#Kumiko Endo

[grusinskayas]

Tomie: Re-birth | 富江 re-birth (2001) dir. Takashi Shimizu

#tomie #tomie: re-birth #miki sakai #kumiko endo #takashi shimizu #horrorstills #2001 #2000s #*

[kenpiercemedia]

2nd Annual Japan Day Parade To Take Place May 13th

2nd Annual Japan Day Parade To Take Place May 13th

The Press Release: Building on the great success of last year’s inaugural Japan Parade, the 2nd annual Japan Parade in New York City will be held on Saturday, May 13, beginning at 1PM. Starting on Central Park West at West 81st Street and traveling south to West 67th Street, the purpose of the parade is to celebrate, express, and bring awareness to the friendship between NYC and Japan with a…

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#annnouncements #announcements #central park #japan day #japan day 2023 #japan day parade #japan day parade 2023 #kristi yamaguchi #kumiko yoshii #sandra endo #special event announcements

[otasayo]

七宝のメンバーでグループ展 します❣️(English below) 「出逢っちゃって、シッポウ！」 7月14日(木)-24日(日) open:木曜-日曜 13:00-19:00 (最終日は17:00迄) OGU MAG + 〒116-0012 東京都荒川区東尾久４丁目２４−７ 展覧会ステイトメント 七宝とは金属にガラス釉薬を焼き付けた工芸技法である。 ��の歴史は何千年も前に遡り、多様な作品が作られてきた。 けれど今、わたしたちは技法や伝統にとらわれない、新しい七宝の姿を探している。 立ち止まって問い直したり、力尽くで壁を登ってみたり、そんな七人の七宝に、あなたも出逢っちゃって。 出展アーティスト 岩上 満里奈、遠藤 久美子 、大園 恵実 、太田 紗世、小西 舞衣、高井 碧、山田 眞子 “I met you, Shippō!” 14th to 24th of July (open: Thursday-Sunday) 1pm-7pm (the last day until 5pm) Location: OGU MAG+ Higashiogu 4-24-7, Arakawa-ku, Tokyo 116-0012 Enameling is a craft technique in which glass glaze is fired on metal. Its history goes back thousands of years, and a variety of works have been made. However we are looking for a new enameling that is not only bound by technique or tradition. We sometimes stop and ask questions ourselves as if we climb the wall with all your might. You will come across our seven enamelists. I met you, Shippō Artists: @marina_iwagami , Kumiko Endo , @meg_moko @sayo_ota @mai Konishi @takai_midori @Mako Yamada (at OGU MAG) https://www.instagram.com/p/Cfom_wqJ6OC/?igshid=NGJjMDIxMWI=

[anamon-book]

月刊 遠藤久美子 写真：蜷川実花 SHINCHO MOOK 新潮社

#月刊 遠藤久美子 #kumiko endo #遠藤久美子 #mika ninagawa #蜷川実花 #shincho mook #anamon #古本屋あなもん #あなもん #book cover

[notokra]

#i like the font #Kumiko Endo #mika ninagawa #shincho mook

[justfilms]

Tomie: Re-birth - Takashi Shimizu 2001

#Tomie: Re-birth #Takashi Shimizu #Kumiko Endo #Miki Sakai

[kwgch-haruna]

[170628] Instagram - My Lover’s Secret (aiaru_ntv)

#170628 #Fukushi Sota #aiaru #Endo Kenichi #Okae Kumiko #p:sns #p:instagram #Kawaguchi Haruna #Haruna Kawaguchi #川口春奈

[genkais-arcade]

Yu Yu Hakusho: Poltergeist Report released on April 9, 1994.

Studio(s): Studio Pierrot and Movic

Director: Masakatsu Iijima

Producers: Haruo Sai, Ken Hagino, and Naoji Hōnokidani

Score: Yusuke Honma

I'll also list all of the artists involved in making the background art and the key animators! This movie looks incredible and directors tend to get a much bigger cut of the credit than they deserve.

Background Art: Emi Kitahara, Emiko Koizumi, Hideaki Kudo, Hirofumi Shiraishi, Hisae Saito, Hitoshi Nagasaki, Ikuko Ōoka, Kaoru Inoda, Kazuo Ebisawa, Kumiko Nagashima, Masumi Nishikawa, Mio Isshiki, Ryō Kōno, Sadayuki Arai, Sawako Takagi, Shigenori Takada, Shinichi Uehara, Shinobu Takahashi, Shuichi Hirose, Toshiharu Mizutani, Toshiyuki Yoshimura, Yasunari Usuda, Youngil Park, Yuka Kawashima, Yuka Okamoto, Yūko Kobayashi

Key Animation: Akihide Saitō, Chihiro Hayashi, Fuminori Kizaki, Hajime Kamegaki, Hideyuki Motohashi, Hikaru Takanashi, Hiroharu Nishida, Hiromi Niioka, Hirotaka Kinoshita, Hiroyuki Kanbe, Hiroyuki Okuno, Hisahito Natsume, Isao Sugimoto, Junichi Kigawa, Junko Abe, Kari Higuchi , Katsuichi Nakayama, Kazumi Minahiro, Kazuya Kuroda, Kazuyuki Ikai, Kazuyuki Kobayashi, Keiko Shimizu, Kenji Yamazaki, Kunihiko Ito, Mamoru Hosoda, Mamoru Kurosawa, Masahito Yamashita, Masaki Hosoyama, Masayuki Fujita, Mayumi Hirota, Munenori Nawa, Naoyuki Owada, Osamu Nabeshima, Satoru Iriyoshi, Satoshi Fukushima, Shinji Seya, Shinsaku Kōzuma, Shuji Kawakami, Shunji Suzuki, Susumu Yamaguchi, Tadakatsu Yoshida, Tadashi Abiru, Takashi Yamazaki, Takayuki Gorai, Takenori Mihara, Takuya Satō, Toyoaki Shiomi, Yasunari Nitta, Yoshiaki Tsubata, Yoshinori Kanada, Yoshiyuki Kishi, Yuichi Endo, Yuko Kusumoto

#yyh #yusuke urameshi #hiei #kurama #kazuma kuwabara #poltergeist report #yyh 💾☆archive.

[zarla-s]

It's called Suki Nara Suki by Kumiko Endo

Ah you’re right! Finally I can update the metadata for this song, it’s been driving me crazy for years, haha.

[yamachie-blog]

APIA 2013 XMAS

Art Direction&Design : CHIEKO YAMAMOTO

Photography : TAKASHI EHARA

Styling : RIKA ENDO

Hair&Make-up : FUSAE TACHIBANA

Sweets : THUMB AND CAKES

Costume : KUMIKO TAKEDA

#ArtDirection&Design

[interkosmos]

Kumiko Endo

Cancer Rising, Aries Midheaven

Approximate time of birth: 10:48 AM

Reliability: The data comes from the person

#cancer asc #mar1h #sat2h #plu4h #ura5h #nep6h #sun10h #moon10h #mer10h #ven11h #jup12h #nc #aries stellium #grand trine #locomotive #birth time

[architectnews]

Japan Pavilion Venice Biennale 2021

Japan Pavilion Venice Biennale 2021 Event, Kadowaki Kozo Architecture Design Exhibition Italy

Japan Pavilion Venice Biennale 2021 News

12 May 2021

La Biennale di Venezia 2021 – The Japan Pavilion

The Japan Pavilion at the 17th International Architecture Exhibition

Axonometric drawing of the concept: picture © DDAA + village

May 11, 2021

La Biennale di Venezia

Co-ownership of Action: Trajectories of Elements

The Japan Pavilion at the 17th International Architecture Exhibition, La Biennale di Venezia presents “Co-ownership of Action: Trajectories of Elements,” curated by Kadowaki Kozo. The project involves dismantling an old wooden house into its individual parts and elements, transporting them to Venice, and reconstructing the house in a new configuration with the addition of modern materials (such as scaffolding pipe, mesh, and blue tarps). The architects working on the project are collaborating with artisans and researchers to include improvisation and creative processes on site as part of the exhibition.

The issue of incessant mass consumption in contemporary society has been further intensified by movement, the ability to move large volumes of things quickly and inexpensively. Moving a postwar house that has outlived its usefulness in Japan to Venice and exhibiting it in a different context gives a completely new existence to the old materials that had once been part of a very ordinary house. By shifting the focus from movement for the purpose of consumption to movement for the purpose of reconstruction, the exhibition provides a significant stimulus for thinking about the issues associated with mass consumption, about the sustainability of architecture, and about how new architecture should be approached.

Basic information Title｜Co-ownership of Action: Trajectories of Elements Commissioner | The Japan Foundation (JF) Curator | Kozo Kadowaki Participants | Architects: Jo Nagasaka / Ryoko Iwase / Toshikatsu Kiuchi / Taichi Sunayama / Daisuke Motogi Designer: Rikako Nagashima Collaborators | Researchers: Norimasa Aoyagi / Aya Hiwatashi / Naoyuki Matsumoto / Tetsu Makino / Building System Design Laboratory at Meiji University (Kozo Kadowaki, Makoto Isono, Kimihito Ito) Editor | Jiro Iio Advisor | Kayoko Ota Photo | Jan Vranovský Video | Hirofumi Nakamoto Exhibition Design | Schemata Architects (Jo Nagasaka, Sanako Osawa , Yuhei Yagi) / Studio IWASE | Architecture+Landscape (Ryoko Iwase, Kaoru Endo, Musashi Makiyama) / sunayama studio+Toshikatsu Kiuchi Architect (Taichi Sunayama, Toshikatsu Kiuchi, Risako Okuizumi, Takuma Shiozaki, Kei Machida, Zu Architects) / DDAA (D aisuke Motogi, Riku Murai) Graphic Design | village® (Rikako Nagashima, Kohei Kawaminami, Hiroyuki Inada) Structural Engineering | TECTONICA (Yoshinori Suzuki, Kakeru Tsuruta) / Mitsuhiro Kanada Studio at Tokyo University of the

Arts (Mitsuhiro Kanada) / yasuhirokaneda STRUCTURE (Yasuhiro Kaneda) Exhibition Construction | TANK (Naritake Fukumoto, Ai Noguchi, Takashi Arai) / Takahiro Kai / Tsuguhiro Komazaki / Takashi Takamoto / Masayasu Fujiwara / Mauro Pasqualin / Pieter Jurriaanse / Paolo Giabardo / Valentino Pascolo / Jacopo David / Tommaso Rampazzo Fabrication Cooperation｜So Sugita Lab at Hiroshima Institute of Technology Local Coordinator | Harumi Muto Exhibition Design Management | associates (Kozo Kadowaki, Akiko Kadowaki) With special support of: Ishibashi Foundation Sponsored by: Stroog Inc. / JINS Holdings Inc. / Suikoukai Medical Corporation, Japan / KAMAWANU CO., LTD. / Window Research Institute In cooperation with: under design Co., Ltd. / IWASAKI ELECTRIC CO., LTD. / NBC Meshtec Inc. / KUMONOS Corporation / DAIKO ELECTRIC CO., LTD. / Japan 3D Printer Co., Ltd HAGIHARA INDUSTRIES INC. / Rotho Blaas Venue | The Japan Pavilion at the Giardini (Padiglione Giappone, Giardini della Biennale, Castello 1260, 30122 Venezia) Exhibition period | 22 May to 21 November, 2021 Pre-opening｜20 and 21 May, 2021 Website | https://vba2020.jp/

About the Commissioner The Japan Foundation is Japan’s only institution dedicated to carrying out comprehensive international cultural exchange programs throughout the world. The Japan Foundation was established in October 1972 as a special legal entity supervised by the Ministry of Foreign Affairs. In October 2003, it was reorganized as an incorporated administrative agency. The Japan Foundation has a 25 overseas offices in 24 countries, to cultivate friendship and ties between Japan and the world, the Japan Foundation creates global opportunities to foster friendship, trust, and mutual understanding through culture, language, and dialogue.

Curator’s statement Your actions are not yours alone. Any act, however trivial, sits atop an accumulation of countless acts that arose from your interactions with someone else. Therefore it can never be said that what you do belongs solely to you.

This exhibition consists of an extremely ordinary Japanese wooden house. A country at the forefront of the world in population decline, Japan is awash in houses that have outlived their usefulness and sit there awaiting demolition. The house we shipped to Venice is one of them.

However, the house did not arrive in Venice intact. Having been dismantled to fit into containers for shipping, its various elements found new uses, repurposed into objects and structures appropriate for the garden of the Japan Pavilion, with roof elements being converted into benches, and so on. To reassemble the fragmented house on site into diverse configurations, the architects have engaged the skills and ideas of local and Japanese artisans, giving new life to each of the elements.

Elements that were not used in the garden are on display inside the Pavilion itself, which serves as a warehouse for the project. After its initial construction, the house underwent numerous renovations and expansions over the years that altered it in complex ways. Arranging its elements by era thus provides a clear picture of how the house contains the strata of successive periods in the history of postwar Japanese housing. For example, the earliest elements were primarily handmade, but as time progressed these were replaced by mass-produced members, a visible manifestation of the dramatic changes that took place in Japan’s construction industry over the course of the life of the house.

Upon viewing this thick accumulation of strata with one’s own eyes, it should be evident that the project architects have done only the slightest overwriting of that history. The trajectory that the house has taken in its long journey through time and space to arrive at this place is proof of how our actions are ineluctably rooted in the past and linked to the future. Kadowaki Kozo

About the Curator

Kozo Kadowaki

Kozo Kadowaki (b.1977, Kanagawa) is an architect and architectural theorist who holds a Ph.D. in Engineering. He is an Associate Professor at Meiji University, and practices architecture with his firm Associates. He graduated with a Masters from Tokyo Metropolitan University in 2001, where he also worked as a Research Associate and later as Assistant Professor. In 2012 he established his own architectural firm Associates. He currently serves as Editorial Chair of the Meiji University Press, with teaching positions at Tokyo University of the Arts and Japan Women’s University. While specializing in building systems design, he continues to engage in various activities and projects related to architectural criticism and design. He also works to develop his own architectural theories that are rooted in the physical elements of architecture.

Pre-opening

In advance of being opened to the general public, private viewings at the 17th International Architecture Exhibition will be held for people involved in the event and the press on Thursday, May 20 and Friday, May 21, 2021. There are currently no plans to hold an opening reception at the Japan Pavilion.

Japan Pavilion official website https://ift.tt/2SLUwy0

Japan Pavilion at the 17th International Architecture Exhibition – La Biennale di Venezia Co-ownership of Action: Trajectories of Elements

Updates

When the exhibition was delayed for a year as a result of the Covid-19 pandemic, curator Kozo Kadowaki and others launched a new curator-organized project associated with the Japan Pavilion exhibition.

The aim was to 1) make good use of materials and elements after the Biennale, and 2) provide new ways for people to participate in the exhibition. This was achieved through an upcycle project to create products using materials such as wood from the house being transported to Venice, making the products available to project supporters through a crowdfunding process that facilitated a new way of participating in the exhibition and the addition of new trajectories.

After the exhibition, the house will move on again. There are plans in motion for it to be used as part of a community facility for residents of an apartment complex in the suburbs of Oslo. Funds raised by crowdfunding will also play a significant part in this and other post-Biennale initiatives.

The crowdfunding process was launched on August 11, 2020, and closed on October 1, 2020 after raising 4,825,888 yen from 259 supporters. Find out more: https://ift.tt/3vXN1SU

Outline of the 17th International Architecture Exhibition – La Biennale di Venezia

Dates: May 22 (Sat) – November 21 (Sun), 2021 10:00~18:00 Closed on Mondays Tickets: Regular 25 euro Venues: Giardini di Castello, Arsenale, and various other venues Director: Hashim Sarkis Theme: How will we live together? Official Website: https://ift.tt/3tKYsM1

Awards

At the 13th(2012) International Architecture Exhibition – La Biennale di Venezia [Golden Lion for National Participation] Japan Pavilion Commissioner: Toyo Ito, Exhibitors: Kumiko Inui, Sou Fujimoto, Akihisa Hirata (Architects), Naoya Hatakeyama (Photographer) At the 15th(2016) International Architecture Exhibition – La Biennale di Venezia [Special Mention] Japan Pavilion Curator: Yoshiyuki Yamana, Exhibitors: Seiichi Hishikawa, mnm (Mio Tsuneyama), Osamu Nishida+Erika Nakagawa (Osamu Nishida, Erika Nakagawa), Naruse Inokuma Architects (Jun Inokuma, Yuri Naruse), Naka Architects’ Studio (Toshiharu Naka, Yuri Uno), Nousaku Architects (Fuminori Nousaku, Junpei Nousaku), miCo. (Mizuki Imamura, Isao Shinohara), Levi Architecture (Jun Nakagawa), Shingo Masuda+Katsuhisa Otsubo Architects (Shingo Masuda, Katsuhisa Otsubo), Koji Aoki Architects (Koji Aoki), 403architecture [dajiba] (Takuma Tsuji, Takeshi Hashimoto, Toru Yada), BUS (Satoru Ito, Kosuke Bando, Issei Suma), dot architects (Toshikatsu Ienari, Takeshi Shakushiro, Wataru Doi) Japan Pavilion archive website (June 1, 2021~) https://ift.tt/3eGp4cZ Supplementary materials: 2

Japan Pavilion Venice Biennale 2021 images / information received 120521

Location: Giardini della Biennale, Castello 1260, 30122 Venezia, Italia

Venice Architecture

Venice Architecture Designs – chronological list

Venice Architecture Tours by e-architect

Venice Architecture News

La Biennale di Venezia 2021

Young Talent Architecture Award 2020 picture Courtesy Fundació Mies van der Rohe Young Talent Architecture Award 2020

La Biennale di Venezia Pavilion of Slovenia 2021 photo Courtesy of Božidar Jakac Art Museum, Kostanjevica na Krki (photo: Lado Smrekar) Venice Biennale Slovenia Pavilion 2021

Venetian Architectural Archive

Vatican Pavilion at the Venice Architecture Biennale Architects: Foster + Partners image courtesy of architects Vatican Pavilion at the Venice Architecture Biennale

Venice Biennale Korean Pavilion 2018 by KECC image © N.E.E.D. Architecture, Sungwoo Kim (N.E.E.D. Architecture) Venice Biennale Korean Pavilion 2018

Pavilion of the Holy See at Venice Biennial image courtesy of architects Pavilion of the Holy See at Venice Biennial

Venice Biennale

Venice Architecture Biennale – Review + Images

Website: La Biennale di Venezia

Comments / photos for the Japan Pavilion Venice Biennale 2021 page welcome

The post Japan Pavilion Venice Biennale 2021 appeared first on e-architect.

#e-architect

[newsintheshell]

“Mahou Tsukai no Yome” (The Ancient Magus’ Bride)

Serie TV anime, 8 ottobre 2017

Episodi: 24 x 24 min.

Adattamento animato del manga “The Ancient Magus Bride” (Mahou Tsukai no Yome) di Kore Yamazaki, edito in Italia da Star Comics.

[CM1] [PV2] [PV3] [PV4]

La serie sarà un 2-cour, cioè andrà in onda per 6 mesi, due stagioni consecutive.

-STAFF-

Regia/Composizone della serie: Norihiro Naganuma

Studio di animazione: Wit Studio

Sceneggiatura: Aya Takaha

Character design: Hirotaka Katou

Colorazioni: Yuko Kobari

Direttore artistico: Yusuke Takeda

Direttore della fotografia: Mayo Suzuki

Direttore CGI: Shinya Sugai

2D Work: Chie Nishitani

Effetti speciali: Kumiko Taniguchi, Ayumi Arahata

Montaggio: Daisuke Imai

Musiche: Junichi Matsumoto

Direttore del suono: Shoji Hata

Produzione musicale: Flying Dog, Basilica

Sigla di apertura: JUNNA “Here” Sigla di chiusura: Hana Itoki “Wa -cycle-”

-CAST-

Chise Hattori: Atsumi Tanezaki

Elias Ainsworths: Ryota Takeuchi  

Ruth: Kouki Uchiyama  

Silver: Aya Endo

Angelica Varley: Yuko Kaida  

Simon Kalm: Toshiyuki Morikawa  

Seth Noel: Junichi Suwabe  

Lindel: Daisuke Namikawa 

Mikhail Renfred: Satoshi Hino 

Alice: Mutsumi Tamura 

Titania: Sayaka Ohara

Oberon: Kappei Yamaguchi

Cartaphilus: Ayumu Murase

Yamazaki ha lanciato inizialmente il manga su Monthly Comic Bladenel 2013, ma nel settembre 2014 la rivista ha cessato la sua pubblicazione e “The Ancient Magus Bride” è stato spostato su Monthly Comic Garden, periodico sempre della stesa casa editrice (Mag Garden) oltre che sulla webzine Comic Blade.

Hatori Chise ha un passato di abusi, privo di qualsiasi forma di amore, senza il calore di una famiglia e con il suo bagaglio di problemi. Quando ogni speranza sembra perduta, un incontro fatale la attende. Un uomo con la testa di una bestia e dotato di strani poteri la compra a un'asta di schiavi e la sua vita non sarà mai più la stessa. L'uomo in questione è un “magus”, uno stregone di grandi poteri, che decide di liberare Chise e di fare di lei la sua apprendista… e sposa!

Tre episodi prequel intitolati “The Ancient Magus’ Bride: Those Awaiting a Star” (Mahou Tsukai no Yome: Hoshi Matsu Hito), prodotti dallo stesso staff, sono stati mostrati in anteprima al cinema  per poi essere allegati con il sesto (10 settembre 2016), settimo (10 marzo 2017) e nono volume (9 settembre 2017) dell’opera. In Italia sono distribuiti sulla piattaforma di streaming Crunchyroll.

Sito ufficiale Twitter ufficiale

SilenziO)))

#mahou tsukai no yome #the ancient magus bride #anime #serie tv #autunno 2017

[wikiplanetblog-blog]

Aishite tatte, Himitsu wa Aru (2017) - 愛してたって、秘密はある

Aishite tatte, Himitsu wa Aru (2017) – 愛してたって、秘密はある

ชื่อเรื่อง: Aishite tatte, Himitsu wa Aru ชื่อเรื่องอื่นๆ: I Love You, But I Have a Secret,My lover’s secret / 愛してたって、秘密はある ประเภท: Japanese Drama, Law, Mystery, Romance, Suspense จำนวนตอน: 10 สถานีออกอากาศ: วันออกอากาศ: Jul 16, 2017 เนื้อหาที่เกี่ยวข้อง: นักแสดง Kawaguchi Haruna Fukushi Sota Kaku Kento Suzuki Honami Endo Kenichi Okae Kumiko เรื่องย่อ: Legal apprentice Okumori Rei is on the verge…

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[anhlavodoi]

TV Anime The Ancient Magus' Bride tung PV thứ 3, hình ảnh chính mới cùng ca khúc chủ đề.

New Post has been published on https://love2d.net/2017/09/01/tv-anime-ancient-magus-bride-tung-pv-thu-3-hinh-anh-chinh-moi-cung-ca-khuc-chu-de/

TV Anime The Ancient Magus' Bride tung PV thứ 3, hình ảnh chính mới cùng ca khúc chủ đề.

Hôm nay, trang web chính thức của TV Anime The Ancient Magus' Bride, được chuyển thể từ manga cùng tên của Kore Yamazaki đã đăng tải lên PV mới nhất của bộ phim. Video cũng giới thiệu ca khúc mở đầu "Here" do JUNNA  trình bày. https://www.youtube.com/watch?v=W9KZgJgo-x0 Trang web còn tiết lộ một hình ảnh chính mới nữa, cùng 2 diễn viên mới. Hình ảnh chính

Kappei Yamaguchi trong vai Oberon

Ayumu Murase trong vai Cartaphilus

  Phim sẽ được chiếu trên Tokyo MX và MBS vào tối ngày 7 tháng 10, sau đó sẽ tới các kênh AT-X, TV Aichi, TV Saitama, Chiba TV, Hokkaido Broadcasting, và BS11. Wit Studio đã giới thiệu 3 tập đầu của phim tại Anime Expo vừa qua. Một vài rạp ở Nhật Bản cũng sẽ được chọn để công chiếu 3 tập đầu vào ngày 9 tháng 9 tới đây. Các diễn viên chính bao gồm:

Atsumi Tanezaki trong vai Chise Hatori

Ryota Takeuchi trong vai Elias

Kouki Uchiyama trong vai Ruth

Aya Endo trong vai Silver

Các diễn viên khác bao gồm:

Yuko Kaida trong vai Angelica Varley

  Toshiyuki Morikawa trong vai Simon Kalm

  Junichi Suwabe trong vai Seth Noel

Daisuke Namikawa trong vai Lindel

  Satoshi Hino trong vai Mikhail Renfred

  Mutsumi Tamura trong vai Alice

  Sayaka Ohara trong vai Titania

  Nội dung phim được mô tả như sau: "Bên cạnh thế giới của chúng ta, tồn tại song hành là thế giới của ma thuật, nơi mà các phù thủy, thuật sĩ, yêu tinh, linh hồn tồn tại. Hatori Chitose - 1 cô bé 15 tuổi, là một người có đôi mắt đặc biệt, thứ có thể thấy những sinh vật của thế giới bên kia, và bản thân cô, cũng vô cùng đặc biệt. Mẹ mất, bố thì bỏ đi, gia đình tan vỡ, không nơi nương tựa. Cô đã phải sống như thế cho đến tận khi tới bước đường cùng, bị đem bán làm nô lệ. Tuy nhiên, người mua cô, mà không, không phải là người, là 1 kẻ với thân hình của 1 người đàn ông cùng gương mặt chỉ còn lại xương. Đó là 1 pháp sư, với quyền năng vĩ đại trong tay, ông quyết định giải phóng cho Chitose khỏi những đau khổ bấy lâu, mang lại cho cô 1 mái ấm, những người thân. Cùng với đó, ông đưa ra 1 quyết định trước đây chưa từng có: nhận Chitose làm học trò, và hơn cả thế, ông muốn Chitose làm VỢ mình." Dàn nhân sự của phim bao gồm:

Norihiro Naganuma: Giám đốc/phụ trách kịch bản

Aya Takaha: Kịch bản (người viết chính)

Hirotaka Katō: Thiết kế nhân vật

Yuko Kobari: Thiết kế màu sắc

Yusuke Takeda: Giám đốc nghệ thuật

Mayo Suzuki: Giám đốc hình ảnh

Shinya Sugai: Giám đốc CGI

Chie Nishitani: Xử lí công việc 2D

Kumiko Taniguchi: giám sát hiệu ứng đặc biệt

Arahata: Xử lí phần hiệu ứng đặc biệt

Daisuke Imai: Hiệu chỉnh

Junichi Matsumoto: Sáng tác nhạc

Flying Dog & BASiLiCA: Cung cấp âm nhạc

Shoji Hata: Giám đốc âm thanh.

#ca khúc chủ đề #hình ảnh #pv #The Ancient Magus Bride #TV Anime #anime #Otaku News

[kwgch-haruna]

[170915] Instagram - My Lover’s Secret

<https://www.instagram.com/aiaru_ntv/>

#170915 #p:instagram #p:sns #aiaru #Endo Kenichi #Kaku Kento #Okae Kumiko #Kawaguchi Haruna #Haruna Kawaguchi #川口春奈