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wardencommanderrodimiss · 5 years

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Witches, Chapter 14: the prelude to the one you’ve all been waiting for.

[Seelie of Kurain Chapter Masterlist] [ao3]

[Witches Chapter Masterlist] [ao3]

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“Chief! Chief!”

“Phoenix, you can’t come screaming in here banging doors and - what if we had a client? That hardly looks professional.”

“Er, right, sorry, Chief. But, look! I got my badge! I passed the Bar!”

“You did? - You did! Phoenix, that’s incredible! You deserve to be proud - scream that to the world, show off that you have your attorney’s badge! I expected no less of you, of course. I knew you could!”

“Heh, really? I wasn’t so sure there, myself.”

“Would I lie to you?”

“Well, you couldn’t, so there’s that - seriously, Chief, I - I couldn’t have done this without you. I wouldn’t be here without you. I don’t know how I could ever thank you enough, or pay you back, or—”

“You don’t need to thank me, Phoenix, really. You don’t owe me anything. As long as I can help, I’ll be here.”

Was his badge always this light and this tiny in his palm? It should be heavier. It should be weightier. It’s supposed to be weightier after it’s saved lives and ruined them. Everything it means, and it’s just this little sliver of metal, as shiny as when he was a rookie. After he put three years of wear onto his first one, too, looked like he’d been around the block as a lawyer once or twice, and now he’s starting over from the bottom again.

Or worse than that, because when he started out he had no reputation but Mia’s, and now he has his own name, the highs and lows of it. Who is Phoenix Wright? The man who defended Will Powers, Max Galactica, Mask de Masque. (Scratch Matt Engarde.) The man who felled Manfred von Karma, Damon Gant. The man who defended Zak Gramarye. (Zak goddamn Gramarye.) The man who felled Kristoph Gavin.

(Though there’s some who still think he positioned Kristoph Gavin to take the fall for him.)

If it wasn’t for Edgeworth (again; first to save him, now to save someone else at his behest) he wouldn’t have bothered. Not with his name bitter on the tongues of half the legal system and this new little badge with its sheen dulled by tarnish and grime only Phoenix can see. But it’s Edgeworth, so Phoenix is here, and while he’s here, he supposes he can show Athena that all her admiration of him, all her faith in him, wasn’t hollow. That he can be who she thinks he is.

He can show Apollo that he’s more than the director hiding in the wings, the puppetmaster behind set. That he can be more than Apollo knows he is.

They won’t have to run his errands anymore. He won’t give them more reason to resent him.

But even thinking that - and even knowing that this accomplishment he wants to share stems inextricably from to all his failures that won’t be far from their minds - he’s still excited to tell them, to present this new badge to them.

Sometimes he’d swear he’s running a daycare.

He’ll freely admit he’s not an organized person and that his daughter has learned from him. She doesn’t put her magic props away because “I’ll just need them again soon anyway!” which is absolutely fair reasoning. But the playing cards and hula-hoops and plastic spaghetti don’t make the place look dignified, and it’s even less when he enters, ready to proudly show off his badge, to find the couches turned around to face the ancient TV that usually only plays the news, and Athena flinging herself up off the couch, a notebook raised as a weapon, at Apollo who has begun to walk away.

“How can you suggest such a thing!” she demands, indignant and raring for a fight. “This show is therapeutic!”

“You’ve watched it five times already!” Apollo roars back. His loud voice is about the only thing that lets him keep up with Trucy and Athena, Phoenix is pretty sure. They have the energy, but he has the volume. “That inane pirate song getting stuck in my head is not therapeutic!”

“Uh, guys?” Phoenix interrupts. “Boss here, asking a question, y’know, what do you think?” He gestures at his lapel area where the new badge - he still has trouble thinking of it as his badge - is pinned.

“But animal-assisted therapy is a real and valid thing and that’s why getting membership cards to the local aquariums here is paramount to my study of psychology—”

“Are you trying to justify it to write it off on your taxes?”

“Is there any work you should be doing?” Phoenix says, louder this time, and apparently the word work flips some switch in their brains, causing both to jump, and Athena to lower the notebook.

“We both already cleaned the toilet—” Apollo says.

“A couple times because he thinks I didn’t do good enough,” Athena adds.

“—and watered Charley.”

“But not with toilet water,” Athena adds, which instead of reassuring Phoenix makes him worry about a matter he had no reason to be concerned about a second ago. “So y’know.” She flashes a reflexive peace sign.

“And what if it was a potential client who walked in, instead of me? That hardly looks professional.”

“Er.” Athena’s eyes dart toward Apollo, searching for help.

“Sorry.”

Phoenix sighs. They barely respect him, but why should they? He’s given them space to work out of and left them alone enough that whatever unprofessional mess they make is their problems, not his. “Back to whatever you’re arguing about,” he says wearily.

They glance at each other again, obviously aware that he’s bothered, that it’s probably something about them - how many complexities must Athena hear in his voice right now? - but she’s also still passionately heated about whatever this aquarium argument is and can’t drop it yet. “And the orca pirate song is not any more inane than whatever tunes you hum while you do paperwork, Apollo!”

She probably doesn’t know what tunes those are, but Phoenix can absolutely guess what they are by the way Apollo’s face flushes. Oh, to be in his twenties and just casually crushing on his courtroom rival instead of being thirty-something and pathetic about it.

He starts past them, back to his desk. Athena raises the notebook threateningly again, Apollo puts the couch between himself and her, and all the lights in the office burn out with a horrible burst of static. The blinds clatter heavily down over the windows. Athena shrieks - christ, has he told her about Mia? No, he didn’t. (“It’s all need-to-know with you,” Edgeworth grumbled, once, some or another time within a seven year span, “and you think no one else needs to know.” Apollo asked about the office, so Phoenix told him. Athena hasn’t asked.)

Apollo, a little more used to her whims, still jumps, but silently.

“Why?” Phoenix asks. The light directly above him hums back to life, a makeshift spotlight. “Okay, that’s a little much.”

But he only realizes what she’s doing when Apollo blurts, “Wait, Mr Wright, that badge—”

It’s extra shiny in this light. Mia knows her dramatics.

“You passed the Bar! You got your badge back!” Athena drops the notebook and claps her hands together. “Congrats!”

It might just be a psychological trick of the light, the way it’s focused on him and nowhere else, or maybe it’s Athena beaming at him and Apollo’s astonished expression slowly opening up into a grin, or a combination thereof, but a warmth is gathering in his chest. It replaces the cold confusion that clung to him since he first took this new badge in hand. “Thanks, guys,” he says, and he finds he means it, even if it took Mia smacking them around the head. The rest of the lights spring back on, though the TV remains off. Mia never really cared for television, not even the news; Phoenix later found out, or realized, that she was looking for Redd White’s hand in every broadcast, every spin on a story, and she couldn’t concentrate on anything else if local news rumbled on in the background.

“You look like a real lawyer,” Apollo says, with clear admiration. Almost the way he sounded when Phoenix first met him, though without the stammering and stumbling. “Like you’re capable!”

He is not going to ask if that means he didn’t look capable before. He knows the answer.

“So!” Athena puts her hands on her hips. “When do we get to see the chief in action?”

“Huh?” he asks. The warmth of moments ago is a little too hot now, boiling him. “Who?”

“You, duh! Like Mr Edgeworth is the Chief Prosecutor, you’re the Chief Defense! Chief Anything Agency!”

“No thanks,” he says. Athena’s shoulders hike up slightly, her concentration increasing even as he fights to level his voice. “Just stick with ‘Boss’. Or my name, that works even better.”

Athena isn’t subtle, turning to Apollo for help understanding, help she’s not going to get from him on this.

“I don’t want that much responsibility,” Phoenix jokes, or he’s trying to joke, and it’s true but also not really the reason. “And anyway, ideally you’re not seeing me in action; ideally” - he’s allowed to dream - “we’ll actually have clients and you and Apollo will have your cases, and I’ve got mine, and you’re hopefully too busy to watch me go bungle my second attempt at a career.”

Self-deprecating humor is maybe not the only kind he has left, but it’s definitely that which he knows best how to wield. It started as another weapon in his arsenal against Kristoph: misdirection and diversion by confirming of all the worst that Kristoph thought of him. Phoenix Wright is a lawyer with only luck and no skill; Phoenix Wright has everything he does because some of the fae, and not just any but the royal fae, handed it to him. Phoenix Wright is so goddamn incompetent without them that he stumbled into an enchantment and lost everything he had been given.

(The thing about that last statement was, looking back on the transcript of the trial, he knows even if there hadn’t been enchantments layered on the diary page - Kristoph’s clumsy attempt to fortify Vera’s beautifully-and-unknowingly-cast spell that made it convincing evidence despite its dubious source - he would have presented it anyway. He didn’t have another bluff left. He just had Mia’s advice, believing in his client - he had Mia and that day in court she couldn’t save him. The truth of it: Phoenix Wright, so goddamn incompetent that even with help of the fae he lost everything.)

“Man, all this preparation you do for cases,” Phoenix would say, leaning his elbow on Kristoph’s desk and lazily waving at all the paperwork that he had so carefully organized on his desk. “Ever thought about my tried-and-true wing-it-and-bluff?” he’d ask, and Kristoph would smile tightly and pretend that it was funny and that he didn’t hate Phoenix, and right back Phoenix would pretend that he didn’t hate Kristoph.

(But the thing about carrying on like that was that, at some point, Phoenix came to hate Phoenix too.)

Neither Athena nor Apollo has this in common with Kristoph - because Phoenix is the man who gave Athena her faith that defense attorneys can save people, and because Apollo knows what it’s like to be the flailing, bluffing one, and that it’s not indicative of incompetence but more the kind of bullshit cases they end up saddled with. Neither of them expect the self-deprecation - neither of them agree. (Apollo’s reasons to hate him aren’t these.) And they’re both staring at him trying to figure out whether he believes his own joke, whether “I hope the agency is busy” is just a thin veneer for “I want neither of you around”.

Which - to be fair to them for asking that question, he really doesn’t. Better for them not to find out what it’s like investigating alongside a man as cursed as he is, how those cases twist and turn worse and worse, more than what Apollo has already experienced. The way culprits shift: Redd White moving suspicion from Maya to Phoenix himself; SL-9 falling onto Ema’s shoulders because he tried to save Lana; Ron DeLite going from theft suspect to murder suspect; Godot letting the accusation fall on Maya once Iris was exonerated, just to see if Phoenix was capable of solving the case, whether he’d really been worth it for Mia to save. And then the weirder things: the amnesia, the doppelganger who tried to damn Maggey. Edgeworth escaping a guilty verdict only to make a confession, saved only to die. (“Die”, air quotes. Saving people is a funny thing. They’re only human. And even ones who aren’t human can only do so much.)

All Apollo’s had is a client he personally charged with smuggling, and that was moving a step up from murder.

(Okay, yeah, there were both the Kristoph situations, Apollo exonerating his client by indicting his mentor, and Vera’s poisoning, but Phoenix was there for both of those so he can say those are his fault.)

“Yeah,” Apollo says finally, after he and Athena share a glance that says they’re probably going to be discussing this later, “based on precedent, that’s not happening.”

“Ah, but that’s before you’ve become the heroes of Nine-Tails Vale and Tenma Town, yes?” Phoenix asks with a grin.

Apollo does not share his amusement. “I didn’t set out to be a yokai lawyer,” he says.

Phoenix didn’t want to be a fae lawyer - or, Mia was a fae lawyer, and Phoenix is a lawyer for the fae - and it happened anyway. His career is not something that should be replicated, but it might already be too late for Apollo. “Making names for yourselves, however it happens, is a good start,” he says. “You probably won’t get stuck in a niche from two cases.”

“Y’know, Boss, I hope you’ll sound more confident encouraging your clients than you do with us,” Athena says.

“The clients won’t have your ears, though,” Phoenix says.

“No, you don’t sound at all confident to me either,” Apollo says.

Go figure. Was he always bad at this, or over the years has he lost yet something else? “Noted,” he says. “Thanks for the advice, kids. I’m still gonna recommend you not yell at each other in the front room. Save that shit for after hours.”

Athena chuckles and Apollo sighs and that seems a quick summation of each of their relationships to him. He heads to his desk, finding it cleaner than he remembers it last night, which means either Apollo organized it while he and Athena have been rattling around their cage today, or Mia’s gift to him in honor of passing the Bar again is to give him one day that she’s not on his case for being a disorganized mess.

She’d like Apollo. She does like Apollo, Phoenix sees that plainly, but they should have gotten the chance to work together. Stand in court together. He’s got a whole damn list of people he wishes Mia could have spoken with; all three of the kids are right at the top. It’s not fair, not in the least. It never is.

Athena’s voice drifts loudly in from the front room. “Hey,” Phoenix says, sticking his head back out. “What’d I just say?” he asks. They really don’t respect him at all do they. “If you really have to yell at each other, go back into the kitchen or somewhere.”

“We have a kitchen?” Athena asks.

“Only sometimes,” Apollo says. Right, he’d been taken by surprise by its existence, too.

“Anyway that’s not important right now!” Athena is still yelling. Phoenix ventures further into the room. She points at the television screen. “Apollo! You heard me! We have to go investigate!”

“If we don’t have a client, we’re not gonna be allowed to run around a crime scene,” Apollo says slowly, like that will make the words sink in. “Not unless we were already on site when the crime was discovered, are friends with the detective, and the prosecution is neurotic and stressed enough that he doesn’t care that you’re there, and even then, witnesses aren’t going to talk to you because you aren’t anyone officially on the case.”

Based on how Trucy relayed it, that must be the Tobaye case, over at Sunshine Coliseum, that he’s talking about. “What is it that you want to investigate?” Phoenix asks.

“The aquarium we were just talking about!” Athena sounds frantic, and Widget can’t settle on shock or anger. “The owner was found dead, under suspicion of being murdered! And a suspect in custody! We’ve gotta do something!”

There’d be a lesson here about how she tries to stretch herself thin doing everything that isn’t her job if they had anything else they could possibly be doing, but they don’t.

And then it is their job, because a young woman who looks like she’s just come from a costume party at the beach, barrels in and asks which one of them is Phoenix Wright.

As far as coincidences go, this is one of the sort where Phoenix would worry that Maya had murdered a man and sent the suspect’s friend over to the office to request Phoenix’s help, as a celebration of him getting his badge back. Except Phoenix hasn’t told Maya, yet, and even if it was that, it still wouldn’t account for Athena chattering about the aquarium minutes ago. Chalk one up to the possibility of fate or destiny and move on.

The young woman’s name is Sasha Buckler, and she, as Athena guesses, works at Shipshape Aquarium, the site of one of Los Angeles’ latest murders. Her friend, the accused, is in custody down at the aquarium. And she needs the “Wright” man for the job to help her.

“Don’t tell me she’s here because of a bad pun,” Apollo mutters.

Surely not, and not just because it’s a pretty good pun, all considered. “I’ve been all over the city already, actually,” Sasha says, her mouth set in a hard line, “and all those lawyers said there’s no merit to the case, or they can’t help! Hearts colder than the depths of the Mariana Trench!”

“Ugh!” Now Widget has settled firmly in anger, and Athena once again ready to upend the entire legal establishment. “How awful! To have a friend in need, and no one else on your side…”

This far out of practice and diving in headfirst - he can’t not. It’s why he’s a defense attorney. “Okay, Sasha,” he says, taking a deep breath to steady his stomach, the resuming fear of fucking it all up, “I’ll take your case.”

“You - you will?” The words take a moment to settle, and Sasha lights up. “You will! That’s great! We’d better get to the aquarium right away so you can meet her!”

“All right!” Athena says. “Do you need a lift back? I can drive us!”

“Wait.” Phoenix turns to her. “Athena. You’re not—”

“Not coming? Of course I’m coming! You’ll need a co-counsel, right?” Because the last time he defended without one went so far wrong. “And I’ve been to the aquarium before, and I know a lot more about it, so I can help if Sasha isn’t around!”

That one is a good point, but the sick churning in his stomach resumes. It’s going to go wrong. She’s going to be disappointed in what she finds, what working with him is actually like. How his cases actually go. And she’s already invited herself out the door, taking Sasha with her, asking about the penguins and the puffins and all the other denizens of the sea. Helpless, Phoenix turns to Apollo, who is gesturing at the door with his eyebrows raised questioningly. “You’ve gotta hold down the fort, at least until Trucy gets back,” Phoenix says.

“Right,” he says darkly, seeming to have expected that answer but not happy about it, either. “Got it.”

Phoenix catches up with the girls at Athena’s car, to find himself relegated to the back seat.

The client, Sasha’s friend, the one accused of killing the aquarium owner, is an orca.

Phoenix should have asked Sasha for more details about her friend while they drove over, but she and Athena spent most of their time in loud animated conversation and he hadn’t been sure he could get a word in edgewise. Athena is, apparently, with all her other interests, huge into marine biology, and she establishes her favorite animals practically immediately with Sasha. “I’m more of a dolphins and seals gal, myself,” Sasha said. “You like sea birds though, huh?”

“And dolphins!” Athena says. “They’re so cool - and so smart! I can’t believe you get to work with the orca in the Swashbuckler Spectacular! But birds, yeah, all of them - even sea gulls, ‘cause I hate to project human morality and personal awareness and personality onto animals, but those little bastards definitely know what they’re doing. I remember, way back when I was a little kid, the - the one day we went out to the pier, me and my friend and - my mom and, um, another family friend” - she trips over all the words about people from the past, and she doesn’t talk much about life before Europe, but Phoenix does know that her mother died years ago - “and we tried to get lunch and the gulls—”

After that ride, Phoenix is on the other side of the city, finding out that Sasha either forgot or - he suspects - deliberately didn’t mention the identity of her “friend”, who is a killer whale wearing a pirate hat and fake mustache. “See, when I was asking around for a lawyer for Orla here, I was told about you and your office, that you don’t discriminate against animals - that you’d questioned one as a witness and got your client off the hook that way!” Phoenix wouldn’t call that doesn’t discriminate, but rather fucking desperate, but Sasha is beaming and he doesn’t know how he’s going to turn her down. “And I just knew you were the person who could help me, and save her!”

Who told her about that? Either someone who thought there might be some merit to defending an orca but already had a full caseload on the platter, or someone who’s having a laugh at Phoenix’s expense. Or both. Put both of those thoughts together, and add that ten years after the fact, that someone who spoke with Sasha remembers Phoenix for the parrot stunt and not just the Gramarye debacle, and - oh hell, it was Raymond, wasn’t it.

“I am texting Apollo right now to remind him to tell me about that case,” Athena says, and true to her word she pulls her phone from her pocket. “Right now.”

“That was - that was a lot different.” Phoenix stares at the orca with its head poked up out of the pool. Its little tweets and chirps are cute, certainly, and the hat, but it’s also a fucking orca. It doesn’t talk, is the first of many problems. There’s also got to be a reason they’re called what they are. “So, uh, killer whales, y’know - they don’t eat people, do they?”

Said killer whale pops back out of the water and whistles angrily at him. Sasha glares. “Of course not!” she snaps. “And don’t say things like that in front of her! She’s got feelings, and you’re making her feel bad!”

“Yeah!” Athena chimes in, and Phoenix wonders if he had Apollo here, would Apollo be on his side or not.

“Orla here only eats fish,” Sasha says. “In the wild orcas eat” - she shudders and her pirate jewelry loudly jingles - “seals, too, but we can’t exactly get those, so it’s just tons of fish!” She smiles fondly at the orca, and after several seconds of it making some more noises and smacking the water with its flippers, she says, “Orla says she forgives you for the question.”

Wouldn’t want a killer whale to hold a grudge against him, but either Sasha’s taking the piss out of him, or she actually—

A quick check confirms two things: that Orla the orca is indeed only an orca, which makes this entire situation both better and worse, but Sasha is not merely human.

Shimmering whiskers brush out along her cheeks, and the hands she gestures with are gloved in translucent, grayish-tan flippers, complete with claws on the ends. Dark speckles, most almost star-shaped like the stage makeup around one of Sasha’s eyes, aren’t set against her skin but hover just above it, on the level of her flippers, a second skin invisible in some places but all encompassing. And her features are bold and apparent about her, more than a ghost of a transformation she’s never made - she’s more like Kay, whose feathers are bold along her arms and through her hair, than Lang, who even with the Sight has to be in a certain light for his eyes to glint yellow or a wolf’s ears to show up out of his hair.

The killer whale trainer is a seal. Her other form ranks on the food chain directly below the creature she works with. He could almost laugh.

He doesn’t, of course. That really wouldn’t help shit; Athena would certainly yell at him for it. She’s heated as anything with the detective - a man built like a brick wall as much as Gumshoe is, but even louder and, really, just obnoxious. He introduced himself as “Fulbright” and Athena says they worked opposite him on Mayor Tenma’s case and from that one occasion, three months ago, she obviously has the read on him, and importantly, knows how to manipulate him. She’s ready to fight, teeth bared and fists up, and Phoenix is not going to get in her way.

And Sasha is looking at Phoenix with stars in her eyes, like he’s really the man who can put an end to this nightmare. She’s looking at him the way Athena did all those years ago when she told him she made him believe that it’s possible for a defense attorney to win. The way Apollo did in the courthouse lobby, before Phoenix sent him and the trial both straight to hell.

For someone who actually believes in him, however deserving or not he may be - he’ll do it. Athena’s cracked Fulbright open and provided a window of opportunity. “Detective Fulbright,” he says. “Sasha. I’ll defend Orla in court. Even an orca deserves a fair trial and a thorough investigation. If the aquarium’s owner is dead and can’t take responsibility for her, then I will.”

Sasha beams brighter. Fulbright, finally struck silent, gapes at them. “Oh, so we’re outdoing your last craziness now, huh, Boss?” Athena asks. She smacks her fist into her open palm. “What the helll-eck, what the heck, I’m on board with this! I’ll take responsibility for her too!”

First client with his badge back on his lapel, and it’s a selkie and her orca. The more things change, the more they stay just as goddamn weird as they always have been.

#roddy fanfics #fic: the witches of los angeles

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ramialkarmi · 7 years

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The best movies and TV shows coming to Amazon, iTunes, Hulu, and more in August

There’s a lot of great old and new titles coming to streaming services in August.

You’ll be able to purchase the hit “Guardians of the Galaxy Vol. 2” through iTunes or Amazon, catch the anticipated first season of “The Tick” over at Amazon, and all the "Bachelor in Paradise" drama will be put on Hulu.

Or you can watch some classics like “Bad Boys” (Amazon or Hulu), “Tango & Cash” (HBO), or “Saving Private Ryan” (Hulu).

Here's everything coming to your favorite streaming platforms in August. We've highlighted some standouts in bold:

SEE ALSO: The dealmaking to pull off the 1980s-soaked "Atomic Blonde" soundtrack was as intense as the fight scenes

iTunes

Available August 1

“Alien: Covenant” “Everything, Everything” “The Wall”

Available August 8

“Guardians of the Galaxy Vol. 2”

Available August 15

“Baywatch”

Available August 22

“The Mummy” “All Eyez on Me”

Available August 25

“Rough Night”

Available August 29

“It Comes At Night”

Amazon Prime

Available August 1

“All Dogs Go to Heaven” “Among Friends” “Bad Boys” “Bad Company” “Benny & Joon” “Bill & Ted's Bogus Journey” “Bill & Ted's Excellent Adventure” “Box of Moonlight” “Breakdown” “Charley One-Eye” “Criminal Law” “The Dead Zone” “Eve's Bayou” “Far from Home” “Friends and Lovers” “The General's Daughter” “Ghost” “Hannie Caulder” “Harsh Times” “High Noon” “The Mod Squad” “New in Town” “Nulee's Gold” “Once Bitten” “The Pursuit of D.B Cooper” “Save the Last Dance” “Saw” “Saw II” “Saw III” “Saw IV” “Saw V” “Teen Wolf” “Teen Wolf Too” “Terry Fator: Live in Concert” “Wayne's World 2” “Everything, Everything” (To Purchase)

Available August 2

“Valkyrie” “Superbad” (Unrated)

Available August 4

“Comrade Detective” (Amazon Original, Season 1) “Lost in Oz” (Amazon Original, Season 1)

Available August 5

“The Ticket”

Available August 8

“Guardians of the Galaxy Vol. 2” (To Purchase) Available August 15

“Tumble Leaf” (Amazon Original, Season 3)

Available August 17

“Undercover” (Season 1) “Nick Offerman & Megan Mullally: Summer of 69: No Apostrophe”

Available August 19

“My Bloody Valentine”

Available August 20

The Last Ship (Season 4)

Available August 25

“The Tick” (Amazon Original, Season 1)

Available August 27

“Florence Foster Jenkins”

Available August 29

“Gimme Shelter” (2013) “Victoria” (Season 1)

Hulu

Available August 1

“The Bachelorette: The Men Tell All: Special” “Ali” “Among Friends” “Arthur” “As Good as it Gets” “Bad Boys” “Bad News Bears” “Bad Company” “Benny & Joon” “The Big Chill” “Bill & Ted’s Bogus Journey” “Bill & Ted’s Excellent Adventure” “Bloodsport” “Box of Moonlight” “Breakdown” “Center Stage” “Center Stage: On Pointe” “Center Stage: Turn it Up” “Charley One-Eye” “Charlotte’s Web” “Clue” “Clueless” “Coming to America” “Criminal Law” “Cujo” “Dead Gamers” “The Dead Zone” “Delta Force” “Eve’s Bayou” “Far From Home” “Final Fantasy VII: Advent Children” “Final Fantasy: The Spirits Within” “Finding Forrester” “The Foot Fist Way” “Friends and Lovers” “The General’s Daughter” “Get Rich or Die Tryin’” “Ghost” “Hannie Caulder” “Harlem Nights” “Harsh Times” “Hey Arnold! The Movie” “High Noon” “Higher Learning” “Honey, I Shrunk the Kids” “The Italian Job” “Mars Attacks!” “Men in Black II” “The Mod Squad” “New in Town” “Once Bitten” “Once Upon a Time in Mexico” “Paycheck” “Puppetmaster: Axis Termination” “The Pursuit of D.B. Cooper” “Rachel Getting Married” “Reds” “Sahara” “Saving Private Ryan” “Saw” “Saw II” “Saw III” “Saw IV” “Saw V” “Sleepy Hollow” “Spider-Man” “Spider-Man 2” “The Swan Princess and the Secret of the Castle” “The Swan Princess” “Teen Witch” “Teen Wolf” “Teen Wolf Too” “Terry Factor: Live in Concert” “The Toy” “Ulee’s Gold” “Vanilla Sky” “Wayne’s World 2" Available August 2

“CMA Fest 2017” (Special) “Cup of Culture” “Valkyrie” Available August 5

“Billy on the Street” (Complete Season 5) “Hacker” Available August 6

“Mosquito” Available August 7

“You’re the Worst” (Complete Season 3) Available August 8

“Difficult People” (Hulu Original, Season 3 Premiere) “Earth Live!” (Special) Available August 9 “Tall Men” Available August 11 “We Bare Bears” (Complete Season 2) Available August 15

“Bachelor in Paradise” (Season 4 Premiere) “Better Things” (Complete Season 1) “Beneath” “Felony” “Hamlet” “Invasion U.S.A.” “It Takes Two” “Ladybugs” “Love Story” “Missing in Action” “Missing in Action 2: The Beginning” “Narc” “Next” “The Prince and Me” “The Ruins” “Sabrina” “Universal Soldier” “Yours, Mine and Ours” Available August 16

“Regular Show” (Complete Season 8) Available August 17

“Marlon” (Series Premiere) Available August 18

“Mary Kills People” (Complete Season 1) “Stan Against Evil” (Complete Season 1) Available August 19

“My Bloody Valentine” Available August 20

“In Secret” Available August 21

“Air Bound” Available August 27

“Florence Foster Jenkins” Available August 29

“Gimme Shelter”

See the rest of the story at Business Insider

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