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by Cy Twombly

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Benoist Demoriane

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Emilio Vilà (1887–1967) Spanish

“ Two nudes”  1925

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Textiles from Sharron Hedges’ studio.

Julie Schafler Dale from Art To Wear:

“…While Sharron’s work is ephemeral and fluid, it is also demanding and firm. Her strength is grounded in …years of discipline, technique, evaluation, and determination…Sharron’s most cherished muse is color itself: the subtle optical illusions, the vibrancy achieved through juxtaposing colors, bouncing them off one another…As Sharron moves further away from crochet…what has not changed is the consummate craftsmanship and discipline Sharron brings to all she touches…”

Sharron says: “A few years ago I left my heart in New York City,  but still work in both fiber and pattern design in my new home in North Carolina. Here I’m able to grow gardens, always a passion for me, and they are now inspiring a new way of making art.

I’ve gardened for so many years and always have marvelled at the forms, the color, the life that explodes over and over again, in awe at each sight. And while I never get tired of being able to experience this, I’m really excited to tap into the amazing life of plants in a different way. Ecoprinting has truly given me a great renewal in life, and in art. I am beyond excited to work with this process.”

https://www.sharronhedges.com/about

©  All rights reserved content text and image Sharron Hedges

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Devon Aoki at Fendi F/W 1999

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Raoul Dufy

Console With Two Windows

(via @lonequixote)

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photographer: delfi carmona  |  image source

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As Dream and Shadow (1937) | dir. Toivo Särkkä

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Giedre Dukauskaite photographed by Ina Lekiewicz for Vogue Poland December 2021

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The Land of My Father, Ilyes Griyeb

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Slipping inside the crevice of a dream, taking her title from a Korean term which encompasses everything from idle fantasies to intrepid night terrors, on her sophomore album Lucy Liyou swaps molten piano instrumentals and text-to-speech snippets for a staccato of saliva sounds and a more fulsome embrace of pansori, a genre of musical theatre performed by a singer and a drummer which emphasises the trials and tribulations of character within a national ethos of repressed sorrow or collective grief. Part of the pioneering Downtown scene in New York City, on ‘If Archimedes’ the poet and media artist Ellen Zweig tells with apocalyptic humour and ceaseless foreboding the story of Edith Warner, who lived near the Los Alamos National Laboratory during the development of the first atomic bomb. The experimental noisemaker Mamer cuts what may be the first album for solo sherter, the guitarist and recent Guggenheim Fellow for composition Rez Abbasi and the sitar maestro Josh Feinberg pair up for their debut release as Naya Baaz, Markus Popp elaborates on a series of short vignettes which were originally produced for the grand opening of the German Romantic Museum in Frankfurt, and UCC Harlo regales the dry riverbeds of the Palo Duro Canyon with promises of light rain and ravishing glints from her baroque viola, on a poetic reflection of the drought she encountered on a cross-country trip through America which teases the nocturnal quenching of thirst.

https://culturedarm.com/tracks-of-the-week-13-05-23/

#music #new music #best new music #tracks of the week #lucy liyou #ambient #experimental #pansori #ellen zweig #downtown #human loop #fourth world #poetry #spoken word #rez abbasi #josh feinberg #ucc harlo #oval #mamer #sherter #electronic #jazz #gerald cleaver #glass triangle #colin stetson #curtis stewart

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kelis by jamil gs for fader fall 2001

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