Erin Shirreff, Midday dilemma, 2022
at Bradley Ertaskiran, Montréal, Canada
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Erin Shirreff, Ruler and hole, 2015.
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Mémoire matérielle : l'exposition à découvrir au pavillon de Plural (CA)
Melanie Colosimo, When is a fence a ladder?, 2021-22,The Blue Building Gallery, Photo © Ryan Josey (détail)
Du 12 au 14 avril 2024
L’Association des galeries d’art contemporain (AGAC) est ravie d’annoncer aujourd’hui l’exposition Mémoire matérielle, qui sera présentée au Pavillon du deuxième étage de la foire Plural, du 12 au 14 avril prochain.
Commissariée par evlyne Laurin, Mémoire…
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Still from Erin Shirreff’s Medardo Rosso, Madame X, 1896, 2013, digital video, color, silent, 24 minutes.
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http://www.textfield.org/tags/erin-shirreff/
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Erin Shirreff
Erin Shirreff’s diverse body of work, which includes photography, video, and sculpture, is united by her interest in the ways we experience three-dimensional forms in an age in which our perception is almost invariably mediated by still and moving images.
#erinshirreff
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Grayscale
Simon Lee Gallery London
Erin Shirreff, Fig. 10, 2019. Archival pigment print framed: 110.5 x 146.1 x 8.3 cm. Courtesy of the artist/Simon Lee Gallery 2022
This month I steer a path carefully away from my preceding theme of weaponization for some fairly obvious reasons. Instead, I look at the monochromatic, but never monotheistic, delights of the group exhibition Grayscale at Simon Lee Gallery…
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Erin Shirreff Four strings 2015 Cyanotype photogram, muslin over canvas 96 x 96 in.
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Erin Shirreff: “Figure 5″.
https://www.erinshirreff.com/
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Mark Owens
published by Shane Campbell Gallery
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Erin Shirreff
Lacquer, pocket, 2018
Sikkema Jenkins & Co.
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Erin Shirreff
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Erin Shirreff, Semi-circle, ladder, 2015
Sikkema Jenkins & Co.
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Erin Shirreff
Underwater exposure, 2018
Cyanotype photogram on muslin over panel
80 × 70 in
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Erin Shirreff
Fig. 4, 2017, archival pigment print, 40 x 54" (with fold)
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