raereview

[raereview]

A Writer in Her Early Twenties Writing About Smoking Cigarettes and Feeling Inferior? …Groundbreaking

an essay I wrote in November of 2020 as I was nearing graduation from Columbia College-Chicago

You know when a bug gets stuck on its back and its little legs start flailing and it  frantically rocks back and forth trying to flip back over? That’s how I’ve been feeling recently.

I started smoking cigarettes again to calm me down because smoking weed always makes me have an unwanted existential crisis. In high school, I loved smoking cigarettes because it made me feel like an adult. I dreamed of being someone like Carrie Bradshaw; smoking cigarettes at parties and being so terribly interesting that I only had to write one column a week to pay for a lavish lifestyle. That dream was only amplified when an English teacher wrote on one of my assignments in red ink that she wanted to read my memoir one day. After that, I smoked cigarettes my friends would steal from their stepdads, while I waited impatiently to turn 18 so I could be an adult, leave my hometown, and become a real writer.

Now I’m 21 and can legally buy cigarettes in the city of Chicago. I bought a pack of American Spirits two days after the 2020 Presidential Election because my anxiety was getting high and I couldn’t. I tell myself they are better than regular cigarettes— even though it clearly says on the package they aren’t. Just holding a cigarette is sex to me (I never describe things as sex, but my first Creative Writing professor used to, and she sounded so fucking cool when she did). I always feel dizzy after the first couple hits. I can’t imagine that’s normal. I know that weed is probably better for my body, but I like that no one judges me for not inhaling correctly like they do with weed. I can let the smoke barely touch my lungs before I puff it out of my lips, and no one says a goddamn thing. And so maybe it’s just the action of smoking, but I always feel calmer by the time I put out the cigarette, leaving behind that black mark and bits of ash.

On the 13th of November, Phoebe Bridgers and Maggie Rogers released a cover of “Iris” by Goo Goo Dolls because Bridgers tweeted that she would do so if Biden won the election. I didn’t recognize the song based off the title, but after a quick google search, I remembered hearing it on the radio growing up. It’s got one of those choruses that feels like it was written to be screamed at the top of your lungs in the car with the windows rolled down. I paid $1.50 for the song on Bandcamp (the proceeds went to Fair Fight), then I grabbed my pack of cigarettes, and went out to my back porch to listen to it. I’d barely been able to get out of bed all week, but I knew the cover needed my full attention because I recently became a “stan” of Phoebe Bridgers.

For a while I felt as if Phoebe was someone I knew through a friend of a friend; we ran in the same circles, but never really crossed paths. I adore Hayley Williams and Phoebe’s vocals were on my favorite song on her new album, most of the music I listen to is indie and makes you want to cry which is how you could describe her music, and her lowercase tweets always showed up on my timeline. I knew I’d become acquainted with her eventually, I just wanted to be ready; I had a premonition she’d change my life. I wanted us to fall into each other at the perfect moment.

Sometime in late June or early July, I was laying on the futon in my sister’s spare bedroom, staring at my phone in the darkness while everyone was asleep. The quiet nights of West Texas creep me out when I’ve gone months in Chicago without a moment of silence. I don’t remember what I was initially looking for on Spotify when her solo, sophomore album Punisher came up on the “recommended” section. I hit play because it felt like Spotify was a friend trying to set me up with her for the millionth time, telling me to just trust them and to meet her. It felt like the perfect moment, spilling our guts under the covers, “What if I told you I feel like I know you, but we never met?”

By “Moon Song” and “Chinese Satellite” I was silently weeping, trying not to wake up my nephews in the next room. Punisher made me feel introspective and existential, and the record almost gave me the same floating, panic feeling that weed gives me (but it’s cool when she does it). The strings from “Graceland Too” and “Savior Complex” swam inside my bloodstream and lifted me off the futon, off the part of Texas that I suspect she writes about hating.  I was 16 when I had my first weed-induced existential crisis. My friends drove me around town in an attempt calm me down and I kept asking them if I was dead; Punisher feels like the soundtrack to that car ride. Receiving an impressive 8.7/10 on Pitchfork, the publication’s Sam Sodomsky describes her songwriting on the album as “candid, multi-dimensional, slyly psychedelic, and full of heart.” There are moments as a writer where a line makes me mad because of how well it described something I have yet to put words to, and Bridgers made me furious when she sang on the final track “I Know the End”: “When I get back I’ll lay around Then I’ll get up and lay back down Romanticize a quiet life There’s no place like my room.” It’s so simple, but it perfectly described the way I can get so anxious that I spend most of my days in bed, convincing myself I’ll never not feel this way.

That’s at least how I’d describe my recent state of constant anxiety. I know it started before the election, but constantly checking news sites seemed to amplify everything. I think the thing I have been most anxious about (personally, not politically) is the fact that I’m moving back home to my hometown after I graduate next month. I finally became an adult, but I will be graduating with my Bachelor of Arts degree in Creative Writing, and I have no job prospects and no memoir in the making. I try to remain optimistic, but the catastrophic thinking my brain does is very convincing and tells me that if I can’t find a job in my field that I’m a bad writer, and if I’m a bad writer I’ll never be understood, and if I’ll never be understood I should just quit writing now, and if I quit writing then I should just lay in bed and not go to my zoom classes. It’s a long series of pointless, self-deprecating “and if’s”, but once they start it feels like telling yourself that you’re only going to smoke a couple cigarettes, and then you end up going through a whole pack in a few days and all you’re left with is regret and a headache. So, during that week of bed-ridden anxiety, I was thankful that my new love for Bridgers was stronger than my imposter syndrome. If I was doomed to be misunderstood, I wanted to listen to a writer who I feel like I understand.

When I went outside to listen the song, I quickly remembered that it was November in Chicago and my fingers shoved themselves deeper into my jacket sleeves. I managed to peak them out just enough to light a cigarette and hit play on the song. I was sure I looked very dramatic to the men doing construction on the apartment next door: a girl in her 20’s, smoking with her headphones in, staring off into the distance. The cover initially sounds more stripped and melancholic than the original, just Bridgers light vocals and an acoustic guitar. My legs were already shivering, but all the hairs on my body stood up higher when Rogers came in and their voices molded together. I don’t know her music, but the twang in Maggie’s voice that carries the second verse was comforting to my southern roots. I took a long drag when she sang “When everything feels like the movies, yeah you bleed just to know you're alive.” If I didn’t know better, I would have thought this cover was the original.

“Iris” is a song I’ve always known all the words to, but I had never really listened to the lyrics. The song was written by Goo Goo Doll’s John Rzeznik for the movie City of Angels (1998) staring Nicholas Cage. Rzeznik told Dan MacIntosh of Songfacts that when he wrote the song he was inspired by Cage’s situation in the film and thought “Wow! What an amazing thing it must be like to love someone so much that you give up everything to be with them.” Phoebe Bridgers’ songwriting feels like it comes from the same universe as “Iris”, specifically her song “ICU”. Both songs could technically be described as love songs, but I feel that a disservice to both.

They differ from traditional love songs because write about it in a realistic way, almost as if the thesis of both is “I know everything is awful and we could hate each other one day, but I want to be with you anyways.” A line from the chorus of “Iris” almost says this exactly, but far more eloquently, “When everything's made to be broken, I just want you to know who I am,” and then verses repeat this sentiment of knowing the love could end, but wanting the love anyways. Bridgers’ songwriting in “ICU” comes at a relationship with the same approach. The verses describe things she thinks could complicate or end the relationship (the other person’s family, someone falling out of love, self-sabotage). Regardless, the refrain keeps repeating, “But I feel something when I see you”. All this to say that when Bridgers sings Rzeznik’s lyrics, they feel as if they are her own.

The Goo Goo Dolls must have also thought Phoebe would do the song justice as their twitter account replied to Bridger’s original tweet a few days after Biden was announced the projected winner, saying “We’re waiting…” with the gif of Judge Judy motioning “hurry up”. When I read or hear really good writing, I selfishly question if writing is even actually what I’m meant to be doing… if it was something that should have stayed a hobby, or a poorly constructed daydream of becoming Carrie Bradshaw. 

Recently, I wrote a paragraph about one of my favorite albums with the intention of writing a whole essay about it. However, after that I got stuck. Every time I tried starting the next sentence, I hit the backspace button until it was gone. I spent two whole days watching interviews with the artist, reading reviews of the album, listening to the whole record on repeat for hours, and I couldn’t get anything more than that paragraph. The words simply would not come to me. Moments like that, combined with rejection emails from literary magazines or hearing Bridgers sing lines that take my breath away, I wonder if I should keep fueling my love for something that will always love someone else more or if I should quit?

I listened to the cover of “Iris” on repeat until my cigarette was out. The big tree in my backyard is barren because of the new season, and so now more of my neighborhood is visible. It was around 4p.m. and the sun was already starting to set thanks to daylight savings (until I wrote that sentence, I didn’t think to consider my anxiousness and my need to stay in bed all day could also be attributed to seasonal depression). I’ve always been obsessed with sunrises and sunsets. I know I probably write about them too much: how they make the whole world “glow” orange, the transitions of the colors in the sky, how they always represent an end or a beginning. My hometown has the best sunsets and sunrises: the land is so flat you can see all the way to the horizon, there are no clunky buildings blocking your view. I thought maybe this sunset would spark inspiration in me, so turned to go toward the edge of my porch to see more of it, and for a second I looked at the windowsill I rested my lighter and cigarettes on.

Lying there was a fly stuck on its back. Before they fixed the insolation, our apartment was infested with so many flies that all summer the surfaces of my home were perpetually covered in fly guts. The fly’s little body twitched frantically as it tried to push itself over. I felt pity for the fly even though others of its kind spent the warmer months buzzing in my ear and making me want to move. As I watched the insect, I realized that my anxiety doesn’t feel like drowning or spiraling or falling. It feels like flailing— like a bug stuck on its back trying desperately to get right side up again. It’s kind of pathetic how much it feels like the end of the world. I might not be the first person to think of that, but the metaphor came to me so clearly that it took my breath away. Quickly, I used my lighter to flick the fly back onto its legs. We stared at each other for a moment. I know flies don’t have facial expressions, but I swear, it looked confused. I thought maybe it heard horror stories about me from its friends about the sweaty girl who kills them with rolled up newspaper and wondered why I helped it. Finally, it turned from me and crawled away in the opposite direction.

That fly made me like a god, but more importantly, it made me feel like a writer. I found the words again. Relating to an insect isn’t exactly Carrie Bradshaw or Phoebe Bridgers, but I was excited. I immediately ran inside and started this essay. My frozen fingers started to warm up as I typed everything out. It felt like writing and I were a married couple who had sex for the first time in months; we got our spark back. And I know writers aren’t supposed to wait for inspiration to start writing, and I know this doesn’t make me as good as Phoebe Bridgers, and I know I still don’t have any job offers, and I know I didn’t cure my anxiety but writing this felt really good.

When I wrote this essay, someone I showed it to said they “got my angst”, but not my love for writing. Maybe that’s because I don’t always love writing in the explosive, epic way I sometimes think I should? I love writing with the kind of love that I’m told is in good marriages; the love is a choice. There are days when I can’t stand a word I put on the page, but there are also the days where I find perfect metaphors for sunsets or anxiety or bugs or Phoebe Bridgers. There are days I lay in the warmth of someone else’s words as if they were the sun. There are days where I can’t stand go to class after turning an essay in because I don’t want people to associate the person on the page with the person sitting across the room from of them. However, even on days when I can’t stand writing or being a writer, I still wake up, put on my fake glasses that make me feel like an intellectual, I grab my New Yorker tote, I write silly lyrics I think of on the train, I read someone else’s work and remind myself they had 20 drafts of this I’ll never see, I reread my own work and see if any lines make me catch my breath, and I write.

I write because I still have the desire to be understood. I write to try and understand why I can’t stop loving it even when I hate it. I write because I fear one day the inferiority will be too much and I won’t wake up and choose to still love writing.

I still listen to Iris on repeat because the lyrics are as painfully relatable as they are catchy. At its core, the song is asking someone to understand. I think that’s what all I want, understanding. I want to know that someone else feels the same way I do about sunsets, or Carrie Bradshaw, or Punisher, or smoking cigarettes to look cool. If I write my truth, maybe someone will understand? Alexander Chee wrote in his How to Write an Autobiographical Novel that “To write is to sell a ticket to escape, not from the truth, but into it.” Maybe that’s why I don’t love being high because I feel like I am trying to escape the truth? Maybe that’s why I love Phoebe Bridgers’ songwriting and writing in general because it makes me feel like I am trying to escape into the truth? Maybe if I can make it to the truth, I’ll be understood? 

Maybe I’ll understand?

Sources: Bridgers, Phoebe. Lyrics to “Punisher.” Genius, 2020, genius.com/albums/Phoebe-bridgers/Punisher. Sodomsky, Sam. “Phoebe Bridgers: Punisher.” Pitchfork, Pitchfork, 22 June 2020, pitchfork.com/reviews/albums/phoebe-bridgers-punisher/. Rzeznik, John. “Goo Goo Dolls – Iris.” Genius, 7 Apr. 1998, genius.com/Goo-goo-dolls-iris-lyrics. MacIntosh, Dan. “John Rzeznik of Goo Goo Dolls.” ShieldSquare Captcha, 12 June 2013, www.songfacts.com/blog/interviews/john-rzeznik-of-goo-goo-dolls. Chee, Alexander. How to Write an Autobiographical Novel. Bloomsbury, 2019.

#personal essay #writing #phoebe bridgers #iris #writer #goo goo dolls #nonfiction #music #music writing