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#Even if he's not Exact - personally I don't think it matters lol the Narrator isn't /meant/ to have a fixed form imo - it's still flustering
sysig · 1 year
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Silly goofy StanNarrator (Patreon)
#Doodles#The Stanley Parable#TSP#Silly mode leftover doodles from my alt notebook#I wasn't as concerned with making these finished or pretty but they did turn out cute >:3c#Since I've established that Sinister thinks in images the next logical step is imagining the Narrator - and he hates that ✨#He is not made to be perceived! He is an imageless entity! A total enigma! Lol#If we as an audience can imagine what a Narrator might look like - to the best of our abilities - I don't see why Stanley wouldn't#Even if he's not Exact - personally I don't think it matters lol the Narrator isn't /meant/ to have a fixed form imo - it's still flustering#You give him so much material to work with Narra! To imagine what face you might make or your body language#Or worst yet when he plays with the mental projection like a doll - much like what the Narrator does to Stanley hehehe#How does it feel to be ''made'' to do things that wouldn't reflect you! It's an interesting role reversal that works within their confines#Also makes me wonder how much Narra would play into it haha - if Stanley ''flipped him upside down'' would he get dizzy? Even a little?#To what degree is he real! To what degree is Stanley real if he's not being interacted with!! The themes!!!! <3#Anyway lol ♪ Silly Stanley noise chart for funsies#There are a lot of sounds humans can make with their mouths even discounting vocal cords - I could definitely see him doing verbal stims#Who me projecting again? Psh no anyway (lol)#And then some kisses! This is my first time drawing my versions kissing!!! Which actually solidified a new headcanon for the Narrator haha#Because he (ostensibly) needs his mouth to narrate he doesn't like kisses on the mouth :) He weak to it!#Doesn't stop Sin from enjoying kissing him lol - it's a good way to shut up him In Case of Power Play#But sometimes♪ he'll try to respect his wishes - not all the time tho haha
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skaruresonic · 2 months
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every once in a while my feed recommends thinkpieces on the Matrix films written by authors who miss the point of said films, so I guess it's time for yet another thrilling round of "watch the films"
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Did. Did you see the part where Neo wakes up in his bed thinking the interrogation was just a dream. Because. Agents wiping people's memories is an established plot point.
Also, the Architect implies in Reloaded that most people plugged into the Matrix are aware deep down that they live in an artificial reality, but they agree to live in it at that near-subconscious level because they've been given the choice to accept or reject it. He says this was the most elegant solution the Oracle created to address the problem of people rejecting the dream world en masse. As long as people are made to believe they have a choice, even the illusion of choice will suffice. It paints a rather depressing portrait of humanity and its complacency, tbh.
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No kidding.
The animated short detailing the history of the machines portrays scorching the sky as mankind's last-ditch effort to gain an advantage following a gruesome war. It wasn't something they approached lightly. Never mind the fact that mankind isn't exactly known for its long-term thinking and well-considered rationale in the face of terror (neither are the machines, for that matter; nuance whomst?). Morpheus furthermore claims that they don't know who struck first, machines or humans, but they do know humans "scorched the sky."
The original script specified the machines used human minds to boost the Matrix's processing power, but because that was a concept that would have flown over the audience's heads in the nineties, they changed it to "the machines harvest humans for energy."
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To be fair, the sequels do take Morpheus somewhat to task for his dogma. His faith gets noticeably shaken by the events of Reloaded and Revolutions. Not everyone believes what he believes, but his beliefs do not require them to.
I won't argue that Morpheus is particularly righteous or even accurate most of the time, but I do think the notion that "anyone that hasn't been unplugged can turn into an Agent and kill you at any time" ought to be taken into account. Is it a little extreme that he calls every unplugged human "our enemy"? Yes. But… he kind of has good reason to, tbh. Agents can't exactly be reasoned with. The crew were fully prepared to pop a cap in Neo's ass "for [their] protection," as Trinity says, despite Morpheus' conviction that he was the man they were looking for.
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Eh. Neo's muscle atrophy appears later, though I'm willing to suspend my disbelief for the sake of having a hard-hitting scene. Watch less CinemaSins, it's good for you. ironically enough, The Matrix is the narrator's favorite movie. lol and lmao
"Furthermore, there's an unresolved issue of why the spider-like machine simply doesn't kill him (and every other revived human) as they wake up."
Because you can't kill something you think is a corpse.
The maintenance machine removed Neo's cables because it registered him as dead… as a result of Neo taking the red pill. Morpheus says taking the red pill disrupts a person's input/output signals, meaning the connection between one's RSI and body has been severed, something that only happens if a podbound human dies. The signal disruption allows the rebels to pinpoint Neo's exact location in the real world.
While you could argue this technique potentially harbors its fair share of flaws - one can only assume human batteries die every so often, so how would they be able to pick Neo out from the unattended dead? - asking why the machine didn't kill him tells me you weren't exactly paying attention.
Things get a little more complicated in Reloaded when the Architect implies that the machines do willingly let a small portion of humans go as a sort of pressure valve to prevent the Matrix from collapsing under its own critical mass. Even then, the first film provides a coherent enough explanation that we don't need Reloaded's. You're assuming the machine believes Neo is alive when clearly it doesn't. It sees him struggle, yes, but because the red pill makes Neo emit the machine equivalent of an ant's death pheromones, the bot goes "welp, another one bit the dust" and proceeds to flush the "corpse" down the drain.
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People always act like this is some fresh new take.
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Well. That's kinda the whole point of his betrayal. To make you wonder what you would do in his situation. It's all well and good to speculate on what-ifs from the comfort of the fourth wall, but the film frames an otherwise abstract moral quandary in very clear terms. Is a life of hedonistic bliss better than one where you are painfully aware of the artifice of reality and constantly fighting for your life? It's not an accident---you're meant to ponder the question.
The Matrix franchise approaches the concept of freedom from a nihilistic lens. Nihilism often gets strawmanned in movies (Smith's own views function as a mouthpiece for such edgelord flanderizations) as a defeatist attitude of "Nothing matters, so why bother living?" Rather, a more accurate portrayal of nihilism contends that, because nothing has intrinsic meaning, you are free to create your own meaning. That it is dangerous to chase meaning as defined by premade structures like religion or philosophy, because these will dictate your thinking and keep you under another's control. In so doing, you surrender your freedom to truly discover for yourself what it is that makes life worth living to you. And indeed, Neo transcends Morpheus' and the Oracle's understandings of the Matrix and what it means to be The One in order to walk his own path.
The films ask you, "If freedom felt more like prison, would it still be worth striving for? What is the value of a freedom where you stand to lose more than you gain? Does freedom have inherent value, or is it hailed because of what it represents as yet another variable within these multi-tiered systems of control?"
Tbf, Cypher's resentment towards Morpheus was more understandable in earlier drafts of the script, where it's stated that Cypher was freed from an extremely young age and Morpheus had actually wound up killing five previous candidates he'd assumed to be The One. Some speculate that Cypher is jealous of Neo on the basis of having been a previous candidate, but I don't exactly think that's strictly necessary to understand his desire for a mindlessly hedonistic lifestyle.
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Okay, I'll give you that one. Never really was sure how Cypher managed to catch the Agents' attention without getting shot on sight. Perhaps Smith recognized an offer he couldn't refuse, and, both characters being opportunists, he and Cypher leaped at the chance to strike a bargain.
It may also have something to do with Smith's ability to at least somewhat mimic human mannerisms on occasion. Agent Brown and Agent Jones are about as personable as cardboard, so it's my pet theory that Smith was designated to be the "human whisperer" of the trio. Hence why Cypher conducts his negotiations with Smith at a restaurant while the other two stand guard.
The scene where Neo sneaks up on Cypher implies Cypher had been doing some hacking in order to prepare for his meeting with Smith. He turns the screens off immediately afterwards.
Moreover, Enter the Matrix implies people are able to plug into simulations without help from others. I would assume Cypher used the same kind of equipment to plug himself into the Matrix.
During Morpheus' torture, the Agents manage to figure out that Cypher has been killed, thus implying that they were counting on disposing of him all along. Because Smith orders the others to continue as planned, it's kind of obvious they never really intended on giving Cypher what he wanted.
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Petition to drop the phrase "hasn't aged well" from our collective lexicon. At best, it's a semantically null phrase. At worst, it's being deliberately obtuse towards media history as well as the creative process, a way for audiences to feel superior based on the fallacy of modernity. There have been tons of documentaries on the making of the first film, some of which are included as extras on the original DVD. I recommend you watch a few before you say stuff like this.
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Admittedly, this one pisses me off a little because A.) yet again the "hasn't aged well" sentiment inevitably loops back around to overlooking the context and history in which the piece was made, and B.) fuck you, the crew worked incredibly hard on this shit.
"The most egregious offenders are scenes like the helicopter crash, where the building's windows warp unrealistically." - You can excuse people flying twenty feet through the air and dodging bullets, but draw the line at (flips through notes) glass exploding in a circle?
Imagine saying this about The Matrix of all films. The one movie that can handwave unrealistic elements through its premise alone. The film where the entire point is that unrealistic things are happening because you are not watching reality.
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and then Neo was like "whoa.exe"
Secondly, the Wachowski sisters spent several months studying how glass explodes in order to achieve the ripple effect seen in the film. While CG was used to enhance the scene, the underlying framework rests on a foundation of practical effects. They made dummy rigs and ran through tons of tests to find the precise kind of glass that could accomplish what they envisioned.
The special effects director was pretty hard on himself during a watchthrough with Carrie-Anne Moss, actually. He thought some of the digital effects looked horrible, specifically Agent possessions, and said they could have done better. People saying stuff like this just makes me feel worse for him in retrospect.
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Bullet-time looks unimpressive to you now because it's been parodied to death over the past twenty-five years. I fail to see how this is the film's fault.
Subjective perspective changes trying to pass themselves off as objective critique without taking any of a media's history or creative process into account are a part of the reason why I think "hasn't aged well" is a thought-terminating cliche and ultimately useless in discussions of this ilk. It doesn't effectively communicate anything of meaning. You might as well say "this film features moving pictures" or "this video game has controls" for all the information you're imparting.
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I will concede that Resurrections was a glaringly obvious cash grab and a huge waste of potential. The first half of the film nearly rivals the the first act of M1 in terms of its psychological intrigue, building a slowburn of anticipation… Only to completely shit the bed, devolving into a cynical montage of fanservice and half-baked ideas that amount to nothing more than a shrug. I'm not a Neo/Trinity fan in the slightest, so the "hook" they hoped would reel me in didn't work on me.
However, I think there is more substance to Reloaded and Revolutions than people commonly give them credit for. Perhaps not as entertaining stories, but certainly there's a lot of cud to chew on in terms of the philosophical elements they offer. And this is coming from someone who thinks Reloaded is easily the most boring film of the quadrilogy narrative-wise. The sequels build coherently upon concepts established in the original, if you pay attention.
Reloaded's "We cannot see past the choices we don't understand" is a natural extension of the first film's mantra, "Know thyself." The inability or unwillingness to "know thyself" proves Smith's undoing in Revolutions, since during his "me, me, me" phase he does not do any of the self-actualization or self-reflection that Neo undertakes on his path to achieving peace.
Smith's fatal flaw is his self-myopia. He purports to know how the world works, but he remains blind to himself. And it is because he does not understand himself that he cannot understand others, and thus cannot see his own destruction beyond the brief moment of victory he glimpses with the Oracle's vision. Smith is painfully aware of every single thing except his own inner workings, and that creates in him a void that can never be sated. His myopia explains why he cannot conceive of why Neo fights out of choice. He cannot understand any choice because he does not understand the value of free will.
The inability to see how his character evolves throughout the "forgettable" sequels is what led to galaxy brains on Reddit concluding "Smith is actually The One huehuehuehue" based on the flimsiest of evidence (and a lot of pulling shit from the deepest sanctums of anus, since, let's be real, nobody in this Chili's particularly paid attention to what M1 had to say about him either) and it's like. bruh
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r0zez-in-bl00m · 3 years
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~ 𝓒𝓻𝓾𝓮𝓵 𝓽𝓸 𝓫𝓮 𝓴𝓲𝓷𝓭 ~
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Looking more like a boy
🍎 Epel x fem!reader (fluff) WORD COUNT : : 1.5k
Description- Epel loves his beloved very much, even though they look more manly than him. But what happens when he tries to become more manly himself?
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Epel loved (y/n) more than anything he ever had loved before, not only him but his lover knew that too. The whole Pomefiore dorm did, Vil was very happy to see them together though he would comment on one flaw every time this topic was brought up in his presence.
 Only one thing's wrong in their wild relationship, is the perplexity of finding out which one of them is a boy or a girl. God, (y/n) always had to assure him that not to get so overboard on these pathetic matters, but that guy wouldn't have it. Epel gets so angry when someone confuses him with a girl while he's somewhat embarrassed that his girlfriend was so strongly built.
 Even Mr. Vargas sometimes gave an example of her to teach the students to build muscles, Vargas rarely compliments someone else other than his egocentric self on the concept of muscles. But (y/n) begs to differ on that matter. "Mr. Vargas is more female following, I guess." 
 Insecurity is highly available in the love market. Epel dragged, literally dragged, away (y/n) when some delinquent/ jock randomly flipped his arm on her during Magift practice. Be prepared for a long lecture in a very cute voice by the little apple, pun intended. Expecting a change in accent when he started talking was crucial. 
 "Why?! Out of all people . . ." "Ain't I enough for ya?! You don't like me because I ain't muscular?"
 Then there were coddling moments, (y/n) crushed Epel into a hug," God, my idiot boyfriend . . . if I liked muscular guys would I go out with you in the first place?"
 The girl teased him a lot though for his switch in accent. "You sound like a little lion sometimes. . . Kingscholar would be jealous." The apple boy blushed a lot with (y/n) whispering in his ear or touching his face.
 To match her girlfriend in every way Epel tries a little too much than expected.
 One day while experimenting in the laboratory along with Jack Howl for their assessment Epel was multi-tasking with another book hidden under his desk and reading the book which was based on magical pharmaceuticals for the second-year level.
 By chance, Jack spotted the book and scolded him for cheating. Immediately Epel got a switch in his persona and was bomb-barding over the 192cm wolf with his southern comments while spilling his beans at the moment. 
 "You're trying to make a potion that will make you more muscular?" Jack muttered in disbelief, he couldn't fathom at first that why would a cute Pomefiore require such a potion in the first place.
 Epel, being Epel, switched to his regular façade in an instant and was stammering like mad as a hatter. "Oh, !-! I-it's just . . . so t-that I can look a b-bit . . . more masculine... f-for her." It wasn't hidden from anyone that (y/n) (l/n) and Epel were dating but Jack never expected him to go this far to read and understand a high-level medicine book. Jack merely scratched his head, confused about what to say next, "I think Vil-Senpai once told me that taking a body development potion can cause a lot of strain to the body as well as the mind. . ." Epel had his head down, pressed against the desk, "I know that! It's just it's kinda weird that (y/n) looks more like a man than me." 
 Feeling like a good puppy that Jack is he decided to help Epel with the potion considering that it was of vast complexity (and we know that our Tsundere puppy would never admit that he is doing this by heart lol).
    All afternoon Jack and Epel spent their time researching and putting all sorts of herbs and potions into the cauldron. "Epel, focus closely on how the color changes. We don't want to create trouble for ourselves." Jack instructed while putting another herb as designated in the book. Epel nodded," Understood."
 Slowly the color started to fade into a vicious color of red, thick and rich. Jack and Epel both peered down to take a closer look. As the book said it would be welcoming at first glance yet the trick of the potion was to figure out which part was truthful. It hadn't yet been figured out that when was it best to consume the potion. Many theories were concocted for its usage; 'drink it when it turns out a bit bluish', 'it'll smell like rotten eggs at first,' 'don't drink if it's still milk-white,' such and such. 
 "How will we figure out that the potion is drinkable yet-"Jack said, he turned his head only to be at the verge of losing it. Epel was already gorging on the drink, the liquid falling on the floor at each gulp. "E-Epel?! What are you d-doing?" But by then it was already too late. 
 The potion was all gone and all was left was to see if their hard work bore any fruit. Laughter broke out a minute later. "Jack!! I can feel the power surging in me . . . . God, it's amazing!" Jack was baffled, then knowing that everything was alright smirked a little at their success. But then something struck him, Isn't potion supposed to make him taller? Then why is he shrinking... 
 His realization was as late as ever. A poof of purple smoke surrounded Epel and within the blink of an eye . . . vóila! The apple had turned into a cat; A pretty cute one to be exact.
 His eyes were big with their same blue irises and were staring adoringly/in confusion at Jack. "Meow?" Jack took it as 'what the hell happened?' As much as he wanted to lecture Epel the Cat, he couldn't. Stan cuteness.
 Jack cursed the time he decided to be a good puppy and help Epel out, now he was in big trouble than anyone could anticipate. The terrifying image of (y/n) wrathful face started to haunt him, he was sure that Epel had the same thoughts. With swift arms Epel was under Jack's protection, they both headed towards the hall of mirrors to the Pomefiore dorm.
 But but but . . . the goddess of fate had taken a little vacation. In their hurried state they were spotted by the person they both least wanted to see right now.
 "Hey, Jack!!!" 
 "Goddamn it!!" Jack muttered angrily, this couldn't have been the worst time to be killed right now. (y/n) approached him at an unprecedented speed Jack could've reciprocated. He was done for. "What up bro—oh who's this?" (y/n) gazed at Epel with the same affection she would give him when he, you know, is not busy as a cat.
 The girl patted the cat's head, "Is this your pet, Jack?" (y/n) asked. His face flushed red at that question alone, so did Epel's, but in this case, it was his snout. "Uh . . . no . . . (y/n). It's not my pet. . ." Jack stammered, and hard. That day was no good for him. "It's not yours? Then maybe Ruggie's? I've seen him quite getting along with Lucius," the never-ending string of cat-related questions continued with Jack stammering like a fool and Epel losing his shit.
 Finally, in anger, he leaped in (y/n)'s arms. The girl was taken back a bit but materialized because of Epel's soft purring. "It's strange. . . Epel does the same when he's having a rough time. Burying his face in my arms then falling asleep," (y/n) laughed. "Which reminds me . . . have you seen him anywhere?"
 Be prepared to see a dying Jack any minute. 
 A guy, then, approached the group in a hurry, "(y/n)! Vice prez of Octavinelle is looking for you." 
While being dragged away (y/n) called out to tell her if he gets to know anything about Epel do let her know. God bless the anonymous dude who unintentionally saved Jack Howl from being slaughtered. Epel looked relieved too, that and a little triumphant purr.
 Then their venture towards Pomefiore continued. Upon reaching everyone in that glittering dorm showered Epel the Cat with love which was already less required but was, later on, were saved by Vil Schoenheit.
 Jack ushered Vil into a corner with Epel still secured in his arms and narrated the story from top to bottom.
 "YOU WHAT?!" Nobody could understand why their simply composed dorm leader lost his cool all of a sudden.
 Vil already made plans to clear out his afternoon to lecture Jack and Epel thoroughly tomorrow for causing this blunder, but Epel Felmier had to be saved. That night Jack again spent his entire time looking through the potions book with Vil brewing the antidote. Never in his life, Jack went through so much Alchemy and he swore that whatever happened next he wouldn't touch a single Alchemy book (unless it's a test then we can't sue the wolf).
 But one thing was final that he was going to do something lurid to Epel as soon as he gets back to normal, or he isn't Savnnaclaw.
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