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brian-in-finance · 4 months
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Screenshots: Caitríona Balfe Fan
time for more
Caitríona Balfe talks to Shauna O'Halloran about time-travel, wedding plans and why women have had enough of Hollywood's shitty behaviour (her words, not ours).
A pair of stonewashed Levi's 501s, flat white converse and a little white T-shirt are all that Caitríona Balfe needs to rock up to a day's shooting in North London, and still have a full crew comment on how beautiful she is in real life. It's never something I like to lead with in interviews - we're here to discover the person, after all - but I do feel that to not mention it would be a shame, because she is quite stunning, even when off-duty. It's not that much of a surprise of course. The Monaghan native was once one of the most sought after runway models in the world, having been spotted by a Ford Models scout in Dublin. At 18, she was opening and closing shows in Paris for Chanel, Moschino, Givenchy and Louis Vuitton, to name a few. And this humble glossy is just one of many she's graced the cover of - with Vogue, Harper's Bazaar and Elle magazines all having starred Caitriona over the years. So no wonder there was literally not one bad shot to be found in the photographer's edit.
Today however, Caitríona Balfe is known best to most of the world as Claire Beauchamp Randall - Outlander's time travelling 1950s nurse who falls for a dashing highland warrior by the name of Jamie Fraser, played by her costar Sam Heughan. The show, now on series four, is based on a series of novels by Diana Gabaldon and to say it has mega fandom is an understatement. Having taken up acting after her modelling career, Outlander was Caitriona's first major role and has propelled her into a stratosphere with over five million viewers per episode. How, I wonder, is that?
"It's been such a wild ride!" She tells me as we sit down to interview. She's back filming in Scotland for her fourth season and we already know that seasons five and six are a go, so Claire is going to be part of Caitriona's life for some time to come. "I was cast late into the proceedings. I got cast on the 11th of September and I was in Scotland [for fittings and filming] on the 15th of September 2013. I guess I knew about two days before they announced it!" She says of the whirlwind entry into Outlander. It didn't take long, however, for Caitríona to realise the scope her new role was going to have.
"After we filmed about four episodes Sam and I were taken to LA and we did a fan event. Nobody had seen anything and there was over two thousand people at this fan event...having not seen one minute of footage. We came out on stage and everyone was just screaming!"
The core fan base has stuck with them as the seasons have gone on and Outlander has won multiple awards. Caitríona, too, has been widely recognised for her role with 20 plus nominations and a host of Best Actress wins from institutions like the People's Choice Awards, the Golden Globes, the Saturn Awards, IFTA and BAFTA.
One of the notable points of the drama series is the sparky on-screen chemistry between her and Heughan during their many steamy scenes together. So much so that people have had a hard time believing that they're not a couple in real life. No matter how much the actors insist.
"It's nice that people kind of see something in that, but you know, we've always just been friends. And I said it from the beginning but people didn't want to hear it!"
Even so, it must be hard after four years of filming sexy scenes with someone to not get embroiled in a romance of some description.
"We went for a walk," Caitríona explains on how the deal was cut early on. "Both of us had to go to London right before we had to start filming, I was getting my second perm of the week and he was getting his hair dyed, probably for the 15th time that month and we met down in Kensington and went on a big long walk in the park. I was there with my poodle perm and he was there with some kind of terrible ginger-red version of his hair and we were like, You know what, who knows what this is going to be but we're going to be in this together and we gotta have each other's backs.' And from that time on we always have." A sweet moment that has led to a lasting friendship and has probably been key to Outlander's success.
"The shows that have been successful - I think you always see that they stick together. The minute you let ego or your pride or all of that kind of stuff get in the way, I think that it can really sour things," she says with honesty. It has to be said, there is no ego about Caitríona Balfe and as the lead role in the show, it's easy to imagine that she sets the tone for all involved.
The atmosphere on set, she says is supportive and tight, although she's painfully aware that not all hit shows and Hollywood sets are so lucky.
"Our work is really tough and we're in tough conditions, like when you're out in the pissing rain or sideways snow, which happens! To have people be supportive of each other and care about each other, that makes such a huge difference.
"I know somebody who worked on a show as the lead male and he and the lead female never spoke, literally didn't speak to each other unless they were in a scene. I can't imagine ever wanting to be in a situation like that, I can't imagine waking up in the morning and feeling like I have to go to work with someone who won't even speak to me. That's horrible."
But the stories are rife; even before #MeToo broke, celebrities and bad behaviour on set seemed to go hand in hand. And it makes for great, salacious tabloid fodder. And women, notoriously, seem to get the raw end of the deal, in everything from respect standards to salaries.
"I think everybody's waking up to the fact that they can't get away with that stuff," Caitríona chips in. "I obviously came to this point of my life a bit later so I've always felt very comfortable about standing up for myself or speaking up for myself but there can be a bit of a double standard. But I don't think, I mean I will stress this, it's not always men enforcing that. We've had male directors or male producers who are so much more sensitive and supportive than sometimes the females can be. I don't necessarily think that it's a split line down the middle about sex; it's not all women supporting women because that's not my experience. I think it's really about people." And does it hurt more, when it's a woman being the unsupportive one?
"Yeah, I think you expect better. And I think sometimes they think because they're women they don't think they're being discriminatory, but if what you're asking is completely out of line..."
In the hierarchical worlds of modelling and acting, people entering the careers at the bottom rungs are more vulnerable to mistreatment.
Caitríona notes that she did experience it in particular as a young model and her first career left her with some healing to do.
"I remember one of my first ever photoshoots in Dublin. I was so young and I remember coming back from it and my sister was like 'Where have you been all day?' I was just being sent off with a strange photographer who was older and with no kind of knowledge about where I was going, what was expected, just sort of thrown out to the wolves at 18."
It was that age that she first began travelling too, to Paris and Milan, and with little to no support structure. "It's just incredible when I look back now at how I navigated all of that because you literally are just sent off on your own, traipsing around strange cities where you don't know the language. You are just expected to fend for yourself.
"It was the wild west and you were lucky if you had a job. There was a discrepancy of power - the agency was really supposed to be there protecting you, but it was almost like you needed to please them to get the jobs.
"I think that's why so many girls who have gone through that experience are as tough as nails," she adds, also referring to herself, although that toughness hasn't come without cost.
"When I left the business, I moved to LA and I am so grateful that I was able to take a year...a lot of that was just dismantling a lot of the mental issues I had taken from the business because your confidence and your self-esteem is in the toilet after you've been in that business for so long. Most models I know have terrible self-esteem which is the most crazy thing."
Thankfully, in both modelling and acting, the industries are changing.
As someone who is in the Hollywood stratosphere and has been in the company of the likes of Weinstein and more, Caitríona has first-hand experience of being with the people at the very centre of the #MeToo storm.
"A lot of my year in LA was just dismantling a lot of the mental issues I had taken from the business"
"A lot of the names that have come forward, it's strange because you kind of go 'Oh yeah, that's not surprising.' With someone like Morgan Freeman; I grew up watching him and he's been that voice that calms everyone. But I had previously heard rumours. Nobody is above the law and what I do hope is that all of these things go through a process because I think the worst thing is that we get into this situation where there is like a mob mentality and we start being judge, jury and executioner on social media because that's never the right way of doing things.
"But I think there has been a real shift and I think people aren't going to put up with shitty behaviour anymore. And they shouldn't."
The one thing that high profile and influence does afford people is the ability to shine a light on situations that deserve more attention. It's something that Caitríona’s very aware of and since her Outlander fans have always asked 'who can we support on your behalf', she went out of her way to discover a charity that she could be an ambassador for. As a result, she is now a patron of Wold Child Cancer and travelled to Ghana last year to see two of the hospitals the charity works at. "It's very humbling when you see the different kinds of care you can expect if anything ever goes wrong in your life just because of where you are born," she says of the experience but is equally quick to downplay her role as a patron versus that of the people working on the ground, despite using her own time and profile to raise awareness and funds for the charity. "I feel so grateful that I can, the people in the trenches are the people who do work day-to-day and it's super impressive because they don't get a lot of credit for it."
Check Caitríona’s Twitter and you'll see how impassioned she is about this, as well as being a big supporter of other issues: she was vocal on repeal, supports ethical fashion choices and promotes a meat and dairy-free lifestyle.
"I believe that no matter what you do you should be a responsible citizen of the world," she says, "I think a lot of my social media is promoting issues I believe in and causes that I believe in.
“As for my more private life, frankly I'm not interesting so I don't like doing selfies, my partner is super private so he isn't on any social media and doesn't want to be so nothing is said about him. So yeah, that's naturally how I am!"
It's clear as the conversation goes on how grounded Caitríona is. She's fiercely proud of her Irishness and uses it as a conversation starter worldwide (*We command goodwill - people genuinely like us!") and while she laments how badly her name gets 'butchered' she misses the fada which she dropped for ease some years ago. "I'm devastated about it!" she says, before also confessing that technology had some part to play in its demise.
"In the early days of computers I didn't know how to put it on! I just learnt a couple of months ago, like ohhh it's that button there. So I might bring the fada back."
And she hasn't ruled out an upcoming wedding in Ireland - the actress is recently engaged to intensely private music producer Tony McGill, but plans for the nuptials are still undecided. Would she consider coming back to Ireland to tie the knot?
"If you put a sun lamp over it, yeah I'd love to!" She laughs. Wedding planning is not really her thing however, and doesn't garner giddy chats and wishlists.
"I would just love to have all of my friends and family and have a great party," she clarifies when coming across as less than enthusiastic about planning her perfect day. "I think the production side of it is just too much like work!"
And finding time that suits both their schedules is also proving challenging, with Caitríona lined up to film in LA with Matt Damon and Christian Bale. It's a biopic of mechanic and driver Ken Miles (Bale) and the conflict between Ford and Ferrari during the 1960s. "I play Christian Bale's wife and James Mangold [Walk the Line, Logan, The Wolverine) is directing. It's set in the sixties, it's all about Le Mans, the 24-hour race so it's a lot of fast cars, hot men and me!" She laughs. "I've been watching loads of documentaries on Le Mans which is really cool."
And this is Caitríona: totally unfazed, seemingly, by the prospect of working with some of Hollywood's most famous actors and directors and yet, nerdily researching so she can be prepared on the day. Oh, and consciously enjoying it too. With more projects in the pipeline, that demand is only going to get higher, but of one thing I can be sure: to her own self, Caitríona Balfe will always be true.
Remember… we command goodwill - people genuinely like us! ☘️ — Caitríona Balfe
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Lady Camilla de la Poer Beresford daughter of the Marquess and Marchioness of Waterford at their home Curraghmore House, Waterford, Ireland. Tatler Magazine.
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outlanderrepublic · 1 year
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Caitriona M. Balfe
La joya de Irlanda
Revista Irish Tatler 2018
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stairnaheireann · 8 months
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#OTD in Irish History | 1 September (Meán Fómhair):
1737 – Launch of the Belfast News Letter, now the oldest surviving newspaper in Ireland or Britain, and one of the oldest in the world. 1729 – Death of dramatist, essayist and publisher Sir Richard Steele, the Dubliner who founded The Tatler and The Spectator. 1789 – Marguerite Power Farmer Gardiner, Countess of Blessington; author, is born near Clonmel, Co Tipperary. 1814 – Birth of James…
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outlander-online · 2 years
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celtic-cd-releases · 10 days
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https://www.caradillon.co.uk/
https://www.facebook.com/caradillonsings
https://caradillon.bandcamp.com/album/coming-home
https://open.spotify.com/album/5YHBXVofeZ44KeH0ZA3foE
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denimbex1986 · 8 months
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'After the July release of Christopher Nolan’s movie on J. Robert Oppenheimer, the physicist known as the “father of the atomic bomb”, Hong Kong hatter Richard Avery thought he would see a surge of customers coming to his vintage hat shop looking for the “Oppenheimer hat”—and he was partially right.
People didn’t come wanting to buy the specific style worn by Cillian Murphy, the Irish actor who played Oppenheimer in the film—a flat top fedora with a wide brim—but there were plenty of people wanting to get a hat; any hat.
Meanwhile, Avery himself has been rocking a fedora way before the film was made, and has long been fascinated with its evolution through popular culture. Recently, Tatler caught up with Avery at his shop, The Man In The Hat in Sai Ying Pun, to talk all things millinery.
“When I look at pictures of [the real] J. Robert Oppenheimer, he’s wearing a hat that looks like he’s reshaped himself,” Avery says, which makes sense to him.
“Oppenheimer’s family had a property in New Mexico, so he spent parts of his childhood there, and he loved to ride horses and enjoyed a kind of western cowboy lifestyle. So I think it’s highly probable that one of the first hats he ever bought was a cowboy hat from Stetson, [a famous US hat brand that’s still popular today]”, he says. Made of animal felt, these hats were designed to be worn in all weathers and could be moulded and reshaped if they were wrecked.
However, he points out that the film got two things wrong, likely for cinematic effect: “One, that Oppenheimer only wore one hat his whole life; and two, he was the only person who wore a hat. That’s simply inaccurate.”
Avery explains that it was common in the early 20th century for a man in the Western world to own least six hats that they would wear on rotation. The reason they’d had more than one was to have a hat for every season and activity—from fishing to driving, or just for going to work. “So, to assume he didn’t have different hats was kind of strange,” he says.
The fedora worn by Murphy in the film was also not very true to life. It was supplied by Baron Hats, a famous Los Angeles-based brand that has been making hats for Hollywood films since the 1980s and “it’s clearly soft and made of beaver felt, based on the way it reacts to the wind in the film,” Avery says. While it looks fantastic, the hatter says it wasn’t “particularly authentic” to that era.
“It’s cool in a modern way, [but] in the ’40s and ’50s, the brim of the fedora was getting shorter, not wider, and the crown was getting lower, not taller,” he says. The hats worn by actor Humphrey Bogart in Casablanca (1942) and singer Frank Sinatra in the ’50s are more accurate examples of hats from that time, Avery adds.
The local hatter then shared with us some fun facts from history. For example, that “the most famous hat styles, including the fedora, started life as women’s hats. [French actress] Sarah Bernhardt, the first global superstar, popularised this style of hat when she wore it in a play called Fédora in the early 1880s. After that, men in New York started going to their hat shops and saying ‘hey, I want that Fédora hat’.”
In fact, the hat featured in Oppenheimer is reminiscent of that style, and Avery says that was because the movie’s “costume designer Ellen Mirojnick was deliberately going for an iconic look that would have an impact on fashion”. And perhaps it was also to mirror Oppenheimer’s impact on history and the world.
Indeed, every aspect of costuming is an important part of building a character, and the hat certainly added to Murphy’s performance and character development.
“When you’re wearing a hat, it affects you,” Avery say. “It’s on your head where your brain is and close to your eyes—you can’t escape it. There’s a strong relationship between the hat and one’s perceived character. [For example,] there’s a moment in the film where you see Oppenheimer walking and he puts the hat on and pulls it [down]. I loved those moments—it reminded me of when people are trying on about ten hats in my shop, and then they’ll put one on, and suddenly they don’t want to take it off anymore.”
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thefrsers · 2 years
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CAITRIONA BALFE
 FOR IRISH TATLER NOVEMBER ISSUE 2021(PHOTO. BY NEIL GAVIN)
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corpyburd · 2 years
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Charlie Murphy from April 2022 Irish Tatler
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theoutlander · 2 years
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Caitríona Balfe for Irish Tatler / November 2021
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brian-in-finance · 2 years
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New from Laura Donnelly
Today’s post on the outlanderobsessed Instagram.
Thanks for the message, Anon.
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Instagram
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SyFy Wire 5 April 2021
Remember… (talking about The Nevers) I am also obligated to mention that she drops from the ceiling in a badass pose much like her Outlander husband Steven Cree did in the trailer for his new show, A Discovery of Witches. — Caitlin Gallagher, The Dipp
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ashmarie1687 · 2 years
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Now we know that this:
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IS THIS
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Neil Gavin and the glam squad
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outlanderrepublic · 1 year
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Caitriona M. Balfe
La joya de Irlanda
Revista Irish Tatler 2018
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stairnaheireann · 2 years
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#OTD in Irish History | 1 September (Meán Fómhair):
#OTD in Irish History | 1 September (Meán Fómhair):
1737 – Launch of the Belfast News Letter, now the oldest surviving newspaper in Ireland or Britain, and one of the oldest in the world. 1729 – Death of dramatist, essayist and publisher Sir Richard Steele, the Dubliner who founded The Tatler and The Spectator. 1789 – Marguerite Power Farmer Gardiner, Countess of Blessington; author, is born near Clonmel, Co Tipperary. 1814 – Birth of James…
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cajon-desastre · 2 years
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@emmaisthenewblack on IG
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themusicsweetly · 3 years
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Irish Tatler | Woman of the Year | International
Ireland's first supermodel and award-winning actress Caitríona Balfe stepped into a new political space this year and has been committed to forging unity online.
Balfe started a book club, each month selecting authors of different nationalities, writing about diverse cultures and periods of time.
"I think something you get from reading other people's points of view is empathy and a real sense of our similarities and our differences," Balfe says.
"For most of my life all I witnessed was the taking down of borders and the unification of people and it seems we have come to a point in the world that politics is going in reverse."
Alongside wide acclaim for her exploration of female agency and sexuality in the drama-series Outlander, Balfe continually uses her platform to draw attention to social injustice.
"I feel we all have a responsibility to see what is going on in the world and if you see things that can be fixed or done better we should all try to hold the people we've elected accountable to do that," Balfe says.
Congratulations to Caitriona Balfe, one of Irish Tatler's Women of the Year!!! 👏👏👏
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