2023 is gonna be my orv revival year. mark my words.
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a comprehensive list of scenarios
feel free to combine multiple prompts or add “ + reverse ” to switch roles ! for reference, the one sending in the prompt is the one committing the action.
1. GUEST : for one muse to offer the other a place to stay.
2. STORM : for both muses to find shelter from a severe storm.
3. MEDIC : for one muse to show up at the other’s doorstep injured.
4. SURPRISE : for one muse to come home and find the other already inside.
5. TRIP : for both muses to road trip or travel together.
6. BABYSIT : for one muse to help the other home while they’re drunk.
7. INSOMNIA : for one muse to find the other still awake at 3am.
8. AMBUSH : for both characters to come under attack by the same enemy.
9. DANCE : for one muse to ask the other to dance at a party.
10. STRANDED : for one muse to help the other who’s stranded on the road.
11. SERVICE : for one muse to cover the cost of something for the other.
12. SAFEGUARD : for one muse to save the other from being hit by a vehicle or from some other life-threatening event.
13. DAZE : for one muse to wake somewhere and find the other hovering over them.
14. STOWAWAY : for one muse to find the other hiding on the same ship.
15. TAXI : for both muses to share the same taxi ride.
16. MAKEOVER : for one muse to help the other with a new outfit or hairstyle.
17. LIFEGUARD : for one muse to rescue the other from drowning.
18. DISASTER : for both muses to work together to escape a fire, flood, or other disaster.
19. TRANSIT : for one muse to sit next to the other on a public transport.
20. SPRAIN : for one muse to carry the other after spraining their ankle.
21. EMPLOY : for one muse to be hired as the other’s bodyguard, tutor, assistant, etc.
22. QUEST : for one muse to help the other with a task in exchange for compensation.
23. SOOTHE : for one muse to calm the other during a panic attack.
24. RECOVER : for one muse to return the other’s lost belonging.
25. UMBRELLA : for one muse to share their umbrella with the other on a rainy day.
26. HEAL : for one muse to nurse the other back to health from a sickness or injury.
27. NIGHTMARE : for one muse to comfort the other after a nightmare.
28. REUNION : for one muse to run into the other again after a long time.
29. PRIZE : for one muse to win the other a prize at a carnival.
30. NUDE : for one muse to walk in on the other while they’re changing.
31. BED : for both muses to wake in the same bed, naked or fully clothed.
32. TRAIL : for one muse to notice the other has been following them.
33. EVADE : for one muse to pull the other into an alleyway to escape their pursuer.
34. THIEF : for one muse to confront the other after having something stolen by them.
35. CAUGHT : for one muse to walk in on the other singing / dancing.
36. FESTIVE : for both muses to decorate for a special occasion.
37. PRESENT : for one muse to give the other a (birthday) gift.
38. WEARY : for one muse to wake up after falling asleep on the other.
39. CAPTIVE : for one muse to hold the other against their will.
40. SNAP : for one muse to yell at or push the other out of frustration.
41. SLEEPOVER : for one muse to stay the night at the other’s place.
42. TRESPASS : for one muse to trespass on the other’s property.
43. BREAK-IN : for one muse to discover the other robbing their place.
44. MERCY : for both muses to come across an injured animal.
45. UNKNOWN : for both muses to wake and find themselves in a strange place.
46. ACCOMPLICE : for one muse to assist the other at the scene of a crime.
47. ASTRAY : for both muses to take a detour and lose their way.
48. RELAX : for both muses to share a hot tub or hot spring.
49. MUSE : for one muse to model for the other’s art project.
50. ACCOMPANY : for one muse to give the other an extra ticket to an event.
51. SALVAGE : for one muse to retrieve the other’s belongings from a thief.
52. MEAL : for both muses to prepare and share a meal together.
53. CEMETERY : for one muse to find the other at a gravestone.
54. REFUGE : for one muse to shelter the other from enemies.
55. ARRANGED : for both muses to date or marry out of convenience.
56. FAVOR : for one muse to owe the other a favor.
57. VACATION : for both muses to book the same hotel on vacation.
58. DEFEND : for one muse to save the other from one or multiple assailants.
59. CATCH : for one muse to return the other’s pet that escaped.
60. RESTRICTED : for both muses to sneak into someplace they’re not supposed to be.
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goodnight. thinking of an au where kdj leaves the corporate world and through wos finds passion in anthropology and the discussion of stories and how they shape lives and worlds and emotions and decides to get a phd in it and becomes an anthropology professor at a third rate college just like the one he graduated from because stories there are worth listening to as well
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⅋ KILLER OF THE NARRATIVE
the walls around us are breaking more the longer we continue to exist on this world that should not be ours to conquer, all devour. i can sense them, i know them: the invisible divine barriers cracking mistaken as breaking bones, endless eyes disguised as hidden stars… we are being watched closely as the world dies beneath us bit by bit in second to darker second and you ask me: “ will i be forgiven for the sins i did not commit, but created ? " … you tell me, fate breaker. i am just these sins god made and disregarded.
[ CONSTELLATION, KILLER OF THE NARRATIVE, HUMS. ]
“ well… you are doing what a mere mortal human sh- should not do, so i - i - i don’t think you can get away with this easily unless you’re being careful enough, buddy, ” killa answers in honest, shrugging at @storyend. dokja has been the moment the apocalypse begun, so it is not too concerned for him. from where they are standing now, it tells killer of the narrative that dokja is well clever to carry himself to the end, with or�� without its support. “ at least i could forgive you. “ as hellbent, it understands his intentions.
( and can you forgive him too, keva ? )
standing at the precipice of the answers he has been seeking for thirteen turbulent years and nearly a completed apocalypse doesn’t feel as triumphant as he thought it would. every step taken feels like three steps backwards. his only constant has been a singular constellation , unmatched by his now constantly wavering fourth wall skill. he’s not nervous — no , that’s not even a word in his dictionary — but he exhibits caution and more exorbitant planning. if anything , dokja is more than ready.
so , why now especially , does he feel that everything is coming crashing down ? he is reluctant to share uneasy thoughts with his companions , lest they see him as less competent and rely on him less. ( but haven’t they already discussed their distrust of him ? still , they unreasonably follow along with whatever he says. ) there is a different type of trust built between him and xem. both constellations : killer of the narrative and demon king of salvation. of course they find that they understand the world around them differently than the incarnations.
today’s understanding is that , in some roundabout manner , kim dokja is responsible for the apocalypse. the fourth wall skill flickers , leaving him for moments that slink into minutes , alone with the truth of his thoughts and lets him spiral. nothing in particular makes him come to this resolution , except for a sinking feeling in his gut. for all the sacrifice and selfless action , if he was the cause of yoo joonghyuk’s hellish cycles , will anyone grant him salvation ? will he be allowed the ending he desires ?
he does what is expected of him , and laughs , a scratchy and uncertain sound. “ if i lead them ” — his companions , the incarnations — “ to a happy ending , and in turn give up mine , will that be enough ? ” is it an equal enough exchange ? his eternal repentance for everyone else to live a life without scenarios ? “ would you stay with me , or join them in their ▇ ▇ ? ” a prewritten path , the illusion of choice.
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* — 𝐤𝐢𝐦 𝐝𝐨𝐤𝐣𝐚 , of sing shong’s webnovel omniscient reader’s viewpoint. an exploration of selfishness and selflessness in sacrifice, knowing others through stories, and the intricate connection between a writer and her reader and protagonist. triggering themes present, follow at your own discretion. no knowledge of novel necessary. sponsored & loved by keva. (c)
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DEAREST READER,
#storyend# is an independent and semi-private portrayal of kim dokja from sing shong’s omniscient reader’s viewpoint. an exploration of identity, found family, the paradox of selfishness and selflessness in sacrifice, ▇ ▇ ▇, knowledge and understanding through stories, and the connection between a writer and her reader and protagonist. can we just watch things happen, or should we push for a change, no matter how improbable? ▇ ▇ ▇ ▇ ▇? due to triggering material including, but not limited to, death, murder, suicide, and more, i request that you only follow if you are above eighteen. no familiarity with the novel or manhwa is required to interact. this blog doesn’t follow first, because of past experience and personal reservations. icons used are from the manhwa unless the live action faceclaim is requested / writing against a live action faceclaim.
DOCS / MEMES / PROMO / SIDEBLOG
love,
keva, ▇ ▇, 21, he/xe
THE FREE SERVICE OF THE 8612TH PLANETARY SYSTEM HAS COME TO AN END. THE MAIN SCENARIO WILL BEGIN NOW.
I WAS ABLE TO PUBLISH MY STORY THANKS TO YOU.
ONE THING IS FOR SURE... YOU WHO IS READING THIS WILL SURVIVE.
▇ ▇ ▇ ▇ ▇ ▇ ▇ ▇ ▇ ▇ ▇ ▇
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hii i’m revamping this blog a little... deleting some ooc posts and such... cleaning up.... changing theme & graphics... will post a promo later this week i think <3
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lol.. heyyyy guyssss this orv fan musical almost got me to come back im not gonna lie but ;___; im very busy... i’ll check back in again in a week and see how i feel. definitely not abadoning this blog though because i am very much still. orv brainrot.
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YOO JOONGHYUK
No longer bound by the constraints of the novel, omniscience hardly leads to an understanding of their current reality. A body of text can be interpreted. Yet, the same cannot be said of Dokja; living and breathing and seething. Quiet suffuses the house once more, a library-hush that invites neither conversation nor laughter as volumes of context shift between them, tense with discontent. Unspoken grievances. The guilt of survival: all of these little resentments splattered across this peaceful existence like ink across a page. The thought brief, transient as a shooting star, Joonghyuk recalls the stories that kept him afloat (sane) during a particular voyage, one he hadn’t expected to return from, not fully — and perhaps there is a part of him still drifting in the depths of the universe, lost in a story — but his expression doesn’t shift, patience etched across his features like stonework. “Kim Dokja.” It lacks the bite it had during the apocalypse. Softer around the consonants, tongue coiled across the cadence, his tone merely sounds tired. Overwrought with a thousand lifetimes worth of exhaustion, overdue and heavy. “If I wanted that type of epilogue then I would have never gone to find you.” He kneels. Sorts through the few other books and collects them into the crook of one arm. “You don’t know whether you belong or not. I understand that.” All too well. I was made for you and you made me real, he keeps unsaid. “If you were nothing, then none of it would’ve meant anything. Now, tell me what your problem is.” Books returned to the shelf, leaving them for Dokja to organize later, he takes a step closer, arms crossed and brows pinched. “You have to talk.” Rich, coming from someone like him, but Joonghyuk insists, some part of him itching for some kind of conflict and resolution.
the novel still streams through his nerves and veins even if he doesn’t bleed fables anymore. every word and blank space between them is seared behind his eyelids, he can’t escape it even if he wanted to. does he want escape? isn’t escape what he was always chasing? he’s tired of escape, he just wants rest without the burden of knowing, without remembering. unfortunately, the mere appearance of joonghyuk brings memories he doesn’t what to do with. as he picks up books to help him (how dare he help!), dokja fights the urge to rip the precious novels away. he puts them back all wrong, genres and sizes and colors completely missed up. his eye twitches as he stares at the shelf’s arrangement. he’s about to reach out and pull the entire contents of the shelf out when joonghyuk hits him with a you have to talk. “you’re fucking lying.” dokja whips his head around, eyes glittering in amusement that hasn’t been present for weeks now. he laughs into his hands, the sound of it too raw for it to be genuine. “that’s—did yoo sangah set you up for this? i’m fine.” thank you star stream for weaning away into nothingness; without lie detection he can get away with these things. he crosses his own arms, matching joonghyuk’s pose. everything in him wants a fight right now, that’s all either of them have known for a while now. “you of all people should understand what it’s like to die so much that you forget how to live. so why are you not looking—” as fucked up as i am. he gestures vaguely between the two of them. his speaks scathingly, not caring if he hurts him. without omniscient reader’s viewpoint, he’s lost, unable to tell how the people around him are feeling. even though he stopped using the ability as often near the end due to its invasive nature, it still gave plenty of insight to the characters people around him. with everything over, he has only his own perception to rely on, and it does him little good. “sometimes i think it would have been easier if you didn’t try to find me, if you quit after regressing—which by the way i said i didn’t want you to do.” dokja chooses words carefully: easier, not better. the little subway compartment was claustrophobic and terrifying, but at the very least it was something he was familiar with.
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some of my favorite o.rv/kdj themes/motifs/whatever that arent just the way stories change and save people: being dead since the beginning, the yearning for connection vs walls that you have up, dreaming for eternity as an escape, self-sacrifice as a love language, prewritten fate and the illusion of choice, trauma oh my god so much trauma, becoming your parents, love/caring on purpose
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― Haruki Murakami, Sputnik Sweetheart
[text ID: The answer is dreams. Dreaming on and on. Entering the world of dreams and never coming out. Living in dreams for the rest of time.]
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kdj has in fact ranked every single yjh. all 1865 of them. has been building this rank since he was 15 and scribbling notes about twsa in his notebook that tracks the movement of every single character and regression and stigma.
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𝐑𝐀𝐍𝐃𝐎𝐌 𝐓𝐄𝐗𝐓 𝐏𝐎𝐒𝐓𝐒 ♡ 𝐒𝐄𝐍𝐓𝐄𝐍𝐂𝐄 𝐒𝐓𝐀𝐑𝐓𝐄𝐑𝐒
change gendered language to your needs. ♡
“ crying is very punk, trust me, i do it all the time & i am a punk. ”
“ do i like him or is he just tall? ”
“ not to be dramatic but if i don’t get my life together i will die. ”
“ am i dramatic? yes. is it justified? also yes. ”
“ everything that you feel is just a chemical reaction inside your head. wow. ”
“ there’s a special place in hell reserved just for me. it’s called the throne. ”
“ let’s get high!! … grades. ”
“ i think my gps secretly gets mad at me when i deliberately disobey its directions. ”
“ it’s a bird! it’s a plane! it’s … me, trying to outrun my feelings. there i go. ”
“ i am here to say that i am a bisexual who loves mangoes. ”
“ why has no one fallen in love with me yet? i’m so bored. ”
“ honestly, i don’t even play an active role in my life. shit just happens & i’m like ‘ oh, is this what we’re doing now? okay. ’ ”
“ life hack : you don’t have to be a wolf to yell sad noises at the moon. ”
“ what the fuck do mirrors do when nobody is around? ”
“ it may look like i’m having deep thoughts, but really, i’m just thinking about what to eat next. ”
“ do i deserve back pain at this age? ”
“ i’m a simple person; anything happens, i cry. ”
“ i’ve mastered the skill of feeling guilty for asking for anything. ”
“ yes, the rumors are true. i’m a lovey-dovey dumbass. ”
“ i try not to sound like an asshole, but it’s really hard because i am an asshole. ”
“ someone has to date me eventually, right? ”
“ what circle of dante’s inferno did you crawl out of? ”
“ your inability to learn complicated handshakes is tearing this friendship apart. ”
“ there’s no way that EVERYBODY was kung-fu fighting. ”
“ saying my name is so intimate, why would you do that to me? ”
“ don’t ask me about my sexuality. you’re not gonna get a straight answer. ”
“ i would follow you to the ends of the earth with only mild complaining. ”
“ the first step to any murder is to have fun & be yourself. ”
“ i think i am subconsciously trying to ruin my own life. ”
“ i may seem like an angry person on the surface, but deep down inside, i am actually angrier. ”
“ i push everyone away, but in a way, i am doing them a favor. ”
“ what do you mean a thesaurus isn’t a dinosaur? ”
“ i’m not even a hot mess. i’m more like a lukewarm mess. ”
“ i’m not interested in being polite or heterosexual. ”
“ can someone please explain to me how i’m supposed to sleep for eight hours straight when i’m not even straight? ”
“ you’re not allowed to be busy, you’re my only friend. ”
“ becoming older than ten years old was the biggest mistake of my life. ”
“ is it cold in here, or is that just my heart? ”
“ if i sigh loudly enough, will all my problems go away? ”
“ hey, sorry i’m late. i didn’t want to come. ”
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Hiya, Keva! Blushie the dino plushie wanna tell you that they love you and that you are a delightful and cool person to have around! They think everything you do with Dokja is so incredible, just as you are! Wowza! So incredible, indeed! 🌹💖✨
WAAAAAAAAAH 🥺🫶 my beloved morningstar and blushie the dino thank you! youre such a light on my dashboard Mwah i hope this is a good week for you.
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there's an end to the loneliness, right? it ends, eventually? and i'll be finally whole inside?
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𝚂𝚄𝙱 𝚂𝙲𝙴𝙽𝙰𝚁𝙸𝙾 𝚂𝚃𝙰𝚁𝚃𝙴𝙳. ✧ @fatewoven ╱ YOO JOONGHYUK ✧ ❝ before you say anything … that’s it , i just don’t want you to say anything ❞
he has his mouth open , a question ready to go when he’s interrupted. dokja falters momentarily , turning from the person he was trying to pry information from to joonghyuk. he narrows his eyes , wishing he had the ability to shoot harmless lasers. “ do you have a better idea ? ” he doesn’t wait for an answer. “ that’s what i thought. ” a self assured nod. “ i said i have this handled , didn’t i ? ” his voice is a stage whisper , loud enough for the people around them to hear. “ you can do your sword stabby thing later , i’ll do the talking. ”
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