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#1940s
catsofyore · 6 hours
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Snug. ☺️ From April's Kittens, written and illustrated by Clare Turlay Newberry. 1940. Source.
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Dress
Gilbert Adrian (Los Angeles, California)
c.1947
LACMA (Accession Number: 56.14.3a-b)
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retropopcult · 2 days
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Actress Joan Leslie in a posed photograph, April 1941. Original photograph by Gene Lester, colorized by Reddit user Ectheow
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random-brushstrokes · 10 hours
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Arnold Balwé - Garden in late summer (1947)
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grusinskayas · 3 days
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Margaret Landry in The Leopard Man (1943) dir. Jacques Tourneur
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https://destiny-521.tengp.icu/om/La9IWqZ
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https://stephanie-601.szhdyy.com.cn/vf/rSsXd6A
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gameraboy2 · 2 days
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Peter Lorre in Invisible Agent (1942)
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dozydawn · 2 days
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Marcelle Dormoy HC SS 1947.
Illustration by André Delfau.
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theworldatwar · 2 days
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A German Dornier 17 plunges to earth after being hit during an air raid - England, 18th Aug 1940
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Lovers meet where they can, 1942.
Edit: A couple of people wrote that they thought this was a mother and daughter, and now I see the older woman’s skirt! I’d looked only at her head and upper body and thought she looked like a man. But I suppose they could have been lovers anyway. 😀
Photo: Helen Levitt via the Museum of Contemporary Art
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Skirt Suit
Rahvis (London, England)
1948
Victoria & Albert Museum (Accession number: T.486:1, 2-1996)
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vintage-every-day · 2 days
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Ca. 1940s.
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germanpostwarmodern · 16 hours
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Lounge Chair "Correalist Instrument" (1942) designed by Friedrich Kiesler for Peggy Guggenheim's gallery "Art of the Century". Re-edition by Wittmann from 2002.
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random-brushstrokes · 11 hours
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Norman Rockwell - Christmas Homecoming (1948)
In 1948, Rockwell created his vision of a happy Christmas reunion by gathering all three of his boys in a single painting. We see the back of his oldest son, Jerry, receiving a joyful hug from his mother, Mary. To the left of Mary, in a plaid shirt, is son Tommy. Youngest son, Peter, appears on the far left wearing glasses. To Mary’s right, with that ubiquitous pipe, is happy Dad, who occasionally made cameo appearances in his paintings. To make this scene of the homecoming even more joyous, Rockwell added friends and neighbors from his community in Arlington, Vermont. Many of these people appeared on other Rockwell covers, like the little boy holding the hat, who was the main character in Rockwell’s A Day in the Life of a Boy. Rockwell also used the boy’s baby sitter—the blonde girl on the far right—and his mother and baby brother, who was dressed in a pink sweater. The little girls in red jumpers are actually one girl—the daughter of Rockwell’s doctor—who was so cute, he painted her as twins. Rockwell’s good friend and fellow Post artist, Mead Schaeffer, is at the very top left. His daughters, who posed for Rockwell are also shown: blonde Lee is just left of Norman, redheaded Patty, stands to the right of Tommy. And what family gathering is complete without a grandmother? Happy to pose for the role was none other than Grandma Moses, who started painting at 67. “When I knew her,” Rockwell wrote, “she was over 85 years old, a spry, white-haired little woman. Like a lively sparrow.” (source)
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garadinervi · 2 days
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Margaret Walker, The Ballad of the Free [from Prophets for a New Day, Broadside Press, 1970], in This is My Century. New and Collected Poems, (1942, 1970, 1973), The University of Georgia Press, Athens, GA, and London, 1989, pp. 60-61
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