Oh, it's sunshine, I try to explain—comatic aberration can
sometimes look like a ghost across the lens, something like
apples containing more fiber, and oranges more vitamin C; but
never would I discourage a conversation stemming from an idea;
lacus somniorum, lake of dreams, 37.56° N, 30.8° E—did you know,
they had already named it? A sudden whirring to life of these
magnificent glass propellers, our time machine—oh it's
sunshine.
Hard to describe how anything begins: a wave through a lens;
never would I dream of explaining this beautiful distortion,
what if we just commune with the other side?
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the church: in disrepair condemned; the yellowed light slanted
against overgrown boughs to cast perpetual shadow; a banshee
framed in the gothic clerestory glass—her son, dead;
and all the grief, a container that could not contain her;
you can't avoid this fight, toxins leaching into the soil; or
echoed in the groaning trill of the whip-poor-will nightjar, or the
black walnut in autumn when the fruit has fallen, stained fingers
and concrete; you hear her, maybe, a rustle, a cold breath, and
distant screaming, shrieking, bawling, wailing, roiling——but
in this life, we can still separate the precious from the worthless;
be not still nor suppressed, silent; what you give will not return.
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Soft, a sheet in the sky, a haze passing down
over my eyes as short-lived as the halflife of Astatine
and as hot, you burn yourself up. And salt
follows down the line of your neck, salty—and
I am to shock as you are to awe; I lose to you so
easily, as if we stand on the shoreline of Seven Mile Beach
and I hand you a barometer. You don't understand,
you say, why can't you just have taupe?
I have misheard you again, or mistranslated.
I am to lost as you are to love;
I lose you, so, yes, it's not enough.
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We finally persuade the birds to build cloud cuckoo land.
Rebecca was supposed to take me there, or we were going
together; like the color basil, or the taste of basil,
or the aroma of eugenol. Khanda, which cuts through
ignorance—trust me,
she said. I did,
for a century or more.
Gravitational potential energy, released, kept pulling
us down, apart, together again, down down down.
Heat, deformation, and the sound of impact. I will live
in a city in the sky, for you, Rebecca, and for me.
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If I thought to hold a bee hummingbird laced between
my fingers—fffffttt—200 beats per second, oh
I watched your left hand move to your lips, your left
so water meets fire,
you knew how to follow,
swallow a line of subtext, killing the bass and
asking how big should my subwoofer be? meanwhile,
you, in a tie-dyed crop-top, and beneath drifted
miles of blood vessels, deified, or I say to you
"no lemon, no melon,
potato, kombucha—what's the difference?" in love
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You, you, you are sometimes represented by fig or pineapple or
yellow—I think somehow impaled through me, in me not warm
but searing, um-like, do you remember Polly Pocket?—stripping
away plastic clothing, like we were flexible, once, maybe,
color-flash afterimage illusion with a centerpoint
of heatprick, static, electric
cicatrices
I think somehow, scars, yes, and fallen leaves
falling in patterns, until we are bare and have let it all go—
so, anyway, how are you? You, you are
a sweet fig, gripping me, ripening during summer.
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Any given Wednesday—seems to be the day people can carve
out a little time for me. Tulips, that's what I like, and I've said it.
Or, I bought these old ankle weights from Good Will, a yellow-
gold 70s vibe, because I'm trying something new, passive
exercise, for mental health. Or maybe I could borrow your
attitude, for a spell, a bright blue lobster, a sign of good fortune
—I wonder
if you would use me however you like. I like to be useful.
Or bright blue, a field, a sea of tulips, and sunlight. You see,
the trick is: saying so much with so little. That singular
moment when someone you love brightens in your presence.
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Early in our breath, we had the corpuscular theory of light,
a straight line an atomism, of amaranth, and we explained
physical reality through material interactions, touch—
but rectilinear propagation of light as waves, Huygens—
Fresnel principle: waves emanating from different points
mutually interfere. We stole a feather from the firebird,
diffraction—what, were we jealous, craving difficulty?
a new beauty to exploit, lens
through which I viewed you, something that breaks, and
breaks me in the process of flight; we never caught
the firebird, destructive interference.
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an experiment with the Sicilian tercet:
light takes the shortest path—all at once, mo-
ments bleeding without filter. Jamais vu,
everything unfamiliar, unknow—
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I am thinking of that dress, I was surprised, golden
fern leaf yarrow, an early summer flower, dried and ground
to spice, full sunlight. You radiated confidence, a familiarity.
Spill lightly, a very gentle danger, water in the mouth, lips,
acqua in bocca, please, but you have ways to reveal intimate
details about strangers, a form of cold-reading mentalism.
If only…well, I wonder, do you know—? Do you understand,
there are mountains beneath the sea, less explored than the face
of Venus? It’s Sunday, and Sunday I think of ways to engage you
in conversation, only failing to bring you land, or sea, or sky—
Pfft—aeroelastic flutter, destructive feedback of control forces.
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If it were as easy as believing it were possible,
you would have already died, in some compromising
position, at the bottom of some great height. And so,
efforts were put forward to understand thrust and
lift, and maybe air foils at first and eventually jet
propulsion. Until we simply purchased a god-
damned plane ticket to move us more efficiently
through time and space.
I am not made of magic; I adhere to the laws
of physics. I won’t stand here and sing about
the ways in which I have spent my life
compensating for perceived deficiencies.
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Outside is a whisper of distantly glowing neon
signs—liquor shops, gas stations, and Car-X.
Wind lashes its tongue and throws powdered
snow into eddies over ice, and I wonder if
I will sleep tonight. Clouds, nothing in the sky.
For a moment, the moon is a lithe pale circle,
almost alive, and then lost to haze.
How common. I am tired, aren’t I, moon?
I have already decided I won’t leave, I won’t leave,
whether I am sleepless or heavy with stars.
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But, you see, what I learned was that it’s not any
healthier to simply state your opinions louder,
in the wrong context; a vice—
through the clear hyaline your hands reached to mine,
like glass, placid and cool, deceptively transparent.
No, no, in that moment, I asked for oxygen, but you
were already consuming it by the lungful.
How gentle is my anger against the bladed edge?
of glass—I faded from words—
held out my wrists, like water, transparent, and
if you cuffed me with any restraint, I slipped
away, taking, taking nothing.
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I lost something again, was frustrated, and thought of you—
like, like I think I’m looking for norepinephrine, euphoria?
I may have written poetry, again, just to tell you, I want to
tell you a slotted spoon is sexier, than what? –the quint-
essential, always a decision between quantitative and qual-
itative measures, with me. I know it’s hard. Every empty
space, at Walmart,
I reshelve and face the misplaced product; I can’t
be this way—you keep crossing my mind—this frustration,
but today, I haven’t found space to live outside of the
parenthetical.
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Yes, even I remember origami bones, eventually.
We began, as we always do, with paper. We
could fold ourselves into shapes, hold your
corner to mine. We twisted into such structures
around each other. And then we calcified,
a living history. We didn’t move or breathe.
When we fractured, we splintered into shards.
Still, it was beautiful, however unsubstantial.
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She crosses her legs and uncrosses her legs. Her eyes
Are dark and alive. How does she begin? How does she—
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all we have is now—but that's not really true. If it were
true, this would be easier. I don't know, life, talking to you,
hoping we can build towards something. We have the past,
ah, like those trod neural pathways, deep ruts, deep deep
grooves. If you look, you can trace the origin stories of
embedded concepts which became wildly monolithic,
maybe fractals, iterations stacking, or the skin scarring
over. We have the future, and I am trying very hard to
remember your birthday, several months off; when you
mentioned it, I casually put it in my phone notes, hoping
I'd remember to look. We have what seems to be rapid
change or stasis, or maybe I'm restless. I've had a few
moods pass between moons like phases like cool water
against lips like volatility without stabilizers. Here's
the break from reality because we also have the counter-
factual and the anxiety and the imagination that damns
or frees you, let's you consider the many versions of
you, how rich and varied, what you could have been,
those fragments you thought you had lost, have lost,
are afraid-will be eroded into fine powder, and yes,
even what you could become—and don't you want that,
everything?
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