musical-menace

[musical-menace]

great comet obc recording things

the door slam before the first chorus in Prologue

“and how many men befoooorree GOOD russian MEN”

“then you’ll read to me as I kniiiiiit”

“natasha is young, and worthless and DUMB”

“… they are there upon his head”

“constraaaaiiiiiiiiiined and straaaaaaaiiiiined”

“says the mean old man in his underthings”

“and he’s sitting in the drawing room… and i simply forgot”

“and then, a rush of cold air, an exceptionally handsome man walked in, with a confident yet courteous air”

“it doeeeesn’t matter, i don’t giveee a damn”

“HERE’S TO THE HEALTH OF MARRIED WOMEN”

“they say we are asleep until we fall in love… we are children of dust and ashes”

“life and love i don’t! de! serve!… close my eyes, let the death! bells! chime!”

“bury me in burgundy, i just don’t care”

“…and i’m so ready… to wake up now…”

“suuuuuuuuunday morning. TIME FOR CHURCH”

“it’s such a shame to bury pearls in the country”

“ohhhhh….OHHHHHHHHHHH”

“I… WILL… LOVE… YOU… ANATOLE”

the fast staccato chords at the end of The Ball

“we are caught in the WAVE, of history, nothing matters”

“BURSTING INTO TEARS”

“passports, horses, tenthousand ruplesihavetakenfrommysister”

dolokhov’s rapid-fire rhyming dialogue in Preparations

“we were gathered in my study, drinking up some tea”

“the driver is here! the driver is here! balaga is here!”

the transition of the slow beat at the end of Preparations to the fast beat at the beginning of Balaga

“SMASH YOUR GLASSES ON THE FLOOR”

“you will not enter MY HOUSE”

“why didn’t come to the HOuse? why didn’t he openly ask for your HAnd?”

“what” “what” “whAT” “WHAT!?”

“there’s ruin at the DOOR!”

“anatole followed with his usual jaunty step, but his face betrayed anxiety”

“next day, anatole left, for PETERSBUUUUUUUUUUUUUURG”

“pierre grew confused…”

the simple repetitive notes playing in the background of Pierre & Natasha

“if… if i were not myself… but the brightest, handsomest, best man on earth, and if i were free, i would get down on my knees this minute, and ask you for your hand, and for your love”

the smooth transition to The Great Comet of 1812 after “and i get into my sleigh”

“shines the Great Comet of 1812, the Brilliant Comet of 1812″

“and this bright star, having traaaced its parabola”

the final note subtly rising in pitch over a full minute

[musical-menace]

akbsbducnzb trying to talk to peoplr is hard. bAd. ROUGH.

Kinky

#deh #depressed #dear evan hansen #lonely #jared kleinman #the insanely cool jared kleinman #kinky #musicals

[musical-menace]

hope your pets stay healthy in 2017

[musical-menace]

I'm still lonely so here are musicals I've heard

Kinky boots

Book of Mormon

Hamilton (ofc)

Come From Away

Firebringer

Falsettos

Heathers

Be More Chill

Dear Evan Hansen

Chicago

Little Shop Of Horrors

Newsies

Into The Woods (1991)

Bandstand

Legally Blonde: The Musical

21 Chump Street

The Greatest Showman

Holy Musical B@tman

Mamma Mia! Here We Go Again

Mary Poppins Returns

The Great Comet

Avenue Q

Things to Ruin

PLEASE feel free to comment and we can discuss opinions (scream and rant together)

#musicals #hamilton #come from away #natasha pierre and the great comet of 1812 #the great comet #kinky boots #book of mormon #dear evan hansen #deh #be more chill #bmc #falsettos #heathers #firebringer #bandstand #newsies #avenue q #little shop of horrors #things to ruin #agh #i love josh groban #so much #and andrew rannells #and andrew keenan bolger #and will roland #and george salazar #someone talk to me pls

[musical-menace]

I only got into the Great Comet last week and I already have 3 songs memorized and Pierre's confession and none of my friends like it I'm so lone ly.

#great comet #great comet of 1812 #the great comet #natasha pierre and the great comet of 1812 #musicals #lonely #pierre #natasha rostava #depressed #help #bagels

[musical-menace]

I'll never stop dreaming

the 2018 tony awards opening number

josh groban walks out in full pierre costume w/ accordion as prologue starts to play. the ensemble rises from various hiding places around the theater. They’re Back, And This Time It’s Personal