#“that phantom of the opera's daughter who isn't a phantom at all because neither is he”

[freaky-flawless]

Well...damn.

I finally watched The Phantom of the Opera, and now I have to grapple with how much Operetta makes absolutely no sense.

Like I'm wracking my brain, and the only conclusion I've come to is that she'd make sense if she wasn't a ghost at all, but a siren.

Maybe after years of being cast out by his fellow humans, Erik finds refuge in the monster world which welcomes him with open arms, and also gives him the chance for a new start.

And given his love of opera, he falls in love with a siren and they have a child together. Thusly making Operetta half human, half siren.

This way, she can keep her hypnotizing voice, since she sure as hell wouldn't have gotten it from Erik.

#monster high #operetta #before i had the deniability of not being familiar with the source material but thats just gone #now im grasping at straws trying to make her work #i do appreciate certain details of her character tho #like i always thought she knew her way around the catacombs because she was down there a lot but no #thats something very much inspired by the phantom which is cool #and im not sure if this is a detail thats in all the adaptations but the movie at least suggests that he's of romani heritage which is neat #were they tactful and respectful about it? hell no #her design wouldn't even have to change that much #just add some fishy or bird-like features and bam! #couldnt even tell she was a ghost anyway #its funny that she's a ghost and invisibilly isn't lol #text post #this feels like a stretch tho #“that phantom of the opera's daughter who isn't a phantom at all because neither is he”

[byjove-cannibalcove]

I would like to see a sort of phantom-of-the-opera themed fic, where Will works for the opera, not as one of the singers, but in the orchestra pit.

(long stream-of-thought summary of the story below)

Will is a very good player, and the orchestra MOSTLY likes one another, so everything is technically very stable where he stands, better yet that he has no aspirations to first-chair (which is more like being class president than anything, everyone in your section looks to you for queues and to match energy, it isn't actually a rockshow type thing) so technically he is quietly doing his thing. Very talented and stable, but not a magically amazing perfect player. He has earned his place and he doesn't show off.

But there is a newer guy, put into the pit because he’s the nephew of the new theatre owner. He is not amazing. He’s not the WORST either, but he tries to show off when he should be harmonizing, he plays too loud, and his bow transitions aren't as smooth as they could be. It is really only noticeable to the other violin players, the audience isn’t going to pick up on it, so they just grin and bear it.

Not always, but often, there is something like a ball in the front after a show. The rich patrons get to meet the singers, or the orchestra, whatever, and attendance is more or less mandatory. In the latest of these, Will meets Hannibal, who is very new to the area, had always made it a poitn to donate to theatres, but has only come to a few showings so far. Will cant quite fathom why, of EVERYONE at this party, Hannibal would zero-in on the man that most clearly does not want to be there, but fine. 

There is a bit where they shake hands and Hannibal turns Will’s hand over and says ‘i see you are one of the strings’. (technically that's lefthanded, lets say Will was caught off guard and was holding a drink)

Will is surprised, says yes, he’s one of the violins. 

Hannibal seems... pained... Asks if he is new and when Will says he has been here for a few years, Hannibal relaxes.

Will points out that he can tell Hannibal is a chef from the callouses on HIS fingers, and Hannibal is clearly pleased, though he of course corrects him. 

They talk a bit, Hannibal is casually asking about the theatre itself, who works there, the management, the actors, the orchestra. It's a nice conversation, honestly, Hannibal has actual questions and seems to know what he’s asking about, it’s not just mindless ‘i wish I could play an instrument but its too hard, i have a life, unlike you hahah’ type of chatter.

Will to point out the newest member of the strings, jokingly telling him that Hannibal now knows more about the theatre than the owners kid, “too bad YOU don’t play”

Hannibal plays a little, but not violin unfortunately.

The conversation is very mild, and the next weekend he sees Hannibal again, socializing a bit more, but a smile does pass between them at least, Will leaves early i bet after that exact ‘you must have no life outside of violin haha’ joke happens (which is technically true).

It is a complete surprise when, a week or two later, the (many) people who sleep at the theater come downstairs to the body of the new violinist, strung up from the rafters like a marionette, they might not have noticed if not for the pool of blood.

The police naturally are of no help, because this is the 1800s, it basically comes down to asking all the violinists if they had a grudge, getting overly aggressive with a few ,then deciding it was probably more to do with his wealthy father.

The very superstitious people are now acting like anything odd in the theatre must be the ghost of the violinist, and SOME of them think a ghost killed him. Its a lot of nonsense, but they are all artists and theater people so OF COURSE it goes to their heads, they start coming up with more and more dramatic stories, until nearly everyone superstitious (aka nearly everyone) is now in a PANIC over it. Will snaps at a few people over it, but honestly everyone is snapping at everyone so it is hardly noticed.

They are preparing for a new show and one of the dancers trips. It happens occasionally but they all FLIP and start saying she was shoved. A few of the actors are in hysterics over this, one of the singers passes out. They call for the theatre doctor (that was a thing, lots of people there and lots of injuries) (would this be chilton?) he comes, but also comes Hannibal! Will is strangely thrown off by this, he hadn’t really expected to meet him outside of those parties, or possibly ever again. Chilton probably starts condescendingly telling the female performers to all calm down, talks about hysteria, mass panic (which is true) but he's really shitty about it. Hannibal tends to the singer and calms her down, is really sweet and gentle in a way that will clearly have her falling for him. He might say something like ‘even if nothing but their fear is attacking them, yelling at them won't steady their hearts’

Will naturally does not fall for him (not even a little bit, even if he is totally charmed and okay maybe he fell a LITTLE) but he is invited for dinner at Hannibal's somehow and rides in a carriage with him and possibly even helps make dinner, i dont know. Hannibal maybe hasnt hired a maid yet and said his house is lonely.

They probably do NOT kiss, because 1800s, but that atmosphere is THICK

More accidents are happening at the opera because of panic and the fucking owner tells the audience they are haunted (either sincerely, in a ‘forgive us if it isn’t perfect tonight’ or a ‘isnt this exciting?’ way. Probably the first since his sons dead). This panics the backstage people MORE, the dancers tumble, the singers miss notes, its a MESS, Will cant help but laugh at it. (secretly, in the audience, Hannibal is amused too, he had not expected this performance to go well after all, and it was more a comedy story anyways)

Hey guess who is one of the set designers? Hobb! Hey did you know his daughter was the singer that passed out earlier? 

Do you wonder if Hobbs would kill a few of the other singers to move her up the hierarchy a little bit, disguising it as either a ghost or the original killer? I am 100% sure he would do that, actually, but that's just me.

(Abigail is  “little angel of music that could” but actually she isn’t nearly good enough to be top-billing, but TOO BAD Hobbs is going to kill his way up the ranking anyways. Lots of the workers are going to quit, but nope, he’s just-a-killin’ left and right, she’s going to be a STAR)

Will is subtly investigating these murders because it ISN’T A GOD DAMNED GHOST and possibly even getting Hannibal (who he is definitely in love with but won't let himself touch because Laws) to help him out on occasion. Will notices the pattern of Abigail always moving up, but technically it could be any one of a couple lower-ranking girls, he only notices Abigail really because it happens TWICE and her dad works there and doesn't seem worried for her.

He tells Hannibal, since he isn’t sure what to do with this since its basically just a feeling and the police probably won't listen (lets say he has a reputation as a weirdo or something, or some past scandal he doesn't want anyone looking into (gay? crimes? asylums? witch? Who knows, all, neither, Will wouldn't do well in the 1800s, he doesn't even do well in 2010)) so it basically comes down to confronting him directly and scaring him off. He takes hannibal with him.

It does not go well.

Betcha Mr Hobbs tries to kill Will

Betcha Will fights him off

Betcha Hobbs runs STRAIGHT for his daughter onstage

GUARANTEE he slits her throat,  because she is doomed to have this happen in every universe

Will does not shoot (why would he have a gun at his violin job) but probably beats him half to death, while Hannibal holds Abigail's throat closed

They both end up covered in blood ON STAGE (this is a rehearsal, which is why Will isn’t in the pit right now) and everyone sees it. 

Somehow everyone STILL ends up deciding that the phantom in the opera house had possessed Hobbs, somehow, because no right-minded man would ever try to kill his daughter.

Probably you cant survive a throat slitting in 1800s, but she does anyways, because Hannibal.

Hobbs is arrested, but largely for the sake of asylums and exorcisms or something, he’s alive and will probably see his daughter fairly often when she visits him, but she cant sing anymore so she might be demoted to set work (not HIS job but like... heavy hard work girls wouldnt usually do, because the other innocent set guy doesnt want her ending up on the street. she takes to the job well and will always have a croaky voice)

Probably Will goes home with Hannibal Abigail is stable, presumably because they are ‘both’ stressed and in need of comfort. They bath, seperately, but they end up in front of the fire less put-together than usual, comfortable clothes, and Will cant help peaking at Hannibal, trying to be subtle. Maybe Hannibal is like ‘maybe its not the best time to show you, but i bought you a gift’

Its a new and VERY fine violin, to replace his aging one, and WIll plays music for Hannibal, glad to find his shaking fingers steady on the strings, like they always do. 

Id like it if somehow they could dance, but i guess its not really workable. They definitely kiss, but Will pulls away from it and they go to bed separately.

Soon enough things wind down enough for Will to learn about murders happening OUTSIDE the theater, in other parts of town, and he will actually end up finally talking to Hannibal about his feelings. Hannibal is unrepentant, which Will takes to be because Hannibal is foreign. They kiss, and after several more dinners and things at the theatre calming down, these two FINALLY have sex, that whole deal, being 100% for-sure illegally in love.

 and just as suddenly, Will figure out that Hannibal is the RIpper

Will probably goes to visit Hobbs, to ask why Hobbs thought killing was worthwhile, but its so COMPLETELY not why Hannibal kills that it actually puts Hannibal into perspective for him

Will probably tries to tell the police that Hannibal is a killer. They dont believe him. Will outright tells Hannibal that he had tried to turn him in but it didnt work. Things are tense, but Will eats the meat and then they PROBABLY end up having rough+tender ‘i know you are a murderer’ vs ‘im a murderer who loves you, and to the police that love is the worse crime’ sex, because im trash

Let's then have a VERY public arrest of Will for (pick your fav, past or vague gay actions, general witchiness, insanity, being born in to a cult under a different name, i dont care, pick your poison) , which they caught after someone at the station recognizing him from SOMEWHERE but it took a few days for them to be sure from where. He’s arrested and of course put into the same asylum as Hobbs. They probably never even cross paths, but it doesnt matter, Will knows that they are in the same place for wildly different reasons, but in the end its all the same to the powers-that-be

Have Hannibal somehow save Will, possibly by already working at, coming to visiting, applying to work at that asylum himself, or maybe taking him out on ‘a walk’ and actually bringing him to a waiting carriage and running away.

Either way EVENTUALLY Hannibal manages to spring him, they run away together, both their own type of criminal, and it more or less ends on Will, very unhappily, deciding that if his life is a crime ANYWAYS, if his love for someone can have him sent to the same punishment, he might as well eat people, because fuck it. 

Uhh, but more angsty and poetic, he IS an artist after all.

#hannigram #phantom of the opera au #will graham #hannibal lecter #my writing #prompts #i didnt mention it really but im picturing this being in baltimore #even though i have NO idea if baltimore was a proper city around 1900 #i mean it PROBABLY was right? #did they have an opera house? #ive got no idea