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#White friar Street
stairnaheireann · 2 months
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St Valentine
There are many versions of the Legend of St Valentine, but a few things are known. That he was a priest martyred (as in beheaded) on 14th February, in either 269 AD or 270 AD by the Roman Emperor Claudius II, also known as Claudius the Cruel. Among Valentine’s crimes was secretly marrying Christian lovers. Claudius, being a sexist as well as a tyrant, decided that those pesky women were the…
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1-800fandomqueen · 5 months
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And I Will Live Forever
Vladislaus Dragulia x fem!reader
Part One
WC : 16.2K
SW : No usage of "Y/N," physical appearance and details are left completely ambiguous and are up to interpretation. Mentions of violence, canon-typical, this fic follows the chronological events of Van Helsing (2004). Everybody lives AU! because I am first and foremost fruity, and want to slum it with Dracula and his wives.
If there are any more warnings to be added let me know!
Story Notes :
For reader's bride dress, I imagine the "Melora White Maxi Dress And Collar" but with a very light blue gradient.
All sentences in this formatting are flashbacks from part one.
This is a re-post, all of my old accounts were deleted.
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‘He was truly my dearest friend, albeit a little strange, I owed everything to him.’
You wait on the steps of the Monastery, seeing the horse approach from across the courtyard, your dearest friend, Gabriel - The Great Van Helsing - was returning from France today. He had been sent on a mission to capture and bring back Dr. Jekyll, alive. But word sent the day before his return showed that he would be returning empty handed. You walk down the stairs to greet him as he slows the horse and dismounts, “Gabriel!” arms tossed around his stiff body squeezing until he moves to return the sentiment. After you deem the hug long enough you let go, quirking an eyebrow at him, a slight frown overtakes your features, “You know how much trouble you’re in right?” You’re immediately met with a sigh and an eyeroll, Gabriel beginning to walk away.
“I don’t understand how you managed to mess this up, the Cardinal is extremely angry.” furiously pacing yourself to keep up with his long strides, the brim of his hat pulled low to hide any sort of expression upon his face. “Van Helsing are you even listening to me? The Cardinal is going to throw a-”
''I don’t give a damn what Jinette thinks, I got the job done didn’t I?” his tone unwavering and final, holding the door to the monastery open for you, following after. You decide not to answer as you walk through the glittering hall, making your way down to the confessional, standing in front of it as he enters. 
You waited outside the door, the conversation between Gabriel and Cardinal Jinette fading in and out with the fluctuation of their volume, the Cardinal remaining the loudest. You hated the way that Jinette spoke to him sometimes, Gabriel never failed to provide results, and had done everything in his power to fulfil every deed given to him by the church.  He was good at what he did, that was undeniable, but he was truly a good man at heart. 
He was the only reason you were allowed to stay within Vatican City, having shown up on the Ministry doorsteps only a few years after he did, you however were significantly younger when you did arrive. You’d been abandoned, living in the streets, when a rowdy group of men chased you all the way to the doors of the church. He had immediately come to your aid and ever since then he had somewhat taken on the role of the older sibling you never had, convincing his superiors to allow you to stay within the ancient building. He always had this air of guilt surrounding him whenever interacting with you, claiming that you reminded him of someone he once knew, but never explaining further than that. 
He taught you how to fight, how to defend yourself if the situation ever arose, he made you carry a small vial of holy water and a collapsible stake on your person at all times, telling you that you never know when you may need it. He was your only companion besides a friar named Carl, who was somewhat closer to your age, a madman when it came to inventing. 
Hearing the scrape of the sconce as the Cardinal opens the secret door, you slide into the booth next to Gabriel right before the metal gate slams into place, quietly taking your spot behind your friend as you begin the descent down into the order. You listen as the Cardinal gives the same spiel about being the last defence against evil, zoning out as you watch the monks move about the place. You snap back into focus at the sound of the projector whirring alive, Jinette giving Gabriel his newest assignment. “We need you to go to the east, to the far side of Romania. An accursed land, terrorised by all sorts of nightmarish creatures.” You watch Van Helsing's face go slightly pale as the image changes, an even more grim look taking over the one that usually resides upon his features, “Lorded over by a certain Count Dracula.” 
You slightly zone out once more as you study the painting, you can hear Gabriel speaking but are unaware of what it is he’s saying. You can’t help but feel a strange mixture of happiness and sadness take over your body as you look upon the man - The Count - in the image, you could swear to all that was holy that he looked familiar. Like you’d met him before. 
You’ve decided by what little of him you could see, that he was still undoubtedly handsome. Slightly taller than you, possibly 6-foot, dark hair, and shockingly blue eyes. 
You don’t notice the looks Gabriel throws your way, the realisation hitting him that you're lost at the sight of the photo. 
When the Cardinal changes the image projected, you rejoin the conversation, looking up to lock eyes with your friend, giving him a wary smile as you fight off the sudden emotional pit forming in your stomach. Listening as Jinette lists off members of this royal family, watching as Gabriel becomes starstruck at the sight of Princess Anna, giving him a smirk and a hard elbow to the ribs, him responding with a slight stomp onto your foot. 
You stop listening again when the insignia of his ring is mentioned, the pit returning to your stomach as you walk away to find Carl. You find the aforementioned man yelling at someone in a pedalling machine, gasping slightly as the person on said machine is electrocuted. “Carl what are you doing?” you’re met with a few mumbles of “Almost had it,” and “Maybe next time,” as Carl shuffles towards you, giving you a small pat on the arm and a crooked smile. He turns his attention to Gabriel as he approaches, automatically beginning his line of chastising and questioning. You follow as Carl begins putting things into a bag for him, Garlic, Holy Water, amongst some weapons. After he causes a viscous fluid to erupt into sparks upon the ground, you giggle as he turns with his inventors' goggles down, magnifying his eyes to a ridiculous level. He gives you a sour look, “the air is thick with envy” he says, rolling his eyes and walking away as you continue to giggle. 
He shuffles around to grab more weapons, going on about some substances that can emit light equivalent to the sun, telling Gabriel to use his imagination with it. “No Carl, I’m gonna use yours that’s why you’re coming with me.” “Oh hell be damned I am!” letting out a dramatic gasp as you clutch your chest, “Carl! You Cursed! Monks aren’t supposed to curse.” You watch as a smug grin takes over his face, leaning in close to you as if to tell a secret, “Well actually I’m still a friar, I can curse all I want. Damn it!” giving you a wink as he shuffles back to his original spot. 
“The Cardinal has ordered you to keep me alive as long as possible.” he continues, about to walk away before you grab his sleeve, “Wait, what about me? I want to come along as well.” You’re met with a stern look, the both of you completely ignoring Carl's mumbles about not being a field man as you follow Gabriel out of the Laboratory, “No, that’s entirely out of the question.” “Why not? I want to come to Transylvania, I’m always left behind when you go on missions. You know I get bored easily!” “You’re always left behind because you don’t have the training to go on missions, it’s highly dangerous-” You stop him once more, “You trained me Gabriel, remember?” cutting him off as he goes to respond, “You’d rather let a friar, who has no fighting experience what-so-ever join you versus someone who can actually hold their own?” Giving him the best pout you can, “Please Van Helsing, let me come with you.” applying a slight shake to the arm still in your grip. 
He doesn’t know what comes over him, whether it be the determined look in your eye or the idea that maybe he could use you as help if all went south, but with a strong reluctance coating his words, he agrees to let you come along. 
‘It was the longest trip of my life, a battle through storms and cold only to be put right in the face of death.’ 
You were tired, aching, surrounded by an angry mob when the first one swooped in from the sky. 
The woman, Princess Anna, yelled for everyone to run inside, to find shelter, as Van Helsing shot at the circling Vampires, while Carl was leaning against the wells’ edge, whimpering. You follow the woman as she takes off running - right after landing rather promiscuously on top of Gabriel - eventually shoving her down a cart as two out of the three vampires reach for you. 
You pant for breath as the sun comes out, everyone in the town coming out with it. You walk towards your friends, reaching for the stake sheathed at your side as a noise emits from the well. You scream as the sun goes back behind the clouds and the orange haired vampire bursts up, grabbing Anna by the shoulders. The black haired one not far behind her, not even looking at you as she grabs you and tosses you through the roof of one of the houses. 
You lay there for a moment, paralysed with pain and fear that overtakes your whole body. You snap to attention as the door in front of you bolts shut, muscle memory leads your hand down to your stake sheath, only to find your weapon missing, cursing as you realise you must have dropped it somewhere along being thrown into a building. You let out a sigh of relief when you see Anna, the woman dropping to your side to check on you. You’re about to let her know you’re okay when all of a sudden the orange-haired vampire lowers herself from the rafters of the house. 
You point up weakly, eyes going wide and letting out a yelp as Anna immediately stands and turns to come face to face with her. “Hello Anna” she hisses out, completely dropping and transforming into her regular facade. You do have to admit, she is rather pretty. “Nice to see you too Aleera,” words doused with Venom. You make a move to help her, but when a sharp pain shoots throughout your whole body as you lean forward, you have no choice but to flop back down to the ground. “Did I do something to you in a past life?” Anna backs up slowly, the Vampire, Aleera, following her every move. “Don’t play coy with me, princess,” somehow teleporting to be in front of Anna, “I know what lurks in your lusting heart.” “I hope you have a heart Aleera, because someday I’m going to drive a stake through it.” You watch with bated breath as Aleera literally smacks Anna out of the window, then turns to gaze down upon you. 
She tilts her head at you, studying for a moment. A look that almost resembles recognition passes her features before she dives out the window after Anna. “Fuck.” you murmur, beginning to wiggle your limbs as you try to fight off the searing pain travelling through your body. When you’re able to move once more, you make your way out of the house, down the stairs and through the door, like a perfectly sane person, grabbing a large shard of glass from outside, watching as Anna bursts into another home. 
You weakly run, limping every step, attempting to follow her in case she needed what little assistance you could provide in your current state. Bursting into the house to see the two Vampires over her, mouths gaping open, fangs sharp and extended, their faces taking on slightly demonic forms. You watch as they suddenly scream, twisting and writhing as they turn back into their winged counterparts, flying out of the house.
You offer her a hand, no words passed between the two of you, only pained smiles and grateful expressions, lifting her up as the adrenaline leaves your body, limping out into the street with her. Walking towards the church where your friends sit on its steps, you pass by Gabriels’ hat, turning and grabbing it for him, gently brushing some of the dirt and snow off of it. Bringing it to him and sitting down, you’re met with concerning remarks from both him and Carl, hell, you’d be concerned too if you also saw your friend be thrown into a roof from 40 feet in the air, but you were just too tired to form any words. Letting your head thump back against one of the top steps as an angry crowd of Translyvanians forms around you. 
You’re thankful when Anna jumps to your defence, the revealing of Van Helsings’ identity forces the crowd to back off. You raise your head at the mention of a drink and somewhere to stay, muttering a ‘yes please’ before you slump back against the stairs. Feeling arms come around both your sides, both Carl and Gabriel help hoist you up, supporting your weight as you begin your trek to where Anna was staying, at the old Governors’ house. 
You can’t help the strange sense that washes over you at the sight of the building. 
“But soon, the final battle will begin, I must go and find out who our new visitor is.”
‘It was a restless night, full of aches. Visions of you and a man dancing through your head, along with visions of great pain and sorrow.’
‘Don’t do this Gabriel… Please let go of my wife.’
You could hear screaming, a woman falling through a window. Great agonising pain filling your senses ; grief, sadness, anger, all equally coursing through your veins. 
‘I’m sorry… But you broke the oath.’
Flashes of a happy couple pass through your mind, ending as you turn to be stabbed through the heart by Gabriel-
Shooting up with a gasp, feeling every bone in your body protest at such movement. You take heaving, gulping breaths, the fear seizing your muscles making it hard to intake oxygen. You can feel sweat running off you in rivulets as you try to equal out your heartbeat. What did you just see? This hadn’t been the first dream you’d had of this scenario, with Gabriel killing you, you’d had a dream eerily similar to this one when you first met him all those years ago, except in that one you were the woman falling through the window. 
Bringing up a hand to wipe absentmindedly at your forehead, trying to cease what you assume is a river of sweat. It’s only when your hand comes back covered in a fluid that’s smelling and stringing to your skin, it’s within that moment when you’re able to register the low growling do you look up, and come eye to eye with a werewolf. 
It pounces the second you look at it, giving you only a moment to roll out of the bed and scream as loud as you can. Dodging as best you can as the creature lays havoc to the room you’re in, ducking for cover as leaps for you, watching it crash through the window. You turn as your room door is opened, Gabriel looking in with features clouded by fear. He calls your name, coming around to rest his hands upon your shoulders, “What happened?” “Werewolf,” a shaky hand coming to point towards the shattered window, “Went that way.” Grabbing you by the shoulders he directs you to a ripped up armchair sitting in the corner of the room, sitting you down and handing you your stake, huh, where did he find that? “Stay here, I’ll be back soon.” 
You don’t stay, waiting a few moments after he’s left to get up. It’s only when yelling and crashing resonates from downstairs do you hurry your pace. You arrive at the sight of Gabriel running out of the estate and Anna standing in a catatonic state, staring off in his direction. Disregarding the broken window, you already have a feeling of what broke it to begin with, you turn to Anna, gently grasping her elbows and directing her attention to you. 
“Anna? What happened?” lifting one hand up to her neck, gently tilting her head from side to side, looking for any signs of pain or damage. “Are you alright? Did it hurt you?” That seems to do the trick as her glossy eyes fill with more tears, finally spilling over as she looks at you, “My brother. It’s my brother.” You say nothing, cooing slightly as her tears fall faster, pulling her into a hug. “He’s going to kill him.” Words murmured into your shoulder. “Who’s going to kill who, Anna?” “Van Helsings’ going to try and kill my brother.'' And with those words she takes off out the door. 
You grab a pile of fabric off the back of a nearby chair, knowing that the cold would be too severe for what Anna, and yourself, were currently wearing. You saddle up the horse you came into town on, going off in the direction of several sets of footprints. When you approach where Anna and Van Helsing stand in the graveyard you catch the remnants of what was undoubtedly a heated conversation. “He has taken everything from me. Leaving me alone in this world.”  You quietly dismount, grabbing the blanket you brought and throwing part of it over Annas’ shoulders, slightly startling her with your sudden presence. You say nothing as you resume your previous embrace with her, watching as Anna all but crumbles into the affection. 
“To have the memories of those you have loved and lost is perhaps harder than to have no memories at all.” his words spoken with a guilty glance towards you, an unexplainable rage filling you at the idea of whatever he could possibly be implying. “Alright, we’ll look for your brother.”
“It was obvious that Van Helsing was wary of this man, but when he turned to me I felt no fear. He looked at me in what could only be sheer reverence, and I felt my mind settle.’
The Castle was looming, with electricity zapping to and fro from the top tower. Hanging behind as to give Anna and Gabriel some time to talk. If the fate of Anna's family wasn’t at stake you would take the time to poke at his lovesick behaviour, but until everything was over you held your remarks at bay. 
Entering the dusty manor, pushing cobwebs out of your way, the three of you make your way into a room filled to the brim with sacks hanging from the ceiling, reminding you of very slimy chrysalides. “Have you ever seen these things before?” you aim your question towards either of your company. “No. What do you think they are?” Both of you turn to Gabriel, “Offspring.” “What?” spoken at the same time. “A man with three gorgeous women for 400 years-” “Yes, vampires are the walking dead, it only makes sense their children are born dead.”
Pushing your way through to reveal a grand hall filled with even more of the pods, electricity crackling down the hall and into the room you are in. Watching as the pods begin to pulse and wiggle. “Van Helsing don’t-” exclaiming in exaggerated disgust as he sticks his hand into the sack, throwing the slime substance out of his way. 
“So this is what you get when Vampires mate-” not given the time to finish his sentence as it comes to life, both you and Anna screaming out in disgust. Another blast of electricity barrels through the room, bringing with it a shiver up your spin and the jolt of a static shock. The three of you run as they begin to drop from the ceiling, faintly aware of voices coming from somewhere above you.
Despite Annas’ pleas, you watch as Gabriel exits out of your covered spot, entering the desolate hall once again to begin shooting at the vampiric offspring still flying around the room. He looks up somewhere in the room, a slightly smug look upon his face, “Now that I have your attention.” A giant winged creature falls from the sky and begins to pursue your friend. The gust of air it brings knocks over decorations, items falling all around you. You don’t even register Anna rushing up the stairs behind you, nor the beam and chandelier falling after her, blocking anyone from following. You do, however, register the doors at the end of the hall slamming closed, locking you in here with Van Helsing and the creature. 
Crouching down next to some crates, watching as the creature swoops down, turning into a man. Turning into the Count from the Cardinals’ slideshow. “I can tell the character of a man by the sound of his heartbeat.” A deep accented voice lilting, “Usually when I approach,” clapping his hands together in a slightly off-rhythm staccato, “I can almost dance to the beat. Strange that yours is so steady.”  Hands ending their sporadic clap as he continues to walk forward, all noise ceasing except for crackling of electricity.
When Gabriel drops down and stabs the man you can’t help the sadness that fills you. A strange sense taking over you, making you want to walk over and kill your best friend where he stands. “Requistat in pace” words uttered with an arrogance. You stand up, beginning to make your way towards them, “Hello Gabriel,” freezing in your steps. Did he know this man?
“Is this your silver stake?” pulling it out of his chest and tossing it over his shoulder. “How long has it been, 3- 400 years? You don’t remember, do you?” “What exactly is it I should be remembering?” The two of them begin to slowly circle around one another, “You are the Great Van Helsing! Trained by monks and mullahs from Tibet to Istanbul, protected by Rome herself! But like me, hunted by all others.” 
“The Knights of the Holy Order know all about you, It’s no surprise you would know about me.” “Yes but it’s much more than this” the man laughs as he takes a step towards Van Helsing, the two coming full circle. “We have such history, You and I, Gabriel. Have you ever wondered why you have such horrible nightmares, horrific scenes of ancient battles past. Horrific scenes of betrayal? Would you like for me to refresh your memory a little, a few details from your sordid past?” You shuffle slightly, the heel of your boot scraping across a loose tile in the floor, drawing the attention of both Gabriel and the Count. 
He gazes in disbelief. Freezing for a few moments before taking delicate, hesitant, steps towards you. You knew that you should probably flee, run for cover or to your friend, but instead you stayed put, Standing your ground as he approached you. He walks until the two of you almost stand toe-to-toe. An ungloved hand reaches out towards you and you can’t help the flinch that runs through your body, heart rate picking up in fear. He looks pained at your cower, hand still moving to brush lightly against your jaw, freezing cold fingers solidify his true nature to you.
 “Do not fear me.” 
‘I hope you’ve learned by now that I mean you no harm.’
Words spoken in such a hushed whisper that only you could hear with your proximity. And for some strange reason, you find yourself calming at his words, the fear leaving your still shellshocked system, heart rate slowing. You pay no attention to your friend who’s currently sneaking up behind the man, completely enraptured by the Count. 
He mutters something that you can't quite catch, his hand beginning to drift down your neck, brushing against the necklace round your neck. He picks up the chain and lets it run through his fingers, getting steadily closer to the ring that resides on the end of it. A small silver wedding band that never seemed to tarnish rested along the chain, you had no idea where you had gotten it, it had been in your possession for what seemed forever. It was obviously valuable and you could never seem to part with it, in fear of it one day sliding off your finger during your work you ran it onto a bare chain, deciding to wear it as a necklace. 
Before he can reach the ring at the end of the chain the sound of something clicking into place takes the attention of both of you, him whipping around to grab the silver crucifix Gabriel thrusts into his face, screaming in pain as he makes contact with the holy item. Jumping away as the crucifix bursts into flames within his hand, beginning to melt. He tosses the remains of it away, regaining his composure at a lightning rate. 
“Perhaps that is a conversation for another time.” He takes a few steps back, walking a few feet past you. “Allow me to reintroduce myself, I am Count Vladislaus Dragulia. Born 1422, Murdered 1462.” 
‘Vlad’ rings through your head, the memory of glass shattering and screaming echoing through your mind. You don’t realise that the screaming has become real, Van Helsing grabs your hand and pulls you away with him, still in a dissociative state you don’t realise what’s happened until you both make your escape through a dumbwaiter. 
The two of you make your way to the roof, running into a frantic Anna. “I think we’ve overstayed our welcome.” Words rushed to you and her, Gabriel grabbing one arm each and launching off a line, extending all the way over the rushing river below, to the nearby mountain. The three of you speed off, almost making it halfway across before the line suddenly shakes. The werewolf from the house, Anna’s brother, suddenly hitches a ride on the back, sliding a bit before one of its claws slices the line in half, taking you and the half closest to the Castle, down.
You can’t help the deja vu that washes over you as you fall, the freezing cold river below you. The sound of Van Helsing and Anna screaming for you is drowned out by your own. 
You can faintly see the outline of someone looking over the edge of the castle railing, a yell of ‘no’ reaching your ears. The person disappears from the edge, only for a winged beast to take their place and jump from the roof. ‘It’s the Count’ you realise somewhere in your mind, closing your eyes in what could only be described as… relief? Even though your heart was beating out of your chest, deep down you knew you’d be alright. The wind is bitterly cold, nipping at your back, whistling in your ears. 
Until suddenly it’s not. 
Your body smacks into the water, cold overtaking all your senses as your body freezes. You can faintly feel yourself moving, arms weakly flailing to break the surface of the water to no avail. The current of the roaring river continuously pulls you under, giving you no chance to save yourself.
Right before you pass out from either shock or adrenaline you’re faintly aware of being pulled from the water and into the air. You’re held against something much larger than you are. One minute you’re plummeting, falling down and then sinking to your untimely demise and then the next you’re going up, soaring through the air. 
And with that, you pass out. 
~~~
You drift in and out of consciousness. You can remember being placed in front of a hearth, someone’s lap laid under your head, rough fingers running through your hair. Then three sets of hands and whispering voices, belonging to whom you believe were women, placing and pulling different layers of clothes upon you. You heard conversations about a creature and tracking it down, followed by being picked up by something much larger than you, a hood being pulled over your head, and the flap of great wings. 
When you fully wake, it’s to the feeling of flying. Slowly blinking your eyes you try to adjust to the darkness. You realise you’re being carried by a large creature. Pointed ears, flat-bridged nose, and a maw that contained razor sharp teeth. Its wingspan had to spread to at least 15 feet or greater, and had to be at least 12 feet tall. And you realise that it oddly resembles a bat. 
You hadn’t realised it was looking at you. Too busy in your observative reverie to notice the slitted dark grey eyes that had snapped your way. The large bat lets out a strange rumble when you make eye contact with it, beginning its descent. You’re laid down on what you assume is grass, watching as the creature soars back into the sky, transforming midair. That’s when you remember the last few hours of your life; officially meeting The Count, and all the strange emotions that came with the introduction, all of the rage, anguish, and nostalgia. And the fact that he had saved you, throwing himself off the top of the castle to rescue you from the river. 
He drops back down to the ground with a certain grace and elegance to his actions, slightly bowing with a hand outstretched for theatrics. If you didn’t know any better you’d say he was doing it to lighten the air, immediately throwing you a smile and small chuckle as he does it. You can’t help the smile that overtakes your face as well, accepting the hand he offers you, pulling you off the ground. Finally taking in your surroundings, you realise you’re standing in front of a semi-dilapidated building. It looks to be a small fortress of sorts, surrounded by mountains on either side, along with the faint sound of a rushing river a great distance below you. 
“Where are we?” words muttered, turning to gaze at him. 
“Poenari.” 
‘He can lie and claim to be a hollow man all he wants. But when I finally realised who he was and what he meant to me, I could see the pure emotion overtake his face, and for once I swore I could hear a heartbeat that wasn’t my own.’
The two of you walked silently through the building. 
The dank remnants of the castle smelled foul; stagnant. The place reeked of death and sorrow, everything was covered in thick layers of dust. The Count walked quietly behind you, offering no explanation as to why you were here. Walking aimlessly through the corridors, footsteps echoing all around as you turn a corner, a loud gasp ripping its way out of the back of your throat. 
The hallway leading to a set of winding stairs was the embodiment of death. Dried blood and half decomposed skeletons line the path,  the stale smell of decomposition lingering in the air. You hadn’t realised you’d stopped until a hand placed itself upon the small of your back, gently pushing you forward. You observe the destruction around you, noticing baskets of mouldy, moth-eaten linens, and cleaning supplies next to some of the skeletons. “Servants.” rings out Dracula’s voice behind you, his hand still upon your back. Coming towards the end of the hall, right before the stairwell, you notice a bare spot. There was dried blood in an outline that shows it obviously pooled from someone’s body, but there was a lack of a skeleton, or any sign that one had been there, at least. “What happened to that one?” pointing down at the spot on the floor. “Agnes was buried.” is all he offers. 
You kept Agnes with you, after all she’d been one of your closest confidants since your mother had died.
He nudges you up the stairs, guiding you through the dark. At the very top of the stairs was a thick wooden door in the middle of a small hallway. At the end of a hallway was a painting. Unlike everything else in this place the painting was spotless. It looked brand new, not a speck of dust on it, like it had been visited often. 
That’s not what captured your attention though. What captured it was that the painting was a portrait of a man and woman. Happy, smiling, loving,
And they looked just like the two of you. 
You step forward, shoes lining up in the dust-free imprint of feet much larger than yours; a well-worn spot. Reaching a hand out, fingers gliding across the woman in the painting, your other hand coming up to brush against your own features. Same hair colour, texture, same eyes, same birthmarks and scars. Her hands crossed gently across her lap, upon her ring finger lay the ring you wear around your neck. 
Gasping, taking a stumbling step back, you whip around to face him. You can feel your heartbeat pick up, confusion and fear starting to take over. “Why-” breath uneven, “Why did you bring me here? What is this place?”
He brings a hand up to the door, pushing it open and stepping back, a slight sweeping gesture to show you go in first. 
“Our home.”
Entering the room, you’re met with what you assume was once a very luxurious room. A dilapidated four-poster bed sits in the middle of the wall that the door is on. The room is stagnant like the rest of the place, but like the painting, free of dust. There’s a dresser, a writing desk, and a gap, from floor to ceiling, jagged shards of glass still remaining around the frame of what was once a window. Torn, mouldy, moth-ridden curtains billow in the light breeze, the stone floor is covered in moss and mould, years of rain pouring in through the opening had made it so. 
In the middle of the room is a dark stain on the floor, a trail trickling from the window to it. You don’t want to believe it’s blood, the colour of it is black, too dark to resemble that which was under the skeletons in the hall, but you know. You know that it’s blood and whatever left the puddle wasn’t human. At the thought you cast a glance over your shoulder to the man who brought you here to begin with, he stands in the doorway, and goes no further than that. You take a step towards the gaping hole in the wall, mindful of any shards of glass on the floor.
You can hear the churning of fast moving water, you can hear the wind whipping in the wind, and as you bend slightly to look out, you can hear screaming. 
“Who are you?” 
“Who I am is of no importance at the moment,” 
“Well everything was lined up perfectly, but now, the Voivode has added a new term to the treaty. Your hand in marriage.” 
“I hope you’ve learned by now that I mean you no harm.” 
‘He always treated you with a gentle hand, was never harsh, never cruel, and he never-ever raised his voice. You were his wife, and you should never need to fear him’
You failed to notice the dark figure in the corner of your room.
 “Don’t do this Gabriel,” “Please let go of my wife.” 
And with that, he pushes you out the window.  
And then everything went dark. 
You stumble violently away from the window, knees collapsing under your own weight. A firm presence makes itself known behind you, an arm wrapping around your waist, holding you up. Your vision is spotty, head pounding with this newfound knowledge of a past life and your eyes well with tears. You tilt your head up, making immediate eye contact with the man holding you. Your voice comes out scratchy and choked, “Vlad?” as the tears begin to spill out of your eyes. Vlad gives a pained smile as he turns you around and pulls your body towards his. 
The embrace is emotional as you reduce down to nothing but shaky limbs and heart-wrenching sobs. He holds you strongly, there’s not an inch of his body that doesn’t touch yours, and you could swear that in that moment, you could feel another heartbeat alongside yours. 
The sound of sizzling breaks you away from the hug, looking up in time to see a singular tear make its trek down his cheek, burning the skin it slides down. You quickly bring up your hand, sleeve pulled around your fist to dry it before it causes anymore damage. As you make a move to bring your hand back down he moves quick as lightning to hold it to his face, head tilting to place a delicate kiss upon the skin of your palm. “I missed you,” the words are soft, your throat still scratchy. “Not as much as I missed you, my darling” and with that, he kisses you. 
The kiss is soft, yet powerful. With the force of almost 200 years worth of lost time fueling it. Vlad pulls you even closer, if it were possible. You can still hear the light sizzling where tears are undoubtedly still falling from his eyes. His lips are as soft as you remember, his movements still the same as well. The only difference was his temperature, a constant reminder that you were no longer the same. 
A reminder of the reason you were in Transylvania to begin with. 
Before you can say anything, Vlad pulls away from you. His left hand continues to hold you firm at the waist while his right moves from your cheek to smooth over the top of your hair, coming to a stop at the nape of your neck, cradling your head. There’s a furrow in his brows as his eyes flit across your face, “What is wrong my darling? Why does your heart panic so?” you close your eyes and gently shake your head.
“What about Gabriel, Vlad?” 
“What about him?”
“The only reason we’ve come to Transylvania is so he can kill you, Vlad. He’s vindictive and will not stop until he sees you turn to ash before his feet. Oh this is all my fault,-” 
“Do not say these things.” His right hand tilting your head to look at him, “How is any of it your fault, my darling? Fate is not your fault. You were meant to come back to me one day, and now you have.” A delicate kiss placed upon your forehead, “And as for Gabriel. I will handle him myself. Now come, we have somewhere to be.” Taking your hand and gently pulling you back the way you came. 
When you make it outside, there's three women dressed in lavish silks, gossamer, and fine jewellery. You find yourself subconsciously clutching his hand harder when the three women outstretch their arms and move towards you. There’s almost an ethereal echoing coming from somewhere as the women surround you, cooing their praises. Delicate hands with thin, claw-like fingers move across you. One hand pats your hair, another down your arm, with a ghosting touch on your back. The women skit around, their movements are graceful, like a dance of sorts, and you find yourself in a trance like state. 
“Oh Master,” says the red-headed one, who you recognize as the one Anna called Aleera, “She’s just as perfect as you said.” You find yourself blushing at the statement and the attention that’s being showered upon you. Two cold hands scoop up your face to bring you directly in front of the long black haired one, “You are absolutely stunning, my dear.” “Thank you” whispered quietly, your face practically engulfed in flames. 
Casting a glance towards Vlad only to find he’s already looking at you, a gentle smirk pulling at the corner of his mouth. The women stop their parade of affection with a singular lift of Vlad’s hand. “Have you taken care of what you needed to?” His voice echoing out with a seriousness to it as he reaches his hand out towards you. “They tricked us with the carriages, master, and escaped with the monster.” You can see the second that the anger forms in his eyes so you pull yourself away from the women to walk towards him, taking his hand and rubbing your thumb upon the back of his knuckles in hopes to sooth him. Your efforts work as he tilts to look down at you, a soft smile pulling at the corners of his mouth. 
“No matter. Van Helsing is heading straight for Budapest anyways. Aleera I want you to go and follow them, Verona you go with her.” and with a gesture of his hand the two turn into their other forms and fly off into the night, leaving just Vlad, yourself, and the black-haired woman. “Marishka, take my darling and get her ready for tomorrow evening.” You hear a quiet ‘yes master’ as Vlad places a small kiss in the middle of your forehead, before releasing you to a now winged Marishka. “Don’t worry my darling, Marishka is a gentle flyer.” And with that you’re lifted into the air. 
~~~
You’re at a glorious castle in Budapest, a summer home, you remember Verona briefly telling you when her and Aleera finally catch back up. She works quietly and carefully to do your hair while you sit in front of the vanity, slightly nerved by the fact that you wouldn’t even be able to tell she was there if it wasn’t for her brushing and pinning your hair, the lack of a reflection startling. She makes small and polite conversation with you, including an apology for throwing you earlier in the town, as she admitted to not looking to see whom she had grabbed before she picked you up. 
“We are truly very excited to have you within our presence, for many years we have all heard stories of you, the heartbreak Dracula felt at the loss of you and your child never truly went away, no matter how we tried to quell it.” Her accented voice lulls quietly through the dim candle-lit room, and you're briefly hit with a burst of guilt and sadness at the idea of them trying to do everything they could to make Vlad feel better, only for him to rebuff their attempts. You can’t help but offer her an apology.
 “What for, my dear? You are here now and that’s all that matters, everything is as it should be.” and with that she finishes your hair, which has been gently pinned to your head, curls looking defined. Before you could say anything else she walks away as the two other brides enter the room. Aleera is the first to reach you, lithe fingers gliding down both sides of your neck as her cold hands come to lay delicately upon your shoulders. “You look magnificent,” words cooed to you, “truly stunning.” Finishes off Marishka, taking a seat next to you on the bench as she leans forward to reach for the jewellery. 
You hear the shuffling of feet, what you assume to be Verona returning from wherever she had gone. When Marishka is finished clipping in earrings for you, you turn your head to find Verona holding a light blue dress in a style much like that of her and the others dresses. It’s complete with gossamer sleeving that opens up around your wrist and trails all the way down to the floor, a form-fitting partially transparent torso and a loose skirt made of a layered sheer chiffon material. “And now for the final touch.”
~~~
You look and feel like a true goddess as the girls lead you down a hall, you’re conscientiously aware of the ethereal echoing that has returned as they giggle while taking you down to the ballroom. The music grows louder and louder as you approach a large set of double doors, half of a masquerade mask is quickly slipped onto your face as the doors are open and you’re thrust into the room. 
There’s hundreds of people in the room, ranging of all ages as you spot children up in the rafters. There’s people dancing, people performing on silks and with fire, and so many other things that it makes it hard to take in the grandeur of the room all at once. You’re aware of how you must look to all the others, jaw dropped and head constantly turning to take in your surroundings. When you turn your head to look back in front of you, you’re met with the sight of Vlad. He’s in his usual clothing, just with a gold cloak tied around his neck, a mask the same chromatic colour to match, with his hand outstretched towards you. 
You wordlessly take his hand and allow him to pull you closer, his hands gently begin roaming, one hand quickly lifting the mask to take in your features before dropping it back down to rest on your face. “You look absolutely stunning, my darling.” A cold kiss pressed upon your lips, “May I have the privilege of dancing with you?” Eyes boring into your own, he quirks up the corner of his lips into an ever arrogant smirk. “Why yes you may.” Words whispered towards him quietly, acutely aware of all the eyes that are upon the two of you. 
Vlad takes your hand and leads you to the spot directly in front of the platform in which a veiled woman stands upon. The rest of the guests clap as whatever piece of music is being played comes to an end, partners taking their places on the dancefloor. You quickly grab Vlad’s arm as a sudden realisation hits you, “Wait, Vlad, I can’t dance.” eyes wide with fear at the notion of making yourself look like a fool in front of all these refined people. He turns to you with a somewhat reassuring smile on his face, “Don’t worry my darling, you’ve danced this dance many times before. You know what to do.” A look of sheer disbelief covers your features, you open your mouth to throw a sly retort back to him but are promptly cut off as the woman on the stage begins a beautiful aria. He lifts your hand up delicately before softly spinning you outwards. All of a sudden you throw your arm out in a slow and graceful manner, the steps of the dance flooding back into your mind. When you spin back towards him there’s a certain look of, I told you so, overtaking his face, as he grabs your waist and pulls you towards him firmly.
He takes off his mask, then your own, before placing a kiss upon your lips. “I told you that you knew it.” as you both fall back into step with the others, “Of course,” smiling at him softly, “How could I ever forget the steps to the music of our first dance as husband and wife?” A puzzled look quickly takes place upon your face, “Is that the same singer?” question asked as you look back and forth between the veiled woman and Vlad. “You’ll find that many of the faces in this room, once unmasked, will appear very familiar to you.” He spins you until your back is to his front, subconsciously tilting your head to the side, exposing your neck for Vlad to place a cold kiss directly over your pulse point. 
The tempo of the music picks up and you, on instinct, fall into a faster spin with Vlad. He dips you in front of a mirror, eyes snapping over to look at your reflection, the way it appears that you’re floating, Vlad nowhere to be found, none of the other guests can be seen either. You come to the sudden realisation that you’re a mere mortal in a room with hundreds of vampires, your mind begins slipping, remembering the fact that you’ve been choosing to ignore to instead relish in your past; Vlad is dead.
An undead creature who never grows old, who feeds on other humans, you realise how temporary your situation with him is in comparison to the rest of his life. This one minute moment in a sea of others that are sure to come, and all of a sudden, your life pales in comparison. You can feel your stomach turning with the sudden acknowledgement, a wave of nausea hitting you. As if he can sense where your thoughts are going he quickly scoops you back up, continuing the dance. “It’s alright my darling,” the hand upon your back quickly sweeping up and down in a soothing gesture. “There’s no need to fear, nothing is going to happen to you, everything is going to be alright.” He stares into your eyes, his own translating the sincerity of his words. 
You feel yourself relax with the reassurance, head coming to rest just under his own, your eyes closing as you gently press your face into his chest. “What’s going to happen to me?” you don’t feel the need to elaborate, as you’re sure Vlad already knows what you’re asking. “Nothing that you don’t want. If you choose, it will be one brief moment of pain, and we can be together forever.” You pull your head away from him, your eyes still closed as he dips you once more, his hand skating up the front of your dress to rest upon your neck. “What if I choose yes?” “Then it would be my honour, my love.” A deep breath taken in, then he screams, dropping you in a blaze of fire as the cape he’s wearing begins to burn. 
You stand up quickly, worriedly making your way towards him before you’re swept off the ground. All the air is knocked out of your lungs as you tumble onto a balcony, slamming straight into a door. Disoriented, you can make out someone saying your name and shaking your shoulders. “Wake up!” You gaze confused into the eyes of Gabriel, as you hear a voice from down below. 
“Gabriel…” his voice is even, words spoken slowly. “Oh Gabriel…” you stagger towards the bannister in time to see Vlad step into the middle of the room, the cloak that he was previously wearing off to the side in a smouldering pile. All the guests have cleared a wide berth for Vlad as he stops and gazes upwards, a certain fear emanating from them. “Oh Gabriel, welcome to my summer palace.” A smirk thrown up towards him before he turns his eyes towards you, giving you a subtle nod as Igor bursts into the room with the Frankenstein monster in tow, screaming his revenge. 
“Now that everything… is as it should be… Ladies and Gentlemen, I give to you; Van Helsing!” The hundreds of vampires in the room unmask themselves, faces morphing into their sinister counterparts. The sound of screaming and screeching fills the room as you cover your ears, eyes cinching shut. Gabriel takes this as his moment to wrap an arm around you, pulling you away. You protest, squirming in an attempt to get out of his grip, which only causes him to hold you tighter and lift you off your feet. 
He burst through the door that you ran into, where you’re met with Anna right next to the door and Carl at the end of the hall next to a stained glass window. Passing Anna she grabs your arm, beginning to pick up speed with Van Helsing, causing you to squirm more, “Gabriel put me down!” But the protests fall on deaf ears. He strides with purpose towards Carl, a walk turning into a run. “O-Oh where are we going?” Carl stutters, dropping a device onto the floor, “Out the window!” and before either you nor Carl can protest, you shatter the probably thousand year old stained glass as you jump through. 
As you drop towards yet another river, a light equivalent to the sun fills up the entire palace, shattering all the other windows. The only thing you can think to do as you hurl through the air is to scream for Vlad, worried that he was caught in the blast of light, and then you once more drop into water. 
As you resurface you can hear the echoing of screams in the aether, your head continuously goes up and down as you struggle to get your bearings and to reorient yourself. Once you come up for good you take gasping breaths. Gabriel floats next to you, panting for breath with a certain ecstatic look upon his face, “Carl, you're a genius!” “Yes, a genius with access to unstable chemicals.” 
You watch as a boat with Igor, the Frankenstein Monster, and a few other strange looking creatures depart from the port, Van Helsing furiously swimming towards him, Carl and Anna following after. But you remain still. You can’t help but allow yourself to be consumed by the water for a moment, dropping back beneath the rippling current. The water is cold, all consuming, sending a shiver down your spine. You open your eyes, gazing up to see the moonlight cutting through the water and shining down to where you float. You watch the bones and remains of the vampires sink down to the bottom of the moat, the realisation that Vlad or any of the brides could be amongst them fill you with such an overpowering sense of loss. You clench your eyes shut and with the last little bits of breath in your lungs you scream. The air bubbles out of your mouth, floating upwards, you follow them, still screaming when you break the surface. 
The scream gains the attention of Gabriel, Anna, and Carl, who now hold onto a portcullis that had come down from the castle. Your voice gives out, eyes going blurry with tears, choked sobs making their way past your lips. You hear Anna call your name in a worried tone, beginning to make her way over to you. “Stay away,” voice so quiet that no one should have heard it, but Gabriel gives a sharp “Why?” You lift your head up to look at him, trying to blink the rain and tears out of your eyes. You’re about to say something but you see the half-circular red mark that had welted and scabbed over peeking out of his partially unbuttoned shirt. You’d recognize that mark anywhere. Years of pouring over all the books on the supernatural that you could find in the Abbey, hearing stories from Carl about the creation of monsters. 
Van Helsing had been bitten by a werewolf. 
Sensing your gaze upon the mark he places his hand over it. You continue to stare at him, not saying a word as Anna reaches you to place a comforting hand upon your shoulder. You hear her quietly ask what's wrong, turning to look at her, you see an abundance of understanding and hesitancy in her eyes. Could she know? Know that you felt your allegiances slipping to the other side? It was certain that Van Helsing knew, given by the anger in his eyes. 
You open your mouth to say something when the echoing sound of laughter comes through the air. You’d recognize that laugh anywhere. Three light shadows move through the sky, followed by one large dark shadow. You gasp as all 4 come swooping down towards the water, edges of wings slicing across the surface sending sprays arcing into the air. You watch as Carl and Van Helsing duck, Anna following their actions as well, her hand that was still on your arm tries to pull you down with her but before she can Vlad follows behind his brides, swooping down towards the water and plucking you from the surface. 
He makes a sharp turn upwards almost grazing the portcullis before flying higher and higher into the sky. He then straightens back out as you hang below him, Vlad holding onto you under your armpits as Aleera slows down to allow him to pass her before she places herself directly in front of you. You turn your head to look at her, noticing the ball of dark fabric within her arms. Watching as she unfurls it to reveal a cloak, placing the hood on top of your head before fastening it in place just below your collarbones. When it’s on you she gives a sharp grin before letting out another laugh and speeding up to resume her spot with Verona and Marishka. The wind whips at your back, causing the cloak to wrap around your front, you feel yourself being pulled up and jostled around until you’re almost in a position that resembles a bridal carry. Vlad uses one hand to pull the cloak all the way around your body, nestling you against him. You pull the hood further over your head before wrapping your arms into the cloak, balling it into your fists to hold onto the fabric, you turn your head until the wind is at the back of it, and at no risk of blowing the hood off. 
You shiver from the cold of your wet clothes, from the cold of the rain that is still falling, and from the wind that gets stronger from how fast you’re going through the air, the shivering leads to you being pulled impossibly closer to the creature that carries you, looking up to find sharp eyes already upon you, bat ears swivelling back and forth, listening for any signs of danger or discomfort. You can’t really read his expression, not in this form anyways. 
“How is it that I always end up falling from dangerous heights into water?” giving a half-hearted smile to convey that you’re telling a joke, and that you’ll be okay. You’re not given a verbal response, just a deep chuckle and the slight digging of sharp claws into your back, almost like his little way of jokingly warning you to ‘knock it off’. You let out a small giggle, laying your head against him once more, before closing your eyes and drifting off to sleep. 
~~~
‘The peace that I felt, the sense of homeliness within the presence of Vlad and his Brides. The comfort of having these people who loved and cared for one another begin to love and care for me was something that I cannot describe in its entirety to you.’ 
There was no telling how long you were into the flight or where exactly you were going when you woke up. Your clothes were dry and the rain had stopped, although the clouds wherever you were out hovered ominously in the air with the promise of more. You let out a yawn, trying your best to stretch out your limbs while not trying to move so much that you felt like you’d fall. You feel a large hand about three times the size of your own smooth itself over the top of your hooded head before a deep rumbling voice lets out a curt remark of “Almost there.” 
It’s then that you see a large castle, much bigger than Castle Frankenstein or the one in Budapest. It has a bridge that leads nowhere, broken off not even one-fourth of the way across, surrounded by a deep abysmal ravine and peaks of snowy mountains for as far as the eyes can see, offering no way in, and no way out. 
Unless you had wings of course. 
The wives drop down around the halfway mark of the crumbled bridge and Vlad follows suit, dropping down effortlessly, transforming mid-descent, all with you still in his arms. He sets you on your feet slowly as the other three come towards you, their steps almost floating, the ethereal echoing filling the air around you once more. Hands come out to pat your hair and your clothes, various questions being thrown about; Are you alright? Are you cold? Do you need anything? You can’t help but fluster under all the attention, feeling your face grow warm. You go to answer their question before you’re caught off guard by a sneeze, which makes you shiver and bundle back into the cloak. They’re immediately sent into a panicked frenzy, going on about you falling ill from all the rain and cold, mumbles about a warm bath are the last thing you hear as they all disappear towards the castle doors, leaving you and Vlad standing there by yourselves. 
You turn to look at him, only to find him already staring at you, not that you’re surprised. He has this soft look in his eyes, one that you saw many times throughout your marriage in your previous life, there’s a smile on his face and you could swear that there was colour in his cheeks. 
You gaze around at your surroundings and are met with the sight of skeletons impaled on posts lining the bridge, giving Vlad an incredulous look you’re met with a look of sheer innocence. “Well I’ve seen this decor before.” laughing as you speak, “I have no clue what you’re talking about.” Vlad instantly responds without pause, wrapping his right arm around your shoulders, walking you towards the castle doors. “Oh really? So you’d have me believe that this is the doing of your brides?” feigning ignorance as you gently hit your forehead, “Oh silly me I had almost forgotten that you were married to Verona the Impaler.” sarcasm drips from your every word as he turns his head to look at you from under his brow. 
The walk remains silent for the next few minutes as you make your way inside the castle and begin traversing up the stairs. “Vlad,” met with a small hum, “How did you find this place?” You’re met with silence, watching as various emotions subtly twinge his features. “I didn’t find this place. I was banished here.” He doesn’t elaborate as you come to a set of doors, arm leaving your shoulders to hold it open for you. It opens to an expansive room, with another door in the room that is currently open with gentle wafts of steam billowing out of it. You’re met with the brides, who are finishing up drawing you a bath. You thank them repeatedly, stating that they didn’t need to do that for you, but are quickly silenced as they leave the room, except for Verona. 
“I’ll take your dress for you so it may be cleaned. The water has muddied it.” Giving a nod, you take off the cloak and move to drop it next to you before a hand swoops out and grabs it, throwing it over his forearm. Vlad then moves behind you to untie the laces of your dress, loosening it enough for you to drop it down your shoulders, where it is then promptly taken by Verona who leaves the room soon after. 
You make your way to the tub, trying to throw a leg over the edge in a very ungraceful manner before a hand is quickly placed on the small of your back, stabilising you as you lower yourself into the water that was at a perfect temperature. You move to take off all your jewellery, realising that you’re still wearing your wedding ring on a chain. Taking off the chain you remove the ring, acutely aware of Vlad’s eyes on you, sliding it onto your finger where it rightly belongs. 
“Are we still technically married?” question thrown thoughtlessly, “If I… you know, died.” growing quiet at the acknowledgement of your death, looking down and frowning to yourself. “Oh of course we are, my darling.” A cool hand tilting your chin back up to deliver you a kiss before pulling your head back some more to wet your hair. “Do not think otherwise.” 
You sit in a calm silence as he gently washes your hair before you decide to address what was really bothering you. “So, you were banished? By who?” He’s quiet for a few moments, the only sound in the room being the gently scraping of his claws as he swirls your hair around. “My father.” he says, voice nothing but a whisper, “after you and I died, I had a vision. The Devil had come to visit me to offer me eternal life, on the one condition that I would have to feast upon the living. I didn’t want it at first, I knew you were already gone, and the thought of living eternally without you was too much to bear, but the Devil told me that I’d be able to get you back if I agreed, so without thinking I made a pact with him.” 
Listening quietly as he rinses your hair and moves onto your body.
“When I awoke, I was in our home, in a pool of my own dried up blood. I saw the wreckage of the room and the rest of the estate and had no other option but to travel back to town. I walked on foot until I reached the Village where I was then met with the frightened looks of all the townspeople. When I arrived at the home of my father he was so disgusted by me and the demon that I had become that he had his men clap me in irons and walk me to a door of which there was no return, banishing me to this castle. I laid weak at the very edge of that bridge for many weeks, hoping that someone would come to let me back through, but when it was obvious that no one was coming, and that I was growing hungrier and weaker, I called upon the Devil once more, and he gave me wings.” 
You turn to look at him when the sound of light sizzling reaches your ears. “Oh, Vlad.” Reaching forward, the water of the tub gently sloshing with your movements, you place your hands on both sides of his face, fingers swiping carefully under his eyes to stop the tears before they can cause anymore damage. You pull his face towards you, placing your forehead against his own, closing your eyes and basking in the comfort of his presence. “I’m so sorry.” “You have nothing to be sorry for, my darling.” Leaning forward to kiss him, you move one hand upwards to push the wayward strand of hair out of his face. His own hands come up to cradle your head, smoothing down over the back of your neck. “You would not imagine how torturous of an existence it was without you.” Voice hoarse and deep, his eyes darting back and forth across your face. “I think I could.” Leaning back up to kiss him once more, this one lasting longer than the previous one. You press your lips impossibly closer against his own, letting a soft noise of content escape your throat, that draws a hum from Vlad in return.
“You don’t have to talk about it anymore if you don’t want to.” Pulling away and giving him the most sincere look you possibly could. The droplets of water on your back had dried and left you chilled, quickly dunking your body back underneath the surface of the warm water while Vlad reached for a very soft linen, gathering up all your hair and gently patting it dry. “No, no, it’s alright, my darling. After the Devil gave me wings I travelled to feast and rebuild my strength, then I went looking for you. Your body had washed up on a bit of shore quite far down the river, the shore was connected to a small alcove of trees and flowers. I buried you there, along with Agnes, where no one would ever be able to bother you.” He finishes with your hair, moving to grab another linen which he holds out across both arms. You take the initiative and lift yourself up and out of the tub, grabbing onto his shoulder for support as he wraps the soft and plush fabric around you, before helping you out. 
When you reenter the grand bedroom you find that a fire has been lit in the fireplace across from the bed, the flames roaring and flickering, filling the space with a comfortable warmth. You also find, to your shock, that your dress is sitting dry on the edge of the bed, cleaned and looking brand new. “Help me with it?” gesturing your hand to the dress, moving towards it as Vlad does the same, continuing with his story as he laces it up for you. 
“My existence trudged by slowly and painfully for many years after that. Even though I no longer feel emotion the way I once did, I can still feel hints of it, little tuggings of yearning or sorrow. I needed something to fill the loss, and that’s when I found Verona. She was a princess, if you couldn’t tell, she had regality and poise and she was stubborn in a way that reminded me of you. Then Marishka, who was a dancer in a travelling show, and then Aleera, who lived in the Village with Anna.” You raise your eyebrows, even though he can’t see it. “I didn’t realise that Aleera was that young.” a taunting lilt in your voice, remembering that you were only twenty years old when Vlad married you in 1460.
He pulls a little tighter on the strings, causing you to gasp and whip your head around to give him a look that simply says ‘Seriously?’  You open your mouth to say something when your stomach lets out a sound that rivals that of the fire blazing in the room, a heat filling your face as you slightly pucker your lips out of embarrassment. He laughs at this, tying off your dress. “Come, let’s get you something to eat.”
~~~
You spend the next two days relaxing in the company of the Brides, the more time you spend with them the more you come to love them. Marishka is witty, Aleera is a gossip, and Verona is a scholar, and their varying personalities make for a refreshing change throughout the day. You had, however, indulged all the girls in stories of what Vlad was like when he was still alive, the wistful look in all their eyes making it hard to deny them anything. You didn’t leave out a single detail, telling stories that made the girls cry, giggle, and blush, saying things that Vlad would surely deny if he was ever asked about them. 
Vlad had disappeared, to where exactly in the castle, you weren’t sure, but you were fairly certain it had something to do with the Frankenstein Monster and reviving the undead children. Even though the girls could keep you distracted you couldn’t help but have that nagging fear at the back of your mind; Van Helsing was still out there, and he wouldn’t stop until Vlad and the Brides were dead. Gabriel is vindictive and persistent, and you’ve seen what happens to those who test him. You’d expressed these feelings to the Brides, who had immediately began comforting you, the ethereal echoing and cooing bouncing off the stone walls as you were hugged and held while you spilled your every thought to them.
When you’d told them that Gabriel had been bitten by a werewolf, they all grew deadly quiet. The cooing had quickly turned into scared whispers that sent a chill down your spine before Verona quickly jumped up, changed, then flew off, presumably to pass this new information along to Vlad. 
“Vlad can control the wolves though, right?” A look passes between Marishka and Aleera, before the latter turns to you, “Only after their first full moon, before that they pose so much trouble.” “We can be killed by stakes, holy water, and other things, but Vlad is the first of us, our master, and he cannot be killed so easily.” chimes in Marishka before also leaving, quickly following after Verona. “There is only one thing in this world that can kill Dracula.” words spoken softly, timidly, Aleera sliding a hand down your arm before she moves to leave. “Can you guess what it is?”
Yes, you could guess. A werewolf. 
~~~
‘The final battle was beginning. I could feel myself being split in two, the half that was loyal to Anna, Carl, Van Helsing and the Vatican was fighting the half that was loyal to my husband, Verona, Marishka, and Aleera.
You had spent the rest of the night alone, sleep not finding you as you retired back to the bedroom, only to pace back and forth, nerves and nausea tearing at your stomach. It was later on during the witching hour when the door quietly opened, a dark figure making its way inside. “Vlad!” Crying out his name breathlessly, rushing to him to throw your head into his chest and your arms around his waist. His arms immediately find their way around you, pulling you so tight against him that there is no way to move, a gentle kiss pressed against the top of your head. 
He bends his knees, one arm lowering to rest right beneath your butt, hoisting you up effortlessly into his arms before walking over to the bed and laying down with you atop him. Your head lays on his chest, yet the room is absolutely silent. There is no noise beneath your ear, no gentle pulsing of a heartbeat, just hollow silence. The two of you say no words, and truth be told you don’t really think any need be spoken. You both understand what is to come, the battle that is no doubt making its way towards you. Vlad just holds you, a hand atop your head, lithe fingers running through your hair in a soothing manner. You feel yourself drifting to sleep, eyes growing heavy. You can hear him mummering to you in a language long forgotten in your dreary haze, making out a few words here and there. 
Another kiss is placed gently upon your forehead as the heavy covers of the bed are pulled up and over you, protecting you from the bitter cold of the castle. And with that, you sleep.
~~~
When you awake it is to the sound of thunder, and the view of lightning and pouring rain. There’s just the tiniest hint of light filtering through the rain, but the ever-prevalent darkness tells you that it’s almost nighttime, meaning that you’ve woken up just before everyone else. You step out of bed, stretching, before making your way over to the door. As you step out you’re met with the sight of the Dwergi roaming through the halls carrying various tools and papers. They don’t speak to you, they don’t even look at you, they just continue bustling down the hall as if you weren’t even there. You go the opposite direction of the Dwergi and make your way down the flight of stairs that leads to the connecting hall of the castle that will lead you to the wing where Vlad and the girls sleep. 
It’s then that you can hear the frantic blubbering of Igor from the main entrance. “How did you- how did you find… it’s impossible!” Quickly peeking out from around the corner of the door, you’re met with the sight of Igor hanging from the wall, blubbering some more as the person in front of him throws a hand around his neck. 
Van Helsing was here. 
You quickly try to think of a way to get around them so you can warn Vlad that they’re here when a loud shriek fills the entire castle, reverberating off the walls so loudly that you have to cover your ears for a split moment. You can faintly hear Igor, “my master has awakened,” and you take that as your moment to quickly sprint across the hall when the attention of everyone is taken by the Frankenstein Monster. 
You run up the stairs, following your instinct of where Vlad would be. You know that usually when he awakes he goes to the overseeing of the Dwergi working on bringing the children back to life, so you run as fast as you can to the Laboratory. Making your way up the spiral staircase that leads to the top of the tower you’re hit with the strangest sense of Deja Vu, ignoring the pit in your stomach that tells you the last time you went up a staircase like this you died. 
The doors open as you approach them, the Dwergi ever diligent in their appeasement of the masters of this home. You quickly stride across the room, dodging sparks and Dwergi before making your way to Vlad in the middle of the room. “Vlad! Vlad he’s here, Van Helsing is here.” words spoken in a panic, eyes wide open as you gasp for breath. You’re sure he can feel your fear, your heartbeat pounding wildly out of control, the whooshing of blood in your ears making it hard to hear anything else. 
His eyebrows furrow before his facial features morph into one of sheer rage, face partially transforming as he lets out an inhuman screech. Not even a split second later, Verona, Marishka, and Aleera appear before you, awaiting word from Vlad. “If Van Helsing has truly been bitten, they will go for the cure, I want you to go and stop them. Stop them and bring the cure to me.” They disappear as fast as they arrive, flying off in a mixture of shrieks and laughs. 
“And as for you, my darling.” Turning to look at you before you promptly cut him off. “No, I’m staying right here.” He protests, but you shut those down as well. “No, Vlad. You remember what happened the last time Van Helsing broke into our home and we were both apart from one another.” The question was rhetorical, and it seemed to garner the reaction that you wanted, Vlad seeming to be in deep thought. He slowly nods his head, but points back over to the door. “Fine, but you stay over there. Out of the way, you forget that you are still human, my darling.”
You wait anxiously by the door like Vlad told you, watching as lightning strikes and fills the room with an eerie green glow. Throwing your arms over your head for some form of protection as you hear a shout of “Give me life!” echo through the room. “One more bolt and my young will live!” You watch as Vlad suddenly becomes enraged, flying through one of the glass windows of the room. 
Moments later Van Helsing drops through the open tower that leads into the middle of the room, setting a few Dwergi on fire as he bursts through machinery. He stumbles as he stands back up, face twisted in confusion and pain, looking around the room. He spots you by the door, in your dress, covered in jewels with your hair done, looking every bit the part of one of Vlad’s brides. He looks betrayed, and for a moment you feel a sharp pain in your chest, wishing that you could say something to him, but before you could even think of what to say, Vlad drops back down, quietly behind Gabriel, sneaking up on him. 
“You are too late, my friend! My children live!” Vlad exclaims, stalking towards Gabriel, “Then the only way to kill them, is to kill you.” Nodding his head with a loose hand gesture, “Correct.” This causes Gabriel to laugh as he moves in front of the window, “Then so be it!” dropping his coat off as the clock strikes midnight. He transforms into a wolf with each toll of the clock as Vlad gives you a quick look before feigning surprise, maniacally laughing. 
“We are both part of the same great game, Gabriel! But we need not find ourselves on opposite sides of the board!” Quickly changing himself as he and Gabriel begin fighting one another. You duck down quickly next to a barrel as they traverse the whole room, explosions following their movements. 
You watch as Vlad throws a board off of himself, walking towards the middle of the room. “You are being used, Gabriel, as was I, but I escaped, so can you!” Before quickly flying off as Van Helsing jumps for him. You gasp as Vlad is thrown to the ground in a sound of extreme pain, revealing a broken wing. Watching as he jumps up to a platform, before falling, rolling over to his side to reveal that he is covered in blood and scratches. Van Helsing extends his claws before dragging them down a pillar in a threatening manner, jumping up to Vlad.
“Don’t you understand?” Backing away from Van Helsing, there’s a very obvious limp in his gait, causing you to step out from your spot, moving closer to where the two are. “We could be… We could be friends! Partners! Brothers in arms!” trying in vain to get away as Van Helsing catches him by the neck. You scream out his name, moving towards him before an arm is quickly gestured in your way, a sign for you to stay away. 
“Did I mention that it was you who murdered me? It must be such a burden, such a curse, to be the left hand of God.” Quickly appearing behind Van Helsing, “All I want is life, Gabriel. The continuation of my kind.” He throws a look towards you before holding up his hand, ring finger suddenly missing, “And perhaps the return of my ring! Don’t be afraid Gabriel, don’t be afraid. I shall give you back your life, your memory.” 
You miss the rest of what happens as a vial is placed in your hand. Snapping your head around your met with Verona, her vampiric face covered in scratches and bloody marks. “Give it to him, we must finish holding off the monster and the girl.” Flying back off to wherever she came from, you turn around right as Van Helsing jumps across the room, pinning Vlad to a piece of machinery, catching him off guard. 
He struggles to fight him off, Van Helsing's mouth getting closer and closer to Vlads neck. Vlad is using both hands to try and keep the werewolf as far away from him as possible, so giving him the cure is out of the option. 
There’s only one thing that you can do. 
Running across the room you’re able to make it to the pair right as Vlad’s arms give out from the effort of keeping Van Helsing away. He goes in for the finishing move but before he can your shoe scuffs against the floor, gaining his attention. He turns around, growling, pouncing on you without even a second look. You gasp as you’re hit, vaguely registering Vlad scream as you fly through the air with the wolf, quickly sticking the syringe into his side as you hit against a pillar, landing limply on the ground. 
Eyes wide open, but not seeing, slowly clouding over as you breathe your last breath, leaving nothing but a corpse on the floor. 
~~~
“No! What have you done!” words screamed throughout the room, Dracula making an ear-piercing shriek as he made his way across to you, pulling you into his arms, gently cradling your head. Cries of pain and shock are heard throughout the room as Gabriel turns back into himself, dropping to his knees before the dead body of his friend. 
Dracula is muttering words to you that Gabriel can’t understand as the three brides come bursting in through a window, one of them grabbing him by his shoulders and throwing him out the window onto the bridge that connects to the mirror they came through. On the bridge he is met with the sight of Anna, Carl, and the Frankenstein Monster slumped against the reflective surface. He approaches, shaking the shoulders of Anna and Carl to wake them up. Anna awakens first, groggily, “What is it? What happened?” placing her hand atop of Gabriels, the fog of her mind clearing away as she realises that Gabriel is crying. “What is it, Van Helsing, what has happened? Is Dracula dead?” He shakes his head, mummering your name quietly. “What about her? Is she alright?” He makes eye contact with Carl who is now also awake, watching as the realisation hits Carl, lip quivering “She’s dead.” Carl says with a finality, hanging his head and also crying. 
Van Helsing places his hand and quietly murmurs the word that will get the door to open before standing up and limping his way through. 
Damn the Vatican, as far as they’ll know, Dracula was defeated.
~~~
“No! What have you done!” words choked out through his injured throat. He lets out a shriek that will summon his Brides to him, running towards you before swooping to his knees, grabbing you, watching as your limbs remain limp, head flopping on a broken neck. He can feel the tears come, feel them burning tracks through his skin but he can’t find it in himself to care. He’s vaguely aware of Verona riding the room of Van Helsing, before all three of his brides drop sadly next to him, all of them holding onto you. Cries echo throughout the room, his pain is their pain, but their pain is also their own, given all the bonding they had done with you over the past few days. 
He places one hand upon your chest, right over your heart, and that’s when he feels one faint, barely-there swoosh of blood travelling through the organ. 
It’s not too late.
Ducking his head down immediately to latch his teeth onto your neck, draining you of your blood. He holds his arm out, feeling a nail slice down his wrist, not sure who’s but it really doesn’t matter. He holds his hand to your face as he continues to drink your blood, watching his own trickle into your mouth. He pulls away from you, leaning his head towards his shoulder to wipe his mouth off, waiting for the cut on his wrist to heal itself, deeming that enough of his blood had been shared. 
You remain eerily still. Not a twitch of the muscles, a blink of the eye, nothing. “Normally there would be a reaction by now.” words murmured to himself, but are met by the supportive whispers and touches of his Brides. “Oh, my Lord.” Verona speaks, running a gentle hand across his face, “It takes some time, you remember how long it was until it took with Marishka. We waited almost all night.” Marishka murmurs her agreement, remembering the words spoken to her when she had awoken to her new life, ‘We thought you weren’t going to make it.’ But she had made it, and surely you would too. 
“Let's move her to her room, master.” Aleera standing up and moving towards the door, “She will be more comfortable there.” Vlad can’t help but agree, moving his arm that wasn’t cradling your head under your knees and scooping you up, making his way towards the door. He walks quietly through the halls, dropping you gently on the bed before making his way to the bathroom to retrieve a damp linen to wipe the blood off with. When he arrives back in the main suite he notices that his Brides have already removed all your jewels and undressed you, finding a soft shirt that Vlad briefly recognizes as one of his own to take the place of the dress you were wearing. 
He quietly wipes down your shoulder where he bit you, small flakes of dry and crusted blood coming off with ease. He then tosses the linen off to the side and takes a gentle seat next to you on the bed so as to not jostle you around. 
Vlad is a patient man, and vows to sit and wait for as long as you may need. 
~~~
You wake up in the room that belongs to you and Vlad. Sunlight shining in through the large windows, filling the room with tiny fragments of rainbows. You turn your head to the side and gaze upon your husband sleeping peacefully beside you, not being able to help the soft smile that overtakes your face. Leaning back down to place a flurry of kisses along the warm skin of his face, giggling quietly to yourself. 
The quiet romanian muttering as he stretches all his limbs at once alert you to the fact that you have succeeded in waking him up, watching as he cracks one eye open for only a split second before it closes again. “It is far too early, my darling.” His arm comes to pull you back down towards the plush surface of the bed, wrapping you up snug against himself. “Too early? Vlad, it's daytime.” “Still far too early for my taste, and besides, you should be getting all the rest you can.” A finger poking gently at your stomach. “It will be good for you both.” 
You don’t argue, cuddling up to him and placing your head on his chest, listening to his heartbeat. 
Wait, Vlad doesn’t have a heartbeat. 
You snap open your eyes, the room is no longer sunny, it’s stormy and reeks of death. You’re covered head to toe in blood and Vlad’s dead body is laying in the centre of the room, hand clutching his chest, a pool of blood surrounding him. 
You spin around, breathing, panicking, turning towards the doorway when a hand of claws snatches you up by the neck; Gabriel. He walks you to the window before throwing you out, you fall, plummeting towards your doom, when all of a sudden you stop.
You stop mid-air, something catching you. Turning your gaze upwards assuming you’d find something holding yourself, something that was preventing you from falling, only to find nothing but clear sky. You hear the gentle whooshing of wings, grey clipping through your line of sight out of your peripheral vision. Frantically looking around, slightly panicked you realise that the wings are yours. Looking down at the rest of you only to be faced with the sight of ashy grey skin, hands lifting up revealing lithe fingers with monstrous claws. 
You don’t panic, no, instead you revel in it. Smiling to yourself as you launch yourself into the sky, wings working furiously to move you higher and higher, and you bask in the feeling of freedom that it brings you. You move up towards the clouds, white filling your vision. 
And then you wake up. 
~~~
You open your eyes, overwhelmed by everything you see. 
It’s as if the whole world has changed, everything is so much more clear than it used to be. You can see everything; the intercrossing of the fabric of the sheets that lay overtop of you, the various colours of the flickering flames in the fireplace across the room, the detail of each individual snowflake that falls in front of the window. Turning your vision to the left, finding Vlad sitting on the edge of the bed facing the wall. 
Moving a hand from where it lays across your chest to place it gently on his arm. He jumps in surprise as you snap him out of whatever melancholic reverie that he was in, head snapping around to gaze at you in pure disbelief and relief. He scoops you up into a sitting position as he pulls your torso against his own in what should have been, quite literally, a bone crushing hug. “I thought it hadn’t worked.” words muffled from where his head lays pressed against the crook of your neck. “You were so still for so long, I… Never, never leave me again, I couldn’t bear it.” 
Pulling your head back slightly, Vlad doing the same, the two of you hold eye contact for a moment, opening your mouth to say something you instantly grimace, closing it back and reaching a hand up to grasp your throat, a searing pain now making itself known, a pain that you recognize as thirst. “Are you hungry?” Nodding your head to him at the same time the door to the room bursts open, Verona, Marishka, and Aleera pouring into the room in a symphony of ethereal echoings and giggles. Aleera is carrying a cup of a viscous red fluid which she then hands over to you. “Perfectly aged, to tide you over until we can get to the village.” 
Taking the contents of the cup with greedy gulps, you find that it doesn’t taste as metallic as you would’ve thought, in fact it’s not metallic at all, it’s actually rather sweet. It helps the pain in your throat enough that you can pretend it’s not there, at least until you get some more. The other four people in the room watching your reaction, and as you tilt the cup all the way to the ceiling to try and get the last dregs from it there’s a deep chuckle from Vlad. 
“Don’t worry, my darling, we’ll leave for the village and then you may sate your thirst.” 
The girls grab you, pulling you up from the bed, once the sheet drops you realise that you’re back in your dress, fully looking the part of your new life. There’s giggling and excitement filling the air, and you can help but practically vibrate in place from the joy that’s coursing through your veins. Once you’re up you all prance out the door and into the hallway. 
Vlad watches on in contentment at the billowing of green, yellow, pink, and blue fabrics through the hallway, the four of you radiating sheer joy and happiness. 
You’re not exactly sure where you’re going, but you follow the girls willingly. They lead you to a large room with dramatic arches on the ceiling, and large, sheer drapes hanging down from various spots. There’s a thick stone coffin with no top lying in the dead centre of the room surrounded by tall candelabras and you assume that it’s Vlad’s, which leads you to wonder where the girls sleep. Across the room there’s a carved out arch that leads to nothing but a solid wall, and you wonder what it’s even there for. When Vlad finally does catch up to you he throws his arms out wide, welcoming all four of you to him. When you’re all together you begin to slide across the floor towards the wall, the second you come into contact with it, you seem to almost melt through it, coming out the other side to a room that you remember being in Castle Frankenstein. 
It’s a portal. 
There’s an open skylight in the room that it leads out into, and when the girls begin to transform you know that’s your exit to the village. They fly up, leaving you and Vlad alone in the room, but hovering over the Castle, flying around in circles until you’re ready to join them. 
You stand awkwardly for a moment, turning to look at Vlad. “Um, how do I, you know,” arm coming up to gesture loosely towards the sky. “There’s really no way to explain it, you don’t think, my darling, you just do it.” Transforming himself, lapels melding into wings before he too, takes flight. 
“Oh yes because that advice is so helpful.” mumbling under your breath even though you know that he can hear you still, nevertheless you try to take his advice, willing yourself to fly, closing your eyes tight and balling up your fists to focus. When you hear cackles of laughter close by you open your eyes back up, realising that you’ve lifted through the skylight and are in-fact flying. Your skin grey to match the wives, equipped with claws and teeth of your own. 
You fly in a few test circles before giving a reassuring nod to them all. Then, you all take off towards the village. As you fly, you notice three horses racing through the mountains out of the corner of your eye, your newfound heightened senses allowing you to see miles ahead of where you used to be able to before. 
Upon one of the horses, is someone in a shaggy brown cloak; Carl. On the second, someone with a head full of curls, bouncing behind them with the movement of the horse; Anna. And on the last, someone who wears a leather coat and a hat, someone who with all his training surely recognises the feeling of the eyes that lay upon him as his head turns to look back, someone who notices that there is one more bat in the air than there used to be, someone who ignores this fact as he turns back around and continues on his way.
And so do you. 
~
Originally posted April 14th, 2023.
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florbelles · 1 year
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— OCS & OTHER CHARACTERS.
tagged by @corvosattano​, @nightbloodraelle​, @leviiackrman​, @adelaidedrubman​, @denerims​, @fourlittleseedlings​, @minaharkers​, @strafethesesinners​, @playstationmademe​, @ishwaris​, @shegetsburned​, @aartyom​ & @gwynbleidd​, ty beloveds!!
sending tags on to @unholymilf (>:((), @henbased (>:(((), @belorage, @jendoe, @phillipsgraves, @chuckhansen, @queennymeria, @poetikat, @derelictheretic, @purplehairsecretlair, @strangefable, @arklay, @morvaris, @noonfaerie, @jackiesarch, @risingsh0t, @roberthouses​​, @confidentandgood, @indorilnerevarine, @shellibisshe,  @blissfulalchemist​, @nuclearstorms, @reaperkiller, @steelport, @nokstella, @shallow-gravy, @cybilbennettgf​ (i am sorry i forgot you moved & was like wait where’d she go) & anyone else can @ me xx (for real the brainfog is strong today so if i missed you please take this as a tag anyway)
rules (via @corvosattano​). take this quiz and share 5 (or more! or less! the world is your oyster!) results from the top 50 that you feel really fit your oc(s). if you don’t recognize very many from the top 50, feel free to expand into the top 100.
(actual influences & inspirations that made the list are italicized).
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holly golightly (breakfast at tiffany’s)
villanelle (killing eve)
anna karenina (anna karenina)
love quinn (you)
ciri (the witcher)
honorable mentions. audrey horne (twin peaks), mia wallace (pulp fiction), lucifer morningstar (lucifer), cheryl blossom (riverdale), oberyn martell (game of thrones) (awks because of the eye cutting stuff.)
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lady macbeth (macbeth)
cersei lannister (game of thrones)
joan holloway (mad men)
serena joy waterford (the handmaid’s tale)
beth harmon (the queen’s gambit)
honorable mentions but they’re increasingly unhinged. nina sayers (black swan), alice cooper (riverdale), leland palmer (twin peaks), the wicked witch of the west (the wizard of oz), the queen (snow white and the seven dwarfs), joe goldberg (you) (?????)
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sterling archer (archer) (this was 95%. by the way.)
don draper (mad men)
logan delos (westworld)
jay gatsby (the great gatsby)
roman roy (succession)
honorable mentions but they’re increasingly unhinged. john willoughby (sense and sensibility) (this one probably belongs in the top five but logan & roman were funnier), jaime lannister (game of thrones), neal caffrey (white collar), james bond (tomorrow never dies), count alexei vronsky (anna karenina) (uncomfortable), regina george (mean girls), haley dunphy (modern family), lindsay bluth (arrested development)
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davos seaworth & jorah mormont (game of thrones)
friar laurence (romeo and juliet)
charlie strong (peaky blinders)
samwell gamgee (lord of the rings)
honorable mentions. pete martell (twin peaks), little jon (robin hood), ben scott (yellowjackets), jon snow/samwell tarley/brandon stark all tied for some reason (game of thrones), jane eyre (jane eyre)
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maeve millay (westworld)
daenerys targaryen (game of thrones)
vi (arcane)
yennefer of vengerberg (the witcher)
mazikeen (lucifer)
honorable mentions. freddie lounds (hannibal), tyler durdan (fight club), fleabag (fleabag), fiona gallagher (shameless), hiram lodge (riverdale) (mija she owns that dam), freddy krueger (a nightmare on elm street), the alien (alien)
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dr. bedelia du maurier (hannibal)
shiv roy (succession)
sansa stark (game of thrones)
mel madara (arcane)
rose dewitt bukater (titanic)
honorable mentions. betty draper (mad men), dana scully (the x files), claire standish (the breakfast club), skyler white (breaking bad), lana kane (archer), jackie taylor (yellowjackets), margaery tyrell (game of thrones), betty cooper (riverdale), princess leia (star wars), lucille bluth (arrested development)
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There were great, round, pot-bellied baskets of chestnuts, shaped like the waistcoats of jolly old gentlemen, lolling at the doors, and tumbling out into the street in their apoplectic opulence. There were ruddy, brown-faced, broad-girthed Spanish onions, shining in the fatness of their growth like Spanish Friars, and winking from their shelves in wanton slyness at the girls as they went by, and glanced demurely at the hung-up mistletoe. There were pears and apples clustered high in blooming pyramids; there were bunches of grapes, made, in the shopkeepers' benevolence, to dangle from conspicuous hooks that people's mouths might water gratis as they passed; there were piles of filberts, mossy and brown, recalling, in their fragrance, ancient walks among the woods, and pleasant shufflings ankle deep through withered leaves; there were Norfolk Biffins, squab and swarthy, setting off the yellow of the oranges and lemons, and, in the great compactness of their juicy persons, urgently entreating and beseeching to be carried home in paper bags, and eaten after dinner.
The Grocers'! oh, the Grocers'! nearly closed, with perhaps two shutters down, or one; but through those gaps such glimpses! It was not alone that the scales descending on the counter made a merry sound, or that the twine and roller parted company so briskly, or that the canisters were rattled up and down like juggling tricks, or even that the blended scents of tea and coffee were so grateful to the nose, or even that the raisins were so plentiful and rare, the almonds so extremely white, the sticks of cinnamon so long and straight, the other spices so delicious, the candied fruits so caked and spotted with molten sugar as to make the coldest lookers-on feel faint, and subsequently bilious. Nor was it that the figs were moist and pulpy, or that the French plums blushed in modest tartness from their highly-decorated boxes, or that everything was good to eat and in its Christmas dress; but the customers were all so hurried and so eager in the hopeful promise of the day, that they tumbled up against each other at the door, crashing their wicker baskets wildly, and left their purchases upon the counter, and came running back to fetch them, and committed hundreds of the like mistakes, in the best humour possible; while the Grocer and his people were so frank and fresh, that the polished hearts with which they fastened their aprons behind might have been their own, worn outside for general inspection, and for Christmas daws to peck at if they chose.
I love this passage so much! It’s partly that no one in our day wites like this any more, and I love the richness and delight of all the descriptions, and it’s partly that virtually no one in our day would think of rhapsodizing about the things Dickens does, because they’re so taken for granted. Most of these are things you would see in your local supermarket! Sone of them are my particular favourites (filberts, aka hazelnuts, are always a treat), but who of us would imagine rhapsodozing about onions? Apples and oranges aren’t generally treated as anything special either. (Norfolk Biffins, if you’re wondering, are a dessert apple - I’d never heard of them outside A Christmas Carol.) Tea, coffee, raisins, almonds, cinnamon - Dickens make us see the wonder in things that would otherwise be commonplace. A good challenge for me is to go to my local grocery store and try to see everything through Dickens’ eyes.
I wish that we could get the mood of Christmas back to one he describes, and not one of hurry and stress and frustration!
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Gnomeo and Juliet are both garden gnomes caught up in the feud of who has a better garden, Gnomeo's owner Mr. Montague or Juliet's owner, Miss Capulet. But they'll make their romance work even if none of the other garden gnomes get along.
I think this is a really well done way to adapt the story where quite a few characters die for children to understand the main story points without full commitment to the tragic side. Also, every one who is anyone in this is amazing! The Friar, Nurse, and Paris steal many scenes. And the epic battle at the end with the lawn mowers?!?! love it. Plus, William Shakespeare does make a bit of an appearance.
West Side Story is set in the mid-1950s in the Upper West Side of Manhattan in New York City, then a multiracial, blue-collar neighborhood. The musical explores the rivalry between the Jets and the Sharks, two teenage street gangs of different ethnic backgrounds. The Sharks, who are recent migrants from Puerto Rico, and the Jets, who are white, vie for dominance of the neighborhood. The young protagonist, Tony, a former member of the Jets and best friend of the gang's leader, Riff, falls in love with Maria, the sister of Bernardo, the leader of the Sharks.
it is a musical. it is wonderful. it is relevant still today. Shakespeare and Bernstein, Soundheim, and Laurents. iconic
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November 13th: Yokohama
At dawn on the 13th the “Carnatic” entered the port of Yokohama. This is an important port of call in the Pacific, where all the mail-steamers, and those carrying travellers between North America, China, Japan, and the Oriental islands put in. It is situated in the bay of Yeddo, and at but a short distance from that second capital of the Japanese Empire, and the residence of the Tycoon, the civil Emperor, before the Mikado, the spiritual Emperor, absorbed his office in his own. The “Carnatic” anchored at the quay near the custom-house, in the midst of a crowd of ships bearing the flags of all nations.
Passepartout went timidly ashore on this so curious territory of the Sons of the Sun. He had nothing better to do than, taking chance for his guide, to wander aimlessly through the streets of Yokohama. He found himself at first in a thoroughly European quarter, the houses having low fronts, and being adorned with verandas, beneath which he caught glimpses of neat peristyles. This quarter occupied, with its streets, squares, docks, and warehouses, all the space between the “promontory of the Treaty” and the river. Here, as at Hong Kong and Calcutta, were mixed crowds of all races, Americans and English, Chinamen and Dutchmen, mostly merchants ready to buy or sell anything. The Frenchman felt himself as much alone among them as if he had dropped down in the midst of Hottentots.
He had, at least, one resource,—to call on the French and English consuls at Yokohama for assistance. But he shrank from telling the story of his adventures, intimately connected as it was with that of his master; and, before doing so, he determined to exhaust all other means of aid. As chance did not favour him in the European quarter, he penetrated that inhabited by the native Japanese, determined, if necessary, to push on to Yeddo.
The Japanese quarter of Yokohama is called Benten, after the goddess of the sea, who is worshipped on the islands round about. There Passepartout beheld beautiful fir and cedar groves, sacred gates of a singular architecture, bridges half hid in the midst of bamboos and reeds, temples shaded by immense cedar-trees, holy retreats where were sheltered Buddhist priests and sectaries of Confucius, and interminable streets, where a perfect harvest of rose-tinted and red-cheeked children, who looked as if they had been cut out of Japanese screens, and who were playing in the midst of short-legged poodles and yellowish cats, might have been gathered.
The streets were crowded with people. Priests were passing in processions, beating their dreary tambourines; police and custom-house officers with pointed hats encrusted with lac and carrying two sabres hung to their waists; soldiers, clad in blue cotton with white stripes, and bearing guns; the Mikado’s guards, enveloped in silken doubles, hauberks and coats of mail; and numbers of military folk of all ranks—for the military profession is as much respected in Japan as it is despised in China—went hither and thither in groups and pairs. Passepartout saw, too, begging friars, long-robed pilgrims, and simple civilians, with their warped and jet-black hair, big heads, long busts, slender legs, short stature, and complexions varying from copper-colour to a dead white, but never yellow, like the Chinese, from whom the Japanese widely differ. He did not fail to observe the curious equipages—carriages and palanquins, barrows supplied with sails, and litters made of bamboo; nor the women—whom he thought not especially handsome—who took little steps with their little feet, whereon they wore canvas shoes, straw sandals, and clogs of worked wood, and who displayed tight-looking eyes, flat chests, teeth fashionably blackened, and gowns crossed with silken scarfs, tied in an enormous knot behind an ornament which the modern Parisian ladies seem to have borrowed from the dames of Japan.
Passepartout wandered for several hours in the midst of this motley crowd, looking in at the windows of the rich and curious shops, the jewellery establishments glittering with quaint Japanese ornaments, the restaurants decked with streamers and banners, the tea-houses, where the odorous beverage was being drunk with “saki,” a liquor concocted from the fermentation of rice, and the comfortable smoking-houses, where they were puffing, not opium, which is almost unknown in Japan, but a very fine, stringy tobacco. He went on till he found himself in the fields, in the midst of vast rice plantations. There he saw dazzling camellias expanding themselves, with flowers which were giving forth their last colours and perfumes, not on bushes, but on trees, and within bamboo enclosures, cherry, plum, and apple trees, which the Japanese cultivate rather for their blossoms than their fruit, and which queerly-fashioned, grinning scarecrows protected from the sparrows, pigeons, ravens, and other voracious birds. On the branches of the cedars were perched large eagles; amid the foliage of the weeping willows were herons, solemnly standing on one leg; and on every hand were crows, ducks, hawks, wild birds, and a multitude of cranes, which the Japanese consider sacred, and which to their minds symbolise long life and prosperity.
As he was strolling along, Passepartout espied some violets among the shrubs.
“Good!” said he; “I’ll have some supper.”
But, on smelling them, he found that they were odourless.
“No chance there,” thought he.
The worthy fellow had certainly taken good care to eat as hearty a breakfast as possible before leaving the “Carnatic;” but, as he had been walking about all day, the demands of hunger were becoming importunate. He observed that the butchers stalls contained neither mutton, goat, nor pork; and, knowing also that it is a sacrilege to kill cattle, which are preserved solely for farming, he made up his mind that meat was far from plentiful in Yokohama—nor was he mistaken; and, in default of butcher’s meat, he could have wished for a quarter of wild boar or deer, a partridge, or some quails, some game or fish, which, with rice, the Japanese eat almost exclusively. But he found it necessary to keep up a stout heart, and to postpone the meal he craved till the following morning. Night came, and Passepartout re-entered the native quarter, where he wandered through the streets, lit by vari-coloured lanterns, looking on at the dancers, who were executing skilful steps and boundings, and the astrologers who stood in the open air with their telescopes. Then he came to the harbour, which was lit up by the resin torches of the fishermen, who were fishing from their boats.
The streets at last became quiet, and the patrol, the officers of which, in their splendid costumes, and surrounded by their suites, Passepartout thought seemed like ambassadors, succeeded the bustling crowd. Each time a company passed, Passepartout chuckled, and said to himself: “Good! another Japanese embassy departing for Europe!”
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cto10121 · 1 year
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Mamma mia here we go again
Romeo Montague. So fey. So feminine. So gender non-conforming. Not masculine at all.
Not even when he complained how Rosaline will not “ope her lap to saint-seducing gold” and just how awful and an utter “waste” her staying a virgin is. Not when he decided to climb the Capulet garden wall, listen to Juliet’s monologue, and reveal himself to her. Not when in his private soliloquy he wanted Juliet to cast off her ~vestal livery and not be a ~virgin to the ~moon anymore. Not when he joked with Mercutio and Benvolio that his “pump [dick]” was “well flow’red.” Not when he fought and killed Tybalt. Not when he threatened his servant with dismemberment if he interfered with his suicide. And not when he fought and killed Paris…while calling him boy.
Multiple characters express how feminine he is!!1!!1
Mercutio (1) snarks about how Romeo has been pussified because he spends all his time mooning over Rosaline. After his bawdy game of wits with Romeo, however, Mercutio is reassured that Romeo has seemingly returned to the bro fold (“There art thou Romeo”). When Tybalt comes to challenge Romeo, Mercutio fully expects Romeo to fight Tybalt (“he’ll be your follower”) and is shocked and outraged when he refuses.
And, er, that’s it? Capulet calls him a “portly gentleman” and Benvolio firmly believes that Romeo “would answer” Tybalt’s duel. Tybalt and Paris “boy” him, I think. When Romeo breaks down, the Friar derides his tears “as womanish” but expresses genuine shock at his (implied to be) unusual behavior—“I had thought thy disposition better tempered.” As in, more masculine.
Adaptations keep denying him femininity he has in the text!!1!!11
You mean the famous Zeffirelli movie which introduced a soft-spoken Leonard Whiting lolling up the street with a flower in his hand? Or the popular Baz Lurhmann movie with a more trigger-happy but still fey Leo DiCaprio in a Hawaiian shirt, writing angsty poetry in the sunset while smoking a cigarette? Or the classic West Side Story who cast a gay actor as Tony for the stage adaptation and a sweet-tempered Richard Beymer, even though Beymer argued (unsuccessfully) with the director to play Tony with the streetwise cred his edgy character backstory demanded? Or Presgurvic’s neo-classic Romeo et Juliette musical, which cast what has to be the almost ideal mix of masculine and feminine in a young delicious Damien Sargue. Why do adaptations keep masculinizing poor Romeo like this???!!!
Juliet is so masculine!!1!1!
Like when she changed her mind about Romeo swearing on the moon, and then not the moon, and then not swearing at all. Or when Juliet also broke down wailing when she heard of Romeo’s banishment, claiming it was worse than if Romeo, her parents, Tybalt, and the Nurse were all dead. Or when she made cute rhymes of Romeo and rosemary when she gushed to the Nurse, who was so tickled pink she told Romeo about it. Or how Juliet blushes easily, per the Nurse—“there goes the wanton blood up thy cheeks, they’ll be in scarlet straight at any news.” Or when she tells Romeo that he is the “god of [her] idolatry.”
The symbolism/imagery subverts Elizabethan gendered imagery!1!!1!1
Like when Romeo describes Juliet as “fair,” with her “white hand,” hanging like “a rich jewel in an Ethiope’s ear” and how this light/fair/white imagery is consistent with both Elizabethan love poetry and beauty standards for women, with “sun” (in this context) being a natural extension of this pattern. Or when Juliet also describes Romeo in the exact same way such as in “my lord” and “knight” and “mansion” and not with any other feminine-coded imagery. Or when she talks about how Romeo’s face in the heavens will make the night so bright no one will give a fuck anymore about daylight. It’s so subversive, it’s inclusive!
They just get each other, so T4T!!1!1!
Yeah, because they are literally the Shakespearean embodiment of The Office “show me the difference between these two pictures/there is no difference” meme. Not because they are gender non-conforming. If anything, their lack of gender non-conformity very much contributes to their tragedy. Had they been willing to really think outside the societal expectation box, they would have high-tailed it out of Verona together.
In Arthur Brooke’s narrative poem, which Shakespeare adapted for his R&J, Juliet suggests disguising herself as a man and joining Romeus in exile (!!!) but Romeus shuts that down, saying it’d be too dangerous and impractical. The fact that Shakespeare did not have his R&J even entertain that possibility—literally a recurring Shakespearean trope in his comedies—speaks volumes. Volumes.
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libidomechanica · 9 months
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But zombie-lite till my father like, the breast not dare demur:
A ballad sequence
               1
Her zone, what is renown doubt: like     mind to pulses burden grudges are not my head mortal     thou wert he leg music.
With think no more upon her hand     a poets life. But zombie- lite till my father like, the     breast not dare demur: and
than such a charm are nothing. Thus     of you So mountain’d, turned all come queen a blowes both are     frosty air such vigour
had pass’d his shown, shine, nor sick as     that the rarely truth? Or counted, and help would. No doubt I     am shamed, which it prove
young girls have bothers blank in time     me. I save the winterchance,— come think she left hundred-year     weary mould, and pity.
               2
Nor believes to shut the lady     vntrue, perverse, begetter in Taylor anything, and Fears,     part stumbling the honest
friends ungratefull of Adam’s     face was little—odd string, she distress—I, although that I     cannot tease that is—
Materials foes that hid ascends     remain, the reflect, just richer husbands mouth, but which keepe.     If seem falsehood is plainly
given by bridal height: a     Names a duke! I care along heralds than when of the     empires, victory; and
longinus o’erpay. No, nor months at     East, or actions, but trammer, she’llsay or to thee; there like     the wind friar rose, and
branch romance court, or to the lies     you soon of a Veil’d chilly and thus gane, like womb which, could     be, that’s ear, some will no
man’s wander thy Soul relation.     Yet would too fair dear lady Christling Theotormon one place     ranckling song—they were but
she laughter reproaches commandments     you would go less faire my mistaken her sight, but Shakspeare     that still avers borne
as Numerous Constrous close of     this men advocation: I protesques in him up this,     still die fold below, blest?
               3
Tell why are vale think? She wrists. If only ances     grave, which men with fillet it were white: an image persuasion pursue Immortal mankind;     and so that delay’d to hides than
Power too, no less the Stael; in spring, to placed     as an Easter that’s the windpipe-slitting Freedom to say, like them were a Sun. Religious     tell the spirit throw mildly roll
they are mortal gods, the image in trees branches,     while the power to ready so wills who have sleep mind—that sparrot, my Clemency he     what is to bless, since like gold learn his
late Sir Leoline. Pray, which wished: and she thou hast thee     modesty air, and then, and David! You driven have loves, and Lamia, regarden     growing cannonade at my loue; and
Adam linger and gather makes and you willows     the Almight swells sweetly in wings of rain, the most occasion, she only your shine, the     palaces of the Veil thy days his
gesture. So found his my talking on the Frenchman’s     gane, ly safe and vagrants, with my debtor I wish, I feel this hour, now that is weak in     silence be the pole, one felt at churl.
               4
A good should’st a vacant heaven,     while he Pastorax, spirit part he had for Drops; the Essence     warm precious lie down,
camp rung from her till reproved     beyond meekest here notice few. In his fallace to take     her; shee, Saving and our
latest with much blind wait in question,     Cloe. Forget not when all to thing at they go forgive     me—No, the loved Attribute
to polish eyes are rapture,     ev’n insolence and freaks a salmon, so run off in     Neptune’s child, and glare, and
not been on the rolled to gazette     to an awkward signed as Giles not know no more. Worse, bid Ireland’s     teats should fair to the
power, those to swallowd, is minute     sentence. Bode nae artillery part hath the polish’d     o’er their man now no more
basest Art, I reader; but they     were rise upon the first: the first Return to the hours, and     bade the wrongs alone of
thirty. ’Er to reason was man     bow’d by distantine the Spirits power ran life a carpen’d     Edens, her eye. Know
a shrine. For what is noble story     is travell’d his fear, throught me great and than though at our     brain its golden still spent
her Grave a blows; and she. And sound     the street: and from out and dim; but turn’d the Moon or two webbes     in this chill; then, and
Juan wall the sea. I’ll tell the eve     of the sun was no meant, french still aversing at here, and     cast thee: I learning the
sate of old, he tuck-in of the     wife, and free from the rose our hide in ill-paired him, soft air     ancient veil he call allowed
closed to him till he sexiest     meal of any other, he had done tiresome show     he show how longing air.
               5
Leaf his you suspect when the whole     command of one or fair trade, frugal Verse and deeds must not     beg the talked one to Mercy
he longing favourite’s     cap’s a noise of wonder Lasse weight. One of three years, still, so     in the asked, like and where
drooping on the true or without     violence of look’d lend then the sand and because him, that     our barrassment up from
some statures lay she innocence.     Search hair: do you will decides first-born of their steeple,     like garment was run!—Nor
call the love madnesse steals of triumph     is clan, th’ aerial Forms and caughters at He     did hasts his dress’d—to you
know turn’d the fiery body     changes, stood, some traitors hast to for every force be kept     the lament, yet you Draw;
had spiced illusion. But, Delightnesse     sweet with a lost though the charm mighty woes, she dwells; t     wish indeed. Of the drove,
he threw, and who bore to beneath     the sleepeth which too late themselves in turn thou shalbe presences,     ill-reports, but
hearkened strike her grief, full Breast in     lazy told. Fact only add sorrow and full one so. The     bed-clothing in the at
a sin, or one out of elect     much I called thus concertain proudes the deuced to falcons     in its buried like
a wit, to dub the same Fourth so     fit of the two such treasure, the thou, ’ said the may forests,     and then your coud with her
mistress, that Urne; think, I know no     more the last began the kings reign Universe and flame ringing     Fantomime, dying
the perfections! Thus far words, but     to go auspicious use of human the lady with truth     God! For all wonder. Made
the more: adieu goods in act the     gaziness of this, none to this possible, and haunted,     a children dear it the
raging in extras, what sight be     he with laughter Bell’ can make is a tear, all repair’d flowers,     the shalt gives; and blowes
to seven and vast as sweet     Christian Empress steel the night and the fond of—as it robe     younger had merely still.
               6
No such too old memory was     tis given the passion, her trade, not something wing’d down and     fall is of tongue the closer Lamia! But for Winter     will befa’ the rain’d: doubt
if you great; if better, in grew     rather did state; a moment and anothers, and lead to     pith; ’ but I intent. Two name, decided; you will my friendly     in fact, and by his
life all the moon which is—there and     blest eyes of my gentle soul with one shall European     claims this I die. Nor fame much more of what slipping Will, or     changed the first any laud
that large: however, richer breached     your fiery science had no betters of the State. By     link’d immaculate em? Then grow Stale victoriously beads     must rhyme, but as he had,
took fair Geraldine eyes thee to     shut the most unknown in the sat victory, which is all thee;     then she shade out. Their chain if that it alone, but Lenitives     on it, pursue
the ashamed, and so forgo; whence     to Rowhampton gate? Nor love, tell her seeks, crimson clumsy     jacks and conquestion, for young bell’s pray! And despatching as     strike doth to prove to this
in a heroic rays is. High     way he muse, yet Commend his facts, turn employment. Village     deem: I trust own, no Rechabitants are? At sixty, it     doth the barber light windship
and hold though I must thou find     the Blow of Reason speak of slurry skies, to multiple     of the garden grow, exertion at then Where rich wealth, but     would learning I was a
mass, round. Even though wise soul reproach’d     the close their waited, e’er should with falterate besides,     is hopes, so run afraid, which it peril of lover they     say: for young, ’twad been thee
fresh you will cause of the maid! And     Soul, suggested the Babylonian elect my lungs,     since thee girl who pulse of Chloe is adventury dove,     Ay, find wailing them all-
seeing, lustful, are threaten rode     himself be damn’d forlorn. From thee does my life is youth, whom     they should not that had said Leoline farmer? And Place were I     have in the been dear mortals!
The text, with truth too pure sprang     up in Theotormon, and for every war against a page,     rais’d, and soever: yeah, I for their Power, story of the     high degree, in Godlike
him, of the queer now the bonie lady     for long its endite, to heards would captive, her husband     oh! But Esau’s Hand, Traveries, take one image of science     mongst compass the heart,
the mole know with gaue he miss Edge     of a hue fierce courteen- day full, that was the Robe—without     thus to better t’others state; and there minded downe had     occasion and scuds begun.
               7
Her more her Earth of children, consumed,     o eyes, or fairy standing to hide that dead: the name,     my Arts. Is treasured ladies,
he bright A Child she same clock     nor in the lay on the Suffer pace, the high, lance fine, althought     with me; her eyes burn’d
entire, tramplike climes, they open—     you had’st more peculiar blood aloud, nor the left its     dark is rarely gnaws with
your conquer the Paschal Lambkins     to clasp it about its cross of adamant, between his     done. Me, evening! All into
place, and crime, and stole along     and there wild! But words salámat—Incolumns to curious     Time’s fastened enters
warmth widow, like Vision; if in     my wont with fashion, until mighty’s eye, and seas higher     the judgment’s antic leafless
to here all they well afloating     have seen the will her breathe art not cared his Cause. On the     kind. Thus, and thorn! I thing
but for all-in-all there as gone     to bed I sit up; and of they could glances, is grass and     join your sonet so well!
               8
A numerous virtue, or flatter than bride. To     one there I must not try you go—call’d mongst though skin out out tell—and him awkward state; whose     Carpet of Justice was on the most
despair of being and first of the usual     mirth a little mattery: I hope or mole know whate’er sad mething should the power     rank thy Design’d alien to freed.
               9
The rocks to do with how odd sorrow-     cloud drowning spare. Alarming Spirit work, sighs should shall     man, which has large vniustest
the be no further the flattered     up in Trust, threading with no great Britain mine example.     The Jews; where is o’er your
fate, my swear the flow’d, each act,     transcendency the lady to rusts sore an awkward essay,     that sentence as Psyche
went to consecrate! In temperament;     the poet, in each misery! She little Julia’s     voice but now for so, the
same what his holy left eyes happy     every haruest was every reacher, which on the laughs     at Arac, rolled his ease.—
Haste downcast years that piped the shades—     How can iudgement with would never words and in her Earth     to several object
of slurry search, thou eternal     firebrands are welcome could be proceed the climes, commands     there; in the man assuage
his right.—All against my hope award     from Plots with care the woman! Ne woud breaks you list the     even as also
arguing, they made of the purpose.     Some touching the ends which from her reversion. Young to this     honors too cruel, could I
experience is food; with me.     Spake word about me shall grin and splendour; Indian see     the blind was sole heroic
syllables, yet kydst thou have     seed its Raiment was thought, and blow, as the was made them each     others, dash down wearing
and deal, nor no more break? And I     ail my lips and without breathing like rocks bewilder’d very     thing tresses, the Tree.
               10
The name in he wholly good-b’ye!     They dark, o’er agreed a certain the high, between those who’ve     met us. Back big-time;
shee, she rais’d, the measure. And somethings     may piece of my sommers rice, all adapted her plain.     And faith, knell, but whole of
highest, and when distingings went.     The sign of duties which so fair Leoline would proceed fair;     talking look by nation
satin, borders gems bending, even     distan, weakness my stand act our very face, he had     see embark’d, the Maidens,
to newspaper-gowned—to very     Grace of honest mossy rebells by the morning     copying this life, the words
and Tenant to get employs. Narrow     dejects the bear as gone, for there, an one discern but     what cup has it may lived
by Jebusites of amethyst     I could renown, then in that I thy haruest on early     to they both statesman
of the grey circumspecting Doues,     his honest foolish heaven’s eyes: or himself would be grau’d     that Diván which their
possible, o ease; thoughts are there; her     eyes happy, for her wingest a curse: then rent, i’ll auld at     it stalk of day: doubting.
And give hunger, filled the might to     be quite, beasts too depriv’d into all thee; for after thousand     chuse you; for a
numerous,—all we to given blossom-     belts, she ship rose that displease that Theocritus had of     his worth the airy arm,
or canals, black. Have her: stroke alone     only, have such hunger, too, so news of the three to     song describes! If all thou
ruthless I could proceedingly     ill, but Fame. The Courtiers, which I spurred and her, and some     youthey’ll do I know his
own a card. And in her of the     ocean must nor this and so weep on each misery! Yes,     saying moaned, as happened
all that I only, young, ’twad been:     he same cal however, as her can judging head cool. Over:     far and seen; the day.
               11
Of secret, had spring—the wishes     Nothing gale cuts upon em; but a princes great way     to swallow’d o’er his Writ in heard, and roll. A little court     in English eyes flake of his lake, ’ said, a Plot here: set some     says; for the voices in
silence an army’s gone that Oothoon     speaking, ’ were but the knight have a feeble care, has ever     seen, without althoughts! Though they saw share, too had cost his     bosom who met friend, turns at cloak from walls were brown’d for that     erst or finding army
she I was a glory, and of     those orbs between burst stain, if not beguileless when     Christabel! And if stocking as their every selfishness!—From     faring him they clouds thy beads her husband’s joyes in the beauty     of beneath of us
singing themselves awares     while he with rumour, This dead to setting Hál! ’Er mov’d t     once enough in frae my return’d his Estate, whose poet     her too, and running! Me i carry, very vain? To man’s     carbon more them how with
and is gone, that know estate, that     poison the Snare I lay down to spoil a row of Evil     Fate uncerting eye? Bind him to bed; she never, her troubled     his Frame, to swell; for now not what’s servant, I’m o’er younger     strange to see you of
the milk the pine appear’d whence, for     your sudden robes, that the Bad for after Winter which, find     virgin Mary found mean; lykanthropy? Married! That free     from honey terrible thy salute himself, and lot, to     thy blind? With pains of bonie
Jeanie do? Of the King, there’s     predecession the tints wit than she work, sit on: but fast     to things; long and all down from age now all have it always     in sleep. In ilka grown wrong down and take: so wild as were     stop your sex aspire, the
juries next Heir. From an owl, and     yet it some quite by therefore a spouse he had died be, or     weary mother, and, my love to dusty knight, how or let     his dear. Which the rest, and dream Fair ordain; a love! They must     pose,—think, were empire
not won? Then, and there, one to write,     which o’er than Loyalty expressionate the precedent     as the Peoples here is over, which Julia, my Seal: thereby,     save household, in ranne. Care now,—but let the Scepted, and     Rest. In person led doubtless,
like a husband-fool; for fool,     or Anglice of the name, the Laws. To gives in our clay, heap     virtues end, or human heats from his, delight have been pluck’d,     that open to speculate more she had not. Heaven, as     its senseless fates, and
Paradise, may we should spright himself,     Allahs’ now the ones, or the rung, perhaps his ran that no     wreck the wife was thine in Space, nor glories from honest, and     him standing tell these true; for break good men beam of golden     half-shroudest all is deadest
vainlier night. Burst with proud Egypt     and scarcely gnaws there on an ocean wine name a name     in her, rarest if she feasts, and burst with their Tast. Though I     shall blistened few the Carpet of May, misfortune show’d     by a word about a
wild, Easy, Humbled midnight giving     at time mutterly, keen, all green my backward scrawl throught     haue a Kidde to live, but from the danger feet lookt on, their     woman which heave my back room with crown’d for she died. To fancy-     fit his Wit, had somewhat
I faintly said, but thou art     which is a fervous sun died in the dear life thorn antipathy     moth, the boa in the mazie things; for privileges     one ears, the ceas’d, and she pure as to which justifi’d     they look at all
familiar smiles on their named on the     strange thine! They cannot be gay, sound then she this Arrow eyelids     to their moon flow? But of thy for wheedles doubt it distant     loue the woman of a hand like a Little maid we     he Paus’d; the hectic start.
               12
Thy loving—as it with me, death!     Her from stare loth too much the man of retiring all, and     life—I cannot so sudden
prop not quite enoughts where wish     you too, she words, of Royal Blood only say a web of     the quest. And I singled
with honour earlier fled, wandreds     of Beauty of hystery this. A monkey, and blank-     verse, my sighs formed a certain
mildest, it said in ninety     and yet those whizziness gross the lament; the stranger! And     Star unveil he children
for the thraws the surf in even     He, that man?—Sure, that’s flocking this; the family ignition     blessing eyes, his heart blest
for once Briton’s most disgrace of     her, as liberty me, as if in after lette measure!     Auspicious Friend, you
remedy was state, my name thing and     our light, as hard they doe give our kinds Delia did folly.     Besides, than wine! Or vain
Parties word and should kings I’m o’er     you’ll turn to rainbow flew o’er that? Young wit alone ascends:     or its marriage, old meed!
               13
From then Repine at a sing, to     taken of a leafless prizing words of Belial Name I     have been, no though the Sand
their vertue the weary mountain witnesse     we long his eye she wore and as a habitants fire     and siding so half a
flower? Like hawks with they want torment     up in my death his eyes a sick out without me nae     ministers his more wise?
What shall I say no more her made     foreveries divine. And Cyril spake, read and she, who     can getting in this way,
star-shower. Nothing her babbling     hero and their sockets, but heart by your Village such a     side, and aloft, while his
height the most some common and can     sneer’d her slender which on the loves drawn unconscious true louers     play heart her was magnetic
skill it cannot born in the     roar the tree, as a glance stumble spin a range he had left,     she shoulder, a gas lament—
for frown, is and bubbles aloud,     without in who was to offended by a mistress.     The most whose she secret
her of their way: the look, from his     damn’d founded by Gurney. Henceforth heavier, state; and Dryden,     the Sea on my Force.
               14
Then to feedes to sin, and ah!     She village sent in to be prayer, the eye a mackaw,     an unregarden? But
such were is swept alive and than     gradual vision to fearful her pannels, auster of     added the kings harp judgment
of sent remains of Bonapart;     sword of murmuring the would not, thought or cry, and all     hand canst not at the salt
tides: nothing, Rhiming, and too, so     deep-mouths are obedient, poor giggling flowe as Sol’s heard     you sea now a shape. See
hope, withdrew in any one of     Beauty of my secret for rarely fair and of which now     some for on the scarce the
done. Turkish from a town’s oath, by     things herself and fall is sweet thy steps did starting flow, whence     the saw in the vigour,
now at elect salámán bent,     i’ll fear thy will descended fright stinging laid the mother     paint mass of a slumb’ring
Cheers about hearde, the hold, dull in     a starr’d walk of urine. Which give moats and if Unworthily;     there, most advice, lute,
that I do vow their friends: that both     will we but far as worthies of this occasion for Rebell     in act, those orbs between
each was latteries, all, had     belovèd Thee, all cause a way be told my name? Hands would     strife, words young Juan slipt to
hoveries, thought: I can I tomuch     the friendshield him with its virtuous conceive, shall round:     the worse. Were consense is
Heav’n, while you this ray. Ruled though though     it is motion. Thick and wide Corinth year along for, to     be loved bugle, unletter
for Moses’s father wrong of     youth now a kind of such lead you of think the mind, we all,     freeze, they have may court and
soul know that the beautiful as     Moslem, because than be? Is by the through, and love unto     them a fault, too, in a
glory! Or fitted replenish     fireships, and aloof, sting her Lord, but large with sence this     face, weaving else to one
calling at he had been could pronounced     in charms accompts did adorn’d, to profuse; twas Nature     Fannia’s versts of the sky
of Leutha’s bonie, O. Angels, and     in this the gazette with while with Wealthsmen, Paint! I am     now was not being all:
he must be taughty king at all     the trees, very sorrow without my pocketbook. With the     vintage of a husbands’
affair, the campaign took the foam:     and, with Hoof any Life- long and may made the scars, their turn:     gull’d away. That such and
the shall mirrors above thirst—to     shook the stubborn for his melted into her Hair, preserv’d     the publish’d, by your shame.
               15
He whole you wilt seen the little curbside my     memoration, for then glides, that awful; sweet at length the arms more immortal hear? When she     is, their Fatherd gods prime by the
rivulet’s grand eft disappears; my partners bore to     all swoop, ’ the world all alacrity: the strange took him wealth, and They are gate; of life, just     as old God or Natures; but t was
dream’d his vigorous Smith; one in love as sometimes     delay, which serving, in priviledge. As strife, she assault. Forgive; o king trance his easy     thou art of the ground not find, ’ and
is home; there, out of the glory loving been no     more the designed as so old grand ear; but that’s eyes, and the river, and rose pamper’d with     the People to see with plentinel
befa’ they in a king, guns, and made clock nor within     this king Witness of moss so beauty the populations poor beam has none moral,     what sweet Christening forth, sixteen not like
speak. As ever tools; i’ve herself; for the grace. And     God condition grown deserved advice, I would not, by oath their glint of the promised you     art and do is eloquench still, and
cannot race, though the lady’s art, as fiery     spindled at heaven-kissing. All woman- love scorn’d with me myrtle spread; gaze, knowing moment     Nikolaiew: a gentle matches
the War; what may be my epitaph a Poets     liver offender, made and did not so fail: but I meant at thou shall send him poor     solidity in confederate hang
on this ease me put in his owne has some like upon     two sounds in the sad he was them ran a hands, in pleasanters Russian sunny, so     fail, than be man throughts came a short, and
some other’d in beames tween to give you dost the     bids her mount and morning, banishment. That a vision of palisades spot to my     disorder frost, the Land, and deep-recessary,
and things, since find adorn, from sever song,     how few tight! Resume; and eraser and bishop celebrate, but the window’s twitter     what who ne’er sage proued. Then reel things,
to grange to the State, thou hasten’d despite the fall     in his own, the knew, his he has exercis’d me a pleased, have me Courtesy; and prepares     not ask no more; and prepared new.
               16
Ne’er disguise is a clouds they were     these? So faith, forbearance, what I am to the violent,     came to have mans may no
more—no more all the room, but small     in the should harm, thou no ease; he had been by there’s to     a phenome, sir. Her gets
pluck’d—all so lighty Pharaoh’s Pention     which you mean an infancy live, dear hear is the westerns     with wound his Friends of
young people nearly more like a     quiet ever me homely and sculptures from a tree and     Chariot yet, with unworth
cold reach, spight; yet would and your     victim, as I lagged rope which none; of any of Life before?     Read on the image.
Pick for above so much to get     from Earthy mother; grateful, much must bury to pray, the     native sworn of words are
the month secret of a turtle     she heavened by the first Mrs. ’ Other? Her breast, we     knowledge of their both
fanciful; yet, Jouberty mind over     the Designed, sweet, besmear’d she did but are at last love     arm! Her soul of breast, took
you, sweet, I would the beam blot of     this is obscure; and cast he solemn chosen a cracking     Age: behold, the dead, nor
Beauty’s pray, the right to kiss the     hear my drede, when Kings which kept th’ unequal base one;     of a charm’d their just
asleepy flight, her Heaven for thin     its enjoy’d in their moralists them rose and smile, and the     Persians Tool; never perchance,
or captive so stranger,     Rosalind, form’d river, this should a little both covet Mr.     You here him for the
acts are—when off her fork and showers,     that mad with flashing one of whole live! For whinny shark,     the other, at kirk or
may blustrious Aid my will for thing     she went and of they had ready locks smoke, as quite a famous     wood ye she next days’
wonderry to forget not this     adventury dog; or on my Bed, beside here as born     Salámán’s Eyes to least
he case of the paternal summs     of our of silk seated Though world, but sheauen off the rest: king,     what’s a spot, whom for thy?
               17
Now him wrongs herself, but a slaves     of twilightning have done, the sun doting time to eat. Angels,     Kinsmen of clean my
Birth,, my Muse deign’d, as yet can’t go     and raise, her eyes, two draws to washed your famish’d swoon’d, and their     bad, nor call’d Thomson, and
other will stood a Kidde the best     rightens after fancy of earth a boon of women us     altering the tender
Nay, by other. Be kept your     ends unknown an image, the still six canto Themselves a     loves marrow wrung from him
shone and turn’d; besider a tones     she long spoken, who could be now in a barbarous her     eyes a Puff of all the
maids in my epic, and must     desire of him sounded are thou blind wild worm shall prated     out, are world! The stranges
thousand weak lords to see the horses     him—Which came at first came was no passive Sin in     naturall Shout of this time.
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scotianostra · 1 year
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On November 21st 1591 a group of Carmelite Friars (also known as White Friars) established a Lepers Hospital in a “sheltered spot called Greenside, near the northern skirts of the Calton Hill”
The Greyfriars or Franciscan church (of the Observant branch of the order) stood in the Grassmarket until it was destroyed by fire in 1845. The Whitefriars of Carmelites did not settle in Edinburgh until 1518. Their house of Greenside, near the Calton Hill, was transformed at the Dissolution into a lepers' hospital.
The 18th century  Maitlands History of Edinburgh, gives us a wee bit about the area;
"King James II. by his charter of the twentieth of his reign anno 1456 granted to the Edinburghers a spot of ground on the northeastern side of the Craigend gate, and eastern side of the pathway Leading to Leith whereon to hold Tilts and Tournaments at presents Called the Greenside, This piece of ground in the year 1520 was by the Common Council of Edinburgh with consent of the King and Archbishop of St. Andrews, granted to certain Carmelite Friars to erect a convent on which proved of no long duration. for John Robertson a merchant in Edinburgh, pursuant to a vow, on his receiving a signal mercy from god erected by a licence from the town council, on the Site of the Said Monastery an house or hospital for leprous persons to be under the direction & government of the Said Council who appointed a committee to Settle the Same who drew up certain very severe Constitutions to be observed by them, under no less a penalty than that of being hanged; and to shew they were in earnest ordered a gibbet to be erected at one end of the said hospital to enforce the observation of their Statutes."
When the Hospital was in existence the field in which it was situated was called 'The Hangman's Acre'. This name arose in consequence of a Gallows being placed at each corner of the building on which the keeper had the power without trial to hang any leper whom he found escaping The monastery was built in 1526. At the north end of Greenside Row is a pump which was formerly Rood Well of Greenside belonging to Friars.
Recently a project saw forensic artists digitally reconstruct faces from skulls found in a cemetery at St. Giles Cathedral in Edinburgh, including a woman with leprosy, who may have been a tailor, and a man who was likely a peasant.  So it seems the lepers may have only escaped the confnes of the leper colony in death.
Archaeologists initially excavated the cathedral's cemeteries in the 1980s and 1990s, ahead of a construction project and subsequent archaeological investigations. In all, the researchers found more than 100 burials dating from the 12th to the mid-16th centuries. The skeletons were then archived for future study.
The woman with leprosy, as seen in the pic, was likely between the ages of 35 and 40 when she died in the mid-15th to 16th century. The extent of her leprosy lesions suggests that she contracted the disease in adulthood. 
Greenside is now the home to the Omni Centre, housing bars and restaurants. Rockstar games also have their offices in another part of the complex leading up to Leith Street.
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publicdomainbooks · 1 year
Text
THE SECOND OF THE THREE SPIRITS. (2)
The house fronts looked black enough, and the windows blacker, contrasting with the smooth white sheet of snow upon the roofs, and with the dirtier snow upon the ground; which last deposit had been ploughed up in deep furrows by the heavy wheels of carts and waggons; furrows that crossed and re-crossed each other hundreds of times where the great streets branched off; and made intricate channels, hard to trace in the thick yellow mud and icy water. The sky was gloomy, and the shortest streets were choked up with a dingy mist, half thawed, half frozen, whose heavier particles descended in a shower of sooty atoms, as if all the chimneys in Great Britain had, by one consent, caught fire, and were blazing away to their dear hearts’ content. There was nothing very cheerful in the climate or the town, and yet was there an air of cheerfulness abroad that the clearest summer air and brightest summer sun might have endeavoured to diffuse in vain.
For, the people who were shovelling away on the housetops were jovial and full of glee; calling out to one another from the parapets, and now and then exchanging a facetious snowball—better-natured missile far than many a wordy jest—laughing heartily if it went right and not less heartily if it went wrong. The poulterers’ shops were still half open, and the fruiterers’ were radiant in their glory. There were great, round, pot-bellied baskets of chestnuts, shaped like the waistcoats of jolly old gentlemen, lolling at the doors, and tumbling out into the street in their apoplectic opulence. There were ruddy, brown-faced, broad-girthed Spanish Onions, shining in the fatness of their growth like Spanish Friars, and winking from their shelves in wanton slyness at the girls as they went by, and glanced demurely at the hung-up mistletoe. There were pears and apples, clustered high in blooming pyramids; there were bunches of grapes, made, in the shopkeepers’ benevolence to dangle from conspicuous hooks, that people’s mouths might water gratis as they passed; there were piles of filberts, mossy and brown, recalling, in their fragrance, ancient walks among the woods, and pleasant shufflings ankle deep through withered leaves; there were Norfolk Biffins, squat and swarthy, setting off the yellow of the oranges and lemons, and, in the great compactness of their juicy persons, urgently entreating and beseeching to be carried home in paper bags and eaten after dinner. The very gold and silver fish, set forth among these choice fruits in a bowl, though members of a dull and stagnant-blooded race, appeared to know that there was something going on; and, to a fish, went gasping round and round their little world in slow and passionless excitement.
The Grocers’! oh, the Grocers’! nearly closed, with perhaps two shutters down, or one; but through those gaps such glimpses! It was not alone that the scales descending on the counter made a merry sound, or that the twine and roller parted company so briskly, or that the canisters were rattled up and down like juggling tricks, or even that the blended scents of tea and coffee were so grateful to the nose, or even that the raisins were so plentiful and rare, the almonds so extremely white, the sticks of cinnamon so long and straight, the other spices so delicious, the candied fruits so caked and spotted with molten sugar as to make the coldest lookers-on feel faint and subsequently bilious. Nor was it that the figs were moist and pulpy, or that the French plums blushed in modest tartness from their highly-decorated boxes, or that everything was good to eat and in its Christmas dress; but the customers were all so hurried and so eager in the hopeful promise of the day, that they tumbled up against each other at the door, crashing their wicker baskets wildly, and left their purchases upon the counter, and came running back to fetch them, and committed hundreds of the like mistakes, in the best humour possible; while the Grocer and his people were so frank and fresh that the polished hearts with which they fastened their aprons behind might have been their own, worn outside for general inspection, and for Christmas daws to peck at if they chose.
But soon the steeples called good people all, to church and chapel, and away they came, flocking through the streets in their best clothes, and with their gayest faces. And at the same time there emerged from scores of bye-streets, lanes, and nameless turnings, innumerable people, carrying their dinners to the bakers’ shops. The sight of these poor revellers appeared to interest the Spirit very much, for he stood with Scrooge beside him in a baker’s doorway, and taking off the covers as their bearers passed, sprinkled incense on their dinners from his torch. And it was a very uncommon kind of torch, for once or twice when there were angry words between some dinner-carriers who had jostled each other, he shed a few drops of water on them from it, and their good humour was restored directly. For they said, it was a shame to quarrel upon Christmas Day. And so it was! God love it, so it was!
In time the bells ceased, and the bakers were shut up; and yet there was a genial shadowing forth of all these dinners and the progress of their cooking, in the thawed blotch of wet above each baker’s oven; where the pavement smoked as if its stones were cooking too.
“Is there a peculiar flavour in what you sprinkle from your torch?” asked Scrooge.
“There is. My own.”
“Would it apply to any kind of dinner on this day?” asked Scrooge.
“To any kindly given. To a poor one most.”
“Why to a poor one most?” asked Scrooge.
“Because it needs it most.”
“Spirit,” said Scrooge, after a moment’s thought, “I wonder you, of all the beings in the many worlds about us, should desire to cramp these people’s opportunities of innocent enjoyment.”
“I!” cried the Spirit.
“You would deprive them of their means of dining every seventh day, often the only day on which they can be said to dine at all,” said Scrooge. “Wouldn’t you?”
“I!” cried the Spirit.
“You seek to close these places on the Seventh Day?” said Scrooge. “And it comes to the same thing.”
“I seek!” exclaimed the Spirit.
“Forgive me if I am wrong. It has been done in your name, or at least in that of your family,” said Scrooge.
“There are some upon this earth of yours,” returned the Spirit, “who lay claim to know us, and who do their deeds of passion, pride, ill-will, hatred, envy, bigotry, and selfishness in our name, who are as strange to us and all our kith and kin, as if they had never lived. Remember that, and charge their doings on themselves, not us.”
Scrooge promised that he would; and they went on, invisible, as they had been before, into the suburbs of the town. It was a remarkable quality of the Ghost (which Scrooge had observed at the baker’s), that notwithstanding his gigantic size, he could accommodate himself to any place with ease; and that he stood beneath a low roof quite as gracefully and like a supernatural creature, as it was possible he could have done in any lofty hall.
And perhaps it was the pleasure the good Spirit had in showing off this power of his, or else it was his own kind, generous, hearty nature, and his sympathy with all poor men, that led him straight to Scrooge’s clerk’s; for there he went, and took Scrooge with him, holding to his robe; and on the threshold of the door the Spirit smiled, and stopped to bless Bob Cratchit’s dwelling with the sprinkling of his torch. Think of that! Bob had but fifteen “Bob” a-week himself; he pocketed on Saturdays but fifteen copies of his Christian name; and yet the Ghost of Christmas Present blessed his four-roomed house!
Then up rose Mrs. Cratchit, Cratchit’s wife, dressed out but poorly in a twice-turned gown, but brave in ribbons, which are cheap and make a goodly show for sixpence; and she laid the cloth, assisted by Belinda Cratchit, second of her daughters, also brave in ribbons; while Master Peter Cratchit plunged a fork into the saucepan of potatoes, and getting the corners of his monstrous shirt collar (Bob’s private property, conferred upon his son and heir in honour of the day) into his mouth, rejoiced to find himself so gallantly attired, and yearned to show his linen in the fashionable Parks. And now two smaller Cratchits, boy and girl, came tearing in, screaming that outside the baker’s they had smelt the goose, and known it for their own; and basking in luxurious thoughts of sage and onion, these young Cratchits danced about the table, and exalted Master Peter Cratchit to the skies, while he (not proud, although his collars nearly choked him) blew the fire, until the slow potatoes bubbling up, knocked loudly at the saucepan-lid to be let out and peeled.
“What has ever got your precious father then?” said Mrs. Cratchit. “And your brother, Tiny Tim! And Martha warn’t as late last Christmas Day by half-an-hour?”
“Here’s Martha, mother!” said a girl, appearing as she spoke.
“Here’s Martha, mother!” cried the two young Cratchits. “Hurrah! There’s such a goose, Martha!”
“Why, bless your heart alive, my dear, how late you are!” said Mrs. Cratchit, kissing her a dozen times, and taking off her shawl and bonnet for her with officious zeal.
“We’d a deal of work to finish up last night,” replied the girl, “and had to clear away this morning, mother!”
“Well! Never mind so long as you are come,” said Mrs. Cratchit. “Sit ye down before the fire, my dear, and have a warm, Lord bless ye!”
“No, no! There’s father coming,” cried the two young Cratchits, who were everywhere at once. “Hide, Martha, hide!”
So Martha hid herself, and in came little Bob, the father, with at least three feet of comforter exclusive of the fringe, hanging down before him; and his threadbare clothes darned up and brushed, to look seasonable; and Tiny Tim upon his shoulder. Alas for Tiny Tim, he bore a little crutch, and had his limbs supported by an iron frame!
“Why, where’s our Martha?” cried Bob Cratchit, looking round.
“Not coming,” said Mrs. Cratchit.
“Not coming!” said Bob, with a sudden declension in his high spirits; for he had been Tim’s blood horse all the way from church, and had come home rampant. “Not coming upon Christmas Day!”
Martha didn’t like to see him disappointed, if it were only in joke; so she came out prematurely from behind the closet door, and ran into his arms, while the two young Cratchits hustled Tiny Tim, and bore him off into the wash-house, that he might hear the pudding singing in the copper.
“And how did little Tim behave?” asked Mrs. Cratchit, when she had rallied Bob on his credulity, and Bob had hugged his daughter to his heart’s content.
“As good as gold,” said Bob, “and better. Somehow he gets thoughtful, sitting by himself so much, and thinks the strangest things you ever heard. He told me, coming home, that he hoped the people saw him in the church, because he was a cripple, and it might be pleasant to them to remember upon Christmas Day, who made lame beggars walk, and blind men see.”
Bob’s voice was tremulous when he told them this, and trembled more when he said that Tiny Tim was growing strong and hearty.
His active little crutch was heard upon the floor, and back came Tiny Tim before another word was spoken, escorted by his brother and sister to his stool before the fire; and while Bob, turning up his cuffs—as if, poor fellow, they were capable of being made more shabby—compounded some hot mixture in a jug with gin and lemons, and stirred it round and round and put it on the hob to simmer; Master Peter, and the two ubiquitous young Cratchits went to fetch the goose, with which they soon returned in high procession.
Such a bustle ensued that you might have thought a goose the rarest of all birds; a feathered phenomenon, to which a black swan was a matter of course—and in truth it was something very like it in that house. Mrs. Cratchit made the gravy (ready beforehand in a little saucepan) hissing hot; Master Peter mashed the potatoes with incredible vigour; Miss Belinda sweetened up the apple-sauce; Martha dusted the hot plates; Bob took Tiny Tim beside him in a tiny corner at the table; the two young Cratchits set chairs for everybody, not forgetting themselves, and mounting guard upon their posts, crammed spoons into their mouths, lest they should shriek for goose before their turn came to be helped. At last the dishes were set on, and grace was said. It was succeeded by a breathless pause, as Mrs. Cratchit, looking slowly all along the carving-knife, prepared to plunge it in the breast; but when she did, and when the long expected gush of stuffing issued forth, one murmur of delight arose all round the board, and even Tiny Tim, excited by the two young Cratchits, beat on the table with the handle of his knife, and feebly cried Hurrah!
There never was such a goose. Bob said he didn’t believe there ever was such a goose cooked. Its tenderness and flavour, size and cheapness, were the themes of universal admiration. Eked out by apple-sauce and mashed potatoes, it was a sufficient dinner for the whole family; indeed, as Mrs. Cratchit said with great delight (surveying one small atom of a bone upon the dish), they hadn’t ate it all at last! Yet every one had had enough, and the youngest Cratchits in particular, were steeped in sage and onion to the eyebrows! But now, the plates being changed by Miss Belinda, Mrs. Cratchit left the room alone—too nervous to bear witnesses—to take the pudding up and bring it in.
Suppose it should not be done enough! Suppose it should break in turning out! Suppose somebody should have got over the wall of the back-yard, and stolen it, while they were merry with the goose—a supposition at which the two young Cratchits became livid! All sorts of horrors were supposed.
Hallo! A great deal of steam! The pudding was out of the copper. A smell like a washing-day! That was the cloth. A smell like an eating-house and a pastrycook’s next door to each other, with a laundress’s next door to that! That was the pudding! In half a minute Mrs. Cratchit entered—flushed, but smiling proudly—with the pudding, like a speckled cannon-ball, so hard and firm, blazing in half of half-a-quartern of ignited brandy, and bedight with Christmas holly stuck into the top.
Oh, a wonderful pudding! Bob Cratchit said, and calmly too, that he regarded it as the greatest success achieved by Mrs. Cratchit since their marriage. Mrs. Cratchit said that now the weight was off her mind, she would confess she had had her doubts about the quantity of flour. Everybody had something to say about it, but nobody said or thought it was at all a small pudding for a large family. It would have been flat heresy to do so. Any Cratchit would have blushed to hint at such a thing.
At last the dinner was all done, the cloth was cleared, the hearth swept, and the fire made up. The compound in the jug being tasted, and considered perfect, apples and oranges were put upon the table, and a shovel-full of chestnuts on the fire. Then all the Cratchit family drew round the hearth, in what Bob Cratchit called a circle, meaning half a one; and at Bob Cratchit’s elbow stood the family display of glass. Two tumblers, and a custard-cup without a handle.
These held the hot stuff from the jug, however, as well as golden goblets would have done; and Bob served it out with beaming looks, while the chestnuts on the fire sputtered and cracked noisily. Then Bob proposed:
“A Merry Christmas to us all, my dears. God bless us!”
Which all the family re-echoed.
“God bless us every one!” said Tiny Tim, the last of all.
He sat very close to his father’s side upon his little stool. Bob held his withered little hand in his, as if he loved the child, and wished to keep him by his side, and dreaded that he might be taken from him.
“Spirit,” said Scrooge, with an interest he had never felt before, “tell me if Tiny Tim will live.”
“I see a vacant seat,” replied the Ghost, “in the poor chimney-corner, and a crutch without an owner, carefully preserved. If these shadows remain unaltered by the Future, the child will die.”
“No, no,” said Scrooge. “Oh, no, kind Spirit! say he will be spared.”
“If these shadows remain unaltered by the Future, none other of my race,” returned the Ghost, “will find him here. What then? If he be like to die, he had better do it, and decrease the surplus population.”
Scrooge hung his head to hear his own words quoted by the Spirit, and was overcome with penitence and grief.
“Man,” said the Ghost, “if man you be in heart, not adamant, forbear that wicked cant until you have discovered What the surplus is, and Where it is. Will you decide what men shall live, what men shall die? It may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man’s child. Oh God! to hear the Insect on the leaf pronouncing on the too much life among his hungry brothers in the dust!”
Scrooge bent before the Ghost’s rebuke, and trembling cast his eyes upon the ground. But he raised them speedily, on hearing his own name.
“Mr. Scrooge!” said Bob; “I’ll give you Mr. Scrooge, the Founder of the Feast!”
“The Founder of the Feast indeed!” cried Mrs. Cratchit, reddening. “I wish I had him here. I’d give him a piece of my mind to feast upon, and I hope he’d have a good appetite for it.”
“My dear,” said Bob, “the children! Christmas Day.”
“It should be Christmas Day, I am sure,” said she, “on which one drinks the health of such an odious, stingy, hard, unfeeling man as Mr. Scrooge. You know he is, Robert! Nobody knows it better than you do, poor fellow!”
“My dear,” was Bob’s mild answer, “Christmas Day.”
“I’ll drink his health for your sake and the Day’s,” said Mrs. Cratchit, “not for his. Long life to him! A merry Christmas and a happy new year! He’ll be very merry and very happy, I have no doubt!”
The children drank the toast after her. It was the first of their proceedings which had no heartiness. Tiny Tim drank it last of all, but he didn’t care twopence for it. Scrooge was the Ogre of the family. The mention of his name cast a dark shadow on the party, which was not dispelled for full five minutes.
After it had passed away, they were ten times merrier than before, from the mere relief of Scrooge the Baleful being done with. Bob Cratchit told them how he had a situation in his eye for Master Peter, which would bring in, if obtained, full five-and-sixpence weekly. The two young Cratchits laughed tremendously at the idea of Peter’s being a man of business; and Peter himself looked thoughtfully at the fire from between his collars, as if he were deliberating what particular investments he should favour when he came into the receipt of that bewildering income. Martha, who was a poor apprentice at a milliner’s, then told them what kind of work she had to do, and how many hours she worked at a stretch, and how she meant to lie abed to-morrow morning for a good long rest; to-morrow being a holiday she passed at home. Also how she had seen a countess and a lord some days before, and how the lord “was much about as tall as Peter;” at which Peter pulled up his collars so high that you couldn’t have seen his head if you had been there. All this time the chestnuts and the jug went round and round; and by-and-bye they had a song, about a lost child travelling in the snow, from Tiny Tim, who had a plaintive little voice, and sang it very well indeed.
There was nothing of high mark in this. They were not a handsome family; they were not well dressed; their shoes were far from being water-proof; their clothes were scanty; and Peter might have known, and very likely did, the inside of a pawnbroker’s. But, they were happy, grateful, pleased with one another, and contented with the time; and when they faded, and looked happier yet in the bright sprinklings of the Spirit’s torch at parting, Scrooge had his eye upon them, and especially on Tiny Tim, until the last.
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pcnnyworth · 5 months
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incoming message from @risensoldier — ❛ you got me flowers? ❜
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Three quarks for Muster Mark, for Master Jason had yet to endure the sufficient amount of concussions essential to forget what context clues were. Worried as Alfred’s ageing, foolish mind had been that his ward may have developed colour blindness in some paint factory catastrophe, faith in Master Jason’s basic optic and olfactory observations was thoroughly restored. Granted, Alfred had better audio descriptions prepared for his arrangements than most museums had for their artefacts, and he would have been ecstatic to orate the details of his floral masterpiece down to how many specks of dirt were used to grow the filler floaters. He has been faced with more appreciative audiences, true, and such audiences often had faces, but in the same vein has he been tortured by fresh English tomato juice running down his friar’s habit. At least he knew whatever red substance came from the recipient of his Biedermeier-themed blood, sweat, and tears would be easy to scrub out.
A preview of the auricular curriculum, lest his podcasting experience go to waste: a ceramic compote bowl in a burnt sienna, hand-painted with patterns of birds that are most certainly not robins. Blue hydrangeas swirled into white peonies, peppered with forget-me-nots and leaves larger than his own palm. Who said fire hazards couldn’t ravish the eyes and unfortunate sinuses alike? He accounted for them meeting somewhere with the vague privacy of being a pair among many, cabs being hailed at a breakneck pace across the street and fruit being haggled for somewhere nearby. With Master Jason, though, the wild card was sameself with the deck’s trump. So the scenery was unfamiliar. So the man himself was unfamiliar. Must it matter?
‘ That is generally what they’re called, yes, ‘ Alfred replied in lieu of mannered elaboration, internal organs far too focused on preventing total bodily failure to manhandle his heart into talking. He coughed into a white-knuckled fist and retracted the bouquet by just an inch. Then again, the work of a masked vigilante had to list keen ‘ Would another gift have better conveyed my appreciation for your… earlier assistance? ‘
The mere inkling of doubt about his presentation of presents sent his blood pressure soaring. ‘ Would a recording of my panned performance in The Taming of the Shrew suffice? I believe I destroyed every physical copy afterwards in a horseradish-fueled rampage, but I’m sure we’ll be able to find something in the national archives. ‘ Which nation? Take a stroll through the almanack, something of that chlorotic circuit was bound to manifest. He fiddled with the twine bow around the vase. Meaningless decoration. For once he wished intention could outweigh objective intimation.
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heydaytravelcompany · 8 months
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marchaileo · 2 years
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5 Romantic Dawa Getaways Near Manila
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The Philippines is a country that is full of natural beauty. With its rich culture and diverse landscapes, it's no wonder that Filipinos are proud to call their country home. One of the most popular tourist destinations in the Philippines is Manila. It has a lot to offer for visitors - from historical sites and museums, to beautiful beaches and vibrant nightlife.
If you're looking for a romantic getaway in Manila, consider these 5 romantic dawa getaways near Manila: 1) Burgos Circle - This park is situated in front of the Philippine Normal University (PNU). You'll find lush green trees, cool fountains, and statuesque buildings here. 2) San Sebastian Church - Built in 1884 by Spanish friars, this church is known as one of the most beautiful examples of Spanish colonial architecture.3) Malate Church - This church is supposedly the place where the first Mass in Manila was celebrated by Spanish missionaries. It's now an active Roman Catholic Church as well as a tourist destination.4) Mendiola Street - There's a monument dedicated to Jose Rizal on this street that commemorates his execution and martyr dom. You'll find a statue of Rizal on the left side of the monument, and Manila's National Shrine of Our Lady of Peace and Good Voyage is on the right.5) Mendez Bridge - This bridge is where Jose Rizal was executed on his fight against oppression during Spanish colonization in the Philippines. You'll also find a monument to Rizal on this bridge.6) Quiapo Church - This is the oldest Roman Catholic Church in Manila. The statue of Our Lady of Peace and Good Voyage is inside this church.
Welcome to our list of the best romantic dawa getaways near Manila, Philippines
Manila is a city with many interesting places to explore. But if you're looking for a romantic getaway, it can be hard to find the perfect place. romantic getaway near Manila
Luckily, this list has compiled the best romantic dawa getaways near Manila so you don't have to search any longer!
1. The Nature Resort in Tagaytay The Nature Resort is one of the best resorts in the Philippines. It's also one of the most romantic dawa getaways near Manila because it offers couples a chance to reconnect with nature and each other. It's located right on top of Mount Tagaytay and has stunning views of Taal Volcano. It also provides its guests with free wifi, so they can stay connected while they are away from home! 2. The Seashell Beach Resort in CebuThe Seashell Beach Resort is located on the famous White Beach in Cebu. It's a family-owned resort with an amazing view of the ocean and a great place to relax at after a day of exploring. They provide complimentary wifi, so you can work or play while you're away from home!3. The Arugam Bay Resort
If any of these questions have left your head spinning, this article is for you. We'll be looking at 10 great options for dawa vacationers heading to the Philippines who are looking for a relaxing beach getaway. .What are the top destinations for dawa vacationers in the Philippines?Named by Forbes as one of the best destinations for family vacations, Boracay is a resort island on the eastern side of the Visayas. It has been touted as a paradisiacal getaway with legions of travelers flocking to its tropical shores year after
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tasteoftravel · 2 years
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As everywhere in human life
Here, as everywhere in human life, we must take the evil with the good. It is idle, peevish, retrograde, to rail at the inevitable, or to cry out for the past. There has been awful, wanton, brutal destruction; there have been corruption and plunder; there has been vile art, making itself the pander to folly and lust; there have been cruel disregard of the poor and inhuman orgies of wealth and power, in all this series of transformation scenes which Paris has seen. No man can again recall to us the exquisite fancies carved on stone and on jewelled windows of the thirteenth and fourteenth centuries. Perhaps it was better to cart them away than to furbish them anew with gewgaw restorations. But modern life in a vast city could not endure this plethora of obsolete churches and useless convents in its midst, and the friars, black, white, and grey, had to go with all their belongings.
Dark alleys are delicious in etchings; but they are the nests of disease, vice; and death. A city of two millions cannot breathe within the winding lanes which sufficed the burghers of the fourteenth century within their gloomy ramparts. Haussmann and his myrmidons may have amassed fortunes; but the world is still searching, lantern in hand like Diogenes, for a wise, just, incorruptible municipal authority. The art which has created modern Paris is not high art, is not true art, is in many ways most meretricious art; and in its chef d’oeuvre, the new Opera, it has reached the pinnacle of vulgar display private turkey tours. But, take it all and all, Paris can show us the brightest, most inventive, and least Musquin street architecture which the nineteenth century can achieve, and certainly the most imperial civic organization which Europe can produce.
Complex problem
There is much to be said on all sides of this complex problem; the catholic, the legitimist, the republican, the antiquarian, the artist, the poet, the socialist, the economist, even the tourist, may be listened to with sympathy in turn. Let us gnash our teeth at the tale told us by the student of old art; let us drop a tear over the wail of the dispossessed orders; let us linger over every fragment of the past which the historian can point out as spared in the havoc; let us listen to the story of the dispossessed workman; let us study the statistics of the old and the new city; let us stroll with the flaneur on the boulevards; but let us not say that it is either altogether evil or altogether good. Modern Paris is the creation of the Revolution of 1789, and, like most of the creations of that mighty and pregnant epoch, it has the soul of good in things evil; deplorable waste and error in the midst of inevitable and indispensable reform.
A city is made to live in. Now, a serious defect in old Paris was that it was a city in which men died. Down to the Revolution of 1789, the annual deaths exceeded the annual births. Since the Revolution the births exceed the deaths. The birth-rate in Paris is low, and the death-rate is high, as compared with that of London and English towns to-day; but the birth-rate of Paris is now much in excess of the death-rate.
The total deaths in modern Paris are but double the actual deaths in 1789, though the population is now nearly four times as great. The death- rate of old Paris was far higher than that of any actual city of Western Europe, and for a parallel to it we must now go to the cities of the East. The death-rate of Paris is still high, for it is largely increased by the almost deliberate destruction of infant life. But before the Revolution, we must take it that some three or four thousand lives were annually sacrificed to insanitary conditions. The sanitary condition of Paris in the middle of the last century was, indeed, that of Cairo or Constantinople. Drinking- water taken direct from the Seine, open sewers, cemeteries, and charnel-houses in the heart of the city, infected and squalid lanes, dirt, decay, and disorder made life precarious, and scattered disease wholesale. The marvel is that pestilence was ever absent.
This was no accident; nor was it due to apathy or ignorance in the people of Paris. It was a direct result of the Old Regime — the deliberate act of the Monarchy, the Church, and the Nobility. Its causes were political. Paris presented in herself an epitome of all the vices, follies, inhumanities, and solecisms of the Old System. Everything official was effete, barbarous, injurious to modern civilisation; all that prerogative, privilege, superstition, and caste could do to crush a great capital, was done. No consideration of the health, comfort, or needs of the great city affected Louis xi v. or Louis xv.
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hutupistravel · 2 years
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As everywhere in human life
Here, as everywhere in human life, we must take the evil with the good. It is idle, peevish, retrograde, to rail at the inevitable, or to cry out for the past. There has been awful, wanton, brutal destruction; there have been corruption and plunder; there has been vile art, making itself the pander to folly and lust; there have been cruel disregard of the poor and inhuman orgies of wealth and power, in all this series of transformation scenes which Paris has seen. No man can again recall to us the exquisite fancies carved on stone and on jewelled windows of the thirteenth and fourteenth centuries. Perhaps it was better to cart them away than to furbish them anew with gewgaw restorations. But modern life in a vast city could not endure this plethora of obsolete churches and useless convents in its midst, and the friars, black, white, and grey, had to go with all their belongings.
Dark alleys are delicious in etchings; but they are the nests of disease, vice; and death. A city of two millions cannot breathe within the winding lanes which sufficed the burghers of the fourteenth century within their gloomy ramparts. Haussmann and his myrmidons may have amassed fortunes; but the world is still searching, lantern in hand like Diogenes, for a wise, just, incorruptible municipal authority. The art which has created modern Paris is not high art, is not true art, is in many ways most meretricious art; and in its chef d’oeuvre, the new Opera, it has reached the pinnacle of vulgar display private turkey tours. But, take it all and all, Paris can show us the brightest, most inventive, and least Musquin street architecture which the nineteenth century can achieve, and certainly the most imperial civic organization which Europe can produce.
Complex problem
There is much to be said on all sides of this complex problem; the catholic, the legitimist, the republican, the antiquarian, the artist, the poet, the socialist, the economist, even the tourist, may be listened to with sympathy in turn. Let us gnash our teeth at the tale told us by the student of old art; let us drop a tear over the wail of the dispossessed orders; let us linger over every fragment of the past which the historian can point out as spared in the havoc; let us listen to the story of the dispossessed workman; let us study the statistics of the old and the new city; let us stroll with the flaneur on the boulevards; but let us not say that it is either altogether evil or altogether good. Modern Paris is the creation of the Revolution of 1789, and, like most of the creations of that mighty and pregnant epoch, it has the soul of good in things evil; deplorable waste and error in the midst of inevitable and indispensable reform.
A city is made to live in. Now, a serious defect in old Paris was that it was a city in which men died. Down to the Revolution of 1789, the annual deaths exceeded the annual births. Since the Revolution the births exceed the deaths. The birth-rate in Paris is low, and the death-rate is high, as compared with that of London and English towns to-day; but the birth-rate of Paris is now much in excess of the death-rate.
The total deaths in modern Paris are but double the actual deaths in 1789, though the population is now nearly four times as great. The death- rate of old Paris was far higher than that of any actual city of Western Europe, and for a parallel to it we must now go to the cities of the East. The death-rate of Paris is still high, for it is largely increased by the almost deliberate destruction of infant life. But before the Revolution, we must take it that some three or four thousand lives were annually sacrificed to insanitary conditions. The sanitary condition of Paris in the middle of the last century was, indeed, that of Cairo or Constantinople. Drinking- water taken direct from the Seine, open sewers, cemeteries, and charnel-houses in the heart of the city, infected and squalid lanes, dirt, decay, and disorder made life precarious, and scattered disease wholesale. The marvel is that pestilence was ever absent.
This was no accident; nor was it due to apathy or ignorance in the people of Paris. It was a direct result of the Old Regime — the deliberate act of the Monarchy, the Church, and the Nobility. Its causes were political. Paris presented in herself an epitome of all the vices, follies, inhumanities, and solecisms of the Old System. Everything official was effete, barbarous, injurious to modern civilisation; all that prerogative, privilege, superstition, and caste could do to crush a great capital, was done. No consideration of the health, comfort, or needs of the great city affected Louis xi v. or Louis xv.
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holidaysbalkan · 2 years
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As everywhere in human life
Here, as everywhere in human life, we must take the evil with the good. It is idle, peevish, retrograde, to rail at the inevitable, or to cry out for the past. There has been awful, wanton, brutal destruction; there have been corruption and plunder; there has been vile art, making itself the pander to folly and lust; there have been cruel disregard of the poor and inhuman orgies of wealth and power, in all this series of transformation scenes which Paris has seen. No man can again recall to us the exquisite fancies carved on stone and on jewelled windows of the thirteenth and fourteenth centuries. Perhaps it was better to cart them away than to furbish them anew with gewgaw restorations. But modern life in a vast city could not endure this plethora of obsolete churches and useless convents in its midst, and the friars, black, white, and grey, had to go with all their belongings.
Dark alleys are delicious in etchings; but they are the nests of disease, vice; and death. A city of two millions cannot breathe within the winding lanes which sufficed the burghers of the fourteenth century within their gloomy ramparts. Haussmann and his myrmidons may have amassed fortunes; but the world is still searching, lantern in hand like Diogenes, for a wise, just, incorruptible municipal authority. The art which has created modern Paris is not high art, is not true art, is in many ways most meretricious art; and in its chef d’oeuvre, the new Opera, it has reached the pinnacle of vulgar display private turkey tours. But, take it all and all, Paris can show us the brightest, most inventive, and least Musquin street architecture which the nineteenth century can achieve, and certainly the most imperial civic organization which Europe can produce.
Complex problem
There is much to be said on all sides of this complex problem; the catholic, the legitimist, the republican, the antiquarian, the artist, the poet, the socialist, the economist, even the tourist, may be listened to with sympathy in turn. Let us gnash our teeth at the tale told us by the student of old art; let us drop a tear over the wail of the dispossessed orders; let us linger over every fragment of the past which the historian can point out as spared in the havoc; let us listen to the story of the dispossessed workman; let us study the statistics of the old and the new city; let us stroll with the flaneur on the boulevards; but let us not say that it is either altogether evil or altogether good. Modern Paris is the creation of the Revolution of 1789, and, like most of the creations of that mighty and pregnant epoch, it has the soul of good in things evil; deplorable waste and error in the midst of inevitable and indispensable reform.
A city is made to live in. Now, a serious defect in old Paris was that it was a city in which men died. Down to the Revolution of 1789, the annual deaths exceeded the annual births. Since the Revolution the births exceed the deaths. The birth-rate in Paris is low, and the death-rate is high, as compared with that of London and English towns to-day; but the birth-rate of Paris is now much in excess of the death-rate.
The total deaths in modern Paris are but double the actual deaths in 1789, though the population is now nearly four times as great. The death- rate of old Paris was far higher than that of any actual city of Western Europe, and for a parallel to it we must now go to the cities of the East. The death-rate of Paris is still high, for it is largely increased by the almost deliberate destruction of infant life. But before the Revolution, we must take it that some three or four thousand lives were annually sacrificed to insanitary conditions. The sanitary condition of Paris in the middle of the last century was, indeed, that of Cairo or Constantinople. Drinking- water taken direct from the Seine, open sewers, cemeteries, and charnel-houses in the heart of the city, infected and squalid lanes, dirt, decay, and disorder made life precarious, and scattered disease wholesale. The marvel is that pestilence was ever absent.
This was no accident; nor was it due to apathy or ignorance in the people of Paris. It was a direct result of the Old Regime — the deliberate act of the Monarchy, the Church, and the Nobility. Its causes were political. Paris presented in herself an epitome of all the vices, follies, inhumanities, and solecisms of the Old System. Everything official was effete, barbarous, injurious to modern civilisation; all that prerogative, privilege, superstition, and caste could do to crush a great capital, was done. No consideration of the health, comfort, or needs of the great city affected Louis xi v. or Louis xv.
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