night-heron-writes

[night-heron-writes]

"fuck it we ball" is for stress about the future "it is what it is" is for stress about the past and "this too shall pass" is for stress about the present thank you for coming to my TED talk

#reprise #thank queue five

[night-heron-writes]

Katara would never want to be Fire Lady, she would never want to lead the nation that killed her mother.

Idk, the girl staged a prison break, committed ecoterrorism, and demolished cultural misogyny. Getting the nation responsible for her mother's death under her thumb sounds exactly like her MO.

#zutara #reprise #thank queue five

[night-heron-writes]

Zuko finds out Katara was parentified from the age of eight and was a single mom friend of three until he stumbled into the position of gaang dad friend. So when she visits the Fire Nation Zuko dotes on her, making sure her every need is anticipated and catered to. He even goes as far as - to the horror of his council - kneeling to remove her shoes.

Because of this she earns the nickname Lady Katara among the palace staff which she finds amusing but a little confusing. So one day over tea she asks Iroh why they call her that and he explains:

"They're just practicing."

"Why would you need to practice a nickname?"

"Well my dear, they expect that within a few years Fire will preceed it."

And that's about when Katara chokes on her tea.

#zutara #reprise #thank queue five

[night-heron-writes]

Types of AO3 Summary

Option 1 - The Excerpt:

The quickest, the easiest! Find a section of your fic that contains the main premise of said fic and also showcases your writing. Copy paste that into the summary box. BOOM! Done.

Best used for any fic, unless it's so short the excerpt would be the whole fic.

Option 2 - The No Frills:

Just a description of the fic. No need for drama. No need to complicate matters. Keep it simple, keep it safe.

Example: "A short character exploration of Blorbo's thoughts after Daisy leaves."

Best used for short fics, poems and fics where the style/format is more important than the plot. Or fics that tie directly into a scene/episode from canon or another fanfic.

Option 3 - The Hook:

Draw the reader's interest by giving them a set up with no conclusion. Introduce the main character(s), introduce the status quo, describe an inciting incident, leave a question in the reader's mind.

Example: "Blorbo is a barista at a coffee shop, struggling to pay their bills, but after handsome rockstar Obrolb walks into their coffee shop they find that they have to decide whether a chance at love is worth the cost of fame."

Best used for mid to long fic where there's a strong premise and follow through. Especially good for AUs. Can be expanded for more complex plots or used multiple times in one summary for multiple characters or subplots.

Option 4 - The Sitcom One-Liner:

"The one in which [over simplified description of one of the main plotlines]" This is essentially 'boil your plot down to the very simplest statement you can, oversimplify if possible. The more bizarre or unhelpful the better.

Example: "The one in which Blorbo learns to like cake".

Best used for fics with at least a little humour in them.

Option 5 - The Rule of Three:

Three is a magic number. Find three key moments in your fic and just list them. That's it. Often ends with 'not necessarily in that order' if used for comic effect. If it's an AU, establish that quickly (i.e. 'Star NHL player Blorbo…').

Example: "Blorbo makes a friend, falls in love, and almost burns to death, not necessarily in that order."

Best used for anything, really. Three is a magic number. The human brain loves things that come in threes.

Option 6 - The Trope Lure:

Why bother describing the plot? We all know AO3 readers are here for the tropes. Similar to The Sitcom One-Liner just using tropes instead of plot. Often followed by the phrase 'that nobody asked for'.

Example: "The Space western/ABO/Mail Order Bride fic that nobody asked for."

Often tacked on to the end of The Hook or The Excerpt as a tl;dr.

Best used for fic that plays its tropes straight with no shame or second guessing.

Option 7 - The Pre-emptive Strike:

(Not recommended) You just wrote this fic, the self doubt is consuming you. You feel the need to apologise profusely for your existence for no apparently reason. You feel cringe, you think the fic is cringe, you want everyone to know that you think the fic is cringe in case they don't like it and judge you for it.

Example: "So I fell in love with this pairing and had to write this. It's weird and terrible. Lol! I suck at summaries! Sorry!"

Best used for no fics ever. I cannot stress this enough.

(Seriously, I am begging you, don't do this. If you're planning to use this option, rethink it and do one of the others. I guarantee you more people will want to read your fic.)

Sometimes added on to any other summary as a strange disclaimer. (srsly. don't.)

Option 8 - The Unapology:

Embrace the mayhem, embrace the deep dark depths of your soul. The opposite of The Pre-emptive Strike. A combination of The No Frills and The Trope Lure that truly gives no fucks.

You have committed crimes and you are proud of them. You know what your USP is and you're going to make sure your target market finds you. Look upon my works, ye readers, and despair!

Example: "There aren't enough tentacle fics in this pairing, so I had to write one myself!"

Best used for fics with controversial/polarising tropes with all relevant details already clearly stated in the tags.

Option 9 - The Interrogation:

What if you wrote a summary entirely in questions? What if your readers had to read the fic to discover the answers? Who knows what will happen if you do this?

Example: "What happens when Blorbo McBlorbo gets his wish and Daisy doesn't make it to the plane on time? What happens when Obrolb finds out? How will this change Daisy and Blorbo's friendship?"

Best used for... I honestly don't know. This style of summary does not vibe with me. Mystery fic maybe? Sorry guys.

Option 10 - The Multipack:

Got a bunch of shorter fics in one work? No way of summarising them all without a wall of text larger than the Great Wall of China? This one is similar to The No Frills in that you're not describing the plots themselves and similar to The Trope Lure in that often broader genres and tropes are mentioned. What links those fics? Are they all in the same fandom? The same pairing? The same challenge? Just slap that right in the summary. A chapter list with 1-2 word trope/pairing summaries can be included or not.

Example: "A collection of Blorbo/Daisy/Obrolb fics based on Tumblr prompts. Chapter 1: Regency AU Chapter 2: Werewolves vs vampires Chapter 3: Ghost!Daisy Chapter 4: Space pirates!"

Best used for (obviously) works that are compilations of fic.

Option ? - The Void:

I said The Excerpt was the quickest and easiest summary to do. I lied, well... I didn't exactly lie. What is quicker and easier than not having a summary at all? After all, that's what the tags are for.

Example:

Best used for... nothing? Write a summary, guys. Please?

#ao3 #fanfic #reprise #thank queue five

[night-heron-writes]

life's too short to write for an imaginary critic that you fear will hate what you wrote

#writing #reprise #thank queue five

[night-heron-writes]

This is what I mean when I say the average fandom legit treats artists like content machines instead of people. We're not allowed to ask for support of any kind, we just have to shut the fuck up and give you whatever you want for free no matter if it means we have to live in poverty or we're selfish, greedy monsters. Real "I can't believe this handmade crochet blanket costs $500 you're so selfish don't you know I'm too poor to buy that?" type energy. Clown shit of the highest degree.

You're not fans, you're entitled assholes who have no idea how the world works and got their understanding of class politics from oppression olympics type dipshits on twitter who think anyone who isn't so poor they live in their car and can't afford food is part of the 1% and it's so fucking obnoxious.

#reprise #thank queue five

[night-heron-writes]

I think the invention of the term "traumadump" has done discussion of mental health a lot of harm. I keep seeing discourse vs whether or not it's okay to talk about heavy topics with your friends, and like... I feel like there is a very big and important difference between my definition of traumadumping (ie. Frequently and habitually diverting your conversations with others towards your own misery, often with the goal of focusing attention and sympathy towards yourself at the expense of those around you, and without recognizable effort to reciprocate your empathy towards those you are speaking to or to ensure their comfort) VS the mere act of having heavier conversations with those around you. I've seen a lot of backlash to the idea of traumadumping as a concept lately (they paywalled human connection etc etc) but I think it's worth recognizing there is absolutely a kind of behavior that can create a negative feedback loop with this stuff. Especially if you navigate a lot of spaces in social media, it's not uncommon to find people dropping really heavy stuff on complete strangers unprompted. Idk, I think there's a degree of nuance to be had that's maybe getting a bit lost due to everyone having different definitions of what it means to "trauma dump."

#reprise #thank queue five

[night-heron-writes]

“how did you get into writing” girl nobody gets into writing. writing shows up one day at your door and gets into you

#writing #mood #the writing got into me before i could even hold a pencil #killed off a character in the very first story i ever actually wrote down #reprise #thank queue five

[night-heron-writes]

A reminder to all my lovely fellow writers: progress is progress, even when it isn't. Writing four thousand words in a session is progress. Writing a hundred words in a session is progress. Removing an entire scene because it doesn't flow well is progress. Rethinking your plan for the plot in order to get unstuck is progress. Development looks different for every writer and every story.

#writing #reprise #thank queue five

[night-heron-writes]

I think one of my favorite creative joys is seeing how many different things people can do with the same concept. give ten writers the same starting point, or basic plot, or set of tropes to use and you're still going to get wildly different end results

the details you focus on, the ones you omit, turns of phrase, tone, and framing, the cadence and tempo of the sentences themselves, all the little fingerprints you've left littered across the prose — how you tell the story matters, and your personal voice is what makes it unique

#writing #reprise #thank queue five

[night-heron-writes]

I just really like this tweet

#reprise #thank queue five

[night-heron-writes]

I think one of my favorite creative joys is seeing how many different things people can do with the same concept. give ten writers the same starting point, or basic plot, or set of tropes to use and you're still going to get wildly different end results

the details you focus on, the ones you omit, turns of phrase, tone, and framing, the cadence and tempo of the sentences themselves, all the little fingerprints you've left littered across the prose — how you tell the story matters, and your personal voice is what makes it unique

#writing #reprise #thank queue five

[night-heron-writes]

I’m so sorry but in the nicest way possible do yall actually read books or just read words??? Cause I’ve been seeing that trend of people not understanding how “snarled” and “eyes darkened” and “eyes softened” etc. was used in a book and like…

Genuinely, do yall just not have imagination?? Or not understand figurative language??? Also eyes do literally darken and soften have you not lived a life??? How do you read with no imagination? Is this how you get through so many books in one month - you simply don’t take the time the understand the words as they are read?

#writing #reprise #thank queue five

[night-heron-writes]

#reprise #thank queue five

[night-heron-writes]

hello please can I sleep in a studio ghibli bed it’s urgent

#reprise #thank queue five

[night-heron-writes]

i've written before about how fire lady katara isn't an inherently disempowering or racist trope, as have many others, but lately i've been thinking about how arguments against fire lady katara often tend to utilise a surface-level interpretation of colonial trauma.

antis who present this argument usually posit that marrying zuko would be a form of re-traumatization for katara, while marrying aang would "protect" her. katara is supposedly more shielded from confronting the impact of colonization in the southern water tribe or on air temple island than she would be with zuko in the fire nation, which contextualizes colonial trauma purely through the lens of physical interaction with the colonial power (ie. living in the fire nation or looking after the people of the fire nation). whether intended or not, this argument inadvertently limits colonial trauma to the geographical boundaries of the colonizing country and implies that it can be reduced or averted solely by minimizing contact with said country.

even leaving aside that we have seen katara in the fire nation (and enjoying herself there), the implication here is that active engagement with a colonial power as a member of colonized peoples is an inherent form of re-traumatization... which i take issue with for multiple reasons.

firstly, katara lives in a world that has been permanently shaped and changed by imperialism, and that's going to affect her no matter where she goes. sequestering herself in the south pole her whole life and never seeing a glimpse of fire nation red again won't allow katara to escape the legacy of colonization or the trauma it has caused her, because its influence is rooted in everything from her family to her tribe to her own bending. believe me, i understand the appeal of a world where women of colour can avoid reckoning with the impact of colonization by simply never setting foot in the colonizing country again, and why people might be uncomfortable with zutara individually as a result - but i can't accept it as a valid argument against the ship, because that's just not how colonial trauma works.

secondly, the idea that this "protects" katara reeks of paternalism because katara is not a character who chooses her path simply based on how safe or comfortable it is. if that was the case, she would never have left the southern water tribe at all! she could've remained there her whole life and likely been safe, since the fire nation had no real interest in the south pole any longer. katara is fundamentally defined by how relentlessly revolutionary she is - over and over, she chooses to do what is right, what is hard, what is unexpected, even at cost to herself. she challenges injustice and discrimination and bigotry; she fights for the downtrodden and speaks for those who can't speak for themselves; she will never ever turn her back on the people who need her. does that truly sound like someone who needs to be hid away and protected from her own supposed re-traumatization?

thirdly - and i fully accept that there are those who might disagree with this - katara actively choosing to engage with her colonial trauma can be empowering just as it can be traumatizing. don't get me wrong: as a woc and a minority in my own country, i understand how tiring it is to do this. i understand the exhaustion of confronting what was done to you and your people, of facing down bigotry over and over. i understand the desire to run away from it all, and why it can be wish fulfilment for others to let katara do so. i really, really do.

but there is also wish fulfilment in letting katara fight, as a brown girl with power and resources that few brown girls in the real world hold. there is a power fantasy in seeing katara head into the belly of the beast and emerging triumphant. there is empowerment to be found in seeing katara struggle with racism and ignorance and mindless hate to enact change - and succeed. i love reading and writing about katara unpacking her trauma regarding the fire nation, about growing to love the place she once hated, about reconciling both her homes and healing from the wounds of her childhood.

and ultimately, i think that's what katara would want for herself. after throwing herself head first into the fight against the fire nation, after facing down her greatest trauma instead of letting it consume her, after helping and protecting the people of the fire nation, after refusing to let the fire nation take anything else from her - i firmly believe that the last thing katara would do is allow herself to be ruled by the fire nation instead of being the one ruling it.

personally, i find that a more hopeful and victorious narrative than one where she remains safe and sheltered away from the fire nation, but forever haunted and dictated by her trauma. would that be realistic? perhaps. but the entire point of foiling katara with characters like jet and hama is to show that she's not doomed to be mired in the pain of her past. that where their stories could only end in tragedy, hers can - and does - end in hope for something better, as she always believed it could.

#zutara #katara meta #you articulated this perfectly ana #katara didn’t need (or want) to be sheltered from ANYTHING #reprise #thank queue five

[night-heron-writes]

if you ever wonder whether your ao3 comments make a difference know that i frequently go back and read old comments on my fics to get a dose of happy rainbow sunshine

#fanfic #ao3 #comments #reprise #thank queue five