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#and Nero is Vergil's kid so obviously he has to look like the guy
ryanthel0ser · 7 months
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"but Vergil and Dante are identical twins they should have the same face mode-" shhhhhhhhhhhhhhshshhshshshhshshhhhhh
you cannot tell me that their face models aren't perfect. Like that IS Dante, that IS Vergil. The problem lies in that if you switch their faces it doesn't fit their characters. We can kinda see this when Dante does his taunt where he slicks his hair back so tease Vergil, his face model doesn't really work for Vergil.
So while they aren't identical, the Capcom team DID do a good job at finding face that look like they could be related. While Dante and Vergil may not be identical, they do still look like brothers, so you just have to have a suspension of disbelief for it!
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kat-in-a-bin · 2 years
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Big Jonathan Ref update! A much needed refreshed reference for him.
Here is some ✨backstory info✨ for Jonathan :
He’s (obviously) Dante and Yavine’s Kid, but currently at the start of the story he doesn’t know who his exact parents are. The only parent he knows “exists/might be alive” is his mother. He has a faint memory from around the age 4/5 years old of her saving him from roaring flames that spread into their hometown and giving him a necklace that in her words “will help you find your father…”, she then disappeared into a burst of purple flame towards the town. He can’t recall any other memories before that.
At age 5, He was luckily found in an abandoned train car by a kind orphanage worker named Lorena, who later (and was the only one who) cared for him. The orphanage was settled in a forest near a small city by the seaside named Homonoia. While he did get shelter, he was treated horribly by the other kids as well as the caregivers for his well, “different appearance” and uncontrollable demonic presence . He ran away at age 13. He doesn’t like talking about that place.
He became a street kid amongst the streets of Homonia. He became strong over the years and learned how to steal, fight, and lie to survive. With this he became a troublemaker to the local police, which is how he met Fox who, at the time, was a rich kid whose family was part of the city council. Fox was curious about Jonathan’s way of picking at the local political leaders for constantly trying to catch him, most notably stealing from them of their high valued possessions. Fox later got to truly meet the guy when he caught Jonathan trying to steal their family’s prized ritual knife. (But explaining that whole story is for another day!)
Jonathan's reputation on the surface of Homonia started to grow as the “Demon Boy Thief ”, His reputation spread to the lower part or is better known as the slums of the city. It grew so big that it reached a battle ring leader known as Skoll. Intrigued by his strength he wanted to see it for himself, so he invited Jonathan down to the slums to truly test his fighting strength against two of his best fighters Noah and Ryder.
Some Extra info or better, INFODUMPING!
Jonathan is extremely flexible because of his strangely shaped spine, it looks more like that of a Cheetah spine than a human’s. Fox theorizes that it may be because of his digitigrade devil bringer legs. In general He’s considered a lot more weirder anatomy wise than that of the other demon/human hybrids.
He shares Dante’s love of cheese and Yavine’s love of sweets.
BIG animal lover, especially possums and for some reason Cerberus. He owns a small cerberus pushie that Fox gave him for his birthday, very grateful and protective of it.
He shares the common stubborn personality of the 3 main protagonist guys but arguably would be the least stubborn out of all of them.
Currently the smallest of Dante, Nero, and Vergil.
Jonathan is currently questioning his sexuality at the moment for he does not have a love interest, also mostly because everybody is either too old for him or is already married lol.
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dmcofficial · 3 years
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i imagine nero's primary love language is gift giving in the sense that giving and receiving gifts are a BIG deal to him and he kind of assumes most people just. Know That.
kyrie & credo probably have an idea of it, gifts have always been a big deal to him, especially when the gifts are for holidays and birthdays simply because they're for him, gifts they know or think he'd like. they know him at their fond little punk, not the savior reincarnated their parents believe or the devil spawn their classmates sneer at. (he's probably been tricked into opening trapped gift boxes before by classmates.)
but 4dante? who FIGHTS him over the yamato, who implies it's a family member's katana that's been lost?? who lends him the sword even after he LOST IT in a rookie mistake and, after everything, refuses to take it back???
4nero just stares at this guy who looks so much like him, who's just handed him this family heirloom that he obviously has an emotional attachment to, and goes a little soft and wet-eyed while 4dante's like fuck FUCK i cant get attached NO DANTE we're not getting attached especially not to VERGILS KID this is SUCH a bad idea
and after a long while nero slowly begins to assume dante was maybe messing with him or didn't care after no promised calls or emails, when dante suddenly sends along an entire fucking light up sign with a little note like sorry for the six months radio silence i didn't want to lead u on so i waited til they finished the sign lol! anyway it took forever but— and it's this like five page letter about the obnoxious company who manufactured it and how much it was to get it shipped and everything and how nero BETTER appreciate it bc he had it hand designed by the CENTIMETER OKAY and the lighting colors were specifically picked for their SIGNATURE GLOW and nero's forced to hold the papers carefully to keep from smudging the ink or the papers, trying and failing to not be incredibly touched by this grubby old man who never uses email but will pen letters and an entire SIGN
nico INSISTS on it going on the van and nero's all for it in THEORY because while the van IS the most fortified piece of machinery this side of the globe, the world will end before it gets a dent, BUT the sign is not and could be entirely ruined with only a slight scorch mark on the paint around it to even show it was there in the first place
he CANT disgrace a well-thought out and carefully, painstakingly crafted gift like that. he just CANT. it was a GIFT from DANTE, that's practically like a welcome-to-the-family and a firm hug, what the fuck do you mean you're putting it on the side of your dirty ass van
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solynaceawrites · 4 years
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Promise Me Forever [3]
Fandom: Devil May Cry Characters: Dante, Lirael Thorne (OC) Tags: Slow Burn, Romance, Arranged Marriage, Alternate Universe, First Time, Friends to Lovers Chapters: 3/14 co-written by @lickitysplitfic​ Summary: An old, long-forgotten promise between gods comes back to haunt Dante when it deposits an unfamiliar woman on his door. Claiming to be the descendant of Ler, she says that they’re meant to fulfill the oath made by Sparda centuries ago, and all he can do is watch as she turns his life upside down. Yet when her parents come knocking, demanding the oath be fulfilled, he’s forced to choose: return to the bachelor ways he loved so much, or give in to the emotions brewing between him.
The rest of the day passes with more ease than Lir could have hoped for. Dante gets her set up on the computer, a marvel of technology she never truly got to use before, creating an account for her and walking her through how to use the search engine, where to find the games that were pre-installed. The fact that she has access to solitaire, even if it's digital, delights her, and she wastes a few hours playing through it. Then she finds a news site and reads through the articles on the first page; a lady, her mother said, should know what is going on in the world in order to make conversation with her husband.
Dante, for his part, doesn't seem to do as much work as she'd thought. There are a few phone calls that he answers tersely, but none that make him move from behind the desk, where he dozes. Lir tries not to look too closely at the magazine over his face. The woman on the cover is far more curvaceous than she could ever be, and she wonders, more than once, if that's the sort of thing he prefers.
She's just gotten up to see what she can make them for dinner when the door to the shop opens. A young man enters, and the similarities between him and Dante are striking enough that Lir can only stare as he crosses the room towards her. "Is this her?" he asks.
Dante rocks up. "Nero? The hell are you doing here?"
"Hey, you're the one who called me," Nero retorts. "You scared Kyrie half to death with that warning of yours, so I wanted to come and see for myself what the fuss was about." His piercing gaze shifts back to Lir. "She doesn't seem so dangerous."
"Dante?" Lir's eyes go wide as he strides over, and the way he crosses his arms over his chest and stares down at her gives her deja vu. 
The boy narrows his eyes as he scowls. "Who are you and what do you want?"
"Okay, lay off," Dante calls over.
She shrinks back towards the wall as he rolls his neck. "Start talking, lady, or—"
"Hey!" They both turn to see Dante leaning forward in his chair, a scowl on his face. "I said lay off."
"No, you said there was a woman here who was trying to kill you." The young man flings out his arm as he turns and scoffs. "I'm here to help!"
"Some help," Dante laughs. "You are about twelve hours too late."
"Yeah, well I spent all night behind a dumpster looking for a pack of demonic squirrels." He looks around with a frown. "Did you clean?"
"No." Dante nods to her. "She did. Her name, by the way, is Lir, and she's not going to kill anyone as far as I know. Though I might if you don't back up."
It doesn't sound entirely genuine, but Nero does take a few steps away, though he continues to eye her distrustfully. "Where'd she come from?"
"Somewhere up north."
"Why's she here?"
Dante glances at her as he says, "Personal business."
Nero points at him, obviously exasperated. "Listen, you. Kyrie was in tears when I got home, she was so worried about you. If you got her that fuckin' worked up over nothing, I'm gonna come over there and shove my fist up your—"
"Nero? Was that your name?" Lir interrupts, quickly standing.
Her heart is pounding when the young man turns and frowns at her. But if he is threatening Dante, she should help somehow, so she holds out her hand. "Nice to meet you. I'm Lir."
He regards her suspiciously before shaking her hand. "Yeah, I'm Nero. Dante's a friend of mine." He puts his hands on his hips, and again the similarity between the two is striking. "So what's your personal business?"
"I'm here to marry Dante."
Before she can continue, Nero bursts out laughing, leaning over to brace himself on his knees to keep from falling over. "Dante! Oh my fuck, you ordered a bride? Are you insane?" He leans back with another round of laughter, wiping a tear from his eye. "Damn man, if you were that desperate I could have set you up with one of Kyrie's friends or something."
"I didn't order her," Dante sighs. "She's . . . It's sort of an arranged marriage thing."
"Wait, what?" Nero looks at her, and she nods. "Shit. Well, I feel sorry for you, Lir. This guy might be one of the best in the business, but he's never had any luck with the ladies."
"So I've heard." She glances between them again, noting the light hair, the strong jaw, the similar stance. "How do you two know each other again?"
"We met in Fortuna," Dante says. "I was on a job to deal with a cult, Nero worked for said cult. Wound up going against them when he realized what they had planned, but it's not like he knew they were bastards."
Nero gives a shrug. "I thought he was evil at first. Tried to kill him a couple of times."
"Never came close to it," Dante interjects, and Nero flips him off.
"Oh, I see." Lir studies them closely. "It's only . . . Well, you look so similar that I thought you might be related."
Nero scoffs loudly as Dante leans against his desk. "This guy? Yeah I don't think so." He chuckles and shakes his head. "I'd put a fucking bullet in my head if—"
"Okay, watch the language." Lir swallows her chuckle as Nero scowls at him defiantly. "You see? Everything is fine. You should head home."
"Yeah." But he's looking at her now, not Dante. "If you ever need to get away from this jackass for a while, give me a call. Kyrie would love the company. Hope you don't mind kids, though. We've got a couple. She runs an orphanage." There's more than a hint of pride in his voice, and it makes her smile.
"I'd love to visit, as long as Dante doesn't mind."
It's the right response by what she's been taught, but the way the two men glance at each other makes her feel that maybe it was the wrong thing to say. "Right," Nero says. "Well, be seeing you."
"Tell Kyrie I'm sorry for scarin' her," Dante calls after him. The door closes, and he sighs and settles back into his chair. "Kid's a pain," he says to Lir, "but his heart's in the right place."
"He's, um . . . interesting." She glances at Dante, who has gone back to his magazine. "You met him in Fortuna?"
"Yup."
Dante turns the page as she settles on the couch, frowning. "I read about Fortuna. That was last year, right? They had a cult dedicated to Sparda, your father."
"Yup."
She leans forward, brows raised expectantly, and when Dante doesn't look up she sighs loudly. "Well?"
"Well what?"
"Don't you think it's strange that there is a city founded on the demon Sparda, and a boy there exactly like you?" Dante looks up finally, but she rambles on, "They had many of his artifacts, right? Maybe Sparda isn't dead. He could have been living there, and there might be evidence there that proves what I've been saying. Maybe we can find him! And if we find him, then maybe . . ." She looks at him with wide eyes, the wheels turning in her head with the possibilities. "Perhaps you're not the son of Sparda I'm looking for."
His expression goes so cold that she instinctively steps back. It's as though all the progress she'd made in the last twenty-four hours has disappeared, leaving them back in the mire of mistrust they'd started in. "He's been dead for almost forty years," Dante tells her, "and the only sons he had were yours truly and Vergil, who's been dead for twenty."
"I'm sorry," she murmurs. Lir knows that she's supposed to soothe him somehow, but, because she is the cause of his ire, she has no idea what to do. "I only meant that maybe you would be free from dealing with me. I wasn't trying to—"
"And Nero," Dante continues, speaking sharply over her, "has been through enough shit in his life without you going and causing more of it for him because you think you have to bed one of Sparda's bloodline to be worth something."
Tears rise very suddenly, humiliation flooding through her. "I'm sorry," she whispers, but Dante has already returned to his magazine as if nothing had happened.
She blinks rapidly, then turns and moves quickly through the building, hurrying up the stairs and to her room. Lir keeps herself from slamming the door, closing it firmly and moving to sit heavily on the bed, breathing slowly in and out to keep herself from crying.
After several minutes, she wipes her eyes and smooths her hands down her shirt. "I'll make it up to him," she says out loud, standing on shaky legs. Then Lir heads to the bathroom, getting to work scrubbing it from top to bottom, pouring her mixed up emotions into making the marble sparkle.
She is elbow deep in some unpacked boxes in his bedroom when Dante comes to find her. "Hey, Lir, about what I said—"
Lir looks up to see him looking around the room with a grin. "Hey, it looks great in here!"
She opens her mouth to respond before closing it, not sure what she should say to him, or if it even matters that she replies. He moves over and kneels next to her, reaching into the box to pull out a baseball mitt. "Huh," he mumbles, then sets it back inside. "Find anything interesting?"
"I've only just started," she says quietly.
"Right." His fingers drum on his thigh. "I'm sorry. I know I was a bastard to you, and you didn't deserve that. But Lir, you . . . I mean, do you want to just marry me? Is that it for you?"
Lir freezes. The question is one she has never heard before, and she realizes she has never even considered it before. "It's hard for me to answer that," she replies slowly. "If I don't marry you, then what am I going to do?"
Dante shrugs. "You were talking about getting a job. You could do that. What do you want to do?"
She looks away, heat rising up her neck and burning her ears. The fact that she doesn't have an answer is humiliating, and she turns back to the box so Dante can't see her blush. "I'll have to think about that," she murmurs.
"Hey, why don't you give that a rest for a bit?" Lir glances out the side of her eye to see him tilting to the side, trying to catch her attention. "I'll take you out to eat. There's a good diner nearby."
"That's okay." She stands and clears her throat, trying to look composed. "I can make something, it's not a problem."
"Nah. You've done a ton already. Unless . . ." Lir looks up to see him giving her a teasing smile. "You don't want to go to dinner with me."
"I don't understand." He cocks his head, reminding her of the large hound who'd slept in the gardens and kept the foxes away from the hens. "Doing something like that is considered a date, is it not? A romantic gesture? Why would you ask me to go with you if you have no interest in me?"
Dante pauses, his brows furrowed. "It can be, I guess. But it's also a friendly thing. Or you can think of it as a reward. Shop looks better than it has in years, you've made two of the best meals I've ever had. Why wouldn't I want to pay you back?"
"Taking care of you is its own reward," she replies.
"Lir . . ."
"No, I mean it!" She tucks her hair behind her ear. "You seemed happy, and that was nice. I liked making you happy. I just keep . . . messing that up, and I'm sorry."
Dante gives her a smile, then nudges her with his elbow. "Go clean up. Meet you at the front door in five."
He turns and heads into the washroom, his shouts over how clean it is making her giggle. Lir heads back to her room, using the guest bath to wash her face and hands before running a comb through her hair and changing her shirt into a short-sleeved blouse. After a brief debate she dusts some mascara on her eyelashes and applies a bit of lip balm before heading downstairs to meet him exactly five minutes later.
The sight of him renders her speechless. Breathless, too, if she feels like being a bit more cliche, but he looks so good and it's the first time she's really taken him in as a whole since she arrived. The dark denim of his trousers clings to his thick thighs and firm backside almost like a second skin, just loose enough to avoid being considered indecent, and she quickly lifts her eyes up to his chest when she notices the hinted bulge between his legs. But that's no better for her, as the button-down he's wearing shows off his broad shoulders and strong arms, and his hair is loosely gathered at the nape of his neck, highlighting his soft lips and straight nose.
Dante is, in a word, devastating. 
Her skin feels too tight and too hot when he grins at her. "You look nice," he says.
"Do I?"
Her voice comes out like a weird half-whisper, and he nods. "Yup. Like a normal person."
That isn't what she had expected, but he is sliding on his leather coat and pressing his hand to her back, leading her to the door. "Okay if we walk? It's only two blocks."
"Yeah, it's fine." Dante doesn't offer his arm and she doesn't ask, so they stroll together side by side. Lir takes the chance to look around, trying to familiarize herself with the buildings and streets. Everything seems so on top of everything else, and the paved sidewalks offer little greenery as she is used to seeing, but Lir smiles to herself as she takes it all in. The slower rural life never seemed to really suit her, and she enjoys the energy from the city around them as she follows Dante to the diner.
"You ever been to one of these?" he asks, breaking her from her thoughts. Lir shakes her head, and the smile that lights up his face only makes him more handsome. Her mouth goes dry as she studies his lips, wondering if they're anywhere near as supple as they look, how they'd feel on hers, on her throat, at her breast. "You'll love it. A waitress brings you a menu, and you pick what you want to eat. Cheap, delicious, and sure to fill you up."
Like you probably would, she almost says, but merely nods, blushing furiously. "It sounds strange," she says. "Are the waitresses paid?"
"Yeah, but not a lot. But they get tips." He opens the door for them and leads them to a booth, taking opposite sides. It is only half filled, and Lir looks around curiously, watching the waitresses move between the tables. She can see into the kitchen in the back over the counter, and the place is filled with a rich mixture of delicious smells.
A woman comes over and hands them two large menus. "Look at you! Brought a girl this time, hm?" She winks at Dante who smiles back, and the waitress pinches his cheek. "Cutie. Want your usual?"
"You know it." He leans against the seat, slinging his arm over the top of it. "Cindy, this is Lir. She's staying with me for a few days. Lir, this is Cindy. I told you about her yesterday."
Lir nods, murmuring a polite greeting. The waitress, Cindy, is tall, with an hourglass figure that makes her a bit self-conscious. Of course all the women he knows would be gorgeous, she thinks, and the fact that she'd dressed up a bit makes her feel ridiculous now. "Hey, darling," Cindy greets her. "You need a minute to look over the menu?"
"Please," she replies softly.
"Sure thing! I'll get you some water. Just give me a shout whenever you're ready!" 
Cindy heads behind the counter and Lir, her appetite gone, studies the menu, looking for something light she can pick at so as to not offend Dante. Is this what it is to be jealous? Why is it bothering her now, and not before? She's debating between a Caesar and a garden salad when Dante clears his throat. "You alright?"
"Yes."
She hears him shift. "You sure?"
"Please," she whispers. "Please, don't ask me. I don't want to make a fool of myself."
"Uh . . . okay. What are you thinking?"
That this was a mistake, she thinks, but Lir clears her throat. "A salad."
"No way. Get a cheeseburger. They are the best here."
Lir glances over the top of the menu. His expression is charming, and she closes the menu and sets it down. "Okay. Cheeseburger it is."
He smiles at her a bit warily. Is he afraid that she's going to burst into tears in the middle of the diner? Cindy returns, and they order, and when their food arrives Lir can only stare, half in awe and half in horror, at the monstrous burger, mountain of fries, and giant sundae placed in front of Dante. He sets in on it, wolfing it down as she carefully works through her own plate; it's greasier than anything she's ever eaten before, cheese dripping from the patty, and the fries are crisp and salted.
It's delicious.
Dante pays when they've finished, stretching his arms over his head with a hearty belch that has her side-eyeing him. Then, with a playful farewell to Cindy and a hefty tip, he offers Lir his hand and helps her up, letting her go as they leave the diner. Being next to him now feels comfortable, if still uncertain, and they say very little on the walk back towards the Devil May Cry.
"I gotta ask you something," Dante says.
She looks up curiously. "Of course."
"You seemed, uh . . ." He rubs the back of his neck. "I don't know how to put this. Like you've never seen a burger before? I know you are from the boonies or whatever, but . . ." He gives her a side eye that has her blushing. "I mean you were impressed with that old computer in the shop and that thing is almost as old as I am!"
Despite the embarrassment from his assessment, Lir giggles. "I grew up . . . I guess sheltered is the right word. My family is part of a group that heads our community, and as the direct descendants of Ler, there was even more pressure, all eyes watching. As a daughter of the family, I was expected to wait for the son of Sparda." She chuckles at the look he gives her. "I know, it seems strange, doesn't it?"
Dante shrugs. "Doesn't sound too off from the Order in Fortuna. It's just odd to hear when people treat Sparda like he was some big deal."
Lir looks at him in shock. "Sparda is a big deal! He delivered humanity from the demons! And now you carry on his work."
She smiles at him, but he looks unconvinced. "You're starting to remind me of Vergil."
"Vergil?" Lir struggles to recall where she's heard the name before. "That was your brother's name, wasn't it?"
"Yeah. He was obsessed with gaining our father's power and got a lot of people killed doin' it. Then he wound up serving Mundus until . . . Well, there probably wasn't much of him left by then." 
"I'm sorry," she murmurs.
Lir places a hand on his arm, rubbing it gently, and Dante shrugs. "Long time ago," he says. "It's just still funny to me to hear people making a big deal about Sparda. To me he was just . . . my dad, I guess."
She thinks of her own father, his warm smile and big bear hugs, the little gifts he would give them of candy and trinkets, the way he would sing loudly when he indulged too much and laugh at her mother's tutting. Could it be possible that the great knight Sparda, deliverer of humanity and savior of the world, drank too much and embarrassed his wife with his singing?
"Is there anything you want to do?" Dante asks, pulling her from her thoughts. "While you're staying in the city, I mean. Something you want to do tomorrow?"
"Could we . . ." Hesitating, she comes to a stop, and he turns after a few steps to give her a curious look. "Could we go to the aquarium? I read online that there's one not far from your home, and I . . . I'm sorry, it's a silly request."
Dante makes a noise that might be a cough. "Nah, nah, it's . . . Nothing wrong with wanting to see it. Sure. We can go."
"Really?" Lir claps her hands excitedly, then reaches out to take his arm. "I've always wanted to see one! I've only seen pictures."
Dante barks out a laugh as they cross the street, but he doesn't comment on Lir holding onto his arm. "You lived by the water and yet never saw a fish?"
"I've seen fish. But not ocean creatures." She sighs and puts her head on his arm, thinking to herself as they walk. "Even if I do go back home, it'll be worth it to see some jellyfish."
"Would all that really happen to you?" he asks, his tone serious. "Taking your tongue or whatever?"
Lir straightens, suddenly aware of how close they are. She lets go of his arm but he moves closer, so they walk elbow to elbow. "I don't know, honestly," she says, laughing nervously. "I'm the first one to meet a son of Sparda. Not really a precedent."
"I see." He turns them down a corner, and then stops, leaving her to turn curiously. "What I don't see is where we are."
Lir looks around, frowning. "We're lost?"
"Not exactly. I thought we'd take the long way, but . . . oh wait! There's Front Street. Come on."
Dante drapes an arm over her shoulders, tucking her neatly to his side. The warmth of him makes her flush, as does the intimate nature of the act, but the blooming hope that maybe this means good things for them is crushed when he leans down to whisper into her hair, "On my mark, find a place to hide yourself. Something's been followin' us for the last couple of blocks, and it's gonna get messy."
"Demons?" 
"Probably," he agrees. He gives her a squeeze before releasing her, pushing her forward with a hand at her back. "Go." 
Lir takes two steps forward. Then she feels it, something dark and dangerous that pulls on her lungs and stomach before dousing her like a bucket of cold water. She turns, afraid to look but unable to stop, and watches as Dante reaches under his coat and pulls two revolvers out. Beyond him, in the shadows, emerges three creatures the likes of which she has never seen. They look like bugs: huge, overgrown bumblebees, with stingers on the end of their lumpy bodies and claws that reach outward.
"Go screw off," Dante says.
The click as he pulls the hammer makes Lir jump. Run! she yells at herself, but before she can gunfire erupts. The flash from the barrel is bright on the dark street, the lampposts somehow out and bathing them in darkness. One of the creatures screams as it is hit, another advancing with a swipe that Dante ducks and avoids easily.
She stands frozen as she watches him fight, firing off shots that connect each time and leave the demons howling and spraying dark blood. It is a horrible sight, something out of a nightmare, but Dante seems almost unbothered. He seems to barely break a sweat as he delivers a kick to one, using the lid of a trash can to smash into another, and by the time he has eliminated all three, Lir's heart is pounding in excitement.
Dante flips the back of his coat up with a chuckle, replacing the guns before turning around. He catches sight of her gaping and frowns deeply. "Didn't I tell you to hide?" 
"You . . ." Her voice is too strangled to work properly, but there's so much she wants to say in that moment. Thank you for protecting me, you really are the son of Sparda, where did you learn to fight, did you recognize them, the list expands with every second that crawls by until, fed up with her own inability to speak, Lir darts forward and flings her arms around his waist, sending him stumbling a step.
He gives a curse as he catches her. Lir takes a few steadying breaths as the adrenaline pulses in her veins. "You were amazing," she breathes, looking up at his startled expression. "The way you handled them so easily! Your skill is incredible!"
"What? Nah." Dante eases her back, but Lir keeps hold of his jacket as he rubs his cheek sheepishly. "They were nothing."
"No! No, you were . . ." Her voice fades away as she looks at him almost dreamily. "Just like the great knight Sparda. You are a hope for humanity."
He opens his mouth. Closes it. It looks, to her, as though he is trying to figure out what to say, and her suspicions are confirmed when he clears his throat. "Look. I know you were raised to . . . Well, I don't know that you worshipped him, but to at least respect him, but you gotta . . . Can you relax with the hope for humanity stuff?"
"Oh." She lets her hands fall away. "Of course. I'm sorry, I guess I didn't realize that it was making you uncomfortable. I'll refrain from it from now on."
"I mean, this is the guy who I watched nearly set a house on fire trying to make burgers, y'know? He was never a hero to me." He scratches the back of his neck. "Just . . . strange. That's all."
Lir nods, and they stand there for a moment, not making eye contact. Finally she says, "You were very good though. Thank you for doing that."
"Yeah. It's my job, right?" Dante huffs out an awkward laugh before jerking his chin. "Come on, we're only a couple of blocks from home."
Home? Lir doesn't comment as she follows him, but she doesn't take his arm again either. They don't speak again until they are back at the Devil May Cry, and the two once again stand awkwardly in the foyer, Lir's eyes down as she watches him shuffle his feet.
It's Dante who breaks the silence with a sigh. "I keep saying the wrong things, huh?"
"What?" Her gaze snaps to his face.
"I keep forgetting that people out there only know about the legend. Makes sense that you'd say those things about him. I only meant . . ." Dante tilts his head back. "Ah, hell, I'm no good at this."
"Will you tell me about him?" Lir asks. "What he was really like?"
"Maybe tomorrow," Dante says. "It's getting late."
Lir nods, feeling more than a little disappointed. "You're right."
"We should be hearing from Lady tomorrow," he offers.
It should be good news, but it feels heavy. The sooner Lady confirms her story, the sooner Lir will have to move on. "Yeah," she replies. "I'll head upstairs then."
Dante doesn't say anything, so she turns and moves to the steps. "Goodnight," he calls to her when she reaches the bottom.
Lir turns around hopefully, but he's at his desk, back turned as he looks through the mail. "Goodnight," she murmurs back before heading up the steps.
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Like I imagine a lot of people, I really wanted Nero to ask Vergil about his mom. Unlike them, it's not because I think it would be this super sad, touching moment, but because I think it would go like: "So, you and mom.. Did you love each other?" "Not really, no."
Oh my god.
You and me both.
I think people put far too much weight into Vergil’s response to “Did you love my mother?” and not nearly enough into the much, much more important question:
“If you had known about me, would things be different?”
(sorry, this is really long under the cut. I feel the same way and have a lot of strong feelings on it.)
I honestly would rather the conversation go that way and Nero’s mom be some nobody/prostitute/whatever that Vergil had a random one night stand with in Fortuna. Not all relationships in these types of games/scenarios have to be meaningful or loving. It’s much more humanizing, and I think it suits Vergil’s (and Nero’s) story arc so much more. It’s probably because Vergil’s story, to me, is more about mending burnt bridges more than a full on heel-face redemption (yes, even the ones he didn’t know he burned).
Vergil acts precisely and with purpose, don’t get me wrong, but he was eighteen/nineteen and half-human (whether he likes it or not) when Nero was conceived. So don’t tell me it was impossible for him to simply be a curious teenager. Realistically speaking: the man grew up with nobody to turn to with questions when he needed to ask them the most, and was obviously naïve enough to not know about/not care about using any kind of protection — and that’s ignoring the heavy trauma that caused him to be without anyone, to boot (And yes, the parent thing clearly stuck with him, or V wouldn’t have acted around Trish the way he did).
Also, given how emotionally stunted he and Dante both very clearly are, it does not strike me as out of character at all for Vergil to have a one-off fling to both indulge and snuff out that curiosity before his big plans get put into motion. People have done way weirder shit for less.
This could all play in beautifully to Vergil’s story arc with Nero, when you think about it: How does a man who’s finally learning not to be so cold and shut his own twin out learn to care about (or, show he cares about) a life that was never intended to exist at all? What extremes is that man willing to go to if that life is in danger?
This doesn’t make everything about Vergil. It’s been implied here and there, but Fortuna really strikes me as a… particularly unpleasant place to be once you look past the surface, especially if you’re a child born out of wedlock. Even more so if you’re an abnormal child born out of wedlock. Nero’s probably questioned his lot in life more than once, and I get the vibe that his ‘pre-Kyrie’s family’ life wasn’t very happy and may have teetered into neglectful territory. And you know how kids can be: incredibly perceptive to the world around them, but not always comprehending. That could make anyone bitter. And even if Vergil didn’t know, his reasons for not knowing are flimsy, at best. They’re the excuses of a dumb teenager, and that’s gonna be hard pill to swallow for someone like Nero who, hot-headed tendencies aside, has had to grow up pretty fast and didn’t have that luxury. 
In short, not everything has to be this sweeping drama about love and loss. Sometimes, the most touching stories are born from accidents.
[Dante isn’t absent or innocent or losing any limelight from all of this either: He’s nearly as guilty as Vergil regarding Nero, but in a different way. Don’t get me wrong, given his childhood, I’d probably think it was safest to keep the kid at an arm’s length distance too — both out of fear of getting him or his family killed by association and not wanting to see more family die or, alternatively, having that family turn on him if he learned the truth and having to ‘stop’ them too…
…but there comes a point where the whole ‘dropping hints’ and ‘handing over signs and blessings’ and being so frustratingly, maddeningly vague —  because why do I look like that guy? We have to be related, I can sense it, but I don’t want to drive him away — stops being the ‘safe’ option. Clearly.]
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