#anyway - the Kraang arc is my favorite arc | Explore Tumblr Posts and Blogs

criminalmutantsins · 3 years

Text

April O’Neil(2012) Character Analysis

So, this version of April is pretty controversial, especially beyond this community. Many fans accuse her of being a toxic, manipulative women. Even some fans would use derogatory words. For me, she is not so bad. Not my favorite, but pretty okay.

I’m not trying to convince others to change their minds. I respect everyone’s opinions because everyone matters is many ways. All I want to do is explain how I see April and get some of you guys’ opinions.

Hope you enjoy this analysis! And comment down below if you would like me to analyze another character.

Anyway, here we go.

The Main Issues

Season 2:

This season was where it all began with April hate train.

I think almost everyone can agree that April wasn’t so bad in season one, maybe even likable. At least, I did.

But all that potential love went down the drain once season two started.

The first episode, called “The Mutation Situation,” takes place a few months after they defeat the Kraang and the Shredder disappeared. Everything seemed fine since April’s dad was back and the city hadn’t been attacked. But, the Turtles once again have to face the Kraang and stop them from transporting their mutagen supply. They asked for April and her dad’s help to find the ship, though she had to trick him into doing it. The four brothers destroyed the ship, but they paid the price because all of the mutagen in the ship fell off, scattered across the city. One of the vials was going to drop on April, except her father took the hit and mutated into a human-sized bat.

Kirby kidnaps April and the guys have to save her. Once they did, Michelangelo reveals that him and his brother’s were indirectly responsible for the incident.

April gets so mad and storms off, wishing to never see them again.

Okay, so from my perspective, I understand why April broke down and said those hurtful things the first time. She went through a lot during the first season. With her dad being held captive for so long, getting kidnapped and probed by the Kraang, and being forced to relinquish most of her old life.

I’m surprised she isn’t even a bit traumatized.

When April believed the Kraang were defeated and her dad was safe, she was happy to have her life back in some kind of order. Yet, in basically a day, that whole dream died right in front of her. She was tired of all the fighting, and lost it when she realized she would have to again. In her irrational, emotional mind, I think she was angry at the turtles for more than just accidentally mutating her dad. She associated them as the start to all the craziness she didn’t want.

After everything she went through, April was desperate to have some clarity that she was willing to throw away her close friends.

I’m not saying that she shouldn’t have apologized. April needed to apologize.

What I didn’t condone from this arc was her yelling at Donnie in “Target: April O’Neil.” She went a bit off line and at least should’ve had some sense in what she was saying. Maybe Donnie practically stalking got her upset, but I get why people would get upset with her over that.

The Love Triangle:

This love triangle was the worst written plot point in this show. I still love the show, but god this needed so much work.

I believe there were some Apritello shippers around season one. I kind of shipped them.

This ship was ruined once season two came around with that April arc and introducing Casey.

I love Casey, but he was mostly used as a plot device for the love triangle. He had so much more potential than what he got.

Based on the comments about the triangle, most people have an issue with their belief that April was manipulating the guys and how unclear the status of either Apritello or Capril.

I just got to say that poor April was dragged through the mud because of the writer’s mistakes. They confused the h*ll out of us, or at least me, with all the will they, won’t they switcheroo. It was hard to tell if April liked Donnie, Casey, both, or none of them. I think the main goal with this triangle was the writers indecision to either follow the 2003 version’s lead with Capril or go their own path with Apritello. If they had decided, this plot point would have been so much better.

To be honest, I think the writers stopped April from making a decision to make the show “interesting. ”In season 3, it seemed like April wanted to be with Donnie. Casey and her were also acting more like friends instead of love interests. Yet, in the first episode of season 4, they had to make him get love struck over her new outfit.

Ughh... the writers confused me too much.

I think it didn’t come to fans’ minds that maybe April was confused with her feelings. Maybe she liked both guys and didn’t reject both of them outright because of her need to clear her head. Sure, it was a bad idea to be honest with them, but people make mistakes.

“The Power Inside Her”:

People are a bit harsh towards April in this episode. I totally get how they feel, though their hate for her could have clouded their judgment.

The biggest complaint I have seen about this episode is the fans being angry with April for not breaking from the alien’s control. Compared to the aeon, Za-Naron, April is a not that experience with her mental powers. Communicating or using their mental powers is normal for the Aeons, while April figured out how to use them a few months or a year ago. As she kept the crystal, Za-Naron control over her grew stronger. I think that if any other character like Leo or Donnie, fans would be more lenient since their writing was way better.

Of course, April needed to apologize for temporary killing Donnie, and hurting her friends; good thing she did. I don’t hold it against her as much as other fans.

Conclusion:

After finishing the analysis, I concluded that April is a victim of bad writing instead of a terrible character. I know there’s an argument that the writing doesn’t really play a part with liking or disliking a character, but it does. Writers decide every character’s actions and create the person they’ll become. Reducing April to a plot device for romance was terrible. Not seeing April’s potential was one of the greatest disappointments in TMNT 2012.

If you still don’t like April, that’s fine. I’m not trying to change your mind. All I want is to open their perspectives and see that all the hate April gets can be explained.

Hope you enjoyed this analysis. Comment down below your thoughts.

Do you agree or disagree?

Thanks for reading! 😊❤️

#april o'neil #apritello #tmnt2012 #donatello #leonardo #michelangelo #raphael #capril #tmnt leonardo #tmnt raphael #tmnt michelangelo #tmnt donatello #tmnt casey jones #tmnt april #tmnt 2k12 #casey jones

77 notes · View notes

briangroth27 · 6 years

Text

Teenage Mutant Ninja Turtles (2012) Season 5 Review

This was a great show! I discovered the series on Hulu just before Season 5 aired and was immediately drawn to its fun, exciting, off-kilter personality. Though I grew up on the 1980s animated series and movies of the 90s, it’s an extremely close toss-up between this version and the current IDW comic for my favorite version of the Teenage Mutant Ninja Turtles; I think the brilliant mix of science and the supernatural in the Turtles’ comic made for their best origin story, but this show’s characters and overall storylines probably put it slightly ahead. I loved that it fully explored the scope of the Turtles mythology and had several ongoing, engaging plots while taking the time to do some really fun and/or bizarre one-off adventures. The action was always riveting and the cast was perfect. However, I think the final season was a bit uneven.

I was really impressed that they took the risk of killing off both Splinter (Hoon Lee) and Shredder (Kevin Michael Richardson) at the end of Season 4 and I was excited to see what the Turtles would be like on their own, particularly how Leonardo (Seth Green) would handle leading since this show has been so good about putting him through his paces in that area. Season 5’s first arc didn’t disappoint, even though I was wary about immediately trying to bring back Shredder (and Splinter) so soon; this arc would've been at home in midseason or as a series finale too, after we’d had some time to breathe without each side’s leaders. Tiger Claw’s (Eric Bauza) use of a demodragon named Kavaxas (Mark Hamill) to resurrect the Foot’s late leader worked as a compelling plot despite my misgivings and I was thrilled when it didn’t go the way Tiger Claw wanted. Zombie Shredder naming Kavaxas his new second in command instead of Tiger Claw was a perfect, fun twist. Kavaxas later turning on everyone to rule both the living realm and the Netherworld himself was foreshadowed pretty clearly, but his ghost/zombie apocalypse was a lot of fun and became a great excuse to get our heroic terrapins into a Ghostbusters riff (they even included Ray’s Occult Shop and Vigo’s lines from Ghostbusters 2!). This arc was a cool way to showcase the supernatural side of the series, with a great (if brief) demonic villain in Kavaxas, brought to life with an awesome performance from Mark Hamill. Kavaxas was so powerful and ruthless—like when he pulled the soul out of Tatsu (Michael Hagiwara) without thinking twice—that he could’ve worked as a season-long enemy.

Regardless, this arc was a great, exciting, and touching kick off to the season. I do think it would’ve been a bit stronger to have Tiger Claw summon Kavaxas for his own purposes instead of to resurrect Shredder though; what ideas for leadership does Tiger Claw have? That would've been something entirely different for the Turtles to face. He was always a major threat to the guys and could’ve at least tried to lead the Foot rebels himself before resorting to summoning demons and bringing back Shredder. Given the release of souls in the arc, Shredder and Splinter could've come back as a side effect of summoning Kavaxas anyway, still allowing the Turtles to briefly reunite with Splinter and Karai (Kelly Hu) with Shredder. However, it still worked as it played out. That the guys got to say a real goodbye to Splinter was touching and a great use of his ghost, while zombie Shredder ultimately dragging Kavaxas back to the Netherworld was a nice touch. I’m very glad the writers resisted the impulse to permanently bring back either Shredder or Splinter: we’d seen enough of both of them and their return would've hampered the progress of the Turtles. I also don’t know how any plot with Shredder could’ve topped the epic final battle at the end of Season 4.

The character development and side stories that came out of the Kavaxas arc were good too. I liked Leo looking to Splinter’s shrine in a moment of doubt about his leadership skills. Donnie’s (Rob Paulson) grudge against Don Vizioso (Brian Bloom) was a great bit of character development, especially as it briefly made him the “Raph” of the team, running off on a vendetta that screwed up things for his brothers. Karai vs. her old, blind teacher Hattori Tatsu was a great look at a different part of her past. I really wish we’d learned more about what she wanted to do with the reformed Foot and this battle for the rightful ownership of Shredder’s Kuro Kabato would’ve been the perfect time to explore that. Does she want them to be a force for good in the city; a network of ninja vigilantes fighting crime? Or does she have other plans? Either way, Tiger Claw calling a ceasefire between the Hamato and Foot clans because of their team-up against Kavaxas was a nice touch and an unexpected way to end the threat of the rebel Foot for good. With no more Foot to lead, I suppose he returned home after that. Likewise, Fishface (Christian Lanz) bailing on the Foot to return to his old life of low-stakes crime after giving the Turtles a heads up about Shredder was perfect. Rahzar (Clancy Brown) was always a lot of fun, so even though his brief resurrection didn't make much of an impact on the show or characters, it was good to see him again one last time. Falling into the Netherworld was a solid way to undo that resurrection. It was also nice to get a brief return of Ho Chan (James Hong) and closure for even minor villains like Don Vizioso and Hammer (Eric Bauza). They must’ve pushed the censors to their limit by giving Vizioso Shredder’s actual heart! Yikes. Tiger Claw’s mutate underlings having been mutated by Super Shredder’s mutagen leftovers, thereby giving them all a sliver of his mind/personality, was a cool (if brief) new wrinkle to the Foot. I also liked the introduction of the latest 2D animated parody show, Space Heroes: The Next Generation. That was a nice full-circle choice.

I liked that Mona Lisa (Zelda Williams) and Sal Commander (Keith David) got to return—along with the Newtralizer (Danny Trejo) and Lord Dregg (Jeffrey Combs)—to wrap up the outer space segment of the series. I love how dense the universe this show built for the Turtles is and the fact that this season revisited every part of it was a smart decision. Raphael’s (Sean Astin) reunion with Mona Lisa was great and I really liked that they subverted expectations of their courtship with him being completely dumbfounded by her and bashful in her presence. Given his role in the space segment of the series, it felt like Casey (Josh Peck) should’ve played a big role in this mini-arc. Still, this arc maintained the epic scope of the space segment of the series. Dregg’s invasion and plan to use humans as larval pods for the Vreen was exactly as long as it needed to be, with the exception of one plot point. That stumbling block was Mikey’s (Greg Cipes) “death,” which was a total shocker (pun absolutely intended). I had no idea how they were going to write themselves out of that, so to have him just…be OK, just briefly electrical-powered all of a sudden was a letdown. Even so, I liked that this was a fast-paced wrap-up of the space stuff and it was cool that they found a way to even close off Lord Dregg and Newtralizer this season.

The Turtles’ journey to Miyamoto Usagi’s (Yuki Matsuaki) anthropomorphic alternate world was a solid adventure, but I would’ve liked to see more development within the Turtles along the way. Specifically, I would’ve liked something about the guys looking at this world and thinking they could make a real life out in the open here. They wouldn’t have to hide ever again and this doesn’t really cross their minds as something they might like? Their inability to live without pizza or TV would be a totally acceptable argument for them going home, but it could’ve at least been a discussion. I was expecting Kintaro’s (Evan Kishiyama) supremely annoying nature (they did a great job at making him a brat) to bounce off Mikey’s shenanigans more than they did too; how does Mikey handle suddenly being the more mature one? Kintaro’s brattiness could’ve been a wake-up call that he might need to grow up a little bit. Also, did any of the Turtles look at Usagi and see Splinter or a future version of themselves? Leo bolstering Kintaro’s confidence was a good moment for his development as a leader, though. I also really liked the world-building that went into these episodes: they did a great job of establishing Usagi’s world and making it feel lived-in and old. The opening scene of Usagi’s first battle with Jei (Keone Young) and his story about the death of his master General Mifune went a long way to give it a sense of history. I liked the use of the mischievous Japanese spirits and the spiders were super creepy; even though it took place on an alternate world, this mini-arc gave the Turtles a brief exposure to the culture Splinter instilled in them (though I wish at least one of them had come away wanting to actively practice and live it more). Starting the episode from Usagi’s point of view, introducing the Turtles as pawns of Jei, and making the focus Kintaro’s growth rather than the Turtles’ (even if it would’ve been stronger to have them also changed by their adventure), was a cool way to make this mini-arc distinctive and to change up the episode formula.

The flashback to the earliest days of Splinter raising his turtle sons was a nice one-off adventure, but didn’t seem to fit with the rest of the arcs that wrapped up plots or just went big this year. Maybe it’s because I know the Turtles’ origin so well, but I didn’t need to see this show’s variation on how they came to live in the sewers or get their weapons/names. This flashback to the early days didn’t shed much if any new light on the Kraang (Nolan North), but did serve its function as a nice way to touch base with where the show started in the midst of arcs about everywhere it went. Splinter’s realization that the Turtles have given him a second chance at fatherhood (he still believed Karai was dead at this point) was the biggest and best moment of the episode. While a solid episode that would’ve been fine in an earlier season, I felt like this slot could’ve been put to better use as part of a bigger story.

“Raphael: Mutant Apocalypse” was my least favorite arc this season. It was a fun and definitely original idea—I never would’ve thought of putting the Turtles into Mad Max’s world—but it overstayed its welcome and if it’s meant to be the canon future of this world, why? Why kill April (Mae Whitman), Casey, and nearly everyone else we know for this depressing apocalypse? My head-canon is that this is just one of the ten dimensions (and every synopsis I’ve read states that it’s an alternate future, but it would’ve been nice to confirm that onscreen). Mira the Meerkat (Jessica DiCicco) was a fine character, but it felt like she was there more to introduce the map plot than anything else. Still, it was nice to see Chompy (Dee Bradley Baker) continue to grow and that Ice Cream Kitty (Kevin Eastman) had survived. The Honey Badgers were threatening enough to be legitimate obstacles, but not really distinctive from the villains the Turtles faced on a daily basis.

I felt like “Mutant Apocalypse” went on for an episode too long and despite the fresh setting, didn’t really do much interesting with the characters. Raph becoming a hardened, grizzled scavenger, Donnie Metalhead, and Mikey a new age desert sage certainly made sense as outcomes for those characters, but they also felt like the most obvious directions for each of them to go. What if instead, Donnie rebuilt Raph as Metalhead to keep his brother going, replacing him piece by piece as his brother was continually worn down in fights? Losing parts of his body to mechanics and being unable to depend on himself to fight would affect Raph far more than tech-obsessed Donnie. What if Donnie was losing his mind in the desert and the only thing keeping him focused and lucid was tinkering; keeping himself going by keeping Raph and their van going? Losing his memory like Ralph was also would’ve been a greater tragedy for Donnie, since his best weapon is his mind. What if Mikey were the one that became the serious, hardened road warrior in the absence of Leo? The death of his brother (and the world) could’ve been a wake-up call that this wasn’t a game and the loss of his innocence would’ve been a tragedy in itself. If you’re going to flip the whole world upside down, why not take the characters to unexpected extremes as well? Leo turning out to be Maximus Kong was the only real surprise (I bought that he was dead at first)—and a nice connection to the parallel universe Space Heroes: TNG episode that revealed the hero characters we’d been watching were the bad guys—but “hero driven mad” doesn’t really resonate when Leo never gets a chance to truly reflect on what he’s done. Will Leo ever have to answer for the horrors he and his army inflicted on the world? It doesn’t seem so. Instead, as daring a development as it was, the lack of consequences made it feel like nothing more than a way to make the mysterious enemy important. If there had been any indication in the normal timeline that Leo could go bad, Maximus Kong would make more sense, because it’d be something inside him brought to the surface by the mutagen bomb. However, making him just angry/confused and accidentally evil pulled the rug out from everything he’d done. I did like the reversal of Leo and Raph’s relationship, though, where Leo was the one overcome by anger and instinct and Raph had the more level head. There’s also a good moment of the surviving brothers mourning Leo before they find out he’s still alive.

It was cool that they also took the time to wrap up Renet (Ashley Johnson) and Savanti Romero (Graham McTavish), and taking a mini-arc to revisit the time travel aspect of the Turtle universe was another inspired way to make this season a true exploration of everything this series was. I love the classic Universal monsters, so to see so many of them translated here (right down to the episode title cards!) was awesome! I liked the Halloween invasion by the legion of monsters, and while I wish Casey and April had been given more to do, making them vampires was definitely creepy. I was impressed they made Dracula (Chris Sarandon) so evil and loved every second of it. They also did a great job giving the Mummy (Grant Moninger) some real power. Frankenstein and his Monster (both played by Grant Moninger as well) fit into the story perfectly, and the fight throughout Frankenstein’s lab was a particular standout. The Turtles’ disguises and excuses for what they were (trolls, goblins, etc.) throughout Europe in the various time periods were a lot of fun, and Leo’s Van Helsing dig was especially funny. Vampire Raph was another really fun use of the monster storyline and I was surprised by how long they let him remain a bloodsucker. Mikey’s bond with Frankenstein’s Monster was great and Mary Shelley’s classic creation was a cool connection to our similarly misunderstood heroes.

I enjoyed the final arc, but it also left me a little disappointed since it was the series finale. The 80s Shredder and Krang (Pat Fraley) showing up was an OK idea—I especially loved Krang sitting in a booster seat at a diner: that was brilliant!—but it felt wrong to give this show’s finale to a retread of a team-up we already saw earlier in the series. It felt like they went for nostalgia instead of making a final statement about this show, and that was a shame: the characters and world of this show are exceptionally strong and should’ve been honored with their own finale. As big and classic as Shredder and Krang are as Turtle villains, going back to that well at this point was underwhelming (particularly when you’re dealing with intentionally less-dangerous versions). I was also disappointed Mona Lisa wasn’t with the Mutanimals in the finale. They set her up to join them in her return this year, but then didn’t even mention her absence here. That said, there were some great moments in these episodes. It was cool to see our Turtles train and toughen up the 80s guys; I was surprised at how far they took the original show’s Turtles not using their weapons for actual combat (“Someone could get hurt!”). Our April’s “Do reporters in your world wear jumpsuits?” was another fun line. Shredder and Krang being so surprised at how efficient our Bebop (J.B. Smoove) & Rocksteady (Fred Tatasciore) were was also fun. Karai meeting an alternate version of her “father” was cool, but I feel like they could’ve done more with it. Our Bebop and Rocksteady reforming is such a fun idea that I wish they’d given it more time to breathe. Would the Turtles help mentor them? Get tired of their antics and accidentally drive them back to crime? What if Bebop & Rocksteady accidentally became wildly successful as public heroes, maybe even getting paid for their services? How jealous would the Turtles be that these fools found a way to come out of hiding and be celebrated for their heroics? I wish this arc had been the opening storyline of the season, allowing Bebop & Rocksteady’s evolution to continue over the course of the year.

The Turtles being bored after defeating all their enemies was a solid idea—and I love that the show had actual endings for their villains, not never-ending back-and-forth struggles—but I would’ve preferred more forward momentum in harnessing their own destinies. Some effort at getting out of the sewers and making a real change to their status quo would’ve been great and totally new. In a season full of mini-arcs about where the guys had been over the course of the series, I would’ve loved an exploration of where they’re going. Will people ever accept them? Will their personalities always bring them to this configuration of the team (Leo leads, Mikey’s a party dude, etc)? Raph made great strides to overcome his rage on this show, but will he ever find real inner peace? What will Leo do when/if the guys don't want to fight anymore? Are their new students for him to train somewhere? Would he lead the Foot with Karai? Might Donnie become a reclusive tech mogul and/or video game designer? What does the future have in store for Mikey? Could he become a X-Games contestant? Party-animal DJ? Chef? All of the above? What about the guys’ love lives? I definitely thought it was past time for Donnie to be over April and I would’ve liked to see her and Casey get together while Donnie moves on to a new love interest. It felt like that triangle had been settled already and to hint that he still had those feelings for her felt like a step backward. In addition to exploring those questions, I really wish we’d seen much more of April, Casey, Karai, and Shinigami (Gwendoline Yeo) this year. All four of them seemed to largely vanish this season and that’s a shame. What do April and Casey want out of their lives beyond helping the guys fight crime? The two of them are major characters and their lack of focus here felt wrong. What are Karai and Shinigami going to do with the reformed Foot? I’m glad that so many villains got wrapped up, but are there new threats on the horizon? Will there be a resolution to the existence of mutants in New York; will they become an accepted part of daily life, get cured somehow, or will something entirely different happen?

I know it seems like I’m being hard on this season, but I still had a lot of fun with it and this show in general. It rekindled my love of the Turtles and I’m really sorry to see it end so soon after discovering it. I’m eager to check out the tie-in comics from this show, but there are TV elements comics can’t replicate. All the actors were perfect for their roles; these are the voices I’m going to hear when I read TMNT comics for a very long time. I loved the character designs, the personalities of the characters (these are also going to be the definitive versions for me for a long time coming), and that the action was always kinetic and exciting. The arcs each character got were great (even if this season stumbled a bit in that department), and this show definitely made the best use of April yet. I loved that the show was willing to go dark when the story called for it (without ever forgetting to be funny or downright silly) and loved even more that it was willing to go WEIRD. “Pizza Face,” man. The homages to sci-fi of the 80s and 90s were right up my alley, so they were very much appreciated. The new theme song incorporating just enough of the 80s theme to feel like the Turtles while still being something new made it instantly catchy and a perfect summation of this series as a whole. It’s probably even better than the classic 80s version and I wish they hadn’t changed it this season (though this lyric-less version wasn’t bad).

I’ll miss this show a lot, but I know I’ll revisit it often down the road. Despite a few missed opportunities for character development and plot progression this year, these Turtles still have it and are definitely worth checking out!

Check out more of my reviews, opinions, and original short stories here!

#teenage mutant ninja turtles

1 note · View note