cinematicct

[cinematicct]

Game Night (2018)

🎲💥🌌

This modern action comedy is about a group of friends, whose weekly game night suddenly becomes a real mystery when one of them is abducted.

Jason Bateman and Rachel McAdams star as married avid gamer couple Max and Annie Davis. The supporting cast includes: Jesse Plemons as police officer/next-door neighbor Gary Kingsbury, Billy Magnussen (aka Jed Milgrim/Grimsson on Netflix’s Maniac), as Max and Annie’s friend Ryan Huddle, Sharon Horgan (aka Eva Garvey on Bad Sisters) as Ryan’s co-worker/love interest Sarah Darcy, Lamorne Morris (aka Winston Bishop on New Girl) and Kylie Bunbury as high school sweethearts Kevin and Michelle Sterling, Michael C. Hall (aka Dexter Morgan) as a dangerous arms dealer known as The Bulgarian and Kyle Chandler as Max’s brother Brooks Davis. A crucial animal character in the film includes Gary’s West Highland Terrier named Bastian.

Jason Bateman and Rachel McAdams make a great team creating the perfect balance between wry eagerness and deft wordplay, which can be twice as fun to watch. Jesse Plemons sure knows how to make an audience laugh without even trying to be funny, hence his ability to play a straight-faced character. Billy Magnussen is especially hilarious given that his character (who initially brought a different date with him on game night) is an outgoing gamer who’s also quite dumb. Kyle Chandler has literally got his game face on playing an ultra-competitive alpha male.

In terms of observing the competitive streak of the film’s principal characters, Max and Annie’s relationship is essentially built around their intense love of games. Jesse Plemons’ character is an intensely strange person who, after his wife left him, desperately wants to be invited to the extent that he gradually resorts to subtle (and comedic) underplay. Brooks is a highly successful guy who not only takes game night up a notch, but he takes great pleasure in beating his brother every opportunity he gets (hence, Max’s sibling rivalry literally throws him off his game and is thus unable to conceive a baby with Annie).

The script is insightfully written in both skill and originality, setting the stage for a convoluted narrative that advances to the next level of dark comedy and unforeseen thrills. One moment, you’re in for a legit role-playing murder mystery, but the next you’re caught up in life-threatening situations involving real criminals.

Throughout the course of the movie, references to real-life board/party games are clearly implied. A few examples include: Guess Who? (Kevin and Michelle’s argument on which “celebrity” the latter slept with), Operation (the impromptu surgery in which Annie removes a bullet from Max’s arm) and “Hot Potato” (the scene where the group toss a Fabergé egg from person to person while being chased by guards). What’s more, some three-dimensional aerial camera shots of the city/neighborhood allude to the Game of Life, a clear nod to a “game-within-a-game” concept.

The soundtrack contains a selection of classic songs that fit conveniently into the film. Such specific tracks range from Queen’s “Don’t Stop Me Now” to Engelbert Humperdinck’s cover version of “Quando Quando Quando”.

Finally, underneath the over-the-top comedy and overall adrenaline rush is the idea of just enjoying the things you plan. In closing, I recommend this unexpectedly winning (though criminally underrated) cinematic romp to everyone.

“YES! OH NO, HE DIED!”

-Annie Davis

#game night 2018 #black comedy #action thriller #crime thriller #john francis daley #jonathan goldstein #jason bateman #rachel mcadams #max and annie davis #jesse plemons #billy magnussen #lamorne morris #kylie bunbury #Bastian the dog #the Bulgarian #faberge egg

[cinematicct]

Mamma Mia! (2008)

👰‍♀️🏝️🎶

Based on the smash hit Broadway stage musical, this jukebox musical film tells the story of a young bride-to-be who, in the hopes of finding her father, invites three men from her mother’s carefree past to attend her wedding.

An extraordinary ensemble cast includes: Meryl Streep as single mother/hotel owner/former lead singer Donna Sheridan, Amanda Seyfried as sunny soon-to-be-wed Sophie Sheridan, Pierce Brosnan as possible father number one/Irish-American architect Sam Carmichael, Stellan Skarsgård as possible father number two/Swedish travel writer Bill Anderson, Colin Firth as possible father number three/British banker Harry Bright, Dominic Cooper as Sophie’s fiancé Sky, Julie Walters as former backup singer/successful author Rosie Mulligan and Christine Baranski as former backup singer/wealthy divorcée Tanya Chesham-Leigh.

Meryl Streep is a miraculous talent that has it all: star power, exuberance and a singing voice that literally strikes a chord directly in the hearts and minds of fans and audiences. Amanda Seyfried is not just a shining star, but she’s got an angelic voice that exudes charm and potential. Together, Streep and Seyfried form a delightful onscreen dynamic between mother and daughter. Both actresses are backed by a trio of diverse actors who have basically played James Bond (Brosnan), King George VI (Firth) and MCU’s Dr. Eric Selvig (Skarsgård), respectively. What’s more, Julie Walters and Christine Baranski are a pair of excellent female troupers who add wisecracks and class to the mix.

The story takes place on a fictional island in Greece, which in turn reflects a vibrant society complemented by a picturesque backdrop. It is that particular setting where its inhabitants are engrossed in the idea of finding someone to share their lives with.

Throughout the course of the film, a string of budding romances start to develop, though not without its share of chaos. As such, a dumbfounded Donna struggles to reconcile her past affairs, while Sophie in turn struggles to identify her real father.

This particular musical (both the film and stage adaptation) is built around a selection of songs from Swedish pop supergroup ABBA. The track list includes: “I Have a Dream”, “Honey, Honey”, “Money, Money, Money”, “Chiquitita”, “Dancing Queen”, “Our Last Summer”, “Lay All Your Love on Me”, “Super Trouper”, “Gimme! Gimme! Gimme!”, “Voulez-Vous”, “SOS”, “Does Your Mother Know”, “Slipping Through My Fingers”, “The Winner Takes It All” (sung to perfection in an arresting performance by Meryl Streep), “When All Is Said and Done”, “Take a Chance on Me”, “Waterloo” and, of course, “Mamma Mia”. These songs not only exemplify the uninhibited quality of the story, but have left an indelible mark on the entertainment industry.

Lastly, the overall essence of Mamma Mia! is to embrace uncertainty as it is possible to define yourself without full knowledge of parentage. All in all, I recommend this upbeat, feel-good jukebox musical to every lover (and hater) of ABBA.

#mamma mia 2008 #jukebox musical #ABBA #meryl streep #donna sheridan #amanda seyfried #sophie sheridan #pierce brosnan #Sam Carmichael #stellan skarsgard #bill anderson #colin firth #harry bright #Julie Walters #christine baranski #Donna and the Dynamos #Greek wedding #Kalokairi

[cinematicct]

City Slickers (1991)

🏙️🤠🐂

Directed by Ron Underwood (Tremors), this ‘90s comedy film stars Billy Crystal, Daniel Stern and Bruno Kirby as longtime friends Mitch Robbins, Phil Berquist and Ed Furillo, respectively, who go from day-to-day salesmen to first-time cowboys during a two-week cattle drive in the Wild West.

The supporting cast includes: Patricia Wettig as Mitch’s wife Barbara Robbins, Helen Slater as attractive fellow cattle driver Bonnie Rayburn and Jack Palance (Shane) as professional trail boss Curly. Special appearances include Jeffrey Tambor as Mitch’s boss Lou and 10-year-old Jake Gyllenhaal (in his film debut) as Mitch’s son Daniel “Danny” Robbins.

Billy Crystal is utterly (or “udderly”) brilliant in this film as he puts his own spin on the soul-crushing standpoint of his character in a comical manner. Daniel Stern (aka “Wet Bandit” Marv in Home Alone) is equally as funny in his role as Phil, a crazed, insecure BFF of Mitch’s. Bruno Kirby delivers some gut-busting hilarity in playing a rapidly assertive yet likable guy. Jack Palance (whose career-defining performance won him the Oscar for Best Supporting Actor) brings amazing depth to a grizzled cowboy who’s surly on the outside but a kind-hearted soul on the inside.

In terms of observing the life experience of the main characters, Mitch is struggling with a midlife crisis that seems to have reached a breaking point. Meanwhile, Mitch’s buddies are just as discontent: Phil is trapped in an unhappy marriage to an overbearing wife, while a newly married Ed is reluctant to completely settle down with a significantly younger woman. However, the cattle-drive vacation gives them a chance to find the “one thing” missing from their lives.

The script is written in a way that creatively distinguishes the burden of midlife crises from the great outdoors. What’s more, the inclusion of Curly’s advice on the secret of life is a good example of how each individual has a purpose different from everyone else’s, but also may be the most important… that’s what they need to figure out.

This particular film takes the Western genre and puts it in a grinder to create an original story with comedic, touching (and at times, emotional) elements. In other words, the special blend of personal drama and untamed humor is all the more inspiring.

Soundtrack-wise, the movie contains some Western/Magnificent Seven-style music along with an original song performed by R&B/soul singer James Ingram: “Where Did My Heart Go?”

Finally, the moral of the story is though our lives might seem stagnant at times and we take the love around us for granted, sometimes the experience of immersion in nature (or even the birth of a calf) can reignite the mindset of receiving and giving love again. All in all, I highly recommend this vigorously heartfelt classic to every fan of Billy Crystal and the Old West.

#city slickers 1991 #western comedy #buddy comedy #midlife crisis #Ron Underwood #billy crystal #Mitch Robbins #daniel stern #Phil Berquist #bruno kirby #Ed Furillo #Jack Palance #Curly Washburn #Norman the calf #cattle drive

[cinematicct]

Analyze This (1999)

Directed by Harold Ramis (Caddyshack), this mafia comedy film stars Robert De Niro and Billy Crystal as crisis-stricken mob boss Paul Vitti and reluctant psychiatrist Dr. Ben Sobel, respectively, in the story of a gangster who’s lost his nerve and is about to get in touch with his feelings.

The supporting cast includes: Lisa Kudrow as Ben’s fiancée Laura MacNamara, Joe Viterelli as Paul’s right-hand man Jelly and Chazz Palminteri as mafioso rival Primo Sindone. Special appearances include Molly Shannon as weepy patient Caroline and Tony Bennett as himself.

Robert De Niro and Billy Crystal make quite an excellent pair in terms of comedic timing and deft interplay. De Niro nails his character’s emotional breakdown in a tickling manner, while Crystal delves neatly into the intellectual yet agitated mindset of his character. Lisa Kudrow, funny as ever, delivers some great laughs just as well as the two leads. Joe Viterelli plays a menacing yet dumb henchman that you just grow to love. Chazz Palminteri excels in the role of an up-and-coming crime boss.

In terms of observing the psychological aspects of the main characters, Paul has been struggling with severe panic attacks whenever he’d engage in murder or other acts of violence. Meanwhile, Ben is disillusioned with his life: his patients are not interesting or challenging enough and he lives in the shadow of his successful psychiatrist father (played by Maude cast member Bill Macy). However, the moment Paul walks into Ben’s office, everything changes drastically.

The script (co-written by Harold Ramis) is cleverly written in the form of a literal situation comedy: a personal yet highly irregular dynamic unfolds between patient and doctor. Plot-wise, the story is technically a crossover between The Godfather (though the Mafia is not as powerful in this film) and What About Bob? (though Paul uses a no-nonsense approach to maintain a tough attitude).

This particular movie basically takes the gangster genre and puts it in a blender to create a fresh mobster story with a comedic twist. In other words, the unique yet rare blend of organized crime and therapy is all the more amusing.

Soundtrack-wise, the film contains some old-fashioned tunes from a list of veteran musicians ranging from Louis Prima to Tony Bennett.

Lastly, the film shows that even tough guys (tough as mobsters) can have neuroses and the strait-laced professionals treating them can be taken out of their comfort zones and learn a lot about themselves when treating high-profile wack jobs (pun intended). All in all, I strongly recommend this satisfyingly funny ‘90s classic that proves laughter is the best kind of therapy.

“You… YOU… You got a gift, my friend!”

-Paul Vitti

#analyze this 1999 #mafia comedy #Harold Ramis #robert de niro #Paul Vitti #billy crystal #Dr. Ben Sobel #Lisa kudrow #New York Mafia #patient/doctor relationship

[cinematicct]

Burn After Reading (2008)

Written, produced and directed by Joel and Ethan Coen (aka the Coen Brothers), this black comedy thriller is about a series of mishaps that unfold when a disc containing the memoirs of an ex-CIA analyst falls into the hands of a pair of gym employees who attempt to profit from their find.

A star-studded cast includes: George Clooney as womanizing U.S. Marshal Harry Pfarrer, Frances McDormand as insecure yet determined Linda Litzke, John Malkovich as disgruntled former intelligence officer Osborne Cox, Brad Pitt as amiable, dim-witted gym trainer Chad Feldheimer, Tilda Swinton as Osborne's unfaithful wife Katie Cox, Richard Jenkins as gym manager Ted and J.K. Simmons as a CIA director.

George Clooney is a terrific actor who can easily go from charmer ("Well, hello!") to coward ("WHO ARE YOU?!") in a matter of seconds. Frances McDormand plays a driven fitness instructor obsessed with reinventing her body. John Malkovich is a consummate performer who basically plays a ridiculously outrageous manic prone to aggressive behavior. Brad Pitt is extra funny in this movie given that he takes his all-too-rare comedic style to a whole new dimension to play such a likable goofball. Tilda Swinton excels in the ice queen archetype as well.

A major theme of the film is supremacy of idiocy. Everyone in this movie (including the CIA) is under the impression that they think they know better when in fact they don't. Nevertheless, the incompetence is played for laughs, subverting the expectation of a high-stakes spy movie (although surveillance is a major factor in this film).

In terms of analyzing the indiscretion of each character, Harry Pfarrer (Clooney) is a self-centered playboy (despite being married) with paranoid tendencies. Linda Litzke (McDormand) is hell-bent on getting cosmetic surgery to the point where she resorts to engage in blackmail without thinking it through. Harry and Linda meet via online dating as they both seek love in the wrong places. Osborne Cox (Malkovich) decides to write a book about his past achievements in the CIA, only for his digital files to wind up in ineptly unscrupulous hands. Chad Feldheimer (Pitt) is a can-do colleague whose childish eagerness to capitalize on what he believes to be "raw intelligence" is arguably the high point of the film. Katie Cox (Swinton), in the process of filing for a divorce, indirectly circulates her husband’s classified documents.

Music-wise, the score contains a pulse-pounding percussion that gives the film a grandiose sound to reflect the overblown stakes.

Together, the Coen Brothers have outdone themselves in creating an original screwball comedy that depicts its characters in a "my way or the highway" situation against the backdrop of a poorly operated infrastructure. In closing, I seriously recommend this tour de force (or tour de “farce”) masterpiece to every Coen fan.

“Osborne Cox?”

-Chad Feldheimer

#burn after reading 2008 #coen brothers #black comedy #screwball comedy #tragicomedy #george clooney #Harry Pfarrer #frances mcdormand #Linda Litzke #John Malkovich #Osborne Cox #brad pitt #Chad Feldheimer #tilda swinton #CIA

[cinematicct]

Get Out (2017)

Written and directed by Jordan Peele in his directorial debut, this psychological horror film is about a young African-American man named Chris Washington, whose weekend visit to his white girlfriend’s family leads him to become ensnared in a horrific conspiracy.

Daniel Kaluuya plays the lead, while Allison Williams plays Chris’ girlfriend Rose Armitage. The supporting cast includes: Bradley Whitford as neurosurgeon Dean Armitage, Catherine Keener as psychiatrist Missy Armitage, Caleb Landry Jones as Rose’s brother Jeremy Armitage, Stephen Root as art dealer Jim Hudson and Lil Rel Howery as Chris’ best friend/TSA officer Rod Williams.

Daniel Kaluuya (whose breakthrough performance garnered an Oscar nomination for Best Actor) is arguably the most visceral actor in recent years given that he conveys a slew of emotions that complement his character’s justifiable uneasiness to white hospitality. Allison Willams (in her film debut) is a mind-boggling representation of a character whose supposed normalcy masks her underlying sociopathic qualities. Bradley Whitford and Catherine Keener not only do an excellent job at employing and foreshadowing the technique of deception, but you wouldn’t expect to see them play a couple of characters with hidden sinister intentions.

The script (which won the Oscar for Best Original Screenplay) is ingeniously written in such a way that gives the horror genre an opportunity to explore social/racial issues metaphorically. In other words, Jordan Peele brilliantly uses horror as a vehicle for racism at its most diabolical.

In terms of observing the social commentary of the film, we sense an unsettling feeling in a wealthy white community where the (Black) protagonist doesn’t seem to belong. In the case of the overly accommodating Armitage family, they are part of an ancestral cult that believes black people possess more stamina. On that note, they kidnap African-American men and women to achieve a twisted form of physical enhancement through hypnosis (in the form of Missy’s teacup and spoon) and surgical procedure. The African-Americans in turn are forced into robotic captivity (a modernized version of slavery) by the mental transplantation of their white captors.

On a particularly symbolic note, this film eerily (and stunningly) depicts the consciousness of a black person fading into an infinite vacuum called the “Sunken Place”. This effectively makes the victim unable to scream for help (or even warn another victim to “GET OUT!”), while the white person controls the body.

Apart from the suspenseful storyline, Jordan Peele also weaves in some biting social satire. Unlike other horror films, this one is recognized for its complex yet bizarre themes of challenged racial stereotypes. However, the inclusion of an outspoken comic relief in the form of Rod keeps the movie light.

The soundtrack includes some distinctive Swahili lyrics that roughly translate into tribal chants of caution. On top of that, the song “Redbone” by Childish Gambino (aka Donald Glover) is heard during the opening scene.

Lastly, this film is a startling reminder to remain vigilant to the insidious dangers of a potentially lingering prejudice lurking beneath the surface of our progressive society. All in all, I recommend this fresh, terrifying social thriller to everyone.

#Get Out 2017 #Jordan peele #psychological horror #Daniel Kaluuya #Chris Washington #allison williams #Bradley Whitford #Catherine Keener #caleb landry jones #TSA Rod Williams #Armitage family #Behold the Coagula

[cinematicct]

Gods and Monsters (1998)

🎬🧟‍♂️

Based on the Christopher Bram novel Father of Frankenstein, this period drama film from writer/director Bill Condon is a semi-fictionalized account of the final days of world-famous film director James Whale, known for directing the pre-Code horror film Frankenstein and its sequel Bride of Frankenstein in the 1930s.

A distinguished cast includes: Sir Ian McKellen as James Whale, Brendan Fraser as ex-Marine/gardener Clayton Boone (a fictitious character) and Lynn Redgrave as Hungarian housekeeper Hanna.

Ian McKellen (whose marvelous performance garnered an Oscar nomination for Best Actor) is one of the greatest thespians of our time who doesn’t disappoint in his startling portrayal of a dapper though ailing filmmaking legend. Brendan Fraser, typically known for his comedic chops, makes it crystal-clear that he is just as capable in dramatic roles. Lynn Redgrave (who, like Ian McKellen, received an Oscar nomination for her scintillating performance) is nothing short of extraordinary in the role of a devoted, albeit dour, caretaker.

The script (which won the Oscar for Beat Adapted Screenplay) is well-written in tackling the conflict of coming to terms with old age and diminished capacity. The film demonstrates this through flashbacks of James Whale’s working-class childhood, service in World War I and Old Hollywood glamour whilst experiencing mini-strokes and seizures.

In terms of observing the complicated friendship between a retired filmmaker and a young man with his whole life ahead of him, Mr. Whale takes a great interest in Clayton, the latter of whom is initially skeptical of his employer’s homosexual desires. However, despite the separation of sexual orientation, this uneasy yet poignant connection changes both their lives forever.

Bill Condon’s creative direction allows him to visually convey the real and imagined sensibilities of James Whale, whose flair for horror left an indelible mark on the film industry. Although warm reception of the British in Hollywood was customary during the talkie era, James Whale’s open gayness was the subject of controversial debate in a civilized yet closeted society. Through his declining health, Mr. Whale views Clayton as a guy whose God-like physique stands out from the other young men in his life. What’s more, he sees Clayton as his own monster of Frankenstein, specifically one that could give him the perfect ending to his latest drama. Clayton, who had been disillusioned about his future after being discharged from the Marines, achieves a newfound sense of hope through his admiration for James Whale’s artistic talent.

Lastly, the finer details of the film may be fabricated, but there are definitely interwoven truths about the story of James Whale’s life. All in all, I certainly recommend this hidden gem of a movie to every Ian McKellen/Universal Monsters fan.

“To a new world of gods and monsters!”

-Dr. Pretorius (Bride of Frankenstein)

#Gods and Monsters 1998 #based on a novel #period drama #Bill Condon #Ian McKellen #James Whale #brendan fraser #Clayton Boone #brenaissance #Lynn Redgrave #1950s Hollywood #homosexuality #film history

[cinematicct]

Lost in Translation (2003)

🙎‍♂️🙍‍♀️🗾

Written and directed by Sofia Coppola, this comedy-drama film stars Bill Murray and Scarlett Johansson as fading movie star Bob Harris and recent college graduate Charlotte, respectively, who meets and develop an unlikely friendship while crossing paths in Tokyo.

The supporting cast includes: Giovanni Ribisi (aka Frank Buffay Jr. on Friends) as Charlotte’s workaholic husband, a celebrity photographer, and Anna Faris as bubbly Hollywood actress Kelly.

Bill Murray and Scarlett Johansson don’t just bring something extra special to the table, but they bring something very human as well. Bill Murray, apart from his wry comedic style, is able to take his character’s exasperated tone to a more tactful approach. Scarlett Johansson is both serenely mesmerizing and remarkably mature for her young age, rising instantly from teen actress to major film star.

The script (which won the Oscar for Best Original Screenplay) is written in a way that finds the perfect balance between isolation and connection. In writer/director Sofia Coppola’s case, she has a way of taking two lost American souls and placing them in a foreign city through minimal dialogue and poignant cinematography. In other words, the film literally depicts the age-old existential questions of what we ought to be doing with our lives.

In terms of observing the key aspect of the film, the two main characters experience different crises in unfamiliar territory in which language barriers and cultural divides are evident (note: this film has been called out by some critics for its egregious stereotypes of Japanese people). Further complicating matters of communication is the story taking place at a time before Facebook or FaceTime existed. Bob Harris, whose marriage seems to have reached a dead end, is having a midlife crisis while promoting a whiskey commercial. Charlotte is struggling with an identity crisis as she deals with a mundane new marriage. Faced with insomnia (in part due to jet lag), Bob and Charlotte find solace in each other’s company. Together, they grab a few drinks at the hotel lounge, spend a rollicking night out in Tokyo and even sing in a karaoke bar (during which Charlotte dons a pink Louise Brooks wig). The only difference is Bob is completely lost in translation as the title suggests, whereas Charlotte is mostly lost in trying to find her true purpose.

This particular film is entirely focused on the kindred spirit of its central characters in contrast to the typical mainstream film that provides a structured plot. What’s more, the film distinguishes intimate friendship from sexual desire (in spite of the R-rated sexual content of the movie). For instance, we get an inside look at Bob and Charlotte through a different lens than what we’re used to seeing in a romantic comedy. Not only that, but they converse openly with each other about their thoughts and concerns in a casual atmosphere of low-key emotional tension.

The soundtrack contains a few tracks that mostly revolve around shoegaze and dream pop music. The track list includes: “City Girl” by Kevin Shields (vocalist of the Irish-English rock band My Bloody Valentine), “Too Young” by Phoenix, “Sometimes” by My Bloody Valentine and “Just Like Honey” by The Jesus and Mary Chain. Bill Murray even performs a rendition of the hit Roxy Music song “More Than This”.

Lastly, the message is the idea of discovering a whole new prospect in the face of complex emotional battles via a momentary but life-changing chance encounter. That said, I recommend this spontaneous, refreshingly simplistic portrait of love and connection to everyone.

“For relaxing times, make it Suntory time”

-Bob Harris

#Lost in Translation 2003 #focus features #comedy drama #Sofia Coppola #Bill Murray #Scarlett Johansson #Bob Harris and Charlotte #Tokyo trip #sleepless in Tokyo #older man younger woman relationship

[cinematicct]

Little Miss Sunshine (2006)

Directed by Jonathan Dayton and Valerie Faris in their feature film directorial debut, this comedy-drama movie is about a dysfunctional family who go on a cross-country road trip to enter their daughter in the “Little Miss Sunshine” beauty pageant in their old VW minivan.

A solid ensemble cast includes: Greg Kinnear as patriarch Richard Hoover, Toni Collette as overworked mom Sheryl Hoover, Steve Carell as sullen homosexual/brother-in-law Frank Ginsberg, Paul Dano as voluntarily mute teenage son Dwayne, Alan Arkin (whose performance won him the Oscar for Best Supporting Actor) as heroin addict/foul-mouthed grandfather Edwin Hoover and Abigail Breslin (in her breakthrough role) as aspiring child beauty queen Olive Hoover.

Greg Kinnear is a good leader in terms of character-building. Toni Collette plays an overly stressed yet hardworking mother so efficiently. Steve Carell just pushes the envelope taking a forlorn character to a higher level of hilarity. Paul Dano’s onscreen silence is sufficient to convey strong resentment. Alan Arkin brings a significant amount of cantankerous humor and judgmental (though knowledgeable) commentary to the table. Then of course, no other child star could capture the naïveté and adorable spirit of a seven-year-old beauty queen wannabe than Abigail Breslin (whose bright performance garnered an Oscar nomination for Best Supporting Actress).

The script (which won the movie an Oscar for Best Original Screenplay) is not just written in such a unique style, but the whole storyline easily relates to anyone who’s endured imperfections or multiple setbacks in their lives. Therefore, the Hoovers set out to help/heal one another in a tragicomic manner.

In terms of observing the psychological state of the family, each member goes through different stages of grief. Richard Hoover (the father) is a struggling motivational speaker who refuses to accept his family as a complete failure, hence his tendency to constantly bring up unnecessary lectures on winning. Grandpa is a censorious character who believes strongly in living freely and freedom of speech, even at the (eventual) cost of his life. However, his tender relationship with his granddaughter (of whom he trains for the pageant) is essential to the story. Dwayne (born from a previous marriage) has taken a vow of silence until he can fulfill his dream of becoming a pilot for the Air Force Academy. He makes it clear that he wants nothing to do with his family, but gradually becomes more open (especially during an explosive outburst in one particular scene). Sheryl (the mom) is firmly realistic despite facing daily pressure to try and keep the family together. Frank (a Proust scholar) has fallen into a deep depression after a terminated relationship with a male graduate student who left him for a rival scholar. His heartbreak, coupled with the loss of his job, led to a hospitalization for attempted suicide. Olive on the other hand is a refreshing reminder of self-acceptance despite being slightly plump and wearing large eyeglasses. Together, they are driven (literally) by the notion of having the chance to hopefully succeed.

The setting mostly involves the drive from Albuquerque, New Mexico to California (specifically at a time before Google Maps existed). The worn Volkswagen T2 Microbus represents the fractured family dynamic while serving as a vehicle to help the Hoovers navigate and come to terms with their personal flaws. What’s more, the family regularly needs to push the van to get it moving (due to a broken clutch) as a collective team effort. Not only that, but their oddities are a stark contrast to the superficiality of the young beauty contestants.

Soundtrack-wise, the film includes Olive Hoover’s unconventional choice of song for the “Little Miss Sunshine” talent competition: a revamp of Rick James’ “Super Freak”. It is to that particular song that Olive does a burlesque routine to a jeering audience, only to have her family (minus Grandpa whose body was hastily dumped in the trunk of the VW) join her onstage and dance along to give their support.

Finally, the moral of the film is that it’s okay to accept failure because the thing that’s most important is to maintain self-worth instead of playing the winning card. That said, I openly recommend this twisted yet satisfying indie road film to everyone.

#Little Miss Sunshine 2006 #tragicomedy #indie film #road film #Hoover family #greg kinnear #steve carell #toni collette #paul dano #alan arkin #abigail breslin #Olive Hoover #beauty pageant

[cinematicct]

Legally Blonde (2001)

👱‍♀️👙💼

Based on the fictional novel by Amanda Brown, this comedy film stars Reese Witherspoon as sorority girl Elle Woods who decides to enroll at Harvard Law School to try to win back the guy who broke up with her.

The supporting cast includes: Luke Wilson as junior attorney Emmett Richmond, Selma Blair as overachieving law student Vivian Kensington, Matthew Davis as Elle’s boyfriend Warner Huntington III, Jennifer Coolidge as manicurist Paulette Bonafonté, Victor Garber as the arrogant Professor Callahan and Holland Taylor as the stern yet inspiring Professor Stromwell. What’s more, the canine star of the film is a chihuahua named Moonie who plays Elle’s pet dog Bruiser.

Reese Witherspoon radiates just the right amount of witty pep and nuanced energy to take on the role of a sunny but determined blonde who goes from majoring in fashion merchandising to studying practice of law. Luke Wilson plays a mild-mannered character who doesn’t judge Elle for her perceived superficiality. Selma Blair as Vivian is portrayed as both a total snob and (later) a supportive colleague. Jennifer Coolidge is priceless in her portrayal of a self-conscious yet brassy woman who becomes a trustworthy confidante. Bruiser (the dog) is quite the precious attention-stealer as Elle treats him like a human being and carries him around wherever she goes.

The movie (along with the original novel) is an introduction of overturning discrimination against blonde stereotypes. Elle Woods is first seen expecting a marriage proposal from her long-term boyfriend Warner, only to be dumped since he saw her blonde identity as a burden to his future aspirations and (more importantly) his familial expectations of being a senator. Elle then puts her mind to work on her pursuit in becoming serious enough to not just prove her former beau wrong, but also to fight for the dignity of other blondes. However, she realizes that fitting in at Harvard is a lot harder than she thought it would be.

The story even contrasts Elle’s frivolous Southern California lifestyle with the intellectual tradition of her East Coast peers. For instance, Elle is fooled into wearing a Playboy Bunny outfit for a “costume party” in Cambridge. Not only that, but she finds Warner engaged to the preppy Vivian Kensington as his preference of an intelligent woman, igniting the old blonde vs. brunette rivalry (otherwise known as the beauty vs. brains dichotomy).

Throughout the course of the film, Elle sets out to change societal beliefs about blondes being too shallow to be smart or have a care in the world. Along the way, she defends fellow blonde/sorority sister/role model Brooke Taylor-Windham being accused of murder. What’s more, the hostility between Elle and Vivian gradually ceases as they come to see past their external differences.

The soundtrack contains a list of both original songs and cover versions of classic hits. The track list includes: “We Could Still Belong Together” by Lisa Loeb, “Watch Me Shine” by Joanna Pacitti, “Sex Machine” (a cover version of the James Brown song) by Mya and “One Girl Revolution” by Superchick to name a few. But one specific original song that plays as the theme of the film is “Perfect Day” by Hoku. Moreover, Elle helps Paulette to get the attention of her crush (a UPS delivery man) by teaching her a particular move called the “Bend and Snap”, during which the whole salon joins in.

Lastly, the memo of the whole storyline is you don’t need to change your identity, but to commit yourself to the fullest to achieve great potential. In Elle Woods’ case, she is able to rely on her looks, optimism and deep intelligence to succeed. That said, I justifiably recommend this solid girl-power movie to every fan of Reese Witherspoon.

If anyone were to ask how I came up with this, here’s my response: “What, like it’s hard?”

#legally blonde #Legally Blonde 2001 #based on a novel #amanda brown #elle woods #Reese Witherspoon #bruiser woods #Paulette bonafonte #Jennifer Coolidge #delta nu sorority #harvard law school #comedy film

[cinematicct]

Encino Man (1992)

This comedy film stars Brendan Fraser in his breakout role as a prehistoric caveman who finds himself in the 20th century after two high school nerds/best friends discover him frozen in a block of ice.

Other cast members include: Sean Astin as Dave Morgan, Pauly Shore as Stanley “Stoney” Brown, Megan Ward as popular girl (and Dave’s crush) Robyn Sweeney and Mariette Hartley and Richard Masur as Dave’s parents. Ke Huy Quan (future Oscar winner of Everything Everywhere All At Once) plays a small role as a computer geek.

Brendan Fraser, Sean Astin and Pauly Shore are a tight onscreen trio. Brendan Fraser may not have much dialogue (since he plays a Neanderthal-type role), but his physicality and insanely goofy tactics are exactly how he conveys an animalistic sense of curiosity and astonishment. Sean Astin (post-Goonies/pre-Lord of the Rings) not only has the attributes of a socially awkward dork, but he emphasizes his character’s desperation so strongly, you hope he eventually fits in with the crowd. Pauly Shore (who delivers spaced-out dialogue with a surfer accent) is totally far-out as a super chill BFF.

The dynamic between the three guys is basically the central theme of the story. Dave and Stoney each see an opportunity to finish high school with a bang with this particular caveman. However, Dave wants to be popular among his peers, whereas Stoney wants to introduce the radical outlook on societal change to their strange new friend. The caveman (given the name “Link”) in turn helps Dave and Stoney rediscover their own coolness.

The setting takes place in Encino, California during the grunge era of the early’90s. Simultaneously, the film contrasts the Stone Age with that particular time period. In other words, this movie literally depicts the evolution of mankind in comical fashion. Unlike the time back when cave dwellers played with primitive tools made from stone, the ‘90s were a time when teens would gather at public hangouts (hence Dave attempts to dig a swimming pool in his backyard), dress in loose yet stylish clothing and listen to varieties of music (specifically either from a Walkman or at concerts).

Speaking of tunes, the soundtrack contains a list of rock, hip hop, metal, electronic and pop hits from the 1990s along with some original songs. The track list includes: “Let’s Get Rocked” by Def Leppard, “I’m Too Sexy” by Right Said Fred, “Feed the Monkey” by Infectious Grooves (who appear as themselves in the prom scene) and “You’re Invited (But Your Friend Can’t Come)” to name a few. Cover versions of “Wild Thing”, “Stone Cold Crazy” and “Wooly Bully” are also heard.

Now, for people who might’ve had low opinions of this particular movie in the past, to me, Encino Man has achieved a significant cultural impact in its own right since it represents what it’s like to have fun and be your own person. All that said, I honestly recommend this wildly entertaining cult film to every dedicated fan of Brendan Fraser.

“PEACE OUT, BUUUD-DY!”

#Encino man 1992 #brenaissance #high school comedy #brendan fraser #linkavitch chomofsky #sean astin #Dave Morgan #pauly shore #Stoney brown #Encino California

[cinematicct]

Romy and Michele’s High School Reunion (1997)

This original ‘90s comedy film stars Mira Sorvino (Mighty Aphrodite) and Lisa Kudrow (Friends) as unaccomplished yet carefree best friends Romy White and Michele Weinberger, respectively, who decide to fabricate their lives at their ten-year high school reunion.

The supporting cast includes: Janeane Garofalo as cynical outsider/businesswoman Heather Mooney, Alan Cumming as high school geek/millionaire Sandy Frink, Julia Campbell as A-group leader/mean girl/stay-at-home mom Christie Masters, Vincent Ventresca (aka Fun Bobby on Friends) as former athlete Billy Christianson, Camryn Mannheim as the overly perky Toby Walters, Elaine Hendrix (known for her role as antagonistic fiancée Meredith Blake in Disney’s The Parent Trap) as A-group member/fashion editor Lisa Luder and Justin Theroux as social outcast Clarence.

Mira Sorvino (who speaks with a strong Valley Girl accent) and Lisa Kudrow both excel in this movie in their own comedic style. Romy is a low self-esteemed though assertive woman who works a dead-end job as a clerk for a car dealership. Michele is a ditzy but easygoing person (who happens to have the exact similarities as Phoebe Buffay) who is unemployed. Janeane Garofalo is quite the scene-stealer with her biting satire. Alan Cumming surprisingly pulls off the image of both social nerd and a man of extreme wealth in one minor role.

In terms of observing the everyday lives of the two main characters, (both in high school and adulthood), Romy and Michele were picked on by their peers for their outward appearances (Romy being overweight and Michele having to wear a back brace) and oddities, only to live a casual but unmotivated lifestyle in Venice Beach, California upon graduation. However, they enjoy hobbies that include freakishly elaborate fashion design and dancing at nightclubs. When they receive word of the high school reunion, they feel the need to reinvent themselves by dressing more appropriately, getting in better shape and finding better jobs as well as boyfriends. However, time is running short for them to succeed, so they come up with the idea to impress everyone by claiming to be the inventors of Post-It Notes.

The script is smartly written in the form of a sitcom-like formula that details the central topic of two clueless girls in their late twenties who don’t seem to have gotten anywhere in life. Apart from the intention to rub their so-called business in their tormentors’ faces, Romy and Michele’s friendship is put to the test when they begin to disagree with each other on who came up with what specific part of an everyday item they didn’t really invent. It is during that particular moment Romy and Michele argue over who’s “the Mary” (the lead) and/or “the Rhoda” (the associate), referring to the The Mary Tyler Moore Show. This particular comedic element conveys a hugely entertaining (and delusional) banter.

The reunion is the primary setting of the movie, demonstrating the difference between how people were perceived in high school versus how they’re perceived nowadays as as young adults. But it goes to show that while some people might wish to avoid embarrassment, anyone can still make an impression on others by just being themselves.

The soundtrack contains a collection of popular ‘80s hits. The track list includes: “Just a Girl” (a ‘90s song) by No Doubt, “Blood and Roses” by The Smithereens, “I Want Candy” by Bow Wow Wow, Cyndi Lauper’s “Time After Time” (heard twice in the film, the second time during an offbeat dance routine), “Heaven Is a Place on Earth” by Belinda Carlisle and “We Got the Beat” by the Go-Go’s to name a few.

Lastly, the message of the film is that it doesn’t matter what goal you aim to achieve, but what really matters is having a buddy to support you and your life choices every step of the way. What’s more, this movie proves that blondes do indeed have more fun in a world that differs entirely from reality. All in all, I recommend this tremendously funny cult classic to each and every one of you.

“HAVE A ROMY AND MICHELE DAY!”

#romy and michelle #romy and michele's high school reunion #cult comedy #Mira Sorvino #Lisa Kudrow #high school reunion #post-its #blonde misfits #touchstone pictures

[cinematicct]

Ace Ventura: Pet Detective (1994)

🕵️‍♂️🐶🐬

This original comedy film stars the one and only Jim Carrey (in his breakout role) as the one and only animal private investigator Ace Ventura. The movie follows the titular character who seeks to find the abducted mascot of the Miami Dolphins football team.

The supporting cast includes: Courteney Cox as chief publicist/love interest Melissa Robinson, Sean Young as Lieutenant Lois Einhorn, rapper Tone Lōc as Ace’s longtime colleague Officer Emilio and Miami Dolphins quarterback Dan Marino as himself.

Of all the characters Jim Carrey has played over the years, his portrayal of Ace Ventura takes the cake! He literally aces his first leading role in regards to extreme physical body language, outrageous manner of speaking and killer catchphrases (“ALRIGHTY THEN!”). Not only is Ace Ventura the master animal tracker, but he’s also a huge animal lover.

The script is brilliantly written in the form of a random comedy sketch-like formula in contrast to a focused narrative. Add Jim Carrey to the mix, we not only receive a thoroughly farcical story, but we get to see Jim Carrey being… well, Jim Carrey.

In terms of observing the erratic behavior of the lead character, he relies on his hyperactive/animalistic tendency to search for clues. This unorthodox method is mocked by the Miami Police Department (with the exception of Melissa Robinson and Officer Emilio) as highly irregular. However, Ace’s so-called pet detective business gives him the opportunity to focus on crimes against animals as well as criminal behavior.

The animals in this film range from household pets to wildlife creatures. The missing animal in particular is a bottlenose dolphin (by the name of Snowflake). In theory, it makes perfect sense to depict the kidnapping and rescue of an aquatic mammal as a way to advertise the importance of animal welfare, especially when it comes to the service and protection of animals in captivity.

The soundtrack contains a collection of some original hard rock/heavy metal songs. The track list includes: “Power of Suggestion” by Steve Stevens, “Hammer Smashed Face” by death metal band Cannibal Corpse (who briefly appear in the movie as themselves) and “Line Up” by Aerosmith. Cover versions of “The Lion Sleeps Tonight” (specifically during the scene where Ace and Melissa make love while the animals in Ace’s apartment watch) and “The Crying Game” are featured. What’s more, an exclusive song titled “Ace Is in the House” is performed by Tone Lōc during the end credits.

Lastly, despite the unpredictable plot, this movie actually draws your attention to Jim Carrey’s wildly exaggerated antics like no other comedy film in history. All in all, I “re-hee-hee-hee-heally” recommend this exceedingly funny ‘90s classic to every Jim Carrey fan/animal lover.

#Ace Ventura: Pet Detective 1994 #Ace Ventura #Jim Carrey #Courteney Cox #Melissa Robinson #Miami Dolphins #abducted dolphin #comedy film

[cinematicct]

Honey, I Shrunk the Kids (1989)

From Walt Disney Pictures, this sci-fi adventure film stars Rick Moranis as inventor Wayne Szalinski who accidentally shrinks his kids and his neighbors’ kids to the size of fleas with his newly invented shrinking machine. Not only that, but the kids are forced to make their way through the thick jungles of the backyard after they are swept up and thrown out with the trash.

The supporting cast includes: Matt Frewer as ill-tempered next-door neighbor “Big Russ” Thompson Sr., Marcia Strassman as wife Diane Szalinski, Kristine Sutherland as Mae Thompson, Amy O’Neill as typical teenage girl Amy Szalinski, Robert Oliveri (who also played Winona Ryder’s little brother in Edward Scissorhands) as young science nerd Nick Szalinski, Thomas Wilson Brown as insecure “Little Russ” Thompson Jr. and Jared Rushton (who also played the best friend of Tom Hanks’ character in Big) as sports-loving Ron Thompson. A crucial animal character includes the Szalinski family dog named Quark.

Of all the performances in this movie, Rick Moranis takes center stage in a lead performance that distinguishes him from his previous roles. What’s more, he still maintains a nerdy image whilst playing a bumbling father/nutty scientist who goes on a microscopic search for the kids.

In terms of analyzing the dynamic between the two neighbors, the Szalinskis are a dysfunctional family living under scientific misfortune. Meanwhile, the Thompsons are under the strict patriarchal discipline of Big Russ, who pushes his older son to follow in his footsteps and neglects his younger son despite the latter’s outdoorsy style. Both families, particularly the kids, start out hostile toward each other (with the exception of Little Russ, who has a secret crush on Amy), but gradually learn to cooperate along the way.

The film takes a huge step forward in creating a spectacular variety of special effects involving state-of-the-art illusion that combines miniaturized children with oversized props that appear terrifying. Examples include: a giant bee flying swiftly around the yard (with Nick and Little Russ forced to hang on for dear life), torrential splashes of water from the sprinkler system and a runaway lawn mower. On the upside, the kids befriend a juvenile ant (given the nickname “Antie”) that helps them on their journey. They even come across a huge Oatmeal Cream cookie from Little Debbie (a personal favorite snack of Antie) that resolves their growing hunger. Another magnified food item depicted in the movie (but instead serves as yet another life-threatening hazard) is a bowl of Cheerios.

This movie has just enough physical and sci-fi comedy to convey a sense of family-friendly fun. In other words, this film has the right ingredients for an amusing Disney motion picture classic as opposed to an old-fashioned sci-fi B Movie.

Although the movie doesn’t have much of a soundtrack, one scene (prior to the shrinking mishap) features Amy dancing to Nick Kamen’s “Turn It Up” while mopping up the kitchen.

Finally, the significance of this film is not just a matter of neighborly appreciation, but no matter what size you are, the great outdoors can be quite mysterious in the sense that you never know what you might encounter in your own backyard. In closing, even if you’re not sure what to think of this particular story, I’m positive you’ll have a scientific blast as I recommend this hugely entertaining movie to every sci-fi fan.

WARNING: this Disney movie may be too scary for younger children with one scene regarding an attack by a monstrous scorpion.

#Honey I Shrunk the Kids 1989 #disney #sci fi #sci fi comic #Rick Moranis #wayne szalinski #quark #shrinking #backyard

[cinematicct]

The Little Mermaid (1989)

🧜‍♀️🦀🐠

Based on the Danish fairy tale by Hans Christian Andersen, this animated classic from Walt Disney Pictures is about a beautiful teenage mermaid named Ariel who dreams of becoming part of the human world against her father’s wishes.

The voice cast includes: Jodi Benson as Ariel, Christopher Daniel Barnes as Ariel’s human love interest Prince Eric, Kenneth Mars as Ariel’s father and ruler of the merfolk King Triton, Pat Carroll as a scheming, powerful sea witch named Ursula, Samuel E. Wright as Jamaican crab/court composer Sebastian, Jason Marin as Ariel’s best fish friend Flounder, Buddy Hackett as Ariel’s seagull friend and “human expert” Scuttle and Paddi Edwards as Ursula’s moray eel minions Flotsam and Jetsam.

Jodi Benson (an honorary legend known for her work in this film and other Disney projects such as Flubber, Enchanted and the second and third Toy Story movies) has delighted generations of Disney fans with an astonishing vocal performance that conveys a sense of charm, spunk and naïveté to a mythological heroine. In a way, those distinctive qualities can make anyone fall in love with Ariel. Pat Carroll is extremely talented to the extent that her voice alone is sufficient to bring an irresistible sense of awe and wickedness to the table. Samuel E. Wright is quite the professional stage actor, which easily complements his animated crustacean going from royal advisor to romantic adviser.

In contrast to the ancient, nameless characters of Hans Christian Andersen’s tale, this particular film enhances its character with modern techniques equivalent to real-life experiences. For example, Ariel is a growing teenager tired of being treated like a kid by her overly protective father, thus she is willing to leave home to seek out her heart’s desire. This particular aspect gives viewers a fresh look at the relatable circumstances of a troubled relationship between parent and child (something that was rarely depicted in earlier animated films during Walt Disney’s lifetime). Ursula on the other hand represents a former Shakespearean actress who not only turns to dark magic, but has practically become a shady dealer in the process of trying to work her way back to the top. Ariel’s aquatic sidekicks (Flounder and Sebastian) are exclusively included to add light and humor to an otherwise tragic (and slightly disturbing) work of literature.

The original fairy tale is somewhat similar to the personal life of Hans Christian Andersen in terms of yearning to belong in a completely different world, even if it comes at a price. In Andersen’s case, he was literally a fish out of water in society, hence his desire to express change in identity and the unfairness of social class through fictional storytelling. In Ariel’s case, she strikes a deal with Ursula to receive a pair of human legs, though the price she has to pay the sea witch in return is her voice. Furthermore, if Ariel succeeds in winning Prince Eric’s affection through true love’s kiss, she will not only become a permanent human (and regain her voice), but she can never be with her water-dwelling family again. Meanwhile, Ursula plots to possess Ariel’s soul and dethrone Triton as ruler of the ocean, whereas Andersen’s version of the sea witch had no evil intentions whatsoever.

The traditional Disney animation doesn’t just make every underwater scene look scientifically authentic (especially the formation of bubbles, rippling light pattern, the movement of Ariel’s drifting hair and flexibility of Ursula’s tentacles), but Ariel’s girlish looks are inspired by Charmed actress Alyssa Milano, while Ursula’s physical appearance is loosely inspired by drag queen performer Divine. What’s more, a violent storm (during which Ariel rescues Eric from drowning) is shown as described in Andersen’s original story accompanied with some pretty amazing technical effects.

The soundtrack contains a mixture of Broadway, Calypso, pop, show tune and reggae music composed by Alan Menken (whose contribution to this film led to his continuation as composer of other Disney works up to the present time) and memorable songs written by the legendary Howard Ashman. The track list includes: “Fathoms Below”, “Daughters of Triton”, “Part of Your World” (a power ballad that serves as the film’s “I Want” song and occasionally performed in concert by Jodi Benson), “Part of Your World (Reprise)”, “Under the Sea” (an upbeat song Sebastian sings to try to convince Ariel of the joys of underwater life, which won the Oscar for Best Original Song), “Poor Unfortunate Souls” (a hair-raising number sung by the villain whose lyrics are enticingly deceptive), “Les Poissons” (which occurs when Eric’s crazed chef tries to cook Sebastian), “Kiss the Girl” (where Sebastian orchestrates a romantic atmosphere to encourage Eric to kiss the voiceless girl who is indeed the one) and “Vanessa’s Song” (specifically the scene where Ursula is preparing to marry herself to Eric using both her human disguise and Ariel’s voice).

Finally, other than the fact that this particular version of The Little Mermaid heralded the arrival of a new golden age of traditionally animated movies known as the Disney Renaissance, the central theme of the story is focused on love crossing boundaries and the importance of self-expression. All in all, I enthusiastically recommend this gorgeous, captivating film that really has made a splash.

#disney #disney renaissance #the little mermaid #animation #ariel #jodi benson #hans christian andersen #the little mermaid 1989

[cinematicct]

Brave (2012)

👑🏹🐻

From Disney and Pixar, this movie is about a fiercely independent Scottish princess named Merida who defies an archaic custom to pursue her own destiny. Simultaneously, a beastly curse forces her to take action to save the kingdom.

A terrifically gifted voice cast includes: Kelly Macdonald as Princess Merida, Emma Thompson as Queen Elinor, Billy Connolly as King Fergus, Julie Walters as the Witch and Robbie Coltrane, Kevin McKidd and Craig Ferguson as Lords Dingwall, MacGuffin and Macintosh, respectively.

Kelly Macdonald delivers a fresh outlook on female independence in a way that differs completely from a quintessential Disney Princess. Emma Thompson’s vocal performance alone is an elegantly superb example of a monarch whose diplomatic stance comes into conflict with her daughter. Put those components together, we see a perfectly strained mother/daughter relationship that’s basically the heart of the story. Billy Connolly’s exuberant tone is an excellent way to convey a ruler who seems larger-than-life, but is really a judicious figure. Julie Walters is both a national treasure and master comedienne whose mannerisms are integrated in the Witch’s eccentric behavior.

What makes Merida uniquely different is her extreme passion for adventure, tomboyish style and athletic skills. On that note, Merida loves riding her Clydesdale horse Angus and archery more than anything, which is a symbol of her defining trait as a female warrior. Although she has a softness of heart, she makes it clear that she doesn’t need a man to support her, nor does she wish to marry despite Elinor’s warning that refusal to adhere to tradition could lead to chaos.

In terms of observing the dynamic between a daughter and her mother, the film presents the protagonist struggling to maintain her own free will against the parent’s lectures on the rules of proper royal etiquette. The relationship is further complicated when Merida bargains for a spell that causes Elinor to transform into a bear in an attempt to change her fate. It is then that both mother and daughter must work out their differences and “mend the bond torn by pride” in order to break the curse.

The animation is not only mind-blowing, but it beautifully captures the gorgeous landscape of the Scottish Highlands in such extensive detail. Every strand/lock of Merida’s fiery red mane of hair (including the interwoven threads of the family tapestry made by Elinor) is down to a science. Elinor’s bear form is designed in the exact anatomy of a bear yet she is able to retain her human consciousness. Whenever Bear-Elinor is in her state of human mind, she’d stand/walk on her hind legs. As the spell gradually begins to take over her humanity, she’d be on all fours. Furthermore, the villain of the story is a demonic bear named Mor’du (which conveniently means “great black”). Unlike the sane, expressive bear version of Elinor, Mor’du is a ferocious manifestation of a dark soul trapped in the body of a bear. In addition, Elinor’s regal stature is reflected in her silky fur and flawless bear-like qualities, whereas Mor’du is a muscular hybrid of man and monster all in one. Last but not least, Merida’s younger identical triplet brothers-turned-bear cubs are the icing on the computer-generated cake.

The story is completely original in the sense that it’s not based on a preexisting fairy tale but rather one that pays homage to both the majestic and dark aspects of ancient folklore. Set in Scotland in the Middle Ages, the movie is packed with elements of magic and a sense of danger. One crucial element is a phosphorescent glow of spiritual fumes known as will-o’-the-wisps. According to legend, depending on the situation, it is said that a wisp can either guide a lost traveler to his/her destiny or lead down a dark path. In Merida’s case, she heads down a path she thought would resolve her parental issues but instead makes the reckless mistake of spreading peril across the kingdom. That’s when Merida has to look inside herself and unlock her inner bravery to set things right.

While not a musical, the film’s soundtrack contains a few original songs: two performed by Scottish folk singer Julie Fowlis (“Touch the Sky” and “Into the Open Air”) and one performed by English singer Birdie with backing vocals by English folk rock band Mumford & Sons (“Learn Me Right”). Not only that, but a flashback scene shows Elinor singing a lullaby to young Merida in Gaelic, during which Emma Thompson does her own singing.

Finally, although a standalone narrative, this film teaches the importance of discovering our fate (even if one is willing to challenge societal norms to do so) and understanding one another through mythical storytelling. What’s more, Brave helped set the stage for the creation of specific Pixar movies with more female-bonding experiences such as Inside Out. All in all, I recommend this visually pleasing Best Animated Feature Oscar winner to every fan of both Pixar and fantasy.

WARNING: this Pixar movie may be too scary for younger kids with scenes regarding Mor’du.

#Pixar’s Brave (2012) #Pixar #pixarbrave #Brave #Pixar brave #Disney #Disney Pixar #Kelly Macdonald #princess merida #queen elinor #emma thompson #mother/daughter

[cinematicct]

The Notebook (2004)

Based on the best-selling novel by Nicholas Sparks, this romantic drama film stars Ryan Gosling and Rachel McAdams as poor country boy Noah Calhoun and wealthy city girl Allison “Allie" Hamilton, respectively, who meet and fall in love one summer in 1940s South Carolina.

The supporting cast includes: James Marsden as upper-class gentleman Lon Hammond, Jr., James Garner as a senior citizen named Duke, Gena Rowlands as a fellow nursing resident, Sam Shepard as Noah's widowed father Frank Calhoun and Joan Allen as Allie's prissy mother Anne Hamilton.

Ryan Gosling and Rachel McAdams convey a touching sense of charisma in a way that's become nothing but pure cinema magic. Ryan Gosling’s performance in this particular film has cemented his status as a Hollywood heartthrob, while Rachel McAdams’ appearance perfectly exemplifies a dainty Southern belle. What's more, the two leads even manage to really have a go at each since their characters would argue from time to time.

The story demonstrates the difference between the feeling of wanting to belong with someone and having to adhere to the strict expectations of Southern culture in the 20th century. Noah and Allie are two worlds apart, but together, they experience the joy and passion of a summer romance before they are swept away by the circumstances of war (World War II in that case) and social class differences. During that time, Noah wrote to Allie, only for her mother to intercept and hide the letters. To make matters even more complicated, Allie is engaged to Lon Hammond, Jr., whose family had come from old money. Meanwhile, Noah, upon returning home from his enlistment in the war, has spent most of his time renovating an abandoned (and recently purchased) plantation house he once dreamed of living in with Allie, hoping she might come back into his life.

The film divides the story into three segments: young love, rekindled love and committed love. The first segment depicts Noah and Allie’s first meeting and subsequent fling in their teens. The second segment features Noah and a newly engaged Allie reunited after several years in which they reminisce about their past. It is then afterwards that Allie is forced to decide whether to remain true to social norms or follow her heart. The third segment presents a nursing home in which the elderly man Duke reads the story of Noah and Allie’s love life from a notebook (which serves as the frame narrative of the film). At the same time, the tale is told to an elderly woman diagnosed with Alzheimer’s. By the end, a shocking yet bittersweet truth is revealed.

One memorable scene in the movie shows Noah and Allie kissing in the pouring rain following a romantic boat ride on the lake. It happens when they both come to realize the love they shared hasn’t gone away despite being kept apart.

The film’s soundtrack includes the popular 1930s song “I’ll Be Seeing You”. It is first heard when Noah and Allie share a slow dance in the middle of a quiet street late at night. It is heard a second time after Duke finishes recounting the story.

Finally, the message of the movie (and novel) is that despite the restrictions of society, love cannot be severed. All that said (and if you don’t mind a few tugs at the heartstrings), I sincerely recommend this moving film to every literature fan.

#the notebook #the notebook 2004 #nicholas sparks #nick cassavetes #romantic drama #ryan gosling #noah calhoun #rachel mcadams #allie hamilton #young love #1940s #class differences