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mousewithpinkshoes · 11 months
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thinking about how peoples blorbos tend to be men on here (makes sense with the trends in fandom of men being prioritised etc etc) SO please reblog and tag your female blorbo(s). this is NOT the post to be like “[male character] becuz he’s a woman to me” i Will come to your house and bite you. anyway i’ll go first mine are susie and julie from dbd and carly jones from house of wax 🖤
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mousewithpinkshoes · 11 months
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I started writing Buddie fanfic becaue I am WEak
anyway here's a snippet because I liked writing it, no context because who cares lol
It had been a few days since he first held that baby girl’s hand in the hospital, but it still felt like his heart was torn open and left exposed for the entire world to see.
Work helped, the only times he didn’t find himself worrying about the baby was when he was wrapped up in the adrenaline and excitement of a call. It was the reason he knew that he was meant to be a firefighter; that feeling of laser-focus he got when it was up to him to hold another human life in his hands.
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mousewithpinkshoes · 1 year
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he never thinks of me (except when i'm on tv)
buck/eddie | mature | 18.1k words
"I have been in love, yes." He says after the most torturous of seconds.
"Would you mind expanding on that?"
Buck hesitates for a few seconds and then Eddie sees the exact moment he decides 'fuck it' as he straightens in his seat.
"There was this guy in high school. He was my best friend."
Wait. Hold on.
Eddie freezes.
Is Buck— Is Buck talking about him?
or:
In which Eddie finds out years later that his unrequited feelings for his high school best friend were not actually unrequited, Buck is stupidly famous now and they pine.
They get there in the end, they just need to get their timing right.
Inspired by the prompt: “you’re famous and just got asked if you were ever in love this should be good– WAIT WHAT."
read on ao3
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mousewithpinkshoes · 1 year
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not that anybody wants to hear but if i wasnt already leaving my job id have fucking quit today
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mousewithpinkshoes · 1 year
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Hi- er, this is my first-ever writer's strike, how does one not cross a picket line in this context? I know how not to do it with things like Amazon and IRL strikes, but how does it apply to media/streaming?
Hi, this is a great question, because it allows me to write about the difference between honoring a picket line and a boycott. (This is reminding me of the labor history podcast project that's lain fallow in my drafts folder for some time now...) In its simplest formulation, the difference between a picket line and a boycott is that a picket line targets an employer at the point of production (which involves us as workers), whereas a boycott targets an employer at the point of consumption (which involves us as consumers).
So in the case of the WGA strike, this means that at any company that is being struck by the WGA - I've seen Netflix, Amazon, Apple, Disney, Warner Brothers Discovery, NBC, Paramount, and Sony mentioned, but there may be more (check the WGA website and social media for a comprehensive list) - you do not cross a picket line, whether physical or virtual. This means you do not take a meeting with them, even if its a pre-existing project, you do not take phone calls or texts or emails or Slacks from their executives, you do not pitch them on a spec script you've written, and most of all you do not answer any job application.
Because if this strike is like any strike since the dawn of time, you will see the employers put out ads for short-term contracts that will be very lucrative, generally above union scale - because what they're paying for in addition to your labor is you breaking the picket and damaging the strike - to anyone willing to scab against their fellow workers. GIven that one of the main issues of the WGA are the proliferation of short-term "mini rooms" whereby employers are hiring teams of writers to work overtime for a very short period, to the point where they can only really do the basics (a series outline, some "broken stories," and some scripts) and then have the showrunner redo everything on their lonesome, while not paying writers long-term pay and benefits, I would imagine we're going to see a lot of scab contracts being offered for these mini rooms.
But for most of us, unless we're actively working as writers in Hollywood, most that isn't going to be particularly relevant to our day-to-day working lives. If you're not a professional or aspiring Hollywood writer, the important thing to remember honoring the picket line doesn't mean the same thing as a boycott. WGA West hasn't called on anyone to stop going to the movies or watching tv/steeaming or to cancel their streaming subscriptions or anything like that. If and when that happens, WGA will go to some lengths to publicize that ask - and you should absolutely honor it if you can - so there will be little in the way of ambiguity as to what's going on.
That being said, one of the things that has happened in the past in other strikes is that well-intentioned people get it into their heads to essentially declare wildcat (i.e, unofficial and unsanctioned) boycotts. This kind of stuff comes from a good place, someone wanting to do more to support the case and wanting to avoid morally contaminating themselves by associating with a struck company, but it can have negative effects on the workers and their unions. Wildcat boycotts can harm workers by reducing back-end pay and benefits they get from shows if that stuff is tied to the show's performance, and wildcat boycotts can hurt unions by damaging negotiations with employers that may or may not be going on.
The important thing to remember with all of this is that the strike is about them, not us. Part of being a good ally is remembering to let the workers' voices be heard first and prioritizing being a good listener and following their lead, rather than prioritizing our feelings.
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mousewithpinkshoes · 1 year
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whats popping garvez nation- i havent seen all the new eps yet because i have been on different hyperfixations BUT i have a new laptop and i wanna get back into writing fic and garvez is my absolute number one to write so I WILL be watching the new eps SOON so no spoliers pls but feel free to yell at me to catch up
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mousewithpinkshoes · 1 year
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SYMBROCK #19 TOP TUMBLR SHIPS LET'S GO GANG!!!!!!!
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mousewithpinkshoes · 1 year
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mousewithpinkshoes · 1 year
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mousewithpinkshoes · 1 year
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mousewithpinkshoes · 1 year
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We literally started at "you're the best....available" and ended up at "you're the best 《cheek kiss》" and i for one am NOT OKAY
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mousewithpinkshoes · 1 year
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if that racist old man with the two dead wives ever speaks to luke alvez or penelope garcia like that again i hope he has a heart attack
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mousewithpinkshoes · 1 year
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luke alvez could run me over with a truck and I would say thank you
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mousewithpinkshoes · 1 year
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mousewithpinkshoes · 1 year
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Warning I'm talking about the new season of criminal minds.
Who the fuck thought it was okay to put 'I can either cut your spine and you can be quadriplegic or I can kill you' 'kill me'
Who thought that was okay???
1, brains are literally wired to survive no matter what
And
2, sick of seeing the media portray disabilities as the worst thing ever like the 'I'd rather die than be disabled' it's messed up and needs to change.
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mousewithpinkshoes · 1 year
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luke literally started dancing when garcia entered the room and correct me if i’m wrong but did that fucker just say “i knew you couldn’t resist me”
GOODBYE THEYRE LITERALLY MARRIED
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mousewithpinkshoes · 1 year
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And when Garcia rejoins the BAU and Alvez starts calling her Newbie just to mess with her then what?
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