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#DEUTERAGONIST DAVEY
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Pulitzer: *yelling at Jack and Davey in the ‘92 film* Any man who doesn’t act in his own self-interest is a fool!
Davey: …your tone seems very pointed right now…
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employee052 · 4 months
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THE NARRATOR INTRODUCTION CARD
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feat his new outfit and a whole lotta text/lore!
accidentally made this more like a textbook graphic rather than aesthetic but whatever im proud of it :3
(also non transparent bg ver under the cut! plus the lore i wrote)
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THE NARRATOR "VIRGIL" (HE/HIM)
THE STANLEY PARABLE
@ Oswinynknown/Employee052
Written and designed by Davey Wreden and William Pugh 2013 HD Remake developed by Galactic Cafe 2022 Ultra Deluxe edition developed by Crows Crows Crows The Narrator voiced by Kevan Brighting
The Narrator is the voice heard in The Stanley Parable, who serves a general purpose of guiding Stanley. Depending on Stanley's actions. The Narrator can serve as the main antagonist, the deuteragonist, a neutral/misunderstood character, or even Stanley's friend. (Source: The Stanley Parable Wiki)
There are many iterations and designs of The Narrator that are floating around on the internet. This design is by Employee052 on Tumblr, also known as OswinUnknown. The name "Virgil" is related to Dante's Inferno, the first part of the Divine Comedy. Virgil being the one who guided Dante though Hell and Purgatory. However, the name is directly taken from a well known Portal 2 mod called Portal Stories: Mel. The deuteragonist, A maintenance core named Virgil why assists Mel out of Old Aperture.
Within the fandom of The Stanley Parable, many iterations of The Narrator vary in appearance. For this Narrator in this instance used to wear a brown hoodie with white drawstrings, a black turtleneck, and black pants. However, since 2024, this design was improved upon with a brown blazer, a black polo shirt, and brown dress pants. This design is heavily inspired by the previous iteration, as well as refferences from the Kingsman Actor Colin Firth. Some consistencies between the two designs are the emerald green eyes, yellow rimmed glasses with similarly coloured string. As well as the iconic whote swoop seen since the march vent comic.
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EIGHT CRAZY NIGHTS is such a confounding movie.
I recently watched a batch of deleted scenes, of which I wasn't aware of until rather recently. I had once listened to its director, Seth Kearsley, talk about the picture on a podcast as well. Fascinating stuff all around about its production, and all the ins and outs, how they went about their decision-making, etc. Seemed like it was a fun movie for many of its crew to work on, and they seemed to be treated well too. RARE for an animated movie of this caliber, it seems.
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It has gone down, almost notoriously, as being considered one of the "worst" animated movies ever...
Weirdly, when I was 11 years old, I was lowkey OBSESSED with this movie. I didn't even know it existed until it was out on DVD, and when I watched the whole thing through, I was hooked for some reason. Maybe it was because it was, at the time, a good-sized 2D animated feature that wasn't set in the past, a fantasy world, a sci-fi setting, or anything like that. EIGHT CRAZY NIGHTS wasn't IRON GIANT nor EL DORADO nor SPIRIT nor TITAN A.E. nor TREASURE PLANET... It wasn't like LILO & STITCH from the same year either, which is also a contemporary story, but that has aliens in it! And was family-friendly. This was set in the present, it was more for adults, it was just people being people with *some* cartoony elements (such as cute anthropomorphic deer and some of the exaggerated, if not demeaning character designs), it was even really semi-realistically gross in some parts (and not in the sort of, say, exaggerated REN & STIMPY way), it could've easily been a live-action Happy Madison production. But it wasn't. Many of the movie's detractors feel it should've just been done in live-action.
The movie is inspired by the Whitey character from one of Adam Sandler's comedy albums, and sometimes I feel the movie could've worked better with him as the main character and Davey a complex deuteragonist. Going through the deleted scenes, you could tell the crew went through a few ideas of just how far they wanted to push the exaggerated, cartoony stuff. What kind of jokes they thought could work or that they could get away with, etc. Certainly a cartoonish decapitation of a kid, and a monkey that explodes into a gory mess would've easily landed this thing an R rating, but they weren't going for that ultimately. You have this weird mix of a very dark and often mean movie, but it's also PG-13 and it doesn't go too far so it's more accessible to kids and still fits the bill of being a "warm holiday special" kind of movie. I do gotta give props to the filmmakers for wanting to make a big, mainstream Hanukkah movie in a sea of gazillions of Christmas movies, no matter the end result.
And yet... It worked on this fellow when they were 11 years old, so Sandler, Kearsley and his crew must've done something right! I can quote most of this, that's how obsessed I was with this movie circa December 2003-January 2004. With holiday money or something, I literally bought the VHS of it. We had it on DVD as well, but I bought a VHS for myself because back then, I did not have a DVD player in my room... So, a tape it was. It came with the live-action short A DAY WITH THE MEATBALL, starring Adam Sandler's bulldog at the time, much like the DVD.
So yeah, I find it a fascinating movie to this day, not because of its battlefield of tones (life itself is tonally uneven, too) or some of its truly strange sequences such as the one where the product placement all comes to life in the mall, but because of its history and also... The visuals are quite nice. IRON GIANT animation team involved (the boy Benjamin kinda reminded me of Hogarth anyways, of course I made the connection at a young age), and even the songs I find amusing. They got Alison Krauss to sing on at least one of them, so that's a plus. Some of the eleventh hour rushed stuff, such as the declining animation quality on the townspeople during the Bum Biddy bit, is fun to spot too. And I do overall like the premise of this movie; a relentlessly kind man who is overlooked by his community Odd Couple-ing with a total asshole who had a tragic childhood, in a sort of blah and miserable blue-collar town setting, some heavy stuff that this movie that - with more tact and less poopy jokes - could've really handled well.
I hate the term "guilty pleasure", but this could possibly be that for me. That's what I like about "bad" animated movies of the '90s and early '00s, there's usually something very interesting going on in it, whether it's through the seemingly-confused storytelling or the idiosyncratic choices in the visuals. I think with a slew of cheap live-action movies, those are indeed efforts at the end of the day, but with an animated movie... There's a lot more to it, and that it's a miracle one of these things even gets finished, let alone released. In live-action, it's just they shot a bit and did some post... With an animated film like this, a lot happens along the way, no matter the end product. It's easy to say "it's all negated by the script", but I think it's more complex than that... And that's part of what I find appealing about EIGHT CRAZY NIGHTS to this day.
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guespers · 4 years
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Episode 28 Corrections:
Confused? Go watch episode 28!
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