#Giampaolo Babetto

[craft2eu]

Autorenschmuck - Auktion: München am 06.12.2023

Giampaolo Babetto, Robert Baines, Peter Bauhuis, Hilde De Decker, Karl Fritsch, Peter Hoogeboom, Jiro Kamata, Takashi Kojima, Daniel Kruger, Renzo Pasquale, Gerd Rothmann, Carina Shoshtary, Ketli Tiitsar, Flóra Vági, Tanel Veenre, Manuel Vilhena, Lisa Walker, Annamaria Zanella, Dana Hakim, Frédéric Braham, Svenja John, Catarina Hällzon,  Karin Johannson, Linda Hughes, Margit Jäschke, Niklas Link,…

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#Aficionado #Akademie der Künste #Auktion #Autorenschmuck #Coco Chanel #connaisseur #Gerrit Rietveld Academie #Hermann Jünger #international #Karen Pontoppidan #München #Münchner Kunsthochschule #Neumeister #Otto Künzli #Royal Colleg of Art #Schmuck #Schmuckautoren #Schmuckkunst #Unikat

[girlsdressingrooms]

Giampaolo Babetto, “Collana,” (Necklace” Gold 750, pigment,

© Loewe Craft Prize

#art #design #jewellery #jewelry #collana #gold #750 gold #pigment #giampaolo babetto #loewe craft prize #cubes #geometric #minimal #luxury lifestyle #luxury fashion #women's fashion #fashion #gold 750 #necklace

[topcat77]

Giampaolo Babetto

 Untitled, 2013

#giampaolo babetto

[magadeqamar]

Obra de Giampaolo Babetto

#Magade #azul #poesía #Giampaolo Babetto #âme #oiseau #fleur #ciel #coeur #bleu

[thequestforzest]

VIDEOTIME! Babetto au boulot

Pour nous divertir un peu par ce temps de pluie voici un nouvel épisode de VIDEOTIME! cette fois-ci un peu plus minimaliste car nous avons sélectionné pour vous une seule vidéo, “The golden Spaces of Giampaolo Babetto” qui est - bien entendu - autant plus intéressante !

Plongez dans l’univers Babetto

“De gouden Ruimten van Giampaolo Babetto” ou en anglais “The golden Spaces of Giampaolo Babetto” dresse un portrait intime de Giampaolo Babetto, la superstar de la bijouterie contemporaine qui fait partie du courant italien de la Padua School. Grâce à cette video vous suivez le devenir d’un bracelet signé Babetto. Dans son atelier, il partage ses réflexions et inspirations avec le spectateur.

De gouden Ruimten van Giampaolo Babetto / The golden Spaces of Giampaolo Babetto from Oswald Berends on Vimeo.

“A film about the Italian goldsmith Giampaolo Babetto (b. 1947). I met him for the first time when I was still a teenager, back in the 70's, in the gallery of my father, who exhibited Babetto's work numerous times. Years later Babetto gave me a Bolex H16 filmcamera, which he had in his possession, and, in return, I made the film with this camera.“

Pour en savoir plus

Episode précédant de VIDEOTIME! sur une exposition de Babetto

Le site officiel de Giampaolo Babetto

Babetto sur Artsy

#Zest #thequestforzest #giampaolo babetto #bijouterie contemporaine #contemporary jewellery #videotime

[cooperhewitt]

Lush Color and Texture Bring Life to Geometric Form

Folded into an open rhombus, and richly adorned with pigment, this brooch boldly uses color (achieved with the application of cobalt blue pigment) and texture (achieved by stippling the gold) to enhance its form. One look at this brooch by Giampaolo Babetto provides evidence of the mastery of gold present in his work. Babetto’s pieces cleverly transform shape and surface while paying homage to gold as a substance. His jewelry is characterized by the clean lines of geometric form and a soberness resulting from lack of ornamentation.

Babetto prefers working with gold due to its stable malleability and warm sheen, which he sometimes combines with unconventional materials such as plastic or glass, dusting the surface with a velvet-like pigment in luminous reds or blues, or by using enamel or niello-based techniques. He has been classified as a mixed media artist, and works not only in the area of jewelry but also in furniture design, silver, and architectural projects. His body of work reflects the uncompromising demands he places on his own handling of the various design disciplines, and his love of experimentation.

Born in Padua, Italy, in 1947, he studied at the Istituto d’Arte Pietro Selvatico in Padua and at the Accademia di Belle Arti in Venice. The special nature of the jewelry created by Babetto and his contemporaries who attended the Istituto has led experts to refer to the group as the Padua School. The Padua School denotes a specific approach, following the lead of jewelry designer, goldsmith and Istituto instructor, Mario Pinton, who inspired several generations of contemporary designers. The Istituto maintained Pinton’s creative and academic principles into the 1960s and later, training an impressive group of artists including Babetto, Stefano Marchetti, Renzo Pasquale, Graziano Visintin and Annamaria Zanella. Babetto is foremost of this group; he not only joined the Istituto staff, continuing and strengthening the jewelry program, but brought the school international recognition with work that has been noted for its sensitivity and precision.

Babetto has stated that his work is not “made for appearances” but is something that comes from within, and thus expresses an inwardness. Not limited by process or materials, and with a sharp eye for detail, he explores a wide range of forms, volumes and color resulting in pieces which he considers gems. Gems that are completed by being worn.

  This brooch is one of more than 150 pieces of contemporary jewelry featured in Jewelry of Ideas: Gifts from the Susan Grant Lewin Collection, now on view.

  Susan Teichman is a design historian who specializes in jewelry history and the architectural history of synagogues.

from Cooper Hewitt, Smithsonian Design Museum http://ift.tt/2AQLWUb via IFTTT

#cooper hewitt #design conversations

[multieli]

#RenzoPasquale #Italy #Padova #spilla Empty #brooch rock crystal, ceramic (gres), white gold, enamel #quality in #creativity #invitedartist . . Renzo Pasquale studied biology at Padova University, but a casual encounter with a master gemmologist and precious stone cutter set him off on his personal journey of exploration in the art of working stones and metals. Encouraged by Prof. Mario Pinton, he set up and taught in the artistic workshop of hard and semi precious stones at P.Selvatico Art Institute in the era of such colleagues as Francesco Pavan, Giampaolo Babetto, Diego Piazza. All of them contributed as goldsmiths artists to the Golden School of Padova which shaped Italian contemporary jewellery since the ‘70s . . We are happy to introduce Renzo Pasquale in the jury of the 10th edition of the Award #gioiellinfermento2020 . . Gioielli in Fermento #isjewelryart #fermenting #creativeinspiration #thelanguageofornament #thequalityofartjewelry @fermentingjewelry VillaBraghieri exhibition #Maggio2020 #cittadicastelsangiovanni #invaltidone #arte #cultura #raccontareterritori #associazionegioiellocontemporaneo #regioneer #emiliaromagnacultura #contemporaryjewellery contemporary #studiojewelry introduction to next edition ⤴️link in bio @inemiliaromagna https://ift.tt/2ME7t77

#IFTTT #Instagram

[groundbreaaking]

Italy’s Avant-Garde Art Jewelry on Display

By LAURA RYSMAN The gold work by Mario Pinton, Francesco Pavan and Giampaolo Babetto is showcased until March at an exhibition in Tuscany. Published: November 20, 2018 at 12:01AM via NYT https://ift.tt/2zkpwZl

#IFTTT #NYT #groundbreaking #news machine

[craft2eu]

ELIGIUS-PREIS 2019 - Schmuckkunst in Österreich: Wien vom 05. bis 24. März 2019

ELIGIUS-PREIS 2019 – Schmuckkunst in Österreich: Wien vom 05. bis 24. März 2019

Mit der Ausstellung ELIGIUS-PREIS 2019. Schmuckkunst in Österreich bietet das MAK in Kooperation mit Kunst im Traklhaus, Salzburg erneut einen Einblick in die zeitgenössische österreichische Schmuckszene. Bereits zum vierten Mal zeigt das MAK die Einreichungen zum Eligius-Preis für Körperschmuck und Schmuckobjekte, der vom Land Salzburg 2005 ins Leben gerufen wurde und alle drei Jahre vergeben…

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#Andrea Auer #Andrea MAXA Halmschlager #Anne-Katrin Rossberg #Beatrix Kaufmann #Birgit Schlarmann #Cornelie Holzach #Eligius-Preis #Giampaolo Babetto #Gunda Maria Cancola #Izabella Petrut #Konstanze Prechtl #Kunst im Traklhaus #Martina Mühlfellner #Paul Iby #Petra Zimmermann #Salzburg #Schmuckmuseum Pforzheim #Schnuppe von Gwinner #Theresa Macourek #Traklhaus Salzburg #Veresa Eybl #Viktoria Münzker

[boudhabar]

Giampaolo Babetto

[pikasus-artenews]

GIAMPAOLO BABETTO – segno e luce La mostra di Giampaolo Babetto propone un confronto con il Sacro nella basilica palladiana di San Giorgio Maggiore a Venezia

#art #Basilica San Giorgio Maggiore Venezia #Pikasus #Pikasus Arte News

[lescompagnonscouvreurs]

Babetto/Scarpa " Architecture et bijou contemporain

Exposition exceptionnelle consacrée au "binôme" composé par l'architecte Carlo Scarpa et l'orfèvre Giampaolo Babetto. Au Centre culturel italien à Paris. Jusqu'au 22 mars 2019. Présentée fin 2017 par le Musée national des arts du XXIe siècle (MAXXI) de Rome, l'exposition […] L'article Babetto/Scarpa – Architecture et bijou contemporain est apparu en premier sur Chroniques d'architecture.

Article : https://feeds.feedblitz.com/~/598764904/0/isolationcomblesperdus

#charpente #couverture #toiture #renovation

[voizyjumbq]

Italy’s Avant-Garde Art Jewelry on Display

Italy’s Avant-Garde Art Jewelry on Display

The gold work by Mario Pinton, Francesco Pavan and Giampaolo Babetto is showcased until March at an exhibition in Tuscany.

Read More…

The post Italy’s Avant-Garde Art Jewelry on Display appeared first on CabariBeads.

Source: http://cabaribeads.com/italys-avant-garde-art-jewelry-on-display-2/

[zippiesfun]

Italy’s Avant-Garde Art Jewelry on Display

The gold work by Mario Pinton, Francesco Pavan and Giampaolo Babetto is showcased until March at an exhibition in Tuscany. Travel https://www.nytimes.com/2018/11/20/fashion/jewelry-exhibition-italy.html

[michaelgabrill]

The gold work by Mario Pinton, Francesco Pavan and Giampaolo Babetto is showcased until March at an exhibition in Tuscany.

#IFTTT #NYT

[cooperhewitt]

“JEWELRY OF IDEAS: GIFTS FROM THE SUSAN GRANT LEWIN COLLECTION” PRESENTS THE RARE AND RADICAL

Fall exhibition brings 150 avant-garde works to the public, showcasing the limitless potential of jewelry design.

“Jewelry of Ideas: Gifts from the Susan Grant Lewin Collection,” opening Nov. 17, celebrates the recent gift from the renowned collector to Cooper Hewitt, Smithsonian Design Museum. On view through May 28, 2018, the exhibition, co-curated by Ursula Ilse-Neuman and Cooper Hewitt, features 150 brooches, necklaces, bracelets and rings, and traces radical developments in jewelry from the mid-20th century to the present. Works on view highlight jewelry design’s expressive and innovative achievements, ranging from works that make a political statement by eschewing silver and gold for industrial materials, to pieces that employ found materials to tell a personal narrative.

“It is with much gratitude that Cooper Hewitt has accepted this collection of modern and contemporary jewelry from a champion of the field,” said Caroline Baumann, director of the museum. “The Susan Grant Lewin Collection significantly expands the range and depth of Cooper Hewitt’s jewelry holdings to encompass the inventive approach of the studio jewelry movement and the impact of later groundbreaking conceptual and materials-driven contemporary jewelry design.”

The exhibition captures the diversity and achievement of modern and contemporary jewelry designers from Holland, Japan, Israel, the United States and elsewhere. Many of the pieces confront social, political or personal concerns using unconventional materials and techniques. Contained within a ring may be a history of the mathematical proportions of the Palladian villas of the Veneto, as in the case of Giampaolo Babetto. Within a bracelet may be a rejection of the cult of the precious, as seen in Otto Künzli’s “Gold Makes You Blind,” where an 18-karat gold ball is encased in a rubber bangle.

“I have been collecting jewelry for decades and it only becomes more exciting as the field of conceptual jewelry design continues to flourish,” said Susan Grant Lewin. “I meet designers from around the world, so the collection is international in scope. I like to find the leaders and innovators—the most experimental jewelry designers—and I am thrilled that Cooper Hewitt is exposing their revolutionary work to the general public.”

Highlights of the works on view include: • Intricate beading by 2016 MacArthur Fellow Joyce Scott, who depicts moments of sexism and racism and calls attention to their engendered violence • A silver and acrylic kinetic ring by Friedrich Becker, 1993, designed to axially rotate in response to the gestures of the hand that wears it • Ted Noten’s rejection of habituation and embrace of the unexpected, as seen in his 2003 pendant necklace, “Fred,” which encases a fly and a pearl in his signature cast acrylic • Kiff Slemmons’ narrative necklaces, including her 2008 piece, “Reliquary of My Own Making,” constructed of photographs that document her design process • The tongue-in-cheek, conceptual smoking instrument, “Manhattan Piece,” 1987, by Otto Künzli; a tubular design allows the wearer to exhale cigarette smoke through a brooch or button • Pioneering assemblage pieces that were the first to make curious whimsy out of the everyday, such as Ramona Solberg’s 1989 necklace featuring two dominos on a leather cord • Brooches and body ornamentation by American jewelry pioneer Arline Fisch, who applies an innovative technique of weaving metal • Abstract, painterly brooches from Thomas Gentille, who uses materials such as gold-flecked bronze, aluminum and eggshell inlay • A necklace made of coal and recycled paper feathers from Attai Chen’s “Compounding Fractions” series, 2010, which portrays decay as delicately beautiful • Work by Jamie Bennett, whose gold and enamel brooches act as canvases for abstract imagery reminiscent of vegetal Persian tapestries or paintings by Joan Miró

“Jewelry of Ideas: Gifts from the Susan Grant Lewin Collection” is made possible in part by the Rotasa Fund, Society of North American Goldsmiths (SNAG), Gallery Loupe, Sienna Patti, Helen W. Drutt English, and Kim and Al Eiber.

PUBLIC PROGRAMMING

The exhibition will include a series of programs and workshops that explore topics in contemporary jewelry and how designers have revolutionized the field, including a two-panel afternoon symposium (Nov. 17), a jewelry workshop (Nov. 18) and a Tea and Talk with prominent jewelry collectors (Dec. 12). For a complete roster of events, visit http://ift.tt/1rEG8lV.

PUBLICATION

An accompanying 176-page publication, with an essay by Ilse-Neuman, will be published by Cooper Hewitt and distributed domestically by ARTBOOK | D.A.P. and internationally by Arnoldsche Art Publishers. Featuring hundreds of full-color illustrations, the catalog will explore the groundbreaking techniques and materials used by over 100 world-class jewelry designers, with their accompanying process statements. Retail price: $40.

“Jewelry of Ideas: The Susan Grant Lewin Collection” is made possible in part by the Rotasa Fund, Society of North American Goldsmiths (SNAG), Gallery Loupe, Sienna Patti, William P. Short III, in memory of Nancy Jean Fulop Short, Helen W. Drutt English, and Kim and Al Eiber. This publication is made possible in part by the museum’s Andrew W. Mellon Foundation Publications Fund.

ABOUT COOPER HEWITT, SMITHSONIAN DESIGN MUSEUM

Founded in 1897, Cooper Hewitt is the only museum in the United States devoted exclusively to historic and contemporary design. Housed in the renovated and restored Carnegie Mansion, Cooper Hewitt showcases one of the most diverse and comprehensive collections of design works in existence. The museum’s restoration, modernization and expansion has won numerous awards and honors, including a Lucy G. Moses Preservation Award from the New York Landmarks Conservancy, a Gold Pencil Award for Best in Responsive Environments and LEED Silver certification. Cooper Hewitt offers a full range of interactive capabilities and immersive creative experiences, including the Cooper Hewitt Pen that allows visitors to “collect” and “save” objects from around the galleries, the opportunity to explore the collection digitally on ultra-high-definition touch-screen tables, and draw and project their own wallpaper designs in the Immersion Room. Cooper Hewitt is located at 2 East 91st Street at Fifth Avenue in New York City. Hours are Sunday through Friday, 10 a.m. to 6 p.m., and Saturday, 10 a.m. to 9 p.m. The Arthur Ross Terrace and Garden and Tarallucci e Vino cafe open at 8 a.m., Monday through Friday, and are accessible without an admissions ticket through the East 90th Street entrance. The museum is closed on Thanksgiving Day and Christmas Day. Public transit routes include the Lexington Avenue 4, 5 and 6 subways (86th or 96th Street stations), the Second Avenue Q subway (96th Street station), and the Fifth and Madison Avenue buses. Adult admission, $16 in advance via tickets.cooperhewitt.org, $18 at door; seniors, $10 in advance via tickets.cooperhewitt.org, $12 at door; students, $7 in advance via tickets.cooperhewitt.org, $9 at door. Cooper Hewitt members and children younger than age 18 are admitted free. Pay What You Wish every Saturday, 6 to 9 p.m. The museum is fully accessible.

For further information, call [phone], visit Cooper Hewitt’s website at www.cooperhewitt.org and follow the museum on http://www.twitter.com/cooperhewitt, http://ift.tt/1xPp14n and http://ift.tt/1ywLPpg.

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from Cooper Hewitt, Smithsonian Design Museum http://ift.tt/2v8NJNk via IFTTT

#cooper hewitt #design conversations