking leave Ghoul alone again because this is all completely unhinged on so many levels that he can't even begin to sort through it. He can't say anything. He hopes Ghoul is sane enough to understand that, at least.
He just holds his friend tighter. He wants his brother more than anything right now, wants Party to come and take this weight out of his hands, but a part of him knows that even if he did, he wouldn't be able to let go of Ghoul. Why didn't Ghoul want anyone else but him? Why, after pretty much imprinting on Party like a feral kitten when they'd first met, to the point that sometimes Kobra thinks bitterly than Ghoul might know Party better than his own brother does, did he come to him? Why did he do any of this?
If a few tears of his own drip down Kobra's nose and land in Ghoul's tangled hair, no the hell they don't. He's never seen anyone go to pieces like this and he's struck dumb at the fact that it's literal. Very, very literally, Ghoul has gone to pieces. Taken a knife, that's probably still lying on the floor of his abandoned-office bedroom, and cut a line through his own cheek just so others might see a smile there.
There's crazy in his veins. Acid, maybe. And Kobra's always known that even if Party recognized it first. Watching your whole family die, failing to save your baby sibling, doesn't leave a person without any scars. Only, now, the scar is far too visible. Kobra's always known that Ghoul is more wild than any of them. Feral, unpredictable. He was raised by a pair of Killjoys who named themselves Hoot and Holler, and the thing is, a ghoul is just a ghost, and ghosts wail too. He should have known.
"I should've known," he says out loud, the first words in a while. He knows Ghoul so well. Better than he knows himself. He should have known something was wrong. He should never have left him alone. "I'm sorry. I'm sorry." He can't even blink. He stares hard at the opposite wall and tries not to scream.
Ghoul shakes his head against Kobra's shoulder and winces. "Nuh-uh," he mumbles. "I'm crazy, man. I'm insane." The fuzzy way it sounds around the stitches and the swelling just seems like proof. Just last night Ghoul's cheek was smooth and soft as he grinned across a table in triumph after winning a card game. How is it that that was just a few hours ago? He shudders again. "I'm scared," he says more quietly.
"Me too," Kobra says. As soon as the sun comes up he thinks he's going to storm out into the desert and find something, anything to beat up. Even a freakin cactus would do at this point. He doesn't know how he's going to explain this to Pois or Jet but he knows that much. He's gonna shake so hard he blows up, like a can of soda, unless he hits something. "I fucking hate you," he snaps suddenly.
Ghoul starts to flinch away, but Kobra doesn't let him. In fact, he curls tighter around him without even knowing why. "What the hell," Ghoul rasps.
Kobra hisses through his teeth. Speaking of living up to names. He fucking hates anyone who hurts his friends. But he can't say it. Hard as he tries, in the one moment of clarity about his own mind that he has, he can't speak.
"I fucking hate me, too," Ghoul says finally. The single dusty lightbulb above them flickers. If it goes out, they'll be in total darkness. Kobra thinks one or both of them might have a wicked eyeshine by now. The desert makes you wild. For some people, they're born that way.
"I think you're my best friend," Kobra finally manages to whisper. It isn't exactly what he was going for. It's not something he would ever say if he had thought of it before it popped out of his mouth. But Ghoul gets the point. Of course he does. Ghoul always gets his sharp edges, snakebite teeth and misspoken definitions and all.
"I think you're mine," Ghoul says back. "I'm-"
Kobra smacks the back of his head, like this is in any way normal, like they aren't collapsed on a dim bathroom floor in the middle of the night or the early hours of the morning and like one of them isn't mutilated for life by his own hand. Like this isn't the worst thing they've ever gone through together. "If you say you're sorry again, I'll cut you myself."
It's rough, and it's torn up and pained and choked, but Ghoul laughs. Just a short bark of laughter, hardly like the dry, rasping cackle that Kobra knows so well. It sounds like agony but it also sounds like the sun coming up. Kobra makes a noise in the back of his throat, more whine than laugh, but he's so close to blowing up that it's as good as it gets. He wants to freaking die if that would keep Ghoul in one piece.
Ghoul shifts in Kobra's arms and pulls away just far enough to look him in the eye. He clumsily wipes at the tears and snot all over his face and Kobra has to snap a hand out to catch his wrist before he unthinkingly swipes at the fresh wound and stitches. "Kobra," Ghoul says, shivering in the dark. The sun won't take long to come up once it starts but until it does, the Zones are freezing. "Kobra."
"Yeah, man, I'm still right here." Kobra forces himself to look Ghoul in the eyes and not the stitches. The wound takes up so much of his face. It's all Kobra can see when he looks at Ghoul, his best friend's mutilated mouth, sliced open by his own hand. Kobra flinches just imagining it. He focuses instead on Ghoul's green eyes, boring holes into his head with the desperate pleading in them. "I'm still right here," Kobra repeats, quieter. Reminding himself, too.
Ghoul doesn't blink. Kobra doesn't blink. Their eyes reflect the dim light back at each other. This is what wild animals must feel for each other. Terror. Uncertainty. Just themselves, each other, and whatever comes. Ghoul licks his lips, tongue flicking briefly, visibly, to the corner of his mouth that he cut open. "Don't let me-" Ghoul starts and then falters. "You gotta make sure," he says. "Don't let me- do stupid shit like this, don't let me go crazy again, Kobra, please."
Kobra stares back at him, matching Ghoul's trembling desperation. He's known Ghoul since the day their crew found him, shell shocked between the shelves of an empty gas station with the bodies of his parents and previous crew around him. Perpetually shaking hands and feral bared teeth, animal eyeshine. No one can match Ghoul for determination, and no one knows Kobra as well as he does. Even if Ghoul does know his brother better than him, the same is true in reverse.
Kobra Kid has a hard fucking time ever letting go of anything once he's got it. Fun Ghoul holds on too loosely. They're both terrified. What a pair they make. But when Kobra Kid makes a promise, he means it. He grabs the ends of Ghoul's hair and pulls, not too hard, but hard enough. That's their normal. Play fighting and hair pulling, and they both know it's a kind of language for when they can't speak. "Okay," he says, and because it's a promise, he repeats it. "Okay."
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hangryyeena · 2 months
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SquidgeWorld refusing to even talk about Palestine and other genocides happening because "this a fandom space" is wild and severely disappointing
#squidgeworld#// rant#'death threats' are not an excuse to stay silent!!!!#yeah they're not cool but you made it clear you wouldn't say anything either#stop allowing to look away by giving them a space where they can#what about palestinians or sudanis or congolese folk who are being genocided-#-who want the privilege to read fics on your site?? they don't matter??#'you wouldn't ask google 'what's your stance on x' you are not google!!! you are *one* person!!!!#'fandom spaces are sacred' sacred enough to turn a blind eye to genocide?? the fuck???#fuck your 'escapism' you are encouraging people to look away#that's not escapism that's ignoring the world in favor of your happiness#the LEAST you COULD'VE done was making a post saying you want a free palestine/sudan/dr congo/etc. or express SOME form of solidarity#'yes the world is unjust' then speak up bitch!!!!#so ao3 are zionists and squidgeworld is refusing say anything#maybe it's better for nobody to use your site 🤷����‍♀️#if you can't even stand in solidarity with people of color then you don't actually care about fandom#because the people being genocided that you don't care about are the same people in these 'fandom spaces' you claim to care about!!#honestly feel like a damn fool for even suggesting people migrate there from ao3#people who look away are not allies. they're cowards who don't want to lose support for being on the right side of history#anyways free palestine/sudan/dr congo/haiti/hawaii/tigray and other countries and nations experiencing genocide!!!#by refusing to speak up you have chosen the side of the oppressor.#long post
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boxwinebaddie · 13 days
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odd thing to bring up after i talked about how i'm finally trying to write for myself and not other people, but because i start and don't finish so many projects...i'm honestly not even sure where to go? i'm feeling a bit stumped atm, so if anyone has something in particular that they're interested in seeing from me, please lmk.
obviously i'm trying to only travel down paths that i want to, but as i look at my pinterest boards and all the projects i've started, all the styles and respective universes i'm cobbling together, i'm finding i am very interested in exploring all of them, so my stomach hurts, my head feels funny and my heart is a little confused. i'm feeling lost and as you are all my sunshines my only sunshines, the very same way i appreciate the warmth you provide me, i'd also love a guiding light.
thank you for all your support.
it is extremely precious to me.
-uncle nina
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fangirlhag · 1 year
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lestat is so very much my brand of histrionic bisexual chaos demon. he is my emotional support psychopath. my charming, murderous little meow meow.
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snapbackslide · 8 months
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nick suzuki and his cats. that's the post.
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lechatnoir1918 · 2 years
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New Phrack drawings! Could not decide on how to post them so here’s the color and b&w side by side. 
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sourtomatola · 7 days
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Moana 2 trailer spoilers
"Why didn't you bring the pig last time?" -Maui
I'll tell you why
W
Cause the pig was BORING!! The pig is every other Disney princess sidekick that's cute but otherwise forgettable. I cheered internally SO HARD when the chicken came with her instead!
I had a chicken like Hei hei, so this was an amazing addition. An arrow is shot at him, *curiously and comically pecks at it*
What would have the pig done? The boring logical thing of squeal and hide Probably. He's cute, but predictable and dull. Would have added nothing to the trip other than an extra face.
Leave the pig at home, or give it an actual purpose. The chicken was at least comedy relief.
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